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#WHERE SHE ISNT EVEN THE MAIN CHARACTER MOST OF THE TIME
themyscirah · 1 month
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Suffering more than Jesus atm (being a fan of 80s/90s Suicide squad in 2024)
#god amanda waller what did they do to you....#i KNOW i never shut up about this but GUYS ITS SO BAD#fucking WHY would you take the interesting antihero protagonist and then strip her of any redeeming quality and use her as this horrific#unforgivable villain who is treated as a hated antagonist in her own comics#WHERE SHE ISNT EVEN THE MAIN CHARACTER MOST OF THE TIME#like why are you trying to make me sympathize with fucking harley quinn or smth when the actual main character is right there. why are we#turning her into this horrific villain w a million master plans making deals with the devil and shit.#we are supposed to like her. like maybe not all dc fans do because shes almost always an antagonist in other books but in her own shes the#main character!!! there should be some aspect of interest or sympathy for her. as opposed to just making her like badass or whatever#so sick of this#and its in freaking EVERYTHING right now on god i cant read other comics that are otherwise good (like ga) and enjoy them without the#obligatory intense demonification of one of my fave characters#like shes my no 6 in locg for a reason i genuinely love waller like yeah she sucks sometimes but shes INTERESTING.#this is not interesting or creative in any way what theyre doing with her#this genuinely could have been any government baddie like honestly#dont flatten 3 dimensional characters into 1 dimension (or at best like 1.5) to tell a story you tell the story around the 3d characters.#why do i need to say this. basic competent storytime#blah#amanda waller#istg i throw out another waller rant every freaking tuesday on here#suicide squad#you know what. at least we had the movie#you heard me. higher hopes for the new gunn dceu series than actual comics for the forseeable future#viola davis save me...#need to do a bit of 00s reading still to verify but on god watch this all come down to a fucking new 52 thing. like not to say that i think#thats where it all went wrong bc i need to read more to verify but i have an idea of what rlly did it and i think it was a nu52 decision#but then again maybe im stupid
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ganondoodle · 7 months
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random thought about the memory system
a big difference between why botws memories worked so well but totks didnt is mainly bc in botw, there wasnt that much plot, you kinda knew what was up by the time you left the tutorial, all memories serve you just as well as link, sending you around a hyrule you dont know, the few scenes of main characters do a good job of giving you an idea of who they are, but the majority is focused on zelda and link, why she acted to cold to him at first and later became friends, the characterization being not jsut in memories but also in how people remember them, their diary etc, when you meet their ghosts theres a familiarity to how they talk to you, they know and care about you, its like giving you late friend one last visit; getting memories out of order really doesnt hurt that characterization and overall it really just serves to flesh out the past and what made this world the way you see it now but mainly it gives you characters
in totk, its ... the main plot driving thing, you are here for the story now more than the world bc you know the world already, besides the sages stuff (that isnt much either besides some legends that apprently were always a thing but never popped up until now), its basically the entire plot and it all hinges on it, its trying to be both plot and character introduction AND characterization, which it simply cant do; we already know zelda and what shes like, but its like the game itself doesnt know what to do with her now, she doesnt do anything, she stands around listenign to strangers talk, whenever she says anything shes dismissed or it simply doesnt matter, the most she does is go around to faceless and nameless sages of old we dont know nor care about in a damn near copy paste scene begging them to help link of the far future somehow even tho they really have no reason to and then she swallows a stone bc she has literally no other choice; fleshing out the past doesnt work either bc this past is so far removed from anything of the world and people you know that theres simply no meaningful connection to make you really care, there are no characters alive that knew the people of old ...except mineru and rauru are still there, but then dont tell you shit, theres so much you dont know about them, their world or history and they dont tell you anything bc *gestures vaguely* ?? even ganondorf only says some standard villain stuff that tells us pretty much nothing about him nor rauru, no one in your time asking you who the hell that ghost powered robot is? no she sits in her robot somewhere deep underground (how does she even get out of there at the end, she needed you to drive her around to her own temple after all) given how straight up obsessed hyrules entire population is with sonau stuff they sure dont do anything with a literal person from that time and then at the end she jsut goes poof, welp, guess we will never, sure, fine keep your secrects; getting the memories out of order destroys literally any kind of story that was there, like it wasnt predicatble from like memory 3 to where it would go (predicable can be good but in this case its boring as hell) anyway
.. theres more i could talk about but this is already longer than intended and i want to do other things but this with my evening, you probably heard most of my problems with this game in my rants by now anyway
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hoyowomentournament · 25 days
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Semifinals: Nahida vs Kiana Kaslana
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(Propaganda under the cut)
Kiana:
TLDR: she's kiana kaslana what do you MEAN!!!! kiana is a beautifully written character who fully encapsulates what hi3 is about and she's so full of love and guilt and (most importantly) hope. she's a clone who struggles with her own identity/inhumanity and traumas extending from when she was a young child and her guilt but is so so resilient and so so so so compassionate which ultimately reinforces her humanity :)
kiana's character IS the honkai impact thesis statement. i don't even mean it as in she's the literal main character and face of honkai i genuinely mean it when i say she just IS honkai impact. she reflects every single theme that they portray [hope over nihilism (chapter 25 || the flame chasers and just. the previous era in general), having agency over your identity and your own story (himeko, her being k423 and being so linked to sirin, everlasting flames || the kaslana household name honestly, bronya, fu hua, mei, sirin), believing in the humanity's inherent worth (chapter 25, arc city || elysia <- important since as a current era herrscher, she is a successor to elysia AND as kiana kaslana, she is a narrative parallel of elysia), having faith in the youth (himeko, kevin || the other flame chasers! notably su), etc.] her character being so reflective is also sooooo OUGH to think about when you view it as a reflection of honkai's 50,000 year samsara because kiana is a representation of these themes coming full circle (especially since many of these stretch back to the previous era and elysia).
SHE FEELS SO MUCH. she's so full of love and guilt. she clearly prioritizes others over herself and part of her arc is her learning to value and love herself as well!!! she would give herself for the world ten times over because she holds so much affection for humanity!! (WHILE FEELING DEHUMANIZED BECAUSE OF HER IDENTITY AS BOTH A HERRSCHER AND K423) and it's actively apart of her character's growth :'')
dear god her growth… okok. so i think first you have to understand that a lot of kiana's growth obviously coincides w general maturity as she grows from a teenager to a young adult. but aside from that i think people often forget that younger kiana is incredibly self sufficient since her father literally left her with little to no explanation when she was like. what 8? the insecurity she feels at that! the anger she has to navigate while also balancing it with her own feelings of missing and loving him. basically: kiana has struggled a lot w instability and is thus kinda good at navigating it. ex: she isnt shaken by nagazora and literally tries again and again and again to save mei and convince mei to let her help. the thing is this fucks w her a bit though because a big thing that she does as a means to cope w instability is avoiding them (not reflective of real life of course, but in the fictional hi3 this is partially represented in kiana's repressed memories about her actual origins as k423). she can not stand the realization that she killed himeko that she's so deep in denial and doesnt truly realize it until more than 10 chapters after himeko dies! she's so horrified with her being a herrscher she actively tries to not use her powers out of fear, even when it puts her in harms way (the chapter XI-EX CG!!!!!! her literally trying to kill herself!!) she literally runs away from her friends and loved ones because she's so scared of hurting them!!!!!!!!!!!!!!!!!!!!!!!!!! which is why her promise to himeko to not run away is so important!! because it addresses one of kiana's biggest flaws!!!!! this is especially important bc her refusal to continue her avoidance feeds into her arc during the herrscher of dominion chapters where she both faces her own guilt/identity and deliberately chooses perseverance and hope over nihilism!! she is hope!!!!!!!!!!!!!!!!!!!!!!!!!!!
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barrel-crow-n · 21 days
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Obviously, we know that Inej knows Kaz best but really, even she doesn't know him - or at least, doesn't understand many parts to him.
"He just lets go" about a boy who has never let anything go. Who, since he was nine years old, has been unhealthily obsessed with Pekka and taking him down. Who was still obsessed with this revenge eight years later. Who hears his dead brother's voice in his head - cruelly egging him on on this maddened quest for vengeance. Who remembered every single last detail of the Hertzoon con; who killed eveyone involved.
People criticise this line, and rightfully because it's plain wrong, but it goes to show how isolated Kaz is and that even with the person he trusts most, he still holds many cards close to his chest. He still hasn't shed his armour completely - not even with Inej.
Inej also doesn't understand Kaz's language. She knows the signals he has established with her for moves and attacks but, funnily enough, it's only ever Matthias that truly reads Kaz (understanding his micro expressions and how he cares about Inej). She understands that she is trusted because he takes off his gloves - but even then doesn't seem to understand the extent; Kaz strips in front of her, as a show of trust - that he's willing to expose himself to her, but she doesn't understand that this is what he is trying to convey. I highly doubt this is a way of wooing Inej. At least, that that was the main reason. He was being vulnerable with her, showing his underbelly.
Kaz cannot say he cares, but he also can't seem to show it either - not in a conventional way, anyway. He carries Inej to the Ferolind despite it causing him pain, he yanks out the eye of the man who stabbed her. He says "I protect my investments." And that sounds completely dickish, but Kaz doesn't show appreciation. Ever. Inej doesn't understand that "I protect my investments" means "I want to look after you because you mean a lot to me" because that's what it means!!! In Kaz's language. "Protect" -> Look after, take care of, defend. "Investments" -> Very important to him, more valuable over time (liking her more and more as times goes on). "I protect my investments" isn't the stupid, asshole line Nina and a lot of people read it as. It's Kaz's kinda mean, not betraying how much it means to him, round about way of showing he cares. He won't say it outright because living in the Barrel has taught him that that is dangerous.
This is shown again when he says "I would come for you. And if I couldn't walk I'd crawl to you. And no matter how broken we were, we'd fight our way out, knives drawn, pistols blazing, because that's what we do, we never stop fighting." He can't say a simple "I care about you." but he can say all that. Why? Because he ties his care to violence. Protection. Causing harm to defend Inej. (Strooooong dog motifs for Kaz btw - the people of the Barrel were spot on with the rabid dog nickname)
And it links to how all the characters are always saying "ohh he's so mysterious, I don't know anything about him, where he came from, or what his motives are" when Kaz is literally openly saying everything.
He doesn't not speak of his trauma or his feelings! He talks about them all the time! He just isnt straightforward.
"Barrel boys don't have parents, they're born in the harbours and crawl out of the canals."
"My mother is Ketterdam, she birthed me in the harbour."
He's literally talking about being "dead" (thrown on the Reaper's Barge), how that affected him (traumatised him so bad he feels like he is no longer the same boy, that he was reborn as something else - a monster), about having to crawl out of the harbour, wet and weak from fever. He openly admits he's an orphan. He talks about it! Just in a cryptic way. A way no one understands.
It's like he's crying out, with people not far, but no one hears him. Like he's still on the Barge, making a futile attempt to cry out "I'm still alive." The Barge still has that hold on him. It's a manifestation of the trauma. It's the same way the flashbacks taking him back to that miserable night. A prison that he can't seem to ever be free from.
When he tells Inej "Tell Jesper he's missed around the Slat." he's doing it again, just more blatantly and more obvious, so that she picks up on it this time. He's showing her his language! Telling her to read into what he is saying! He's saying that he misses Jesper in his detached, cryptic way.
And this is so important with everything Kaz says. Reading between the lines - that's how you start to understand him. We get a cheat sheet by seeing his internal thoughts, but his dramatic talk is the olive branch for outsiders.
When Inej is asking him to open up, she isn't asking that he should share his problems and vulnerabilities like she believes she is saying. She's asking him to be more direct. And that's the difficult part for Kaz.
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vivisols · 7 days
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what’s the fizzyfaz theory
OK SO! THE FIZZYFAZ THEORY... THERES A LOT OF THINGS CONNECTED TO FIZZYFAZ. LIKE. A LOT A LOT. NOW I MEAN IT WHEN I SAY BE PREPARED BECAUSE THIS IS. A LOT LMAO
in fnaf security breach there are cans of fizzyfaz that you can collect right? theres also this message that goes along with them!
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interestingly enough, this message mentions grape, lemonade, and cherry fizzyfaz. however, while you can get grape fizzyfaz in game, you cant actually get plain lemonade or cherry. there's only orange, sour lime, pink lemonade, as well as grape, which is strange. theyre mentioned in the message, so where did normal lemonade and cherry go? well before we get to that, lets take a look at the fizzyfaz flavors that we can actually get in game!
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quite obviously glamrock branded! for freddy, we have orange, for monty, we have sour lime, for chica, we have pink lemonade, and for roxy we have grape.
considering what we know about the glamrocks, we can start to deduce what each flavor might mean about each bandmate personality wise, as its obvious that theres some tie in with their marketed personalities.
(the rest of it is under the cut for everyones sanity)
freddy makes sense as orange because he's sweet and mellow. monty makes sense as sour lime because he's more of a rebellious cool guy. chica makes sense as pink lemonade because she's also sweet, though she's even moreso than freddy is. and roxy makes sense as grape because she's cool and different like monty, though she is be shown to be sweet at times (as in with Cassie in ruin)
these four flavors seem pretty normal right? theyre obviously color/flavor coded to each member of the glamrocks. however the actual flavors that were chosen in game have always stuck out to me for one reason.
THEYRE ALL CITRUS EXCEPT FOR GRAPE. lemon, lime, and orange are all citrus fruits. strange, right?
now you could always argue that it is fazbear is making these things, and that it's cheapest to produce like idk. a base citrus flavor and then add the additional flavors accordingly. but then why is roxy's and ONLY Roxy's grape flavored instead of being another citrus? grape is a pretty weird flavor to pair with 3 citrus flavors. hold on to that for now.
plus, roxy has another connection with distinct and stand-out fizzyfaz flavors. she specifically has an advertisement for her own type of limited edition cola flavor.
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no other animatronic has advertising in game for any limited edition flavors. just roxy which really peaked my interest! wouldn't they do a promo with every glamrock? ok well, maybe since its limited edition the other glamrocks' special flavor runs have already ended and hers just wrapped up/is about to.
but wait, theres even more to do with roxy and fizzyfaz.
in help wanted 2 in the staff bot food prep mini games for el chips and the kitchen, you can serve four flavors of soda. orange, sour lime, pink lemonade, and.... sodaroni. aka not grape fizzyfaz.
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ISNT THAT WEIRD??? not to mention how specifically in the theater version of food prep, theres no fizzyfaz at all. instead, we can serve exotic beverage, dj music man's techno-cooler, chicachug, and.... sodaroni again.
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isn't that weird? the theater is also an interesting choice for the final food prep level to take place in considering that it's clearly not the most popular attraction, as well as the fact that we're in a whole mall with multiple food stands. you can argue that it's also one of the few places with a kitchen, but i believe that this choice was made on purpose for a different reason.
after all, who is tied to the theater as well as the only character to actually talk about fizzyfaz in game?
thats right.
THE DAYCARE ATTENDANT.
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I mean i was gonna tie them to this somehow! the connection is obvious!!
like… theres a soda dispenser in the ACTUAL DAYCARE ITSELF.
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theres also numerous ones outside and in the theater lobby. interesting, right? so much soda promo in the daycare area, yet they dont even serve the main soda brand of fizzyfaz in the theater food prep level... how interesting.
and now for something ive seen literally no one talk about. in the theater basement theres a room with the purple stars painted on the walls outside. inside that room, sitting on a filing cabinet under gold balloons that spell out ‘5TAR’ as well as a sundrop poster, theres ANOTHER soda dispenser. yet instead of one of the fancy digital ones, it's just a simple soda dispenser like we see in the kitchen above.
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interesting choice for a soda dispenser location, right? there aren’t any others in the theater basement. just this one.
let’s take a look at this room. specifically the vanity.
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there’s a flower pot, a trophy, some makeup brushes, and interestingly enough, a whole nail polish stand with a variety of colors. the uniqueness of this whole room makes me think that it’s meant to stand out. not to mention the fact that there’s a connected bathroom with two stalls in it. after all, the other rooms are just standard dressing rooms.
maybe i’m just reaching here, but i think that this was a theater staff break room, as well as some kind of animatronic prep room for sun and moon’s performances. they used to be the theater bot, after all.
so sun and moon have obviously been around for a while, as evident by all the wear and tear they have. plus in the tales from the pizzaplex books the daycare is mentioned to be an attraction that was built later on. it wasn’t there when the pizzaplex first opened.
but the theater was.
and since the out of place soda dispenser was in a room in the theater basement, there’s a chance that it served fizzyfaz.
cherry fizzyfaz.
i may just be grasping at straws here, but cherry… kind of fits the DCA really well. i mean, it isn’t a citrus fruit like the glamrocks (minus Roxy) have. sun has red and yellow pants, moon has red eyes, and they both have red ribbons with two bells around their wrists. the overall theater is pretty red too.
besides the overall red coloring of the theater and the red on the DCA, the cherry flavoring would fit sun and moon pretty well too! cherries can be either sweet or sour, and are often a balanced mix of both, which would be a nice tie in to sun and moon’s good and evil double act in the theater!
so when the daycare got built and sun and moon were transferred over from the theater, the cherry flavor likely got pulled or discontinued. probably because the theater wasn't as popular as fazbear wanted it to be. and thus in help wanted 2 in their food prep minigame, there was no fizzyfaz. they lost fizzyfaz privileges from management when they were moved to the daycare LMAO
and there we have it. sun and moon are the probable answer for who the cherry fizzyfaz flavor belonged to.
but what about lemonade fizzyfaz?
well, lemonade has a much easier answer. it’s a citrus flavor too, of course. and every bowling alley i’ve ever been to has served an abundance of lemonade lmao
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so YEAHHH it’s probably Glamrock Bonnie’s flavor. i mean, he's got a yellow star on his chest, a yellow bass, and yellow sunglasses. plus blue is the opposite of yellow...
though... personality wise, we know basically nothing about the guy other than he was maybe probably laid back considering how bonnie is in fazbear and friends. and lemonade is a pretty chill drink. i mean glamrock bonnie also died and was possessing all the wet floor bots or stuff in ruin and like theyre yellow too or something idk....
with this lineup the band would still have 3/4 citrus flavors, with... two lemonades. interestingly. and tbh i think that the majority of citrus is potentially the most important factor in this theory.
i mean freddy, chica, and bonnie are the OGs. the MAIN THREE from fnaf 1 days. so ofc they'd all be similar flavors (even if there are two lemonades... no idea what fazbear would have been cooking with that one lol) and yeah, foxy is an OG too, but he wasn't actually part of the main band until later on lol
yet in security breach, we don't get a glamrock foxy. we get roxanne wolf, who is an entirely new character, so it makes sense for her to not have a similarly citrus flavor.
grape is the only one mentioned in the message that you can actually get in game. and if the lemonade and cherry have been discontinued since bonnie was decommissioned and sun and moon were moved from the daycare to the theater, then...
it's clearly been a while. and if it's been a while and there's still grape fizzyfaz, which would make no sense for foxy to have (as the statue of him in kids cove is nowhere near purple) then roxy has been around for a while. and if she's been around since the dca was in the theater, then she never replaced foxy!!!! wild and crazy am I right
and yes! you could also argue the opposite and that bonnie's flavor was cherry while the dca's flavor was lemonade, which likely makes more sense.
the DCA has yellow as both sun and moon, with sun's overall coloring and his pants and stuff, and the stars on moon's pants and the bells on both of their wrists. and lemonade can be sweet or sour. like their act. and fazbear pulled it because nobody really cared about the theater or just plain lemonade fizzyfaz as opposed to the cool pink lemonade chica had.
plus bonnie is more red than yellow, with his reddish-pink jumpsuit and his red eyes. and cherry could maybe work for him? again, we barely know anything about his personality... then when he got decommissioned, they replaced his unique cherry flavor with another citrus to cut costs.
though we really have no way of telling which was the real flavors for each of them or if they even were flavors that were produced at all!! after all, the message says 'COPY FOR APPROVAL', so lemonade and cherry might have been scrapped all together....
this is all just speculation from yours truly, since im such a big flavored drink fan and i really want more people to talk about the fizzyfaz... ,:3c
and now onto my next theory, which is that the DCA is the real one have to killed glamrock bonnie...
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ditzydoodiary · 5 months
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autistic ramble about twilight sparkle because i love her sm and shes my fave autistic comfort character !!!
this took a really long time to make, and im really proud of it, so any reblogs/reshares would be appreciated ! especially if you like mlp !!
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when people say she isnt autistic, i always find myself very surprised. i think to myself, have these people even watched the show??because yes, while the writers and lauren faust may not have intended for her to be explicitly autistic, she is very clearly portrayed that way, intentional or not. not to mention that lauren faust (creator of friendship is magic) has recently responded to a tweet saying that she thought pinkie pie being adhd was obvious; lauren faust has adhd herself, so its not surprising that so many of the mlp fim characters also posess many of the same traits as her. and i also raise the question; if she thought pinkie pie was obvious as having adhd, then why would twilight be any different?? she is very clearly autistic, but i dont think twilight's obvious neurodivergence has been addressed by lauren yet (unless im wrong of course, but i just haven't found anything about it when ive searched for it).
anywho, to list just a few of twilight's autistic traits:
- trouble socialising and making friends (this is literally the main plot point of the first few seasons and is even still present in the later seasons, so its not like this was just a one time thing). an example of this would be in the very first episode when twinkleshine, lemon hearts, and minuette invite her to moondancer's party; she awkwardly declines, saying that she needs to catch up on her studying instead. to this the other ponies say, "ugh, does that pony do anything except study? i think shes more interested in books than friends"
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- she has a very obvious special interest in reading, books, research, and the study of pony magic. she indulges in these interests to such a level where she often loses track of time and stays awake all night, and often misses out on opportunities to socialise with her friends. when she cant indulge in them, she gets upset. this ties into finding comfort in routines, too.
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- taking things literally (e.g: that part in "look before you sleep" where she takes rarity's statement about them getting warmer in regards to playing a game literally). look before you sleep is also a great episode showing her need to have everything planned out; in this episode, twilight has her first slumber party, and uses a slumber party planning book as a guide. she thinks has to follow every single instruction in the exact same order, and when rarity and applejack dont oblige, she gets upset.
- HEAVILY relies on schedules and planning. she utilises all kinds of lists; visual lists, written lists, checklists, etc. when she's unable to stick to her routines/plans, she becomes irrationally upset and/or angry, lashes out at other people and can have meltdowns. this is again shown all throughout the show, but is more prominent in the episode "lesson zero".
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- LOVES organising, lining things up, and finding visual patterns in all sorts of things. she'll often just do this for fun and as a way to calm down, while others might find this more of a chore. i suppose this can be done as a form of visual stimming? I don't really know what this is called; but i know a lot of autistic people do it. i suppose this could also tie into needing routines and structure, as organising things can help autistic people feel more in control and can provide a sense of stability.
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- she can often come off as insensitive or rude without meaning to, and sometimes she struggles with tone as well as being quite blunt. this is most likely due to her misunderstanding or being unable to read typical social cues. this could also perhaps be linked to low empathy, which is something a fair few individuals on the spectrum experience. this is especially true in the earlier seasons, but still shown in the later seasons as well.
- twilight also struggles with regulating her emotions and having meltdowns; this is typically the result of her needs not being properly met and her routines being changed. and when she's not having full blown meltdowns, she can at least be seen being snappy towards her friends when overwhelmed.
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- stimming !!! oh boy does she stim a lot. stomping her hooves, jumping up and down, PACING (this is a big one), teleporting spontaneously when overwhelmed, flapping her wings, etc. in fact, twilight once paced so hard for so long that she made a groove in the floor without even realising !! (this was seen in the episode "its about time" - which is also a good episode that showcases her autistic traits)
- shes also sometimes shown struggling with overstimulation; in the third episode of the series, "the ticket master", twilight gets overwhelmed by her friends crowding around her and loudly shouting, resulting in her running off and snapping at them.
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- shes often shown struggling with generalised anxiety, which is another common trait of autism.
and the best part is, this is obviously a common occurrence, and her friends fully support her through her struggles !!! her meltdowns, overthinking and anxiety are so frequent, that her friends know exactly what to do and how to help her.
obviously, this isn't every trait, this is just all the surface level stuff !!
i would have included more video and photo examples, but tumblr has a limit on how many you can add to a post :( i hope i still got my point across despite that !!
all in all, i think she's wonderful autistic representation !! even if this wasn't intentional, i still think it's great and love the way her personality and traits were portrayed. the main character of a children's show possessing these traits is awesome and something you don't see too often !! i hope lauren or at least someone on the production team talks about this, because it means a lot to myself and many other autistic people who love mlp <3
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oceanwithouthermoon · 5 months
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Talking about Saiki and SA here a bit, btw, just a warning~
Thinking about how you said Saiki was a victim of SA and you’re literally so right. I feel like people sometimes just blow right past the fact that Kusuke is like that with his brother, but I think it can add a lot to interpretations of his character. But even if it only goes as far as what is shown in canon — which I almost doubt — it still remains the fact that Kusuke is doing all of that knowing fully well that his brother can hear him. It’s literally sexual harassment.
People point it out more often with Teruhashi and her brother (back to the reasons you said, people think it’s more serious if it happens to women). But the things he does, that’s all sexual harassment. And yet when Kusuke does similar things, it’s often brushed aside. Just,,, a bit crazy to me.
(And that’s not even mentioning when people completely disregard this part of Teruhashi’s story and act like she’s one-dimensional,,, but that’s another story)
But all this to say you’re literally so right. Anyways love you mwah =^•w•^=
THANK YOU SO MUCH. I NEEDD PEOPLE TO ACKNOWLEDGE THIS MORE.
(heed the sa warning + abuse and incest warning before opening, i talk a LOT here.. im mostly just reiterating what happens directly in the manga though.. ALSO EXTREMELY LONG POST WARNING..)
I always viewed kokomi and makoto + kusuo and kusuke as like.. paralleling each other ? not sure if thats the right word, but IMMEDIATELY when i saw both of these dynamics i made the connection.. i guess since it was so clear to me, i assumed that it was so obvious and on purpose that everyone else knew too, but so many people just.. ignore it..
i think most people that read/watch saiki k have recognized the fact that most main characters are meant to parallel or relate to saiki in at least some way, (if anyone who doesnt know what im talking about is reading this, im sure at least someone on here has done a better breakdown on that, i just.. dont know where to find that..) but this particular connection is one i dont see often and i genuinely believe that its almost entirely because of the whole "sexual assault/harassment isnt as serious when it happens to men as when it happens to women" thing.. most of the fandom acknowledge that what makoto does is awful and kokomi is a victim, so why is it different when its kusuke and kusuo ??
its EXACTLY the same.. what we see on screen with the saikis is WORSE, actually.. and what WE see from these two relationships isnt the full extent of what the two victims experience off screen, and i strongly believe that its heavily implied that both kokomi and kusuo have been through much worse with their brothers than whats shown..
we have no idea what kusuke couldve done BEFORE moving away and creating the telepathy canceler (and dont say that he couldnt have done anything cuz they were kids, cocsa [child on child sa] is still a thing and still valid, ESPECIALLY since they were both kid geniuses and kusuke definitely KNEW better.. but yea, kusuo implies that hes been like that for a long time, way before we ever saw them, sooo..) and its highly likely that whatever happened that we didnt see, before or after the move, was WORSE than what he does ON screen (i honestly dont want to think about what a guy with an incestual obsession with his brother does with cameras everywhere in his brothers home..) and what we see him do is already insane..
literally using his brother to get off, manipulating him and forcing him to play the games that give him sexual pleasure.. actually, speaking of, ive seen some people say that what kusuke does isnt really incest because the only reason he uses kusuo is because hes a masochist and kusuo is the only person that can overpower him.. this is a total misfire LOL, his upbringing alongside kusuo and his relationship with him is the REASON that hes a masochist, the ENTIRE REASON why thats what he gets off to.. its not just CONVENIENT that kusuo is there to get him off, he SPECIFICALLY seeks kusuo out and forces him to do things that give him sexual pleasure.. he believes that kusuo is the only person in the world that can ever give him sexual pleasure, what about that doesnt sound incestuous?
and one of the worst parts of it is, kusuo BARELY acknowledges how weird it is.. in fact, he's COMPLACENT in a lot of the games, obedient even, being bribed into them the same way he does with simple things like bringing kuniharu to work.. this is the biggest reason why i believe the off-screen stuff is probably worse, because kusuo is obviously conditioned to think that letting your brother get off to you is just.. fine.. we hardly see him try to get away from this situation beyond simply calling him gross.. theres one moment during the cat tank situation where kusuke tries to get him to grab the limiter off of his crotch specifically so that he can see him in that position and kusuo looks terrified and cant do it, BUT its unclear whether the expression of fear was entirely his concentration because he didnt wanna break the limiter or because he didnt want to let his brother get off to that, and i think its mostly the former ? idk, i dont remember this part that well but im preeeetty sure..
he does acknowledge that MAKOTOS behavior is bad when he sees it, but he never thinks its a big enough deal that he needs to help her or anything, (except for maybe the okinawa situation) which i know is probably just for the sake of not letting the gag manga get too serious, BUT it can also be explained pretty easily by this whole thing.. the way kokomi is treated is literally the same way kusuo lives his life, even down to their incestuous brother being possessive to the point of berating their potential love interests.. (which in this case happened to be each other, kusuo and kokomi..)
so yeah, kusuo just. doesnt really know how bad it actually is ? or maybe he does, but doesnt acknowledge it because he doesnt WANT to.. him barely acknowledging it and being complacent is part of why some people dont really get that its sa and incest, but his complacency obviously plays a big part in how its effected him too, like thats purposeful.. like i said, hes been CONDITIONED not to acknowledge it..
to me, it looks like a classic situation in which kusuo doesn't acknowledge his trauma because he knows that if he did, it would change his outlook on his life, his family, and his childhood FOREVER. he would never be willing to tell anyone or ask for help on his own accord, and accepting that there was anything wrong in the first place means, to him, dealing with that issue by himself for the rest of his life.
why would he ever admit that anything was wrong if nothing would change either way? the only thing that WOULD change is HIM, and why would he want that? isnt it better to be blissfully unaware than to knowingly suffer in silence?
plus, he genuinely does love his brother and knows in the back of his mind that kusukes feelings toward him comes from their unhealthy upbringing and relationship and its more complex than just "hes an evil guy blah blah.." because he isnt really evil and kusuo KNOWS that.. actually, he might be the only person in the world who COULD understand..
so yeahhhh.. kokomi and kusuo are both CANONICALLY victims of sexual harassment.. (and incestual abuse at that..) and, by my interpretation, implied victims of sa as well !! (im not really sure where the line can be when it comes to this sometimes, like when your brother sniffs your bedsheets and rubs himself on them or gets off to you right in front of your face or tries to get you to grab something positioned over his crotch so he can see you in.. THAT position.. but i already said that its pretty likely that both brothers have gone farther than that off-screen..)
anywayyyy.. this is so important to me and i wish people would talk and write about it more instead of pretending it never happened and mischaracterizing every one of these characters, especially for the sake of a ship like i was talking about in my other post.. it sucks that people so often just cast kusuos canon issues aside..
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damnfandomproblems · 4 months
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https://www.tumblr.com/damnfandomproblems/739064506502791168/fandom-problem-4499-i-think-sometimes-people-get
Thing is op
People like to use "coded" as an excuse to harrass others over a fictional character
"this character is minor-coded therefor if you like them or draw them sexy then you are a pedo"
"this character is gay-coded so if you ship them qith the opposite gender your homophobic"
"this character is autism-coded so if you dont see them that way you are ableist."
"this character is poc coded and if you dont portray them that way then you are racist"
And then they go and rip people to shreds over it. And most of the time they are actually "coded" as anything.
Ill give you a good example as to why coding should just fucking die in fandom.
In transformers (all of them afaik) there is a sentient ROBOT named Jazz. He is often voiced by a black voice actor, even in the early days of Generation 1 in 1984. Though it changes a few times Jazz is well known for his accented voice. Jazz (the music) is also known to be pioneered by black people.
In a way jazz is black coded. He is designed with all these elements related to black people.
The thing is. Jazz is a fucking robot. "Jazz" is the name he chose for himself because his cybertronian name does not translate or cannot be spoken by humans. Jazz is also a type of music he only heard when he arrived on earth and is something he loves, hence why he chose the name. He chooses to express himself in such a way because its what he enjoys.
It does not mean he is black. A white person can do all that because they have a love for jazz music. It isnt going to make them "black coded"
He is also again, a robot. Not human. Not even organic.
However of all the problems ive seen in the TF fandom the one about whether you should draw a human version of Jazz as black or white is probably the one thats sets people who give a shit off the most.
It doesn't matter what characteristics a character has. It doesnt matter if Jazz is drawn as black or white. Cuz he isn't human. Its literally up to fan interpretation and none of them are wrong but people want to shit fling, and react hostile over others not drawing him as black anyway.
Same could be said about a certain more popular pink skinned character (who is also human and japanese but when have people ever viewed japanese people as important.)
You can have your queer coded villains. Doesn't actually say they are queer. Hell in the past it would be done as a way to demonize queerness and traits. But queer people still loved those villains because they could relate to their tragedies.
What "coding" actually is, is a part of the design process to add depth and character. It's an inspiration born from reality. But it's not always that the character is meant to be that thing.
Theres a character from genshin impact i could say is "DID-coded" because when she falls alseep or is so stressed she passes out there is another version of her that takes her place that she doesnt know about.
In the same vein theres the game "At Dead of Night" (recommend it, its a horror game) where the main antagonist is possessed and murders people. They even had to put a disclaimer that the character didnt have DID and the game wasnt made to demonize people with DID or portray them as unstable serial killers. However despite the creators saying that, fans still "DID-code" the antagonist, not out of hatred for people with DID but because some people with DID still relate to the character. Not so much the killing people but the struggle the antagonist has with "being possessed". Having DID can be a frustrating and tiring experience and not many cope with it very well even when they do no harm. Feeling of loss of control is very relatable even without DID.
Regardless the rampant "coding everything trend" in fandom has caused a new "ship war" like wave of harrassment. If you dont view a character this was your a horrible person and you deserve *insert graphic content and threats of harm and suibaiting and more*
coding can be a cool thing to discover while analyzing a character or even creating one. But its become hated with good reason because people have no reason left in them. Coding is a cool way of adding depth and nuance to a character and would actually REALLY help beginners with their "bland" characters. Unfortunately even thats discouraged, since it can be seen as "baiting" or "stereotyping" and sometimes appropriating culture. (But a giant sentient robot making his entire personality about jazz music isn't? Lol)
Posting since this is a response to a previous problem.
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chaifootsteps · 4 months
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I get mad thinking about Vivziepop’s questionable writing or dialogue choices sometimes—and then I just feel sad after because I really wish I could see her shows as something naunced and worthy of thoughtful discussion. I wish I could love these shows wholeheartedly like I use to, and its only the attachment I still hold for her works that keep me sticking around, but man, I feel so disheartened sometimes that I wish I could just let it go and move on already, but its hard.
I don’t see either of her shows being things that are going to be remembered as super amazing or have a fandom passionate about the work like 10 years down the line. I can’t look at her characters and think about their possible motivations or analyze them deeply based on interaction, or just general presence in the story, because there is no depth greater than a pond. With her antagonists she writes them in such a particular way that they serve less as actual characters and more as glorified plot devices and nothing more, and with her protagonists she leaves them as overdeveloped or underdeveloped at the same time.
What am I suppose to take when watching her shows? With Helluva Boss, I can’t tell what I’m suppose to gleam from it. Is the story about relationships and focuses on character interaction and characters more than the plot itself? Its not doing that great of a job at that. Theres no changes in character dynamics, characters dont really interact with one another meaningfully most of the time, and relationships arent explored enough outside of already established ones. Is it about fighting against a system that is rigged against you and standing up against the ones in power? No, it isn’t, because the opression our main characters face isnt relevant enough in the story outside of the ocassional reminder that, yes, Imps are the lowest in the system, yes, imps can be quite literally sold as property and serve as servants and the working force to the ones in power, and, yes, imps face discrimination. (Can you tell the supremacist line pissed me off yet.)
I.M.P—who are all apart of marginalized species in hell—do not talk about these issues they face. Crimson is literally a mafia boss in Greed and he doesn’t seem to have any problems being a imp in power despite the demons working under him being higher in status than he himself is. (Minus the money problems because it doesnt seem actually relevant to anything and isnt brought up afterwards) Why have our main characters be apart of the lower class at all if it isnt actually important to the show. By the end of this show, the hierachy isnt going to change because status quo is god, and the worst case scenario possible is that Blitz gets with Stolas and becomes a prince and lives a life where the same species he’s apart of literally serves under him.
And speaking of status quo, what on earth is season 2 of Hazbin going to even be about if season 1 ends in a literal war between Heaven and Hell? You don’t just change the status quo that drasitically in one season—unless if Hell and Heaven were at war since the start? But it doesnt seem that way. Would Season 2 focus on redemption—but if that’s the case, why make season 1 the war between hell and heaven when season 2 would be more fitted for it instead?
I never thought these shows would be on ‘Breaking Bad’ tier levels of writing, but I thought they were going to at least be something I could walk away from with a clear understanding of what message it wants to tell and how I can interpret it as part of an auidence, but maybe I was wrong to think the stories Medrano writes have something wonderfully insightful to give, and it really hurts to think about.
I know how you feel, Anon. A shame we can't all have just one day to look into the good timeline where Viv's the writer and person we hoped she would be, and these shows are everything we were looking forward to.
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crushedsweets · 8 months
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I am so curious as to what you'd think about Nina and Hoodie as a duo. They've been two of my absolute favorites (even if Brian technically isn't even a creepypasta) since I was younger and I've always loved them as a sort of big brother/little sister pairing. They are so siblings to me I adore them. What are your thoughts on the sillies..
OHHH this is actually super interesting... but also im worried i do not have a lot to say because they won't mesh very well/very much. but i will try. not super realistic headcanons i think but what do i know... <3
brian isnt very present in my story, partially bc ik some mh fans dont like the crossover very much. and by time ninas in the story, i want him+tim to kinda separate from slenderman as toby and kate take over. he's still involved and coming around since he gets horrible slender sickness(but its from the operator) if he's away too long, but he doesn't live near or befriend most of the main cast..
nina is very present in my story because i love her and she is such a good and fun representation of the fandom yk. but brian is much more realistic and late 30s man, while nina is a very cartoonish early 20s girl. theyre on very different fields character and life wise...
BUUUUUUUUUT they would still meet of course.
she'd be bubbling around the entire cast, meeting people through jeff. people initially think she's in the same vein as jeff, natalie, and toby, with a LONG list of blood on their hands influenced by the operator, so they just don't think much about it. theyre mostly surprised by how cheery she is, but the proxies are the first to find out she's just... obsessed with jeff..... so thats very off putting. brian isn't fond of it.
nina would develop some light slender sickness(again, from the operator) just by being around jeff all the time, but the operator never infected her because he didn't see her as a worthy vessel. so, she would have to come to the proxies about it. if toby isnt in the mood or busy, she'd just have to hope brian/tim are around with some pills that'll soothe the pain
brian is more likely to help. with nina, he'd be quick to take on a more protective role, trying to console her as she cries on the couch holding her head whining about static.
initial convos would go smth along the lines of "do you want some coffee ? or uh kids like hot chocolate huh... maybe tea" "i'm literally in my 20s please tell me toby has weed somewhere" "that does not help with this pain i promise" "how would you know" "haha. water it is."
brian was a major stoner back in his early 20s and nina thinks its fucking hilarious. . . she'll try to get him to smoke with her but he's rlly not interested LOLLLL.... hes like 15 yrs older than her he thinks its weird .
again, he's not around a lot, but she's always happy to bump into him. she'd be squealing n shit 'HIII BRIANNNN how r u :3' and he'd just be like :) hey nina. and then never answer the 'how r u' bc he doesnt actually wanna sit and talk .
its a good change of pace. he's been through hell and back for well over a decade by this point, everyone around him is a sad sack of shit, and he spent a long time just. fighting to be an optimistic, cool guy to hang around . . but .... like.... um..... its hard to be that kind of person after all he's been thru. something about nina just forces that sort of like..... glee out of him . its not a huge difference where he's suddenly bouncing and giggling and whatever, he's still just Some Guy. but he'll be like :) lol .
mayhaps he'd catch her trying on toby's goggles and he'd offer to let her try on his mask. but nina would fake gag and be like 'no i dont want that dirty musty nasty sack on my head' and he'd be like ?????. then he'd say she can wash it and then try it on. which.. as an older sibling.... is the type of shit i'd do just to get my sister to do smth for me that i dont wanna do LMFAOOO. she might fall for it just cuz my dear nina is the ultimate fangirl
i dunno i kinda struggled with this one just cuz in my au, they wouldnt be all that close and the Type of characters they are don't mesh very well, but i am super fond of the concept and would love to try expanding on it more
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itsbebebe · 3 months
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So I got bored and decided to binge rewatch some deltarune theory videos and now I'm writing this i guess. I dont hang out too much in the deltarune tumblr tags so idk how much of this is spewing well agreed ideas already but...
Its interesting to me how susie and noelle have this sort of order v chaos thing in terms of their narrative roles. (This is looking like a long post so ill be kind and add a cut here)
Susie is like the character that drills the "your choices dont matter" concept into you (the player - if im referring to kris in this post ill use their name). Not only is she the first to say it but the main times where you make a choice and it doesnt matter are because theyre stopped by susie. Iirc, the only power you have over susie in her segments in both chapters are in puzzle solving (something that actively aids her in her goal). During both the lancer battle and the ferris wheel scene you cannot change what happens. You just have to sit there and watch. Not only that, but susie also can straight up override your decisions in moments like when you try and decide who to go with at the crossroads in chapter 2. You also cannot stop Susie fighting at the start of chapter 1. Some of the few choices that you do make (how you design the thrash machine in chapter 1, speaking to onion san in chapter 1 in hometown) are specifically done when susie isnt around to stop you.
Susie, intentionally or not, forces some order upon the story. She helps force the beads down their designated path, or whatever that metaphor in the hospital is.
However, in chapter 2, susie, by her own choice, leaves for a while and its our new party member who allows us to make a big choice that will matter. Snowgrave. Ive seen people point out before that the snowgrave route really parallels noelles history with game bugs (shown mainly through the sweepstakes blog posts) as the route feels like a game break. In fact it is a game break, considering you are supposed to not have any meaningful choices and do the normal route. It sort of makes it seem like Noelle herself facillitated the route. Not only that, but Noelle (likely due to insecurities in her relationship with Kris) lets you make a lot of choices when you are with her. (I think it could even been argued noelles presence allows you to override susies tendency to stop you making choices in the cutscene at the start of chapter 2).
So Noelle allows you to make the choices, allows the chaos. Susie keeps you on a set road, enforces the order.
This is a fun frame on their relationship. If you told me there was 2 characters, one of which was a girl who was a known rulebreaker and bully and the others was a girl who was top of her class and the mayors daughter, and asked me to tell you which one was chaos and which one was order, i would get it wrong! (It also seems like a good framework to throw some tragedy upon their relationship but lets not think about that rn)
But now if you are anything like me you will be thinking "where do ralsei and kris (as our other 2 established main characters) fall onto this chaos v order paradigm we have established?"
Lets start with kris, as their position feels more quantifiable. Kris does what you tell them. By our established parameters that should make them more chaos leaning. However, Kris will actively stop you from affecting how each chapter ends. This suggests that they want some sort of order, or control over you but will allow you most of the time to make decisions, and allow chaos.
This suggests Kris is order leaning but chaos permitting.
Ralsei, meanwhile, i dont think sits on the paradigm as we have established it. He wants the prophecy to be fulfilled but he wants us to make changes that lead there. He gets upset when Kris is unable to make choices but firmly believes we must fulfill the prophecy. What ralsei does and doesnt know about Kris or us is vague and unknown, and therefore by extension how he feels about Kris and us is vague and unknown.
So is he more order - forcing us to do specific things and stopping us from having meaningful choices in the story? Not really... But then is he more chaos - allowing us to make big changes? In a sort of apathetic, not really bothered way maybe. All in all, i think Ralsei falls outside of the scale, as he has a very unique relationship with us and Kris.
Generally, choices and chaos and order are all very big themes in deltarune. So i think its interesting to link the two together like this.
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roguelemon · 2 months
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This was meant to be a short little joke style theory but it turned into a character analysis so the before cut is the main interesting point and the rest you can read if you want my take on Vox as a whole, and what I personally would do with him nest season.
The reason why Vox hates the past so much is because he has so many regrets/ kind of hates himself for getting into the situation he's in where every waking moment is either dealing with his public image, dealing with Vals tantrum/manipulative bs (Yes I think Vox is being manipulated by Val I believe in the "Val can secrete a date r*pe drug type substance in his saliva") OR endlessly trying to make power grabs to "prove himself". The other overlords DO NOT like this man, I reckon that upsets him more than he lets on (my theory as to why he sent Velvett to that meeting instead) .
Vox focuses on "upgrading" because facing his past and where he fucked up is his literal worst nightmare. It just so happens that part of his past that he regrets (Alastor, whether you think it was a failed romantic proposal or not it CLEARLY had a big affect) is somebody who embodies the past.
He moves away from past technology to move away from Alastor. He constantly upgrades himself/ his products because looking into his past is not something he wants to do.
Of course, that only worked for 7 years, now Al is back he's FORCED to face at least some of where he fucked up which is why when we see him, despite being an overlord, he looks incredibly pathetic. It's not that his power level is so much below Alastor, (though that could be a factor) but he's facing his worst nightmare every time the deer fucker shows up.
Alastor pisses him off sure, but what really gets him so twitchy and almost paranoid is what Alastor represents, his past.
This isnt trying to defend Vox or whatever but I do think that he's the least objectively evil out of the Vees. To me he's a "doesn't want to be evil he just wants recognition and oops, now you've got it through bad means" kind of guy who's been teamed up with a sleezy manipulative asshole who doesn't seem to have any motivation other than just enjoying being a creep. And Velvette, who while we haven't seen anything super bad yet, she clearly endorses Val (the love potion advert) and is also more abrasive than Vox.
Its even more so shown in the finale when Vox is super exited about something (it's Alastor dying, but still) and the other two are just completely uninterested until it benefits them.
I've seen some people saying that Vox and Val are the main and Velvette is the one that's off to the side out of the three but despite doing, whatever you want to call THAT in the finale with Val, Vox is more obviously the one who doesn't line up with the other two as well.
Vox probably wished he'd pursued a deal with Alastor rather than the Vees because then he'd get what he wants, to be recognised and respected. Even though Al does mostly command through fear there is respect for him among those who are more powerful than him, all save Lucifer of course. Vox on the other hand has basically no respect from anyone who he doesn't mind control, Velvette treats him like Val control and Val is CLEARLY using similar tactics that he would on one of his 'employees' on Vox. (Acting super whiny/ guilt to get what he wants, pushing his buttons to get a reaction after his initial outburst didn't piss Vox off enough, THE RED SALIVA). While the annoyance between the three seems to be just petty bullshit I'm certain that, at least on a subconscious level that Vox knows that if he hadn't got in with them that he'd be better off. VoxTech certainly seems the most lucrative out of what the three control. And the other two wouldn't exist if it warned for the tech HE supplies. (Vox is the real backbone of the Vees). This man clearly SO DESPERATELY wants attention and to be adored. Rather than hating him like I do with Val, it makes me pity him. And THATS the centre of all this, he is pitiful and so has MORE room for character development.
Its fully possible that he blames himself for fucking up whatever proposition he had for Alastor when in reality, Al is just an ass but Vox can't see that
Of course this is just my interpretation, but it'd make S2 where the Vees are confirmed to be a bigger focus much more interesting if Vox also gets this internal dilemma/ self doubt.
They could still feasibly swing in either direction of characyer development and I'd consider it well written and thats what makes him so interesting to me. He has so much potential for both good and for evil, also for general annoyance and comedy.
If it were up to me I'd do the megamind route of FINALLY letting the character win against their enemy, only to end up pissed off about it because the person they pinned all their problems on wasn't actually the cause of them, then swing in a completely different direction because this is hell and the feel good stories are reserved for characters who believe in therapy. Maybe a song where Vox prevails, only to then later reprise in a version where he loses his sense of self a little, maybe finally realises how little the other two care after he finally bests Alastor in something but it doesn't matter because he "didn't get any new territory or souls" or something along those lines. A second song could be Vox actually coming into his own more with a song all about him, nobody singing over or with him. It doesn't even have to redeem his character it would just be singling him out as Vox, not one of the Vees.
This ramble was brought to you by the powers of procrastination. Congrats on actually reading all that shit. (And lmk if you'd add anything in your opinion?) =3.
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bitwynn · 1 year
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Cast away by the world with you
A SAGAU Impostor AU Songfic.
Song used: Castaways from The Backyardigans
This song has been stuck in my head for the past three days and I've just been brainrotting abt this song and my current main team-- which honestly is just a team composed of my favorite characters and has no synergy with each other in fights WHATSOEVER but fuck meta, lemme wander the world as my faves AHAHA
I might add on to this and turn it into a series, as it hints at past events. Hm... a songfic sagau series... fun concept isnt it?
Blue for Barbara, Yellow/Gold for Zhongli, Green for Wanderer, red for Diluc, Italics is Reader/General, Combined is Everyone. Colors only used for singing parts.
---
After the disaster that was earlier-- AKA risking Heizou's vision and life by holing up in his home and detective agency, Raiden ordering daily raids on any and every building, practically leaving Heizou to the wolves as you and the team ran for your lives out of Inazuma City, finding out the hard way that Raiden had once again disabled Teleport Waypoints (you still felt embarrassed by the full chested "WHAT THE FUCK" that alerted every single treasure hoarder, fatui agent, and nobushi in the area), booking it the second Diluc let out his burst which while eliminated everyone in the surrounding area ALERTED EVERYONE ELSE TO WHERE YOU ALL WERE, panic screaming directions and profanities the entire time you were hauled over Zhongli's shoulder with Wanderer dealing with enemies in the rear and Diluc and Barbara vaporizing everyone at the front, barely making it to Amakane Island and completely missing the Electroculus you needed for 5 minutes thanks to sheer panic, and finally FINALLY being able to access the Waverider Wavepoint and pointedly ignoring Wanderer's panicky jabs at your eyesight the entire time-- you and the gang were exhausted.
Last night was spent by everyone catching their breath and you sailing your tiny Waverider the entire time. Though everyone did have their own different definitions of "catching their breaths" as Wanderer just panic-snarked at you the entire time and Diluc looked like he was heavily considering his personal policy on drinking alcohol because of it. Good times.
You had sailed for days, deftly avoiding the large main islands of Inazuma and raiding hilichurl sea camps for food and materials. The memory of Wanderer laughing his ass off at everyone looking like "drowned rats" because they had to swim to the camps, and getting promptly shut up by Barbara using her Vision to drench him was something you'd never want to forget.
And now, you had finally reached it. A safe little island far and away from the main five islands of Inazuma, and relatively close to the abandoned and forgotten Tsurumi Island. You had plans to maybe try and stay there, considering the fact that its a ghost island at this point. Wanderer and Zhongli had even theorized that the Waypoints there might work, with the mystery and magic that practically oozes from the place. And if not, they could maybe try to use the vast underground systems and ancient knowledge there. Apparently Zhongli still remembered the hours of agony you spent there as him, trying to complete its many lore filled quests,
But now wasn't the time for scheming and planning your next moves. Not the time for wondering what to do and how to stay alive. Not for risking life and limb for merely just existing. Now was the time to simply just rest. To rest and lick your wounds, to recover energy spent and the blood and sweat spilled. To have your deepest thought to be that of what to eat for dinner.
Right now, Barbara was tending to the Wanderer's wounds as Zhongli continued to tend to his bamboo shoot soup that he'd been simmering all day. Diluc had been talking to Zhongli about Venti, and Barbara had gone red with embarrassment when she admitted how she and the other nuns had treated him. Which prompted Wanderer to tease her to hell and back for it saying, "the most devout of them all didn't even realize he was her god?! AHAHAHA, you even have a giant and ACCURATE replica of him outside your church! And you never thought to put the dots together? AHAHAHAHA--"
It was nice.
With the moon high in the sky and bellies full of warm and excruciatingly slow cooked bamboo shoot soup, your tiny little camp fell into a comfortable silence. There was nothing but the breeze, the gentle rustling of the leaves, the crackling of your small fire, and the lapping of the ocean waves.
This too, was nice.
You pull out your lyre and began to strum a simple little tune. Everyone's gaze turns to you as you take a few moments to get it right. You feel yourself begin to sway to the song as your mind fills in the silence of the missing instruments, and you get lost in the beat.
"Castaways, we are castaways,"
You feel yourself break into a smile as you start shimmying to the beat.
"Ahoy there, ahoy, we are castaways."
Barbara giggles and she begins to clap. Wanderer snorts in fond amusement as everyone listens.
You hand the lyre over to Diluc as you stand. Everyones eyes are on you, rapt with attention as Barbara keeps clapping and Diluc quickly finds the melody. You climb atop your tiny boat stage as the next words leave your lips.
"We're stuck where we are, with no house, no car.
Castaways, ahoy, we are castaways."
"We were out at sea, on a sailing ship,"
You sway and move your arms, almost but not exactly dancing, as you gesture out the lyrics. You quickly wet your hands and with a little splash at your little audience, you keep on singing.
"The rain began to rain, and the wind began to whip-- oh hey--!"
You laugh as Wanderer indeed made the wind start to whip. "Thats for getting me in the eyes." The smile is evident in his voice. You chuckle at him as you dramatically lean against the boat, continuing with your song.
You finally jump off your makeshift stage to join the others on the soft beach sand, dancing your one-man salsa to the strumming of the lyre and the clapping of the beat. Though you certainly aren't dancing alone.
"We felt the ship tip, it was going down.
So we launched our lifeboat, so we wouldn't drown!"
"Castaways, we are castaways,"
Your face brightens into a wide smile, as Barbara joins into the song. You pull her to her feet with a laugh, your lone salsa not so lonely anymore. Everyone sways and claps to the beat, as you keep singing.
"Ahoy there, ahoy, we are castaways!"
You let go of her hands, letting her copy your movements and preparing for the last few parts of the song.
"On an island at sea,"
Though her singing of the lyrics were a little rushed from the sudden lyric change, you still appreciate it, giving her a smile. You abruptly stop moving, a cheeky little smile on your face.
"Just--"
You quickly point to Barbara standing beside you. She startles with a squeak but quickly understands, once she sees your cheeky face.
"Me,"
You point down the line, the chorus of their voices filling the sea air. Little smiles appear on their faces as it goes down.
"Me,"
"Me,"
Your finger lands on Wanderer, smiles on both your faces. You keep pointing as he stays silent. He raises an eyebrow. "Seriously?" "Yeah, song won't end til you say it." He stays silent for a moment longer, before finally letting you win.
"...Me,"
You burst into smile, pointing your thumb at yourself as you finally finish the song.
"--and me!"
"Castaways, ahoy, we are castaways.!"
With a smile and a flourish, you bow as everyone erupts into cheer and applause. "Thank you, thank you, I'll be here all night!" Diluc hands you back your lyre. "That was a nice song. I really liked it." Your smile turns sheepish as you poof it back into your inventory. "Oh, its nothing-- the vibes, they were just-- y'know?"
As he settles back down onto his log, he says "Still, it was nice." You sit back down on your own log, throwing in a couple twigs to the fire Diluc restarted.
A soft smile graces your face as you poke at the few sticks that made up the fire. "Thanks, you guys. For uhm. Joining in."
You pull your knees to your chest to hide your quickly heating face. "I... really appreciated it..."
Barbara puts a reassuring hand on your shoulder. "Oh, no worries! I had fun!" "I have to agree," Zhongli says with a pleased little hum. "It was quite a pleasant way to spend the time." "It's not the best music I've ever heard but it was certainly better than just sitting here and twiddling our thumbs."
"Oh my gosh," you gasp, dramatically turning your head to him. "did I just get a compliment from THE Wanderer himself?! For real?!?!?" "Ah!-- Tsk." He turns away, adjusting the brim of his hat. "I just tell it as it is, got a problem with that?" "Awh, my little emotionally constipated boy!"
You immediately smother him in a hug, practically pouncing from your seat as you had perfectly anticipated the fact he'd run. "H-Hey! Put me down!" He's like an angry little cat in your arms as he hisses and scratches at you to put him down. "Oh, don't you worry Wanderer, we love and appreciate you too-- AHHHH--"
You started screaming as he ascended into the air, carrying you along with him. And that was how the rest of the evening went-- just a strange group of misfits messing around on a tiny deserted island. The sounds of your mirth heard only by nothing but the breeze, the gentle rustling of the leaves, the crackling of your small fire, and the lapping of the ocean waves. Maybe far into the future, an echoing conch would sing an otherworldly tune by a voice not of this plane.
And maybe, for just these few moments, you can pretend that your little ragtag group is just that-- a ragtag group of friends enjoying a wonderful night on the beach.
For but a few moments, Barbara Pegg-- once deaconess and endlessly devout, now the "brainwashed betrayer"-- is just Barbara, a girl who loves to sing.
Zhongli-- once god, once funeral consultant, once god once again, now "the one who falls endlessly from grace"-- is just Zhongli, an aged man who makes a mean soup despite it taking hours to simmer.
Diluc Ragnvindr-- once the "Uncrowned King of Mondstadt" and master of its wine industry, now the "new Lawrences - the tyrant aristocrat"-- is just Diluc, a stoic and handsome young man whose hands are deft with the lyre.
The Wanderer-- once God-Puppet, once Balladeer, once struck from the annals of history itself, now the "nameless wind fiend"-- is just that, a Wanderer roaming the world with his fellows.
And you-- once person, once player, now "divine deceiver"-- is yourself once again, laughing and singing along with friends.
And even if this beautiful little lie lasted for but a few moments...
It was nice.
---
damn, its been a while since ive written something semi-seriously. hope that my time off hasnt degraded the quality of my writing too much. if it has then eh-- i can just sharpen them again by writing some more :))
life hit me h a r d boi. also time management. yeah. rlly need to fix that.
hope you enjoy :)))
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thetisming · 6 months
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lowkey problematic/90s sitcom version of &j: 1. Juliet: main character that's actually pretty stupid but nobody wants to believe that she is (both in the show and the fandom). in all episodes 2. Anne: considered the mother figure but really shes more of an older sister. in about half of the episodes 3. William: the older sister's husband that gets mentioned a lot for jokes. in about a quarter of the episodes 4. May: the character that everyone makes homophobic and transphobic jokes about that isnt canonically trans but everyone kind of knows. token canonically gay character. they get a few random love interests and only really have any chemistry with one and that one only lasted a few episodes. one of them is just a plot device to build on Francois and May's friendship. we're unsure if the writer's knew what they were doing. Juliet's best friend. in almost all episodes 5. Romeo: on again off again love interest of Juliet. nobody's sure if theyre rooting for them or not. Del style gay jokes where 'how is he not canonically bisexual?'. in a lot of episodes but not all. he and Juliet are endgame (if the show actually finishes) but again, nobody knows if theyre happy about that or not. in almost all episodes 6. Francois: not canonically queer but everyone ships him with either May or Romeo. a few people ship him with Juliet, but most consider them to be siblings (this is the same with May and Romeo). incredibly queer coded, technically not canonically autistic but has a lot of symptoms that the show makes jokes about. in almost all episodes 7. Angelique: ACTUALLY the mother. not in the way that theyre her kids but shes the one that should be considered the mother. she's played off as a joke a lot of the time but theres some very dedicated fans who type long rants about her. in about half of the episodes 8. Lance: what the fuck is he even doing. nobody knows. he shows up sometimes as a plot device for Francois (who brings him up a lot as his father). Angelique mentions her boyfriend and everyone speculates that it's him and in one episode it is confirmed that yes, he is the boyfriend. the episode is a wedding episode. in about an eighth of the episodes
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aromantic-diaries · 5 months
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so, im both aro and ace (despite the amount of sex jokes and calling people hot, still asexual)
well, this is a long story, sorry in advance
so, im talking to this friend (A) here, he says something that is sooo aro-coded, and im like "this guy is probably aro-spec too and maybe he doesnt know so lets help a little" and i tell him to read loveles because 'the main character is very relatable', he ends up with him knowing about aro identities, he questioned his own sexuality before and he isnt aro, but with the 'very relatable' part i sold myself out as aro, and he wasnt arophobic (he literally said he almost used the label so) so it was okay
fast forward a year , we are talking, sexuality ends up as a topic, and i confess i didnt come up to anyone, the only people who knew were him and another friend who found out by accident (really supportive, even though im not sure that i was ready), he ask about this other friend of ours (B) and why i didnt come out to her, considering she is queer herself. i think im not ready to do that, both times i came out were not intentional and though it didnt end up badly still, not ready, also, my relationship with this friend is, well we mostly talk about gossip and all of her crushes, boyfriends, etc., basically it was purely sexual acts and romance, not my favourite topic of conversation but i we dont have anything in common outside shared memories (childhood besties) and school and we are both pretty unpopular so no more people) plus we never talk deep shit so i felt weird bring it up
few days later, the three of us were in class and talking about our teachers (and shipping them cause we are nosy), we get to his teacher and i say that i couldnt picture her with an special other and A says "like asexual, you mean", (it was more like aro but i didnt feel like explaining the difference plus i was panicking a little because i knew where this was going) and A countinues "B, what do you think of asexual people?", B says something in support, and then he asks me "[my name] do you know any asexual people in real life?" with a look on his face saying 'come out', i kinda evade the question so he asks B if she knew any, and B answers she had the theory that i was ace (i mean, she was right). i didnt know what to do so i made a joke "was it so obvious?"
i dont think i was ready to come out to her and i didnt want it to happen, but the conversation didnt end up bad, she was supportive but still i wasnt ready. i dont think it counts as getting outed because he just forced the conversation that way but didnt really say "[my name] is aroace", but i dont know of B hadnt mentioned her theory, would he had outed me?
i dont know how to feel, im basically venting, maybe do you have any advice for this situation?
I really don't think anyone should make you come out if you don't want to do it and it's supposed to be your choice so this sounds like something you should really talk about with friend A and explain to him that you didn't want to come out yet and that this wasn't okay. It is lucky that friend B was supportive though because this type of situation is even messier when the other person is not supportive. But even so it's still a gamble because most of the time you can't predict how someone will react and it's better to not take the risk of coming out to someone, let alone put someone else at risk. I hope you can talk this through with friend A
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nerves-nebula · 1 year
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(I wrote the thing and I'm very nervous to show it. And btw, Klin's Cklan isnt based on anything, I pulled it outta my butt for some random name. Also, there's a few 2012 references in there and 'Leo secret girlboy' stuff too cuz she's told nobody yet at this point. Enjoy 750 words of... fluff? I didnt check it and Im tired so it may make no sense and if so then I'm sorry)
"What'cha watching?"
Donnie flinches, his phone fumbling in his hands for a moment.
He was watching a sci-fi series- 'Klin's Cklan' (the odd spelling based off of the language that was made just for the show). Technically a tragic comedy. It followed the story of aliens who were approached by humans, new to space travel and the universe. A flip on the usual focus of being on humans and their perspective. And it was incredibly nerdy.
He knows that everyone's been making efforts to become better lately, but it hasn't been long enough for him, and he rushes to blacken the screen.
Donnie turns around, thankful for hiding the show, as it was Leo.
Leo, who has been making many efforts to improve himself.
Leo, who had been the main culprit of relentless teasing and a multitude of panic attacks.
Leo, his brother. 
It's too soon. He knows Leo would tease him about it, at least right now. And no hoping for a nicer future will change years of a schedule where he picks apart and tears at his most prized likes.
Though he's clearly been thinking for too long, as Leo waves his hand in front of Donnie's face. "Hello? Earth to Donnie?"
"It- It's nothing. Just some d-dumb show."
"...What's it about?" He asks, seemingly hesitantly.
"No- nothing interesting. You wouldn't like- like it."
Leo drapes his arms over the back of the couch from where behind Donnie he stood.
"At least tell me the name, if nothing else!"
Donnie represses the want to roll his eyes at that. 
"Fi- fine. It's called Klin's Cklan. You- You've probably never heard befo-"
And then Donnie notices his face. He'd been mostly looking away from Leo- preferring to glance at the sofa, the walls, the door especially. But Leo's eyes are sparkling so much that even his avoidant gaze couldn't help but notice.
"YOU WATCH KLCK?"
Donnie thinks that this whole moment might just be an illusion. Like that one time he got kidnapped and had been sedated by a fantasy-building helmet.
But Leo could be lying. Setting up for some kind of tease trap. Tricking him into thinking this was a sage thing to like before pulling the rug under him and saying that he was silly for ever believing that anyone he knows would like a show so nerdy.
It doesn't matter that it hasn't happened in two months. 
Donnie's eyes squint suspiciously.
"What- what declaration of peace did the humans accidentally break went the aliens went to- to the portal potty?" Yea, they named public bathrooms 'portal potties' and Donnie doesn't know who in the writing room came up with it.
"Cintag's treaty of the harmless, which made everyone on the planet try to kill the humans and sacrifice them like they did with the prior predominant species of that planet two thousand years ago."
Donnie blinks at Leo. He wasn't expecting a detailed answer- he wasn't expecting an answer at all.
Maybe this isn't a trick.
"Who's your fav- favourite character?"
"Mona. Like- look at her! She's a badass in a skirt- kicking butt and looking pretty and free while doing it! Even if is more of a side character."
"Fair enough. I like Dr Rockwell."
"The really sarcastic genius who's always flying?"
"Y-yea…"
"We both got attached to side characters, that's sad. I wish they'd show up more."
"Maybe soon. I heard that- that there was going to be a Mona-centric episode soon!"
"Hell yeah!"
And it's a silly conversation. 
Two sucky people, trying to get better, once with a power imbalance so prominent that it let the tides of both of their lives, talking about some silly sci-fi series.
No matter how much he wants to, he doesn't think he'll forgive Leo for some of what he's done in the past (with a particular conversation they had when they were fourteen or so coming to mind).
But he likes moments like this. It proves something for the future. 
And so he knows it's dumb to indulge in, and it will quickly fall apart in maybe a week, but this is all he has to hold on to. These little moments. A break.
So he babbles on with Leo about the stupid sci-fi show. Donnie thinks that this is the first time Leo has ever listened to one of his long rambles without even a shred of boredom shining through, so Donnie doesn't stop talking and for once, Leo doesn't stop listening.
It's nice.
sOBBBBB AWWWWW THANK YOUUUU GUHHHhgadg that's ADORABLE. you made that hella fast considering i just posted the art earlier today :')
my only note is that the formatting made it kinda hard to read, maybe less spaces between paragraphs next time? but otherwise I really liked this! thank you!
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