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#and more so i need the money to live
anarchyloser · 9 months
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I HATE CAPITALISM
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confessedlyfannish · 25 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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daftpatience · 2 months
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one thing I have learned about being poor is that you cannot for a moment stop thinking about it
#theres no peace#every little thing reminds me we are poor#seeing friends having electricity wifi heat food gas. it all costs money. and bills and fees and charges happen all the damn time#im constantly worried that i am measing up somehow or im not keeping track of my finances properly#the person handling our disability assistance application keeps coming back with question after question about my job#and i have so much doubt and fear that ive made some mistake in my answers that will disqualify us from support#and theres this sick backwards stupid thing where applying for and being on disability support is discouraging me from trying to make money#because the more i make the less likely we'll get support but i need to make money to live#its just fucked. and once we're on support i have to make monthly reports of my income so ill feel like im explaining myself all the fuckin#time#cus the system isnt built in a way that makes sense for self employed ppl who have business expenses to account for#sorry for the ranting i cant sleep#truly truly i think poverty is making me a worse persin#more anxious more resentful more jealous more miserable more spiteful#i have so little and there is so little i can do to help it#i want things in a more desparate and even childish way than i used to eant things#spend a lot more time fantasizing about magically having expendable income#not to mention the constant exponential guilt that comes from asking for help or recieving help. its guilt i need to unlearn but i feel it
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rojekte · 7 days
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seeing people's takes about the whole watcher situation is just a bit.... mind-boggling.
i think the apology they posted was good in the sense that they admitted to fucking up and walked back on their decision, and i think the model they've settled on now is a lot more reasonable (having content be released earlier for those who choose to subscribe), but like.... that doesn't mean that no one should've ever been mad at them in the first place???
like seriously, why does it seem like people are looking at a "good" apology and thinking "huh! they sure did apologize well! i guess that means that it was ridiculous for people to be mad in the first place! no one should have ever complained!!". if no one complained, they wouldnt have walked back their decision! they would've kept going with their dumb completely paywalled option!
and thats not even getting into the fact that their financial woes seem to come from completely mismanaging their money - hiring people when they can not afford to and spending more money on "high quality productions" when they cant afford to.... these are core issues that im not sure will be completely fixed by this? but idk.
also, this situation i think has really helped my own self come to terms with the fact that i do not enjoy many aspects of their content. i sorta already knew that considering i can not remember the last ghost files video i watched because i find that shit incredibly boring and overproduced, and even things like too many spirits have become a chore to watch bc they decided to extend the Not That Funny drink making portion when i just wanna hear some funny spooky stories.
anyway i guess my ultimate point here is: im glad they acknowledged they fucked up, but i also am not sure how interested i am in their content anymore in the first place. oh well
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fly-sky-high-arts · 12 days
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I do want to talk about sharing art online from the perspective of a hobby freelancer but before that I'll just toss this tidbit I mentioned on my main
Reblogs are not numbers. Reblogs are meant to share and pass on artwork that someone may like. NO ONE is forced to reblog anything BUT it is a core of engagement in a space like tumblr. Engagement is what brings in interest after all and it's one piece of what makes it important for freelance artists here.
When you look at the numbers and the notes, we need to stop viewing them and comparing them with likes (me included) or total in general. It doesn't help.
Artists do self rebloging to both show or remind folks they've done some work as well as to nudge people to reblog their stuff. Tags are nice and comments in them are a nice way to engage too but passing on the work, especially to help someone to get noticed, is a good way to just work the site as intended.
It will always be about luck because we can't guess who wants to engage with what online. You also can't blame yourselves for this. Don't use the internet mentality of "content" (eugh!) and "flopping" and go about it that way. People find stuff I drew years back and find ways to engage with it now. It's really about luck.
There are things that can help but I'll go about it in another post.
One more thing. Don't be shy about "shilling". Advertise your open commissions, your patreons or ko-fis. I promise it has nothing to do with how big of an artist you are. Remember that you're doing that within your own zone so "bothering" followers is hardly the case, it's your house. Make a tag for it if it helps your mind. I say as someone with social anxiety.
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senselessalchemist · 2 months
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Bow problems (+ other nonsense)
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theblasianbarbie · 2 years
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URGENT move out mutual aid request for black queer muslim girl - pls dont ignore!
I know y’all are sick of me but this is a bittersweet mutual aid request and I need community to rlly come thru for me bc Im in a really tough time crunch.
As some of yall know, I lost my job a month and a half ago, but this Friday I accepted a new job offer but I do not start til June 13th and so I will not be paid until the end of the month when my lease ends.
My lease ends July 1 and I need to raise about $2400 to move out before then in order to pay for 1st and security on an apartment.
Losing my job in April threw me severely off course and the $ I had saved to move out of my current (super shitty pest infested) apt was used on top of mutual aid to pay outstanding bills and for essential living items. 
If y’all could find it in your hearts to help me out one last time it’d mean the world to me. I always try my best to return the kindness that has been shown to me and I am extremely grateful for the help I did recieve during this difficult time. 
You can donate through the following links below:
P@ypal
C*shApp
V3nmo
I am also a painter and can take commissions through my website if you wish to have something tangible for your donation.
0/$2400
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dottybot · 5 months
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❄Holiday Time Pet Commissions❄
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A few of you may know I like to draw cats, so I would like to offer up some cat (or other animals, if you would like me to try my hand at them) commissions!
I am still unemployed with no luck, and very much struggling to get by - so I would like to open up commissions that will be easy enough for me to handle at the moment.
°°°°°°°°°°°°°°°°°°°
If you would like to treat you or a loved one to art of the little guy, message me on tumblr, or email me at: dottybotart @ gmail . com (no spaces) with the photo(s) you would like me to reference and we can discuss more!
❄Prices❄
$8 ....... Portrait to half body- black & white doodle
$12 ...... Black & white doodle
$20 ..... Colored version
No background, though I can include items or simple things that are being interacted with such as toys, blankets, etc.
Approximate canvas dimensions 5"x5" to 4"x6"
For personal use only, not for commercial use.
❄Accepted Payment❄
C•shapp: $dottybot
V•nmo: $dottybot
K•-fi: dottybot
If you are able and would like to, any donations/tips are much appreciated, too.
Thank you ❤
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Note
Hello! I have come asking for you to info-dump about the the modern human au. I full of brain rot of them (especially after the last thing you posted about them, damn) Maybe you can tell us a bit more Sally!!
lucky for you, i've been full of that good ol brainrot As Well! thoughts! feelings! ideas! i got em!
so since we're already on the subject of the Crash Arc, allow me to expand on it for a moment before i get to Sally Thinkings! if you've read the snippet, you may have noticed the extent of Wally's injuries was not listed yet. well! he got messed up with a capital F! since it's fiction and i'm god in this scenario, i'm veering slightly away from realistic damage, immediate & lasting. bc lets be real. if i stuck to "this is as realistic as i can make it", then Wally would be aaaaaabsolutely fucked. it was a bad crash in a very unsafe vehicle at high speeds. like - this is what happened. a drunk driver hit Home going 70 down the freeway. swerve, fishtail, tumble down a (small, shallow, really its more like a glorified ditch) ravine with trees and rocks and shit on it. absolute miracle that Wally didn't die in the crash, let alone during the solid half hour (slightly longer) he was trapped in Home before someone noticed the crash site and called emergency personnel. Wally "hanging up" on Barnaby was actually the impact jarring him so he slipped and hit the end call button. but yeah without going into technicalities and detail, Wally has some lasting damage in his dominant hand. It takes extensive physical therapy for him to be able to paint/draw again at the same level he had been at. the hematoma hadn't done a lot of brain damage that wouldn't resolve itself with time. in my mind, when Wally wakes up in the hospital, for a few days he's very confused and his memory is shot. he'll wake up, interact, then go to sleep, but when he wakes up again its like waking up for the first time again. he just can't retain memories for a bit. he's got some severe brain fog. his mood is also kinda fucked with - he's uncharacteristically irritable with low patience, etc. these are all things that clear up with time, but in my mind Wally has chronic migraines going forward. bad ones! and there are days where it's harder fr him to concentrate. and yk. a teeny bit of chronic pain where his shin bone was pinned back together and where his hand was essentially crushed. but other than that he's fine going forward! good days and bad days!
but enough about that! You Want To Hear About Sally!
i imagine that she becomes quite successful in the theater industry. i'm not too familiar with it myself, so i'm gonna be uh. Vague about it? but she starts her own theater troupe - it's a bit of a commute from home base to the town she works in, where the theater is located in, but she makes it work! of the group, she's probably away more than any of them. working on shows, traveling to work on other ones - i like to think she's been on Broadway! she probably has had opportunities to do tv/movie acting, but idk... i feel like Sally would be like "nah. live shows or nothing". maybe at some point she takes up voice acting gigs, as long as she can do them from home. she probably has her own little room-turned-VA-studio thing. idk how that works either! it seems right! but yes Howdy's store's automated messages and advertisements are in Sally's voice. she's probably picked up a temporarily modeling gig here and there.
so Sally is very very busy. Poppy is supportive. everyone is, and they all love to help out when they can - and reel Sally in when the "stardom" starts to get to her head. they do their best to acclimate to occasionally getting jumpscared by her voice in a grocery store or in. idk. fashion shoots. victoria's secret billboards. that last one was a joke! maybe. i think she would.
i also like to imagine Sally like... getting some sort of award and then spending a solid five minutes naming her friends, thanking them with specificity, and then plugging their own stuff. they probably have a rotation for who accompanies her as her plus one for events and parties she may or may not be invited to. she's not like... a Big celebrity but! she's Known and Liked! she has Connections! i like to imagine her and Wally looking dapper as fuck at a Venue...
so the friend group typically stays together, with Sally going off to do her Things the most. she makes sure to schedule time to be with her friends and girlfriend/wife/Poppy between work and gigs and etc. she somehow finds a balance with Ease. or apparent ease... someone get this girl a vacation...
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fortyfive-forty · 24 days
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i've been ruminating a lot on it because i think i'm bad at putting my thoughts into words but i need y'all to understand that while there are absolutely a lot of Not Good Things about the finals being held in saudi arabia for three years...the way people seem to treat is as morally black and white is shortsighted and unhelpful.
realistically the players traveling there will be protected. it may be uncomfortable, it's certainly not ideal, but they will travel there for a few weeks, play their tennis, then leave. there are a lot of women, a lot of queer people who actually live in saudi arabia who cannot just leave, who are actually subjected to laws and social climates...and to me it just seems very disrespectful to that actual lived experience, for everybody to sort of turn their noses up and get on their high horses. of course, if the players wish to opt out, that is their choice, but that is their choice to make. that's their judgement. not ours.
and then, what about a tournament like miami? florida is literally experiencing one of the worst active regressions that i've seen in the us (granted i'm young). things like critical race theory and lgbtq+ ed are being removed from curriculums, rights for trans youth, trans healthcare, etc. are going backwards. abortion rights? gun violence? and yes i know that the laws and climate in saudi arabia are different gravy, i understand that, but my point is, no one would ever DREAM of arguing against hosting a tournament in miami despite all of these issues. and we can extend this to a lot of other tournaments! i mean, all the outrage about fifa hosting a world cup in qatar, but we don't have any of these sentiments about doha? i've seen other people bring up that the finals were hosted in singapore when gay marriage was still illegal there. we've already talked about italy's fascist prime minister. and i could go on and on and on about the war crimes of countries like the us or the uk - is the us not participating actively in genocide right now? where is the standard? if you argue against hosting the finals in saudi arabia for the reason of human rights, to me it seems you have to uphold that standard for the location you do land on. and i can guarantee, you will not find a single country in the world with clean hands.
i want to be clear i am not arguing that hosting the finals in saudi arabia is a good thing, especially for three years, especially because it's definitely going there because of money, and not for any of the "good" reasons i think some people want us to believe about "improving the region" (which is very weirdly white savior-esque anyway). i don't really have an official "conclusion" to this discussion.
what i am arguing is that i think a lot of the protests against saudi arabiahosting the finals are more an example of implicit anti-arab bias and islamophobia, rather than genuine discussion. key word implicit: i don't think most people are purposefully trying to be anti-arab/islamophobic. or at least, i'd like to believe nobody is. but i also think, particularly in the west, there is already so much of this xenophobic sentiment ingrained. and this is why i think it's really really REALLY important to check ourselves when we talk about it instead of just jumping straight to the human rights conversation without a second thought.
i'll say it plainly: i don't think the finals should be held in saudi arabia. but for me, it has more to do with sportswashing, with the dangers of the way money is thrown around in sports, and because i think it's more evidence that the wta doesn't care about player welfare but rather about making a profit (what else is new). human rights are absolutely a concern of mine, but how is it fair to hold saudi arabia to a standard that we don't seem to care about for literally anybody else?
literally look at the us's ugly ugly history, past and present, and tell me why we deserve to host a tennis tournament.
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minustwofingers · 4 months
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*not to be a hater bc i do enjoy her music and respect her art* taylor’s fanbase terrifies me and the amount of people who infantilize her scare me!
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mishkakagehishka · 3 months
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"We're old moms, we can't wait to stop breastfeeding so we can get [very excited, shrill even] botooooox!!!"
We are never making it out of the patriarchy.
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trans-axolotl · 5 months
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it's getting cold + snowing in my city and I am so fucking angry because this year cops have evicted more encampments then we can ever remember them doing in like the past five years. it keeps happening when we're going to do outreach + mobile syringe exchange and we'll drive past the spots we always go to and our neighbors are just gone, because in the middle of the night without announcing it cops evicted everyone. and like they've been doing this shit for years but it is so much worse this year. they've put in so much more new anti homeless and anti sex work architecture this year and even though there's some rad ppl fucking it up, there's still so much. and i'm just fucking livid every time we go out there for overnight outreach and all my sex worker friends tell me how much more cops are harassing them this year like. fuck this shit so much. stop criminalizing survival. we keep losing track of so many ppl because of this and we keep having to wonder who's alive and who died bc the cops trashed their tent and it's fucking below freezing outside. we lost four people in october and november who were murdered for being trans sex workers and it's just. there is so much grief and there is so much anger and i want to tear it all down
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dollya-robinprotector · 9 months
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So yeah the b-day girl can't afford to have time drawing for herself but wanna celebrate nonetheless. So let's throw back this full-color piece I did last year and be proud of it once more!
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I achieved a lot of things this year, and even though I'd never had enough tolerance to love this weak and hopeless self, just for today I will give me a word of encouragement and a hug for all the achievements that I had to struggle to achieve.
For only one day let's hope I'll be gentle with myself, to brace myself for another year of struggle to come.
✨✨ Cheer! ✨✨
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red-dyed-sarumane · 3 months
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i need people to start paying me for every time they tell me "oh but ur arts so good ur wasting ur talent u need to do it professionally" wrong i need to do art to draw beautiful characters that not a single other person cares about while feeding every ounce of love i have into my work or to convey thoughts & feelings beyond words and to even think of doing otherwise is to deny my own nature "oh but u can do what u want and then sell it" why is everything about money to you why cant u just enjoy things at what point in ur life did u forget how to have fun
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unnonexistence · 7 days
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pacific rim did not have to go so hard with the aesthetic but it did. future tech but everything's scuffed and scratched up from constant use. hologram projectors with big clunky buttons and data storage disks that go ka-chunk. standard-issue PPDC everything. big wobbly hazmat suits. analogue nuclear-powered mechs. bioluminescence. monster goop everywhere. cities rebuilt around kaiju bones.
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