#and this scene was very much one of those scenes

[egophiliac]

Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?

thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')

1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:

and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!

2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)

and you can also use lines against each other to get different vibes:

it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.

(just gonna use my own art as examples, apologies)

if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.

and don't forget about negative space either! the spaces between things have their own interesting shapes too!

I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D

3. acting!

just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.

this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)

it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!

3. thumbnailing!

this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.

it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!

(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)

then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!

(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)

4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.

that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.

↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!

#art #twisted wonderland #(not really related but since that's what the examples are) #i'm so sorry most of my art advice boils down to 'SHAPES ARE FUN' #(they are though)

[wip]

A very very minor thing I have been curious about for a while, and I'm finally asking: why do you calculate queue posting times the way you do? For example, if I set my queue to post 3x a day, naively I would expect it to post every 8 hours. But in reality it posts every 6 hours with a 12 hour gap between days. Why complicate the math like that?

Answer: Hello @circumference-pie!

Buckle up y’all, it’s story time again!

First: nobody who works at Tumblr right now was a part of the work of planning the default queue implementation, which was more than ten years ago. So the full story behind “Why does it work that way?” has unfortunately been lost to the sands of time. All we can do is tell you how it works today and surmise some reasons why. The queue is actually a very clever system and part of how it works explains some of why it works the way it does. Also, there have been attempts to do what you ask—we still have “Queue 2.0” available in your Tumblr Labs settings, which tries to get closer to how you expect things to work.

Anyway! How the queue works today is not actually a queue in the traditional sense. There is no single list of posts that are in “your queue”. Instead, when you “Add to queue” after creating a post, we’re actually scheduling it to post at a future time, as if you had used the “Schedule post” option instead. We’re just calculating that time on your behalf when you use “Add to queue”, based on your settings, and how many other scheduled posts you have already. We use a secondary “index” model, called “ScheduledPost”, to keep track of posts you have scheduled on your blog. We do mark the ones that are a part of “your queue”, but the data model doesn’t keep one list of your “queue” per se.

You can see this in action on your blog, hiding in plain sight. If you add a bunch of posts to your queue, and then schedule a post for a specific future date, you’ll see both in your blog’s “queue” list, side by side. Because technically to us, they’re the same thing: queued posts are really just another kind of scheduled post, relying on the same always-running service to publish scheduled posts across all of Tumblr. Here’s a fun fact: we typically have about ~14.5 million future posts to publish from this list at any given time and are publishing hundreds of these scheduled posts every second.

So when you’re adding a new post to your queue, what we’re doing behind the scenes is starting at the beginning of your “day”, and creating time slots based on your queue settings. If a time slot is already filled, we move on to the next one. That’s why the default queue scheduler works how you describe—we’re trying to fill those “slots” based on the start of the day, rather than trying to divide the calendar day evenly. This just makes it much simpler for us to understand, scale, and predict when our “peaks” will be. At peak times, the publish-scheduled-posts service is publishing tens of thousands of posts in a manner of seconds. We did rewrite that post-publishing part of this architecture a few years ago to improve its efficiency and solve a lot of “lost post” bugs, but we didn’t change how “Add to queue” works.

However, the Queue 2.0 project available in Labs was an attempt to change the queue system to work as you expect—instead of starting at [beginning of day] and creating enough slots to fit [number of slots] every [number of hours], it tries to divide the calendar day into [number of slots] and fit the result back to the original algorithm’s mapping of the day. We never productionized this alternative approach, because it has a few bugs that some blogs hit in extreme cases, and we’ve never had time to fully fix them. It also can cause a bit of weirdness when time zones diverge, like with daylight savings time. Also, a lot of people prefer the default algorithm, and we haven’t thought of a nice way to transition everyone from one to the other. So for now, both options exist, and you can choose which algorithm for queue-slot-generating you want to use. We hope that makes sense! 

While complicated, it is a great example of a system built by engineers to make sense and be scalable and predictable. But sometimes these kinds of systems, while clever, aren’t very intuitive to understand without digging into how they work.

Thanks for your question, and keep ’em coming. 

#feature #posting #queue #backend

[acapelladitty]

NSFW Alphabet: Cooper Howard

Summary: A full NSFW alphabet for Cooper Howard/The Ghoul from Fallout (2024).

Fic Masterlist

Link to AO3

A = Aftercare (what they’re like after sex)

Pretends that he's not needing anything after sex but actually loves it when his partner wraps themselves around him like a second skin. Won't ever admit to it, but the way his arm snakes around to pull them even closer is hint enough to his real desires.

B = Body part (their favorite body part of theirs and also their partner’s)

Likes his hands because they're quick and dexterous, and can justbas easily gut a gulper as they can seek out and tease a clit. Not much pride in his own appearance aside from that. He's also a tit man and the pillowy softness of them is so opposed to his own body that he only enjoys them more, usually with his mouth as much as his hands.

C = Cum (anything to do with cum, basically)

Sterile as all fuck, he can do what he wants with his cum and it makes no difference. Enjoys the taste and likes oral because of it. He does love for his partner to hold onto his cum though, either by swallowing or by pushing it back up their holes with his fingers. They earned it so they're going to keep it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Has experimented with his new abilities as a Ghoul in some interesting and intense ways. Usually pushing the edge of pleasure and pain as he tests his own limits. His leathered skin is less sensitive than most so he's spent some of his more boring nights doing things to himself that would have a normal man in fucking hysterics.

E = Experience (how experienced are they? do they know what they’re doing?)

He knows his way around a hole that's for sure. He slept with one or two folks before Barb but he was pretty monogamous after that despite the sleaze of his acting career. He and Barb did share a very healthy, vibrant sex life and he was eager to experience new things with her but nothing too outside of the 'vanilla' realm.

F = Favorite position (this goes without saying)

Seated with his partner riding his lap like any good cowgirl should. The close skin-to-skin contact, plus the easy access to their chest, makes it a firm favourite as he's generous with his tongue and teeth. Plus, it lets him enjoy their facial expressions and hold some eye contact as he drinks in their pleasure.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Never 'goofy' is a daft sense but isn't above using filthy talk and double entendres while cracking a wicked smirk. Lots of word play around his status as both a cowboy and a monster and he likes to remind his partner of BOTH of those facets of his personality.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Look at the poor cunt 😭 he's a great big baldy bastard with nary a pube on him. The only hair he has are the follicles that fall off the folk he occasionally scalps.

I = Intimacy (how are they during the moment? the romantic aspect)

Surprisingly romantic given how gruff and generally detached he is, but only with a romantic partner. A random fuck gets a casual pump and dump while sex with a partner has some meaning for him and he likes to feel his partner close and ensure that they have a good time with him.

J = Jack off (masturbation headcanon)

Not at the top of his priority list in the grand scheme of things. If he's feeling horny then he'll deal with it and leave the mess splattered on the ground where it fell.

K = Kink (one or more of their kinks)

Roleplay is a kink of his and he would be at his happiest role-playing a very traditional "cowboy saves a damsel and she's looking to repay the favour" type scene. His most 'out there' kinks include a mild touch of erotic cannibalism, ropework, and dom/sub dynamics relating to discipline and cnc.

L = Location (favorite places to do the do)

Strong enough to make any vertical surface a viable spot for a fuck, there are very few areas that Cooper can't turn into a good spot for sex. His preference is for a bed though because he can be a lazy fucker when it suits him but that's an indulgence he's very rarely afforded.

M = Motivation (what turns them on, gets them going)

Very easily motivated if he can sense his partner is down for a rough tumble in the sheets. All he needs is a WHIFF of a chance of hole and he'll be rubbing himself across you like a cat in heat. Hand straight to the groin like it was magnetic.

N = No (something they wouldn’t do, turn offs)

Sharing his partner? Oh no. He'd fucking kill any third party before they could do anything too untoward. He's jealous as hell and volatile with it as he claims so little in the shithole that is the wastelands. Will threaten to tie his partner up and leave them for the raiders and beasts but that's just a horny threat.

O = Oral (preference in giving or receiving, skill, etc.)

One leftover from his previous life is his love of giving oral. His wife loved it and he loved receiving it in equal measure. However, with things as they are, he'd rather get his rocks off in warm hole when the opportunity and time arose.

P = Pace (are they fast and rough? slow and sensual? etc.)

Normally? Fast and rough. However, in the quieter moments when the sun hangs low and he feels relaxed enough to enjoy some time with his partner, he takes great pleasure in some slow and sensual sex.

Q = Quickie (their opinions on quickies, how often, etc.)

Due to his circumstances, quickies are often the only option for some hole so if he and his partner are frisky then it's as and when the potential arises.

R = Risk (are they game to experiment? do they take risks? etc.)

I think choosing to fuck someone in the wastelands automatically qualifies as a considerable risk. But, yes. He's fond of risk and it's something that he'll continue to push and push until he's satisfied.

S = Stamina (how many rounds can they go for? how long do they last?)

Ridiculous stamina. The kind of stamina that will have smoke pouring from your hole if he's not careful lol. As a ghoul, his skin is slightly desensitised so he can go for longer but usually only lasts one good round.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Not really a big fan of toys (finds his cock and mouth MORE than capable thank you VERY much) but will use easy-to-access objects like his lasso and knife for some kinky play.

U = Unfair (how much they like to tease)

Only teases when it's a game he's playing. Most of the time, he's looking for some quick, rough action that he and his partner can enjoy in their limited, quieter moments. In terms of vocal teasing? He's very quick to spout off with some sleazy promises and demands.

V = Volume (how loud they are, what sounds they make, etc.)

Tries to be very controlled but does have a tendency to grunt and growl a lot which makes him more animalistic than vocal in terms of his speech when he's fucking someone.

W = Wild card (a random headcanon for the character)

Cooper would like to eat a little bit of his partner if they were willing and had the bit going spare. Most of his meals are a necessity but to have a willing offering would be quite erotic and a big deal for him.

X = X-ray (let’s see what’s going on under those clothes)

His cock is the same shade as the rest of his skin but with a slightly deeper tone in his cockhead. Very average length but on the girthier side with a slight lean to the right when he's fully erect. No pubes, obviously.

Y = Yearning (how high is their sex drive?)

Makes a lot of inappropriate comments and touches which would have you believing that he's constantly looking for some tail. That's only true because he tends to be hornier in high-stress situations which, unfortunately, is most of the time.

Z = Zzz (how quickly they fall asleep afterwards)

He doesn't sleep much and there's something possessive in him that makes him happier watching over his fucked-out partner as they sleep rather than sleeping himself.

#top shagger lads lmaoooo #cooper howard #fallout #fallout 2024 #fallout amazon #cooper howard x reader #the ghoul #fallout ghoul #ghoul x reader #walton goggins

[tremendum]

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Me and the Devil; i

(not my gif) .·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:·..·: Paul Atreides x fem!reader prelude next

word count: 5.3k

summary:  Destruction: the only thing you and Feyd-Rautha may have ever had in common. Unfortunately, you endured. You learned how to live with the Harkonnens, to be one of them- and with a clip of fear, you worry you may never be able to unlearn. 

warnings: blood/violence, family deaath, v brief allusions to smut/dubcon, reader is traumatized. pls lmk if i missed anything. not edited.

notes: thanks for all the love so far!!! here's the first chapter of the story - if you want to stay updated, i post on AO3 first :) just a quick first chapter to lay the scene before we jump into the engaging parts of the story. feedback is very motivating and highly valued, thank u all <33

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Penitent Crimes of Retaliation

In accordance with the legal doctrine of the 'Reprisal Accord', as sanctioned by the High Court of the Landsraad, houses are granted the right to retaliate against proven offenses committed upon them. This action shall such be labelled as "Penitent Crimes of Retaliation". Under this mandate, should sufficient evidence be presented, the aggrieved house may initiate a retaliatory strike and engage in warfare against the offending party. While reparations for damages incurred during the conflict are mandated, perpetrators shall be exempt from criminal sentences, ensuring a balanced recourse within the framework of inter-house disputes."

- From the Reprisal Accord, Office of the Padishah Emperor. Imperium, 10041. 

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There was once a time when green was your favorite color. 

You'd enjoyed a childhood of it; Peridot, Jades, the velvet green of winter dresses, the tall, mighty green the sacred Pine. The woven banner of your house, waving in the snow-whipped wind; A snarling green wolf upon the grey armor your parents wore to train you. 

When the men of one other Houses Major arrived to retrieve your older sister, she'd been shroud in that very same pine-colored satin, an elegant dress, as she waved good-bye to you for the last time. When the ice would melt off the lower glaciers for those three months every year, the lakes would thaw to a deep emerald green, and your brother, sisters and you would play in it; servants and soldiers alike yelling and pulling you out, shivering to your bones. 

Even at your sister's funeral. The green of the casket, laid to rest in the ground of a foreign planet by a man who'd never truly loved her. The women of your House, wearing a veil of mourning in that sacred pine satin as you said good-bye to her. Killed by the birth of her first; a son. Your parents had been proud - You became the oldest of your siblings that day.

You can barely stand to look at green anymore. No, instead, you mostly see black.

Black, white, and red. 

They'd sent you away to make for your house a Fortune; a son, they'd wished, for your sake - and, by whispers of your Lady Mother, a daughter - but this place... it crawls with shadows and monsters and deadly smiles; most in the form of your betrothed.

Your na-Baron. 

If Feyd-Rautha ever had a semblance of hesitancy, it was when you first met four years ago. You were at the end of your seventeenth year; he, freshly eighteen. He had been as cordial as you'd ever seen him, escorting you with an arm held out, eyes malicious but mouth less than offensive. He'd even called you Lady Bourbon those first few months on Giedi Prime. And, in fact, you can consider yourself lucky; perhaps for your bloodline, or for you yourself, Feyd-Rautha took special care of you. Maybe he did care for you -in the ways that he could. 

After that, he taught you all you needed to know about the rest of the world. In these final days together, he has admitted furiously that he waited too long to claim you as his wife - four years was much too long for you to wait, even if your purity was claimed by him long before then. 

The accusations had come from his uncle, the Baron; House Bourbon was stealing their precious refinery codes, committing treason against the trading accords along their exportation route. Perhaps, he thought, you were the one to plot it against your beloved future family.

But Feyd-Rautha knew better - knew that you'd never dare betray him. He was the one to demand a public execution of your family - but also the one to redirect your sentencing to a mere prisoner. As if you weren't one already. 

Don't look away. See what we do to scum, my pet? 

After all the sparring, each time you drew that precious blood from him, and you still haven't been able to kill him. If you'd had a blade, you would have, right there in the stands. 

You were, in some ways, relieved when their bodies had hit the sand fast; You'd never seen your brother's skin so reflective as you did this morning. The black sun couldn't hide the blood that had seeped from him, nor from your mother's throat. You'd swallowed thickly, wishing you could look away, gasp - cry; but you had to hide your pain. Your na-Baron would've loved it too much.

Why don't you leave me with them, then? You'd hissed through your teeth.

Though he was wild and psychotic, growling with hunger at the bloodsport in front of him, he heard you for what you'd said. Feyd's fingers pulled your hair hard; forcing your chin to stare up at him. A sickly glint in the black sun, his teeth shone with hunger. 

You'd have me throw you to your Wolves, and lose my prize? He'd tutted, kissing your forehead with a sickening sweetness; enough so that the servants had turned away their spider-black gazes. They didn't care much for the acts of affection you'd occasionally show one another - in a world marred by ugliness, any glimpse of beauty becomes a hauntingly grotesque show of power.

He'd snarled, slapping your cheek hard enough for you to groan. His breath hit your face, you're mine to keep - there's plenty of life left for you to serve.  

He'd held your eyes open as they'd slit your father's throat; then both of your sisters, and your brother's. Your mother had fought as much as she could in her drugged state - the Harkonnens are rutheless, and Feyd-Rautha had sat calmly behind you, your head in his hands, caressing your shaking cheek - but the neckline of her gown was too high, and too thickly inlaid with encrusted heirlooms. 

Bless their voided souls.

The emeralds that tore from her gown as she'd spilled her blood to the sand sent a ripple of pain out of your throat. Feyd had buried his face in your neck, teeth sharp as he sucked a mark just behind your ear, watching as you clenched your palms so hard, your own ruby blood beaded out, blackened in the sun's light.

If anybody would have bothered to look before burning the bodies, you know they'd find all the family diamonds sewn into the fabric of their clothing - centuries of your House, melted away.

Feyd-Rautha had drank up your agony with his lips, smiling as his hand wrapped around your throat. 

Now, alone and away from the thick industrial air, your chambers are cold and suffocating.

There are screams coming from the hall - not the kind that you've grown to associate with your na-Baron testing his new blades, but the kind that comes with danger. With change. 

As it turns out, you are not Feyd-Rautha's to keep any longer.

A loud noise outside of your quarters jolts you from your bed, whispering to yourself. They're coming for you. Pulling the sheets closer to your body, your hand finds the blade gifted to you on your nameday three years ago by your husband-to-be, still tainted with the ghost of your own blood.

Your whispers reverberate in the empty room. "I must not fear. fear is the mind-killer. fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me."

Your voice shakes. Few things remain from your early days of training, before you were sent off to become a Harkonnen; This is one is a relic.

There is a loud noise just outside; blades. 

For a moment, you imagine there is a hand on your arm. It is strong, ghost-white, and possessive. His voice rumbles in your head. Don't look so sad, my pet. I will never let them keep what is mine. I will find you again. 

You almost wish he will. 

When you look down to the weight on your arm, you do not find the hand of your once-betrothed, but the remainder of his ownership, a handprint of a bruise that will not fade even as the soldiers in Atreides armor deliver you to the next planet.

You rise from your bed, preparing your sore body for a fight that will surely end before it even starts. You don't stop your old prayer, in fact, you hardly notice that you're saying it at all. Even as the doors give in. 

"-and when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing - only I will remain-" There are soldiers that burst through.

The way one of them fights strikes a faint memory from a lost childhood, and it fills you with rage. 

Why did you wait so long to rescue me?

You lunge, snarling like the wild beast you've become in your captivity. You will fight, because that is the only thing you know how to do. It is the only thing you have left. 

Your blade falls within minutes.

You're taken by the man from your past not a minute after. 

You're on a ship, watching the black Opiuchi B disappear, in an hour. 

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"My Lady."

You don't realize the worker addresses you until you snap out of it, flushing behind your veil as you step out of the aircraft.

The dress you wear, salvaged from your family's old castle, is dusty. 

It clings to your skin, drowns you, as the rain falls. A staff of House Atreides holds an umbrella above you, shielding your elaborate dress from the water as you walk up towards where the members of the House await you. You stare down at the dress - green velvet. A texture you have not felt in years; your skin looks different not wrapped completely in black.

Your eyes strain to take in the grand entrance to the castle from the hangar which Duncan Idaho had escorted you, ignoring him as he turns to glance back at you momentarily. You can't bear the look of unfamiliarity that flickers over him when he looks at you, now.  

He looks the same - maybe less tall, but that has more to do with it having been six years since you last saw the man. You, however, are not the same girl you were when he knew you on Sabberon. Fear, panic, and wrath rage within you while your gaze smolders daggers at the back of his head. 

He walks just slightly in front of you and despite yourself, you slide just a bit closer - the only semblance of comfort you can allow yourself to feel as you take in the largess of the castle. The air is thicker here than you've ever felt; salty, windy, like you can taste the sea in the rain... it clings to your skin, but it feels clean. You'd been changing into your robes when you entered atmo - you've heard many things about the ocean, about Caladan. 

Something within you yearns to witness it yourself. Subtly, you crane your neck outwards to catch a glimpse; nothing in the near distance but the walls of the castle and high cliffs. 

You nearly trip as Duncan Idaho stops just a few paces from where the members stand at attention to greet you and your retinue.

Duke Leto Atreides, regal and composed, stands at the center of the room, his presence commanding your attention. Beside him, a woman wearing a deep cerulean gown - Lady Jessica. Easily, from behind your own veil, her gaze penetrates you; A cool sensation down your spine as you seem to feel her words in the back of your head as she watches the Reverend Mother who'd travelled with you per High Court orders.

 Hello, sister.

You purse your lips, looking on - there, next to his mother; Standing tall with an aura of quiet intensity, his eyes on you, is Paul Atreides.

The son to whom you're now destined.

Even from your obstructed vision, you can see that he's handsome - lithe, hair curled and combed back to show his eyes. They are wide, penetrating like his mother's, but Maker, they are so green. 

There is no hunger in his eyes, nor hatred, nor anything but a mild curiosity; it strikes a chord of fear in your gut, wishing briefly to return to the na-Baron's sight. It was easy to go unseen with the Harkonnens; They always made their intentions clear, and the na-Baron never wanted many to see you besides himself. You always knew what he wanted, and you could give it to him enough to control him. 

But Paul. His stare betrays no emotion but duty. If not for the boyish pout of his pink lips and his freshly-shaven jaw, you could have mistaken him for his father. A Duke. 

Your name, boomed from the voice of Leto Atreides, pulls you back to the surface of Caladan. "Welcome." Duke Leto's voice resonates through the hall with authority as he addresses you, his tone measured yet warm. Your stomach twists and turns as the man nods courteously to you. Coaxing your body to move, you bow to him.

"We are honored by your presence." His voice is surprisingly humane, exceedingly polite towards you; someone who was just come from the protection (a laughable phrase) of their sworn enemy. 

Your throat tightens at this. There is no honor to your presence, not anymore. 

Though you feel the prickling behind your eyes, you force your head to tilt in acknowledgment, schooling your expression to respectful - perhaps they can't quite make out your face, but Lady Jessica watches closely. She sees.

You take a sharp breath, swallowing away the lump of emotion in your throat. 

"Thank you, Duke Leto, my lord." Your voice carries steel beneath its polite, quiet veneer, though you try to calm your heart. You turn to Lady Jessica to greet her.

"My Lady, it is a pleasure." You say, equally even. Lady Jessica offers a tight smile, something akin to understanding swimming among her irises. It's been quite some time since you were permitted to talk to a woman; Your servants on Giedi Prime were, of course, tongue-less, as na-Baron wished. "Thank you for welcoming me to your home." 

"We understand that these are trying times for you." She says softly, her words a gesture of solidarity as your legs stagger. You feel dizzy and tired, but you force yourself to nod, bowing again. Your chained headdress overlaying your veil chimes slightly with the movement, swaying with the rain.

For such an acclaimed House, you're surprised by the gentleness of their welcome. Perhaps, they'd thought that the groaning and echoing hallways of Giedi Prime might break you, that they'd be taking in some injured little dove, wings clipped by the ferocious boy who'd gifted her with a knife plunged between her ribs on her nameday. 

The scar that lies just below your breast on your right side serves not as a reminder, but as fuel. It did not quell your spark. It ignited it, with a bloodthirsty rage for revenge.

Months of being thrown into a pit under the glaring black sun; Not the arena that assassinated your family, no - this pit was smaller, with one large seat for the na-Baron himself, and drugged concubines and servants with blades to service his na-Baroness. A place to watch his pets play. 

Destruction: the only thing you and Feyd-Rautha may have ever had in common. 

Unfortunately, you endured. You learned how to live with the Harkonnens, to be one of them- and with a clip of fear, you worry you may never be able to unlearn. 

Lady Jessica is correct, these are trying times for you. You swallow as you straighten your back. Despite everything, there's a minor comfort in the Atreides' insistence of providing you with the necessities for you to perform your traditional customary mourning traditions. Your family may be gone, but you can still have this part of them; as a way of saying good-bye. It's what they would have wanted. 

You turn to the young man who stands next to Lady Jessica.

The Harkonnens had tried to show you the dangers of house Atreides; The poison of appearance, of trust. You are not foolish enough to have believed the Baron Vladimir and his webs of deception, but you are sharp enough to know that in times like these, nobody can be trusted. 

Your betrothed watches you, as if trying to see through your mourning veil. The green of his eyes sends a warmth through your stomach as you avert your eyes. "My Lord," you bow to him, your heart thumping in your chest, remembering how you might be rewarded for looking your formerly betrothed in the eyes during ceremony. Trying not to flinch, you wait to see what Paul's hands may do. But they do not strike you, nor grasp your jaw sharply. He barely moves. 

"My Lady." His voice is softer than you expected, and it strikes your heart with a cool unease. Distrust slithers around you like a daunting snake. He bows back to you. 

It's silent for a thick moment before Duncan Idaho - the man from a distant past - speaks from beside you. "We have much to discuss." 

Cutting to the chase, as always. Your eyes fall to the Duke, who nods. "Do you need to see treatment?" He asks the Swordsman, eyes assessing the soldier. 

Duncan laughs at this, gesturing to his arm, where beads of blood still slowly peeks through his the tunic he'd slipped on after changing out of his armor.

"Harkonnen blades are sharp. So are Lady Bourbon's nails."

The prickling of four pairs of eyes strike you as he continues, turning this time to address you full-on. "Your fighting is much different than I remember, Little Bourbon." 

What he doesn't say is clear to you: Much more savage than he remembers. Something between shame and pride licks at your cheeks and you avert your eyes; It had been a force of habit - rabid hounds don't tuck tail when cornered, do they?

You clench your hand, your nails digging into your palms; you learned early on that sharper claws could keep Feyd tame for longer. 

The force of Duncan's old nickname for you, when you'd been young - it nearly knocks the air out of your chest. It's been over half a decade since you'd seen the man; too much has happened since then. Nonetheless, you smile toothless behind the veil, trying not to think of the life you'd just left behind. Of what cold life lies ahead. 

When you respond, your voice is frigid. 

"Sometimes adaptation is survival, Duncan Idaho. Threats demand evolution." 

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The rain is gone by the next day.

In the morning room, forks scrape over blue-plated China. There must be a clock somewhere near, as the seconds pass in quiet, insistent ticks. A cleared throat, a swallow of water. 

Your eyes burn from exhaustion.

Your arrival last night held no such time for small talk - you were whisked away by the service staff to make sure your quarters were comfortable; Your old clothing and that of your sisters and mother - the few things the Atreides soldiers had salvaged from the ransacked Castle at Sabberon - had been washed thrice of rubble and smoke and were hanging, waiting for you, in the wardrobes. 

Barely awake, late in the evening, you'd attended a meeting in a small conference hall. There, sat across from Lord Paul, Masters of War and Swords and Strategy, a Mentat, and the Lady Jessica, the Duke had asked you questions, ensuring you were not harmed - more importantly, trying to ensure there was no malicious intent to your presence. Your eyes could not ignore the Lady Jessica, who stood behind the Duke, her fingers twitching to the others when you responded to a question asked of you. They had some kind of language, you'd realized, as they responded in their own subtle hand gestures. 

You'd only been there for ten minutes before you were escorted by a handmaid back to your chambers, where you sat without rest through the night. 

Truthfully, you're breaking fast with Lady Jessica and Lord Paul out of courtesy; You were up far before the sun had found the horizon this morning, staring emotionless at the ghost who stood in the corner of your new chambers.

You'd sat watching, cradling your chest with wide eyes, as the ghost slid onto his knees. How he'd crawled, smirking at the foot of your mattress, whispering to you with sharp teeth and beckoning fingers. The sweet promise in his eyes laid with blood and pain, coaxing you forward despite yourself - until something in the corner of your vision moved, and you'd screamed. 

That had woken one of the servants.

She came in with her head tilted down, holding a pitcher of water, and you'd asked her to stay.

Her name is Hestia; she must barely be twenty. You insisted on sharing a pot of tea with her, sitting in the silence but sipping shortly on your teacups. You didn't talk much, but instead breathed and felt the safety and of a woman's company, even if she is a few years younger than you. 

It wasn't until she'd brought you breakfast a few minutes later that you realized the staff must have been informed of your courting customs before your arrival - she said nothing as you ate silently, staring out towards the coast of rocky cliffs and rolling moors you could just barely make out from your chamber windows. 

And now you sit similarly - in the morning dining room, your hands perched in your lap, unsure what to do with yourself.

Your future husband, no older than yourself, sits across the table from you now, pushing his omelet around on his fork. The table shakes just slightly, jilting your glass full of water - he must have a restless knee. He chews at his lip, avoiding your stare, sharing slight conversation with his Lady mother. Her attempts to bring you into the conversation are met with polite answers and more silence, your voice shaky and cold. 

After a while, a woman enters, whispers something to the Lady at the end of the table. Nodding, Lady Jessica takes her leave with a pointed look at Paul, suggesting he might escort you around the castle to settle you in.

Though your stomach coils, you nod, "-if you have time, my Lord, I'd appreciate it."

His eyes find yours from behind the veil and you clear your throat. He's quiet but chivalrous; A nod, a glance sent back to his mother as she leaves. A short gust of air through the room and suddenly you can smell him. His hair, clean and glossy - healthy - glints as he faces a window, exposing the early morning sun to his bright eyes.

It's silent for a few moments as only the two of you remain; Your food untouched and his half-eaten. 

"Are you one of them?" 

Them?

You stare at him from behind the thin pine veil that covers you. It occurs to you that Paul may assume you are just as bald and sick as each Harkonnen; years of adapting, surviving off of instinct and placation, are over. With a jolt, you realize you are not a Harkonnen. And you will not be wed to one.

You shake your head, thankful for the lack of chains upon the crown of your head today, ignoring the melancholy feeling in your gut. 

"I have hair." You state simply, looking down at the skin of your arm; The skin that boasts arm hair, none of the sickly pale skin that knew of no clean air nor healthy sunlight - your skin, glowing with real melanin like the House of Bourbon.

You'd never spoken this freely on Giedi Prime besides in the sole company of Feyd-Rautha - stars, you'd never have spoken this freely at home on Sabberon, either - but there is no home anymore. And if you've learned one thing in your years since coming of age, its that the Great and Noble Houses of the Landsraad are crawling with perjurers, fabricators. 

Paul is likely the same. 

If the Atreides boy must be wed to you, you cannot help that, just as you couldn't help with Feyd-Rautha. They can dress you, insist in your traditional customs - but you will not go down easy. No matter how cold the home, you can be colder. You are more than the bones which hold you up; Meaner than the demons that kept you in their ghostly-grip for four years. 

His cheeks flush a peculiar pink, bottom lip captured between pearly teeth. "No," he starts again, eyes searching - trying to find you, beneath the layers of green that wrap around you. "Not Harkonnen-" he quiets after he says the name, as if worried to offend you. "I meant-" his eyes swim, "Bene Gesserit." 

Your stomach chills as you meet his eyes. 

After some hesitation, you shake your head. "No, my Lord."

When he blinks at your words, you feel compelled to continue. "I suppose I was..." you move your hand to pull on the sleeve of your robes.

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"or, I was supposed to be." your unemotional tone rings through the room. Paul doesn't say anything to that, biting back the suspicion that climbs up his throat.

He stands when you rise from your seat; Your mourning dress, unlike anything he'd ever seen before, flows like the leaves of a weeping willow as you push your chair in behind you. When he offers a stiff arm to escort you out of the room, you hesitate before looping yourself loosely to him. 

She is telling the truth. 

His mother had indicated, with flicks of her hand, during the meeting the evening before; you, sat before the Atreides' council, unaware that his mother was reading your honesty. 

But that could be a trick; you've admitted to being partially trained in the ways of the Bene Gesserit, perhaps you found a way to deceive his mother. As much as he trusts Duncan and his father, he can't shake the suspicion that you're a mere pawn in the Harkonnens' game.

But his father's words burn sharply into his mind. 

Duty often requires us to navigate paths we may not have chosen for ourselves, Paul. You may not always like her, but you will treat her with the respect and care befitting of a future spouse. Love may come in other ways - but you will marry her, and together you will sire an heir when the time comes.

By decree, it was ordered you be wed to Paul, but he can't find it within himself to lose the feeling of distrust. He has spent hours learning about the Harkonnens - how they think, their strategy; and yet, from Duncan's account, the Baron and his nephew just let you go. It makes no sense to him. 

"I was supposed to be a lot of things." 

Your voice is undeniably beautiful; strong, much more resolute than he'd expected. But you are extremely cold, and evidently unwilling. Polite, yes - it seems you've been trained just as he and every other young noble of the Great Houses have - but you are calculating, aggressive.

He saw the claw marks you'd left upon Duncan; a man you've known since you were a young girl.

You walk with your chest out, back straight like a soldier; your words are cordial yet laced with steel and indifference - it only serves to deepen his unease. He guides you through the castle, murmuring quietly as he shows you along, introducing you to various members of staff who stop and bow in recognition. 

You don't say much until he escorts you to a path that winds down out of your sights; Below the castle, between jagged rocks, Paul finds himself concerned to no longer be surrounded by castle walls. Beside him, you take a deep breath, your footsteps faltering as you slow to stare at moss that sprawls across the cobblestone. 

Curiously, Paul slows to a stop beside you.

For a moment, you stare down at the dirt and fallen tree limbs, the grassy fields and rocks. Soon, as though an invisible string pulls you upwards, you snap your head, voice sheepish behind your veil. "Apologies, my Lord." You start to turn away. "I've read of plants like this, but never seen them before in person." 

Paul is suddenly struck by the realization that you may not have seen much of any flora nor fauna on Caladan. He knows what Giedi Prime is like; and your homeworld, from what he'd read last night before bed, was mostly full of Glaciers, forests, and high altitudes. Perhaps you are interested in such things; the idea surprises him. 

So instead of moving along, he finds himself bending to pull off a bit of the moss from a fallen trunk. The earthy dirt spreads between his nimble fingers, the green bright against his skin. You watch him silently.

"It absorbs up to twenty times its dry weight in water." He says it quietly, repeating what he'd learned in an ecological lesson, pushing on the spongy material with his thumb. "Banks of it grow just around the brackish tidepools outside the castle." 

Your interest, piqued, causes your head to crane slightly from your short height - he can tell, even without seeing any part of your face, that you are fascinated. "Am I allowed to see?" You ask stiffly, your arms by your sides.

An initial wave of protectiveness over his home washes over him; remembering his father's words, he forces his shoulders to relax. He lets the moss fall back to the stump, brows furrowing. 

"You are to be Lady Atreides, one day." He tries to school his voice evenly, avoiding any hint of resistance to this fact. "You do not have to ask permission to see your own land." 

The wind from the sea whips around you; his stray curls fly in his vision. There are no words from you for several very long breaths, in which you clear your throat. 

"I do not feel well, my Lord." You say moments later, voice cordial but thick with the desire to be alone, "I believe I am sick from travel. Please, if you would excuse me." 

He is unsure if he had made you uncomfortable or if you are truly feeling sick; nonetheless, Paul escorts you to your chambers silently, calling one of the handmaids - Hestia, her name is - to check on you. He insists she bring you some bread and cheese, to draw you a bath if you please. 

His jaw clenches; he's to train with his mother soon, but he needs release. His muscles clench in repressed frustration and so Paul lets his feet carry him swiftly to the training quarters.

His fingers itch for a blade; his mind itches to forget about the last day, about the cold life that lies ahead of him. 

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follow @tremendumnotifs for updates.

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#paul atreides x reader #paul atreides smut #paul atreides x you #paul atreides i need you so bad #feyd rautha smut #feyd rautha x reader #feyd x reader #me and the devil; series #feyd x you #feyd smut #dune fanfiction #dune smut

[somnambulic-thing]

Sometimes I am really sad about the subtext, meaning and depth that gets lost whenever (potential)/(ex)love interests have a scene together and all the shipping madness interferes with actually getting to the core of a scene.

Like the six little nuggets scene.

Steve Harrington, who's a teenager with normal teenage problems to solve and to grow from, who was close to death so many times in the past four years, who only ever loved one person and since then has been on one date after another unable to establish a connection with meaning again, who upon driving a stolen mobile home, covered in cuts and bites and bruises to prepare for interdimensional battle sitting next to the only person he ever loved gets sentimental about his future.

About what could have been. What he probably had once dreamed about in the quiet of his bedroom and now, in this very exact moment in this stolen mobile home with the possibility of death around the corner, he dreams again. Of a future.

Does it matter at this moment in time how he and Nancy parted?

Does it matter that both of them know that this future isn't going to happen because of who they are, who they are to each other and what lies ahead of them?

Does it matter that Nancy didn't tell him to stop, didn't tell him: No, Steve, never, Steve! while her friend was scared to die and grieving?

What matters at this moment is that Steve Harrington wants to live!

What matters at this moment is that Steve Harrington needs something to cling to to not lose his mind in a mind-bending situation and it happens to be the fantasy of a teenager who has barely lived at all.

I love that scene.

And every other scene that Steve and Nancy share in Season 4. Because they care for each other after everything that happened, because they find each other again in this moment in time to be there for each other in crisis. Are there emotions flooding back in? Of course. Nancy and Steve are caring, loving people. And after everything that happened since Season 1, it would be odd if there weren't some sparks of tenderness. Some soft looks. Some oh's and ah's about the way the other changed and in what ways they haven't.

People are complex, teenagers are messy, emotions are what they are.

I know it's become a common custom to call the Duffer brothers and their team bad writers and I strongly disagree with that notion. (could write an essay just about that)

There is so much depth in those stories.

Steve wants to live. He wants to live so badly.

#Stranger Things #Steve Harrington #Nancy Wheeler #Stranger Things s4 #Stranger Things meta

[meechlamajor]

GQ Couples Quiz — Paige Bueckers x BlackFem!Actor!OC

In which Nyx and Paige take the GQ’s Couples Quiz to hard launch their relationship and end all speculation.

Warnings: fluff, “bullying,” two cutie patooties in a relationship.

Author’s Note: perhaps make this into a series? initially it was an x reader fic, but minds have been changed! love you all so so much 🫶🏾 i appreciate the love that i’ve received and new moots!

Since Nyx had her very first taste of the spotlight, she was media trained to not give certain details of her life away because of one thing: you give people an inch and they take a mile. People would learn one thing about her and think they knew everything. Nyx enjoyed the experience, but aimed to maintain privacy.

So, she was very particular. She never said too much about her family, friends, or relationship status. Nyx had seen how crazy peoples “fans” could get and she didn’t want any parts.

What people didn’t know is that Nyx and Paige, two people on opposite sides of the entertainment industry, were connected in the most intimate way. The two have been in a relationship for four years. Paige made her way onto the scene before Nyx, but little did they know she was behind the scenes for a few of those years and that Nyx didn’t plan on leaving.

Nyx got her first big role in 2020 and it’s been great for her ever since. Her relationship with Paige began with her first encounter with Paige at the premiere of her first movie. Paige approached Nyx to tell her how excited she was to watch it and slipped in that she thought Nyx was absolutely gorgeous.

The two of them exchanged phone numbers and the rest is history.

-

Nyx cleared her throat and adjusted the microphone on her shirt, “are we about to start filming?”

Paige chuckled and leaned over to Nyx, “relax, they’re still fixing the lighting.” Her left hand stroked Nyx’s face, Paige’s thumb ghosting her cupid’s bow. “Nervous?”

“A little, yeah. You probably don’t know me as well as I think you do,” she joked. “Don’t disappoint me.”

“I don’t even know what that word means,” Paige winked at you, her hand falling from your face.

“I believe you,” you chimed with sarcasm laced in your tone, making a light joke about her intelligence.

The lights dimmed and then brightened again. “Sorry,” the technician spoke up. “Blondie looks a little washed out on the camera.”

Nyx laugh awkwardly, not finding the joke all that funny. “Sure.”

Paige instead laughs at Nyx and doesn’t pay him any mind. She finds it funny because a lot of times even if Nyx doesn’t say what she’s thinking, her face said it for her.

She’s dressed in a purple sweater that’s kinda fluffy, like Sully from Monsters Inc. Her legs are covered in light washed denim and her shoes match the purple of her sweater. Her jewelry is gold: a gold chain, gold diamond stud earrings, and a gold ring on her index finger that matches your own. Paige’s hair is also wavy, her stylist crimped it. She looks delectable.

“Okay, we’ll begin filming in 3…2…1… action!”

“Hi, I’m Nyx Adams,” she smiles before jutting her index finger toward Paige.

“And I am Paige Bueckers. Today, we’ll be taking GQ’s Couples Quiz,” she winks at the camera. “Plot twist of the century, huh?”

Nyx snickers, “they’ve been trying to connect the dots, babe.”

Paige tucks her tongue into her cheek, shrugging. Their fans were always trying to figure out whether the two were single or not and if Nyx was spotted near someone famous or at the same event, rumors typically came about.

“Are you going first?” Paige asks Nyx, motioning to the deck of cards that are held by her manicured hands.

Nyx nodded, “yeah, so… get ready. These aren’t easy questions.”

“Please,” Paige waves her off. “I know you like the back of my hand. Have a little more faith in me.”

“I have faith,” Nyx affirms in a chipper, but sarcastic tone. “But with your horrible track record I’m a little skeptical.”

Paige moves her hand in the form of a talking mouth, mimicking Nyx and breeding a little friendly competition.

Nyx clears her throat, “keep that same energy for the whole game, P. Now, first question. How did I get my name out there as an actor?”

Paige mockingly gags, “you were ones of those TikTok… actor… people. The P.O.V.s and stuff.”

“Don’t say it like that!” Nyx laughs, “clearly I was onto something if it got me this far!”

Paige laughs too, running her hands up and down her jeans. “I get second hand embarrassment every time I see the clips babe, I’ll be honest.”

Nyx rolls her eyes, “you’re so sick and twisted. It was a different time. 2020 was rough.”

“Yeah, for everyone, but I wasn’t doing that.” Paige replies, their ongoing banter lifting the mood in the room.

The producer nearly suggested that the director cut them short, but the show needed this kind of genuineness.

“Mhm, yeah, because you were trying to recreate Love and Basketball,” Nyx ran her tongue over her pearly white teeth and a grin overtook her face.

Paige did her signature “alright, alright,” her cheeks becoming a rosy pink color. “Next question, yeah?”

Nyx moves the card in the front of the deck to very back and her eyebrows raise as she reads the question on it to herself.

“If I want to have a productive day, what three things should I leave at home? Or like, keep my distance from.” Nyx read off. “This one’s interesting.”

“I want to say your phone, but if you’re leaving your house that’s not realistic at all.” Paige hummed, looking up in concentration.

Nyx fiddles with the cards while Paige processes, adjusting the belt ok her denim skirt, which just so happened to match Paige’s jeans.

“Oh!” Paige snaps, having an “ah-ha” moment. “Your little Sonny Angels are one. Definitely, you’ll sit there and play with them like Barbies.”

“That’s one…” Nyx trails off. “You’re on the right track though, babe.”

“Uh… okay, so if you’re not going to leave your phone at home then it’ll be your AirPods that you leave. Saying that music helps you focus is a lie.” Paige read Nyx like a book, tapping her finger on the arms of the chair that she sat in.

“Dam— dang you’re good,” Nyx groaned. “One more.”

“What did you bring in your purse today?” Paige inquires with a small smile on her face.

“Is that not cheating?” Nyx answers her question with a question, side eyeing the camera to her left.

“Not if you didn’t want to have a productive day…” Paige trailed off with a hopeful look in her eyes.

“Madison…”

“I don’t know anyone by that name, who is that?” Paige dramatically asks back. “Does anyone here know a Madison?” She glances around the room and then shrugs, “guess not.”

Nyx rolls her eyes, “so do you give up?”

“Babe I never quit, but yeah this time I will,” Paige laughs obnoxiously at her own joke.

But, Nyx cannot help but laugh too. Paige’s energy was infectious.

Nyx clears her throat, reeling from the laugh attack she just had. She was genuinely laughing so much, think of when Zendays has an interview with Tom Holland. Suddenly everything is funny.

“You, babe.” Nyx responds.

“Me? Me what?” Paige inquires. It took a while for her brain to catch up.

“You! I’m leaving you at home!” She clarified.

Paige dramatically gasped, “no way. Bro you know how I get, why would you leave me?”

“Why are you so shocked right now?” Nyx chuckled. “I tell you when I’m leaving literally every time!”

“But you can’t have a productive day with me with you? No way, you’re overdoing it. I’m the most productive person you know,” Paige argues.

“No, definitely not. Azzi is the most productive person I know. And, we were almost late on the way here because you tried to convince me that we should’ve gone to the Sugar Factory.” Nyx replied matter-of-factly.

“We had enough time if you ask me,” Paige shrugs.

“We did not,” Nyx deadpanned. “Be serious.”

“A lot can happen in forty-five minutes! Don’t shoot the messenger, I’m just saying.” Paige reasons, laying the back of her right hand in the palm of her left.

Nyx sighed in disbelief, “this is an everyday thing.”

“Why aren’t you used to it yet?” Paige raised an eyebrow.

Nyx ignored her, shuffling to the next question.

-

Now, Paige’s turn would begin. “It’s about to get crazy. Are you ready for the ultimate test of your life?”

“I’m so ready, literally nobody has ever been as prepared as I am.” Nyx attests.

“How long does it take for me to get ready?” Paige reads aloud.

“Isn’t that kinda subjective though?” Nyx hesitated before answering, unsure of the validity of the question.

“Just go for it. If you’re close enough I’ll give you the point,” Paige answers.

Nyx nods, “okay. Well, I think I take longer than you and I take about… an hour and a half. You… maybe just an hour?”

“I’ll give you that,” Paige smiles. “I wrote fifty-five minutes.”

Nyx rolls her eyes, “see! I was never going to get that. You could’ve rounded up.”

“Excuses, excuses,” Paige fake yawned. She glanced the camera (they clearly like to break the 4th wall), “losers, am I right?”

“I know you did not just— that’s disrespectful.” Nyx’s jaw dropped.

“Don’t hate the player, hate the game sweetheart.” Paige replies. “Next question. This one’s tough, but don’t get discouraged.”

“Yeah, yeah, get to it.”

“Do I prefer sweet, salty, or spicy?” Paige inquires, crossing her arms across her chest.

“Salty, but you’re picky about it. You always end up saying ‘I need something sweet,’ and if you’re going to have a sweet treat it’s gonna be TrüFrü.” Nyx rattled off her answer easily. “Barbecue sauce is spicy to you, honey bun.”

“Okay, you had me at first and now you’re dragging it because I never said that I think barbecue sauce is spicy,” Paige said.

Nyx shifts in her seat, running her hands through her braids. “You didn’t have to, I know you.”

“I got ‘I need something sweet’ from you. It’s your fault,” Paige chimed.

“So… it’s a bad thing that I’m a good listener? I’m confused,” Nyx giggles again. “You’re… silly to say the least.”

“I’m not laughing.”

Within the next hour and a half Paige and Nyx wrapped up their video, eager to see how it came out. Given that this video would be their form of a hard launch, they wanted the video to perfect encapsulate their relationship.

-

nyxadams • 2 min

Liked by paigebueckers, icebrady, jujubballin, zendaya, and 592,167 others

nyxadams check us out on gq! there’s a surprise waiting for you!

PINNED paigebueckers 4 years down, forever to go 🫶🏻

↬ nyxadams you’re stuck with me

user1 when worlds collide???? 😧

kkarnold yesss girlypop 😍 my first time commenting on your page 🤞🏾

↬ nyxadams this is such an emotional moment

justinskye omg is this real or like a fan edit

user2 alexa play that should be me

akira_akbar it only took 20 years for you guys to pop out 😪 proud mom moment

nikamuhl k but i miss you so when are you coming back to seattle

↬ nyxadams coming right now sugarplum

user3 rue, when was this?

icebrady nyx where are your earring from i NEED a pair

↬ nyxadams you can literally come get them from me right now

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#meech la major #meech’s thoughts #uconn wbb #paige bueckers #paige bueckers x fem!reader #paige bueckers x oc #paige bueckers x black reader #paige bueckers x reader #marsai martin #gq #bwww #social media au

[nono-bunny]

Losing my mind because it somehow took me literally until right now to realize that a Zuko and Katara encounter is a part of every season finale of ATLA, like, literally, what the fuck? And all of those are strong jumping off points for fics to boot, like???

"You rise with the moon, I rise with the sun" is like. Such a big deal in the fandom, and while it tends to feature in all kinds of fics, it perfectly encapsulates the enemies phase in the enemies (to friends) to lovers of these two. An unreasonably sexually charged line too, wtf were they on about with that scene if not ship bait?

Fics diverging from the crystal catacombs are like. Such an obvious and natural evolution of that scene- it's the "something awful happens there, but what if it didn't?", I think. It was, in fact, the first fic I went out looking for- was rewatching the show and once again felt the accute disappointment of what could've been, and I wanted to read what could happen if it had. Ultimately I think the show made the right choice there, because Zuko getting what he always wanted and realizing it's all wrong is important, but it did rob us of him being a part of the gaang for longer, and that makes me sad.

Then there's the final agni kai.... Literally how can you watch that one without expecting them to kiss after? Genuinely don't get it, impossible. Peak Zutara. Possibly the single best fight of the show, and undoubtedly the best finale scene. A perfect resolution to the bond between those two- that gets completely thrown away to give Aang his woman shaped prize. Of course it's also a popular jumping off point for plot divergent fics!

Genuinely wild that they have THREE romantic coded finals, and yet they don't even end up together. Kataang and Maiko are barely even a factor in the first two season finals, too! Mai literally doesn't exist in the first, and in the second is very obviously representative of Zuko making a mistake. Literally cannot think of a Kataang scene in the first season finale (but I might just be forgetting? I obviously do not care for that one, lmk if there is one and I'll add it, but me being unable to think of one feels a bit telling given how much I hate those scenes), and the big thing for them in the second one is literally recreating a pose evoking a mother and son relationship, which is a big fat F on the shipping factor if I ever saw one.

"Kataang is baked into the show's DNA"- shut the fuck up, Bryke, and maybe have a look at what you ACTUALLY did with it. This isn't the kind of thing that you can just brush off... Especially because those are all scenes people associate with big emotional plot points of your show, and guess who's doing the heavy lifting there? It's definitely not Aang, that's for sure.

#avatar the last airbender #atla #anti kataang #anti aang #anti bryke #zutara

[joelalorian]

Fall Into Me - Chapter Eight: We'll Dance in the Street like Nobody's Watching

dbf!Joel x f!reader

Summary: Joel is hanging on by a thread as a single father to a tenacious 10-year-old Sarah. Feeling like he's drowning, like the world is about to spit him out, he needs some help before he breaks in half. At your dad's insistence, you show up in his life and change everything.

Story is inspired by the song Fall Into Me by Forest Blakk. Chapter titles will be lyrics from the song.

Word Count: 3.8k

Chapter Warnings: Explicit, under 18 take a hike. No outbreak AU. Lots of feelings, unprotected p in v, flirting, dads being dads. Two idiots falling in love and finally fucking admitting it. Joel is his own warning. Age gap of about 9 years (Reader 24/25, Joel 33/34). No use of y/n. Reader has a nickname used only by her dad and Joel uses various terms of endearment (darlin', sweetheart, etc.).

This chapter includes the scene that sparked the entire story idea. I've been patiently waiting for it to see the light of day. hope you enjoy!

Thank you so much to everyone who reads this self-indulgent story and extra thanks to those who comment and/or reblog - you all make me feel like a rock star!

Dividers by the wonderful @saradika-graphics

Chapter Seven | Main Masterlist

“So, how was it?” Grilling you for the past twenty minutes, Emily was relentless in her pursuit to find out just how good Joel was in bed, after congratulating you on the new job, of course. “Come on! I need to know!”

“Alright, alright! I had no idea you were such a needy bitch. Is your hubby not dicking you down enough or what?” you laughed before regaling her with tales of Joel’s prowess.

“I fuckin’ knew he’d be big and know how to use it! He just gives off that BDE, ya know what I mean? Just how big are we talkin’, anyway?”

Rolling your eyes, you laughed again. “Well, I didn’t fucking measure it, but it’s a definite handful. Besides, you’ve never even met him, Em! How could you possibly get that vibe?”

“I’ve seen photos and heard stories, that’s more than enough to pick up on that sorta thing,” Emily replied with the confidence of someone who damn well knows what she’s talking about. “I need to know more. Gimme all the details!”

“Yeah, yeah. Speaking of BDE, I gotta finish getting ready. Joel said he had something special planned for tonight to celebrate me getting the teaching job.”

“I bet he does. You’re gonna get another deep dicking from that huge—”

“Bye Em!” you cut her off and hit end call before she could carry on anymore.

Tossing the phone on your bed, you finished putting a light layer of makeup on, putting in a little more effort to look good tonight. Ten minutes later, dressed in a pair of dark, fitted jeans and a dark blue, long-sleeve, vee neck shirt that showed just a touch of cleavage, you wandered out to the living room.

“Alright Dad, I’m off. I’ll see you tomorrow, yeah?” Leaning over the back of his recliner, you press a kiss to his balding head.

“Have fun on your date and be careful, Spud. Call me if you need a ride home or anything,” he replied, patting your hand. You turned to leave, grabbing a light jacket from the hook by the door just in case, when your dad’s voice carried from the living room. “It’s funny, Joel told me he has a date tonight, too.”

Freezing for a moment, you squeak, “Oh, yeah?”

“Uh huh. Quite a coincidence me thinks.” He paused again, but you were at a loss for words and grateful that he couldn’t see your expression. “Enjoy your night, kiddo.”

Knowing a dismissal when you heard one, you take off through the door. Your mind raced on the short drive to Joel’s. He knows. Your dad so knows. You start to panic for a moment wondering if he’s upset before the realization hits that he didn’t seem remotely mad about it. More like he got a kick out of the idea and enjoyed teasing you. You and Joel had to fess up very soon, but that was a tomorrow problem. Tonight was meant to be all about you and Joel.

Walking through the front door, you expected to find Joel in the living room or kitchen, but the downstairs was empty. Lugging your overnight bag up the stairs, you thought maybe he’d be in his room or the bathroom still getting ready, but again, no sign of him. Where the hell was he?

Making your way down the stairs, you peeked out the window to make sure you didn’t imagine his truck in the driveway when you parked – it was there, right next to your car. He had to be around here somewhere. The sound of soft music hit your ears suddenly. Following the sound, you slipped out the back door and gasped.

A soft glow spread across the yard from lights strung from tree to tree, a plaid tablecloth covered the patio table on which sat a vase of brightly colored tulips, an open bottle of pinot noir, two stemless wine glasses, and two covered plates. Just beyond the patio, a hammock hung between two large live oaks with another set of string lights dangling above it. As your eyes took it all in, Joel stood off to the side watching you with a warm smile.

“Joel,” you whispered, afraid to disturb the dream-like quality of the moment, his name a drawn-out breath in the air when you finally turned to him. His dark eyes glinted from the string lights as he stepped forward out of the shadows, one hand stretched out towards you. There was no hesitation in reaching for him and you clung to each other for a few minutes before he stepped back to pull out a chair for you.

“Thank you,” you whispered, settling into the seat. When Joel took his place across the table from you, you added, “This is so lovely, Joel.”

A bashful smile graced his lips as he removed the covers from the plates and filled the wine glasses. Your gaze soaked in every little movement he made, in awe of the gorgeous man before you and all he’d done to make this evening special. Holding his glass up, he toasted to you. “Here’s to your new job and the start of a very rewarding career. Congrats darlin’.”

Clinking your glass against his lightly, you beamed at him. He looked so handsome, thick curls pushed back away from his face, tanned skin glowing in the soft lighting. “Thank you, Joel.” Already buzzing from the way he made you feel, you sipped lightly at the wine before digging into the meal before you.

Bursts of flavor hit your palette at the first bite, the chicken cooked to perfection and the sun-dried tomatoes adding just the right tang to the red pesto coating the rigatoni. A soft moan escaped before you caught it, cheeks heating up with the way Joel looked at you with hooded eyes.

“I reckon you like it?” he asked, a teasing lilt to his gravelly voice.

“This may be the most delicious thing I’ve ever tasted, Joel. Did you make this?” You took another bite, savoring the flavors that exploded in your mouth.

“Mmhmm. It’s my mama’s recipe, she made it a lot when we were younger, and it’s always been my favorite. I’m glad you like it.” He watched you enjoy another forkful, obviously proud.

“I don’t just like it, Joel. This is fuckin’ delicious. I didn’t know you could cook like this!”

His cheeks turned pink as he cleared his throat. “I can’t, usually. I practiced a lot with this one.” That melted your heart further.

You ate your fill, making small conversation between bites, until your wine glass was empty, and your belly satisfied. Joel poured you another glass, which you sipped leisurely as he cleared the table and placed the dirty dishes in the dishwasher for later. He wouldn’t let you lift a finger.

“Dance with me?” he said upon his return outside, voice deep and gravelly as he plucked the glass from your hand and placed it on the table.

“I’d love to,” you replied softly, lips tilted upwards in a sweet smile. Holding his left hand out, Joel helped you to your feet and let you off the patio.

A new song began, volume a little louder now, and you stepped closer to him. A warm buzz spread through your veins when Joel pulled you against his broad chest, one arm wrapping around your waist and the other bent to hold your hand over his heart. You could feel the thump of his heartbeat beneath the green flannel he wore as he swayed you slowly around the grassy yard, careful to not stray too close to the pool.

Nothing ever felt as right as being there in Joel’s arms, dancing in the yard like the world beyond the fence didn’t exist. Your feelings for this man were overwhelming, growing deeper each and every day – hell, each and every second was more like it – and that four-letter word bubbled in your throat. You swallowed it down, settling your head against Joel’s shoulder, eyes closed and focused on the moment.

Joel’s chin tilted downward, nudging against the side of your face, his lips near your ear, and his breath sent delightful chills down your spine when he began to sing softly.

“Fall into me and I’ll catch you, darlin’. We’ll dance in the street like nobody’s watching. It’s just you and me and the song on repeat in my head, playing over and over…”

My god, how could you not fall in love with this incredible man?

The intimacy of it all brought tears to your eyes as your fingers threaded through the hair at the back of his head. Stomach alight with the flutter of too many butterflies, the urge to speak from your heart became too much, you could hold back no longer.

“I love you, Joel.”

You loved him.

What did he ever do to deserve something like that?

Heart clenching deep in his chest, Joel guided you to the hammock, music still carrying softly through the air. With amazing finesse, he settled you both on the hanging fabric, bodies snuggled together until you nearly became one.

He ached to say the words back to you, but they kept getting stuck in his throat. Instead, he settled for showing you how he felt, just like he did with dancing and singing in your ear – he could have written that song for how relatable it was to the feelings you brought out in him. Dark eyes stared into yours as his hands moved over your body, pulling you impossibly closer.

I love you, his lips said as they pressed heatedly against yours.

I love you, his tongue said as it licked softly into your mouth to tangle delicously with yours.

I love you, his hands said as they touched you with utter reverence.

I love you, his body said as he pressed it tightly against yours, trying in vain to crawl beneath your skin.

Joel kissed you with singular focus until you were both breathless and overwrought with need.

“Take me to bed, Joel,” you whispered when he finally tore his lips from yours. “I need to feel every bit of you.”

Your angelic voice music to his ears, he scrambled from the hammock, scooping you up in his muscled arms to carry you inside and up to his bedroom. His mind occupied by one thing and one thing only – making love to you until you knew every part of him and he knew every part of you – the string lights and last bit of wine were left forgotten in the yard.

Loving the way you clung to him, Joel swept through the house and up the stairs with an urgency he’d not felt before.

His lips moved to brush down your neck, nipping at the tender skin as he went. Once in his room, he closed the door even though you were the only two there. Joel kissed each new patch of skin bared as he removed your clothes until you were completely naked. Easing you back onto his unmade bed, a low growl rumbled from deep in his chest when your fingers slid along his scalp and tugged on his hair. Fucking lord did he love how you touched him.

“Fuck, I need to taste you, pretty girl.”

He’d never seen anyone or anything more beautiful in his life as your naked body writhed on his bed, eager and yearning for his touch, and Joel knelt to worship at the altar of you.

Starting at your delicate feet, Joel’s fingertips traced every inch of you until he reached the apex of your thighs. Leaning forward, he let the scruff of his facial hair tickle along the flesh of your inner thighs, pressing open-mouth kisses along the soft skin as he went. Grinning as you trembled, he met your wide gaze as he leant forward, tongue exploring your folds.

The first taste of you set his soul on fire. Sweet like honey yet more addicting and thrice as satisfying, Joel licked at your clit, tongue occasionally dipping down into you, slurping greedily at the very essence of you.

He couldn’t have thought of a more delicious dessert.

His movements elicited sensuous moans that shot straight to his cock, his jeans quickly becoming too tight and uncomfortable. Seeking a little relief, his hips began grinding against the mattress as he brought you closer and closer to the edge, fingers soon assisting his tongue in driving you mad. Just when he thought he might blow his load in his jeans, again, you came, crying his name out, the syllables drawing out in a beautiful, lyrical drawl. Working you through it, Joel drank down every bit of your release like a thirsty man in the desert.

“Fuck, darlin’. You taste fuckin’ delicious. I could live here, between your legs, for the rest of my life, surviving on just you.” Joel stood as he spoke, gazing down at your blissed out form on his bed as he tore off his clothes, one large hand palming his cock before he practically dove into bed with you.

“You’re too good at that, Joel Miller,” you said, the words falling lazily from your lips as you recovered from the singularly intense orgasm. Swooping down, Joel kissed you passionately, offering you a taste of yourself lingering on his tongue.

Letting his body continue to do the communicating for him, Joel shifted his hips, grinding gently against you while his mouth devoured yours. Groaning as your nails scratched down his back, he reached a hand down to guide his cock toward its home in your pussy. Dark eyes opened wide, Joel watched your face as he entered you, delighting in the scrunch of your nose and the way your eyes squeezed shut before popping open again at the sensation of him splitting you open.

With long, slow, oh so deep, strokes, Joel made love to you, telegraphing the depth of his feelings in the only way he knew how, until you were writhing in pleasure beneath him. Afterwards, he cleaned the mess between your thighs and held you close until you fell asleep with your head resting on his chest. Only then, did he finally whisper the words he longed to say all night. “I love you, too.”

Joel stayed awake for a while, listening to your gentle snores and the soft sighs you made in your sleep. He loved that you let your guard down with him, that he was the man who got to hold you while you slept. In the darkness of night, Joel made himself a promise that he would not fuck this up before falling into a deep sleep of his own.

His dreams were particularly vivid, the sensation of your mouth around his cock so strong he’d swear it was real. He’d never experienced your mouth around him like that before, though, so it couldn’t be real. Joel let his dream-self enjoy every moment, your lips around his shaft and tongue teasing the throbbing vein along the underside of his cock a divinity he’d never known before. At one point you took him so deep that a loud, guttural moan escaped his lips, hands clenching in your hair.

Eyes popping open, the moan carried on, rumbling from deep within Joel’s chest as he glanced down to find you feasting on his hardened length. It wasn’t a dream after all.

“Fuuuccckkk,” his voice, still rough with sleep, drew out the word as he watched you go down on him. Your mouth a form of heaven he suffered too long without, the cheeky, mischievous look in your eye making the pleasure more intense. You clearly enjoyed the act nearly as much as he did.

It didn’t take long before your wanton rhythm and sinful mouth had him coming down your throat, your name a prayer recited over and over in that gravelly voice. “Jesus fucking Christ, darlin’. Where’d you learn to suck cock like that, hmm? Your mouth is like God damn heaven.”

Joel’s chest heaved as you gulped down every drop of his spend, tongue darting out to lick the last bit from the little slit on his cockhead before sliding over your lips. You visibly swallowed, savoring the taste of him; his eyes glued to your mouth the whole time. His hand came up, caressing your face with the love he couldn’t yet voice shining brightly in his eyes, and his thumb traced along your plump bottom lip.

“My little gummy worm,” he murmured, delirious from coming so hard. “Felt so good wrapped around my fat cock.”

Crawling up his body, you settled your weight atop him and pressed your lips to his, letting him taste a hint of himself on your tongue as licked into his mouth, returning the favor from the night before. The kiss was languid and sloppy, perfect for a lazy morning waking up together.

“You tasted good, all salty and musky,” you said once you broke away, voice raspy from having his dick halfway down your throat.

“You can wake me up like that any time you’d like, darlin’.”

The two of you cuddled for a while, neither of you too eager to start the day knowing you didn’t have anything pressing to do. Those unspoken words bubbled in Joel’s chest the whole time, begging to come to the surface, to be spoken aloud and given credence. Still, he hesitated without quite knowing why. Finally rolling out of bed around 10, you jumped into the shower while Joel threw on some clothes and ran out to grab some breakfast.

He just pulled back into his driveway, a bag with a few bagel breakfast sandwiches in one hand – he got an extra in case you wanted pork roll instead of bacon – a coffee and orange juice clutched in the other, when JB’s truck pulled up in front of his house.

Settled on the couch after your refreshing shower, legs tucked under you while scrolling through your phone, you heard Joel’s truck pull up. Waiting for him to come in with breakfast for you both, you were caught off guard by the deep voices rumbling in the front yard. You sat up, peeking through the blinds to find your dad out front, hands on his hips as he spoke to Joel.

Oh shit.

You couldn’t discern their facial expressions from that angle and moved to the front door, quietly easing the heavy wood open to peek out and eavesdrop. They had to be talking about you, right? There was no hiding or pretending you weren’t here, especially with your car parked in the driveway right next to Joel’s. After your dad’s comments last night, you wondered if he planned this ambush then.

“I knew she’d be here,” you heard your dad say, but you couldn’t read his body language clearly. His hands were on his hips still, but there was a smile on his face. “You sweet on my baby girl, Joel?”

You couldn’t hear Joel’s response, his gravelly voice pitched too low for your ears to catch across the distance, but you could see him smile hesitantly even as his broad shoulders hunched slightly. Whatever it was caused your dad to chuckle and punch Joel playfully.

“I knew it!” your dad exclaimed, the sudden loudness startling you. “I knew you two would hit it off, I just wasn’t sure how long it’d take.”

You caught Joel’s response this time, his surprised voice pitching upwards. “You’re not upset?”

Walking toward the house without invitation, your dad paused. “Why the hell would I be upset? You’re a good man, Joel, and I know you’ll treat her well. And she’ll be good for you, too, I have no doubt. Now, you got enough in that there bag for breakfast for three?”

Your shoulders sagged with relief as you eased the door open. “I thought I heard voices! Hi Dad,” you greeted. “What are you doing here?”

“Hey Spud. I could ask you the same thing, but I knew I’d find you here.” Pulling you in for a hug, he ushered you inside. “I got tired of waiting for you two to come clean and thought I’d put you both on the spot.”

Eyebrows shooting up, you glanced at Joel before meeting your dad’s gaze again. “How did you know?”

Giving you a shrug, he said, “You two weren’t exactly subtle and a father always knows.” Nudging your shoulder, JB turned to Joel. “You’ll find that out soon enough, my friend. I can’t wait for the trouble that Sarah will give you.”

The three of you sat at the small dining table, digging into the breakfast sandwiches, your dad insisting you tell him how long you and Joel had been seeing each other and how it all started. Relieved to finally have the truth out there, you told him the story and JB chuckled.

“That about tracks. That’s right around when I started to notice something different between the two of you. And it sure explains why you hardly gave Annica the time of day on your date.” JB gave Joel grief about that failed date for weeks knowing that there was something – or someone – else drawing the man’s attention. JB had the feeling back then that it was you, his baby girl, his grown-up Spud, who captured the single father’s attention.

“You sure you’re okay with this, Dad? I mean…” your words fell off, not really knowing what to say. You’d be heartbroken if your dad wasn’t okay with a relationship between you and Joel, especially now that you verbally admitted to being in love with him.

“Are you kidding? I’m happy as a pig in shit that the two people I care about most like each other.” Your dad was all smiles, beady eyes sparkling with mischief. “In fact, I was planning on setting the two of you up if you didn’t figure things out for yourselves first. Tommy was in on the plan, too, and was the one who suggested we give it a little time. Little shit never told me it became official, though.”

Sitting back in your seat, you giggled with relief. All that time spent fretting over what your dad might think, feeling guilty for dating his best friend and hiding it from him for so long. It was all for naught. You should have known he’d love the idea of you two together.

“So, when’s the wedding?” JB asked, a shit-eating grin spread across his lips as you and Joel froze, eyes darting to each other in wide-eyed panic. Your dad practically guffawed at his own humor while you two were practically having a panic attack. “I’m just kidding – there’s no rush. Just make sure you treat her right, Joel.”

Recovering from the initial panic – not that he didn’t want to marry you, eventually, just not quite this soon – Joel laughed a little nervously. “Of course, JB. I’ll always treat her right. I, uh… I love her.” His gaze shifted to you, heart showing firmly in those dark chocolate orbs. “I love you, darlin'.”

tbc

Taglist: @mellymbee @untamedheart81 @anoverwhelmingdin @runningmom94 @leilanixx

@pedropascalfan221 @lovelyjess69 @sarahhxx03 @sofiparallel @tammythr

@lulawantmula @islacharlotte @allyourfavesinoneblog @lover-of-books-and-tea @pedropascalsbbg

@ashleyfilm @brittmb115 @lilmizmoz @loveisacowboyyy @shotgun-shelby

@deninoe @casssiopeia @caitlynsixxx @skysmiller @missladym1981

@marirxse @lizzie-cakes @tynakub

#joel miller #joel miller x reader #joel x female reader #the last of us #tlou #dbf!joel #Fall Into Me #pedro pascal #eventual smut #mutual pining #idiots in love

[tossawary]

When writing both original fiction and fanfiction, it's my personal preference and style to remind people who characters are in the narration when I feel it might be needed. It's especially handy when bringing OCs into a fanfiction. Example: "The person calling out to them was [Character's Name Here], the baker they had met earlier that morning." This quirk of narration often reads to me as the POV character internally reminding themselves who someone is.

Sometimes, a character is quite bad with names or wasn't given one, which is where it's handy to refer to this other character by a fixed epithet. Example: "The person calling out to them was the square-faced man from yesterday, who had given them those bad directions." OR: "The person calling out to them was the mayor's daughter." This reads to me as though the POV character is distinguishing people by a particular feature or remembers them by their relationship to someone else, which is a common way to remember people, until their own name becomes more fixed in your mind.

I also think it's important to keep an epithet / title the same across a scene. Epithets are best used, in my opinion, when that particular feature or quality is actually relevant. It's a little weird for a POV character to suddenly think of their own husband as "the tall man" unless his height is suddenly important in some way, and it might confuse the audience into thinking another person is in the room. If a character doesn't have a name, then "the square-faced man" or "the mayor's daughter" effectively becomes their name, and it's confusing to have a character's name change too much with every other paragraph. (It would be fine to also refer to "the mayor's daughter" as "the girl" or "the young woman" as long as there aren't any other nameless girls speaking in the scene.) Keeping the same title allows it to blend in in the same way that the word "said" does, rather than break up the flow of a scene.

Not every person or character is bad with names and remembering people, of course, or is inclined to give them funny little internal titles. There are people who are very good at names. There are tricks to use to get yourself to memorize names as you're introduced to someone. Narrative styles are going to be different by author and by the current POV character. (Sometimes, you might want the audience to be confused and disoriented!)

In fact, thinking about how different characters think about each other is one of my favorite starting places for crafting a perspective voice. A single character might be referred to in the narration as "His Majesty" by one character, "my husband" by another character, "the king" by a third character, "the usurper" by a fourth character, and "Dad" by a fifth. The name that a character calls someone else by will often say a lot about their relationship and their opinion of that other person. If the prince appears to think of his father as "the king" rather than "Father", that implies something about their relationship.

But back to introducing character names, you as an author, in my experience as a writer and reader, generally can't rely on the audience to easily recall very minor character names unless they're very distinct or the character was introduced in a particularly memorable way. Like, if you introduce a character as the protagonist's best friend, Mary, and immediately start refering to her as Mary because it's followed by a conversation between the protagonist and Mary, that's fair! It's reasonable to expect the audience to just learn Mary's name here! But then if Mary disappears after Chapter 1 and doesn't show up again until Chapter 10, I think it's reasonable to subtly reintroduce her to the audience again. Example: "It was Mary smiling at me from the doorway, and I jumped up to hug my best friend immediately."

Like, there's no one way that you have to refer to characters and introduce them and reintroduce them, of course. Characters have different levels of importance and sometimes we don't really need to know who they are. Sometimes, an author wants an audience to feel grounded, to recognize people, and sometimes they want their audience to feel lost and scared. It's all situational. Style is a thing.

But because it's all situational, this is something I like thinking about and I think it's something worth studying when you're reading original fiction. It's interesting to pay attention to how characters enter and exit scenes in different forms of media, and how the narrator introduces them and how other characters greet them aloud. (Shakespeare comes to mind as a neat thing to look at, to see how theatre does it. Comic books and films and visual media will do it differently to a text-only story.) The audience doesn't have the background that you, the author, carry around in your head all of the time, and you often need to give them a helping hand in keeping your cast of characters straight. Even in fanfiction, without including OCs, not everyone in the audience has the whole canonical cast perfectively memorized, and not every character in any given cast actually knows every other character! It's not just OCs who need introductions, whether those introductions happen subtly or a character enters the story with a bang.

Kind of another side note:

One of my favorite character introductions comes from the book "The Princess Bride", in which Princess Buttercup is kidnapped by three men who are referred to only as "the Spaniard", "the Turk", and "the Sicilian". You don't know their names for quite some time. Buttercup doesn't know these people.

You only learn the Spaniard's name when the Sicilian leaves him at the top of a cliff, tasking him the Spaniard fighting and killing "the Man in Black" who is pursuing their kidnapping. When the Spaniard is about to fight someone to the death, the book pauses to tell you that his name is Inigo Montoya, and then there is an ENTIRE CHAPTER dedicated to Inigo Montoya's long and tragic backstory, in which you learn about his decades-long quest to find the six-fingered man who murdered his father. And then the book abruptly dumps you the audience back out onto that cliff, where Inigo (no longer just "the Spaniard" and no longer just some random kidnapping thug) is about to fight for his life.

I think it's a terribly fun piece of whiplash that suits the comedic style of the book really well. (The book is a little different to the movie and there are things about it that I don't like, the movie gets across a level of a sincerity and love through the acting that the book misses in places, but there are lots of really funny elements to the book that the movie sadly couldn't cover.) The transformation from "the Spaniard" into "Inigo Montoya" is really neat to me.

#tossawary fandom #tossawary reading #long post #tossawary tpb

[cfr749]

Initial Thoughts on Chenford in 6x07

All right... I'm feeling... a lot at the moment, so just sharing my initial reactions before seeing anyone else's. I'm sure my feelings will evolve. Also this turned into a GD essay and I'm sorry.

The Good

Grey acknowledging that Lucy was going through a lot ABOVE & BEYOND the break up. I just wish he'd mentioned the shooting, too. Lucy deserves to be more than her relationship with Tim and I need to actually see that in the future.

Lucy laying out 2 key things in her conversation with Grey - how easily Tim walked away and that he had no right to make that decision for her

Prior to the last scene (see The Ugly below), I thought Tim's interactions with the therapist were reasonably well done; if only therapy was that easy in real life lol

"You've always got a home with me" - I loved this final scene between Lucy and Tamara. I don't really have feelings either way about Tamara at this point, and this still hit me right in the heart.

Smitty's poll made me laugh, but also another solid indicator that these writers / producers do in fact really enjoy laughing at the expense of the fandom and shippers (which, whatever, I don't care that they do, I'd prob do the same; but it does irk me when people act like these writers should be worshipped because of all the things they "give" us)

The Tim

"I'm not depressed. I broke up with her."

"I was her TO." Not her friend, cuz god knows Tim has yet to deal with the fact that he started banging his former Rookie I suppose.

I dunno whether to put this in The Good or The Bad at this point; it depends on where they take it, so instead Tim gets a section all about why he's a dick.

To be clear, I do not like that Tim is a dick. But I actually do kind of like that it is very clear TO THE AUDIENCE that Tim is being kind of a dick. Do I still think people will bend over backwards to defend him? Of course they will.

From my perspective, I love Tim, I understand that he thinks he's doing the right thing, and has lots and lots of trauma. I've never seen Tim as a character that magically healed at some point between Seasons 1 & 5 (please see his storyline with his dad, his ongoing issues with UC work and unwillingness to confront or deal with them, his feelings about therapy historically, his inability to dump Ashley, etc. etc.). He's never been perfect and he doesn't need to be.

All of those things are true. None of those things give him a free pass to be kind of a dick. He still has to take accountability for how he treated Lucy (which, to be clear, was like sh*t).

The Bad

Lucy being petty AF with the invites to Tamara's dinner - let her be ANGRY, but give me villain Lucy over this dumb sh*t.

Lucy having no one other than Grey to talk to.

Others acting like Lucy is actually kind of pathetic (why do these writers love sh*tting on her so much? girl could not be down and kicked any harder at this point) -- Celina / Nolan and the double dumping crap, Lucy thinking Grey paid actors and him telling her she was out of her damn mind

The last interaction between Lucy and Tim. I am so angry for her. I needed to see that from her, but instead it felt kind of like her being dumped / a kicked puppy all over again. We got it, thanks. What's next? Lucy being incredibly happy with the hottest man on earth? I'm here for it tbh. Lucy plotting Tim's murder? Also here for it at this point. LOL.

The Ugly

I could not hate the implication of that final scene with Tim and the therapist and the door shutting more. There was ZERO reason they couldn't have had him show up during the day, and it actually disgusts me that they are pushing this line again, but especially with Tim. I am literally NEVER this dramatic, but in this case I really hope they did that to just get a reaction, because if anything were to actually happen between Tim and the therapist, I'd be 100% done with this ship and show as would a whole lot of the audience (I think). If I kept watching, it would only be to see Lucy be absurdly happy without Tim.

Well, what'd I miss? What did y'all think?

#chenford #the rookie #the rookie spoilers #see lana ramble #no one tell the writers that women can have storylines that are not about BABIES

[teambyler]

The arrow on Mike's shirt follows his romantic attention throughout s4

After El is arrested and leaves for the lab, Mike wears a shirt with a triangle over his heart that points toward his left. It points toward Will for much of the season.

Bylers point to the triangle as evidence of his love for Will. It points from Mike's HEART. Costume designer Amy Parris says they put triangles on Robin's shirt as an "easter egg" for LGBT+ representation (timestamp); no reason not to think they custom-made Mike's shirt for a similar reason. The origin of the triangle symbol is the Holocaust, when gay men were forced to wear a pink triangle over the left side of their chest -- the same spot on MIke's shirt.

To test this theory, I reviewed all of s4. (Some of this stuff won't be news to Byler Nation, but some will. Especially the last part!)

Here are all of Mike and Will's "heart-to-heart" scenes. Immediately when El departs, we see a softer, more sensitive Mike. Note that I include one where Mike is only wearing a white T-shirt, which made sense because he was shoveling in the hot desert. There the implied arrow is pointing toward Will; he is always to our left in every frame:

See the exception? Yes, it's EXACTLY the scene where Will is telling Mike that the painting is from El, where Mike is being misdirected away from Will by Will's own actions. This only strengthens the idea that the arrow is significant. Where the arrow's pointing seems to reflect Mike's own romantic attentions over the season. In fact, in the next scene after that conversation, Mike is consistently blocked so that his arrow points AWAY from Will (whereas before at Suzie's house it was more random). AND he is not blocked next to Will, in contrast to how they're almost always paired throughout the show's run:

The other times it's important to look at the blocking is when Mike, Will, and El are in the same scene while he's wearing the shirt. Here are their most significant scenes:

When Mike reunites with El, the arrow points away from Will and then towards El. Again, Will has just lied and attributed the painting to El. But that's the last time it unambiguously points toward her. The "piggyback plan" shot is VERY suggestive of a Byler ending: look at how the circle is around Mike and Will, with El outside it. The pizza scene is interesting: Mike is talking to El and the arrow in some shots points toward El, but in the physical space it is actually pointing toward WILL back in the kitchen. More scenes:

During the monologue while Mike's telling El he loves her, the arrow is conflicted, pointing toward Will but El is also in the middle of the shot. (They could've easily had them on El's other side for a reverse effect.) After that scene, we all know that El is hardly speaking to Mike. By now, the arrow is unambiguously pointing toward Will again. In Max's hospital room while his arm is around El, AGAIN it points toward Will. In Mike and Will's last heart-to-heart scene above, it points toward Will. And of course, in the final scene, not only does it point toward Will, but Mike chooses to stand with Will instead of walk forward with his girlfriend.

Here's another detail I think others haven't caught yet. It's from the van scene. We know that the arrow points away from Will throughout, reflecting how Will is pushing Mike away:

However, remember Jonathan looking at them through the rearview mirror? In THOSE shots, the positioning is what we're used to seeing, with Mike on the left. The arrow pointing toward Will is clearly implied. (The mirror means the arrow would actually point away, but they obscure the arrow. Now it echoes all the other scenes.)

The way the scene is written, Jonathan represents the outside viewer who knows what is going on more than the two boys do. It has been pointed out that this scene is basically from Will's POV. It therefore makes sense that when we're in Will's space, the arrow points away because he doesn't believe Mike likes him back. But we, as outsiders looking in, see what's actually happening. In this perspective, Mike's eyes -- and heart -- are on Will!

P.S. Follow and read my blog! I have so much to say!

#byler #byler evidence #byler theory #arrow #mike wheeler #will byers #arrow on shirt

[star-born-mars]

Coming Home to You

Introspective!Jason comes home from a rough night of being the Red Hood.

TW: implied sexual content (sort of), mentions of blood, gore, Jason typical violence, and nudity, lots of swearing.

If I need to add anything, please let me know.

Despite what the Bats might think, Jason doesn't usually enjoy killing the people that he does. He doesn't enjoy having to shower blood and gore off before he hits the hay at the end of the night. He doesn't enjoy having to wash his cloths multiple times or in some cases just throw them out when the stains won't come out.

He doesn't get off on the way grown, prison-hardened, Gotham grime-coated men start pissing themselves when the sound of his boots hitting concrete reaches their ears.

He doesn't enjoy the way they beg him for their lives. The way that they get on their knees and plead, like Jason did when he was stuck in that warehouse, far from home, and far from anyone who cared about what happened to him.

It's something Jason thought about on nights like this, where he trudged to the nearest safe house in his rotation, hands soaked up to his elbow in blood and other questionable gore, clothes destined for a burner, and something broken inside him being pressed on by a weight, a weight that Jason could never find the origin of.

He trudged up into the apartment, nudging the door shut with the least bloody body part he had, unstrapping his armor.

He'd just gotten his chest plate off when the Pit started pinging in his head like some malignant radar.

It was something he had gotten better at ignoring the longer it had been in his head, but tonight had pressed just a little too much weight on whatever was broken inside of him.

It's the only reason he had for the gun he whipped out and cocked, aimed right at her head, right in between those pretty brown eyes that Jason had remembered even when he was catatonic in the League.

"Rough night?" she asked, curled up in one of his sweaters with a book in her hand, long bare legs draped over the arm of the chair.

The only reason Jason didn't drop his gun was pure instinct and reflex.

"Fucking shit, doll," Jason snapped as he dropped it to his side again, "I was gonna fucking shoot you."

She hummed, like she didn't really believe him, setting the book on the coffee table and swinging her legs back in front of her so she could stand.

His sweater fell off one shoulder and covered the shorts she was wearing. She looked like something out a movie or a novel, not someone who should have had anything to do with a man like Jason.

"I trust you," she told him, walking over to stand right in front of him, seemingly ignoring the murder scene all over him. "Come on, let's get you cleaned up. Clothes are one thing, but there's no fucking way you're getting in bed with me like that."

Jason huffed a laugh, which was about as much as he could muster at the moment.

"Jay," she murmured. "Come on, shower, then bed. I have a meeting at ten and I'd like to get some sleep. Preferably with you in bed with me."

Normally, Jason would've made a comment, would've said something flirty or dickish, but he didn't have it in him tonight.

"Okay doll," he agreed. "You didn't have to wait up for me."

"I know," she said. "I want to. I like knowing that I'm the first thing you see when you get home. I also like knowing that you're safe and unharmed."

Jason was pretty sure that he had never done anything to deserve that. He told her as much.

"There are very few categories in life where I believe in things like 'deserving', baby. I chose you, all those years ago, and I still choose you every day. I love you, Jason. It's not about deserving or being worthy, it's about the choices we make. And right now, your choices are getting in the shower or sleeping on the floor."

"You gonna be in the shower with me?" Jason asked.

"I can be. Depending on when you get that cute ass in the shower," she told him, crossing her arms over her chest.

Jason, knowing that she really did have a meeting in the morning, knowing that he would sleep better with her in the bed, got his 'cute ass' in the shower.

A/N: Should I be writing the three essays that I have due at the end of this week? Yes. Will I be doing that? No. Why? I have Jason Todd Brain Rot. Again.

#jason my beloved #jason todd x reader #jason todd headcanons #jason todd #reader #idk how to tag this #what even is this #i have finals shit i need to do #fuck my life #dark jason todd #kind of? #maybe?

[shut-up-danny-kun]

I've read hundreds of Star Trek TOS fics by now and it never ceases to amuse me how many different ways there are to fuck up Spock's characterization...now hold on just a minute - this post has a more interesting point than “fanfic writers stupid”, I promise you.

Every time, it's a spin on the massacre wheel. It's kind of amazing. Will he be overly emotional to the point where he's not himself anymore? Will he be so cold it's unpleasant and kind of hard to understand how he's lived to this point? Will he be extremely horny for no good reason? Will he speak in a way that sounds complety wrong?

I chuckle and shake my head. Of course, I KNOW what Spock is like, and MY interpretation of him is the most perfect and correct one. Obviously. He's just a very nuanced character, formed by many people in an unconventional way, with traits that seem to contradict each other at first but ultimately form a rich and unique character that so many people fell in love with specifically because he's so complicated...

Or...is he?

Let's entertain the idea that there isn't one correct interpretation of Spock, that all of these messy bits of characterization are not part of a bigger picture, but...just what they are: a product of many people with starkly different visions, working on a show that refuses to properly develop its characters. What then? Well, then Spock is a Rorschach test. Each viewer connects the random dots in their own way, and ignores the ones they don't like.

Let's use an example: me! In my interpretation of Spock (the most correct one, of course) he is, first of all, gay and on the asexual spectrum, reserved, largely uninterested in casual flirting or sex. When he is interested in the aforementioned things, he tends to be quite ashamed of it.

Makes sense, right? I can show you plenty of evidence for why that could be true. However, in the beginning of the first bloody season, Uhura sings a song about how Spock is actually kind of a heartthrob who likes to drive women insane with how hot he is, and Spock smiles. He smiles at her, as if agreeing and being very amused by all this! This interaction goes against pretty much everything I think about Spock. So what do I do? I explain it away in the most bizzare fucking way possible. See, Uhura and Spock are friends (there is no evidence for this), and Uhura knows everything I've just told you about him (through telepathy I guess? Not like he'd ever tell her!) and she's just trolling him (why would she do that? That is NOTHING like Uhura!). I need to do some Olympics-level mental gymnastics here, the opposite of Occam's razor.

“But Danny,” I hear you say, “it's just the start of the show! They hadn't figured out his character yet!”

To which I say: you can say that about anything! You can blame it all on a bad writer for that episode, and ignore virtually any scene that doesn't jive with your headcanons. It's there, and I can't ignore it.

So...how am I different from the people that want Spock to be thar heartthrob Uhura is singing about? That evidence is as much a part of canon as my favorite lines. Well, I'm not any different, that's the thing. And all those writers I complained about also have a point.

It's kind of a nihilistic take, I know, but maybe the reason Spock is such a cultural icon is because he is...whatever you want him to be: just concrete enough to spur on your imagination, yet vague and contradictory enough to let your brain fill in the gaps.

Don't get me wrong: I absolutely do not believe in this. In my mind, it just so happens that I'm one of the, like, 5 people ever who truly understood Spock (and one of them is Jim Kirk himself). But I still think it's something worth thinking about next time you're mad at a fic.

#star trek tos #spirk #s'chn t'gai spock #spock #tos spock #character analysis #dannytypes #takes

[writingquestionsanswered]

I find doing research pretty exhausting; so much reading, so much fact checking. Unfortunately, a good amount of my stories require research. How do I amend this?

Taking the "Overwhelm" Out of Research

When I wrote my third novel, I went into this exhaustive research mode. I bought books about my setting's inspiration locations, I sent away for travel guides and brochures from those locations (this was back before the internet is what it is now), I spent hours researching how to do things my character did for two sentences in the story. I even had an extensive list of trees and plants that grew around my protagonist's home, and the various uses of these plants.

At the end of the day, very little of that hard work actually went into my story. I didn't need to know everything there was to know about my inspiration locations in order to base my setting off of them. I didn't need to know all seventeen steps of a thing my character did two steps of in the story. I didn't need to know the medicinal uses of forty-two different plants and trees when my character only needed to use one...

My point is, if the research you're doing for your stories is exhausting you, you are almost certainly doing way, way more research than you need to. This is why I'm actually a huge proponent of doing only superficial research ahead of the first draft, then doing deeper research once the first draft is done. At the very, very least, waiting to do research until you have outlined each scene and know specifically what elements will actually make it into the story. That way you can focus your research on things that actually matter rather than pouring hours and hours of research into things that won't ultimately matter.

And with the exception of things that are plot-critical, you can generally save your fact-checking until after the first draft is written, or even until later revisions, because by the time you get there that fact may not even be in your story anymore.

If you still find yourself with an overwhelming amount of research, try breaking your research up into smaller, more relevant subjects. Like, instead of researching Victorian era botany because your character spends time in a plant-filled conservatory, try researching "Victorian era conservatories" to get a rundown of what they looked like, what plants were typically grown in them, etc. Or, instead of researching Victorian era medicine, research "Victorian era treatments for viral infections." This way you're boiling your research down to the thing that's relevant to your story rather than trying to learn everything about the broader subject.

I hope that helps!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

[cripplecharacters]

Hi! This is a sort of weird question, but I’m writing a sci fi /fantasy book with two disabled main characters:

1. Cove is twelve years old and has something along the lines of Williams syndrome (possibly that, possibly Down syndrome—still deciding). He’s mildly intellectually disabled and has low muscle tone + an unspecified heart problem (which is stable but he still gets regular checkups for it). His power is turning into a giant at will. He might have PTSD for reasons that are potentially triggering, so I won’t go into details ^^’ He really likes the ocean and spicy food, and hates people staring at him or judging him

2. Lucas is sixteen and uses a wheelchair full time due to cerebral palsy. His hands tend to shake a lot too. His power is turning into a Sphynx cat. He’s a trans guy. Idk what he would like or dislike yet tbh, but I picture him dressing in black clothes a lot

My question is this—what are some ways these characters’ powers could like interact with their disabilities? So far I have that overusing his giant power could possibly put strain on Cove’s heart. and if Lucas wants to move around independently in his cat form, he’d probably need one of those animal wheelchairs for his back legs?

Also— is there anything else I need to consider while I write this story?

I’m not trying to get you to do all the brainstorming for me btw! I hope it doesn’t seem like that ^^’ I’m just looking for other people’s thoughts and input-

Hi!

I think that the powers you gave them are very cool! Often with disabled superpowered characters there's the trope of always having the ability be fundamentally connected with their disability. Someone shapeshifting into a cat is awesome!

The concept of Cove's transformation putting pressure on his heart is very realistic (if you can say that about shapeshifting, lol)! Both Down and Williams Syndrome come with cardiac problems, so you won't need to change that if you decide to switch the exact disability. I'm thinking that maybe he could try to slowly turn giant, rather than instantaneously? I imagine that turning back to being normal-sized could also cause some issues. I'm unsure if that's a part of your story, but I think that having his family worry about him transforming because of his heart would be realistic as well. Wouldn't really classify it as infantilization because he's twelve, and I know that a lot of parents of children with DS are extremely cautious around the cardiovascular problems (not sure about Williams Syndrome here, but I think it would make sense as well)! You mentioned PTSD, and while I don't see anything wrong here from what you said, I would just urge you to not have some weird "PTSD flashback = turns giant and extremely violent" (violent being the key word here) kind of scene. (If you have PTSD yourself then feel free to do whatever you want of course). But I think that him becoming bigger when he feels threatened as a defense mechanism of sorts would make sense.

For Lucas, I think that the idea of shapeshifting from a wheelchair user to a wheelchair using cat goes incredibly hard. As for the ways that it could interact with his cerebral palsy: if he has issues with his arms then he would use the wheelchair a bit differently. In the kitty wheelchair the whole energy comes from the forelimbs, so if his hands shake then he would be much more wobbly as a cat than as a human. I'm not sure whether cerebral palsy in kitties is a thing, but you can look up cats with cerebellar hypoplasia. It's not the same thing but causes some similar symptoms! For example, the lack of balance that Lucas could have due to shaky limbs.

In my opinion your story sounds great! If you have any more questions with more specific details, feel free to send another ask :)

Sorry for the late answer! I hope this helps!

mod Sasza

#mod sasza #potato-head-kids #cerebral palsy representation #intellectual disability representation #fantasy species #wheelchairs #ptsd representation

[rubenhopclap]

Despite Ruben having more screentime than any other RG, nearly all of it has been spent interacting with the BKs, interacting with Wanda, or literally performing.

So it is a little difficult to tell, which of these is most like the way that he is normally, the rest of the time.

But with the info of voting against Kipperlilly, and with the one moment that doesn't fit into those three categories, I think he might not even have specific beef with the BKs (or with Kipperlilly) and that's just what he's like right now.

Ruben's main characterization is that he's desperate for attention. His type is "anyone who thinks he's cool. Straight up." Not conventionally attractive, skinny, rich or popular people who think he's cool. Just literally anyone who will give him attention and treat him like he's special. I think the way that he is with Wanda is probably close to the way he is with anyone he's talking to romantically, and it's different because he's already receiving a different kind of attention. (Same thing with performing.)

The rest of the time he's consistently described as smirking or sneering, and engaging with people in a way that pisses them off. The big examples we had before Kipperlilly were Fig and Gorgug, so it might have just been that he had some mysterious problem with the BKs in particular himself. Maybe he still does, maybe he separately has a problem with the BKs for being popular and with Kipperlilly for being a nerd who cares.

But there is one single moment where we know some behavior of his that doesn't have anything to do with a specific other character. And that's the scene where Yolanda Badgood's death was announced to the school. And Ruben was described as smirking.

Now you might interpret this as incredibly callous, and it is pretty callous. But we don't know how much yet. If the giant did the killing, then Ruben might not actually have known the death was related to Lucy's death at that moment. Which would make it about as callous as Adaine dunking on the dead oracle.

But most people in that scene weren't actually reacting to Yolanda's death anyway. They were reacting to the Pass/Fail news. Max Durden's party was happy about it, but a lot of people were upset. I think Ruben was smirking about that. I think at some point during that assembly he was probably making eye contact or taunting some people who were affected by it. I don't think it's because he has some issue with people who care about their grades, they're just the people available at the moment to be a troll at. And at this point it looks like that's probably also his reason for acting the way he did towards the BKs and to Kipperlilly, because he doesn't need an extra one.

Obviously this doesn't actually make him look better as a person, than if he had been messing with Kipperlilly (or the BKs) because he specifically wanted to upset her/them as individuals. He's clearly a huge mess at this point in his life (just like every Rat Grinder and every Bad Kid). Despite my obvious bias, it's not my goal to make anybody like him. Just maybe think about him for longer than two seconds.

If Ankarna is manifesting in him at all, it seems very likely that she's doing it this way, by twisting his desire for attention into something that engages with rage.

#fantasy high #fantasy high junior year #ruben hopclap #kipperlilly copperkettle #rat grinders #fhjy spoilers #for the kipperlikers who see their own experiences in that moment or want the angst etc: you're valid #ruben's pov and whether he actually got how much it meant to her are irrelevant to her experience #she felt how she felt. she has a pov that can be sympathized with and normal teen struggles. so does ruben tho