ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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Fun fact about me: April 18th is my birthday! :)
And part of what I wanted to do to celebrate this year was to give back. Introducing * ~ a dipplinshipping birthday oneshot ~ * :
Rating: T
Summary:
Today was Kieran's birthday, but it was the last thing that mattered to him. In fact, he vowed it would never matter to him again. Instead, he would focus on things that would keep him strong: his battling, his strategizing, and his crown as the Blueberry Champion. His sister and the Elite Four won't stop asking him random questions, though, and if anyone brings up Juliana any more than they already have since she arrived as an exchange student, he's seriously going to lose it. But...why can't he stop thinking about her? And why is everyone acting so suspicious?!
A bittersweet birthday celebration fic for anyone who's had complicated feelings about their birthday. <3
Take this as a thank you to all of those who have followed my work and/or my Tumblr blog. I wouldn't have imagined having the support of this wonderful community on my last birthday, and I can't even begin to describe how encouraged and inspired I have felt to write since finding you guys. I have never written this much for this long, consistently, and your constant feedback and comments seriously brighten my day more than Juliana brightens up Kieran, LOL. Hope you enjoy this! <333
(And yeah, this fic is the "event based idea" that this poll was about. I thought it was so funny that some of you thought it was gonna be some devastating angst LMAOOOO. That's for after TTPD releases, tysm for the bday gift Taylor.)
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Just read the whole 'how Andreil pans out' ask and all I'm saying is that I love the idea of Andrew Courting Abram and Abram just absolutely misses that it's what is happening. Part of it is just a cultural difference, Evermore and Palmetto have different courting cultures perhaps?
Another part is that Andrew really does not act all THAT different. He's giving Abram gifts but like Andrew is always giving Abram stuff? It's not new? Yeah they had dinner together but that's just like what they......do?
Another another part is just Abram not even considering himself as someone worthy to be with Prince Andrew like that. He wasn't worthy before and after Evermore and everything I could imagine he feels even less like a person let alone a person who deserves Andrew's positive regard.
IDK I just love the idea of Abram at some point like 6 months into Andrew trying to court him seeing that behavior somewhere else, being told that's how nobility in Palmetto court others, and going to Andrew like "Have you, perchance, been trying to court me?"
Andrew setting his glass aside and looking up from where he's seated, "For 6 moons Abram, glad you've finally noticed." - @jtl-fics
jtl I. Wish. You could have seen my face as I read this, this is so hilarious and heartbreaking and lovely all in one and I’m in LOVE okay i love this so much. And we can totally make it work ahhhhh
Like yes! Yeah! Andrew’s already a gift giver, it’s just what he does as far as Abram’s concerned, and they spend so much time together that dinner isn’t strange those are perfect points. Like to the court it’s starting to become obvious - maybe in the kinds of gifts Andrew gives, or some other small things that are new, yes, but Abram has always taken these things in stride and usually his lack of judgement when Andrew tries new things or changes in little ways is a huge relief but not this time Abram PLEASE
Finally Andrew just bites the bullet and goes for a gesture that’s way more out of character and harder to mistake, which might look something like this (and thank you @leedee013 for tags about them giving each other flowers that I LOVED):
And Abram can’t really form his thoughts into words because like you said; he doesn’t think he should be allowed something like that, there’s no way he’s ever EVER going to assume that Andrew is trying to confess or clue him in to a courting like this, even if it’s in his head now
But then Lady Reynolds sees Abram later heading back to the castle/wherever he stays carrying this bouquet of carnations (fascination), narcissus (honesty/truth) and acacia (hidden love) (let’s not look too closely into these flower meanings lol, i picked the first ones I found and I’ll field all further questions with ‘artistic liberty’ 🫶) and they’re pretty close friends by now so she’s immediately like “oh my GODS Abram who gave that to you”
And Abram quietly says “the prince”
And Allison’s won like three separate bets between various other people of the court and she’s elated
But maybe she takes pity on him when she realizes exactly how clueless Abram is, so she does her best to explain everything and finally, Abram begins to allow the possibility that maybe Andrew is doing all this on purpose. But he would really rather like to be certain.
And of course I had to draw your little exchange but I did it from memory so apologies for the changes in dialogue but I love it:
ANYWAY from there, when it’s cleared up, it’s just them being dumb and sweet and grasping at straws for how to be in love and natural about it (because they’re both very private people and a good number of average/expected acts of courtship aren’t necessarily in their wheelhouse) 😭🥹 and not to add yet more hurt/comfort but Andrew is so so determined to figure out a way to assure and reassure Abram that he knows what he’s doing, yes Abram is worth it, yes he’s doing these things because he wants to. If he didn’t want to he wouldn’t be doing it in the first place. And I’ll bring it back around by using my previously mentioned artistic liberty to say that yes Prince Andrew loves having his hands held/kissed (just by Abram naturally) and Abram figures this out and absolutely uses it against him. They love each other your honor
Okay anyway thank you for the ask, I’m SO lucky to have such brilliant people in my inbox 🥰
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I was thinking about how people always say that "execution is everything" with telling a story.
And it's true
If you come at your story sly and malicious, hacking at with a butcher's knife until it's a bloody mess that you then lay proudly at the feet of your audience as the spoils of a kill, it isn't likely to be any good
The bits are mixed around, the bones shattered and fragmented. There is certainly blood everywhere, staining your clothes and dripping from your hands as you try and cajole people into stopping by and taking a look
It doesn't quite work
But, if you look at your story, and understand the grace and fluidity of its life, then you may execute it elegantly
Because it is still a death. It is still a sacrifice, to have your story out of your hands and no longer living and growing and changing according to your whims
Because, when the tree is felled and the pulp is bleached and the ink has dried and the binding set, you can't control it anymore. The story is now in the hands of your audience, and it's up to them what happens to it
A properly executed story is laid to rest in the peace of the wild, left to allow the ecosystem to explore and reclaim it as their own with moss and lichen and mushrooms and carrion eaters and leaf-litter dwellers
That is the only way a story is properly executed; dead by your hands, yes, but constantly feeding the life of others and fueling their own stories
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