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#Might as well post it ig

u3pxx · 4 months

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old silly comic that i will most likely never finish bc my art style has changed way too much since last january for me to be able to draw in the old style consistently across all panels

#ace attorney #phoenix wright #miles edgeworth #narumitsu #wrigthworth #jfa #phoenix wright justice for all #described #id in alt text #sunnysidedraws #might as well post it than leave in the vaults ig pftt #this was from january too!#its almost a year old now!#wow!!!!!!!!!!!!#sunnysideattorney

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color��language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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cuties-in-codices · 6 months

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whenever i'm on instagram looking at accounts that do stuff similar to what i do over here (i.e. posting medieval art and manuscript illustrations) i'm like... damn y'all live like this?? 🤨🤨

they'll post the most interesting images that get 1000+ likes, but then you look at the comments and at best it's like, 1-6 people leaving some fire and heart eye emojis... meanwhile whenever one of my posts on tumblr (with the exact same kind of content) reach that number of notes there'll be 50+ witty and/or deranged jokes in the tags, at least as many references to fandoms i've never heard of, people tagging their mutuals like "hey look at this", several people engaging in serious discussion around the subject of the depiction, asking or answering questions, people taking the images as mini creative writing prompts, adding memes, etc...

idk, there are so many people doing cool and interesting stuff on instagram but it just feels like such a fundamentally dead place to me. it's so divided into 'content creation' and 'content consumption' with little space in between for any real social interaction to take place... i don't like this genre of self-congratulatory tumblr posts about tumblr culture but honestly i wouldn't know where else to go 🤷

#just some thoughts #i post on ig too but it always feels like i might as well be posting straight into the void lmao

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yogurtea · 11 months

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HAPPY PRIDE MONTH!!!

decided to do some fun doodles of some of my favorite fictional gay people. this was intended to just be naoreko but then i needed to procrastinate on actual work so i just. threw something else out there real quick lol

#i think alice deserves a cool leather jacket like if you agree (joke)#really not the biggest fan of how the whole second page went but. might as well post it ig #now you all know my ships... or at least the main ones i care about #yttd #your turn to die #naoreko #nao egokoro #reko yabusame #alice yabusame #ransara #ranmaru kageyama #sara chidouin #keishin #keiji shinogi #shin tsukimi

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b3achysurfur · 25 days

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logan hcs bc I like him now or sm

- once while practicing with a BB gun he actually hit a bird (it was completely fine) but he nursed it in his grandparents green house for a week before they found it and forced him to let it back into the wild

- he’s not much of a picky eater, but he hates fluffy eggs

- if served fluffy eggs at a friend’s house, he’ll eat it without complaining and try to convince himself it’s the best thing he’s ever eaten in his entire life

- he’s the type to try n do mini work-outs in his room, get embarrassed when someone walks in on it, and never attempt it again

- use to be deathly afraid of teletubbies as a kid

- feeds the ducks at the local lake because he dislikes when people give them bread instead (it’s bad for their health)

- rants to ben about space while ben doodles planets, stars, n astronauts in his sketchbook

- Logan’s the typa of guy you can vent to over text n get the kindest and most supportive response from, but if you try it in person he just awkwardly smiles while patting your shoulder saying sm like “it’ll get better… probably?”

- lowkey feel like he is/use to be a religious Christian

- despite being Christian, he tries his best to fast with aiden and Ben during Ramadan #christanmuslimsolidarity✊

- to add onto the last one, he probably corrects the both of them when they accidentally do smth haram (he DEFINITELY mispronounces “astaghfirullah”)

- will info dumps about the most random topic you can think of

- he will die in the upcoming chapters?

- he can’t ride a bike, although Tyler and Taylor have tried to teach him

- he was pretty social as a kid, just awkward n couldn’t make fast connections with others which led him to becoming shy over time

- he CANNOT DANCE 🙅‍♀️🙅‍♀️

Logan’s js a boy in the world mannn. honestly, send peace to Logan

#idrk Logan that well so these might be very ooc but #js need to make 9 posts so this will have to do ig…#sbg #school bus graveyard #school bus graveyard webtoon #schoolbus graveyard #sbg (webtoon)#logan fields #peace to logan

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basu-shokikita · 4 months

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i think that one of the reasons skwisgaar and toki have trouble understanding each other (besides the rivalry/ego issues ofc) is that they have fundamentally different ways of expressing themselves

toki is like a dog, earnest and direct. if he’s excited about something it shows, if he’s angry about something it shows. he’s openly loving as he can be openly vindictive. he feels everything very intensely and is unable to hide it, often taking things literally. he can feel dejected very fast if he doesn’t feel like his affection is reciprocated.

skwisgaar is like a cat, can come off as mean and is not very honest. he exaggerates a lot in his speech, often passive aggressive remarks. the way he shows affection is by paying a greater degree of attention, to the point it comes off as nagging if the person isn’t aware of his nature. he’s deeply caring, however, but his quiet nature masks it.

and thus, you have a recipe for disaster. you have a person that does genuine gestures to show affection and a person that likes teasing as a way to show the same thing. a person that vents in the form of backhanded comments and a person that takes those as immovable declarations of hatred. a person that’s scared of being vulnerable and a person that doesn’t know how to not be so. a person that gets stuck on the words, and a person whose love is shown through his actions everyday.

they speak different languages and it’s why they can’t understand each other. instead of trying to meet halfway, they both expect the other to speak their language. it’s tragic because they really do love each other, they just don’t know how much the other loves them too.

#metalocalypse #toki wartooth #skwisgaar skwigelf #skwistok #can be seem as shippy or not #the skwistok catdog dichotomy fascinates me so #i think with aotd there might be a chance tho #toki is waay way more open to skwisgaar #but ironically skwisgaar seems to have closed up in general #he could very well see tokis clingy behavior as disingenuous and convenient #aughhhh *getting skwistok cramps*#analysis #ig #basu post

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mothoscope · 19 days

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More ideas for the Beavis and Butt-Head furry au.

Van Driessen - Water deer Buzzcut - American Staffordshire terrier Todd - Red fox Stewart - Syrian hamster Daria - Water opossum (Yapok)

#thank you for your time everyone #I technically listed these out in another post but I might as well re-iterate in a post with their actual designs ig idk #beavis and butthead #fanart #anthros #moth art #my art

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leafgun29 · 10 months

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ok that's it i am going feral. in sonic prime when shadow is falling into the void and sonic just stares at him for a sec. it's. I'm going insane ok bc bro was probably having fucking flashbacks to the ending of sa2 (where shadow falls from space and is presumed dead for quite some time) and like. bros genuinely terrified. he thinks shadow is gonna leave him for a second time and maybe perminantly this time. and just AUGH

#sonic #sonic the hedgehog #sth #shth #sa2 #sonic adventure 2 #sonic adventure battle 2 #sonic prime #shadow the hedgehog #sonic prime spoilers #theories #sonadow #kinda??#might as well add the tag #leafgunsrambles #uhhh new tag for my text posts ig

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kakashisthickthighs · 9 months

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i am thinking about if getou and gojo really did continue talking afterwards and like the tiny intricate details and logistics of their lives.

they part in 2007. they had flip phones.

getou dies in 2016. they had iphones, instagram, snapchat, and dog filters.

when getou first goes rogue, shoko and gojo probably still have his number and are blowing his shit up. he probably has his phone off for the first days of it and turns it back on after. there’s no need to trash it out of a want to stay hidden—he won’t die unless they send an army or gojo himself.

when he turns his cell back on, he’s half-tempted to delete all his photos of jujutsu tech, with shoko, with gojo, and he gets as far as deleting maybe 15 of them in a heavy-breathed rage before convincing himself that maybe he doesn’t need to delete these. these are mementos of the said pinnacle of jujutsu, and they’ll come in handy when there are no non-sorcerers left.

he’s about to put the cellphone away before it rings. it’s satoru. he sighs. he calls once every day. it’s relentless, six or seven calls at minute intervals. getou almost laughs at it—the world’s strongest, desperate.

a month after his disappearance, he calls every night at ten. sometimes the pixels on his cell read 10:04, 10:21, the latest was 10:42. it becomes a ritual, agonizing every night wanting to finally beat gojo at something, to make him lose. but suguru finds himself holding his breath as 10pm wanders by every day, breathing easy only when his phone stops buzzing.

maybe one night he’s yet again alone in his shoebox apartment, assorted belongings littered about, convincing himself this was the best path for him. not jujutsu tech, the horrible missions, the loneliness, the taste. it feels better here, where no one else is happy.

he’s lost in a daze when his phone rings. it’s been three months and satoru won’t let up. every night. he scoffs and flips his cell open just to sneer and make a point, to feel powerful in his own mind, but once the line connects, he’s silent, mouth agape and eyes wide that he actually picked up.

he hears static from the other side, a shift of fabric, a shaky inhale. “suguru, you fucking idiot,” gojo sneers, loud on the other end, “what’d ya pick up by accident?”

getou can’t help but laugh from the bottom of his heart. his abs are burning and tears are falling by the time he contains himself, and memories flood back. selfies, dumb finds, food pics, phone bills crazy all from hours on the phone together. there’s satoru’s voice, and then there’s lofi samsung static-lined satoru’s voice. both sound like home.

“suguru—“

“satoru,” he breathes, and this is what it feels like to talk again. he’s lived in this apartment in silence for the past three months, voices only coming from his saved videos.

“come home, suguru.” they both know it’s impossible.

getou chuckles again into the speaker. he can almost see it, satoru’s spindly form, one leg propped up on a chair, elbow resting on it as he holds the phone in distaste. or maybe he’s completely prone, jolted awake by a voice he hadn’t expected to hear.

“satoru, you’ll be fine,” he chimes, hanging up. he squeezes his eyes shut and swallows a sigh, and just like that, he’s left home again.

three years later the calls have stopped. the iphone 4 comes out, and the world is awash in touch screens, app stores, and missing charging cables. it’s time for an upgrade, and getou powers off his flip phone—his youth—one last time and tucks it gingerly into a shoebox. he starts completely anew with no data to transfer.

gojo meticulously transfers every contact and double checks only one number. it’s the first call he makes on his new phone.

the number you have dialed is not in service—

he hangs up and slows his breathing. he doesn’t delete the number. suguru, the contact reads.

you’ll be fine.