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legion1227 · 5 months

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72 Shows Watched in 2023: Ranked!

72. Titans (Season 4)- 2/5.

As someone who genuinely enjoyed the first two seasons, the fall-off was immensely disappointing. Season 3 was disappointing, but I'm more infuriated with season 4. I did not like the setup or payoff with Trigon, Brother Blood, and any other antagonists this season, or Superboy's character arc. A disappointing, dull slog the entire way through.

71. The Witcher (Season 3)- 2.5/5

I thought the third season started fine. Henry Cavill as Geralt will always be iconic. The rest of the cast, characters like Yennefer, Ciri, and Jaskier are compelling when onscreen but the others feel unmemorable. Episode 5, which focused on Geralt and Yen in the ballroom, was possibly the best episode of the season. But the last three episodes were forgettable enough to bring down my overall enjoyment. I shudder at how Liam Hemsworth will be next season or just how the next season will be. Period.

70. Bupkis- 2.5/5.

Bupkis is a comedy on Peacock, starring Pete Davidson as himself in a slightly more extreme version of his life. It also stars Edie Falco, notable for playing Carmella in The Sopranos and Jackie in Nurse Jackie, as his mother, and Joe Pesci, of Goodfellas and Home Alone fame, as his grandfather. The star power is grand but the jokes are light. There are some engaging stories told from episode to episode, but as a comedy, it could strive to be better. Reel back on your celebrity guests and write stronger jokes for the second season please, Pete.

69. Bel-Air- (Season 2) 3/5

Also on Peacock, the dramatized version of the classic, beloved sitcom, The Fresh Prince of Bel-Air. In comparison to season 1, I think it's a bit of a step-down. The actors chosen to portray the iconic characters and add a new spin on them are finely picked and perform solid performances. But the storylines for each character are...eh. Like, Carlton struggles with an addiction to coke for the season and it doesn't feel the most engaging. The character dynamics are enough to elevate it slightly, but it's still just an okay season.

68. Kaleidoscope- 3/5

Kaleidoscope is a Netflix show that spans over 24 years, where a crew of bandits try to steal billions. Part of the appeal of the show is that you can watch the show in any order you want. It's a neat gimmick to tell a linear story, but the story being told could be better. Giancarlo Esposito, known as Gus Fring in Breaking Bad and Better Call Saul, does well in a role that separates him from the villainous roles he's taken over the past decade. Every other actor and character could stand to be better. I'd like to see another show try this gimmick again, but...in a more intriguing manner.

67. Secret Invasion- 3/5

Personally, I don't find the show to be as horrendous as others attest, but it is easily the weakest MCU show to grace the small screen. Wondering which character may or may not be human or a Skrull was fun, the fight scenes are okay, and Samuel L Jackson is always a delight as Nick Fury. But the political drama they strived for here is uninspired. And the show downright looks ugly at times in comparison to far prettier shows like WandaVision or Loki. Rest in Peace to Maria Hill and Talos for having to die in such a mid show.

66. Bookie- 3/5

Bookie is an HBO Max original starring stand up comedian Sebastian Maniscalco as a veteran sports bookie trying to live his life and keep track of the various clients he has that make sports bets in Los Angeles. The premise itself holds some promise, and the characters are mostly likable. Its comedy is similar to Maniscalco's stand-up but still feels light on the laughter. Maniscalco and Omar Dorsey's characters carry the show enough to cross a threshold into becoming okay. It reminds me a little of Bupkis, but better.

65. Willow- 3/5

Willow is a continuation of the movie of the same name released back in 1988. The actor who played the titular Willow over 30+ years ago reprised his role once more as a powerful sorcerer who encounters a young group of heroes who embark on a dangerous quest. While the movie reminded me of The Neverending Story with its tone, the show does the same, more or less. The action scenes and cast were perfectly okay, sorta carrying itself on a cheesy, endearing vibe that you either rock with or don't. What's most egregious is how the show was wiped away Disney+ canceled and wiped from their platform, making it impossible to view via legal means.

64. Camp Lazlo- 3/5

Camp Lazlo was a show that used to air on Cartoon Network from 2005 to 2008. I used to watch it as a child then and rewatched it in its entirety for the first time in years. The series follows anthropomorphic spider monkey Lazlo and his bunkmates albino rhino Clam and elephant Raj as they look for fun times at Camp Kidney. It's a goofy, fine TV show that I think kids nowadays would get a kick out of, but there are better shows from that time to indulge in. The characters teeter from being likable to annoying from episode to episode, the character design is fine, and the comedy is lowbrow. It's not offensive in any way, but I'm a little disappointed since I liked this show a lot more as a kid than now. For me, it doesn't hold up too much.

63. The Last Kingdom (Seasons 3-5) 3/5

For 5 seasons, The Last Kingdom followed Uhtred of Bamburgh in the Medieval Age fighting mighty European armies and leading armies himself as a powerful warrior who's grown into his own. The first two seasons, viewed in the tail-end of 2022, were possibly the best seasons. Alexander Dreymon's performance as Uhtred was fine throughout, but not as gripping as I would hope. The same principle applies to every character introduced in the past three seasons after season two. A fine story is told throughout, but the best aspect has to be the action scenes. As disinterest took over towards the final season, I take solace that the movie that followed, Seven Kings Must Die, was really good and a great sendoff to Uhtred.

62. Dave (Season 3)- 3/5

Maybe Dave is the slightly better version of Bupkis than Bookie was. Dave stars David Burd, also known as Lil Dicky, as an extreme version of himself looking to boost his rap career. The latest season was a slight step down from season 2. It's always relied on gross-out humor, but it was too much this season. This season was a huge mixed bag with some good episodes and some that were average. Certain characters could use more fleshing out, like his friends, Elz, or Mike. More of that instead of flexing the cameos like Drake or Rick Ross would bring the show up a bit more. Though, to be fair, Brad Pitt in his episode was pretty entertaining.

61. Ahsoka- 3/5

Former Jedi knight Ahsoka Tano seeks to prevent the return of the Empire as she investigates and traverses the galaxy. I wanted to like this more than I did. I loved Ahsoka in the Clone Wars show and enjoyed Rosario's performance in the handful of episodes she appeared in Mandalorian and Book of Boba Fett. And while Rosario is decent as Ahsoka here, the rest of the cast fails to thrill me. Ahsoka seems like the kind of show that someone would enjoy if you watched the animated show Star Wars: Rebels because it would help make you care more about the characters. Unfortunately, I did not do that so it doesn't help. All I will really remember from this show is the appearances of Hayden Christensen's Anakin Skywalker.

60. Black Mirror (Season 6)- 3/5

The anthology show pushed out 5 episodes this season, and about 3 of them were good. Loch Henry was an uninteresting episode until the final ten minutes, and Mazey Day was the worst episode of the bunch easily. However, the performances and premises of the other three episodes were enough to bring the show as high as it did for me. If you're looking for a random standalone episode that's either entertainingly perplexing, pleasantly thought-provoking, or thrillingly cataclysmic, check out the episodes Joan is Awful, Demon 79, and Beyond the Sea.

59. Doom Patrol (Season 4)- 3/5

Originally a DC Universe Original before becoming an HBO Max original, Doom Patrol was a spinoff of the Titans show about an unlikely group of superheroes with depressing backstories saving the world. This final season really cemented itself that this particular brand of bizarreness, while engaging, was not necessarily for me. The first season was always my favorite, with Alan Tudyk as Mr. Nobody being an excellent foil to the group, but the proceeding seasons never met the same level of love for me as the first. The characters are likable, their arcs are well written, and there's a beautiful sendoff to the cast, but it has a unique sense of weirdness that, while I do admire it, doesn't resonate with me as much as it might for others.

58. AEW All Acess- 3.5/5

The second biggest professional wrestling promotion in America, AEW, showcased a reality show that gave viewers a glimpse into the backstage antics and lives of wrestlers. I'm not big on reality shows, but I love AEW and the wrestlers who work for the company as well. It was an intriguing peak behind the curtain but to an extent for a reality show such as this. Certain elements of drama feel corny as it's somewhat scripted for a "reality" show, there's only so much you can show. And with AEW battling real dramatic bits, like CM Punk fighting people backstage, it feels underwhelming what they show instead. Though, it's understandable they can't show or talk about those instances due to legal issues. Regardless, AEW All Access if a fine product for AEW and reality tv show fans, if there's a correlation.

57. Righteous Gemstones (Season 3)- 3.5/5

The HBO Max show follows the Gemstone family, a bunch of Christian televangelists running their church in the wake of the patriarch Eli's wife's death. The third and latest season is as consistent as the first two seasons. The performances and chemistry of the children, Judy, Kelvin, and Jesse, are a joy to watch. The entire cast is fun with their obscene humor leading to chuckle-inducing jokes. The Gemstones have heart that makes them so endearing.

56. Dexter (Seasons 5-7)

In a long-lasting endeavor to enjoy the original seasons before finally getting around to New Blood, the misadventures of blood-splatter analyst Dexter Morgan bled into 2023. The best seasons, 1-4, were watched in 2022, and this year, 5-7 were enjoyed. The fifth season was a step down from the first four, but the introduction of the character Lumen and Dexter's handling of his grief after losing someone dear to him made for still compelling television. The seventh season was on par with the fifth thanks to a compelling character in Isaak and Maria Laguerta's role. The sixth season is what brings the show down, as the antagonists are underwhelming against the many that came before.

55. Ned's Declassified School Survival Guide 3.5/5

Ned's Declassified was another kid's show I watched growing up that aired three seasons from 2004 to 2007. The show followed middle schooler Ned Bigby and his best friends Moze and Cookie as they tried navigating through middle school, looking to survive. I'm unsure what most kids are like these days, but I'd like to think that this would be something that kids approaching middle school would enjoy. The show became more interesting as seasons went on, the romance aspects were somewhat intriguing, and the wacky supporting characters were mostly likable. The tips and lessons could still apply to kids looking for a guide today. Kids might get a kick out of this today, but should probably stay away from the weird podcast about the show. They really don't need to hear stories about Moze's actor blowing all the other guys on set or whatever.

54. Star Wars: Visions (Season 2)- 3.5/5

The animated anthology series provided a new season with new stories to tell. The animation across the board is gorgeous. Story-wise, the most engaging episodes involve a former Sith and the one where a bunch of people are stuck in a pit they built for the empire. Not every episode is as interesting as those two, but there are neat ideas explored in each episode that one might not see in a star wars show or movie anytime soon.

53. Only Murders In The Building (Seasons 1-2)- 3.5/5

As season three of the acclaimed murder mystery dramedy released this year, I found the time to check out the first two seasons before the year ended. Watching Selena Gomez, Martin Short, and Steve Martin work off one another and try to figure out back to back murders is highly entertaining as their chemistry is off the charts. The special guest stars like Tina Fey or Nathan Lane have helped bring the show as high as it is and it should be commended.

52. Narcos (Seasons 1-2)- 3.5/5

The first two seasons that detail the rise and fall of notorious crime lord Pablo Escobar are as good as they are due in part to the powerful performance by Wagner Moura as the drug kingpin. There were some solid performances throughout the show, but no one gripped me as much as him. (Bit of a spoiler coming here...) When Pablo died at the end of season two, there was little incentive to watch season 3 for me. Others may find this more enjoyable than me, but I recognize that this is a solid, well-made show.

51. Ted Lasso (Seasons 1-3)- 3.5/5

Ted Lasso was a great show for the first two seasons before the quality of season 3 brought it down. Some character arcs with characters like Keely didn't satisfy me. The show's decision to make the episodes an hour long brought the quality down immensely. If season three didn't make such boneheaded choices in its last season, the feel-good comedy would rank higher for me.

50. South Park (Season 26)- 3.5/5

the raunchy, foul-mouthed sitcom still can push out gems, but I miss the old seasons when they were much longer. The latest season pushed out 6 episodes, and while none were bad, if there were at least a few more episodes, the latest season would've been almost great. Two standout episodes for me involve the conspiracy around Japanese toilets, and the episode written by AI like Chat GPT. Nothing as hilarious as previous iconic episodes, but the topics and creativity was sublime still.

49. Disenchantment (Season 5)- 3.5/5

Created by Matt Groening, the same genius mind behind the Simpsons and Futurama, Disenchantment is an animated fantasy series that takes place in a medieval land, following the main characters of Princess Tiabeanie, her elf companion Elfo, and demon buddy Luci. The fifth season was its last, bidding farewell to the zany cast and its colorful multitude of a supporting cast. An underrated show that deserves viewing.

48. Scrubs (Seasons 5-8)- 3.5/5

The classic sitcom about medical students turned doctors peaked with its first 5 seasons. The stories, premises, and character development would not reach the same heights in seasons 6 to 8. Some jokes are funny but don't land as hard for me as they did upon my first viewing as a preteen. Rest in Peace to Sam Lloyd, who played possibly the funniest character on the show and my favorite, Ted. He encapsulated a depressing lawyer swimmingly.

47. Bobobo-bobo-bobo- 3.5/5

Bobobo-bobo-bobo was like a fever dream that I never stopped thinking about as a kid. The bizarre anime about the man Bobobo-bobo-bobo fighting enemies with his nose hairs used to air on Cartoon Network during its Toonami block back in the 2000s. After obtaining a blu-ray disc some time ago, I finally got to watching. It's rapid pace with jokes, insane characters, and wild visual gags wormed it's way into my heart. If I were to let bias get in the way, this would be in my top ten. But not every joke in this comedy lands. I still love this show to pieces tho and wish they'd bring it back.

46. Twisted Metal- 3.5/5

This adaptation of the racing game was the most fun show Peacock produced this year that I watched. The cast is enjoyable with Anthony Mackie and Stephanie Beatriz anchoring the show for its duration, but it's AEW wrestler Samoa Joe as Sweet Tooth, while Will Arnett provides the voice of the same character, that capture a special magic. The action scenes could stand to be more thrilling, but the stories and character interactions help elevate the show to be a blast.

45. Kung Fu Panda: The Dragon Knight (Seasons 2-3)- 3.5/5

This Netflix series about the dragon warrior Po was well-made. Jack Black reprising his role as the titular panda was incredibly welcome as he's the best part of the show. Joining Po are an interesting cast of characters that accompany him on a grand journey. Everything from the action scenes and set pieces to somber character moments were perfectly solid. Another fine show for kids or fans of the Kung Fu Panda series to hold you down while waiting for Kung Fu Panda 4.

44. The Mandalorian (Season 3)- 3.5/5

The latest escapades of Din Djarin and Grogu this season were entertaining, but not as much as previous endeavors in seasons 1 or 2 clearly. The decision to have Din and Grogu separate in the season 2 finale and reunite in another show was a poor choice, robbing this show of a gripping emotional return way too soon. But, the action scenes were still decent, the cameos of the likes of Jack Black and Lizzo were cute and harmless, and Bo Katan's arc helped to make the season at least somewhat compelling.

43. I Am Groot (Season 2)- 3.5/5

Baby Groot is adorable. Five short episodes show baby Groot getting into little shenanigans. My personal favorite involves the one where The Watcher gets stressed watching Groot dick around and get into danger. If you're looking for something really cute and wholesome, I Am Groot would make for a fine 20 minute burst.

42. Whose Line Is It Anyway? (Seasons 8-10)- 3.5/5

It doesn't matter how much time passes or how old improv legends Colin Mochrie, Ryan Stiles or Wayne Brady get, they have not missed any beats. The CW version of the show is not as good as the original, due to its over reliance on repeated games or unfunny special guests, but the performers themselves are comedic geniuses that I love wholeheartedly. The latest seasons on HBO Max have had them trying different games and breaking from tradition and its for the best. One of my favorite comfort viewings.

41. Wrestlers- 3.5/5

Wrestlers is a documentary that follows former WWE wrestler Al Snow trying to keep his wrestling promotion Ohio Valley Wrestling alive. The series focuses on Al, the various wrestlers and workers that he employ as he books his shows week to week, and outside forces looking to work with OVW. Getting to know the wrestlers behind their over-the-top personal and see the struggles of a wrestling promotion nowhere near as big as WWE or AEW was fascinating.

40. Vikings: Valhalla (Season 2)- 3.5/5

Based in the Viking age, the main characters of Leif Erikson, Freydis and Harald remain the most compelling characters in their show. I wish I could say as much for other aspects. The season was a step-down from season 1, but the emotional story beats and cinematography are decent enough aspects to rate it as high as it is for me.

39. Demon Slayer (Season 3)- 3.5/5

The latest season of the hit anime Demon Slayer was fun, but like many other shows on this list, the season to come beforehand...I simply enjoyed more. Mitsuri was an intriguing Hashira to know, and Villains this season were solid. But the lack of presence of other characters like Inosuke are felt and the emotional beats don't work as well as the previous season. But the season finale was stellar enough to bring the season up quite a bit at least.

38. Insecure (Seasons 4-5)- 3.5/5

Insecure remained consistently good throughout its 5 season run. Issa Rae was a great lead for the show as she and her character were extremely likable. The humorous series had a fine cast, but her friend Kelli had to be my favorite as she was seemingly the funniest of the bunch.

37. Food Wars (Season 5)- 3.5/5

The final season to this over-the-top nontraditional battle Shonen anime was a serviceable sendoff to the endearing cast of zany teens. The cooking show anime aired on Toonami this year and as it wrapped up, I felt sad to see it go as I've enjoyed the wackiness many characters provided. But the last episode was a decent sendoff as well. Though not as good as seasons beforehand, Food Wars fifth season is still a treat.

36. Star Wars: The Bad Batch (Season 2)- 3.5/5

The sophomore season of this animated star wars show was as entertaining as its first. Shoutout to Dee Bradley Baker for voicing five different clones and bringing nuance to each character. A ragtag group of clone troopers on their adventures was exciting at times and the season finale was perhaps the best episode of the batch.

35. Total Drama- 3.5/5

Another show from my childhood thats sometimes a gem and sometimes infuriating. Its first three seasons harbored a good sense of humor and a truly sublime cast of animated characters. It was peak. Unfortunately, the following seasons failed to live up to the standards in character work and pacing, among many other issues. However, the season titled The Ridonculous Race, was great enough to bring the show back up. I haven't seen the latest season yet, but the best seasons of this show are worth checking out.

34. Harley Quinn (Season 4)- 4/5

A great season for the books even if it didn't live up the spectacle of its third season. The animation remains solid and the first half of the show was strong. With Bane still hilarious and Harley and Poison Ivy's respective character arcs that focus on their individuality being as entertaining as they were, there's still a lot to like from this season. Even if it lacks in other departments, like, not enough Clayface.

33. Big Nate (Season 2)- 4/5

Huge bias here, but I used to read the Big Nate Books as a kid and I have a huge soft spot for them which applies to this show. The animation is solid, there's a good sense of humor, and the core cast of kids are incredibly likable. If you're looking for 6th grade kid shenanigans that's bound to.make you chuckle, pleas support the show on Paramount Plus so it gets dozens of seasons.

32. My Hero Academia (Season 6)- 4/5

The latest season of teenage superheroes in training focused on two arcs for 20+ episodes. The first arc saw an all out war between numerous heroes and Villains while the second arc saw our main character, Deku, enter an Era of self-doubt and edginess after the events of the first arc. The second arc would've been better if it had more time dedicated to it, but the turns, twists, action scenes, and revelations of the first arc are enough to elevate this season to greatness.

31. Gen V- 4/5

This spinoff of The Boys was a slightly better series that focused on school kids with superpowers than My Hero. It's still got The Boys charm with its signature violence and gore with characters intriguing enough to keep you hooked. Gen V is a great addition to The Boys universe that warrants attention.

30. Avenue 5 (Season 2)- 4/5

An underrated sitcom following a space captain, his employees and crew, and hundreds of passengers on a space cruise trying to.make their way back home. The cast was stellar, the jokes were hilarious, the premise was engaging, and yet it STILL got canceled and I'll forever be mad about that.

29. Blackish (Seasons 1-3)- 4/5

The family sitcom about the Johnson family has picked up for me lately on my first viewing. The first episode and some to follow in season 1 were a bit rocky as the show was finding its footing. But with Seasons 2 and 3 so far, it's proven to be especially funny with a talented cast and thoughtful messaging.

28. Codename: Kids Next Door (Seasons 1-3)- 4/5

Yet another show from my childhood I've been in the midst of rewatching! The Kids Next Door follows children acting as secret agents that fight against teenagers and adults of all sorts. This classic cartoon would fit so well with an audience today, I'd like to think. With an endearing core cast and a truly fun rogues gallery they face off with in episode to episode, I've started realizing how much influence something like this had on me growing up, I love this show.

27. Six Feet Under (Season 1)- 4/5

One of HBO's classic shows has recently come under my radar for the first time, and while it's a bit slow at times to my liking, it's proving to be a unique watch. It's takes on the passings of every day people coupled with a talented cast and stunning cinematography are leaving me to wonder how this show will fare upon progressing into the next few seasons.

26. Wu Tang: An American Saga (Season 3)

For three seasons, Wu Tang followed the rise of Hip Hops most decorated rap group. It's final season was a superb and contemplative sendoff to some of the greatest MCs to grab a mic. Some episodes and storybits were a bit rushed or dramatized needlessly, but the allegorical episodes were incredibly creative sometimes balances out. An underrated gem of a show, in my opinion.

25. One Piece (Live Action)- 4/5

One of the most faithful adaptations of the source material I've seen and I couldn't be happier. The outrageous characters from the anime and Manga look as wild as they do in live action, the set pieces are mesmerizing, and the performances of the Strawhat crew are special. I'm eagerly awaiting season 2 to see how they adapt what comes next.

24. Archer (Season 14)- 4/5

Despite the addition of a new character to the long running sitcoms final season, they didn't stray focus from its core cast of operatives we've gotten to know and love since 2009. Despite wavering in seasons prior, the writing here was on point, the performances did not miss a beat, and the final season was a wonderful send-off to these ragtag of oddballs.

23. Eric Andre Show (Season 6)- 4/5

Hannibal Burress' lack of presence is felt, but the chaotic nature of the show never left and I love that for it. Whether insane bits on the street or at the studio, Eric Andre has still found ways to psychologically confuse and torture strangers and celebrities alike in a manner that still makes my stomach hurt from laughter and absurdities.

22. My Adventures With Superman- 4/5

This take on the beginnings of Clark Kent's journey as Superman was a fun time. Its animation is pleasing to the eye, Clark and Lois Lane's relationship is incredibly endearing and wholesome at times, and the villains introduced are decent foils to Superman.

21. Futurama (season 11)- 4/5

After being canceled and brought back for the umpteenth time, seeing the Futurama cast return again after about a decade (not including that one Simpsons crossover episode from a few years ago) was so welcome. The show tackled more modern topics like Bitcoin and the COVID pandemic to varying degrees of success. Bringing back the entire original cast and still being able to provide solid entertainment is comforting.

20. Superstore- 4/5

Indulging in the entirety of Superstore, the sitcom about employees working in a giant Walmart-esque retail building, for the first time was intriguing. The first season felt too reminiscent of The Office in characters, but as the seasons progressed it slowly started to morph into its own thing. As characters found their own personalities, the show increasingly became more and more hilarious, even with its final season filmed during peak pandemic lockdown.

19. Loki (Season 2)- 4/5

An improvement upon the first season by a margin. Adding Key Huy Quan and Rafael Casal to the cast this season was an excellent choice. The rest of the cast was equally superb, but it's Tom Hiddleston as Loki completing his transformation from a god of mischief to a selfless god was perfect. The finale to the season was bittersweet but also perhaps the best episode of a Disney MCU show so far.

18. Atlanta (Season 4)- 4/5

Donald Glover's experimental series starring himself, Zazie Beets, Brian Tyree Henry, and LaKeith Stanfield, provided possibly the best season of the show. I feel there could've been an opportunity to bring back people from the previous seasons at some point this season, but the episodes this season were pretty remarkable. The final episode leaves one to wonder about the status of our characters but not in a doom-and-gloom manner which I can rock with.

17. Baki Hanma (Season 2)- 4/5

Not since Jojo's Bizarre Adventure have I seen an action anime so ridiculous thrill me almost entirely from start to end. Baki Hanma is a well-crafted, better-written show than its previous series simply titled 'Baki.' Two arcs focus on a prehistoric caveman thawing out of the ice and the world's greatest fighters try to defeat it. While the second arc has our main character try and combat his ultra-powerful dad in a fight that's been built up for years. Both arcs were over-the-top peak that warrant viewing if you live for that nature.

16. Blindspotting (Season 2)- 4/5

The sequel series to the film of the same name is just as great as the film itself. Jasmine Cephas Jones as Ashley, who initially harbored a small role in the film, is good as the lead for the show. Her various family members and friends either helped her or overwhelmed her in ways that made for intriguing television. Combined with fun usage of cameos from rappers and riveting musical sequences, you have another show that gets canceled way to soon and pisses me OFF.

15. Rick and Morty (Season 7)- 4/5

Upon giving co-creator and creep Justin Roiland the boot, the team behind Rick and Morty managed to deliver a quality season up there with some of their best. The new voices for Rick and Morty that replaced Roiland have nestled nicely into the role, and after delivering one of the greatest episodes in the series in 'Unmortricken' any anxieties about the quality of Rick and Morty have been quelled for the future of the show.

14. Jujitsu Kaisen (Season 2)- 4/5

The first few episodes focused on the backstory of a few crucial characters years ago, and while they were sufficient, the meat of the season lies within the Shibuya Incident. As good and evil fight across the city of Shibuya and the bodies pile sky high, JJK has crafted an unforgettable second season with stakes high and memorable moments galore.

13. One Piece (Wano Arc)- 4/5

As the One Piece anime wraps up its longest story arc to date, looking back it's clear to see that the legendary scenes will pang throughout the echoes of time. Despite shit pacing, as One Piece is known to have, it gave us moments of Luffy attaining the Gear 5 form, his jaw-dropping fight with Kaido, and entertaining fights between the Strawhats and the rest of Kaido's crew. Thank god it's over though, and we can finally prepare for the next island Luffy and the Strawhats head toward.

12. Scott Pilgrim Takes Off- 4/5

I think I like this more than the movie, even though it's been years since I last saw the film. But Scott Pilgrim Takes Off took Scott's friends, Ramona's exes, and plenty of other characters with varying degrees of screen time in the movie, amplified it in the show, and made everyone INCREDIBLY likable. With awesome fight scenes and delightful characters, the show has become a must-see for animation fans.

11. The Bear (Seasons 1-2)- 4/5

Who knew how anxiety-inducing a show about a young chef running a restaurant with a hectic kitchen staff could be. The groundwork laid in season 1 elevated season 2 to excellency. The cast is fascinating, and the episodes that involve characters running around frantically, desperately trying to tie shit together have lead to the best episodes on television this year. If you watch one episode from this show, please watch the episode titled 'Fishes.'

10. Adventure Time: Fionna and Cake- 4/5

The spinoff and continuation from yet another Cartoon Network classic is at least on par with the original Adventure Time. Taking the fictional characters of Fionna and Cake and expounding upon them to make them their own fleshed-out characters is amazing. The blossoming relationship of Gary and Marshall was sweet and Simon's existential crisis was heart-wrenching. Eagerly awaiting it's next season.

9. Orange Is The New Black (Seasons 1-3)- 4/5

As I'm currently on my first viewing of this show, as of this writing, I can see how this show about women in prison put Netflix on the map for their original programming. Our leads slow descent into morally questionable behavior is as compelling as every surrounding story with her fellow inmates. The final minutes of the season three finale were powerful imagery for the inmates. And as the depressing dramedy continues forward, I cannot wait to see how the rest of the show shapes.

8. Succession (Seasons 1-4)- 4/5

After binging all four seasons this year, Succession is the closest show I've seen to poetry in motion. The inner dynamics of these deeply disturbed members of the Roy family as they backstab, connive, and try to destroy one another just to reach a comfortable seat of power made for devastating television. I only wish there was one more season to spend more time with the cast.

7. Dragon Ball Z- 4/5

This is the last show on this list that was something I watched as a kid, I promise. The iconic Shonen action show is my favorite anime of all time, but I tried not to let some of personal bias cloud some of my judgment. It's the grandfather of all action anime for a reason, and what prevents it from being my number one is that I believe some of the following shows are just a liiiiiiittle bit more tightly written.

6. The Last Of Us- 4.5/5

Pedro Pascal and Bella Ramsey managed to put on performances as stellar as the voice actors in the game, it's wild. I thought the adaptation was amazing, with sublime performances across the board, a decent pace, and an exploration of character depth unseen in the game with characters like Bill and Frank. It might've been a little light on zombies this season which I hope they rectify in the future.

5. Castlevania Nocturne- 4.5/5

As someone who adored the previous Castlevania anime series, this season had some big shoes to fill. For the first season, they knocked it out of the park. The animation is more gorgeous than ever, the new characters introduced in this spinoff are intriguing, and they laid superb groundwork for the following season.

4. It's Always Sunny In Philadelphia (Season 16)- 4.5/5

Clearly, the best season that this gang of scumbags has put out in years. The entire season saw the gang at their dumbest which lead to hilarious setups and instant classics in its legacy. While all 5 characters were at their best this season, I want to highlight Danny Devito in Frank Vs Russia and Glenn Howerton in The Gang Goes Bowling and Dennis Takes a Mental Health Day as some of the best comedic chops they've almost ever had. I died laughing so much this season.

3. Primal (Seasons 1-2)- 4.5/5

The story about a caveman and a dinosaur going on adventures and was surprisingly...peak. The storytelling despite minimal to no words being spoken is immaculate, and when the first words were dropped I almost lost my shit. The first season was great, but the second season helped elevate the entirety of the show. It's cliff hangers are jaw-dropping, the arcs in season 2 were grand in scale, and the Primal Theory was perhaps the best episode of the whole show. I wish I watched this sooner.

2. What We Do In The Shadows (Season 5)- 4.5/5

The only show to make me laugh just as much, possibly just a little bit more, than It's Always Sunny In Philadelphia is the show about Vampires in Staten Island of course. Guillermo's season long arc of vampirism came to a satisfying conclusion and the rest of the cast were on point, especially my personal favorite character: Lazlo. The cast were on point, and the comedic chops were strong, I just hope it's final season is at least as strong as this season was.

Barry (Season 4)- 5/5.

The 4th season of Barry was excellent. Barry the character and Barry the show has been immortalized with the events that transpire over this 8-episode season. The fate of the characters followed over the past few seasons has been befitting and heartbreaking but understandable in some circumstances. The way the show transitioned into something darker over the past two seasons as this hitman who tried to become an actor influenced the people around him and brought them down into the deepest trenches with him. There is no doubt in my mind that Barry was my personal favorite show viewed in 2023. Thank you for reading my list if you did.

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randomrichards · 3 years

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BEST MOVIES OF 2020

10) BORAT SUBSEQUENT MOVIEFILM

It’s a miracle Sacha Baron Cohen could pull off his guerilla comedy style considering how iconic his character is (especially during the COVID-19 Pandemic). Just as surprising is how uncompromising it is with its political commentary and how it never backs away from its deliciously inappropriate humour.

As everyone’s favourite anti-Semitic, misogynist dim bulb reporter (Sacha Baron Cohen) becomes a pariah in his home country, Borat tries to sell his daughter Tutar (Maria Bakalova) to Michael Pence (then later Rudy Giuliani). The result is an endless array of side splitting, cringy moments from convincing a baker to write an anti-Semitic slogan on a cake to Borat attempted disguises to avoid detection.

Not since Buster Keaton has a comic actor pulled such dangerous stunts for a laugh. Cohen puts himself in such risky situations for the sake of his comedy when he hangs around with Qanon nutjobs or barges into a Republican convention dressed as “McDonald Trump.” [1] Well, it’s not just for laughs. As with his earlier works, Cohen uses his guerilla comedy style to expose the ugly side of humanity and America’s complicity in said ugly behavior. A notable theme is the consequences of misinformation. Borat is an instigator and willful idiot for his home country’s propaganda, which makes him an easy target for conspiracy theories. It all comes to a hilarious head when his daughter becomes a rightwing pundit and breaks his heart with holocaust denial.

Maria Bakalova is the film’s breakout star. An unknown actress from Bulgaria, Bakalova matches him every step of the way as the gullible, degraded young woman. She shines in her own hilarious moments when she’s ballroom dancing with a bloody dress or cheering about the joys of masturbating in front of a Republican Meeting. She also gives the movie a heart as Borat bonds with his daughter and forces him to reevaluate his beliefs.

It’s impossible for the film to reach the same level of impact as the first Borat considering what a surprise phenomenon the original was. But it’s still surprising the sequel was as good as it was without sacrificing its inappropriate humour.

9) HIS HOUSE

Writer/Director Remi Weekes brings another great addition to the metaphorror genre with His House; a creepy horror flick about a Sudanese refugee couple who find their lives in Britain threatened by the literal demons of their past.

Dilapidated rooms with peeling wallpaper, decaying floors, and malfunctioning lights are a perfect atmosphere for horror, Weekes and his cinematographer Jo Willems takes full advantage of this environment to unsettle the audience. Bol Majur (Sope Dirisu) and his wife Rial Majur (Wunmi Mosaku) find themselves tormented by voices in the walls, and mysterious figures peaking through the crawl spaces. It’s clear these supernatural figures are the manifestations of their trauma.

Weeks contrast the supernatural horror with the real horror they face, which takes the form of an uncaring bureaucracy that sticks them in a dilapidated home in a crumbling neighbourhood with some hostile, indifferent neighbours. It shows how finding a doctor’s office in an unfamiliar land can be as scary as facing ghosts.

You care a lot about these two thanks to Dirisu and Mosaku, who bring a lot of quiet humanity and heart to their characters. You pray for them as they fight for their right to live with dignity after what they’ve been put through.

8) WOLFWALKERS

British girl/wannabee warrior) Robyn (voiced by Honor Kneafsey) joins her father (Sean Bean) on a trip to a remote Irish village where she encounters Mebh (Evan Whittaker), a wild red-haired girl with the ability to control a pack of wolves. With her father tasked with killing Mebh’s pack, Robyn must find Mebh’s mother and protect the pack from the tyrannical religious fanatic Lord Protector (Simon McBurney) in Tomm Moore’s conclusion to his Irish Folklore trilogy.

The animation is just as gorgeous as Moore’s earlier films The Secret of Kells and The Song of the Sea with his trademark storybook-like animation style. A noticeable difference between the earlier is how deliberately rough the animation looks. There are moments you can see lines and circles that are usually erased when drawing characters. It fits with the wild energy of the characters.

There’re the clear environmental themes of humans encroaching on animal lives and the need to respect nature. Lord Protector believes he needs to dominate the wilderness and the wolves. The villagers in contrast have more respect for the environment but can’t do much under Protector’s rule. So, the wolves are forced to find a new home.

Another theme of this film is the importance of questioning authority and not blindly conforming to social norms. Robyn’s father expects her to train to be a chambermaid while he’s blindly follows Lord Protector’s orders. They keep saying it’s “for the greater good,” but that “greater good” involves the destruction of a wilderness and a denial of one’s true self. It just leaves everyone miserable. And all for a religious fanatic.

It’s a shame Moore’s films don’t get more attention because they have that rare sense of wonder.

7) NEVER RARELY SOMETIMES ALWAYS & UNPREGNANT (tie)

I’m putting these two films together on the list because they have the same premise of two teen girls travelling across state lines so one of them can get an abortion. What sets them apart is how different they are in styles.

Never Rarely Sometimes Always is a grounded drama about Autumn (Sidney Flanigan) a teenage girl from Pennsylvania who secretly travels with her cousin Skylar (Talia Ryder) to New York to get an abortion without their parents knowing. Writer/director Eliza Hittman avoids melodrama in favour of grounded realism. Flanigan and Ryder keep their performances at a lowkey level to reinforce the realism. Hittman also avoids political moralizing in favour of just presenting a slice of life showcase as the cousins travel to New York, try to find the appropriate procedure for her circumstance, then tries to find the money to get back home. In a way, it makes the little moments more meaningful when Autumn is forced to watch anti-abortion propaganda or when she and Skylar plays at an arcade.

While the former goes for grounded drama, Haley Lu Richardson’s Unpregnant bears a closer resemblance to comedic road movies like National Lampoon’s Vacation and Planes, Trains & Automobiles. This time, popular teen Veronica (Haley Lu Richardson) enlists the help (and the car) of social outcast/former friend Bailey (Barbie Ferreira) to drive from Missouri to Albuquerque to get the procedure without her parents knowing. The result is a chaotic road trip with the two crashing a few cars and meeting a few colourful characters along the way. This film has quite a set of cameos including Breckin Meyer, Betty Who and Giancarlo Esposito. This film has the John Hughes blend of broad humour and recognizable heart. This film gets its point across by showcasing the absurdity of how teen girls are treated. One notable example is Veronica’s boyfriend; a stage 5 clinger who lives under the “nice guy” mindset.

Both films celebrate teen girls helping each other out.

6) THE VAST OF NIGHT

Switchboard operator (Sierra McCormick) and DJ Everett Sloan (Jake Horowitz) search for the source of a mysterious sound in The Vast of Night; a gripping and visual dazzling sci fi flick that captures the feel of the Twilight Zone.

Director Andrew Patterson and co-writer Craig W. Sanger wrote a tightly knit story the follows our heroes over the course of a night as they play detective in a 1950s New Mexico town. Never does a second feel wasted. Plus, it’s fun to see stereotypical 1950s nerds being the heroes in a story like this.

What truly makes this film stand out is its visual styles. From the Twilight Zone-esque opens plays on an old tv, cinematographer M.I. Littin-Menz has you under his spell. His camerawork is always gorgeous in both the way he is zooming into a 1950s high school basketball game and shining omniscient light from the night sky. There are also some unusual moments when the film will suddenly play on 1950s tv. This may either further the intrigue or take some viewers out of the movie.

The result is a unique experience for sci-fi fans.

5) KAJILLIONNAIRE

Emotionally distant young woman Old Dolio (Evan Rachel Wood) and her small-time con artist parents (Debra Winger and Richard Jenkins) find their lives turned upside down when a perky stranger named Melanie (Gina Rodriguez) joins in their schemes.

Some audiences may be put off by July’s stylized approach to filmmaking, especially Wood’s unusual deep voice. But for those into lighthearted, quirky comedies will be enchanted by the little visual oddities of the family stooping (or in Old Dolio’s case, leaning back) to avoid their landlord or the pink suds always flowing down their apartment walls.

Kajillionnaire fits into July’s celebration of the timid and the outsiders. But July surprises us with a dark side to the outsider. The parents reject the unfulfilling, debt filled conventional life, but they aren’t particularly good at their cons and struggle to make ends meet. It has also made their daughter emotionally distant and with severe trust issues. It takes Melanie to give Old Dolio the human connection she never had.

I can’t say much beyond that because it takes many unexpected twists and turns. What I can say is this colourful dramedy offers an assurance of human connection.

4) SMALL AXE

Ok, I may be cheating on this one since it’s five films (two of them just barely over an hour), but director Steve McQueen’s anthology complement each other perfectly with their unflinching examinations of systemic racism inflicted on lives of West Indie Brits during 1960s and the 1980s. The films are also connected by their celebration of people who celebrate life despite overwhelming odds stacked against them.

MANGROVE centers on the title Caribbean restaurant in Notting Hill. Owner Frank Crichlow (Shaun Parkes) just wants to serve customers and be left alone, but his business is a constant target of harassment by racist cops. It all comes to a head with a 1970 protest, which leads to Frank and 8 others falsely accused of inciting a riot.

The trial demonstrates how Police can brutalize protesters, then turn around and accuse the protesters of inciting violence. It also shows how the justice system is complicity by blindly taking the word of the police over civilians. Not helping is a prosecuting attorney who peddles in racist dog whistles, a defense attorney naïve about the justice system’s treatment of black people and an indifferent judge. But the defendants stand strong as they use the trial as a platform to expose racial profiling while poking holes in cop’s testimony.

The two standouts in the film are Parkes and Letitia Wright as British Black Panther Co-Founder Altheia Jones. Parkes brings a lot of sympathy as a desperate man who just wants to live his life but grows to become an activist due to circumstances outside of his control. In contrast, Wright is a powerhouse of righteous anger as she fights for dignity.

LOVERS ROCK takes us through a night at a house party, where two strangers (Amarah-Jae St. Aubyn and Micheal Ward) fall in love. There’s isn’t much plot in this one, its mostly just people dancing and playing music. But as the camera lingers on the DJ playing records and the guests dancing and enjoying each other’s company, this film enchants you with its celebration of music, dancing, and the joy of company. It feels like a much-needed break from the uncomfortable racism we see in the other movies.

RED, WHITE, AND BLUE Is probably the most heartbreaking. John Boyega portrays Leroy Logan, a young man who enrolls in the Metropolitan Police in hopes of reforming it from the inside. He underestimates the racism he’ll face during training or how the system enables the racism. What makes it worst is how his own community would turn against him, especially his father (Steve Toussaint).

Boyega gives a powerful performance as a determined and smart guy who fails to understand how in over his head he is. You feel his fury when Leroy berates his fellow officers for putting his life in danger by not answering his call for backup. Toussaint is just as powerful as a man who feels betrayed when his son joins the very people who have brutalized him for years.

ALEX WHEATIE tells the true-life story of a young man (Sheyi Cole) who would go on to become an award-winning writer after being jailed during the Brixton Uprising of 1981. We follow him from his childhood growing up in uncaring white institutional care homes to finding a sense of community in Brixton, where he develops a passion for music. Through his attempts to pursue a DJing career and his run ins with the law that he confronts his past and begins a journey to healing.

We conclude with Education, a coming-of-age story of Kingsley (Kenyah Sandy), a 12-year-old boy who was singled out as “disruptive” and sent to special classes for the “subnormal”. This film looks at an unofficial segregated system that dismissed black kids and discarded them in classes for people with mental disability. It’s clear Kingsley is a smart kid with interest in rockets and space, but he shows signs of dyslexia. But neither his headmaster nor are the special classes helpful, especially when the teacher cares more about play his guitar and teaching the kids anything useful. His parents are even less helpful when they dismiss his concerns (when they’re not working two jobs.) It leads to a sad moment when Kingsley hides inside a bus to avoid seeing his friends.

This film also shows the power of black women. You see it through Kingsley’s sister Stephanie (Tamara Lawrence) whose empathy makes her realize somethings up. You see through Lydia Thomas (Josette Simon) activism as she investigates these school conditions. You especially see it through Kingsley’s mom (Sharlene Whyte), not just from working to jobs to provide for her family but her ability to grow and learn. She goes through a journey as Lydia teaches her about the systemic racism in the education system, forcing her to realize how she’s dismissed her son’s concerns. Near the end, we see how children like Kingsley can be helped by those willing to understand his problem.

3) FIRST COW

Timid forager Cookie (John Magaro) feels out of place among the hunters and fur traders in the Oregon Territory. Then along comes King-Lu (Orion Lee), a Chinese immigrant with big dreams. Together, they swipe milk from the only cow in the area to cook and sell pastries to the locals in the area. As their little business grows, so does the bond between these outsiders. But their success comes under threat when they attract the attention of a wealthy landowner (Toby Jones) who owns the cow.

A premise like this does not sound like the type of film that attracts major audience attention, especially with Co-writer/Director Kelly Reichart’s minimalist style. But when it comes to Reichart, less is more. Reichart takes her time to take in the muted colours and natural beauty of Christopher Blauvelt’s cinematography and allow the relationships to develop naturally. It’s helped by the low-key yet engaging performances. Lee showcased the enthusiastic determination of a born entrepreneur. But it’s Magaro who shines brightest with the most nuanced performance of the year, revealing Cookie’s humanity through the subtlest gestures.

Reichart’s subtle, patient storytelling isn’t for everyone, but through her gentlest touch she enchants the audience with a haunting tale of unlikely friendships and the achievements of outsiders.

2) UNCUT GEMS

I know this is a film was released in 2019, but It didn’t come to our theatre until 2020 and It’s too damn good not to talk about.

This film is a cinematic panic attack. Never once do the Safdie brothers give you a moment to relax as fast-talking Jeweler Howard Ratner (Adam Sandler) dodges pissed off debt collectors while plotting for the biggest bet he can get. The result is an experience that keeps you on edge from opening credits to end credits. In lesser hands this would be an unpleasant experience, but the Safdie brothers uses this to create a compelling, intense portrayal of a man who gets off on standing on the edge of a cliff.

One reason it works is because beauty and ugliness make strange bedfellows in their movies. Nowhere is this more perfectly summed up than in the opening scenes where cinematographer Darius Khondji travels through an inside of a gem. The colours and lights make you feel like you’ve ascended to a magical world, but this scene happens in between scenes of African Miners being exploited and the inside of Howard’s colon. Just as beautiful is Daniel Lopatin’s new wave musical score. On its own, the music lulls you into a beautiful sense of peace. But this music often plays over uncomfortable scenes of characters screaming over each other. Somehow these two elevate the cinematic experience.

But the true strength of the film is Howard himself, which is astounding considering how unlikeable the character is. Throughout the film, he keeps digging himself into a deeper hole as he gambles even more recklessly, which makes it worst when he starts putting other’s people lives at risk. But he’s too complicated to hate. He shares a close bond with his kids and his coworkers. The film makes it clear he’s excellent at predicting Basketball games with near perfect accuracy, which gives you hope he will win. But then again, you don’t end up with over a hundred thousand dollars in debt without making terrible life decisions. He would be impossible to watch without Adam Sandler’s performance. He blends a smooth-talking charm and panic desperation to his character every time he tries to fast talk his way out of his circumstance. You can see why people like having him around.

When the credits roll, you’re relieved it’s over and were glad to experience the thrill.

1) THE TRIAL OF THE CHICAGO SEVEN

The real-life trial of seven protesters and Black Panther co-founder Bobby Seale feels more like an SNL skit than a courtroom drama. From the Merry Prankster duo Abby Hoffman (Sacha Baron Cohen) and Jerry Rubin (Jeremy Strong)’s tweaking the nose at the buffoon judge Hoffman (Frank Langella) to the Judge bounding and gagging Seale, this trial was so contrived it can only come from real life. And writer/director Aaron Sorkin exposes the absurdity of this story in The Trial of the Chicago Seven.

It’s funny how a film about a trial from the late 60s can capture the mood of 2020. But with brutal images of Police attacking protesters and Judge Hoffman’s horrific treatment of Seale, this film feels like it came at the perfect time.[2] The trial itself showcases how the Justice system works to silence discourse and smears protestors. Sorkin further emphasizes how the system attacks anyone by showcasing the contrasting beliefs of the protestors from the radical anarchism of Hoffman and quiet dignity of Seale to the moderate ideals of student protestor Tom Hayden (Eddie Redmayne) and the unapologetic pacifism of suburban dad David Dellinger (John Carroll Lynch).

Sorkin does all this while keeping the film gripping and entertaining from start to finish. He brings his sharp wit to his dialogue whether it’s Hoffman’s political speeches or the Marx-brother’s esque exchanges between the Judge and the increasingly frustrated defense attorney William Kunstler. Matching his writing are the endless great performances from the actors including Joseph Gordon-Levitt as reluctant prosecuting attorney Richard Schultz and Strong bringing out his inner Tommy Chong. But it’s Cohen who steals the whole film bringing out the uncompromising radicalism of Hoffman, who seems to have a better understanding of the situation than most of the protestors.

The result is a film that perfectly captures the political feel of 2020.

[1] At one point, he was almost attacked by protesters.

[2] Which is ironic considering it took Sorkin over a decade to get the film made.