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#anne pangolin guéno
basilepesso · 11 months
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So, the narration of my nightmare since the disappearance on the 28/08/2 021 of my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin) was at the point of my arrival to a French camping in the first half of June 2 022. I called and sent phone texts (I hadn't any personal phone as Anne has also deliciously taken our shared mobile phone - I’m not interested in mobile phones, one for two is fine and even excessive but you know it’s compulsory for some topics as administrations) to as many people as I could, with a blocked phone plan that let me very little latitude, from a phone that the dude who had “invited” me then put me on the street had given me. All my friends refused to welcome me in their home, except one who accepted but finally...refused. Despaired, I called emergency services who were all full, especially the French dedicated national number whose rule is “call only when you’re on the street without a shelter”.
I was sure I was gonna be on the streets, and with sequels of brain stroke you bet it easily means...death. Suddenly I thought of a friend whom I didn’t know so much - a black man by the way - and this is important to specify here as I did it three times already on Facebook, for several reasons that I may re-explain here later. At the VERY FIRST SECOND his tone was not the one of bothered hesitation, but the one of someone wanting to find a solution - which he did in many ways.
He had two plans, two houses that he had bought, one occupied but with a free separate space, and the other one, empty, in restoration works. He called the lodger of the first possibility - refusal...so the second plan was the one. He told me that he’d be there in five hours, coming from 250km. He arrived, we went to take some stuff in the shelter that had put me on the streets, went to the house, let the things. A few days after he had gotten a trailer and we went to get the rest among which all Anne’s artworks included a huge painting. The shelter was so crazy, hating art and artists, so hillbillies, that they were gonna...throw everything to the bin and they were very close not to fulfill their promise, which was to wait for us to make the necessary.
All the journeys made 1 000km. I’ll just say for now one thing about skin color and origin : all the “white patriots” that had let me in the shite without ONE FUCKING GESTURE, all the white artists that I have been serving on a golden plate in Yes We Are Magazine daily FOR FREE since 2 014 // this black friend. BP.
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yeswearemagazine · 8 months
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I don't have much time to lose with this shit, but after having been blocked by an ultra-left extremist with hateful disclaimer, blocked without any reason except the fantasies of this sick sick mind, I have to explain a few things. I have been considered "racist" and in particular "islamophobic" by these kinds of sick persons for about ten years. This has given intense boycott, huge loss of money and fame, included for my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin). This shit has had severe consequences on her psyche, and resulted among other things in her disappearance exactly two years ago, her sequestration for eleven months by her parents, and other shits elsewhere related. There was not only boycott but extreme slander and harassment, on a very, very long duration, with barbarian death threats. YWAMag, as stated in its Fb and Tumblr abouts, is open to ANYONE except haters. This has never changed in 9 years and about 80 000 selections. This doesn't only include nationalities, skin color, religion, sexual orientation, but also the cold haters aka the boycotters. Because art is my life, and this petty hate is just garbage. When I think about art, I forget the sick minds of these petty individuals, and imagine that they are their art - and not heavy, pestilential farts. I have written and published on my main Tumblr the start of my unfinished essay Once, We Were - A History of Neo-Collaboration (extract here). I have based my view on the racial slaughters and mass rapes in several Western countries among which France as the eye of the cyclone upon personal experience and huge daily journalistic work, with articles of the mainstream press and analyses from these facts or general ones. There is nothing to CONTRADICT. This is not a debate. I'll keep on later, in particular with what the "leftists" - it's the name, but it's actually fake left - because I have always been extreme-left - have in mind in front of this massive report of FACTS. Basile Pesso - YWAMag director since 2 014
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thesoftpangolin · 3 years
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Gravity
Camille Saint-Saëns, Danse Macabre Anne Pangolin Guéno, Barcelona © November 2020 Ink and watercolor on paper 70 x 100 cm
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jarrimimram · 5 years
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Interview sur issuu.com
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basilepessoart · 5 years
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My current exhibition in Barcelona, in the central borough of Gràcia, in the design shop Aixo where my wife Anne Pangolin Guéno (The Soft Pangolin) is also represented with design items since Summer 2 018. She is, by the way, present in several images. Has started at the end of May, and will approximately keep on until the end of the year, maybe more. Thanks to Belén Garcia at Aixo ! Exhibition number 7 (list on LensCulture) Graphic design by Anne
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basilepesso · 11 months
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Third English text narrating the nightmare that my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin) has put me in since the lockdowns - and Anne, again, this is NOT against you - and you know it and react well - I’m telling it anyway by security. First part here Second there About ten logical points in French showing that I have been telling, and am telling the truth Police evidence of Anne’s disappearance (September 2 021, a few days after her disappearance)
In January 2 022, under the threats of my landlord, heavy stress caused by Anne’s disappearance, my discovery of the satanist adultery, and maybe corona that facilitates this, I had a brain stroke with blocking of an arm and vision for 15 hours approx. In March occurred what I described in the two previous English texts. I hadn’t a “NIE” (Identification Number for Foreigners), we used to function on only one, and it was Anne’s. I hadn’t a Spanish bank account, Anne having elegantly closed our shared account which was at her name, just because I used to delegate her all the administrative stuff. This card was literally unable to get in spite of all my efforts. Therefore, couldn’t I earn money legally, and my usual activities are not sure in terms of financial gain. As all our shared exhibitions, books and other partnerships with Anne were waiting or had been cancelled, the situation was totally critical. In October 2 021, I gathered ten high level visual artists among which myself for Yes We Are Gallery. A friend or supposed to be so helped me by creating the website but couldn’t finish it.
I was doing a few polls but either they were cheat or didn’t bring anything financially, or almost. I sold a few pictures, but not sufficient.
One of our partners, a shop/gallery took some of my images but no sales.
I tried to sell pictures on the street : no sales. I was trying to get translations as I’m a translator in many languages : nothing.
I went to many teaching places to give various classes and workshops (some places could make an arrangement for the identity card problem) and sent many proposals : I was put on waiting list or told that they didn’t need my services, and I didn’t have the time to be on waiting lists.
I found two collaborations with an architect/friend. I brought her two big decoration/architectural projects from people I had met, and it could bring a lot of money. But when I explained more in detail what was happening with Anne’s blogs under fake identities to one of the persons, he told me I was crazy, and stopped the proposal...the other one was actually too far away in Latin America and too hard to implement for my friend. After many researches and encounters, I found two new design shops and/or galleries who were waiting for Anne. An extremely generous friend sent me a diamond to sell. It could bring us a lot of money and I went to about 20 shops to try to sell it, but the price was not sufficient and I was waiting for way more. I started a novel in collaboration (it would publish the novel bit by bit on their website) with an organ called The Homeless Entrepreneur but the proposed money was not sufficient, and with what happened after we couldn’t start the collaboration. I tried to sell a bag that we had created with Anne (she had almost made everything) and had found two shops. We could start soon but I panicked because of one more landlord threat. Repeated panic attacks, and sudden fall in depression. Some friends helped me to pack a few things, especially our artist works and my computer, and we went to let me in a house in France where I was invited.
This invitation has actually been a nightmare and I was put on the street in one week.
By miracle, I found a shelter. In two weeks, they put me on the street after a manipulation. I went to a camping with the little money I had left. I’ll tell after what happened then... BP. P.S : and, AS USUAL, NO ONE (well, here, one brave person) reacts, except by the usual emotional and sordid unfollowings...)
P.S 2 : as already said, YWAMag Gallery is not something I can take care of for the moment, and what’s more, its webmaster has stopped speaking to me after the hospital abuse against me - and I need to be in contact with him if I decide to start the gallery, as there are still technical details for which I’d need his help.
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basilepesso · 11 months
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Yesterday evening very late I published two texts narrating the start of the main facts that occurred after my wife and collaborator Anne Pangolin Guéno’ (now 32 years-old)‘s disappearance on the 28//08/2 021.
It’s not that I want to always repeat the same stuff, but I know by experience that most people don’t read, even when it’s extremely serious. So, as I had forgotten to add the article to the facts about the 14 dead people in Japan in 2 014, here it is. I also added it in the text of yesterday. Read the part 2 of my English narration to understand the context, and also go to the part 1, and to the French logical points that show that I tell the truth. BP.
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basilepesso · 11 months
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Quelques Points Logiques...
Pourquoi, à votre avis (je m'adresse aux Prix Nobel qui me pensent fou), ma femme Anne Pangolin Guéno (The Soft Pangolin, 32 ans) n'a plus donné aucun signe de vie à personne parmi ses/nos collaborateurs/partenaires professionnels depuis sa disparition le 28/08/2 021 ? Pourquoi sa carrière brillante est-elle arrêtée depuis sa disparition ? Pourquoi aucun de ses sites (Tumblr, Instagram, Facebook, bio sur Zet Gallery) ne publie rien depuis sa disparition ? Pourquoi n'a t'elle jamais apporté la moindre contradiction à mes soi-disant "élucubrations psychotiques" concernant l'adultère sataniste que j'ai découvert en octobre 2 021, avec l'intellectuel américain Oliver Perrin aka Read the Signs ou Semiogogue ? Pourquoi celui-ci n'a jamais rien dit contre moi alors que je l'ai nommé 50 fois ? Pourquoi ai-je toutes les œuvres d'Anne sauf celles qui ont été vendues et celles qui sont en galeries/boutiques? Pourquoi puis-je partager ce que je veux depuis le Fb d'Anne ? Pourquoi son Fb est-il rempli de photos de mon autorat, et de nos collaborations ? Pourquoi le Fb d'Anne nous mentionne comme mariés et vivant à Barcelone ? Pourquoi diable mentirais-je lorsque je dis que je suis en contact avec Anne mais qu'elle est mutique et n'arrive pas à rentrer alors qu'elle me dit le vouloir ? Pourquoi des enculés m'ont bloqué et unfriendé, ou me snobent, parce que je dis ce qui est ? Basile Pesso, 7 mai 2 023 (Fb)
P.S : EVIDEMMENT, la seule réaction que j’ai pour l’instant ici, au lieu de regarder les FAITS, est un unfriending émotionnel automatique.
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basilepesso · 1 year
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To all the artists and in particular photographers who were part of the start of Yes We Are Gallery which for the moment hasn’t started and might not even exist... The circumstances with the disappearance of Anne (Anne Pangolin Guéno - The Soft Pangolin, my wife and collaborator since 2 011) the 28/08/2 021 haven’t made the project possible, I thought I could manage but I haven’t in spite of all the preparation I had made (files’ selections and sendings by you, contracts and discussions about them with you, texts about you, website preparation...). I am now in contact with Anne and she wants to come back.
I have lost our Spanish heaven as many know. I am now in France as her and we’ll get back to Spain when possible. For the moment I don’t have the right conditions to keep on the project, but I keep everything of course, and if the project restarts you’ll still be in it ! I just finished the digital transcription of an English novel written in 2 022 by hand and have started the French version. The mag has restarted as you know three weeks ago but for the moment just on Tumblr. The Fb version will have to wait for Anne to give me the key... All the websites of Anne (Tumblr, Instagram : see the two links above ; and Fb) have been stopped since her disappearance, as well as all our planned exhibitions, books and partnerships.
Many, many, many fantastic people have thought I was crazy and stopped talking to me or even blocked me on the web. Fuck them, even friends ! They haven’t thought one fucking second that a woman of then 31 years-old who disappears and stops her fantastic art career might be in danger, and that her husband might tell the truth. I’ll remind that except a few ones which are in galleries/shops, and several which disappeared God knows where, I have all Anne’s artworks, about 100. This simple element should have put many partisans of the “he is crazy” theory on the right track. But no...this is sooo much fun to throw me to the bin ! BP.
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basilepesso · 1 year
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S’il te fallait une autre raison pour accélérer ton retour à ta et à notre vie, je viens d’apprendre que :
“En janvier 2023, trois artistes, Sarah Andersen, Kelly McKernan et Karla Ortiz ont déposé une plainte pour violation du droit d'auteur contre Stable Diffusion, Midjourney et DeviantArt, affirmant que ces sociétés avaient enfreint les droits de millions d'artistes en formant des outils d'IA sur cinq milliards d'images extraits du Web sans le consentement des artistes originaux“ (Wikipédia).
Ceci signifie que vu ton style de peinture et de dessin, il y a peu de chances que tu ne soies pas dans le lot... P.S : for the ones who don’t understand who I’m speaking to and why I’m doing it on my blogs and not in private : I’m speaking to my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin), 32 years-old (art CV here), disappeared the 28/08/2 021 after a fall in a sect ; and having stopped her brilliant careers : websites, books and comics with me, exhibitions with me and alone, presence in design and decoration shops, etc. Except a few sold ones and others which are in shops and galleries, all Anne’s artworks are with me. None of our partners has had any answer or news from Anne since her disappearance. In contact with me but unable to speak, so I think that this way of speaking to her is the best for the moment. BP.
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basilepesso · 11 months
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As maaany people think that I have invented the nightmare my wife has been putting me in since the lockdowns, here is the message that a Barcelona police station sent me after Anne’s disappearance. It’s to this police station that Anne’s parents, Maryse and Philippe Guéno, went to make a false testimony in October 2 021, as they did to the French police. BP.
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basilepesso · 1 year
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Because of a technical problem I haven’t been able to post on Instagram since November 2 021. This has made me lose 300 followers and is very problematic for my work.
The Fb version of Yes We Are Magazine is not available to me as Anne has closed the internal access to me, as well as to our shared Facebook on which were presented our shared work, her personal one which you also find on Tumblr and Instagram, and the Fb Choice of the Day of Yes We Are Magazine. Since her disappearance on the 28/08/21 she hasn’t given any news and has stopped her brilliant careers are 31 years-old. She’s now 32. As you may know about 20 contracts that we shared with galleries, shops and publishers have been stopped because of this situation.
I have all her artworks (about 80) except a few ones I sold and a few ones I can’t find ; plus the ones in galleries/shops, waiting.
The only web action she made during one year and 4 months was to unfollow 800 Instagrams (artists, galleries, etc) in two times in September. The Tumblr version of the mag is on pause. BP.
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basilepesso · 3 months
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To all. Your lack of concentration and cleverness might have made you miss many things. Most of the things I have written on my wife and collaborator Anne Pangolin Guéno aka The Soft Pangolin (this is still her name but the only thing we'll keep is the nickname) 's disappearance the 28/08/2 021 (she was then 31 years-old) have been in French and on Fb. Yet this is absolutely not an excuse as I have also explained the stuff in detail in English here and in the mag several times. There were mistakes as she had put me on wrong tracks for several reasons, the main being not to reveal the real horror she was living. You know the communication way we have been having and that it was indirect, for example by blogs under fake identity. Under death threat and also under the threat of me being executed this was the only possiblity even if the shame of her forced prostitute condition has played a lot when she was actually living at 1km from our home. It was more than easy to just LISTEN TO ME and not to fall in the trap concocted by her procurers (pimps) among which the main ones were her "parents", jailed a few weeks ago in France. Plenty of times have I given the obvious elements showing that it was a frightening disappearance and not a departure. Very few people have listened. Many have told intolerable bullshit. About you "friends" of the web and acquaintances, almost all the men she was forced to hook with alibis believed that she has chosen this sordid life when she had all she wanted and was an internationally acknowledged artist and designer in spite of the boycott which is not just political but caused by permanent slanders by the pigs against us. Many of you dickards have already committed suicide. That's a blessing for me. I'm not a nice guy. I'm actually extremely nice but don't play with me and my wife. The worst obviously are the physical clients, and I won't tell the number which is an absolute horror. I have given details on Fb on the extreme sexual violence to which she has been submitted, and the barbarism she was forced to commit. I have not given so many elements on this. Nor the number of occurrences. No one can survive this. You'll have details in the media soon. That's not all. It's far from being all. I don't want this in our life but it's there and unfortunately will be there. The Epstein case is nothing compared to what is gonna explode about the mafia I'm speaking about. BP.
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basilepesso · 2 months
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Flicards : je vous l'ai dit hier soir, vous pratiquez un harcèlement intense et totalement criminel sur moi et mes amis et notamment ma compagne et collaboratrice Anne Pangolin Guéno, et mon ex-compagne.
J'ai prévenu que nous vous attaquerions collectivement en justice, et j'ai donné le chef d'accusation. Vu les circonstances votre carrière est LITTÉRALEMENT TERMINÉE.
Cela dit vous avez la possibilité de vous arrêter immédiatement, et nous réfléchirons aux suites à donner à vos agissements. L'IGPN va de toute façon être saisie en France, et les organes identiques dans les autres pays.
Basile Pesso.
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basilepesso · 7 months
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Hi to all, Very numerous persons (about one thousand) here and there have recieved serious slander about me by my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin), disappeared two years ago, having stopped her career, having destroyed many of our collaborations and our relationship with many partners. Under guardianship, has lost her mind. Am in daily contact with her but refuses to get cured. Has started the slander back recently, towards women of whom she's jealous. JUST DON'T BELIEVE HER, don't unfollow me, dont block me, dont' stop talking to me. BP.
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yeswearemagazine · 9 months
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Thanks a lot, after four months of daily come back after a break of one year and already difficulties in the 9 previous months after the disappearance of my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin) at the end of August 2 021, the mag is now going well and is well supported. Now each time I connect to the mag, 3 or 4 times per day there are many notes, sometimes up to 100. There are things that have curbed the life and evolution of YWAMag, one has already been named included recently (twice I think), it's political boycott, especially by the Tumblr ultra-left staff.
Another thing is that I have had to block about 100 photographs who had participated to absolutely atrocious facts again us, and in addition to all this shit - of which I never speak about, and this is not an attempt to start that back, just a way of mentioning that this is a problem for the recognition of YWAMag - there is another problem caused by this absence : success calls success, which means that the more likes 'n reblogs there are, the more people come here, like and reblog. This is absolutely stupid 'n gregarious but this is a fucking rule. Also, obviously, there has been the hole created by this mass blocking but talents and even geniuses are plenty, and with the Tumblr ones and the external ones, I have material. Basile Pesso - YWAMag director since 2 014 P.S : for the come back of the interviews, we'll have to wait for Anne's come back as she is the one able to do great graphic design.
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