Halloween prompts year 2 day 15
Hood remained silent, even as he clenched the gun tightly in his hand. He hadn't even seen a hint of green portals or blond elfs but 200 witnesses couldn't all be wrong.
All of them had stated that a white haired meta with a gas mask was working with a blond elf with a leaf mask and that they had been the ones kidnapping the kids and teens of Gotham.
Jason had heard stories of fairies snatching kids and infants, sometimes swapping them out with a sickly one of thier own. But there were no trades that Jason knew of. Only missing kids.
Hell, all of the biggest child gangs around Crime Alley and the Narrows were gone.
As in gone gone. Not a single member was left nor any trace of where they could have been taken to. As much as he hated to admit it, he might need to ask for help from the Justice League Dark...
---
Link stared down at the kids from his rooftop perch.
They looked...cleaner. Happier. They had gained a healthy amount of weight, no longer stick thin and weak looking. They had season appropriate clothing without holes and others hidden away in chests and armours for the coming seasons far off from now.
His spirit friend, Phantom, had panicked a bit after he realized what they were doing was trafficking, but calmed down once he pointed out that these kids would have a much better life in Hyrule than they would have had in the rotting trashpit that was Gotham.
If they would have lived much longer at all
Still, thier presence here was mutually beneficial. Hyrule had lost over 80% of its population in the Great Calamity and they were no where close to regaining the population they once had. All of thier forts, training areas, ect were specifically targeted and destroyed in the attacks and gardians and monsters were left in the ruins to ensure they could not rebuild what was lost
Which led to the bigger issues at hand. All the empty occupations.
The castle, and thus castle town, were ground zero for the disaster that wiped out the Hylian peoples. With it many businesses and trades were lost. Hyrule had few soldiers and those they did have desperately needed armor, weapons and training.
That wasn't all. Hudson construction had attempted to repair Castle town and eventually the castle, but they were wood workers, not stone masons. They knew little of the craft that was needed.
There were lessons and information in the castle archives covering most of the jobs and trades, as well as how to proform them, but the princess didn't see it as a priority. They didn't have the people necessary to teach these crafts and the castle and town surrounding wasn't really a priority anyway. Not with all the people who still needed help around the kingdom.
Phantom helped a lot too. Other than helping them build towns for the kids (the child gangs actually really liked having a town all to themselves) he did a lot of other random jobs around the kingdom, much like Link himself.
Unfortunately, his next trip to Gotham lead to a run in with the "Red Hood" and the phrase, "Was that a fucking fruit grenade?!" Link did not know what the word "Fucking" meant but the Hood man would not tell him. He is learning a lot of new words from this guy, words that Phantom appearently didn't like cause he loudly scolded Red Hood like a naughty child the first time they met. It was hilarious to see this tiny 15 year old tell off a giant tank of a man.
Link couldn't see the mans expression due to the odd red helm the man wore, but he could tell he was cowed, even if just a bit. Then he began speaking to someone who wasn't there while pressing his finger to the side of his helm where his ear should be. Is Red Hood ill? Does he have a mind sickness like the ones Phantom told him of when describing his parents? Or is this something Link doesn't yet understand...either way he doesn't think he's getting more children for Hyrules future in this trip...or anytime soon if those ominous masked people landing on the rooftops around them had any say in the matter.
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do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?
i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.
most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.
Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.
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Alright.
I h a v e to know what Padak is about XD
Oh... Oh you sweet summer child, you don't know?
Well I'm glad I can tell you instead of you like, stumbling on this movie and having all of it jump out at you XD
Ok ok, I genuinely love this film and I'll admit, I really want to take a moment to geek out about it. But that would involve in me getting into spoiler territory. So, in case you decide to look for this film yourself, I'll just give you the generalized story here.
The movie is about a lone mackerel, later in the film named Padak for trying to 'padak padak her way to her death' (she jumped out of the tank and was flip flopping on the ground. I'm guessing Padak is Korean for Flip-Flop? It's a good thing this film wasn't Australian, or else she'd be named Thong. I'm sorry) is fished out of the sea and dropped into a tank at a local restaurant, and has to escape back to home, all while trying to convince her new tank-mates to escape with her. Simple plot, right? Well... Here's a quote from the YouTube review that introduced me to Padak that pretty much sums up the whole movie perfectly.
"Imagine if you took the fish tank setting from Finding Nemo and mixed it with the graphic violence from Watership Down, drizzled it in the depressing tone of Plague Dogs, and gave it a garnish of that sushi scene from The Isle of Dogs. That's basically this film on a plate."
Steve Reveiws, Padak
Now, why is the sushi scene prevalent? Because this film takes place in a Korean restaurant where their food is as fresh as possible. Meaning that the fish are prepared and even eaten while still alive. And this film pulls zero punches in showing the horrors of this kind of delicacy (no, I'm serious. A fish is literally cut up and dissected on screen. This movie takes off the kid gloves and throws them in the God damn incinerator). So yeah, there are a lot of images in this film that will be upsetting to veiwers. But this film isn't gorey just for the sake of gore. It tells a genuinely very sad story and will wring out emotions from your heart, and can also be breathtaking with its musical and 2D animated segments.
I'd recommend checking out this reveiw before trying to find the film, though. Even if watching a reveiw is not at all like watching the movie, this guy does censor some of the more extreme gore (like the scene I mentioned above). He doesn't censor all of it, but I think this video is still the best introduction to this movie.
However, if you want to check out the movie, I could only find it on this website https://online.potlockermovies.com/full-movie/padak/ it's free, and it does have English subtitles (the movie doesn't have an English dub), but there are a lot if pop up adds and it's probably going to get frustrating clicking off of them, but this site was still the best I could find to watch Padak.
It's interesting to note that this film does not go in the direction you might expect it to. If it weren't for the fact that I had watched the video above before the movie itself, I would have been just as shocked with how it ended and what happened to our characters as Steve was. But at the same time, the film does establish right away that it's going for more... For lack of a better term, realistic approach. So although the film goes in an unexpected direction, it's also hard to say that it cheated you out of your time to view it.
Again, to try to keep this as spoiler free as possible, I'm only going to sum up the third act in lyrics from the last song of the movie that speaks mountains once you realize it.
Destiny tricks us like fools.
He also gives off a kind of viscious cunning vibe in the movie? Like he's the second in command character that's a bit of a bastard. I think you might like him if you watch this movie. And the old Flatfish who is 'The Master' of the tank.
Oh yeah also, there's this eel (who I think is named Anago? Or Jooldom? His name is never mentioned in the film, however the video above calls him Jooldom, and I've seen people on this site argue his name is meant to be Anago. There isn't much information for this movie online, unfortunately.) who everyone wants to become the next tumblr sexyman. All because of his voice. To be fair, it is a nice voice.
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Ya know. I spent most of my life with horrible painful soul-crushing social anxiety.
And after about 25 years of continuous hard work, suddenly, people started pointing out - to my utter bafflement - that I had, in fact, achieved my lifelong dream of being charismatic. I'm 29 now; I feel comfortable in most social situations, and it is a very rare person whom I cannot make laugh.
I am, undoubtedly, finally, charismatic.
But do you know what I found?
I found that now that I have an understanding of which social rules serve which functions -- Now that I have an understanding of just how much damage my awkwardness was doing to people, well,
I found that, actually, my awkwardness never really hurt anyone at all. People were just judgmental dicks to me about it.
Now that I have the skill-level to (most of the time) creatively vocalize what is in my head as soon as I think it and without fear, I can confirm once and for all what I had always suspected:
I was worth talking to when I was quiet.
I was worth talking to when I was awkward, and when the words in my head took time and patience to hear, and when most of my jokes didn't land. I was worth talking to the whole time.
So I just... I hope that if you've ever wondered whether you are worth communicating with, the answer is yes. Absolutely yes. Each of us has a soul worth sharing - and if you and I were talking, I would happily wait for you to speak (or communicate in other ways) without condescending, and I would never shame you for that harmless awkwardness that so many people feel the need to violently stomp out.
You are worth talking to. You just are. And you deserve people who will speak to you with kindness, with patience, and with the basic immutable respect owed to all people.
(I talk about this with some frequency, both on tumblr and in real life. At some point, maybe I'll gather all my thoughts on the matter into one post. At some point, I wrote about my personal experience trying to build my social skill. But I felt the need to say at least a little bit tonight after seeing this other lovely post, and I'm glad I did. It will happen again.)
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