#Series analysis is always fun!

[pinkytoothlesso11]

Hey, there the same newbie in the Fandom again

I rewatched the show again with my brother and started noticing things I didn't in the first. But for today, only one ask shall I send

Do you think Walter has some guilt feelings about Jim transformation? I mean, the boy wasn't listening to Merlyn till he said similar reasons to the one Strickler said in training and especially in bad coffee, which we saw in it that Jim still cared about Walter opinion or something? (TBH, I like the episode, but half of it was just trash . What do you mean by just "protect her?" he cares for Jim and forbids Bular from attacking him way before starting to start dating Barbara)

Wow, so much rambling sorry anyway back to the guilty feelings because I think he kinda saw himself the reason? He clearly knew or guessed what the potion would do because of his reaction to it

And the "young Atlas you are not alone"

It strikes me as if he realized what he said earlier about Jim not being able to defeat Gunmar by his strength alone (so he got the potion) and his speech was more of hopeless attempt to reach Jim to not accepting the fact he can't win alone but they could find another way together

Oh God, I write all of that, so sorry, but you're the only trollhunters (Strickler) fan I know would be able to understand me

First off, this is a fantastic ask! And it doesn't matter how many times I rewatch Trollhunters, I still find new things. It's probably why I rewatch so much.

I don't think Walt is guilty about Jim's transformation to half-troll. He wanted Jim to survive Gunmar. Because any humanity shown to Gunmar would end with Jim dead. Strickler never said Jim needed to be more than human, not like Merlin did. Strickler was terrified Jim would die, which was why the training in season 3 was so tough. Strickler was angry and scared when he realised what Merlin had done.

Yeah, Jim DOES care about Walt's opinion on him, and I think the same can be said of Walt.

Bad coffee is a bad episode for Strickler and Jim's relationship lol. Right from the start of Trollhunters it was JIM who instilled in Strickler the seeds of his eventual redemption. And RoTT (terrible as it was overall) proved that once and for all. Strickler is willing to DIE for Jim. He didn't die for Barbara. And that's why Jim sets him up with Barbara at the end of the movie.

The whole 'I didn't return to train you, I returned to protect her' can't be taken seriously. Since you know, Strickler was high on gravesand. Nothing he says is particularly nice while on gravesand. None of the teachers are lol. And it was said also because Strickler wanted Jim to kill him. To finish the fight. And needed to say something to wind him up. What better then using his mom? Since obviously he returned for Jim's sake, knowing Barbara would want nothing to do with him at the time. And yes, maybe he returned to train Jim also because it would indirectly protect Barbara, but still. Blatent lie. If that was true, Jim would be dead.

#Anyway that was long #Ask answers #Long post #Trollhunters #Tales of arcadia #Walter Strickler #Jim Lake Jr #Barbara Lake #Knife family #Series analysis is always fun! #Especially since I'm rewatching Trollhunters right now #And Barbara was completely out of the picture for most of the first half of season 1 and Strickler was trying hard to protect Jim #And he does again in Unbecoming I know protect Jim #And straight after bad coffee Strickler comes to help Jim with exorcising Claire no questions asked. #So yeah. Hope that answers all your questions

[raayllum]

Anyway time to talk about the 6x03 poem:

As many others have speculated judging by the map, Captain Skall made her way to Hook named after her, and then "as east she sailed into waters so deadly and cold" in the Frozen Shards, her ship eventually being stuck and meeting her doom there.

With that out of the way, I want to talk about other pieces of info, why this might be the poem for 6x03 specifically, and where I think Skall may fit timeline wise:

"From the isles without name" makes me think of the Independent Isles in between Evenere and Katolis.

"sailing north, she called herself free" makes me feel feral with Callum (and Rayla) doing the same in hopes of freeing Callum from Aaravos' grasp by destroying the prison

"Through forests and flowers, past the uneven towers" clearly symbolizes Katolis, indicating that Skall lived once most of the human kingdoms had been established, and thereby post-Exile/Exodus.

"Skall hungered for glory, she wanted a story / they’d tell it long after she died". Routinely we see a desire for glory / worthiness / power described as hunger ("Hungry for knowledge and power" / "But that small taste left some humans hungry—starved, even—for a better path. An easier path. And thus Elarion became the birthplace of a new form of magic, a shortcut to primal power: dark magic"). This also comes into seeking a legacy.

"So with winter wind’s blowing / she sailed north, forgoing / a man who’d have made her his bride". This is where we see the poem take a more negative slant in a few ways. The first is winter, wind, and north, setting up a future unfortunate turn of events. This is also the first mention of Skall having something else in her life other than adventure and something she had to subsequently abandon. While the end of the poem is much more on her side of feelings, "forgoing" does mean "renouncing; sacrificing or giving up" something that is more positive.

"Alone in the cold, yet ever so bold" again adds to the more negative feeling the poem is building, as boldness is in the contrast with "alone in the cold" that's overall negative and maintaining a bit more of an upkeep. Likewise, we see the return of the wind with an even more negative connotation in wailing in the following stanza: "And oh, winter wailed / as east she sailed / into waters so deadly and cold". We see the return of cold but also the change into things being 'deadly' (although there were still hints of danger earlier, as 'bold' indicates).

"Then came the ice, and trapped in its vise" The cold finally catches up to her, and we see ice return as a form of entrapment (2x06, 3x08, 3x09, 5x04, 5x06, 5x08). Most interestingly, "vise" is a tool with closable jaws for clamping things. Maybe the ice is magical, or the jaw of a great (the dragon we've seen in the trailer) creature?

"And while she found peace / she wished that, at least / she’d told him she loved him, always". While the poem ends on a somewhat bittersweet end (at death but at peace), we do see that Skall died with a final regret to the man she could've wed but left instead.

Or you could say, a last wish.

Either way, the poem paints a rather grim journey: going North didn't hold the same freedom and achievements that Skall hoped for, and instead led to entrapment, separation, and death.

That said: there's a few Rayllum-y things I think we can glean from this poem, for starters:

1) The episode will likely have a strong focus on Callum and Rayla sailing to and/or through the Frozen Sea on whatever ship they're planning to use to get there. This leaves 6x02 "Love, War, and Mushrooms" more open to either explore other plot lines or another pit stop in their journey (like say, the Silvergrove)

2) The poem itself has pretty clear Rayllum parallels, specifically in TDP's continual gender subversion of the women who puts other things above her romantic relationship, even if it's likewise seen as a sacrifice. Rayla left Callum in order to protect him/the world from Viren, even if that meant damaging their relationship, and Skall puts her desire for glory and adventure over presumably a more settled married life at home. (Excuse me while I scream over "forgoing a man who'd have made her his bride.")

3) The poem likewise has some parallels to Rayla's "Dear Callum" letter specifically. There are wishes expressed of the leaving party, a desire to have made feelings more plain that Callum reiterates in 5x04 when they think they're about to die ("I hope you know—" "I know"), and most notably, a parallel to the always mention:

she wished that, at least she’d told him she loved him, always.

But, if it does—if you feel that soft aching—know that that piece of your heart isn’t missing. It’s not missing at all, Callum: I’m carrying it with me! Always. I love you. I love you so much.

4) All this bodes quite well for 6x03 being an episode with a big Rayllum moment in it — perhaps even their Big "You Finally Came Back" Talk — especially since there's not much else to (presumably) happen on a ship if they're just travelling somewhere (and not being pursued this time).

Episode Speculation (a summary / misc thoughts)

Callum and Rayla travelling to the Frozen Sea

Big Talk happens

+ potential love confession / reaffirmation?

They reach the other end of the Frozen Sea

Maybe fight the big dragon from the video game teaser we see with Rayla (like Skall, she has literal hooks = blades) whose guarding or in their way to the Starscraper? Could account for the jaws and maybe the ice

One of them is worried and/or has a moment of thinking the other person is hurt/injured bc of said dragon fight?

Maybe some Aaravos backstory in his lost love (although like I said, I don't think it's Skall exactly — I still think the likeliest names are Elara-adjacent or Kalik)

Episode Title Speculation (in about this order):

The Frozen Sea

By River and Sea

Always (this would be my personal favourite and i would never stop screaming)

#tdp #the dragon prince #analysis series #the english major strikes again #tdp meta #analysis #rayllum #s6 spoilers #tdp spoilers #6x03 #s6 speculation #predictions #+ bonus 'i love you with all of myself. i always will' & 'you know i'm always here for you right?' #it's been a long time since i've sat down to analyze a poem so this is fun

[thatgirl4815]

Incoming essay - apologies!

Rewatching the pool scene and two things struck me: Sand's really not a natural at this whole sneaky, aloof thing - his face while he's watching Ray listen to the recording actually looks quite serious and almost like he's already having doubts, but the second Ray looks back up at him he assumes a fake, couldn't care less expression, which solidifies my opinion that his behaviour here is out of character for him (I don't mean the writing is out of character, but that he's acting in a way that goes against who he really is). Boston's mindfuckery and Nick's...privacy issues come fairly easily to them, and even Mew pulled off a very cold-blooded gotcha that entirely relied on him convincing Top everything was okay, but Sand couldn't even manage that one convo with Ray without it being totally obvious he was pissed and petty and had an agenda. I think swinging a baseball bat probably comes way more naturally to him than subterfuge and manipulation.

The other thing is Sand's expression after Ray asks if he's not okay about him liking Mew - he's sort of speechless for a second, has to take a breath, and it occurred to me that this is the first time he's actually hearing Ray confirm that it's true. Previously it was all just coming from Boston, who Ray said he shouldn't listen to anyway, but here is Ray himself admitting it, saying it out loud, and quite casually at that. Ouch!

(Something else I've been pondering is if Sand isn't (perhaps unconsciously) a little pissed at Nick and that's why he can screw him over so easily - after all, it was Nick who brought Boston into their home, and Nick who, even after witnessing all the damage Boston did - and not to random strangers, but to Sand - still sticks with him, acting all lovey dovey and taking cute couple pics... Not passing judgement one way or another, but it wouldn't surprise me if Sand's a little bit bitter about that as well!)

Ooh yes, I agree with all of this 100%! I like how you can see Sand almost reckoning with himself as he does it. I can see him thinking “Well, if Ray likes someone else and has just been using me, why can’t I play the same game?” Also interesting your point about how Sand likely defaults to direct action as opposed to subtle schemes and manipulation; it would certainly align with how straightforward Sand is about everything (I’m thinking of a lot of scenes but especially that last one where he chases after Ray—he’s undoubtedly still angry, but he cares more about keeping Ray safe than letting Ray see that he’s hurt…that might be part of the reason why the crew decided to use the take where he looks shocked as opposed to heartbroken just before Ray drives off.)

Your analysis also confirms that Sand certainly does care about Ray in the pool scene, even if he’s trying to ignore it in pursuit of his own revenge on Top. Ray’s direct confirmation that he does, in fact, like Mew is just more cause for Sand to be bitter. I can imagine just how broken up Sand has been since the night Boston ruined everything, thinking and rethinking his relationship with Ray.

Sand is making a very pointed effort to make Ray feel his apathy. Beyond Sand simply being hurt and dejected, he wants Ray to feel bad—I just don’t think he ever meant for his schemes to initiate the blow up Ray has at the end.

Lastly, about Nick, I’d be surprised if Sand wasn’t bitter! Nick even tells Boston that he was an asshole and he still acts all lovey dovey with him? Nick comes across as very immature to me and very much a pushover. Hopefully we’ll see Sand address his own anger over this in this trailer clip:

Anywaysss, rant over. Thanks for sharing these observations! You all always make my viewing experience 100x more enjoyable :)

#only friends #this scene analysis is always so fun #only friends the series #ofts #sandray #raysand #only friends ask #ask #raysan #sanray #sand X ray #Ray X sand #only friends meta #only friends analysis #only friends episode 6 #only friends ep 6

[athenaholmesartistsguild]

I've only just started chapter 3 of Gaiden but I am absolutely obsessed with the theme of powerlessness and how it's conveyed within the game.

I can't help but notice how often Kiryu says he 'doesn't have a choice' when doing pretty much anything. Even if it's in super banal, low-stakes interactions like doing something for Akame, he's constantly stating that he feels as if he has no agency in his current situation.

In the previous Kiryu Saga games, Kiryu is painfully aware of the consequences of his actions, but he still regards them as choices that he made; not something he was forced into.

His status as a Daidoji agent has basically beaten him into submission. He'll occasionally try to fight against this absolute control over him, but he's eventually returned to his position as a pawn in this huge, shadowy organization. The Daidoji are the first organization/power structure that managed to get control over Kiryu's tendency to burn shit to the ground and good god do they take advantage of that.

But then Kiryu's also painfully aware that this is the reality he asked for. Not only does he outright say this multiple times, but he's telling others that 'they started this' when they're confronting him and it's so obvious that he's talking to himself.

He's constantly bouncing between feeling miserable and powerless and then resenting these feelings and berating himself for having them in the first place. He's grasping at any sliver of control he can still have over his life, not to find meaning in his new existence, but to further punish and abuse himself.

I can't remember the exact post, but I saw someone describe Gaiden as a love letter to the Kiryu Saga and that's the best way to describe it, I think.

Kiryu's arc in his games is an incredibly slow car crash where we witness in painful detail how incapable he is of permanently leaving his life as yakuza to protect his family.

He has this almost codependent relationship with the Tojo Clan and feels a compulsive urge to get involved in the constant crises happening.

Of course, there were outside factors that were trying to pull him into these conflicts. Everyone believes that he's the only one who can fix everything. Kiryu's name carries power. Isn't it disgustingly selfish to refuse to get involved when he was the one who chose the clan's chairmen?

How could he refuse to deliver a single letter after the 5th chairman was shot right in front of him?

How could he ignore the people threatening to take his orphanage away from him and his kids?

How could he tell his daughter that she can't become an idol because of his past?

How could he justify staying alive when it did nothing but bring harm to his family?

What choice did he have?

But remember, you chose this, Kiryu.

#Ughhhhh Gaiden's so fucking good you guys. #I'm both super excited for Infinite Wealth and absolutely terrified of what's gonna happen. #I can just tell it's gonna fuck me up. #Guess we'll see how much damage Gaiden does first :') #I also find it interesting how Kashiwagi seems to be more of a parental figure in Kiryu's life than Kazama. #I'll probably write something more detailed later but Kiryu has a line at the end of the ChatGPT quest where he mentions Kashiwagi #and I thought it was interesting that he was more concerned with making Kashiwagi mad than Kazama. #Almost as if Kazama wasn't around as much as Kashiwagi. #yakuza analysis #kiryu kazuma #like a dragon gaiden spoilers #yakuza 6 spoilers #tagging is kinda weird since the Yakuza series got rebranded lol. Obviously 'Like a Dragon' fits better than 'Yakuza' #since all our protags leave the Yakuza like. Immediately. #But I feel like in a few years there's gonna be a divide between people who are new to the series and the pre-rebrand fans tagging-wise. #all us moldy oldies are gonna be using the 'Yakuza' tag while the other half of the fandom is tagging everything with 'LAD' #But it's always fun to watch fandoms evolve and change so I guess we'll see!

[thedevilsrain]

the series would become much more low key as it went on and became more and more serious spy action, but as silly as they were i truly miss the grandeur and dare i say camp of the first few eroica chapters, so heres some panels i like that i feel capture that essence

#i basically just mean the more shoujo elements ;_; fgjkjgljflkgjld #me sayin essence cus i hate the word vibe: yea #more of a textual analysis here but #i feel like the start of the series was much more character driven. if it makes sense #like there was always something related that tied them together #but after some point it was more them reacting to whatever was happening in the world #which to me made the series a bit boring #cause its like well theyre in a train together to do a mission. cool. or they were both chasing the achilles statue. cool. it was connected #but then it was like.. some microfilm lost somewhere. some report lost somewhere. and klaus and dorian just kinda popped along the way #became less active in their stories i would say #ESPECIALLY dorian #so much so the romanticism and more shoujo elements of the series were almost made fun of because they only appeared when he was around #but yeah. i like preddy panels #led zeppelin shoujo yaoi manga tag #long post

[biquinntile]

Regulus Black's Patronus

if you hc, something different I totally respect it. I know I've seen a lot of folks pick a lion, with him being named after the brightest star in Leo, but I'd like to give my arguments for why I think that isn't the case. I will be using wizard in a gender neutral sense since the Old Hag didn't want us to have a gender neutral term for magic-user smdh

Firstly, it's very hard to not associate the lion with Gryffindor, and I think that an important part of Regulus as a character is the fact that he is a Slytherin. Our leading Slytherins have this running theme of redemption and forgiveness. Regulus's story was really brought up during Draco's time as a Death Eater apprentice or whatever, when Draco was battling with his morals and his duty and his fear. It was supposed to be this parallel because Regulus was the same age when he was recruited into the Genocide Gang. Like, I cannot stress enough how important it is to his character that he was a Slytherin, he was a Death Eater, he was from an elite pureblooded family who were no strangers to dark arts let me tell you that. He had no reason to question his beliefs, to rock the boat, to step to the Baddest Baddie of the time, especially when I'm sure Regulus knew better than anyone what he was capable. Let's remember that not every Death Eater had a dark mark...but Regulus did. And he did it anyway, knowing he could and would day. He did it like a Slytherin too, using trickery and telling no one. Working in darkness. Kreacher was the only being for over a decade that even knew how he'd really died. Tell me that's not a Slytherin at work smdh. And thank Merlin for his Slytherin work ethic. All this to say I loathe any implication that Regulus should have been in Gryffindor or he would have been in another world. He was a Slytherin AND a good person. That's who Regulus was.

Secondly, I think a very important detail about Regulus is the contrast between him and Sirius. The House of Black is a well-known, established family of pureblooded wizards, predominantly Slytherin to boot. They're the elite, the wealthy, and their family's reputation holds a weight in wizard society. People know who the Blacks are, and Walburga and Orion aren't exactly great parents, if how they deal with Sirius shows us anything. I might be drawing too much from my own experience with a judgmental and strict household of dickhead parents, but while some's reaction to a toxic and strict household was to rebel and fight back and go toe to toe with their parents, like Sirius, I felt I related more to Regulus. Being as perfect as you can, never disagree, figure out how to do what they want before they even ask so they can never get upset and mistreat you. Regulus is obeying where Sirius would break the rules, despite them both being able to acknowledge that the rules are broken and/or wrong. They were too different to be able to understand each other, both attributing the other's reaction to a gluttony for misery. Regulus, to me, represents a person that had their entire life laid out in front of them by his family, and yet his final moment is about choice, his ability to decide for himself what he believes is right and wrong. For me, I feel like him being in Slytherin is important because he would have believed that the Sorting Hat decided for him because he was from the Black family, but we all know that the Sorting Hat gives suggestions more than anything. He chose to be a Slytherin the same way that Sirius chose Gryffindor, but they couldn't understand each other's choices. Are you seeing what I'm seeing? Brothers turned strangers by the hands of Fate, molded by their experiences without any understanding of what the other person was making. It's devastating.

Thirdly, I'm sure you're thinking, "Okay, tough guy. So his patronus isn't a lion! So what is it then?" Honestly, I'll sign on to anyone who has evidence for why. Patronuses actually tell you a decent amount of information about what kind of wizard you're dealing with. I think his would be a fox because the fox embodies a lot of the more positive qualities of a Slytherin: cunning, quick wit, mysterious. There's a playful mischief there, which is what I imagine Regulus has when he starts getting comfortable, smoking weed in Barty Crouch Jr.'s basement, you know what I mean? I also have this really strong headcanon that Regulus and Sirius were very close before Sirius went to Hogwarts, but with Sirius gone and absorbed in his new Gryffindor friends, Regulus spends those two years hanging out with Kreacher and getting deeper in the pureblood propaganda his parents spit out, driving a huge wedge between them...but before all that, I like to imagine that Sirius used to try to comfort and protect Regulus from the shittier parts of their family, and I imagine that he'd open up the big windows and tell Regulus stories using the constellations, something they both grew up connected to by their family's tradition. I think that Sirius would not have paid attention to all the stories though, and I could see him grabbing from whatever stories he could remember. I like to imagine him telling the story of the Fox and the Hound, unlikely friends, that go up against Narcissus, the flower that was obsessed with its own reflection or The Banshee, the angry mother that would scream until your ears bled. Silly stories told slightly different by Sirius's embellishments and stitching in things he'd forgotten. I don't know it's a soft headcanon but apparently strong enough that I am here making this post, advocating for his patronus to be a fox. So. there's that.

All this to say, don't listen to me if you don't want to! Believe whatever you like, none of this is real. I just kinda wanted to organize my thoughts about it because I've been thinking about him for a long time, and I feel very strongly about this...clearly...lmao

#regulus black #hp analysis #regulus black analysis #patronus #slytherin #sirius black #marauders era #this is just for fun #idk I'm not always good at tone but this is not me hating on anyone #these are my personal beliefs #based on excessive rumination #and having his wikipedia page memorized since the third time I reread the hp series #Idk if you can tell but its a hyperfixation

[claire-starsword]

The Guardiana Magic School Run - Part 5

We arrive at Rindo, home of the greatest weapon of all time.

I can't buy it :')

To be fair, I don't want the squishy characters anywhere near the next opponents so it might be fine. The Steel Rings were a priority due to being chapter exclusive.

I guess I also need to talk about this peculiar drop. The Evil Ring is a cursed weapon that greatly raises attack. I barely remember how curses work in this game because i don't have an habit of equipping these. It can also be used to cast an overpowered Bolt, but that's against my rules. So I don't think this will be seeing any use.

It's okay though, because as the center of commerce Rindo has no shortage of stuff to pick from.

We pick up the Speed Ring and give it to Khris, who is terribly slow, this +4 boost barely gets her around Lowe's agility. Speaking of, one of her Steel Rings goes to him, and now they're tied at 8 defense.

As for the usual speciality ring, Rindo has the Charm Ring, clearly a help against the Marionette we'll deal with eventually. As you can see though, it is Slightly Costly. I'm not as much in a rush to get these as I was for the Steel Rings, because everyone in this team has some magic resistance already, but it would be nice. Kinda depends on how important the power staves turn out to be. More on that soon. Or right now, actually. There's no more window shopping to do and this town is too fancy for our tour, so we must head to Manarina where our magic advertisement will be much better received.

The Doll Hater is a beautifully named staff. From what I recall it's already stronger than the Power Staff by itself, and also gets bonuses against Mishaela's dolls. Clearly this version wanted players to have an easier time at the circus battle. Given how I don't have Power Staves yet, this would be a massive help and save money.

Unfortunately I can't say I have hope to get it.

Most of this battle with be in the desert, where everyone sucks at moving. While the enemies at the start are simple fare by now, dark dwarves and snipers and bats and other stuff we can kill quickly, but then there's this group of zombies at the end. Zombies tend to be an absolute pain both offensively and defensively, I do have some hope due to being in a greater level than I usually am on normal runs, but I have few characters to beat them up, and they can gang up on a single character. And poison. And the mages can come up as a duo for massive damage.

I hate this battle, okay. I hate it so much. It takes a bazillion turns to get to the hard part and then you suddenly die.

So yeah. I want to not die so I'll need to be extra careful and I think that ruins our chance of getting the clear bonus. Alas! Let's move.

The start of the battle is boring and easy yet takes seven turns. Dark dwarves are pathetic at this point so Max and Gong wipe them out taking scratch damage, with Khris even managing to get a kill and a level up with +4 MP, sucks that it doesn't apply to the current battle. I wanted to save Tao's MP for the zombies, but the bat is annoying and dodges several attacks and puts Max to sleep, and I'm trying to move fast, so in the end Tao has to do everything with two Blazes on it. Thankfully Max already woke up, but god this is slow.

At least when Gong hits, he HITS.

He continues to advance as the team's one punch man, killing a sniper for breakfast. Since he can't reach the mage next, I do some healing as Blaze 2 is still a lot of damage at this point.

There are also two bats coming from the right, but I don't want to waste time going after them especially when I'm likely to miss, I hope they come.

They come after Max's ass of course, what else did you expect. The mage also came after Max's ass. The Sniper came after Max's ass. You wish your feeble mind could conceive just how attractive that ass is. He's doesn't share the excitement though and is asleep again.

And wakes up immediately! Honestly that's really lucky, having the guy stuck for long could be a real problem here.

We are at turn 12, this might be impossible. Gong has one punched the dark mage who was the only big threat, so I'm wondering if it might be possible to go on ahead and let the bats follow me. Even that might not be enough to reach the zombies in time though. Also, I don't want to repeat my one death by thirst of an impossible bonus again.

afraid to say i'm doing it anyway though

Obviously the bats continue to chase Max, and he finally lands a counter to kill one, he had attempted this last turn but missed.

Unfortunately, the other bat has more typical behavior, so he's asleep.

I think this is on the reach of a single zombie? Please?

I think this guy will go for Max and not her, so I'm hoping to do some damage while not wasting much MP.

Turn 14. One zombie successfully baited and doing 1 damage, Max woke up. This is probably as good as it gets here. Gong gets to punch the zombie for half its HP as well, and is rewarded by all his efforts so far by getting Heal 2. The only thing against us as usual is that we might not have enough time, especially since the healers won't be hitting for much, and taking massive damage from the zombies. They have 8 defense each against the zombie's 16 attack. Tao has 9 defense as well. I don't want any of these people taking damage.

"And remember kids, you can't take damage if they turn to ash first."

I'm doubting Khris will ever reach anyone to do healing up there with the zombies, and she'll be even less useful as a fighter, so I'm wondering if she can be more helpful dealing with these guys instead.

:/

She thankfully takes only one damage (Steel Rings :D), but she's asleep now. oops.

Lowe however manages to kill the Sniper, so that's something.

Turn 15, I think Gong can survive on this side and then heal himself, hopefully the others will have managed to move closer by then.

Turn 16. Lowe has defeated the bat, but I don't have the slightest hope of him and Khris doing anything else now. Max and Gong have survived, Gong badly because of Blaze, and both are poisoned. I didn't prepare with any antidotes and Lowe is the Detox guy, so I'm gonna have to count on healing spells and herbs to counter the damage only.

I do think Gong can survive this turn though, he'll kill the mage, take 1 damage from the zombie, 2 from poison, and nothing else reaches him. He should survive. Please survive, man.

He can because Max is just too sexy. Turn 17 and I think we can do this, Gong should still survive at 1 HP after killing the mage and the enemies should beat up Max instead, who has 5 HP even after the Blaze 2 he took to the face last turn. We can do this let's goooooo

It works. Gong kills the mage, Max kills one zombie, Tao blazes the other for 5 HP. Next turn Gong has 1 HP and has to heal himself immediately to survive the poison, Max has 2 HP and probably could kill the zombie but I'm irrationally paranoid so I actually used an herb. Who knows, maybe the zombie has an evasion of 0.0000001% and I was gonna be the lucky soul to find out! So Tao blazes it again. Nothing more fitting as she is the face of this stupid run and its glorious school.

YEAH BABY

Our great efforts give us the privilege of being big haters on Mishaela from here on. We trash her circus area like delinquents and prepare for the next battle. Thankfully, the preparations do not include healing from poison, that's not a thing in this version, I forgot. Everyone's fine, which makes sense as Lowe has Detox, he can just make himself useful off screen like SF2 priests.

Speaking of Lowe, he has 1 more defense than Khris so I guess he'll be taking the Hater. Look at that. That's +2 compared to the Power Staff. This thing is pretty much the reason I considered doing this run, staff weapons at this point of the game get ridiculous.

The deals section continues to disappoint, so I sell Lowe's old staff to barely make enough money for a Charm Ring. I give it to Max because of how targeted he is, but I don't think a single one will help much after all, I'm hoping to stack more later.

That's all we can do, next time we finally get to Anri. I expect things to be chill there, but the circus and abbey battles in the future could be dicey.

Losses: 0 Deaths: 1 The expected deaths on Narsha interludes: 0/3

#shining series #shining force #ressurection of the dark dragon #sf tao #guardiana magic school run #this was a lot of fun. i love the clear bonuses #and am quite surprised things worked out without many characters when chapter 1 wasn't as kind #i guess in the end this battle is kinda made so that tao will be dealing with the zombies #gong and max had good levels to help this time but sometimes it's not like that #and they do get punched a lot #i missed challenge from the previous battles so it's fine #love surviving on 1 hp #i feel it would have been smarter to have the rousing ring on max though #i forgot there were bats on the desert #and they are always gonna go for max #anyway. enough of this analysis stuff i have more important things to say #lowe definitely thought the barbie movie hated on men too much

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

#scott pilgrim #spto #scott pilgrim takes off #roxie richter #roxanne richter #scott pilgrim spoilers #spto spoilers

[anyroads]

OK you know what, if we're gonna talk about Bake Off then fuck it, let's do this.

It used to be this wholesome, lovely show! We used to watch it for the bakers! And the learning! And the light banter and occasional bit of coy innuendo! What happened?

Channel 4 happened. When they bought the show they made a number of changes, most of them Not Good™️. Not just in the sense of them resulting in a lot of 😬 and 🫠 moments, but in the sense of how they changed the show's purpose, atmosphere, and brand.

Look, I know most people are just like, "whatever, it's just a baking show," and yeah, sure. But it's one of the UK's most successful TV exports, and where it once shifted the tone of reality competition to being wholesome and supportive of contestants, it's since moved towards creating tension at the contestants' cost. So aside from the fact that most people watching it signed up to watch a nice show, it has also shifted the goalposts of what that even means. And that, lovelies and gentlefolk, is some bullshit.

I decided to break my rant analysis into four main parts: theme weeks, the hosts, the judges, and the bakers. Let's get to it!

Theme Weeks:

If you watch Bake Off, you know the show's always had a specific theme for each week. The staples that come up in most seasons are:

cake

biscuit

bread

pudding/dessert

pastry

patisserie

Less common but consistent are things like caramel and chocolate week.

Then there are the fun episodes! When GBBO was on the BBC, this started out with things tea week, tarts, pies, tray bakes, basically little tangents still focused on emphasizing specific baking skills. In Series 6 (still on the BBC) they had their first nation-focused theme week with French week -- fairly innocuous given that a lot of patisserie is French, France and England share much more culture than either cares to admit [Norman Flag dot gif], and it was a nice change from watching Paul make the bakers do recipes that involved boiling things while talking about how wonderful boiled doughs are (are they, Paul? Are they?).

The show kept mixing it up with innocuous themes like advanced dough and alternative ingredients weeks, European cakes, Victorian week, batter week, and botanical week. And while it was frustrating to watch Paul Hollywood mispronounce things like the Hungarian Dobos Torta and lecture bakers on babka when he clearly knew nothing about it (or about Jewish baking in general, go off Past Me), the show's general attitude was that the judges had their own opinions, which were separate from the immutable facts around the chemistry of baking (more on this later) and shouldn't affect how bakers are judged.

After the show moved to Channel 4, the number of themed weeks increased and more of them focused on specific countries. In 6 seasons on the BBC, there were only two country-focused theme weeks, and in 5 seasons on Channel 4 there have been five. And while they've also had themes like vegan baking, roaring 20s, the 1980s, spice week, etc. the show has really started to go hard on exoticizing other cultures in outright disrespectful and racist ways. There's been Italian and Danish week, German, Japanese (it wasn't, it was East Asian week), and now Mexican week (which doesn't touch on interspersed Jewish bakes that didn't get a theme week, like versions of bagels and babka set as technical challenges that were borderline hate crimes and mansplained by a guy who has no idea how to make either and once wrote in a cookbook that challah was traditionally eaten during Passover). Each time the hosts played up the theme with racist bits and jokes that can be used as evidence in court if your case is "why should shows with scripted content have a professional writing staff."

Which touches on other issues the show has now...

The Hosts:

When GBBO was on the BBC, the show was hosted by ✨Mel Giedroyc✨ and ✨Sue Perkins✨. They encouraged the bakers! They'd hold stuff for them sometimes! They were interested in them! If a baker had a breakdown, they would start singing copyrighted material to render the footage unusable! When the show moved to Channel 4, they left, though I'm not unconvinced that Channel 4 offered them impossible to accept contracts to force them out so they could rebrand the show. They replaced them with Sandy Toksvig and Noel Fielding. Sandy was a lovely host in the vein of Mel and Sue, and she and Noel had a relatively sweet rapport, but she left a few seasons ago and was replaced by Matt Lucas.

Noel Fielding is mostly known for his quirky brand of comedy, a sort of British Zooey Deschanel who's goth from the neck up, an upperclass British gay divorcee from the neck down, and basically an early 60s Beatle re: trousers. Matt Lucas has almost definitely never watched a single episode of GBBO and his most redeeming quality is his thinly veiled contempt for Paul Hollywood.

The two treat the baking tent as their personal playground. Far from the supportive attitude of Mel and Sue, they tend to get in the bakers' way during the most stressful moments, especially when they try to do hilarious "comedy" bits (I can't not put that in quotes) like Noel's talking wooden spoon thing, or Matt talking over Noel to do time calls. During theme weeks like Japanese and Mexican week, they do culture-specific bits that are both racist ("just Juan joke" and "is Mexico a real place?") and unsurprising, given that both Matt and Noel did blackface on their respective sketch shows and absolutely could and should have known better because it was already the current fucking century.

All this to say, there's now a separation between the bakers and the hosts, as if they're on different shows. The hosts are doing their own thing and the bakers are doing GBBO. The show has gotten meaner to the bakers, and the hosts aren't there to support them anymore, they're just there to be comic relief. Because when you refocus your show on stressing the bakers the fuck out, you need a forced laugh I guess ¯\_(ツ)_/¯.

The Judges:

First of all, a sincere congratulations to Paul Hollywood who managed to squeeze I jUsT cAmE bAcK fRoM mExIcO aNd YeT sTiLL pRoNoUnCe PiCo De GaLLo As 'PiKa De KaLLa' and I aM aN eXpErT oN s'MoReS wHiCh aRe MaDe WiTh DiGeStiVe BiScUiTs AcCoRdiNg tO mE, aN eXpErT oN s'MoReS, just two in a giant pile of astoundingly wrong hot takes, into a short enough time span that they all aired within Liz Truss's term as Prime Minister. A true man of accomplishments.

In the interest of fairness, I need to preface this with a disclaimer that, due to the fact that I've been watching Bake Off for most of its run, I'm biased. Specifically, I can't stand Paul Hollywood's smarmy, classist, egomaniac ass because he's proven time and again he's more interested in looking smart than actually knowing what he's talking about. Since the show moved to Channel 4, they've changed the occasional handshake Paul would give bakers to the HoLlYwOoD hAnDsHaKe™️. It's gone from being an emphasis of someone's skill to a goal, a reward, and one that emphasizes the judges' place above the bakers.

The judges used to function as teachers, imparting their skills and insights to the bakers. When the show was on the BBC, the voiceover leading to a judging would focus on the bakers' work being finished, saying how it will now be evaluated based on their skill and how well they met the brief. The voiceovers now, on Channel 4, focus on the judging (literally saying something along the lines of, "the bakers will now be judged by Prue and Paul"). There is a clear distinction Channel 4's producers have made, to mark that the show is now about whether or not the judges approve, not whether the brief was understood and executed well. On the BBC, it was irrelevant whether the judges liked a particular flavor, as long as the bake was well-made. Now, the bakers are expected to know the judges tastes and cater to them, which is frankly bullshit. A judge doesn't have to like a flavor to know whether or not it was executed well, ie. is it carrying a bake and was it meant to etc.

The judges have been turned into a brand. Cynically, Channel 4 knows that by building them up and focusing the show more on them, they can exploit their image more for profit. In the process, they've become much more biased and their own biases have come out as well. Most recently in the flaming dumpster fire that was Mexican Week, Paul Hollywood tried to intimidate a baker by telling them he had just gotten back from Mexico (which must have been a fruitful learning trip if he couldn't even learn how to pronounce pico de gallo correctly). Where do I even start with this? Here's an amateur baker from England (the show specifically casts middle and lower middle class bakers for the most part??) who likely can't afford trips to Mexico, who lives in a country with incredibly limited access to Mexican cuisine, who is expected not only to understand the cooking and baking traditions of a completely different culture but to do so well enough to play with it and do something creative with it. On top of which, one of the judges is now using his privilege of traveling halfway around the world as some kind of leverage, as if this were a bar that any amateur British baker could clear.

Prue, meanwhile, has openly asserted her biases against cultural flavors and textures, prioritizing her own personal preferences over them, as if they were in any way relevant to the skills and knowledge necessary to execute the tasks she sets to the bakers. She has also been consistently elitist, criticizing bakers for choices they made that were clearly informed by their experiences within income brackets that are too low and foreign for Prue to comprehend. She once had a go at a baker on a Christmas special because his Christmas dinner themed bake didn't have a turkey, even though it was clear from the stories he shared of his own Christmases that his family likely couldn't afford one. "It's not really Christmas dinner without a turkey," Prue said into the camera angrily while sitting on a chair made of live orphans and telling the ghost of Christmas Future to come back when he had another museum gift shop necklace for her to round out her collection.

The show is no longer about which baker has the best skills. It's become about which mortal can appease the gods of Mount Olympus, ie. the judges.

The Bakers:

Remember when the show was about them? Channel 4 doesn't! Because this is a reality competition show, the bakers are chosen both based on their skills, as well as cast-ability. They're cast as characters, distinct from each other, from different areas, age groups, ethnicities. All of them are amateurs. All of them are middle or lower middle class. They've ranged from college students to supermarket cashiers to prison wardens to scientists.

Something I noticed when the show moved to Channel 4 is that the baker who goes home in the first week is always wildly behind the rest in skills. I have no proof of this other than my eyeballs and deductive reasoning skills, but I think that Channel 4 deliberately casts a ringer each season who they think will be an easy send-off in the first week, just to get the audience's feet wet.

Anyway, like I said, this show used to be about the bakers - about them building skills and learning, and having walked into the tent with a self-taught foundation and understanding of the processes and chemical reactions involved in baking. When the show was on the BBC, the end of each round had some (often brief) moments of tension - will they finish in time? Will they get their bakes on the plate before time is up? Did they forget to add sugar to their batter and only remember at the last minute? In the end, they usually managed to finish and we'd all breathe a sigh of relief and think, yeah! You go, Bakers Who I'm Rooting For!

Now, on Channel 4, the end of round drama has been stretched to be so much longer that they've composed extra music for it. The bakers often seem out of their depth, whether because the instructions for the technical challenge are too vague (bake a lemon meringue pie??? As if anyone in the UK under the age of 60 has had one in the last decade???), or because they were expected to bake something that required a more than a basic foundation they weren't told of. Often it seems like they just aren't given enough time, a tactic used by reality competition shows to manipulate contestants into giving the cameras more dramatic content. On top of all this, the hosts get in their way, instead of helping them plate their bakes. As has been pointed out before, when everyone fails the challenge, the real failure lies with whoever set it.

In conclusion:

The show no longer exists to teach the bakers - and the audience - skills or knowledge. It now manipulates contestants for dramatic effect and prioritizes showing conflict over wholesome content. Channel 4 sees the bakers as social media content they can churn out season after season, and don't care about them because in a few months there'll be a new batch to exploit. Meanwhile, the judges are also out of their depth, co-opting recipes from other cultures and butchering them horrendously, while the camera gives them nothing but status as they hold bakers to the expectation that they learn how to make things very much the wrong way. If you saw any of the tweets about Mexican or Japanese week, or read my post on how Paul Hollywood isn't allowed to go near babka ever again, you'll understand.

So what would fix all this? Scrap the current judges and the hosts altogether. Bring back Mel and Sue, and replace the judges with expert bakers who have a love of their craft and want to share it with others. The draw of GBBO used to be its warmth and comfort - if Channel 4 isn't going to start its own version of Master Chef For Bakers, then it needs to stop trying to find a balance of how it can insert that vibe into GBBO. It can't. That's not a thing. Stop trying.

#GBBO #paul hollywood #prue leith #the great british bake off

[amirasainz]

Hello I am a huge fan of this fanfic your doing, but can I please request, the grid watching a spicy scene of her show? Or her in a body suit type like the picture below? I think Carlos reaction would be funny

Of couse! I had so much fun writing this! My request are OPEN and feedback is always welcome. -XoXo

The unexpected red-flag

The conference room fell into stunned silence as the rain drummed relentlessly against the windows. The TV murmured in the background, its volume turned low, but it was the soft, melodic voice of Amira Sainz that cut through the quiet.

News had spread like wildfire: Baby!Sainz, the beloved sister of Carlos, would grace the third season of the renowned Netflix series “Narcos”. The drivers, usually a rowdy bunch, now sat in hushed anticipation. For Carlos, this was more than just excitement; it was a lifeline. His sister’s return to the family was long overdue, and the chance to witness her artistic brilliance on screen made his heart swell.

Yet, their busy lives as racers left little room for leisure. Days blurred into nights, filled with data analysis and the adrenaline rush of the track. But fate intervened during the red flag at Spa, where the heavens unleashed torrents of rain. The perfect opportunity arose: why not start watching “Narcos” during this unexpected break?

Surprisingly, it was Yuki who suggested it. His eyes sparkled with mischief as he proposed the idea, met with a chorus of enthusiastic “yeah’s” and “omg, yes!” from the other drivers. Carlos and Oscar, absent at the moment, would soon join the impromptu viewing party.

And so, they embarked on their journey into the world of drug cartels, corruption, and intrigue. They skipped scenes where Amira wasn’t present, eager to witness her talent firsthand. But little did they know that the next scene would unravel secrets and twists they never anticipated.

Let's just say Amira Sainz looked good with and without clothes. Throughout her spicy scene, the drivers were so silent. They all looked at her dreamily on the TV when she kissed the guy and started taking of her clothes and-

"¡Eh, estúpidos idiotas! ¿Qué demonios estáis haciendo? ¡¿Por qué demonios estáis viendo a mi hermana desvestirse?!" questioned an angry Carlos. As soon as he saw his little sister on the TV he went into full overprotective big brother mode.

Instantly, Logan shot back, “It’s not what it looks like,” while Fernando chimed in with a soothing “Hermano, you have to calm down.” Meanwhile, Lance attempted diplomacy: “Carlos Boy, we can talk like adults.”

The other drivers rallied, attempting to quell the hot-blooded Spanish driver. But amidst the chaos, Oscar slipped away, drawn by curiosity. He cornered Lando, who was practically bursting with excitement.

“I can’t believe I missed this. How was it?” Oscar leaned in, eager for details.

Lando’s eyes sparkled. “Oscar, you should have heard her speak Spanish. And her hair—oh, her hair falls down her back like—” His words were cut short.

“LANDO NORRIS! STOP TALKING ABOUT MY SISTER, YOU CREEP!” Carlos’s voice thundered across the room, drowning out the rain and the TV.

From the commentator box outside, a muffled sound reached their ears—a high-pitched scream. Lando Norris, usually unflappable on the track, had met his match in Carlos’s protective fury.

#carlos sainz x sister!reader #charles leclerc x reader #lewis hamilton x reader #alex albon x reader #george russell x reader #lando norris x reader #oscar piastri x reader #daniel riccardo x reader #lance stroll x reader #pierre gasly x reader #yuki tsunoda x reader #baby!sainz!sister

[cobragardens]

My Favorite Good Omens Moment:

An Essay on Why It Is Cool and Rad (Part 1)

There's this moment in Good Omens that makes me cackle every time I see it and leaves me full of warmth, so here's an essay on its context and meaning, because explication and analysis are how I show love. I will try to keep my thoughts as tight as possible, but they do have a tendency to spiral outwards, and I am very stoned. Come, sistren, and get nerdy with me.

My favorite moment in the series so far occurs in 1601. To approach it we will first need an assload of context. There's a TL;DR in bold at the end of the Context if you don't fancy reading the whole assload. Key arguments are in italics and bold throughout.

David Tennant gives Crowley a very consistent facial expression every time Aziraphale says something so outlandish Crowley can't quite believe he's hearing it. It's this one:

Chronologically, we see the Eyebrows of Disbelief twice before my fave moment in 1601: once (above left) in that scene on the Garden Wall that familiarizes the audience with Crowley's face before adding the dark glasses, when Aziraphale admits he's given away his sword; once when Aziraphale tells Bildad the Shuhite that he, Aziraphale, has Fallen because he lied to the angels to save Job's children.

The Eyebows of Disbelief always signal surprise and amusement with something Aziraphale has said or done. This amusement is sometimes at Aziraphale's expense and sometimes not.

In the gifs above, Crowley is laughing because what Aziraphale has just admitted to doing is fantastic and unexpected and frankly pretty gd punk rock. He's not laughing at Aziraphale, he's laughing because he is delighted with him. The only record we have thus far of Crowley laughing at Aziraphale is this one:

Crowley laughs when Aziraphale informs him--him, a demon who has personally been through the process of Falling--that Aziraphale is Fallen and must be a demon now. As though of the two of them Aziraphale is the expert on how and under what circumstances this occurs.

And yet when Crowley sees Aziraphale's distress--not his fear of being taken to Hell, but his heartbreak and lostness over the fact that his conscience has diverged from God's stated will--Crowley stops laughing, and instead he acts very kindly towards Aziraphale. He validates the gravity of what Aziraphale has done and assures him he won't turn him in. He sits with him so Aziraphale isn't totally alone (like Crowley probably was) as he goes through the loneliest moments of his existence to that point and picks himself up newly weighted with the secret he must now bear.

And after this scene (in canon as it stands thus far), we don't see Crowley laugh at anything Aziraphale says or does again.

And he really has to work for it sometimes. We talk a lot about the things Michael Sheen is able to convey with his face in Good Omens, and absolutely rightly so; David Tennant earns a chunk of his paycheck in this regard as well. If you haven't given yourself the treat yet, rewatch the scene in Will Goldstone's magic shop in 1941 and focus on Crowley's reactions:

Tennant takes great care to show, with precision, that Crowley is expending effort not to react to Aziraphale's nervous chaos Muppetry and lack of self-awareness. Crowley is self- and socially and contextually aware enough that he knows (better than Aziraphale, at least, which is not a high bar to clear) what's cringe, what's funny, what's ridiculous, how to behave. But whenever Aziraphale crosses a boundary of normalcy, or even sanity, and there is opportunity to laugh at him, Crowley very carefully doesn't react. He doesn't interrupt him, he doesn't try to correct him, he doesn't make fun of him, he doesn't even smirk; he just watches him, as stone-faced as he can manage, no matter how bizarre Aziraphale becomes.

We should be reading this lack of reaction to Aziraphale's social and rational transgressions as powerful positive action. Go watch the Doctor Who episode "Human Nature," or literally any episode of The Inbetweeners, or read or watch Regeneration, and reflect on what it shows you about English masculinity; then consider again the depth of significance in how English- and male-coded character Crowley treats English- and male-coded character Aziraphale in an England created by an English and male-codedpresenting author based off a book written by himself and another male-presenting author. Within its context of English masculinity, Crowley's lack of reaction is not a neutral stance; it is a very fucking loud show of support.

This is not even an inference; it's stated outright in the show. Crowley himself puts it into words 422 years after my favorite moment:

You know how Crowley calls Aziraphale "angel" because the factuality of the descriptor offers him plausible deniability to any Heavenly or Infernal agents who might be listening? Remember how Crowley is a great equivocator? Crowley is equivocating here, too: he's using the cover of what Maggie and Nina will take as a disparaging joke at Aziraphale's expense in order to make a perfectly sincere statement. This is his genuine perception of one of the relationship dynamics he has with Aziraphale and how he feels about that dynamic. Crowley thinks he himself is quite witty (an accurate assessment), Crowley thinks Aziraphale isn't sufficiently self- or contextually aware to hide how strange he is and therefore frequently says and does mad things (also an accurate assessment), and Crowley is Into. That. Shit.

Okay. Now let's look at 1601.

Chronologically it's been almost 1,000 years since we last saw Aziraphale and Crowley. In 537, Aziraphale isn't willing even to consider a labor-saving working arrangement with Crowley of fucking off home out of the damp of Arthurian Wessex; but by 1601, he's worked (and met, and Arranged) with Crowley "dozens of times now," Crowley says, and Azirapahle does not correct him.

In that millienium, Aziraphale has grown to care deeply about Crowley:

In fact he may be somewhat smitten with him:

Seriously, go back and watch Aziraphale here as Crowley approaches and starts speaking to him: he doesn't start smiling until he recognizes that the person speaking to him is Crowley (but he only smiles at Crowley while Crowley's not looking at him).

And Crowley is definitely become smitten with Aziraphale:

Our man(-shaped entity) is so allergic to work he sets up a meeting to weasel, cajole, or (as it happens) cheat a coin toss to get Aziraphale to do an easy temptation for him in Edinburgh, and then in the same conversation agrees to miracle a play into success because Aziraphale gives him a single hopeful look. Crowley's got it bad.

TL;DR: The Eyebrows of Disbelief happen when Crowley is surprised and amused by something Aziraphale has said or done. Sometimes that amusement is delight with Aziraphale; sometimes it is at Aziraphale's expense. Crowley is aware of this distinction, and when his amusement is at Aziraphale's expense, he suppresses it, even when it takes some effort on his own part, and remains stocially composed. This is equivocation on his part: to Celestial/Infernal operatives lacking knowledge of the intricacies of human behavior, this non-reaction would seem like neutrality; to Aziraphale, who shares with Crowley and the audience the contextual knowledge of English masculinity's utter viciousness, this non-reaction is a profound show of support; and in the safety of support from Crowley, Aziraphale lets his weirdness blossom.

As another meta points out [link if I find it again], we also see in Aziraphale's wordless request about Hamlet and Crowley's immediate understanding of it that by 1601 Aziraphale and Crowley have developed an unspoken, coded method of communication with each other.

Now that we have all of that in mind, here's my favorite moment in Good Omens:

Ixi of Fuck Yeah Good Omens has even kindly archived a closeup of the aftermath, for Crowley, of "Buck up!" In gif 4, above, you can see that the tiny smile is an involuntary reaction that happens as Crowley's eyes widen: for a fraction of a second, he's caught off-guard. In the closeup it's easier to see that he suppresses the smile and gives a tiny shake of his head, Eyebrows of Disbelief heading for his hairline.

There are a number of things Crowley's reaction could mean and what messages it could communicate (we'll get to that in a sec), but regardless, his reaction is, unquestionably, one of surprise and suppressed amusement. This is an aspect of Crowley and Aziraphale's relationship and characters that I like very much, viz., that one of the reasons Crowley likes Aziraphale (though Aziraphale is judgy and occasionally, unintentionally, horrifyingly cruel) is that in addition to being one of the kindest and most courageous beings in existence, Aziraphale is mad as a bag of frogs. Crowley does not know what is going to come out of Aziraphale's lovely mouth next, but Crowley does know there's a good chance he will struggle to believe he's hearing it, and Crowley likes that.

That's what makes this my favorite moment. What makes this moment so cool and rad, though, is its ineffability. We know from the Eyebrows of Disbelief that Crowley is surprised and amused, but any of several things could be read in that almost imperceptible headshake. Like:

What are you doing? or

Why are you like this? or

How can you be aware that you say these things out loud and yet still say them out loud? or

How has my existence come to this? this moment of listening to such insanity?

each of which is a fair and just feeling to have/message to communicate to a man(-shaped entity) who is yelling "Buck up!" at Hamlet.

But that's only if we read Crowley's amusement as being at Aziraphale's expense. And I don't think we should. Because watch Aziraphale here:

He's doing it on purpose. He is shouting a hilariously inappropriate, 100% authentic Aziraphale-brand thing over arguably the gloomiest passage of Shakespeare's famously gloomy play--right after Crowley complains about its gloominess--and he is watching Crowley as he does it. Look at his smile! He knows he's being Deeply Uncool, and he is doing it literally right into Crowley's face.

Remember that we just talked about how by this point in the chronology Crowley and Aziraphale have learned to communicate with each other nonverbally through facial expression? So what does it mean when Aziraphale responds to Crowley's grumbling about Hamlet's gloominess by smiling his minxious Mona Lisa Aziraphale smile, looking right into Crowley's face, and yelling at Hamlet to buck up? Aziraphale, in a carefully coded, carefully Aziraphale way, is joking with Crowley. His silliness in this moment is for Crowley.

So with aaaaaaallllll of this essay in mind, what does it mean that Crowley's reaction to "Come on, Hamlet! Buck up!" is widening eyes, an involuntary twitch of his mouth toward a smile, and then, his eyebrows still showing surprise and amusement, a tiny shake of his head?

Once more, with inferences:

I do propose, y'all, on the basis of this web of evidence I submit for consideration, that what we are seeing here in my favorite moment of Good Omens is the ineffable equivalent of Aziraphale and Crowley sharing a laugh.

Crowley's amusement here isn't at Aziraphale, because Aziraphale is eliciting that amusement consciously and deliberately. Aziraphale, in good spirits and happy to see Crowley, uses his Aziraphaleness to offers Crowley not only an opportunity for amusement, but the opportunity to be in agreement with him about what in this situation is funny. They're on the same side of this joke.

And his humor lands just as he wants it to: Crowley, just for a moment, is caught off-guard, and tickled--

But remember, Crowley is worried in this scene about being surveilled ("I thought you said we'd be inconspicuous here"), and he worries about audio surveillance a lot ("Walls have ears"; "Don't say that. If my lot hear [etc.]," etc.), so he's very limited in what reactions he can show or voice. Aziraphale knows Crowley must be perceived by anyone watching or listening to disapprove of his, Aziraphale's, behavior (just as he must be perceived to disapprove vociferously of Crowley's). Both of them know this.

--so Crowley suppresses the smile almost successfully, and shakes his head at Aziraphale, minutely, to say Stop. What you're doing is working, you're close to making me laugh, and if I show how much you have just delighted me, it will blow our cover of "just an Arrangement."

I offer three final data points in advancing my argument that what we see in my favorite Good Omens moment is Aziraphale successfully attempting to joke with Crowley and Crowley recognizing that overture from Aziraphale and being momentarily surprised into a reaction of genuine delight before pulling his face back under control and indicating to Aziraphale that he must stop:

Datum 1. Nothing going on with Crowley's face in this moment is accidental. We know for sure we're not seeing David Tennant react to Michael Sheen here not only because of literally every other point of Tennant's and Sheen's performances in the show, but because Tennant is wearing opaque contacts and sunglasses under film lighting and therefore cannot be reacting to anything more compelling than a level-10-lift blur because Tennant cannot see shit. Crowley's reaction is a deliberate and careful performance choice on Tennant's part, and it's underscored by director Douglas Mackinnon's choice to film Tennant in 1/2 profile to keep Crowley's eyes visible and face readable to the audience. This reaction is supposed to be there and supposed to be meaningful.

Datum 2. The husbands in 1601 is not the only moment in Good Omens when we may be seeing an angel and a demon communicate the message Stop doing that, it makes us look too familiar between themselves with a little headshake:

Datum 3: There is another moment in Good Omens when Aziraphale offers Crowley the opportunity to enjoy a joke with him. There, too, his humor lands just as he intends, so we can use this other moment as a comparison to our 1601 moment. I don't have gifs for it, but go back and watch it, S1E6 49:27-42. Snips below.

Aziraphale says something that surprises and amuses Crowley (he asked Hell for a rubber duck while he was sloshing around in the holy water)--

--but what Aziraphale says makes Crowley smile long before it makes him laugh.

In fact, his laugh, though a genuine cackle, is quite delayed, and he laughs only after Aziraphale starts laughing too.

In other words, Crowley's reaction to Aziraphale offering him amusement they're both on the same side of is exactly the same as his reaction to "Come on, Hamlet! Buck up!" right up until he laughs instead of shaking his head. Here, after Armageddidn't, Crowley doesn't have to suppress his reaction, so he can let the smile bloom; he doesn't have to control his response, so, although it takes him a few extra seconds, he lets the smile turn into a laugh.

But in 1601, it's not safe to laugh at Aziraphale's humor. It's not safe even to smile at him. A single piece of evidence or eye/earwitness testimony that he and Crowley have anything more friendly than the most passing and acrimonious of professional relationships could mean death to either or both of them, and depending on what Falling is like, maybe something worse than death for Aziraphale.

But Aziraphale is so funny, so effervescent for Crowley, at Crowley, that it catches Crowley just for a moment. Crowley's eyes widen and the corner of his mouth twitches toward a smile.

And that's dangerous. If Aziraphale keeps acting so charmingly mad, Crowley is going to laugh, and they can't afford that risk, so he shakes his head at Aziraphale. Stop, or I won't be able to keep a straight face around you.

And Aziraphale apparently receives that message, because he immediately eases off. Less than 60 seconds later we learn that he's deeply concerned for Crowley's safety--and that it's not so much that Aziraphale has Crowley wrapped around his little finger as it is that Crowley has wrapped himself around Aziraphale's little finger like a snake arranging itself on the tree branch it calls home.

UPDATE 14/10/23: HOLY SHIT Y'ALL IT GETS EVEN BETTER! THERE IS A SEQUEL!

#good omens #good omens meta #good omens 1601 #good omens microexpressions #good omens headshake #angelfish #aziracrow #ineffable husbands #good omens fanalysis

[theminecraftbee]

hm. the final two being scott and cleo. at some point i need to like, properly write an analysis post about scott and cleo and the ways that they like... so the thing is that even since third life the two of them have always kind of fallen back and leaned on each other. widow's alliance to gaslight gatekeep girlboss to chosen soulmates to technically being on different teams from then on but were they really. to "we can't team up again we're too good" in secret life to "he's kind of like your bdubs" in that same series when cleo just sort of assumed they were on the same side anyway (by the way STILL an insane way to put that etho). to teaming up again this time to being the final two to laughing and having fun until the end until a zombie kills scott (like a zombie helped scott kill ren) until cleo doesn't have to be the one to make the final blow. to the "we always do this we always gravitate to each other".

the thing is that it's not so much that they're soulmates, exactly (it's kind of a defining thing about them that they aren't), or that they're one of those star-crossed pairs the life series keeps producing (they don't shape each other, not really). it's that they're both, in the end, always there. a stable pair, a lighthouse and a ship in a storm. the thing that makes them different from so many duos is that there isn't really conflict, not really; they know the shape of one another. their first alliance will often be someone else; their first alliance is also to each other, no matter what they say.

so of course they laughed as they fought in the end.

it was them. it was never really a fight in the first place.

#real life smp #real life spoilers #trafficblr #zombiecleo #scott smajor #am i making any sense. #they're like fascinating to me because they are NOT one of the star-crossed dramatic pairs of the life series #and tbh i do not see it as a ship in any way either #but they are. a pair. they're just... a stable bonded pair. it's not something that's going to change either of them. #but it's something that is always going to be there.

[absolutebl]

TOP 10 BL Trends of 2023

This is just me with my analysis hat on. 

1. 2023 = the year EVERYONE went outside their lanes

Everything went topsy-turvy this year in BL. 

For example, Korea gave us agonized yearning and outright queerness (The 8th Sense, The New Employee) while Japan served up soft office workers and tender family (Our Dining Table). 

The BL world went askew for a while, especially in the spring of 2023. 

Not that we still didn’t still get Korea’s soft angsty bubbles or Japan’s “what are you doing and why does it hurt?” kink-fests. But there were quite a few BLs that made us chronic watchers sit up in confusion and wonder if Korea was dabbling in Taiwan’s territory or Japan in Thailand’s. Then they fudged the kisses and we were like... okay, back in familiar territory. 

In contrast, Thailand stayed course-correcting for the damage they’ve done in the past with tropes (2022) and self referential meta criticism (2021), but also almost aggressively returned to their BL roots after last year’s series of shockers. Certainly, they are reexamining those roots, transplanting some, aerating others. But they really went back to classic Thai university and high school BL and pulps in a big way in 2023. 

Taiwan is always difficult to gage because they produce so few but they seem to have stuck with what they do best with no deviation while producing more this year than they have in ages. I’m happy for that, why change a good thing? But there is a tiny part of me that really wants them to hit it out of the part with a quality piece soon. For me, We Best Love still reigns supreme, but I would really like the HIStory franchise to give us that level but longer - like a happy version of Your Name Engraved Herein. I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit. 

I know, what a very odd thing for me to say. But if any BL is going to break into the mainstream American market, I genuinely think it’s most likely come from Taiwan. 

Vietnam and the Philippines are falling behind, in general. They just didn’t bring out very many shows in 2023, and what the brought out tended to fub the endings. This is forgivable in Japan (because of their style and quality) but not what watchers want in the lower production value propositions. In other words, if you do a pulp, you can’t mess up the ending (by romance standards). that doesn’t look to be changing anytime soon. 

2. The Office Romance Dominated

After years of Thailand serving us an endless (and slightly bland) buffet of university (and a few high school) BLs, this year Korea was basically like...

Ofiice. We like the Office. It’s cheap to film we can use grown up actors, acting (mostly) their actual age. 

And yeah... it totally worked. 

To be fair, Japan has always given us office live action yaoi from the beginning (they had the source material) but this year everyone else, including Thailand, seriously started playing in this setting. 

3. Boys Danced with Boys

The darling @heretherebedork​ was a big fan of this one, and I rather like it myself. Prior to this boys dancing together was very very rare in BL, but this year we got way more than our fair share. It was lovely. 

Never Let me Go

My School President 

Bed Friend 

The Day I Loved You 

Step by Step

Be Mine Superstar

Tie the Not 

Dangerous Romance

I think there were a few more. These are the ones I remembered to write down. 

4. Getting (even more) Meta With Tropes 

BL has been getting more and more meta over the past few years but this year they really focused in on tropes specifically. Calling out their own biggest and most favorite tropes in a massive way, especially Thailand and especially GMMTV. 

Like they tunneled in on damaging tropes with Bad Buddy and the like over the past 2 years, and now they are just having fun with us. 

I mean they just started the dancing trope and already they are calling it out? That’s like rapid-fire regurgitated meta there, GMMTV. 

5. Cameos are the norm now 

Taiwan has always loved cameos but in the past the other countries have been show and steady with only one or two a year. (Unless Japan does a parody.) 

This year Korea got in on the game.

Korea rarely starts trends but they do adopt smaller and lesser known existing ones and make them super popular. 

This year they did that with cameo couple appearances, even borrowing a few of Thailand’s pairs (TutorYim and MaxNat traveled north). They did it so much I stopped tracking. Love Class 2, Why R U?, and Jun & Jun were the heaviest hitters. 

Taiwan, of course, came back swinging. Kiseki was the gum-ball machine of pair cameos. (In Taiwan mafia = gay.) 

6. We are entering the cross pollination age

The number of remakes picked up or started this year was startling, not just countries revisiting their own content (Thailand, Japan) but countries revisiting OTHER countries stuff.

Lemme explain...

Korea has started remaking Thai content (Why R U?) alongside cameo'ing Thai pairs.

Thailand is doing Korean IP (My Dear Gagster Oppa) and has 2 Chinese ones slated for next year. 

GMMTV acquired a lot of Japanese IP (Cherry Magic, Ossen, and My Love Mix Up) - and then had problems distributing it. 

This is probably the most surprising trend for me. Especially the Japanese stuff. I would have thought these properties well outside of Thailand's price range (even GMMTV's) not to mention Japan’s legendary IP issues (I swear I typed this pout before the pulled TayNew’s excellent Cherry Magic). 

Also why not option some of the older popular manga instead? Bet that's much cheeper. (I did see a NEW Thai translation of Finder into Thai, which is 90s yaoi, so I have my fingers crossed on that front.)

I shouldn't be too surprised. 

Thailand is running out of y-novel content. Their publication industry is just not robust enough (I was just talking to a friend about this at length recently). But I didn't think they had the funds to option, especially from Japan. 

Perhaps the option deals are for peanuts?

7. Korea got cheeky

I’m not sure quite how else to put this. 

After finally figuring out boys can kiss, Korea started to do not just higher heat but playful higher heat, with more aggressive word play and linguistic innuendo, like they are entering their racy rom-com teenage years (Why R U? Love Class 2 and Jun & Jun in particular.) 

I guess: Welcome to your BL teens, Korea? 

It’s cute of them. I am very much enjoying it. 

And now that comedy is warming them up, we get to see them play with actual queer burgeoning physicality in shows like The 8th Sense. 

It’s nice. I like seeing Korea stretch its wings. They still stick to their bubble, but that bubble seems to be expanding. 

8. The Amnesia Trope is back

And I, for one, would prefer to forget about it. 

9. BL got trendy 

I’m not quite sure how to articulate this category but basically we started seeing a lot of “modern” romance trends out of the west (like a/b/o) show up in our BL. Not a ton and sometimes quite small, but there has a been a steady rise of things like: no seme/uke, femme gay, out gay, condom use, messy gay. 

We also got an increasing range of sub genre frameworks (like mafia, office setting) that’s moved BL pretty firmly (even in Thailand) out of school and into the workplace, whether actual working is involved or not. 

It’s not to the point where it feels like we get more non-school BL than school BL (if I include all countries in this assessment).

Japan, in classic Japanese fashion, quietly started moving in the opposite direction. It’s what they do. 

10. The Vampires are coming 

This is an announcement trend, which I don’t usually report on but it’s so CLEAR. 

So last year we had a spate of announcements of possible Omegaverse (2 from China, 1 from Japan, 1 from Thailand - the only one that’s happened). 

This year we got 5 Vampire (or vampire-esk) Thai BLs announced including one from GMMTV. 

Whether all 5 will actually get made is unlikely, but having had (basically) none prior to this (Kissable Lips), I’m pretty confident that we will get at least 2 of them. And I wouldn’t be surprised if at least one other country made one as well. (Side eyes Taiwan with interest.) 

Final thoughts

It feels like we are also seeing a decline in BL (both by quantity and quality) from Vietnam and the Philippines. As you all know, I don’t track or really watch either of these two very closely. But it feels like, now, no one else is either. 

I think we have likely seen the BL heyday already in both places and their industries are now on the decline. 

We might be witnessing a thinning in the players in the BL field. 

FYI we had approximately 

136 BLs in 2023

Previous Years

2022: 117

2021: 95

2020: 62

2019: 40

2018: 30 

2017: 44 (China’s last gasp)

2016: 27

2015: 17 (50% micro)

2014: 17 (50% micro)

And that’s it! Let me know in the comments if you’ve spotted any additional trends you want to call out.

Last year, 2022′s trend report

2021′s Trend report

Last Year’s Stats & Predictions

(source) 

#bl 2023 #bl trends 2023 #film trends 2023 #EVERYONE went outside their lanes #The 8th Sense #kroean bl #thai bl #The Office Romance Dominated #bed friend #Boys Danced with Boys #the day i loved you #Getting (even more) Meta With Tropes #hidden agenda #gmmtv #dinosaur love #love class 2 #jun and jun #We are entering the cross pollination age #why r U? #Korea Got Cheeky #The Amnesia Trope is back #BL got trendy #The Vampires are coming

[cloverjelly]

life series duos as songs!

1- team rancher (tango and jimmy) - born to die by lana del rey

song analysis under the cut! (lowk this post is more writing than drawing lol, if u read the analysis ilysm)

feet dont fail me now, take me to the finish line / oh, my heart, it breaks every step i take / but im hoping that the gates, they'll tell you that you're mine - both of these little guys are cursed in horrible ways (peep the target on tango and the arrow in jimmy) but its ok bc they ~love eachother~!!

the road is long, we carry on / try to have fun in the meantime - this holds a lot of significance to double life - they were both kinda doomed from the beginning but still managed to make THE RANCH THAT SHIT AFFECTED ME EMOTIONALLY

choose your last words, this is the last time / cause you and i, we were born to die - same as before! since tango and jimmy r cursed they go into games ready to die <33

(not song related) - the target above tangos head is abt his insignificant death curse, and the arrow in jimmy head is the canary curse. this is mostly about double life; for the curses to come true, aka the arrow meeting its target (bc it always comes true), it has to cross through and kill both tango and jimmy! :)

#IM BACK ON MY BULLSHIT WOOOOOO #life smp #traffic smp #jimmy solidarity #tangotek #team rancher #rancher duo #solidaritek #jelly jar #prob not gonna be a series #but this is fun!

[lurkingteapot]

Free Thai language learning resources

I’ve been learning Thai for the past 20 months. This list is by no means complete or comprehensive, what works for me doesn’t have to work for you, etc etc. That said: I’ve used most of these and found them useful, I thought you might, too. Have fun!

Youtube channels with free video lessons:

There are tons of wonderful teachers on youtube; this is by no means an exhaustive list. The three channels listed here are comprehensive, long-running, and updated regularly; if you have other favourites, please reblog and append!

Comprehensible Thai is a channel that teaches Thai in Thai, from zero, via the comprehensible input method. They have videos from total beginner through upper intermediate/lower advanced levels available.

Learn Thai with Mod – Mod runs a language school that offers good, structured group classes; she and her co-teachers often upload short videos about specific aspects of Thai. The channel has been around for a long time and they cover a lot of topics, including grammar points.

Thai Lessons by New (Learn Thai one Word one Sentence) – lots of good vocabulary and situational phrases

Other channels I like:

Advanced Thai with Kruu Momm -- one of my favourites, Momm’s a star. Not included in the upper list only because this is definitely more of an intermediate-advanced resource.

Thai with Grace -- I knew of Grace via her polyglot channel and travel vlogs before I realised she also teaches Thai. Fun stuff.

Kat talks Thai -- I believe Kat is more active on instagram (@kattalksthai), but these are still really neat.

Perth Nakhun’s Basic Thai playlist

Honourable mentions because they’re interesting and can be nice supplements (yes, the video titles on these channels tend to be clickbaity, the content is useful, though):

Stu Jay Raj: Stu is a polyglot based in Thailand. His channel is a bit of a mixed bag, but he has a very interesting approach to languages and sometimes does foreign accent reduction / accent analysis sessions on his channel (with consent and participation of those whose speech he dissects).

Thai Talk with Paddy: Paddy is an Australian who learned Thai when he was a volunteer in Thailand, he’s kept it up. Fun things about language learning and culture

Listening comprehension

I’m assuming many folks on here who are interested in Thai already watch some Thai shows (yes I’m stereotyping but also this is tumblr), which means you’re spending time listening to Thai.

If you’re not:

Netflix, Youtube, WeTV, and Viki all have several Thai shows with English subtitles available. The Youtube channel of Thai broadcasting giant GMMTV has English subtitles on nearly all of their uploaded series, some series are also subtitled in languages other than English. one31 is another huge channel; they have English subtitles on some series and some series also have subtitles in Thai. There’s tons more – find a rec list and a Thai show that sounds like you’d enjoy it, chances are you’ll be able to watch it for free, legally, on youtube. You can use the youtube controls (or the ones on netflix) to turn the speed down to 75% —this can make it a lot easier to catch what’s being said. 50% gets so draggy that I personally find it almost harder to understand, but ymmv—give it a shot!

https://lingopolo.org/thai/ has real-life recordings for listening practice; sign-up is required but it’s literally just an e-mail-address, user name and password. Using the site is free.

https://www.activethai.com/ has a section dedicated to learning the tones (under “Overview of Thai Tones”) including a self-test for listening that I found very useful.

Learning to read

I will always, always, ALWAYS recommend learning to read the Thai script. All available romanisations for Thai have drawbacks, and besides, you learned to read English with its “though through thorough tough thought”, you can damn well learn to read Thai. I promise it will help you improve your pronunciation (yes, really) and overall understanding of how the language works.

Learn-to-Read-Thai resources that seem comprehensive and like they should do everything in one:

Anki decks “Read Thai PHASE 1 - The Consonants“, “Read Thai PHASE 2 - Thai Vowels“, “Read Thai PHASE 3 - Consonant Classes” and “Read Thai PHASE 4 - Tone Rules” by Khruu Gaan (ครูกานต์). Anki is probably the most powerful spaced repetition software I have ever used. It’s free on all desktops and android. These decks have sound.

Memrise course “Read Thai: A Complete Guide to Reading Thai“

Other resources I used (In hindsight, I feel like I should’ve picked one resource to learn to read from and stuck with it; I think I was rushing and made things more complicated than need be for myself with my hodgepodge mix-and-match approach. But hey, I can read now.)

https://www.activethai.com/ – the site I started with. Teaches the consonants separated by class and with sound. The only reason this is no longer my top recommendation is that I ended up using this alongside a resource that helped me memorise what the words used to represent the letters actually mean because the site itself didn’t tell me, and I wanted that easy way to have 44 vocabulary words ready as soon as you’re done learning your consonants, and it gives you access to neat mnemonics such as ไก่จิกเด็กตาย(เฎ็กฏาย)บนปากโอ่ง.

The chart on Wikipedia’s English article on the Thai Script

the reference section of Thai-Language.com

In order to better learn to read Thai written in different fonts (modern and handwriting fonts can be tough at first), the Thai Script typographical styles overview on Thai-language.com was a huge help, as was throwing simple phrases things into gdocs and messing around to see how different fonts made them look. This chart from sanukmaak.com also helped.

Speaking and pronunciation

The hardest one for any new language for most folks. For me personally, finding someone who speaks the language and is willing to correct me was an absolute necessity, but I know that’s not always an option. If you’re going it on your own, make sure you check out the resources above for learning to hear the tones and those sounds and sound clusters not present in your own language correctly first.

Things to try on your own:

shadowing: Whenever someone on a show utters a sentence you think might be useful, or provide a useful pattern, or something just sounds cool, rewind and try to speak along as they say it, trying to make it sound as close to their pronunciation as you can.

try to record yourself and listen back -- yes, it’s cringe af but it will HELP.

memorising short sentences and phrases: tying back to the section above, there's a ton of youtube videos that is "phrases to use in [situation]" that are great for targeted learning if you're up for it

self talk (cautiously! don't want to cement bad pronunciation habits)

if you’re linguistically inclined: looking up descriptions on how to make a sound correctly sometimes helps, as does watching videos of folks who’ve successfully learned the language.

once you’ve learned to read: find sentences to read somewhere (twitter, a textbook, whatever) and read them into your phone’s dictation engine. See if the software understands you correctly. Adjust as needed until it does.

Websites and apps to find language partners or (paid) tutors

Like any other app where you ‘meet people’, please exercise caution on these.

italki (mainly for finding tutors and teachers, but you can find language partners on the forums)

Preply (web/app) (for finding tutors/teachers)

hellotalk (app only, iOS/android) for finding language partners -- free to use basic features like messaging, voice rooms, etc; has annoying ads

tandem (app only, iOS/android) for finding language partners -- free to use basic features, has ads

any other app or website that’ll let you meet people, like local facebook groups (yes really), instagram, etc

(note: Neither hellotalk nor tandem allow users to sign up without selecting a binary gender. it sucks. I’ve seen people who managed to circumvent this on Hellotalk by signing up via apple ID (? I think), but it’s hearsay and I have not managed to do so myself.)

Books (a book) that are (is) worth spending money on imo

Higbie & Thinsan: Thai Reference Grammar. The Structure of Spoken Thai. Orchid Press: Bangkok, 2002. Yes, it’s ancient in textbook terms. It’s not perfect, but it’s still the best reference grammar for Thai I’ve come across so far, and I use it frequently.

Random bits and bobs

Stu Jay Raj has two videos in particular that I, as a phonetics-and-phonology-loving person, loved and found extremely useful and wished I’d watched before I started to try and learn the script: Thai Vowels for Dummies in 5 Min v2 - A System Impossible to Forget and Thai Bites Extended Edition - Transliterating Thai using IPA. I realise these may be overwhelming and less helpful for people with no prior phonetics or phonology training, but they helped me so much it’d feel amiss not to include them.

Resources I recommend AGAINST using when starting out

drops/hello words -- seems like their Thai courses have been created using machine translation that wasn’t sufficiently proofread. They will assign you nouns in places of the corresponding verb or false cognates, and that’s within the first 10 or so lessons. Might be useful once the level where a learner can tell “ah, yeah, that’s … not right” has been reached? idk.

transcription as generated by google translate: BURN IT WITH FIRE. it’s a transliteration, i.e. 1-to-1 representation of 1 Thai letter = 1 Latin letter (extended), it’s not phonemic, it’s not going to help ANYONE (and those who can make sense of it presumably already read Thai and would be better off with just Thai script). Just. Stop.

Google translate as a dictionary: still shitty but not AS bad as the transcription function. Still, for the love of all that you hold dear, please, save yourself the pain and confusion and just use thai2english or thai-language.com instead.

---

And that’s that from me, friends. Yeeting this into the void before I second-guess myself more. Please append additional resources!

Edited to fix a couple of typos and errors on 2023-06-15

#thai language #learning thai #ภาษาไทย #เรียนภาษาไทย #Thai from English #language learning #language resource #language learning resource #idk what the hell else to tag this #free education #don't get me started on 'creative' 'free-form' 'by-ear' romanisations; we'll be here all day #my nonsense

[dododan]

Thoughts about Alastor after the episode "Hello, Rosie"

Perhaps first such a small summary for those who haven't read my previous posts about Alastor.

Alastor's deal with someone has worked out. Officially we don't know with whom, but my theory is that it is Lilith.

Alastor is obliged by the contract probably to help/protect Charlie. His intentions are not clear, and he harbours many secrets.

He is not fond of Lucifer. Theories are that he either sees him as a threat to Charlie's hotel and dreams, or he is redirecting negative emotions about his own father and how Lucifer treated Charlie onto him.

Alastor enjoys being in the company of women and probably likes/appreciates Charlie. Perhaps he sees himself as her mentor.

His help, although chaotic and initially incomprehensible seems to be having an effect and actually helping the hotel and Charlie.

Alastor has a weakness for jazz and alcohol, but we don't see him ever drinking alcohol in the series.

His enemy is Vox, but he is more annoyed by Lucifer (probably because he is stronger than him).

Alastor doesn't like to lose or be wrong.

Here you have a link to previous thoughts if you are curious.

Alastor’s true motivations? - Why is he helping Charlie?

Dad beat Dad - Alastor, what the hell are you doing?

Traditionally, there are loads of spoilers here!

From the outset, Alastor seems interested/intrigued by Charlie sitting in the room and spinning another plan. Clearly he saw an opportunity in. Charlie was alone, so he could talk to her in peace. A plan was already forming in his head.

On Instagram, one girl made a fair analysis of Alastor's facial expressions. What expression on his face signifies what emotion. Which proved to be very helpful in understanding him! Here you have ig: @/sasha_draws.bg She did a really great job! But back to Alastor.

When Alastor feels some negative emotion, lines/wrinkles appear under his eyes. Which is true when you pay attention to the previous episodes, but in this 'Hello, Rosie' it is particularly noticeable.

For most of the time in this episode, Alastor seemed concerned to me.

When Alastor was talking to Charlie I had the impression that he was provoking her. He made Charlie painfully aware of how badly her plans had failed, which seems cruel. Initially this could be understood as simply an opportunity to take advantage of Charlie and make a deal, but I think this is just an added benefit. Alastor is bound by his contract to the hotel and Charlie, so he can't leave her. But Alastor has besides made Charlie realise that she can't idly brood on the bed because she doesn't have that luxury. Her friends were waiting for a plan, they were waiting for Charlie.

Charlie gave up at that point, and Alastor made her realise that there was still a chance to make things right somehow. He exasperated her, and showed her that she couldn't give up - in a rather cruel way but still, it's not always kind words or words of support that help you up.

Sometimes the painful realisation of the truth is the best motivator to undertake change.

For a moment, Alastor seemed annoyed that Charlie thought she had him figured out because she smiles all the time. He made her realise that the opposite is true.

A smile can be a weapon on many fronts. You could say that he gave Charlie some cue about his own behaviour. His lecture about smiling shows a lot about him.

Alastor hides a lot - his emotions, motivations or goals. He revealed to Charlie that he himself puts on a mask. The smile gives Alastor a sense of control.

The question is, isn't Alastor also lying to himself in this way?

He is creating himself as a cruel overlord, a person without a conscience who inflicts suffering on others for fun. It makes me wonder if he hasn't started to believe himself in the character he wants to pretend to be?

Nevertheless, no matter how good Alastor's goals may be attributed to him, or that his actions have a good effect on the hotel and Charlie, he still made a deal with her. He was aware that Charlie would not give up her soul to him and would not do anything against herself. Their deal is that Charlie is to help him like friend to friend when he needs it without hurting anyone, and he will give her information. Quite a specific arrangement and very narrow. To me their deal is a bit of a lifeline for Alastor when he finds himself trapped by his own contract.

[As an aside, I've noticed that a lot of people think that the stitches appearing on Alastor's lips are a sign that he can't talk about his deal. I doubt this because of the design of his character. Alastor was shown at many points to be dealing with voodoo or somehow connected to it. This is indicated by the green symbols that appear when he uses his powers, and the stitching that appears on his mouth probably refers to the very design of the voodoo dolls, which also had their mouths stitched in this way. Ironically in my opinion, voodoo is generally good magic, focusing on healing or helping, which doesn't really fit Alastor. Unless one considers the distinction between white and black magic as it is known in New Orleans. But I also point out that I'm not an expert, but I'm just partly familiar with the subject of voodoo and just wanted to show a reference to Alastor's appearance here].

I think Alastor's worry or uncertainty is most evident when he leads Charlie to Rossie. You can see the look on his face and those wrinkles under his eyes. This could be interpreted as:

he's upset that the angels are about to exterminate in the hotel and the only person who can oppose it is preoccupied with his love problems rather than more important matters.

He is upset/worried that he realises he won't be able to help Charlie this time, so he leads her to the only person who is more knowledgeable about love than him: Rossie.

He is nervous because he sees that he might fail if the hotel is destroyed, and that this might somehow breach his contract.

Alastor and Rossie seem to have a very intimate relationship, which was implied in the episode " Scrambled Eggs" when they were at the Overlords meeting. Now we have confirmation that they are very close friends. Rossie can afford a lot in Alastor's company and he allows her to do so. It also seemed to me that when he met Rossie he relaxed a bit, as the wrinkles under his eyes disappeared for a few scenes.

All in all, I'm not surprised that Alastor and Rossie are friends.

Rossie is the opposite of Alastor in a way. She seems transparent in her feelings and genuinely cares about her cannibals. But she also has the strength and power to allow herself to do so. Alastor, on the other hand, plays and hides emotions all the time, and gains power through fear. Despite this, he gets along very well with Rossie, which may mean he's not quite what he makes himself out to be.

I also think that Rossie's words about it being actions that show true nature and feelings may apply to Alastor and his role in season two in the future. But we can already see this now, for example, in the fact that his duet with Lucifer, where Alastor sang that he wanted to replace Charlie's father, ultimately led to a reconciliation between daughter and father which Alastor seemed to be happy with.

We also have it made clear that Alastor is asexual.

Rossie commented that Alastor could learn manners from Charlie. It is possible that what is meant is that when someone annoys Alastor, he does not mince his words. He makes his opinion clear - Susan is a perfect example of this.

Alastor and Rossie really seem close to each other, such as when they look at each other when Charlie panics, or how they dance with each other or their negativity towards Susan. Additionally, Alastor must have had a close business relationship with Rossie since she had an assignment for him and when she said that he never let her down. I got the impression that this gave him considerable satisfaction. Plus it helped the image he wanted to create for Charlie - that he was reliable.

Alastor also seems to put his faith in Charlie after all. Rather than believing in her plan of salvation for sinners, he believes more in the girl's ability to draw crowds and motivate people to action other than through fear or deals. It is hard to say whether he admires this trait of Charlie's, but he certainly appreciates her for it.

Alastor supported Charlie during her song when she had to convince the cannibals to fight - either by giving her the microphone or showing her a thumbs up. I further related that he was slightly worried/nervous, but also pleased after seeing his actions bear fruit.

Alastor also made it clear to Rossie that he valued Charlie and expected nothing less from her than to thrill the crowds. But the important thing is that he referred to her as the Princess of Hell, not Charlie. Alastor has made it clear for the first time that he wants to fulfil Charlie's potential, this shows that despite the faith he has in her, he still only sees her as the Princess of Hell and not Charlie as someone who is more than just a princess.

A break for now, as it's quite late at my place, so expect the rest of the analysis tomorrow, or the day after tomorrow at the furthest.

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