o n e - s h o t m a s t e r l i s t
r e a d o n a o 3
summary: one-shots, blurbs, concepts, requests—it's an all-you-can-eat literature buffet of assorted pieces centering around, you guessed it, carmen berzatto (carmen berzatto x afab!reader)
warnings: religious imagery and symbolism, insecurities, dirty talk, mental health dialogue, finger sucking, p in v, cigarettes, sensory description, pussywhipped!carmen, cursing, kissing, cynicism, humor, pussydrunk!carmen, slander of the elderly, secret relationship, rising, praise kink, filth, subby!carmy, overstimulation, oral, oral fixation, inner dialouge, possessive!carmy, jealous!carmy, multiple orgasms, pet names, past relationship(s), donna menton, office sex, dom!carmy, angst, references to mikey passing, reminiscing, smoking, angry sex, enemies to lovers, walk-in sex, arguing, apologies, post-breakup (please let me know if there are other warnings i need to add)
word count: 16,000+ (ongoing)
t a b l e o f c o n t e n t s (listed in alphabetical order)
a guilty heart's plea(s)
carmen's said some unforgivable things to you. and yet here he is at your doorstep, pleading for you to forgive him.
basil, monterey jack, and the simplicity of a kind gesture
you're late for work, rushing out the door, and carmen notices you've left your lunch behind. he can't help but interject his talents.
concept: carmen tries to quit smoking
it's a pretty self-explanatory title.
fantasize
you show carmen an innocent song.
fire in the freezer
it's opening night and you're stuck inside the walk-in with your boss, carmen. can the night get any worse?
fresh, unwilting daisies
carmen gets possessive after your ex boyfriend stops by and leaves you a bouquet of daisies.
it's more like a fascination
getting a glimpse into one of carmen's obsessive infatuations passionate fascinations.
loss of thought
it's hard to think when you have carmen like this.
saliva (just a little bit)
the concept of carmen spitting in your mouth.
the phone call regarding the onions
richie won't stop calling and despite how busy carmen is, he picks up the phone. he didn't know richie would take so long to tell him about his trip to the farmer's market, let alone how impatient you would be in his lap.
the plan mikey never got to
you come across a picture of one of mikey's family members. he has to be careful not to think too much about carmen.
those sweet, sweet, effectual praises
in which you talk an inexperienced carmen through it.
when you wear his white shirt
carmen has a thing for you in his white shirt.
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do you want to be sooo niceys and helpful to me. do you find language in all its mutations interesting and worth researching. do you use the suffix "-core" in conversation
if the answer to any of these is yes, then please fill out my form!!!
this is for a project in my linguistic anthropology class!! we're researching uses of the suffix "-core", as in "cottagecore" and "fairycore" but also as in "mecore" and (this is an actual example i overheard) "joe bidencore." as part of the project we're supposed to interview people who use it, but unfortunately none of my friends have used it out loud recently, and so my group project members kindly agreed to let me use my tumblr platform to take a larger group sampling instead. please help me. i need them to think i'm cool. take my poll
your information will not be shared, the poll does not collect emails and none of the data collected from it will be used outside of this college course. there is a set of optional questions about identity at the bottom, but you can leave any of them blank if you wish. thank you so much!!!!
also the presentation is due on thursday so um. the poll will close by wednesday at the latest. thumbs up.
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It's always the villains that unsettle the heroes. For once, I want to watch the heroes unsettle the villains.
I want them to be unnervingly calm after being captured, because they know what's coming and the villain doesn't.
I want the heroes to look right into the hidden cameras, and meet the villain's eyes through the screen, as though they're staring into their soul, right before the footage cuts out.
I want the heroes to deliver cryptically worded warnings and vague, disturbing threats. I want the villain to walk into their office and find the severed head of one of their trusted underlings.
I want the villain, so sure of themself and so confident that they are a true mastermind, to find themself facing off against a real mastermind. I want the heroes to be one step ahead.
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