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#at least to a certain point
canisalbus · 4 months
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I love how Vasco looks like he is always living his best life while Machete looks like he never had a moment of rest, ever, in his life. Like a mirror reflecting two opposites
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somegrumpynerd · 18 days
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Too lazy to colour it but I shaded the movie night doodle! Up to you what they're watching
Also the next morning:
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Fun little game whenever you come across a shallow parody of YA female protagonists: take a tally of the traits she has and see how many apply to Luke Skywalker.
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supercalime · 20 days
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Just thought about sharing this frame right here
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Do with it what you will
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theplatypusblue · 7 months
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jay has this little catchphrase(?) he says sometimes in the earlier seasons that he doesn't really say anymore, so when i heard it while rewatching s3 i suddenly got inspired to draw him for some reason
also textless:
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shinelikethunder · 3 months
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you ever stare into the middle distance and just. think. about how Doctor Who series one episode eight "Father's Day" first signaled that time itself had gone screwy by having the radio start playing a song that didn't exist yet in 1987....... and then lapse right back into Rick Astley's "Never Gonna Give You Up." in an episode that aired on 14 May 2005. two full years before the invention of the rickroll.
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turtleblogatlast · 5 months
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[ cw: ptsd / ]
The boys (and April!) would have loved to have their own Space Arc like the other iterations. Being such avid fans of Jupiter Jim, I think they’d have a blast just taking in the fact that they’re in space.
Imagine them gravity being turned off while they’re in space, and they’re floating and having fun in the spaceship and they look out into the darkness of space and-
And…
Leo’s floating, staring out into grey blankness, and everything hurts and he’s alone and this was his choice but he’s scared-
Things get less fun after they realize they already had a small taste of what space had to offer.
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jewishcissiekj · 24 days
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I love knowing that in TPM in the background of the squad's second encounter with Anakin this
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is the guy they chose to base Quinlan's design on, and was retconned too be Quinlan. the fully-fledged knight with a Padawan of his own at this point, on an undercover mission on as remote planet no one's supposed to be in, watching this random Gungan get into a fight when all of a sudden his boyfriend's Master shows up. insanity. a while later he finds out the kid that helped them now is now his boyfriend's PADAWAN. gotta love it
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skinnypaleangryperson · 3 months
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veliseraptor · 3 months
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So there's a poll that crossed my dash (https://www.tumblr.com/lansplaining/739863989923856384/in-a-time-travel-situation-to-save-himself-jgy if you're curious) about what JGY would do if he traveled back in time. There's lots of incredible but totally dissenting ideas in the notes, and now I really want your perspective. JGY dies in Guanyin Temple and wakes up in the past: what's his game plan?
oh man this is an interesting question! and so much of it is "it depends", particularly on "where in the past does he end up."
I think the first answer is actually to a certain extent "freeze and despair" because the thing is that from Jin Guangyao's perspective, he's never had a whole lot of options. His mistakes - or at least, the things that got him in trouble - look like, if not inevitabilities, a question of "what could I have done that would've been better?", at least at (his own) first impression. I think a lot of the time he makes the choices he makes because he feels cornered into them. He kills Nie Mingjue because otherwise he will die. Whether he was directly responsible for Rusong's death or not (I tend to think not, but I also think the text is deliberately ambiguous), it's a matter of preserving what little reputation he has (and MDZS tells us, repeatedly, that reputation can be the difference between life and death). The incest is thoroughly accidental and, once it's done, fairly inescapable without severely damaging both his own reputation (not an insignificant matter) and that of Qin Su, who he cares for deeply; once he knows he does what he can by ceasing to be intimate with Qin Su.
The only thing that I think is definitely not about feeling cornered is Jin Guangshan's death, which is far more personal; but there is also the consideration that if he doesn't kill Jin Guangshan he is quite probably going to be pushed out, one way or another. I don't remember if it's explicit or not, but Jin Guangshan's bringing in of Mo Xuanyu isn't not a threat that Jin Guangyao is replaceable.
So I think Jin Guangyao, back in time, looks at his options and thinks what am I supposed to do that won't end in disaster, when part of what doomed me was what I am (my mother's son), in and of itself.
He can try to stay in Nie Mingjue's good graces, but that means submitting himself to abuse from Nie subordinates and accepting his "place" with the Nie, which he doesn't want. If he never works as a spymaster for Wen Ruohan, then he never has the means to gain status, and if he works as spymaster for Wen Ruohan then he gains Nie Mingjue's suspicion if not enmity, which is likely to spiral rapidly both because of Nie Mingjue's inevitable deterioration and their drastic differences in perspective in general. If Jin Guangyao ends up with the Jin, he ends up having to do the same things that make Nie Mingjue so angry with him on behalf of his father, because it's not like he can say no. If he kills his father, he might have a chance, but he's also then committed a crime that if anyone discovers it will earn him universal approbation and has to live in fear of that for the rest of his life, intensified by his previous experiences/trauma from the former timeline. If he tries to make sure Nie Mingjue dies in the war, that's risky in itself, because if he is implicated even slightly in it he's also doomed.
Then, if he's only traveled back in time to when he's already joined the Jin after the Sunshot Campaign, it's even worse: he's already in a bad position with Nie Mingjue, who is going to become a (at least potential) threat to his life, but killing Nie Mingjue triggers Nie Huaisang's revenge. Killing Nie Huaisang is maybe an option but he would have to get away with it and that's intensely risky, and not something I know that he necessarily wants to do.
(I think he would kind of like to kill Nie Huaisang. I think he is very angry with Nie Huaisang. Definitely not going to be getting close to him at all, and I think would cut him off from any personal connection as politely as possible. Imagine how Nie Huaisang would feel about this with no understanding as to why, it's fun.)
If he doesn't do anything - leaves Jin Guangshan alive, leaves Nie Mingjue alive, leaves Nie Huaisang alive - he might be able to get through it alive. But from his perspective (at least) I think there's decent odds that Nie Mingjue would kill him, or at least a significant risk of it - if nothing else, because Nie Mingjue is going to lose control eventually and Jin Guangyao is a frequent target of his anger even when he is under control. And even if that doesn't happen, again, there's likelihood that he will have to live under his father's oppressive thumb for a long time, knowing that he's, not even hated, but just worthless to him. Knowing that his mother was worthless to him, and feeling, I think, that by being filial to his father he's betraying her. If Jin Guangshan doesn't just kick him out of the sect with nowhere to go.
I do think that while there's a part of Jin Guangyao that could, maybe, accept a low status as a means to survive (and I don't know that he would have anything but a low status in any other sect but the Jin; even his killing of Wen Ruohan doesn't earn him general respect), I think he would be miserable, and always resent it. I think that would feed into the despair, too: that this is his fate, that all his struggle and striving was for nothing and this is all he can do if he wants to live. That there was never any place for him in the world.
and taken all together this is why time travel fix-its where things are different because "Jin Guangyao just [whatever]" kind of drive me a little nuts, both from a logical and a character perspective. I'm not saying it's impossible. just that it's very difficult, and there's not a lot of pathways to happiness for my boy on his own without help - and where is he going to get help? just like the first time around, he's on his own.
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bidokja · 11 months
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
#orv#orv analysis#orv meta#orv spoilers#mine#ask#there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd#which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more#note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do#tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv#also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium#i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face#(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way#commit to the fucking allegory or simply perish
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saltpepperbeard · 11 months
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Coach the NBA Finals, or perform in the Superbowl Halftime Show? I’d coach the NBA Finals because uh, I know more about basketball than performing at a halftime show. [x]
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saturnniidae · 1 month
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"I should've seen the signs" I feel like Stoick was basically reliving the way he lost Valka.
To him, after a lifetime of wanting nothing but to kill a dragon, Hiccup's suddenly and inexplicably changed his mind. To him, Hiccup saying he can't kill them is just like when Valka refused to and tried convincing others as well, then as a result was 'killed' by one herself.
To him, way Hiccup tossed his weapon and shield to the side then approached Hookfang while speaking about how dragons aren't what people think they are probably bares an uncomfortable resemblance to the way Valka put down her weapon and stared a dragon in the eyes and as a result was taken.
To him, attempting to do anything but preemptively defend yourself against a dragon will only end in tragedy, so he has to do anything he can to stop Hiccup before it's too late.
(And just like with Valka, he unintentionally escalated the situation by trying to protect Hiccup but only agitated the dragon, causing it to panic and react, inadvertently putting someone he loves in danger. again)
Stoick of course, wasn't acting rationally, but it makes sense when you think about how traumatizing Valka's 'death' must've been for him (and how much Hiccup reminss him of her); he watched her get taken, presumably killed, and couldn't do anything about it.
#THE PARALLEL GHSSHRBFK THE PARALLELS#'so everything in the ring was a trick? a lie?' he was so elated when he though hiccup was finally taking after him#he convinced himself so hard that This was the real hiccup he's finnaly going to be a proper viking a real member of the tribe#and he was so proud and glad he finally had something he could connect with his son over#but again he'd convinced himself of all that. he completely ignored everything hiccup had to say#in his eagerness to actually be a Family to actually bond with his child#he was so stuck with this fake image of Hiccup the Dragon Slayer he'd convinced himself of to the point#when it all fell through he felt almost betrayed#betrayed and scared#scared he made a horrible irrational and emotionally charged decision of essentially disowning his son#im not saying stoicks a good parent. hes not. but hes trying and alone and taking care of an entire village as well as hiccup#and all the unprocessed trauma and emotional repression#hes not great but hes not bad either. hes trying.#hes trying and its not enough but at least it got better#i love stoick#parents of autistic kids they dont understand moment#httyd#stoick the vast#stoick haddock#hiccup haddock#valka haddock#httyd analysis#maybe?#hiccup horrendous haddock iii#haddock family#moth.txt#also pls dont tell me abt how valka and the 2nd movie wasnt planned yet. ik that but i like expanding on things#and pondering a characters reasoning for certain decisions bc its fun and makes them all the more fascinating#post rewatch 1am thoughts go crazy (sorry if any of this is like redundant or confusing. im tired) if u read the tags ily
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gothhabiba · 9 months
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on a general level I think the "if you aren't x identity don't make y point; reblog a post by someone of x identity about it instead" line is basically impracticable—like, how and where am I supposed to find a post by an x person making the exact point I want to make?
on a more personal level I find this line deeply annoying, as it has led on more than one occasion to a white person messaging me to ask me to make a post that says p q r so that they can reblog it...? and, more often than not, p q r is not a position that I agree with on any level.
the anti-racist politics of assuming that all people of colour believe the same things and that white people should be able to use them like puppets..... étonnant
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mejomonster · 5 months
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Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).
They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).
Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.
The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).
Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.
And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.
Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo
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phasesofpencils · 2 days
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Charlie's Daddy issues feel so forced in the show, like she SO CLEARLY has Mommy issues but this franchise is so fixated on the running bit that literally everyone has Daddy issues they just completely ignore Charlie's mommy issues. can't set up Lilith's character and twist too much, god forbid we SET SOMETHING UP properly to be paid off in the future. No let's focus on the daddy issues.
Especially Charlie's line about how "We've never been close - he only calls if he's bored or needs something." Like alright if he was ONLY calling you bc he needs you to do something that's one thing. But you're upset cus he calls you when he's bored??? When the fuck do you want him to call you???
Wow he calls when he's bored and wants to TALK TO HIS DAUGHTER?? Wow Charlie you're right the absolute nerve of that guy, who does he think he is?? Your Dad- oh wait.
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