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gertlushgaming · 1 year

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Apex Legends: The Board Game Now Live on Kickstarter

Experts in Video Game to Board Game Conversions—Glass Cannon Unplugged and Genuine Entertainment—Launch Kickstarter Campaign for Cutting-Edge Tabletop Hero Shooter

Glass Cannon Unplugged and Genuine Entertainment are proud to announce the launch of the Kickstarter campaign for the official tabletop game series for Apex Legends™, based on a licensing partnership with Electronic Arts Inc. (NASDAQ: EA) and Respawn Entertainment.

Apex Legends: The Board Game, designed by Thanos Argyris and Michalis Nikolaou and developed by Glass Cannon Unplugged’s Rafal Pieczyński and Grzegorz Przytarski, is a highly competitive, intensely tactical team vs team miniatures game in which 2-4 players, divided into two teams, face each other in a battle royale style challenge played out within a 3D tabletop environment. Separate expansions will add support for up to six players and for solo gameplay. Each player takes on the role of a unique Legend, with four Legends included in the core game and many more to become available through add-ons and expansions via Kickstarter and future retail releases.

The original game engine and innovative framework, from the minds behind games such as Frostpunk: The Board Game and Endless Winter: Paleoamericans, both award-winning titles, authentically capture the voice and imagination of Apex Legends™, bringing the stakes, thrills, and unforgettable kills of the hero shooter experience to life. Related Post: Star Citizen Alpha 3.19: Call to Adventure Update Out Now Having spent over two years developing an inspired new way to recreate the hero shooter experience at the game table, Glass Cannon Unplugged intends to deliver something for everyone: an accessible, easy-to-learn experience for new board gamers, balanced with a depth and scale aimed at satisfying core players. This is achieved through a modular construction of the game rules, with the core box itself containing three different gameplay modes: Training, Deathmatch, and Battle Royale. Thanks to planned expansions, the game will contain play modes dedicated to solo play, co-op, and organized (tournament) play—all being developed with world-class experts. The solo mode is created by David Turczi, the industry’s virtuoso at crafting automated and solo experiences for over 100 board games, while the tournament mode is prepared in close cooperation with Michał Duda, a Warhammer 40.000™ competitive champion with multiple titles to his name and a history of organizing tournaments and events for competitive games.

The product line for the campaign currently comprises: the Core Box (c. €80/USD $88)—providing a highly modular core experience designed to bring a set of diverse board layouts and game modes focused around the classic Kings Canyon map, with an initial roster of four Legends: Bangalore, Bloodhound, Gibraltar, and Wraith; the Full Team Expansion (c. 35/USD$39)—introducing the option to add a 5th and 6th player and compete using three 2-player teams, along with new board setups, game modes and the canyon terrain type (with a corresponding zip line mechanic) and two new Legends: Lifeline and Pathfinder; Squad Packs I and II (c. €30/USD$33 each)—the first adding Caustic, Mirage, and Octane, and the second Crypto, Revenant, and Wattson, with all the components required to use them in the game, such as cards, dioramas, and miniatures; the Supply Miniatures Expansion (c. €25/USD$28) adding miniatures for Supply Bins, Supply Drops, and Respawn Beacons; the Card Sleeves Pack (c. €15/USD$17)—providing dedicated sleeves for all cards used in the core game and the expansions; and the Painting Set (around €25/USD$28), a hobby paints set designed by The Army Painter, with accompanying tutorials for newcomers to the hobby. Also planned are two collector's expansions by acclaimed visual artists, due to be revealed in the course of the campaign.

Once the campaign is launched, backers at the Core Pledge level and above will gain access to the Loba Expansion, which is a free, limited Legend Pack introducing the loot scout Loba into the game as a fully-playable Legend, and including a Kickstarter exclusive sculpt for the character.

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#BoardGames #kickstarter

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msclaritea · 1 year

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Close encounters of the racist kind

January 02, 2018

The modern far right is crisscrossed with pseudo-scientific research into lost Aryan super-civilizations, biblical giants, ancient astronauts and the occasional inter-dimensional alien.

On December 6, 1830, Andrew Jackson used his second State of the Union address to defend the Indian Removal Act, the administration’s sole legislative victory. He described the law promulgating the expulsion and resettlement of southeastern Native American tribes as the “happy consummation” of U.S. Indian policy. To his critics who “wept over the fate of the aborigines” — and who, it turned out, accurately predicted the horrors of the forced migrations known collectively to history as the Trail of Tears — Jackson offered an archeology lesson. Any “melancholy reflections” were ahistorical, he said, because the Indians were neither innocent victims nor first peoples, but perpetrators of what Jackson’s modern admirers might call “white genocide.”

Jackson knew this because the evidence was everywhere in plain sight.

“In the monuments and fortifications of an unknown people, we behold the memorials of a once-powerful race,” said Jackson, “exterminated to make room for the existing savage tribes.”

This reference to a “once-powerful race” was not lost on the American public of 1830. Every schoolboy and girl knew it to be the Lost Race of the Mound Builders, believed to be the continent’s original Caucasian inhabitants. From the colonial era into the twentieth century, it was widely accepted that certain earthen structures and burial grounds proved the existence of “white” or Indo-European peoples who settled North America only to be wiped out by the arrival of Jackson’s “savage (Asiatic) tribes.”

As the country expanded west, the “Moundbuilders” myth had obvious utility: If the Indians destroyed earlier waves of (white) settlers, their own extermination was just another turn of history’s wheel.

In the early 1890s, the U.S. ethnologist Cyrus Vance discredited the theory in a series published by the Smithsonian Institution. But the idea of a pre-Colombian “white genocide” never disappeared. It survived in subcultures, influenced by the occult and Atlantis legends, which clung to theories of lost ancient super-civilizations that, curiously, always seemed to be racially “white.”

In recent decades, as evidence of a richer paleoamerican record than previously realized has come to light, Jackson’s “once-powerful race” has found a new generation of boosters on the far right, where fantasies of “white genocide” distantly past and currently unfolding are an animating obsession.

In the fractured and constantly cross-fertilizing galaxy of extremist conspiracy culture, the white Moundbuilders — now known on the far right as “the Solutreans” — share a stage with other characters from an ancient and racially glorious but “suppressed” past: ancient Nordic-looking astronauts, biblical Aryan giants, Nazi scientists under the South Pole, and the occasional inter-dimensional alien in league with the Jews.

Alt-History Goes Prime Time

Over the last decade, the History Channel has exploited and fueled the popularization of alternative archeology, or alt-history. Numerous programs on the network showcase ideas that, while not explicitly racist or anti-Semitic, have origins in colonial projects and have been championed (for a reason) by modern extremists.

Take “America Unearthed,” which aired between 2012 and 2015 on H2, a defunct History Channel network. That show’s host, a geologist named Scott Wolter, promoted theories that ancient Celts and Scots settled North America and hybridized Native Americans centuries before Columbus. The details can be found in Wolter’s contributions to Lost Worlds of Ancient America, a 2012 anthology edited by Frank Joseph, born Frank Collin, founder of the National Socialist Party of America. (In 1993, following his expulsion from the party for “impure blood”, Collin became editor of Ancient American magazine and has authored dozens of books dealing with ancient “suppressed” history.) In another episode, when a guest professes admiration for the Knights of the Golden Circle, a group of wealthy Southerners who sought to create a hemispheric slave empire, Wolter just nods. (Wolter has denied that he or his ideas are racist, and claims to be politically liberal.)

Whatever the personal politics of the host, these shows serve as vectors for racist ideas and scholarship, argues the independent scholar Jason Colavito, who has been tracking this cultural crossover and amplification of fringe history for years. In books like Foundations of Atlantis, Ancient Astronauts, and Other Alternative Pasts, Colavito explores and debunks many of the ideas promoted on the History Channel and far right websites alike.

“These shows serve as entry points for discredited nineteenth-century ideas and point viewers toward the sources of extremist pseudo-scholarship and politics,” says Colavito. “The idea that aliens built the pyramids isn’t so funny when it draws young people to websites that quickly switch out aliens for Jews and start talking about gas chambers.”

Shows like “America Unearthed” are heavily discussed on white nationalist alt-history forums, as well as general far right political sites like Stormfront. They are routinely praised for introducing viewers to variations on the Solutrean Hypothesis (see below) and raising the profile of racist pseudo-scholarship.

Consider the H2 series “In Search of Aliens,” which, before its demise, promoted the work of Jan Udo Holey, a German writer whose antisemitic books have been banned across Europe. (Holey’s pen name, Jan Van Helsig, is a blunt Dracula reference, i.e. Jews are bloodsuckers.) The History Channel’s long-running series “Ancient Aliens,” meanwhile, features David Childress, whose books cite and build on the work of James Churchward, who promoted an ancient empire called the “lost continent of Mu,” whose “dominant race” was an “exceedingly handsome people, with clear white or olive skin.”

While the appeal of these theories has roots in Jacksonian justification for Manifest Destiny, their current manifestations are closely intertwined with the venomous persecution complexes that motivate the modern far right .

“Pseudo-histories feed the self-importance and aggrievement of neo-Nazis and alt-right folk,” says Benjamin Radford, a fellow with the Committee for Skeptical Inquiry who has written widely on pseudo-history and claims of paranormal activity. “They feel their rightful place in the world has been denied them — by ‘Big Archeology', by Jews, by an oppressive government.”

There is another source of the far right’s far-out ideas about ancient history, one that requires no psychologizing.

The Nazi Connection

The basic tenets of alt-archeology and alt-history were foundational to the ideology and program of National Socialism, but the Nazis did not invent them. The Nazi belief in a pure Aryan race with a glorious ancient past and distinct genetic history was central to a transatlantic nineteenth-century occult scene (that featured a heavy German influence.) After Hitler assumed power, this belief was institutionalized in the form of the Ancestral Heritage and Teaching Society, or the Ahnenerbe, an alt-archeology research outfit founded by Heinrich Himmler and the Atlantis theorist Herman Wirth.

Under the banner of the Ahnerbe, Nazi explorers fanned out across Europe and the globe in search of relics holding (possibly supernatural) hints of ancient Aryan glory. In 1938, a team was dispatched to Iceland in search of the lost Aryan civilization of Thule, which Nazi leaders discovered in an Icelandic epic poem. Among the Nazis’ interests in Thule was the legend of a race of ancient Aryan giants. (Versions of this myth remain common among biblically focused alt-historians like Steve Quayle and L.A. Marzulli.)

Belief in these legends was possible because of the Nazis’ sharp rejection of the Enlightenment. Dismissing the science of racial diversification and the archeological record, they reveled in symbology, myths and legends of “pure” ancient kingdoms that conquered the world under its symbol, the swastika. (This, the Nazis believed, explained the symbol’s presence in both Native American and Indian art.)

The Solutreans and the Original “White Genocide”

In the U.S., the average member of the far right is likely more familiar with the modern version of Jackson’s Race of the Moundbuilders, known as the Solutreans.

The name is taken from a hypothesis first promoted in the 1930s by the American archeologist Frank Hibben, who discovered arrowheads in North America that pre-dated the earliest Native American culture known at the time, the Clovis. The arrowheads, argued Hibben, resembled those of the Solutreans, a Stone Age people who inhabited southwestern Europe. Most of the field quickly dismissed the similarity as meaningless, but Hibben found adherents among those yearning for a new and more scientifically respectable version of Jackson’s “once-powerful race.” For them, the arrowheads (and other contested findings) prove that “European” Solutreans migrated to America across the northern ice-shelf millennia before “the Mongoloids” (as Solutrean adherents are apt to describe Native Americans.)

There is a second punchline to white nationalists continuing to hold up the Solutreans as victims of a prehistoric white persecution drama: Most scholars believe the Solutreans preceded racial diversification, and their arrowheads are artifacts of a dark-skinned people not long out of North Africa.

Atlantis, Aliens & Ancient Astronauts

In 1882, a decade before the Smithsonian debunked the Race of the Moundbuilders, a Minnesota Congressman and writer named Ignatius Loyola Donnelly published Atlantis: The Antediluvian World. The book provided another and more elaborate theory of an Aryan-looking super civilization that diffused technology to the rest of the world. Donnell’s book, based on mentions of Atlantis by Plato, cut the template for the sci-fi-tinged lost white civilization theories now experiencing a revival on cable television and beyond.

But just as Atlantis theory gained traction following the debunking of the Moundbuilders, so have theories of ancient Aryan astronauts superseded Atlantis with the mapping of the oceans and their floors.

“When there was nowhere left to explore, a group of thinkers started to project these ideas into the sky,” says Colavito, the historian. “Today, ancient astronauts are one of the more elaborate theories in pseudo-history with a racist component.”

In the 1960s and 70s, Erich von Daniken and Zecharia Sitchin put a twist on myths about Aryan visitors from a lost civilization predating the last Ice Age. These visitors to Mesoamerica didn’t come from Atlantis but from the sky. Bestsellers like von Daniken’s Chariots of the Gods (seven million sold and counting) popularized the idea that Aryan-looking aliens brought science and technology to primitive peoples around the world. In recent years, Graham Hancock has repackaged Ancient Astronaut Theory for a new generation in his bestselling Fingerprints of the Gods, and through steady work as a History Channel talking head.

Today’s far right is divided on Ancient Astronaut theory. On the one hand, it denies agency to brown-skinned peoples, and features Aryan-looking heroes, which they consider good things; but it also deprives ancient (human) Aryans of the accomplishments credited to them so lavishly in Atlantis and other theories.

Consider the case of Patrick Chouinard, a prolific writer who operates the alt-history sites RenegadeTribune.com and ancientaryans.com. (The latter site’s symbol, the Norse rune, was also the logo of the Nazi Ahnenerbe.) Like the Nazis, the sites are dedicated to recapturing a lost, pure Aryan civilization — one respectful of, but not dependent on alien life. In September, Chouinard cast a critical eye on the upcoming tenth season of the History Channel’s Ancient Aliens, in an article titled “Are Ancient Aliens Theorists Selling Our People Short?”

Chouinard believes they are. He cites an old episode of the H2’s In Search of Aliens in which the hosts, Giorgio Tsoukalos and David Childress (see above), explore the alleged mystery of some “elongated skulls” discovered in Peru. Chouinard scoffs at the hosts’ conclusion that the skulls belonged to aliens. Rather, he argued, reconstructions “show a very Nordic facial structure with [a] huge cranium.” This could be proof, furthermore, of “a separate branch of the White race the went along its own evolutionary path over 5,000 years ago.”

And who, you might wonder, does Chouinard believe is behind the Ancient Alien Theory that is “selling his people short”?

“The Jews,” writes Chouinard, “are using … the ancient alien camp to confound our race to the point that we deny our own accomplishments. The White race did not need ancient aliens to build our ancient civilizations, or to found other civilizations in remote corners of the Earth. Our race is capable of so much more.”

In 2018, it is dangerous in alt-ancient history circles to completely discount Ancient Aliens. Chouinard knows this. Rather than risk alienating his readers, he concedes, “It is very possible that visitations from extraterrestrials did happen in ancient times, [but] I will not conclude that the majority of our accomplishments as a race can be attributed to extraterrestrials.”

UFOs & “Refracted” Anti-Semitism

Massive and hopelessly intricate cover-ups. Nefarious alien races with gnomish physical features. Tales of secret Nazi super-technologies. It was always inevitable that the UFO and far right scenes would end up in bed together. UFO culture cast a shadow over everything in the postwar years, and as noted above, the far right has never been a stranger to the supernatural.

In Culture of Conspiracy, the historian Michael Barkun locates the early 1990s as the decade this convergence accelerated. Books like William Cooper’s Behold a Pale Horse and journals published by Gyeorgos Ceres Hatonn described UFO conspiracies that fit snugly into the New World Order conspiracy template, heavily influencing that decade’s militia movement. (Oklahoma City bomber Timothy McVeigh was reportedly a fan of Cooper’s radio show.)

But the seeds of this union are much deeper in the postwar record. One of the most important early UFO writers in the early 1950s, William Dudley Pelly, was an American occultist and fascist; his most important disciple, George Hunt Williamson, produced Byzantine UFO theories that incorporated anti-Semitic themes. Williamson’s 1958 book, UFOs Confidential, claimed every government on earth was under the control of a handful of (mostly Jewish) “international bankers,” which for some reason the author believed included U.S. Supreme Court Justice Felix Frankfurter.

Pelley and Williamson’s successors are not always or even often so blatantly anti-Semitic. But the fingerprints of anti-Semites are visible in the works of influential modern UFO writers like Jim Marrs and Jim Keith. These fingerprints appear in what Barkun calls “refracted racism and anti-Semitism,” in which old tropes are repackaged as an episode of the X-Files. This repackaging often includes not very subtle distinctions between “benevolent” aliens (tall, Aryan-looking) and “malevolent” aliens (short, grotesque, often in league with “international bankers”).

More than anyone else, the British conspiracist David Icke has popularized the Alien version of New World Order conspiracy. The former sportscaster’s elaborate theory is the Sgt. Peppers album-cover of the genre, featuring the Masons, the Vatican, the Illuminati, the House of Windsor — everyone is there. At the center of the theory is an alien race of lizard people from the fifth-dimension. Though Icke has always denied trafficking in anti-Semitism, he has endorsed the Protocols of the Elders of Zion — the famous forgery and foundational text of modern anti-Semitism — choosing to call it “The Illuminati Protocols.”

This is Barkun’s “refraction,” in action, and Icke’s shadow is long indeed, visible across the far right media spectrum.

Hollow Earth, Secret Nazi Labs & the South Pole

Another inevitable development in postwar conspiracy subculture was the rise of a belief in secret Nazi bases underneath Antarctica. The idea of a “hollow” or “inner” earth was a key tenet of nineteenth-century occultism, and in the postwar years it reemerged as a setting for escaped Nazi scientists working in secret technology and weapons labs.

The legend took root during the mid-1970s, nurtured by the Canadian neo-Nazi Ernst Zundel, who argued that Nazis invented flying saucers and had taken their breakthrough technology to bases deep under the South Pole.

The Third Reich was interested in a possible base at the South Pole, and a few high-level Nazis did escape to Argentina, whose national territory includes a slice of Antarctica extending to the South Pole. Zundel and his successors have infused these facts with Victorian inner-earth legends, and then marinated them over multiple viewings of the 1968 B-flick, They Saved Hitler’s Brain. Versions of the theory remain popular on neo-Nazi alt-history sites, and in recent years British tabloids like the Mirror and Daily Star have found click-bait gold in spreading them.

The story’s persistence led Colin Summerhayes of Cambridge University’s Polar Research Institute to look into the matter. In a 2006 edition of The Polar Record, Summerhayes presented his heavily footnoted and researched conclusion that secret Nazi bases do not exist, and have never existed, on or below Antarctica.

As exhaustive as it was, it is unlikely Summerhayes’ study had much impact among the theory’s adherents. It was, after all, competing with an ever expanding glut of “hidden history” books, podcasts and websites. One of many such titles to appear that year was SS Brotherhood of the Bell: The Nazi's Incredible Secret Technology, penned by Joseph P. Farrell, a prolific alt-historian and regular on Red Ice Radio.

Atlantis featured in Good Omens, episode 4, Saturday Fun Time, 2019

Atlantis, the home of Aquaman, 2018 and 2023

Disney doesn't get a pass. This was a story written by Joss Whedon, in 2001, forgettable sequel in 2003. At least it's been 20 years, though. The above projects can't say the same. Making fiction, world building are all fun and exciting things to do in the world of animation and comic books. It shouldn't be discouraged. But people should be aware of where certain ideas originate. I recall hearing some people thought Atlantis existed but had no idea the idea was still being pushed, nor that it was based off past white supremacy and it's efforts to explain away any other civilization being advanced, save it's own.

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