On BIL: Is Kagami just gonna go on continuing to normie the shit out of these Ball Sport Mad Idiots? Because I think he would. He would totally normie them all the way to his victory. He would normie so hard that this weirdo troupe Generation of Chuunibyous would completely go batshit crazy trying to "figure out" what his "special ability" is. Which by the way is actually just Kagami's (absolutely incomprehensible) ability of his to actually be Human OMG 🤯
to not normie is to go counter to the central premise of bil, thus he must. it's pretty logical and i'm not fond of pulling the rug from under people in a story
him pushing back against having a "special ability" like how they emphasize in canon is half kagami being kagami against all ball sport nonsense, and half his personality trait to never own up to anything ever -> and that comprises of another two parts (1. never let them know your next move 2. it's unhealthy to base your self-worth on One Thing You're Good At...for now)
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I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”
So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.
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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like
John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").
He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.
So the name "Alecto" alludes to the nature of John's mission and how he sees it.
It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.
And that's why you get statements from Tamsyn Muir like:
“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."
So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.
And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?
And does it matter?
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I know most of our focus goes (rightfully) to the trial songs, but I genuinely believe Baptism of Fire is equally a masterpiece of meaningful writing and intense vocal acting
Incoming tag rant because I need to yell about this, feel free to yell back
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Growing up in an extremely ultra religious, cult-like family was a mindfuck for multiple reasons but that doesn't stop unfortunately, even when you escape. For example, see: The overwhelming feeling of boiling hatred and shame for who you used to be.
The angry hatred for the past person I used to be, the version of myself that mindlessly parroted my family's beliefs and listened to their every command, constantly simmered under my skin and invaded my every thought. I was embarrassed of what I used to be- even as I made friends of different ethnicities and faiths, as I listened and explored new ideas and worlds that I never knew existed, as I started the first LGBTQ+ club at my school and volunteered with kids who deserved so much more- there was always a little voice in the back of my head.
"They would hate you if they knew what you were. They would hate the horrendous teachings that were seared into your mind, the things that you used to say and believe. You are nothing but a pretender."
And it is true that my beliefs were bigoted in all the worst ways. It is true that I believed truly heart-wrenching things without a second thought and judged others in such harsh and unfair ways. I told myself that there was no coming back from that, not really. There was nothing I could do to ever make up for it.
Then I remembered that the person who said those things wore velcro light up sneakers and collected finger puppets that the librarians handed out as awards for reading picture books. The person that held signs at pro-life rallies and anti-LGBTQ+ protests had a cherished sticker book and hunted minnows in the creek after school and adored their puffle on club penguin and was really into greek mythology and had skinned knees from climbing trees at recess and knew every Disney song by heart and was absolutely terrified of the dark.
That person was a child.
I was a child.
It took a really long time. Years and years of reflection and distance, but I've decided that I can't hate the past version of myself anymore. I feel pity and remorse, I feel anger- I feel so much fury and violent rage- at what my childhood was and I grieve what could- no, should- have been, but I no longer resent who I was.
I'm not ashamed.
I am so, so, so unbelievably proud of that little kid. For being brave enough to leave the comfort and safety of what I was told was right. For not being afraid to be wrong. For seeking out information and knowledge in a culture that praised ignorance. For questioning everything, relentlessly.
I am by no means a perfect person, I never have been and I never will, but I am proud of myself in every iteration that has ever existed because I know that I have never stopped trying to understand and learn and grow, and I never will.
If you have ever been in a similar situation and feel similar things, first of all: My condolences on your lost childhood. Second of all: Please be nice to that past version of yourself and recognize all the hard work they did to make you who you are today. That person was a survivor and an inspiration. They deserve nothing but love.
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Hey, I remember you mentioning on your IG something about two types of popular artists and one being good at social media and the other being good at art or something like that (I can't really remember lol). But it got me thinking, any tips for how to be good at social media? Cuz I'm certainly not even after posting art for six years lol
Heya!
What I meant by that is that there are traits that allow you to grow on social media, and traits that determine what a highly skilled artist is, and those traits do not always necessarily overlap.
I've seen so many amazing artists that post artwork that blow my head off, and yet they don't have many likes. On the other hand, some artists at the same skill level who draw more popular things will get way more attention.
That is not to say that either is the correct way to create art, but there is definitely a formula to social media that is in play.
There are a lot of posts about how to grow a social media account, particularly on TikTok, YouTube and Instagram art spheres, and imo you really need to examine what you want from your art before jumping into social media mode
The stuff you create to pander to social media might not be art that you want to create at all - I'm lucky, because I am less artist more storyteller, and what I enjoy is telling jokes and silly stories to liven up people's moods :] this, of course, conveniently does well on social media. On a personal note, I have a history of being a recluse and not connecting well with people, and art is my way of trying to communicate my feelings, one way or another.
So of course, if you draw for any reason other than my own, my approach to art and it's relation to social media might be inappropriate for you.
All that being said, if u take a look at those "get big on social media" videos they always cite the same few points... And you can look into that, for sure, but this video sums up how I feel about all that.
I spent like 20 minutes drafting words after the above paragraph, but I really ended up regurgitating sentiments from the video... So really don't listen to me, listen to that video
EDIT:
I just realised I didnt actually answer the question with my anecdotal experience, so here's a list of things I did
1. Posted like 3 doodles a day on social media
I did this for 6 months on a side account on Twitter recently and got the account to 11k followers... And I did this for 3 months on Instagram a few years ago and I think got 3.5k followers. Of course, do not spam maliciously and make sure your art is still of good quality, but for those artworks I posted quickly, I did not colour, and mostly did clean sketches. This also trains you in the matter of line confidence haha. Again, this worked for me because of my set of circumstances (love for the media, want to tell stories, simple art style)
2. Focus on my favourite aspects of media
This helps with respect to burnout - kinda hard to burnout when you love what you're making! For me, it's character interactions and comics. I want to see my blorbos kiss and if I'm not the one drawing it who will?!
3. Interact with people
People eat up work that they can interact with. A choose your own story situation, one of those like/rt to strip a character 😭 those do numbers for a reason.
Additionally, if you post stuff people love, people will respond to it with comments, maybe their own headcanons, adding on to the work... I've gone into long looong Twitter thread conversations with people who added onto my ideas that I threw up onto the screen and I think it's also a nice thing to do to respond to positive comments haha... I'm not very good at this (read: bad at communication)
I think that's the key points... Hope this helps!
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honestly a little betrayed by the gwitch fanart scene. the shippy art is alright. yes. but suletta is literally like made to be one of those characters fanartists draw like shes being displayed in the sistine chapel through like 3 layers of symbolism. do you hear me. the red:birthmark ed was my 9/11.
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Woe another Benny ask upon ye. What do you think he'd look for in a romantic partner? Not a fling, someone he's head over heels for
This is so goading cause I could say the obvious and be like someone like the Courier but I generally have tow interpretations of this:
Someone who likes being his. Like possessive sounding I know but I think he'd like someone who's a flirt, a people person who doesn't stay put but has a strong sense of "home". I don't think Benny Gecko is poly but I also don't think this guy knows how to keep it in his pants so he can't expect his partner to either. He doesn't want you to be on his side like cling wrap but there's a mutual understanding of importance to each other. There a person who does their own thing but can find a way to incorporate him and he'd do the same but in a "Look at what I set up for us, Baby-doll."
A forward thinker. Benny likes a person of action, a person who gets things done or knows how to make a plan. He is ambitious, and determined, and he'd love to have a bird on his shoulder that helps him get things along. Like, if you ever seen the BTAS ep where Harley leaves Joker, and like he can't even remember to put on pants cause she took care of that stuff. But not toxic like that and also a bit more complex. Like he'd be head over heels for someone who moves the same way he does, a risk taker who also has a plan b and c.
I think in general he's the type to go after someone who reminds him of himself, well his positive qualities at least. Benny genuinely seems like the guy who needs a partner that he can talk to and share a philosophy with, someone who isn't just gonna agree but go back in forth in whatever aspect they share. Basically, you gotta create a feedback loop for him y'know. But in the same vein, this only applies to him. He's gotta bring this out in you and vice versa cause all in all Benny likes to feel smart and special and if they treated any pretty face with a sharp tongue the same way he'd probably immediately categorize them as a good candidate for friends with benefits but nothing special cause he's not.
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baddddddd. he's giving pomme first pick of their dungeon loot rn. he's so NICE. not just to the eggs but in general (i am always thinking of those elegant letters). but the eggs are the only ones who he will quickly and easily show vulnerability to. with everyone else it's like there's a layer there, a wall of silliness he keeps up on purpose, but it just. isn't there with the eggs.
there's something about the way that he cares that I can't put into words. like he cares so much. so fucking intensely. look at dapper. look how kitted out that egg is. look at how much time bbh has spent with the eggs, and look at how much time and effort he puts into figuring out how to keep them safe. he goes HAM when it comes to caring for the eggs, but it comes so naturally to him. it feels like caring for people with his whole entire soul is his default, but he doesn't want it to be. or, maybe want play a part in it- maybe it's too dangerous to care so much so quickly. maybe that puts other people he loves at risk. maybe it scares people. but that wall between him and other people is one that he built, and it's bbh, so he built it strong, so even when he's surrounded by people who have proven over and over that they care for him (that they care for the eggs, that they will not hurt them), he can't fully believe it.
im just. bad knows foolish so well. he knows that man wouldnt on purpose kill any eggs. but pomme killed foolish and bbh, dying of laughter, having the time of his life, told her to "put your armour on. just in case."
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Suffering more than Jesus atm (being a fan of 80s/90s Suicide squad in 2024)
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Carrying two primary philosophies into 2024, the first of which being Phil’s “you can’t lose” advice—I am young and life is a clean slate so I’m going to do things and make mistakes and fuck up but it’s okay because I can’t lose!!!—and the second is that episode of Boston Legal when Denny Crane (Denny Crane!) says “It’s fun being me. Is it fun being you?” and Alan, for all his moral scruples and personal demons and self-loathing, smiles and says, “Most of the time yes, actually.” I was surprised when he said that, surprised that for all his troubles he was… happy. I think I forgot (if I ever knew) that I am allowed to have fun and to pursue it and protect it. Maybe life is about having fun. Why not have the most fun you possibly can? What’s stopping you from prioritizing fun? Let’s have more fun! We can’t lose!
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i will be honest sometimes ill be talking w europeans abt gaza and its like okay you’re talking about a concept and i am talking about my uncle
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raffle prizes/gifts from the past week!!
jasper coven for @cryinginblaseball
remy for @almyranpine
teo for @xylographica and jack for @parenthesisgrey
[Image ID: Collection of small digital drawings. The first image is of Jasper Coven, a catboy magic apprentice with tussled hair and scruffy face. He is casting a fire spell from a book.
The second image is of Remy, a teen with short, white hair and light purple eyes. He is wearing a sweatshirt and jeans and is taking a photo with a Polaroid camera.
The third image is two headshots of Teo and Jack. Teo is a green dragon with shaved mane, curved horns, and equus-like face. He is smiling while sticking his tongue out. Jack is a black-and-white lop wolpertinger. He has gold, pupil-less eyes and sharp teeth. His mouth is wide open in a malicious smile. End ID.]
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I am ... kind of watching the x-files but 10 eps into s1 I am low key struggling. It's a decent show to put on the background if I'm too brain dead to engage with anything and mostly want to scroll thru my phone, but otherwise I am just not compelled to keep watching. In contrast I just started RTD's years and years and oh boy am I compelled. And I don't know whether this is because:
I've lost my tolerance to deal with 24 ep seasons where little of import happens in one given episode, thanks to extended exposure to "we always had at most 6 eps per series" british shows
I've lost my tolerance to deal with USAmerican shows entirely
The x files is just not my wavelength?? 👀
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Say what you will about the Cyrano movie (and one day I'll be able to in a halfway articulate manner), but I am still mildly obsessed with "Every Letter", and I think about this ending couplet all the time...
Your letters are drawings on me from above
I know who you are and I know you are loved
Just... the idea of Cyrano and Christian receiving a letter in return from Roxanne and feeling their breath catch both with ecstasy and with bitter regret.
I know who you are...
But she can't. But she mustn't. But it would break her heart--she would never trust them again. But it wouldn't be fair to Christian. But Cyrano could never show his face again. But they already feel themselves burn under her gaze, and to meet it honestly without the armor of a soldier, of these letters, would scorch them until nothing remains. But the only true honor is to hide, even if they know it's really the coward's way out. But the only safety (if they were being brutally honest with themselves) is to hide.
... and I know you are loved.
But God, they wish they didn't have to.
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