(Mcsm incorrect quotes)
Jesse: did you have to stab Aiden.
Petra: You weren't there, you didn't hear what he said.
Jesse: What did he say?
Petra: "You can't stab me."
Jesse:
Jesse: Yeah that's fair
••
Jesse: My boyfriend is too tall to kiss, what should I do?
Petra: Tackle him
Romeo: Punch him in the guts
Lukas: Just ask me to lean down????
••
Lukas: Girls are hot
Lukas: But guys are also so hot
Lukas: Why is everyone hot :(
Romeo: Global warming.
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PSA: Tumblr/Wordpress is preparing to start selling our user data to Midjourney and OpenAI.
you have to MANUALLY opt out of it as well.
to opt out on desktop, click your blog ➡️ blog settings ➡️ scroll til you see visibility options and it’ll be the last option to toggle.
to opt out on mobile, click your blog ➡️ scroll then click visibility ➡️ toggle opt out option.
if you’ve already opted out of showing up in google searches, it’s preselected for you. if you don’t have the option available, update your app or close your browser/refresh a few times. important to note you also have to opt out for each blog you own separately, so if you’d like to prevent AI scraping your blog i’d really recommend taking the time to opt out. (source)
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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people saying that users aren’t being compassionate enough towards the billionaires stuck in the death coffin at the bottom of the ocean and calling us “ghouls” for bringing up the absolute absurdity of the entire situation and it’s like……of course no one ever deserves to die by suffocation or freezing to death and it’s a hope that by some miracle that these people are found and somehow saved. however people are aloud to point out the irony of how our current wealth gap is so high that there are people who are able to spend 250k, an amount that most people don’t see in their entire lives, like it’s a movie ticket. except instead of seeing a movie they are entering a death chamber to the bottom of the ocean so they can gawk at the mass grave of over a thousand people
“the CEO of the company tricked them and he’s the real capitalist villain while the other passengers are blameless” I agree that the CEO (who is also stuck in the submarine with them) is as grimy as they come and cut corners in order to make as much money as possible. that’s a given. but as we are seeing now, most people who have never even stepped foot in the ocean their entire lives could see that this was a disaster waiting to happen. you don’t have to be a maritime expert to see that. the submersible has no emergency beacon, is controlled by an off brand game controller, made from parts from a camp store, navigated by texts from above, is bolted in from the outside, and has a contract that passengers sign that mentions “death” three times on the front page. most people couldn’t be paid to step foot in it - and these people paid 250k to go to the bottom of the ocean in it
once again, no one is relishing at people dying stuck in an essentially gutted out minivan at the bottom of the ocean. especially when one passenger is 19 and the other is a legitimate titanic researcher. but people are allowed to be mad that thousands upon thousands of dollars of taxpayer money and resources are being used to try and literally pluck these people out of the ocean and save them from a grave that they literally helped dig themselves into without a care in the world. they are the 1% who can put themselves in peril as much as they please and spend money and waste resources like it’s water but will always expect to be saved from the brink of death by us regular folk so they can call themselves an “adventurer” at their next luncheon
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I really love the subtle details in this scene.
I always thought this part was meant to show Vox holding Val as if they just finished a handshake after succesfully filming a new movie. Business stuff. But upon examination it looks like something else.
When the scene starts he is just starting the holding, and he brings their hands close to his chest, cordial pose as an old timely gentleman, smiling and looking attentively at the other. Val is first neutral but quickly places his other arm in his hip, as if pleased or simply content.
Vox clearly only lowers their hands because he noticed Angel, as his eyes move in his direction before he changes his body language: He drops his smile and shoulders quickly, and only rises them back up after Val turns around, but now as if tense and looking at his peer unpleased. (When he was the one that alerted Val with his glance in Angel's direction...)
Then he zaps away, but in no moment he lets go of the moth's hand, and even seems to pull him just a tiny bit, because Val's hand opens entirely before he unmaterializes completely. (When there is the possibility he could just poof away without affecting Val's form in any way, like when in a sci-fi show you are holding something before it dissapears and your hand just stays bent as if still holding it, no changes to it itself!)
Then Val leaves, after he being the one looking unpleased now. And it's a bit striking to me, because he's always putting a smiling façade at Angel unless he's mad. (Idunno why he looks at him like that in this occasion. Maybe because he already got what he wanted from him that night? But that's probably another topic...)
I think it looks like a lot of effort for something that could have easily been shortened by making Vox just stare at Angel bothered as he zapped away, as if he just interrupted them in official matters, so I appreciate it.
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