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#and that happened to be the layer I had active when I saved
sundownsquad · 2 years
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Well folks, unfortunately it looks like this piece might remain a WIP forever. There was apparently some kind of power surge last night that shut down my computer and this file was open when it did. Now when I try to open it Photoshop is like "This file cannot be opened because it has been moved or deleted" even though I'm looking right at it. I was at least able to get an image preview to open so I could take this screenshot, but it looks like I'm outta luck on this one. -.- I had completely started over on the background twice even since last week, though, so this was probably the universe going "Girl, try again later". Lol Oh well, I'll keep the PSD around and maybe I'll get lucky and the situation will rectify itself. Until then, please enjoy Speedy standing around dramatically. 😂
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chvoswxtch · 3 months
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an adjustment
pairing: frank castle x fem!reader
summary: adjusting to a new normal with frank presents a few challenges, including one you thought you had put to rest.
warnings: swearing, lil angst, frank's voice (yes that needs a warning)
word count: 2.6k
a/n: a certain someone is making a cameo that will have a bigger role in the next chapter, but y'all know I love to tease. ;) as always, feedback is welcomed/appreciated!
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As much as the two of you wanted to stay in the cozy little bubble that existed in his cabin, reality had come knocking. Madani informed you that your place was no longer an active crime scene decorated in bodies, bullets, and blood, and Billy needed Frank for a new assignment. Some guy running for Senator had a lot of controversial opinions that pissed a bunch of people off and apparently warranted 24/7 security, and Anvil was at the top of his list for protection. Since Frank was the best at what he did, unfortunately he was at the top of that list too. Adjusting to a new normal had been…well…just that; an adjustment.
A difficult, confusing, thought consuming adjustment.
For over half of the past year, Frank had been by your side. You started and ended every single day with him. The sudden absence of his presence was jarring, and you still found yourself immediately confused when you glanced up from your computer screen to tell him something only to realize he wasn’t there. Frank didn’t always talk a whole lot, but your office suddenly felt so much more quiet and empty without him. And despite a full blown security system installed by him on your behalf, it was hard for you to feel safe in your own home with the lingering scars of what had happened etched into the walls beneath a layer of new paint. 
Frank called you at least once every day, just to hear your voice, but between both of your complicated schedules, time was not in your favor. You had spent the past three weeks adapting to Frank’s vacancy, but found yourself spiraling anytime you were left alone with your own thoughts. What if this was over before it had even really started? What if it wasn't anything anyway? There hadn’t been a moment for you and Frank to sit down and actually talk about what your relationship was since the cabin. You know what it meant to you, and you knew what you wanted it to mean to him, but you wanted to hear what it meant to him from his own mouth. 
A part of you felt childish for wanting to bring it up. What were you supposed to do? Send him a text saying “are you my boyfriend, check yes or no”? Another part of you felt valid in needing reassurance. It was reasonable to want to establish a relationship with someone you were dating. But were you and Frank dating? He hadn’t technically asked you out on an actual date, but he had risked his life to save yours on several occasions. That had to count for something. You hadn’t dated anyone seriously since Steven, and Frank was not only a widower, but also your former bodyguard, so the normal rules of dating felt like they had been completely thrown out the window.
A knock at the door abruptly pulled you out of your chaotically indecisive inner monologue, and you saw a guy that appeared to be fresh out of high school standing in the doorway of your office.
“You Y/N Y/L/N?”
“Uh yeah, that’s me. How can I help you?”
The kid took a few steps forward into your office and practically shoved a sealed brown envelope in your face. He looked bored and annoyed, as if you were somehow inconveniencing him because he had to deliver something to you. It made you want to make a snide comment about how your name was clearly listed outside your office door and ask how the hell he managed to graduate without the ability to read. 
“This is for you.”
Reaching for the envelope, your brows pinched together as you turned it over. There was nothing written on the front of it, no address, no name, not even a stamp.
“What is it?”
“I don’t know, lady. I’m just the messenger. Open it and find out.”
Before you could reply with a smartass comment, the kid had already walked out of your office, leaving you alone with the mysterious brown envelope. Clenching your jaw, you refrained from chasing him down the hall and asking who the hell raised him. Letting out a deep exhale through your nose, you had to remind yourself that you were a grown woman that would face charges for decking a teenager, even if he was legal and a complete dick.
“Asshole.”
Muttering under your breath, you pinched the aluminum prongs together on the seal, flipping the top of the envelope open to reach inside and pull out a stack of documents. When you turned them over, five big bold letters instantly caught your attention.
LETTER OF INTENT TO SUE.
During your time as a journalist, people had threatened to sue you over stories several times. It came with the territory. The first time you had gotten a letter like this, you nearly had a complete meltdown. Ben had found it far more amusing than you did, leaning back in his chair with a smug grin on his face while sipping at his coffee and chuckling.
“Ah, I remember my first lawsuit letter. You get used to ‘em. You can either frame that one or forward that to the uh legal department. It’s in the blue recycling bin outside.”
And he had been right. People had tried to sue the paper, and you specifically, several times over the course of your career, but nothing ever actually went anywhere. You normally wouldn’t have thought twice about it, and you were about to toss it into the trash bin on the floor next to your desk when your eyes skimmed over who sent the letter, and your blood instantly began to sizzle.
“You have got to be fucking kidding me.”
Steven fucking Price.
Gritting your teeth harshly, you narrowed your eyes as you read over the first paragraph on the page.
This letter of intent to sue shall hereby be considered formal notice that STEVEN PRICE intends to file a lawsuit against you if you do not comply with the settlement demands set out in this letter.
The storm of anger brewing inside you had your hands shaking violently, and you were clutching onto the paper in your hands so tightly that your fingernails had left indents in the crinkled sides that were held captive in your vice grip. When Homeland took him away in custody, you thought that was the last you would ever have to deal with him or see him until the trial. But here he was, still making demands of you, from federal prison. 
Frank’s gruff voice sounded on the other end of the line after one ring before you even realized you had called him.
“He’s fucking suing me.”
“What? Who?”
“Steven.”
There was a brief shuffling noise on the other end of the line, and you faintly heard Frank mutter an “excuse me” before his deep baritone sounded once again in your ear.
“The hell you mean he’s suin’ you?”
“Some kid came and dropped off an envelope, who was a real dick by the way, and then I opened it and saw it’s a letter of intent to sue. I didn’t think anything of it at first because I get these all the time, but then I saw his fucking name.”
“Suin’ you for what though?”
Tossing the documents onto your desk, you began to pace back and forth in your office as you ran your hand through the roots of your hair in pure frustration.
“I don’t fucking know, a load of bullshit? I didn’t even read what his ‘demands’ were. He can’t…he can’t do that, right? I didn’t do anything.”
Pausing for a second, your hysterical rant subsided momentarily as one possible reason for a lawsuit popped into your head.
“I mean…I did punch him in the face. But he’s going to sue me for that? There’s no fucking way. Putting it on public record that a girl half his size punched him? His ego couldn’t handle it.”
“You did break his nose.”
“He fucking deserved it, I should’ve broken more.”
Frank’s deep chuckle of amusement sounded from the other end of the line, and it instantly made you forget what you were so pissed about for a brief moment.
“I ain’t disagreein’ with you there. Look, take a deep breath, sweetheart. Can you do that for me?”
Letting out a deep exhale through your nose, you closed your eyes for a moment and enjoyed the soft tone of Frank’s rough voice as you followed his gentle instruction. With your eyes closed, it was almost like he was there with you. Once Frank could hear your breathing even out a bit on the other end of the line, he spoke in a delicately low tone that had your toes curling in your shoes.
“Attagirl. Send me the letter and I’ll talk to Madani ‘bout it, yeah?”
“I don’t even have a lawyer-”
“Don’t worry ‘bout that right now, alright? Just take another deep breath, relax, and let me handle it.”
“You’re always handling things.”
“That’s kinda my job, baby.”
One little pet name and you were blushing like a schoolgirl with her first crush. Thankfully Frank wasn’t in your office at that moment to see the intense heat in your cheeks and the goofy smile splitting your lips. He would’ve definitely had a field day teasing you about it.
“You’re pretty good at your job. Maybe a little too good. If you were kinda sucky at it, everyone wouldn’t want you so bad.”
“The only one I want bad is you.”
A fluttering feeling erupted in your lower belly at those words, coupled with the way his voice had dropped an impossible octave lower, and you found yourself clutching at the edge of your desk to keep your knees from giving out right from under you. If Frank was here, you would’ve gladly let him bend you over it.
Clearing your throat, you attempted to change the subject before you got too worked up. 
“How’s the new guy?”
Grabbing the iced coffee sitting on your desk, you held it against the heated skin of your neck. Droplets of the cool condensation slowly cascaded down your flesh, causing you to shiver while trying to balance your internal temperature.
“Not as pretty as you.”
Letting out a soft snort, you rolled your eyes and leaned back against the edge of your desk.
“Well I would hope not.”
Frank chuckled deeply again, and you could clearly picture the look on his face in your mind; an expression of playful exasperation with a faint smirk on the edge of his soft lips.
“He’s more of a pain in the ass than you. Didn’t think that was possible.”
“You’re really great at this whole flirting thing, you know that?”
The dry sarcasm in your voice didn’t go unnoticed by Frank, and it tore a deeper laugh from low within his chest that made you grin.
“Hey, I been outta practice for a while. Gimme a break.”
“Speaking of flirting, how’s Billy?”
“He’s uh…he’s good.”
Something about Frank’s tone suddenly seemed off, and you wanted to ask him about it, but there was a faint rustling on the other end of the line, like Frank was pressing the speaker against his chest, and you could barely make out his muffled voice speaking to someone. When he lifted his phone back to his ear, you caught the end of a deep sigh.
“Listen I uh…I gotta go, sweetheart.”
“Yeah, me too.”
That was a lie. You didn’t have anything pressing deadlines at the moment. You would’ve stayed on the phone for the rest of the day with Frank if you could’ve, maybe convinced him to sneak away and come see you. He was still in New York, luckily, but anywhere that wasn’t right next to you was still too far. 
“Send me the letter. I’ll talk to Madani and take care of it, alright?”
“Okay. I…thank you.”
“You ain’t gotta thank me.”
“You keep saying that, but then you keep giving me reasons to. So, we can have this argument until eventually you give up I guess.”
Frank chuckled deeply once more, and you could picture him in your mind shaking his head with a light grin. He sounded normal again, but you made a mental note to ask him about what was really going on when you spoke to him next.
“Same time tomorrow then, yeah?”
»»———  ———««
According to Madani, Steven didn’t have a case, and you technically had nothing to worry about. However, you were admittedly curious about what the hell he wanted, and Frank had said that if you did want to go talk to Steven, he would go with you. Actually, he respectfully insisted that you not see Steven without him present, and while you didn’t want to see Steven at all, you did want to see Frank.
You suffered through almost three years with Steven. You could suffer another five minutes if it meant you got to spend time with Frank.
It wasn’t your first time visiting a prison. A few years ago when you were still working with Ben, he had been interviewing a death row inmate that had been declaring innocence for fifteen years, and Ben had managed to prove that the evidence for his case had been tampered with and that the man had been telling the truth the entire time. Despite how daunting it felt to be in a place that kept violent people caged like animals, you felt safe with Ben then, much like you did with Frank now.
Currently, you were pacing back and forth down the hallway in pure irritation.
“What is taking so long?”
Frank had his arms crossed over his chest as he leaned against the wall outside of the meeting room that was typically reserved for inmates and their lawyers. The guard had said he would bring Steven in shortly, but that was twenty minutes ago. Since Frank had met you at the prison, and due to all the prying eyes, you hadn’t had a private moment to do more than smile at him when he arrived. It was the first time you were able to see him in person in three and a half weeks, and he somehow looked even more attractive than he ever had, and you were being forced to endure an interaction with your ex, who tried to have you killed, just to get Frank alone.
It was torture.
“Told ‘em we’re waitin’ on your lawyer.”
Pausing mid-step, you glanced over at Frank with a look of complete puzzlement.
“I don’t have a lawyer, I told you that.”
As Frank turned his head to look at you, he suddenly lifted his gaze to stare directly above your head as someone behind you caught his eye. He stood up straight and uncrossed his arms as he gestured with his chin in the direction behind you.
“You do now.”
With your brows knit in threads of confusion towards the center of your forehead, a light tapping sound behind you caused your ears to perk up, and you turned your head to find the source of the noise and Frank’s attention.
“Miss Y/L/N, my name is Matthew Murdock. I’m your attorney.”
tags: @thyme-in-a-bubble @day-dreaming-goddess @messymissy @itwasthereaminuteago @strawberry1042 @queenofthenoobs @wanda2themax @xcastawayherosx @avengerstower-houseplant @stevenknightmarc @ponyosmom35 @babygal-babygal @wellwwhynot @oldermenaremyreligion @combustiblemeow @tired-night-owl @fairykiss32 @danzer8705 @calkissed @fxckahs-blog @lemon-world1 @polskiperson @imperihoe @v4leoftears @harperdoodle @spideyvibez @joalslibrary @cherry-berry-ollie @sorrowfulfragmentation @kdogreads @sumo-b98 @blackhawkfanatic @gloryekaterina @whistle1whistle @starbritestarlite @callmebrooklynbabes @hallway5 @scarletfvckingwitch @bifuriouslatina @soupyspence @fireeyes-on-teller-dixon-grimes @wonwoosthetic @linguist-breakaribecca @nerdytreeflower @mrs-bellingham @smhnxdiii @s3riou2 @slavic-empress
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mitch-the-silly · 1 month
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Hewwo! Just read "Aggroo of a Bleeding Heart" and it just made me crave more of Yandere Vox! May we please get a story of him preventing the reader from escaping? She also somehow is immune to his hypnosis so he'll have to try harder >:)
OF COURSEEE!!! Omg, I just LOVE Yandere Vox. I need him expeditiously-
Anyway, here! Here's your Yandere Vox! :DDD
As mentioned in other posts, reader is gender-neutral due to no specification on gender being made.
Yandere!Vox x gn!Reader
Imagine!!
"Hypnophobia"
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You banged on the doors of your glorified enclosure: a five-star suite in the V-Tower. The door wouldn’t budge so you punched it out of spite. “Show yourself, coward!” You cried, looking directly at one of Vox’s cameras. You knew he was looking at you, he always was. Frustrated upon hearing no reply, you sat down on the floor, hugging your knees. You wanted to leave, and despite none of this being your fault, you couldn’t help but feel like you earned this. You fell for his bait hook, line, and sinker. He pampered you with gifts, gave you this place to stay, and just when you decided he was getting too close for comfort, he trapped you.
You sighed, getting up, sitting down on your bed, looking at your phone. You wanted to call a friend, but you found their contact was erased from your phone. Only Vox, Val, Velvette and a few friends that Vox knew had no intentions of getting you out of your prison remained saved in your contacts. “Oh, fuck you, Vox!” You yelled, “Only ten contacts in my phone! I know you did this, you sick bastard.” Your protest was met by silence again. Oh, how that ticked you. The way he silently observed you. Yeah, he was always watching but he was never brave enough to talk back to you. But you had a brilliant idea to get him to say something.
“You know, maybe if I had someone to talk to, I wouldn’t be so upset over my contacts. Maybe I wanna leave because there’s no one here to keep me company.” You whined.
The camera before you stayed silent for a bit, but then crackled into a voice, “You’re needy, aren’t you? Can’t conform to being a pretty little doll? I left you in your room, is that not enough for you?!” Vox complained over the camera’s speaker.
“Humans need interaction. If you really wanted me, you’d try to build a bond with me!” You spat back.
“So I do have to go over there and put you in your place.” He huffed. The noise stopped as the speaker cut off. You immediately assumed he’d ignored you, but you were promptly proved wrong.
From the camera zapped out a figure of the likeness of Vox. Later materializing, revealing to, in fact, be the man himself. “You know, you’d be more enjoyable to observe if you could just be still and sexy.” He huffed jokingly. “But I have to admit I like your spite; it adds a layer to your sexyness~” He cooed, moving closer to you, caressing your chin as he activated his hypnotic eye. If he couldn’t get you to listen by asking nicely, then maybe he could get what he wanted.
You jerked your face away from him, “You won’t even put the effort into asking me out for dinner, or even asking me out at all and you already want me to be your pretty little princess in a tower.” You spat, backing up from him, and sitting on the other side of your bed.
Vox huffed, you were one of those… his power didn’t work on you. He just hated having to try harder to appease people. “Fine then. I’ll ask you to go out with me. And if you want a dinner date you have a wonderful balcony. I could just organize a candlelit dinner.” He thought out loud.
“You’re still not taking me out of this room?” You retorted in disbelief.
“Oh, I’m not stupid, babe~ You just wanna leave. I’m not letting that happen.~” He chuckled, sitting next to you, holding your waist. “But just how do I get rid of that nasty attitude of yours?~” He cooed, taking your hand and kissing it.
You rolled your eyes, “You had me once. But you fucked it up by locking me in here when some random guy talked to me.”
“You smiled at him.”
“Am I not allowed to smile anymore?!” You replied in disbelief.
“It wasn’t a regular friendly smile, I could see the way you looked at him.” Vox scoffed.
“Ok, and? We’re not in a relationship. If you want me to keep to myself then make it official. Others won’t flirt with me either.” You suggested, a bit annoyed.
“Make it official? Oh, please! Don’t make me laugh! You know I can’t go out in public and freely say I have a thing for you! You’re more like… a dirty little secret~.” He chuckled.
“And why is that?” You complained, scooting away from him.
“Because think of the scandal! And while it would bring in a lot of money… I’m not gonna ridicule myself! My image and the image of the Vees has to be pristine, you know this, sweetheart~.” He explained, kissing your cheek afterwards.
You rolled your eyes, “What now then? You’re just gonna leave me here?”
“If you want someone to talk to, I’m a camera away, sugar~.” He chuckled, zapping away and into the camera where he came from.
You tried to run to catch him, but to no avail, “You fucking idiot! That sounded stupid!” You yelled at the camera. After which you sat back down on your bed. Maybe things would get better after this conversation. It was you he wanted after all.
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nelkenbabe · 1 year
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the conversations between solas and varric drive me to insanity, i think they might be the longest consecutive, interconnected pieces of dialogue between any companions.
there are so many layers and so much back and forth pushing, so much being said without saying it. they explain so much about solas’ current state of mind, but also show the effects of what happened in da2 on varric
Solas: I find the fall of the dwarven lands confusing.
Varric: What's so confusing about endless darkspawn?
Solas: A great deal, although that is a different matter. Dwarves control the flow of lyrium. They could tighten their grip on it.
Varric: It's hard to get the attention of the humans when the darkspawn aren't up here messing with their stuff.
Solas: You're active in the Carta. You know your people could tug the purse strings. You could claim sovereign land on the surface, or demand help restoring the dwarven kingdom, but you don't.
Varric: You're not saying anything I haven't said myself, Chuckles. Orzammar is what it is.
───────
Solas: Is there at least a movement to reunite Orzammar and Kal-Sharok?
Varric: What is it with you, Chuckles? Why do you care so much about the dwarves?
Solas: Once, in the Fade, I saw the memory of a man who lived alone on an island. Most of his tribe had fallen to beasts or disease. His wife had died in childbirth. He was the only one left. He could have struck out on his own to find a new land, new people. But he stayed. He spent every day catching fish in a little boat, every night drinking fermented fruit juice and watching the stars.
Varric: I can think of worse lives.
Solas: How can you be happy surrendering, knowing it will all end with you?  How can you not fight?
Varric: I suppose it depends on the quality of the fermented fruit juice.
Solas: So it seems.
Solas:: I am sorry to have bothered you with my questions about your people Varric. I see so much of this world in dreams. Humans, my own people, even qunari. Dwarves alone were lost to me, save scattered fragments of memory where some spirit cared to watch. Now I know why I see so little.
Varric: And why is that?
Solas:: Dwarves are the severed arm of a once mighty hero, lying in a pool of blood. Undirected. Whatever skill of arms it had, gone forever. Although it might twitch to give the appearance of life, it will never dream. 
Varric: I'd avoid mentioning that to any Carta, Chuckles. They might not take it the right way. 
───────
Varric: What's with you and the doom stuff? Are you always this cheery or is the hole in the sky getting to you?
Solas: I've no idea what you mean.
Varric: All the "fallen empire" crap you go on about. What's so great about empires anyway?
Varric: So we lost the Deep Roads, and Orzammar is too proud to ask for help. So what? We're not Orzammar and we're not our empire.
Varric: There are tens of thousands of us living up here in the sunlight now, and it's not that bad.
Varric: Life goes on. It's just different than it used to be.
Solas: And you have no concept of what that difference cost you.
Varric: I know what it didn't cost me. I'm still here, even after all those thaigs fell.
───────
Solas: You truly are content to sit in the sun, never wondering what you could've been, never fighting back.
Varric: Ha, you've got it all wrong, Chuckles. This is fighting back.
Solas: How does passively accepting your fate constitute a fight?
Varric: In that story of yours—-the fisherman watching the stars, dying alone. You thought he gave up, right?
Solas: Yes.
Varric: But he went on living. He lost everyone, but he still got up every morning. He made a life, even if it was alone.
Varric: That's the world. Everything you build, it tears down. Everything you've got, it takes. And it's gone forever.
Varric: The only choices you get are to lie down and die or keep going. He kept going. That's as close to beating the world as anyone gets.
Solas: Well said. Perhaps I was mistaken.
Varric: You know what I like about you, Chuckles? Your boundless optimism.
Solas: It's comforting that whatever qualities I lack, you'll invent for me, Varric.
Varric: No, really. Why else would an elven apostate help crazy Chantry folk close a hole in the sky?
Solas: When you put it like that, I must concede your point.
PLEASE
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etoilesbienne · 8 months
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Forever's Entire Proposal to BadBoyHalo q!BBH Analysis + Transcript below the cut.
Before I start, I want to make clear this is from BBH's perspective + mentality, and I do not speak Portuguese, as well as none of this is intended as character writing criticism. I really like the direction both of these characters are going in, I just want to highlight how much of a horror show this scene is! I'm starting much earlier than what's shown in the clip at the top, unfortunately Tumblr's file limits exist :/ Timestamp for the entire clip I'm using is at here in BBH's vod.
Some preface for everything going on in this scene and context:
For one, Forever's current drugged arc has continued references to the Vargas Era in Brazilian history, which, to heavily oversimplify, is a period when culture was suppressed by Getúlio Vargas, a 1930's Brazilian dictator, and made to look very perfected to the outside world to cover up the many issues from the government at the time. (I really recommend looking more into the Vargas Era on your own, I can say I've found every reading on this topic to be both interesting, as well as gives Forever's current arc a really good layer of historical reference with his presidency. It's a good topic to look into!)
Mostly, it's a representation of how fucked Forever's mental state currently is. Not only is he erratic from the drugs he was put under - He's actively been washed over with nationalistic propaganda. That's fucking horrifying for the President of the island to be under! It gains another layer of horror as well, because to all of the islanders, Forever is the only community member with any perceived sort of power. Him becoming erratic - pulling a gun on Phil, forcing other people to sign up for the drugs and medical procedure he went under - it's something that carries weight in terms of the island being united and working together, and is currently reinforcing the concerns the French group had with seeing him as unfit for power, with BBH included in all of these presidential coup meetings as being a sort of "honorary french" deal.
On Bad's side, however, is the known fact he finds marriage overrated, and meta-wise cc!BBH has mentioned he's playing a "more aromantic approach" because he doesn't want to be another character stuck in the shipping boat. (This isn't a knock against shipping, I just think it's good knowledge to have about q!BBH's character/stance on romance going into this.) And then finally, when the link timestamp starts, but before Forever has truly begun his serious conversation, BBH does this:
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He switches out his regular Totem of Undying to specifically a Death totem. It's very quick, but I think it sets up his mentality going into this... I think he expected Forever's final reaction.
Forever: Here, Bad. BadBoyHalo: Hello. F: Hello! F & BBH, simultaneously: So, uh - BBH: Do you know where any of the kids are? F: I know where Richarlyson is, but, oh uh maybe we should go a little bit further there's a translator screen. BBH: Okay. F: Otherwise, I want my chat to know what we're talking about.
[Break for when they move the benches again]
F: Here, nice, nice, nice. F: OH! It's even better! BBH: Yay. F: It's perfect, I would say! BBH: So, you don't - F: Yeah, I don't know where the eggs are, Bad, but I'm really - there's something I know, okay? BBH: Uh-huh. F: I can tell you. BBH: Tell me. F: They are just good and fine, okay? BBH: What do you mean? F: They're fine! They're well! BBH: Look, what do you want, Forever? F: Ah, I want to get married! BBH: No, I mean, like, what do you want? F: Why? BBH: Like, if you know what happened to the - F: Why… don't we just get married! BBH: Do you know what happened to the eggs? Do you know where they are? F: Let's get married. BBH: What's happening, Forever? Etoiles: [mumbling] Fit: Hooray. Tina: Hip Hip Hooray! F: Let's - Let's just get married. Fit: Hooray. Tina: Hip Hip Hooray! Fit: Hooray. Wooooooo. Tina: He saved us. That's crazy! BBH: Okay. Oh, hey Etoiles. You - You're not focused, Forever. Tina: It's probably the most beautiful battle ever! Of all time! In a rose field! F: Yeah, I'm totally focused! I'm happy! Etoiles: Thank you, Tina! Tina: Yes! BBH: No - No, you're focused on the wrong thing - Etoiles: You see, I clicked well! I clicked well! F: Guys, can you give me and Bad a moment, please? - Tina: [Overlapping with Forever] I'm so sorry - F: - We are having a deep conversation, I am asking him to get married! Tina: - I'm so sorry Mr. President, I didn't know. Etoiles: Okay! Okay, Forever, what I, Forever, I - I don't understand, like, there's the code who's attacking us, and you don't give a shit, but you are the president? F: Where - Where is the codes? I want to help you guys! Everything will be perfect! Tell me. Pierre: Congratulations Badboy and Mr. President, congratulations F: If the codes are not here right now, Etoiles, you are just being inconvenient, because I want to get married, and you are just in the way, man - Etoiles: Okay - F: - Go away, please! Etoiles: Okay, okay, I will go away. Okay, okay. F: If the codes show up, you will tell me, okay? BBH: [short confused laugh] F: [cheering as Etoiles walks away] YES! BBH: [looking around at the sky] F: See, Bad? This is how we solve problems. Isn't that perfect? Pierre: Can I be your best man for the wedding? BBH: What? No? There's not gonna be a wedding - F: He asks me for drugs all the time, Bad, he just asks me for drugs. BBH: - okay? F: [laughing] Pierre: Huh? BBH: He's obviously not in his right mind, AyPierre. Pierre: Yes, look at this smile! Must use a lot of uh… BBH: A smile doesn't mean a whole lot. F: Pierre, I will, I will tell Cucurucho, man, I told you already. Pierre: Yes, I want to be happy… F: Cucurucho will come to you and he will put the smile on your face! Pierre: Yes! F: Now go away, I want to get married. Pierre: I want it! F: (Portuguese as Pierre leaves) F: Oh my god, finally some silence. So Bad, BBH: mhm. F: Don't you think this place looks beautiful? BBH: I guess. F: Oh my god, they're still around so the translator is just crazy. Let's change it again please. Sorry, but - F: (Portuguese, I am assuming it is more ooc focused, my apologies. If I'm wrong, feel free to correct me!)
[Break for when they move locations, this is where the clip above begins.]
F: So Bad, BBH: Yes? F: What is it going to be? Are you going to get married, or not? BBH: Why do you want to get married? F: Yeah, because everything's perfect, right? A marriage would be perfect, as well! BBH: Why do you think everything's perfect? F: Why don't you think everything's perfect? BBH: Because we don't have our kids, Forever. They're gone. F: No, no they're just fine, man! You are not seeing the world the way you should, Bad, and I'm going to tell you - BBH: How should I be seeing it? F: I'm here for you, buddy. I'm here for you, buddy, okay? BBH: Is anyone here for you? F: And I'm going to tell Cucurucho that he should help you! Like he did to me. BBH: I don't want his help. F: You need his help, Bad. Just - BBH: I don't need his help, Forever. F: - Bad, you are looking bad, Bad, - BBH: I feel fine. F: - you know? BBH: You know what would help me, Forever? F: So let's get married! BBH: Forever. You know what would help me? F: Hm? What? BBH: Tell that white puffball to give me my son back. To bring back all of our kids. F: White puffball? What does that mean? BBH: Cucurucho. F: Okay. BBH: What does he want? What does he want, Forever? Does he want diamonds? F: Why do you think Cucurucho is the one with the eggs? Why do you think Cucurucho is the one with your child? BBH: I know it was him, Forever. F: What are you guys getting from exploding the whole city? Why did I become the president that's trying to help everyone, and you guys are just exploding everything? This is funny man, this is perfect. [laughs] You know? You guys are just too crazy! [laughs] Man, you guys are exploding stuff, and you all are saying that I need help? [laughs] That's funny, man, that's funny! BBH: We need our kids back, Forever. That's why. We'll stop, all Cucurucho has to do is return the eggs. I want Dapper back, I want Pomme back, all the kids back. F: Why do you think Cucurucho is the one with the eggs? BBH: He obviously is the one with the eggs, okay? F: What proof do you have? BBH: Remember - F: Cucurucho's great, Bad. BBH: - I saw - F: Uh huh. BBH: - It was a strange person in the federation building, Mysterioso or whatever his name was? F: [laughs] Yeah, he doesn't like [I cannot figure out what he says here] BBH: I saw him at the federation building. I bet that's the same person who gave Sofia's plans to Maximus. F: [laughing] BBH: That means the Federation was responsible for Sofia. F: Okay, okay. BBH: That means they're behind everything! There's not anything they don't know about. F: Did Maximus tell you that that man is the same one that gave Sofia to him. BBH: He said it was a mysterious hooded figure, and there's only one - F: There's only - Can only be one - BBH: - mysterious hooded figure. F: - It can only be one. BBH: If the federation does not - did not take the kids, they know who did, and they know where they are - F: Ohh. BBH: - I just want them back, that's it. F: Yeah.
BBH: What do they want - What do they want, Forever? Mr. President? You're in contact with them, what do they want? F: Well, Bad, I can tell you something, you know? This is actually quite funny, this is actually quite funny. BBH: What's funny about it? F: So everyone on the island thinks that I, being the president - me, being the president - means that I'm working for the Federation, but do you know what you guys don't see? BBH: What? F: I am the only one working for you guys! A favor(?), you know, the federation does what they want. I'm the only one that tried to represent the people of the island. BBH: So you're trying to get our kids back? F: Oh, they're just fine right now. BBH: Where are they? F: I don't know, sleeping maybe? BBH: How do you they're fine? F: Cucurucho said it's classified! Isn't that funny? BBH: Do you believe it? F: That it's classified? I don't know, is there anything to believe in that? BBH: [sighs] BBH: What happened to you, Forever? F: What? BBH: What happened to you? What did they do to you? F: Uh, I don't know what you're talking about, Bad. I'm just feeling so good, 'cuz everything's so good man. BBH: This isn't like you. You're not acting like yourself. F: Why? Why, I'm happy? I'm not happy? You say I'm not a happy person? BBH: That's just it Forever, you wouldn't be this happy with Richarlyson missing. F: Richarlyson's okay, he's just - BBH: Is he? Is he? F: - sleeping a lot. BBH: Has he gotten up? Has he danced around? Has he put any signs down? Has he said anything to you? Have you built any projects with him recently? Have you done anything with him at all? F: [Deep sigh that turns into a laugh] No, no. BBH: Then how is he fine? F: [long pause] Bad, I have something I would like to show you. Or maybe test on you. BBH: What? F: You know, you guys are just so funny with that clock joke. BBH: Clock joke? F: Yeah, I want to test something. F: Don't you want to get married? BBH: I want my son back. I want Dapper, Pomme, F: [begins launching mines] BBH: [evades, throws health potions] F: STOP THAT FUCKING CLOCK NOISE. BBH: You like your mines, Forever? BBH: It won't bring Richarlyson back.
To start from the beginning, BBH is under no pretenses that this would be a marriage proposal of all things. All he is aware of is that Forever wants to have a serious discussion with him. He's also gone out of his way to put himself on a Death totem, meaning he has every possibility to be downed if Forever were to successfully attack him.
With Forever's current mental state and reinforcing a societal idealism & a desired performance of aggressive happiness and "normalcy" - his character now desiring something like a marriage can be read multiple ways. For one, an imitation of how one of his closest friends, his ex-husband no less, was recently married and is currently considered one of the best federation workers (albeit begrudging on Cellbit's part). For two, a marriage is a pretty huge symbol of a plastique performance of a perfect life. Especially in this context, it's saccharine, it's a status symbol, everyone wants it. With the medication as well, we don't truly know if Forever genuinely feels strongly about BBH to want to marry him, or if he feels he has to be in a marriage for a "perfect" life with BBH being "the best option" as a spouse. (Again, this is not a criticism of Forever's character, this is a very symbolically rich move for him to do, and I, personally, cannot get enough of it.)
Now back to BBH, this is a guy who is admittedly not looking for romance, not trying to romance anyone, and is currently in the middle of a character arc having to do with how pissed he is at Forever for not running the government in a way he approves, and then getting wrongfully jailed by Forever. I do not think BBH is in any way afraid of Forever as a person, but I do think BBH has concerns about what he may be forced to do in an attempt to get his children back. BBH as a character in general has very, very little regard for his own life, watch a pov of himself in a dungeon and just see how many totems pop, but he does care about his kids more than anything else in the world. The way his character goes about his care for his kids isn't something that often occurs in more masculine-presented characters like him either, frankly I think a lot of more ship oriented readings of him end up hyper-feminizing him* because of this "maternal" archetype.
In a return to Forever's saccharine performance of perfectionism, I find the moments Forever makes the both of them move across the rose field - The rose field, previously quite literally stained by blood as Etoiles had just finished another battle with the code there, tensions are running high and everyone is still distressed from the eggs going missing - I realize it's because cc!Forever ooc wanted to move to not have the chatbox be interrupted by other people speaking, but it's just so good thematically. He keeps moving to have a better view of roses. It's never perfect enough. They have to keep moving. They have to be alone. Nobody else is allowed to be around when he corners BBH with the marriage proposal. Nobody can get in the way.
Speaking of people interrupting, the other members appearing in the middle of the conversation adds to the fridge horror that's been subtly happening all the way through. Nobody pauses and makes sure BBH is okay throughout this scene, everybody is extremely sure that he is fine and can handle himself. The only person to even make a criticism of Forever is Etoiles, over being somewhat irritated that it looks like Forever has been doing little to nothing as President to aid new members or former islanders (despite this technically not being true, Etoiles has seen none of it, and has been giving new players items continuously in an effort to help them, as well as has had little time to do anything except fight code entities).
And then onto the rejection, BBH never agrees to the marriage at all, because why would he? I've seen quite a lot of discussion thus far that he doesn't reject Forever outright, but I disagree, it's a little moment in there, and I couldn't get it in the video posted itself, but he explicitly tells Pierre "there's not gonna be a wedding," and then is cut off by Forever. It's quiet, I don't think many people heard it outright, but BBH is right in his assertion Forever isn't in his right mind to be asking for marriage in the first place.
The other side of that, however, is that BBH is very well aware Forever didn't want to hear an outright rejection either. BBH knows what Forever is capable of, and he knows this version of Forever is not his usual self. It's not an easy situation, especially when he's fully under the impression Forever does have some power with the Federation, and fully believes the Federation has the eggs. Whether or not this is actually true doesn't really matter to Bad's perspective here, he's deadset in this belief. With that belief in mind, how is someone supposed to respond to being cornered about marriage - a concept he has little interest in - but the person cornering him is 1. known to be volatile due to recent events, 2. potentially has some form of contact to the people currently holding the eggs captive, and potentially put his children more at risk than they already are, 3. the literal only person in power on the island.
I don't think BBH ever believed he had the option to outright tell Forever no, he's in a depressed state as is, his kids might be dead for all he knows, and he has the impression Forever could bring harm to them.
Admittedly it is interesting how many outright untrue facts BBH holds onto, but cannot change his belief in them. His opinion and perspective of Forever is one thing, but it's much, much more obvious when he brings up the connection between the new Mysterioso and the previous masked person who gave the plans for Sofia to Maxo, those were two separate unknown figures as we know as the audience, but Bad does not know this, and does make assumptions and connect dots in his own right, tending to his own detriment. This is all intended here, he's wrong about Forever factually, but to his knowledge he's acting in the best way he can. He's under the impression Forever is just not telling the full truth to him about everything with the eggs disappearing, and believes the federation is lying. I think it's made even more obvious he's prioritizing the eggs over everything else here, especially with his final statement about Richarlyson. BBH believes the eggs are the only true way to every player's heart, and blatantly ignores the actual romance aspect of what marriage implies, because romance genuinely does not matter to him at all. He doesn't have time to worry about being in a relationship if his son might be dead.
Mostly, I find this scene to be a great relationship horror set up, because damn if I haven't been on dates like this, where I feel like I can't say no or something might happen. I understand the paranoia and anxiety surrounding q!BBH's mindset in the moment. It isn't a rational response by any means, no, but it is a very aggressively human response to this situation for a demon to have.
Basically, I don't think BBH is a fundamentally romantic character in the first place, nor do I think he'd ever be happy in a cutesy marriage position anyway, he never once responds romantically to any of this, and solely prioritizes the eggs, the final Richarlyson line cements this fact. It's not a dig at how Forever will never have BBH romantically - it's a dig at Forever based on what BBH's priority is, his kids.
*I want to be clear this statement is meant to be a neutral fact, it's just worth mentioning in an analysis like this that BBH as a character is more typically set on the feminine side by the fanbase, and how his character's interpretations are influenced by that reading.
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sesamenom · 6 months
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Ringlord High King of Everything Elrond, inspired here
(@the-writing-goblin)
I imagine in this situation elrond would have been partially tempted by boromir's declaration, but instead of trying to fight sauron with it (because even in the weirdest crack au i can think of elrond is still too genre-aware to try that) he tried to use it to supercharge his use of vilya and protect everyone.
basically Ringlord!Elrond turned the entirety of Eriador into a mega-gondolin situation: massive walls (courtesy of numenorean/eregion tech) around the regions bordering the north or Mordor, fortresses along the mountain range and several layers of gates along every road in or out. Everybody goes in; nobody goes out; everyone is safe.
and he ended up claiming the kingship to give him more authority in the process - he's High King of the Noldor and Sindar and King of the Edain (given that there are like three half-vanyar in middle-earth, he's more or less king of all children of iluvatar) and so he can have command over the entirety of the West.
and with the help of the Ring, this actually works! but the corruption starts to show eventually
he uses his kinship to Gondor to forcefully drag them into his neo-gondolin-empire-creation so he can ensure none of his great-nephews will ever have to face sauron. he extends the walls to encompass Mirkwood, because he's the high king of the sindar and has a duty to protect thranduil's realm, and unleashes the full might of his melian-lite powers to purge Sauron's Shadow and the spawn of Ungoliant from the now-Greenwood.
Galadriel and Glorfindel very much see where this is going and are very very worried. galadriel won't let him build walls around lothlorien (because she lives next door to a balrog and knows exactly what happened to gondolin) but celeborn thinks it's a good idea, since after all Doriath wouldn't have fallen if Melian's girdle had still been up. glorfindel tries to talk him out of it but the ring has taken hold
the Ring's power also enhances all his natural weirdness and powers - he has his wings and maia markings permanently activated now, with or without finwean anger. he can fully shapeshift, and he goes from raising waves in the bruinen to raising tsunamis in the great sea.
except the finwean anger seems to be permanently activated now, too, and anyone who harms someone he's deemed under his protection finds themselves the target of a rather ironic vengeance quest. the shapeshifting is looking weird now - his teeth are always sharp now, and his eyes have gone fully inhuman. sometimes he has claws and his wings look more like bats than eagles. and his water powers are more like osse's- he can't calm the waters now (goldberry is the first to notice something's up) and can only stir them into massive ship-sinking storms and tsunamis.
this progresses until he's basically Evil Luthien ruling over a continent-wide Mega-Gondolin, slaughtering orc-hordes before they even reach the white walls and sinking any naval fleet Sauron tries to send around the coast. Everybody is brought in; nobody leaves; everyone is safe...?
he figures out that the dwarven legend of "Durin's Bane" has to be one of the few first age balrogs thats still unaccounted for. and well, it's living right on his border, and he can't risk another fall of gondolin, right? so he leads a small force in there to clear moria, and they shove the balrog off the edge, but it takes one of his captains (except glorfindel) with it (maybe erestor?) and he uses the ring and saves erestor, (and maybe floods the balrog for good measure), and glorfindel is sure he saw elrond's eyes go yellow for a moment.
and even fully corrupted, he knows he can't take the ring directly into mordor. but he can wipe out sauron's armies outside the walls, to protect his kingdom - because turgon's mistake was thinking he was safe even when there were balrogs and dragons and orcs outside, right?
somewhere along the way, arwen realizes what's happening and goes to live with galadriel. one of the twins goes with her; the other stays out of loyalty but eventually follows.
elrond's kingdom has become a cross between doriath and gondolin now, with all the surrounding lands warped by ring-magic to hide it, and layers of stone walls and iron gates preventing anyone from leaving. because everyone is here; nobody leaves; everyone is... safe?
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bestygogirl · 3 months
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BEST YGO GIRL: FINAL ROUND
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please use this as an opportunity to say why you like a character, not why you don't.
Propaganda under the cut!
Isis Ishtar
gorgeous, very caring sister, strong duelist, and the only woman to ever make Seto Kaiba squirm
anyways. not only as mentioned above is she the first woman to make kaiba squirm, but she was by all means going to beat him if not for the millennium rod's millennium interference. yami marik admits that she's a strong duelist with a strategy that's been working for literal years-- and given that she's not like, a professional duelist, thats pretty impressive
she also recently got some really cool meta bumps and let me point out that an "ishizu deck" now includes obelisk the tormentor-- which we knew she had prior to giving it to kaiba, but i think it only solidifies my opinion that she very much could wield an Egyptian God Card, an exclusive little club for top tier duelists
as a character she presents herself with an amazing amount of poise and grace, shes compassionate and kind and stays with mai and serenity even though she only just met them. shes struggling through living the past 5 years of her life drowning in guilt for her family's tragedy just because she wanted to make her little brother happy and shadi is a fucking liar. shes foretold her own death and marches towards it grimly but with so much love in her heart. and even then shes 20 years old and holds an important position in the egyptian government that typically requires a doctorate degree AND has been dealing with mariks off-and-on bullshit entirely by her lonesome. she also likes to flex her fortunetelling a little which is awesome i think she should do that more that scene where she tells the guy exactly how the stele is being transported was so everything
speaking of shes got such an attitude. "is it your destiny to waste my time?" iconic. never seen before will never be seen again. watch the duel between her va and joeys its so fucking funny
shes excult. shes doesnt flinch in the face of god nor death. seto kaiba and yami marik respect her. shes so sad and so sweet and battle city couldnt have happened without her.
also her parallels with kaiba are what motivate kaiba to give yugi the card he needed to beat marik.
kaiba, in duelist kingdom, was ready to jump off a ledge if yugi didnt let him through to face pegasus while trying to save mokuba out of sheer desperation to save his little brother. he KNOWS what that dedication feels like and the iron kind of will you need to have to make that kind of gamble. isis is being so fucking legit with what shes saying and he respects that and her judgement enough to change his mind and not only watch the duel, but give yugi a card that eventually helps him win, even if he has no real confidence in the odds. but theres a CHANCE, which is the same thing he taught her when he beat her in a duel. the layers its her faith that moves him to act. which is so crazy
anyway vote isis shes my best friend forever and a real rep for all the 20 year olds who honest to god did not sign up for this bullshit
Yuzu Hiragi
The entire show would not work if the cast wasn't obsessed with her, and they're all right to stan her, literally gets Sora and Serena to defect from Academia with her sheer charisma, beat Masumi at their gay little rivalry, Yugo spends a few days with her and is ready to die for her, Yuya is simply just the loudest about adoring her And why not? She is so clever and determined, doing the most work out of anyone to figure out the myth plot. Actively trains to keep up with the rest of cast. Even when the universe is conspiring against her and trying to keep her down, she fucking headbutts Roger and tells him off or manifests to help save the world in the ultimate girlboss team-up that was the Arc V finale. Truly any dimension without her is worth upending.
The mysterious magical bracelet that isekai's her to different worlds, the Can-Do attitude, the cool poses (fusion summoning), the ADORABLE character design, AND she was 1/4 of a world-saving hero in the past?? If it weren't for the meddling writers, she would have been the main character
yuzu is everything. literally the plot of arc v hinges on the fact everyone who meets her become just as obsessed with her. and they are totally right to do so
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balkanradfem · 4 months
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So I decided to learn to knit! I've never before found a way to ethically and cheaply get yarn. I found a little ball of yarn outside at some point, as one does, and saved it, but beyond that I didn't have any other tools. Then I saw a video showing how you can take a thrifted machine-knit sweater, and undo it back into yarn, and then just knit with that. Incredible, since I have a full box of old sweaters, I just need to figure out which ones are easily undone.
So I grabbed my little ball of found yarn, and then I needed some needles. I looked up what I could use instead, and found there's plenty of alternatives; pencils, chopsticks, wooden sticks for barbecue. Looking around my room I realized I had some very long paintbrushes; I tried to use them, and immediately realized they need to have a pointy end. I grabbed a pencil sharpener and sharpened them; only this made them very rough and splintered. I needed to sand them down, but I had no sandpaper, and then I remembered that recently someone gave me a flat tool that removes dry skin from feet. I sanded them down with that, and it actually worked, they worked perfectly like knitting needles. They're even the same size.
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The knitters probably already know this, but if you start knitting for the first time, especially if it's winter and you're under a blanket, some ancient human instinct will activate and you will feel that you are doing exactly what you're supposed to be doing and everything is well and right with the world. Creating fabric is a powerful thing to do, in a society where everyone needs fabric to stay alive, and go outside, and I like having this power to myself.
I found out there are two basic types of stitches; knit stitch, and purl stitch. I liked the knit stitch better, on the basis that purl stitch had 'bad vibes'.
It knew before that most fabric will be woven, or knitted, or in some cases, crochet, so I got little curious, and studied each layer of clothing on me, and every single item of clothing was knit, and it was all a purl stitch. I got fascinated by this, wondering if this is true for most clothing, or if I just somehow prefer knit things on me because they're nice and stretchy. Looking into other fabrics, I could easily tell that all of the sheets, pillowcases and kitchen cloths were woven, and that they were much sturdier and less stretchy for it.
I looked at stuff in my closet, and found that I had a scarf, hat, and pants that were woven, but in very soft and warm fabric, and they were very sturdy and non-stretchy as well. I then wondered what was the logic behind it, and is there a traditional type of things that will be woven, that isn't just bedsheets and cloths?
I tried to find a video on youtube detailing that stuff, but no female-made video was found, so I'm now downloading several women-written audibooks on the topic of history of textiles. I think we should just take the power to make textiles back to us, because back when women were the maker of the cloth, it was just something we 'did out of the goodness of our hearts for our families' but it was also environmentally friendly, practical, sustainable and a beautiful, powerful craft. Now that m*n decided it's something to make money off, they created fast fashion, tons of waste and environmental damage, new types of slavery for workers, and the clothing isn't even practical anymore, it's made to fall apart.
So, back to my knitting, I have to say it's not happening very fast, I thought by the end of the day I would be done with that little ball of yarn and be able to tell how much fabric it can make, nope, did not happen, in fact I've been working on it two days and by this time I've barely made any progress. Apparently the 'purl stitch' is faster, well, I'm still refusing to do it. Boo purl stitch. The yarn I found outside is some of the worst quality yarn I've ever seen, not only it's different in thickness everywhere, but in some places there are 3-4 different threads distangled from each other, and it confused me so much while knitting that I kept adding stitches on the brush unnecessarily, until the entire thing could barely fit on one.
One thing that surprised me was how incredibly soft, stretchy and comfortable the fabric feels when made. I genuinely expected the fabric to be as horrifying as the yarn quality, nope, it's nice and comfy I absolutely love it.
There is a movement in online spaces for being mindful of environment when purchasing clothing, and making our own wardrobes, which is absolutely delightful; seeing people gain new respect and fascination for clothing, sewing and textile making, and then doing it themselves and becoming non-dependent on capitalism, it's the change the world needs. I didn't think I would try to join in, because I get so much discarded and unwanted clothing from others, I wouldn't need to buy any ever, but I did get fascinated by looms, natural fibers, and women doing all that work, that I can't resist trying it out.
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tepkunset · 1 month
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Thoughts on X-Men 97 S01E02 – Mutant Liberation Begins
TL;DR: X-Men 97’s butchering of the Trial of Magneto is more than just a bad adaptation. It’s an offensive stripping of a core part of the original story and of Magneto’s character.
The Trail of Magneto story arc in the Uncanny X-Men comics is an iconic turn for the character and the team; it is a transformation of an enemy turned friend. But that is not all the story represents. Delving deeper into its layers, one can pull out a lot of messages. The biggest one I relate to is the effects of compound systemic oppression when one has multiple identities marking them as a minority. But that’s missing in X-Men 97’s adaptation… even worse, it actively counters this point.
Before we get into the cartoon’s adaptation, let’s take a look at the comics, first.
The story begins in Uncanny X-Men #199, where Magneto and Kitty Pryde both attend a special reception at the National Holocaust Memorial in Washington, DC. It is here that Kitty is able to reconnect with folks who knew her family, who were victims in the Auschwitz concentration camp, and Magneto reconnects with people he knew there as well. They praise him for helping them survive.
But Freedom Force breaks into the reception and tries to arrest Magneto in the name of the US government. Magneto initially resists: “My land—all the countries of the world—turned their backs on me and mine when we were condemned to Hitler's death camps. Therefore, in return, I have sworn to deny them!” However, when he sees how afraid everyone around him is, he accepts their arrest and agrees to stand trial.
The story continues in Uncanny X-Men #200. Magneto’s trial by the international court of justice begins with England’s Attorney-General claiming there is no such thing as mutant oppression, which we the readers know, is a blatant lie. Despite this, Magneto remains calm, and when it’s his turn to speak, he says the following:
“My dream, from the start, has been the protection and preservation of my own kind, mutants. To spare them the fate my family suffered in Auschwitz and do not tell me such a thing cannot happen again, because that is a lie! You humans slaughter each other because of the colour of your skin, or your faith or your politics—or for no reason at all—too many of you hate as easily as you draw breath, what's to prevent you adding us to that list?!”
But the trial attracts the attention of the Fenris twins; the Nazi offspring of Baron Von Strucker. They are there to kill Magneto, Xavier, and Gabrielle Haller (AKA David Haller’s mother), because she is Jewish and was an enemy of their father. Magneto risks his life to save everyone in the trial from them, but Xavier’s heart gives out and he nearly dies in Magneto’s arms, until he’s whisked away by his alien girlfriend who says she can save him. Xavier makes Magneto vow to stand with the X-Men and teach the New Mutants in his absence.
So, let’s keep in mind how intertwined Magneto’s Jewish and mutant identities are in this story; how they interact and shape his views and actions together. Because X-Men 97 is about to take all that away.
In X-Men 97 S01E02, when Val Cooper and the UN show up to arrest Magneto, he surrenders peacefully to try and gain the X-Men’s trust. And Magneto’s speech is very different from that of the comics:
“As a boy, my people's homes were burned to ash, because we dared to call God by another name. Then, my people hunted me with those who had once hunted them. I was a freak, born a mutant. An abomination to their misnamed gods. In history's sad song, there is a refrain. Believe differently, love differently, be of different sex or skin, and be punished. We sing this song to one another. The oppressed become oppressors.”
And it is not the Fenris twins who show up, but just generic Friends of Humanity baddies, led by X-Cutioner.
This adaptation may contain the surface-level story beats of the original, but it misses the heart of the matter; it misses the point!
Magneto’s cartoon speech separates him from his Jewish community. That is something the Magneto I know would never do. In the comics, his part about how humans are always killing each other speaks much more volumes, because he is speaking about his experience not just as a mutant, but as a Jewish person who has survived a genocide. Magneto, nor anyone with more than identity, has to choose between them. This show now says otherwise.
What I hate most of all about his cartoon speech though, is the line, “the oppressed become oppressors.” This is straight up cloaked white supremacist rhetoric; the fear that if racial/ethnic minorities are given equal rights, we will take over and start oppressing white settlers. And no, I’m not saying minorities are exempt from carrying prejudices against others, obviously. What I’m saying is, oppression is a systemic problem that largely stems from colonialism, and to paint oppressed people as a danger that needs to be oppressed or will oppress you, is a terrible idea used by colonizers to justify the system of colonialism. It is not based on fact.
The message of Magneto’s speech in the comics is that he has personally suffered from the hands of oppression before, and does not want others to suffer more. The message of magneto’s speech in the cartoon is that all people are bad, end of story. There is no nuance, there is no larger context at play, and there is no real grit to the words said! They have de-clawed Magneto’s character, and they have ripped away what he stands for… who he stands for.
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parentsday · 21 days
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Hiii! Since you asked about headcanons/analysis stuff:
There's a common interpretation on the fandom about Max's treatment of David in the early episodes coming, at least partially, from trust issues regarding adults/authority figures. And I've seen push back against it, too. People who say it's just because David is annoyingly positive. Nothing else.
And sure, I can see that. But Nikki also acts in a cheerful manner and mostly enjoys camp, and Max doesn't treat her with the level of rudeness he treated David in season one. This could be due to her being his little partner in crime, but idk. I always interpreted it as him thinking that David is some fake nice adult who will just let him down if he allows it.
And, while I was thinking about this, I realized how this interpretation of Max's behaviour towards David adds another heartbreaking layer to Parents day.
Max's perception of David started changing after Order of the sparrow, specifically after the "Somebody fucking has to" moment. For just a moment, the annoying, overly positive persona drops, and Max is able to see a nuanced human being. And it's clear that he starts understanding David a little more, because in Cult camp (literally the next episode), he allows himself to be brainwashed and trusts that David will save the camp (btw, we as a fandom don’t talk about this aspect of this episode enough).
So yeah, his perception of David changes for the better.
But then, parents day happens.
And David spends most of the episode being an absolute jerk, even if he doesn't realize it.
He pushes SO HARD to try and make the day perfect, basically ignores Max when he states that his parents aren't coming, gets way too serious about playing the role of Max's dad for the day, forces Max into the activities and then, at the end of a day that was already shitty for Max, he yells at him.
I think the context of Max's opinion on David finnaly becoming more positive makes this episode so much sadder.
Because it ceases to be just about Max's neglectful parents.
Now it's also about the closest thing he has to a trustworthy adult making him uncomfortable, ignoring his feelings and then yelling at him and telling him that he "has a bad attitude" and "brings everyone else down instead of trying just a little bit to have fun".
(Which are things he must have heard from adults before, if he behaves the way he does at camp in school and other places)
Remember in Friends like these when he said "Life's just one dissapointment after another. I can't belive I let myself forget it"? I think he might have had the same train of thought here: "I can't believe I let myself forget David is an asshole that only cares about impressing Campbell and making this stupid camp look good". Or: "I can't believe I let myself forget that every single adult thinks I'm a bad kid and a lost cause."
And I know it gets fixed quickly, with David apologizing shortly after, but still. I think the idea of Max being dissapointed at David in Parents day, even if it was just for some moments, is so good.
I also think this is the episode that comfirms to Max that David is genuinely a good person trying his best. He spent the entire day having to think about the fact that his parents suck, and then there's David, who is kind, apologizes for upsetting him and takes him to eat pizza and have a little heartfelt talk.
When was the last time his parents apologized to him, or cared about what he wanted/needed, or talked to him so gently?
The contrast between his parents and David is so big, and I think that's what makes Max finnaly go "Yeah, this guy isn't actually that bad."
(Sorry for rambling, omg.)
hi first of all thank u for an ask and such insightful one at it too !! this was an incredibly pleasant read and a lot of the stuff you say i personally find very good analysis of the show and agree with, however i do have some stuff to say abt it soo here we go ^-^ (this will be a long one so sorry about this in advance)
as i said in some previous reply, max is an incredibly peculiar guy when it comes to the way this show treats his trauma and the way he himself behaves as a result of it, and that’s by design! a lot of the thing he says and does in the first two seasons when it comes to david are there for reasons of narrative set up, and are later masterfully recontextualized by parents day later, leaving very little room for interpretation when it comes to how and why he operates. im gonna go out on a limb and say that i don’t think it’s a stretch to assume that most of his actions towards david in the early show stem from the childish born-from-trauma need for attention and also from his need for societal reinforcement of his own ego’s right to exist. when it comes to the first one i see most people agree (bc it’s a basic child psychology fact), but turn their noses in reference to the second one.
contrary to popular belief, max being in need of constant affirmation that he, as a person with little self value, deserves to exist next to other people is something that we see examples of constantly and is not a terrible part of his character that needs to be ignored. max is a neglect victim who from our knowledge is given very little attention by his parents, as a result of it he is a pessimistic asshole kid whose ego suffers from the very thing that made it this way. its in his strained relationship with nikki and neil, its in him arguing with david to put himself in the position of an adult, its him putting himself above others when it’s not needed and its in him putting his own egos safety first when time comes to accept that things are moving forward (two final episodes from both s3 and s4 are good examples of this). its not an inherently positive trait, but it is one okay for him to have by the virtue of being a young abused child with no support system, and denying it will leave him devoid of this characterization. in freudian (ugh) terms, we cannot separate his character’s superego from his id in a way that won’t harm the way he was intentionally written. Id, ego and superego are all influenced by our relationship with our parents, the amount of nurturing of a child's emotional and psychological needs parents does will result in the child’s psychological state forming a certain way, max as a character who is heavily reliant of his lackluster relationship with his parents is not devoid of this and it affects his relationship with david too. and the reason i’m saying all of this is exactly due to this.
david, when put in most simple terms, is a character who’s an adult figure present and mature enough in max’s current social position that it allows him to treat max as a child, something max is not used to. not used to to such an extent that it puts a strain on his ego in the process. david feeds his need for any form of attention, positive or not, just as much as he clips away at max’s need to be seen as socially important and in a position of an adult. it’s arguable if both of these are good or not but the main thing they are in relation to is obvious: max feels that being an adult who meets both of his psychological needs in ways that are unfamiliar to him makes david an untrustworthy person, thats exactly where you interpretation comes in clutch.
max and his behavior towards david cannot be separated from david being an adult, that is made clear with the way he treats nikki as an equal just because she is a person his age, despite her sharing a lot of david’s traits. going through the episodes you mentioned, order of the sparrow episode lets max see david perspective for the very first time. max is allowed to peek into the reason why david acts the way he does, however it alone doesn’t make him see david in a good light, if anything it makes him appear genuine in his actions. it also lets max have something for david that he didn’t have before: trust. it ends up being used in cult camp as a confirmation of it being something david can live up to (you are absolutely right, we really don’t talk abt this episode and it’s narrative weight enough). all of this has been adding onto the way max himself perceives david, parents day, however, lets both of them internalize the sentiment of mutual understanding towards each other together. parents day does this by lampshading max and david parallelism, making this whole episode consist of max seeing his parents in david just as much as david sees himself in max through the whole show and putting them in each others shoes by the end of it. the episode ends with david choosing max as a priority, he is still acting selfishly (once again david is an asshole) but choosing to do so towards max because the situation allows him to understand max the way s1 finale let max understand him. and with the final turning point in their dynamic, max understands that both his ego and need for attention can exist without them being reinforced by an adult treating him like he is an adult too. max was chosen as a priority for the very first time and that alone made him feel of more value than the treatment he initially yearned for would have. above all else parents day makes max see david as someone he can look up to as a person in emotional way, not only in a life or death situations, the shot of david from his perspective in the end making sure that we don’t miss it.
most of this is not me disagreeing with you, on the opposite i think a lot of the arguments you make are nice and are mindful interaction with the media. gold star for enjoying meta analysis to both of us i guess ⭐️. my main problem is, however, the fact that using all of this to basically say ‘maxs parents suck so he has a distain for david because of it’ is a heavy oversimplification that you somehow go against in your initial statement too and that i, personally, just don’t enjoy. this alone does not make your interpretation wrong though, if anything just reinforces your general idea into a more concrete argument rather than a collection of bits and pieces of evidence pointing to it. hope all of this made sense
tldr; man idk no summing up this one as to not take away from the overall statement im making with this. read the post 🫶
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bestworstcase · 28 days
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@cryptidblues tumblr ate this one too, maybe drop tumblr support a line to check if you’ve been erroneously shadowbanned 
Oscar is dying! He’s dying! We’re getting the full weight and crisis of the merge in volume 10 I NEED IT. The image of him collapsed on the sand as the sunrises with his back to the long memory OOUGH just like Ruby and crescent rose after she drank the tea, before the tree took her. The reversal on “I don’t want to be me anymore” / please let me stay myself. The lad is being eaten alive! From the inside out! By an unstoppable brain parasite that will kill him! And Replace Him! I Need the slow build up of horror from Oscar and everyone involved. “And Oscar…just isn’t himself” they’re place setting. Getting the table ready. Ooh yknow he’s hiding those merge episodes/attacks from his friends. I NEED the existential terror and dread! BUT I NEED THE CATHARSIS OF OSCAR BEING KNOWN, SEEN & SAVED TOO ;-;
NOT to make a post oscar about ozma instead but the thing that is really, really pulling the hinges off for me is the implication that this is happening because oz started actively fighting the merge. as long as oscar resisted and oz kept up the drumbeat of “this is inevitable, there is nothing either of us can do,” the curse kept on quietly eroding oscar as the boundary became thinner and thinner between them. it was, for lack of a better term, stable. 
the moment oz tries to resist, the curse starts trying to rip him forward. to force him to take over, inflicting what seems to be torturous amounts of pain on both of them. the subtle, silent, invisible violence that was inflicted on oscar before explodes outward to attack both of them. 
how many times have i said this curse is specifically designed to make it impossible for ozma to change? that the whole point is to prevent ozma from ever changing his mind or defying the god of light? never doubt me. the literal fucking instant ozma tries to break free, the curse becomes YOU DO NOT HAVE A CHOICE. 
the curse had a failsafe the whole time.
/ozma tangent
oscar though. this poor kid. like the greatest burden on his shoulders in the last four volumes has always been that no one wants to openly acknowledge what’s happening to him and the nature of the merge’s violence being so completely internal means that no one has to look at it except him. and he’s been so isolated in that existential dread but he’s also grown so accustomed to being treated like just. the next ozpin. that when the violence abruptly becomes externalized in reaction to oz’s resistance, oscar… hides it. keeps it to himself. somewhere deep down the idea that it doesn’t matter to anyone what happens to him got lodged in his brain so deeply that he keeps it hidden!!
and i’m obsessed with the emotional complexity the layers of what he’s feeling with regard to ruby, because it’s not as simple as that he misses her and aspires to her optimism; there’s also some underlying resentment there (“you were always so sure that everything would work out…right up until the moment it didn’t” <- paraphrasing) because she was wrong and he wishes he could borrow her certainty but she was wrong. she fell. she was wrong. 
BUT AT THE SAME TIME, everyone else believes that they’re gone forever. that they’re dead. oscar doesn’t. he’s thinking about it in terms of where they might have gone, what might have happened to them, he’s doing research because deep down, there’s a teeny tiny spark of hope that hasn’t been extinguished yet. so there’s this subtext of i wish i had your certainty. even though you were wrong. i’m still trying to find you. we’re still fighting this. you always saw me for who i really was. i don’t know who i am anymore.—there’s this tension throughout the monologue between bitterness and hope, and i don’t know if oscar is even capable of seeing that he is still hopeful or that he does have, if not ruby’s kind of certainty, something of his own that rhymes. he’s feeling this bleak about everything and still trying to figure out where they are because he doesn’t believe they’re dead. 
it was oscar’s idea to put the memorial where the portal had been. it’s taller than a person and shaped like a door. it’s a memorial but it’s also a symbol; the portal is gone, but they were inside it still, we should build our own door so they can find their way home. and then they do, according to the context given. the blacksmith gave them a doorway that went right through their memorial.  ETA: never mind, misremembered
ruby confronting and facing his mortality after running away from it for three volumes to galvanize her to really try to save him vs oscar doing whatever he can think of to somehow save her while roiling in all these complicated painful feelings about how no one cares to know how he’s suffering because it isn’t like there’s any real hope for him. tasty!
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okay none of this is new information but as usual i am thinking about gorrik and arenanet just. really never considered the timeline of his life and the implications of that at all, huh
like, okay, for eod you needed him to have a relationship to ankka and you needed ankka to have connections to the aetherblades, so you threw them both in thaumanova, fine
except. thaumanova. which blew up in 1324.
and no, we don't have a canon age for gorrik. but we know taimi's age, that she was friends with blish, and that blish is older than gorrik
now. taimi didn't know that the brothers had joined the inquest. which means either they'd kept it a secret from her, or more likely, it happened after they lost touch
taimi was born in 1313, meaning that the absolute oldest she could have been when she last saw them, is ten
now sure, taimi skipped a couple years, she's a prodigy even among asura - but age really matters when you're in single digits. for blish to be a friend, rather than a mentor, he can't be much older than maybe four years above her? i'd put that as the reasonable upper limit, they could be closer
(i'd also honestly guess that gorrik is a bit younger than taimi, given a) how much he looks up to blish, and b) that taimi prior to s4 only thought of him as blish's weird little brother, they weren't friends. and again, at that young, age matters - if you're 7, your friend is 10, and his little brother is 8 or 9, your first connection to him is probably not "oh, the little brother", because he's not little to you)
but assuming im wrong on all of that, just going back to our facts, that puts gorrik at the most about 2-3 years older than taimi
which means that the age we're looking at, for joining the inquest, thaumanova, all the stuff with ankka... he was somewhere between 9 and 13. could be even younger but im giving him the benefit of the doubt
gorrik says he never thought about ankka romantically and i believe him, but if there was ever anything there from her side, it was definitely a kiddie's first crush kinda thing, like oh we are a boy and a girl who are best friends clearly this is what romance means
because both of them were so fucking young
god knows spending her teenage years in the aetherblades was not great for ankka's everything, and by the time we find gorrik and blish in bug in the system, they've been working for the inquest for at least 8 years
that's almost half his life, at that point. working for an organisation that the thaumanova fractal and rata primus make incredibly clear does not value the lives of its workers in any way at all - they'll feed you to their latest experiment just for standing there, and gorrik wasn't just keeping his head down and going along with it, gorrik was actively sabotaging their research when he morally disagreed with it
(and this isn't even getting into why they joined the inquest in the first place, which i will bet anything i own on being because of blish's illness and needing the technology to save him)
and to their credit, i do think this comes across in bug in the system! because if you go back to early gorrik, first half of s4, having played through the rest of the story? the difference is shocking, like he is so distrusting and snide and defensive as hell of his brother, he talks like he expects you to attack him or blish at any moment
but then they never do anything with that ever again, and like, i love all the new gorrik content, genuinely i do, but arenanet there are layers to this character that you have entirely forgotten about, and god i wish we had a story that actually explored that
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ohmyronpa-imagines · 5 months
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Hi I was the person who requested the Gundham x reader killing game AU awhile ago and I loved what you wrote.
Would I be able to request a Ryoma x reader one shot where the reader stops Kirumi from killing him…. if this is too specific I don’t mind if you do something else, I’m sure I’ll like whatever you write.😸
Here you go, anon! I'm glad you enjoy my work! Also, do y'all like my new icon? Made it myself! (Apologies for it being a little blurry haha!) -Mod Hajime
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Reader Saves Ryoma From Kirumi's Murder Attempt (x Reader)
It had all happened so quickly.
You had been having a hard time sleeping since Kaede’s execution and were aimlessly wandering around the academy.
Sure, it was dangerous, but you sincerely doubted that anyone was actively scouting for a random victim.
Unless you had become someone’s target.
A pit formed in your stomach at this idea and you immediately stepped away from the doors that led to a random classroom. Maybe going to your room was safer than being active at night. You rushed back to the dorms but paused when you heard a loud crack coming from a hallway. 
You turned the corner against your better instincts and froze. Kirumi was standing above Ryoma with some long pole, or was it a stick? What you did know was that Ryoma was unconscious and Kirumi was holding a possible murder weapon.
For some reason you didn’t run away to call for help. That’s what a smart person would have done.
But no, you ran straight into danger, nothing but adrenaline and an odd sense of justice fueling your once tired body. Kirumi barely had time to register what was happening by the time you slammed her into the ground.
She struggled against you, both of her eyes visible to you. The maid looked crazed and with an impossible surge of strength, she threw you into the wall. Your head bounced off the drywall and you grunted in pain.
However, when you saw Kirumi going near Ryoma’s unconscious (you hoped) self, the pain dulled and you staggered to your feet. You reached your hands out and shoved her to the ground. With a speed you didn’t remember possessing, you picked up Ryoma and hauled him over your shoulder before running away.
Your heart thrummed in your chest as you ran, leaping up flights of stairs to reach a destination that felt too far away. Was Kirumi following you? Did that even matter right now?
Eventually, after what felt like hours, you reached your dorm, flung the door open, and rushed Ryoma to your bed. You pulled his hat off, which was damp. When you removed your hand, you saw a messy smudge of pink on your fingers and palm alongside the disturbing scent of iron.
Stifling your gag, you checked his hair and saw what looked like a gash in his scalp. Luckily, you had gone into the nurse’s office, stolen a bunch of supplies, and stuffed them into your bathroom before this had happened.
You were hesitant to leave him, but after you finally checked if he was breathing, you rushed to your bathroom and grabbed supplies. Returning with a damp rag, gauze, and some kind of ointment, you got to work.
You really hoped that this wouldn’t make his wound worse.
By the time you finished, your hands were shaking and you were near passing out. You put your first aid things aside and crawled onto your bed, wrapping Ryoma in a layer of blankets and setting his hat on your nightstand.
In your sleep, you were hugging his cushioned body.
When you woke up, you realized that Ryoma was also awake, but he was as still as a statue. You looked down to see him red in the face but with his eyes wide open. Quickly, you asked if he was okay.
“Yeah. What happened? Wasn’t Kiru-” He cut himself off. You got out of bed and changed his bandages, happy to see his wound was minor and had scabbed during the night.
Even though you stayed silent, Ryoma could tell what you were thinking. “Don’t… Don’t blame Kirumi. What she did was out of love for the country.” You raised an eyebrow at this and asked him what he was talking about.
He explained as well as he could, but the obvious concussion was causing him to blank on some parts of information. He also mentioned random names and places that he didn’t recall. You brushed it off as a delusion from getting his head whacked.
But when he said why Kirumi picked him, you felt your heart squeeze painfully in your chest. What did he mean his life meant nothing? And why did his life mean everything to you?
“I’m only a shell of who I used to be. For a cause as noble as hers, it’d be pretty damn shameful to deny her request. So-” You pulled him into a gentle hug, tears threatening to fall from your eyes.
It was quiet except for your occasional sniffling as the two of you sat on your bed. After a minute, Ryoma decided to hug you as well, patting your back. He didn’t understand why you were crying. The killing game must’ve finally hit you after days of living in shock.
You parted from your hug and handed him his hat, apologizing for the blood. He shook his head, giving you the faintest hint of a smile. He put it back on his head and sighed.
Ryoma patted his pockets, rubbing his hat when he realized he was missing his candy cigarettes. You sat with him, keeping a close eye on him.
The sound of the Monokuma announcement blared through your ears and you both grumbled about that “damn bear”. 
You stood up and reached your hand out for him. He hesitantly took it and you left your dorm holding hands. He looked away from you and huffed, smiling to himself.
“I guess I’ve still got a ways to go.”
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imthebest-ever · 1 year
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Why I think Leo is the girl ever:
(this is in regards to the Egg Poll going on right now)
1) most Leos have had to take on an almost motherly role to care for her brothers at a young age:
this might not seem like much of a reason, but Leo has had to take on traditionally feminine roles, such as being a caretaker for her siblings, to the extent of being called a mother jokingly multiple times in the 2012 and 2003 series. 
2) she exhibits an array of traditionally feminine traits
this is not to say that men don’t show these traits, but the nurture, sensitivity, sweetness, supportiveness, empathy, etc. that Leo shows throughout most iterations, even when hidden under thick layers of ego and sarcasm, are usually seem as feminine
3) she implies multiple times, mainly in 2k12 and rise, that she wishes to be more feminine
let’s take for example the s2 ROTTMNT episode: Bad Hair Day; in which Leo seems particularly saddened about being excluded from activities seen as feminine (eg: having a spa day). hair in this episode can be seen as an allegory for femininity, here’s a basic rundown of the episode:
Leo sees advertisement of beautiful woman with luscious flowing hair & imagines self in her place > is then excluded from literal gatekept community for lacking certain arbitrary superficial features > goes on to seek artificial enhancenents > attains euphoria and acceptance > develops impostor syndrome > is ostracized & eventually persecuted for nonconformity despite making every effort above and beyond the average person to remold self to the status quo
that’s so fucking trans bro…
also?? in the 2012 series she says she wishes she was a character from her favorite show, which just so happens to be a woman, like, all the time
4) 2012 Leo never had the chance to do anything for herself, much less have a moment of self discovery amidst the literal apocalypse,
now, it would be easier to argue in her favor if there was a singular moment one could point at to just say “TRANS”, however, she never got the chance to explore her identity outside of being a leader.
all throughout the show, she was simply put in that place, without ever having a moment to think about anything that wasn’t their plan for the next mission, or how to save the Earth from an alien invasion, or how to rescue her friends and family from a psychotic Italian guy,
point is: she (and her family) never got the chance to explore anything outside of heroism and their career as ninja. we never got the chance to see how their personalities and identities would develop if they really had the chance to just be teenagers
with all this being said: GO VOTE LEO!!! THE @egg-poll IS GOING ON RIGHT NOW, GO GO GO!!!
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cloudninetonine · 2 years
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Linktober: Nostalgia
You remembered being introduced to the Legend of Zelda franchise at a young age, your mother was a very active gamer in her youth after all and you remembered all the stories she would share with you- she even remembered when the first game had been released! Hours spent on her console as a teen, she grew up on the game and eventually passed them on to you once you showed interest, sharing hours of fun to experience it with her.
So, it wasn’t a surprise when you had been going through old collections in closest, looking for something to do when you had stumbled across a familiar-looking DVD, looking over the case with confusion until your mama had come to answer your questions.
“Well, I was a little too old when it came out to really enjoy it.” She explained, turning over the Legend of Zelda animated series case “Your nanny got it for me, but I didn’t really bother to watch it so I just decided to keep it for when I had you- do you remember watching it? You don’t? But you used to love it when you were five!”
You tried to argue that children loved any sort of cartoon at such an age but she was adamant, urging you to rewatch it to prove it.
And well, while a lot of inaccuracies and overall cringe of the whole thing made you- well, cringe you couldn’t deny the wave of nostalgia that washed over you, chucking along to some of the scenes and overall enjoying it- it was a connection with your mother and you cherished things like that with your body and soul.
“Saved you again, Sunshine! Kiss me!”
Even now, with Courage ever so persistent and brash, the feeling still stayed true, blooming a warm fuzzy layer of happiness in your stomach. Meeting him was like meeting the physical manifestation of sentimentality, such a great feeling that left you high on life. You thought of better times, you thought about your mother, your friends- everyone in the past.
Completely ignoring the hero in front of you. “Hey, pay attention, I’m talking here!”
“Hm? Oh, sorry, Link, was thinking about stuff.”
His scowl was way more handsome in person compared to his animated self. “Well excuseeee me-”
There he went again, invoking the feeling that made you feel fuzzy, your smile a little sad as you wandered back to the people you most cared about, only being pulled back by his whine and face against your shoulder. 
“Come on, one kiss?”
Courage only relaxed when your hand came to gently run through his hair, massaging his head and making him sigh in relaxation. “Damn, you sure whine a lot, Link.”
“Hey!” He cried, head shooting right back up to glare. “I don’t whine-”
You held his face gently when you kissed him, not stronger than a peck but most certainly longer than one, the arms he had wrapped around your waist tightening as he indulged in the moment with excitement, pressing back a little harder when he realised what was happening and chasing after you when you pulled away, placing your hand over his mouth to stop him from reconnecting your lips.
“Later.” The reassurance made him perk up, his eyes shining in the light of the dungeon and you could feel how hard his heart beat in his chest, probably similar to your own. “We need to get out first.”
You had speedran dungeons but it would never compare to the haste Courage had made to escape and receive his prize.
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genderkoolaid · 2 years
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Anonymous asked:
Hey just want to add onto your resent post about swerfs "protecting" sex workers as a sex worker.
So I've been a sex worker for years and have agrued with terf/radfen/swerfs multiple time over it. They don't actually care cause the moment a sex worker speaks up and says that I enjoy doing shit like that they ignore me say I'm lying to myself and I'm inharently abused.
Now while I havent been abused doesn't mean it isn't sadly very common in my line of work. It happened alot and I have helped multiple fellow sex workers with getting the help they need safely and one thing I feel isn't talk about enough is how it's 20x harder for male sex workers to get the heal they need. Almost all the organization for supporting sex workers 1. Often are focused on just removing sex work as an option for people all together or 2. Often don't allow male victims.
This often reflects in the way that terf talk about sex workers, labeling male sex workers as just a small and unimportant amount that just deserve to be ignored and are never abused.
Another weird thing that people don't tend to talk about... And this is more from my experience and may not be universal. Is how if a sex worker is filling any form of dominate or for some people "masculine" role, if they get abuse it's often viewed as not as bad or even not abuse.
Terfs and other like that often only think that women can only be submissive sex workers but the moment they are in a dominate position write their abuse off as not actually abuse.
A sex worker I was close with had something like this happen to them. They where hired to do bdsm and when they got their they where locked in and the client threaten to report them to the police, unless they did something they weren't comfortable with.
When I was helping them find help it was incredibly difficult as their abuse was viewed as less important as other who received similar abuse but where in a submissive role. It was basically impossible to get people to believe it even was a form of abuse because they where inflicting pain on the abuser.
Though they did end up finding help and are doing well.
I'm sorry if this is long but it just frustract me that problem like this are often ignored or not brought to light. I love being a sex worker but I do know how dangerous is it, and it annoys me when terfs just try to make it worse.
They don't want us to be sex worker so they will activly work against us. They'll try to get sex work more illegal or other shit and it pisses me off.
Thank you very much for sending this in. I've thought a bit about how male sex workers get erased, but I hadn't yet linked that and how male victims of abuse get erased, so really, thank you.
These are some very, very good points. I mention in the tags of my post how I view SWERFs as being basically the same as how, in the past, Christian activists have often "supported" sex workers by viewing them as lost women who have ~succumbed to sin~. They generally held/hold sympathetic views on sex workers and didn't actively hate them, but they viewed sex workers as basically helpless children who needed someone to come sweep them off their feet and make all their decisions for them to "save them".
And I think that connects very well to this, because you can really only do that about generally white women, because they are viewed as the most precious people in society outside of white children. It's much harder to stir up whorephobic moral outrage about male sex workers getting abused, because "men can't get abused unless they let it happen."
Nobody wants to save men, nobody views them as in need of help or sympathy, especially men who are viewed as immoral deviants.
And the thing about dominant vs submissive sex workers getting abused is something I wouldn't have even thought of! But it make a lot of sense. We insist that people who we view as strong and powerful could never be hurt, and with how dominance is tied to masculinity that adds another layer to it.
There's also a lot of transphobia which can go into this, in multiple ways. For one, there's transmisogyny, which can't be discounted as a reason AMAB sex workers get ignored; many sex workers who are AMAB are transfem, and transfem sex workers have always been looked down on by society for not only being sex workers but deviant sex workers.
There's also transmasc sex workers, who get erased- I actually read a paper talking about the absence of transmasc sex workers in studies of trans sex work. Transmasc sex workers also have to deal with things like fear of pregnancy & the issue of seeking abortion while transmasc, and trans people in general find themselves being excluded from support groups because they only cater to cis women, or they allow trans people but are actively unsafe places for trans sex workers to be.
SWERFs only care about the image of a weak, submissive, white cis woman sex worker they have in their mind. They aren't interested in viewing sex workers as complex people with diverse opinions, who are trying to survive under capitalism like everybody else. They view them as martyrs and symbols of female oppression.
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