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#attractive young guys i personally think they'd take off. but there's no way to like prove that so im just talking out of my ass
munamania · 1 year
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right can i just. okay. lesbian is not a genre so im not looking to lump all these shows together. got that out of the way. im also not looking to pit queer people against each other so ok checking that off the list. i am however going to go ahead and throw the misogyny card out here because it’s fucking annoying how shows that center women, especially when theyre woc and/or queer, still just don’t take off even in progressive online spaces the way any shows with our darling young gay male couples will. i’m not saying that’s, like, the Cause of them being cancelled either because we’ve been shown numbers don’t matter. and many of the “”lesbian”” shows that have been cancelled were popular otherwise. just complaining xo!
#because well maybe many of these lesbian shows are not that good. and it's hard for people to care#but also sometimes they like are. or they're not 'good' but they're still fun and if the dynamics in play were primarily#attractive young guys i personally think they'd take off. but there's no way to like prove that so im just talking out of my ass#and ALSO. regardless of the lesbian aspect of it. many of you will watch such ass shows that have like no women or one woman in it#and hype it up to all hell cause that's your babygirl#I SHOULD BE ALLOWED TO HAVE A GOOFY STUPID ASS DYKE TRAPPED IN A SHOW THAT ISNT THAT GOOD AND HAVE FUN!!!#i deserve pathetic women!!!!!#and also. largely upset with the most recent cancellations because of the butches/masc lesbians involved#because that you know has a special place in my heart. okay whatever#anyway. let me also add that plenty of the people who hype up mediocre gay shows are some of the most annoying people on the planet#so yk maybe it's a gift in a way to just have the illusion that the relationship begins and ends with me and my tv and one friend#but. like. the thing is is some of the tropes/dynamics/etc i see on these shows would make people go ferallllll if u know......#circumstances were different. but they just dont care. and also like. i think it's fair to be sad that ur just not getting more time#with characters u enjoy#that none of the money these streaming services get goes to even shitty quality stuff#honestly it's so smart of them to be like Ooo look gay people i have smth for u! and then get everyone online going#omg stream it so it doesnt get cancelled!!!!!! to maximize off it anyway. and then cancel before it can threaten their image or anything#and get too big. or be smth they invest in
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petrichor-idyllic · 10 months
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Hii Petri, I want to request for headcanons please, it's maze runner boys x fem!reader and she was one of the first to go up in the box, she's been in the glade for enough time to pass for the transition of 'cute little girl who's happend to be there with a lot of boys' to 'really hot girl in the middle of tons os guys', and I want to see the moment that clicked for each one of them that "oh, she's a girl". I think it would be fun cause they're a bunch of virgin dudes stuck in a place with only one girl that they know since "forever" and then suddenly she's not that little kid anymore and it clicks that they'd could be the one to date her.
I am completely doing my requests out of order, but I really like this idea and headcanons are so much easier lol.
Also no Newt here, the boy likes men.
DEVELOPMENT
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MASTERLIST | MULTI-CHARACTER MASTERLIST
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SUMMARY: See above. Movie based fic.
WARNINGS: Inappropriate language, awkward teenage boys, you're the boss, everyone is useless, mild suggestive themes, the Thomas one is really bad 'cause I had no way of actually writing that based on this prompt.
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You were the first person in the Glade, a young girl with no memories or idea what you were doing. Yet, somehow, you managed to survive for a whole month on your own. Then, one after another, the boys started joining you. And you went from soft girl to a leader they could rely on - though, it takes them a bit to notice this.
THOMAS
Being one of the later arrivals to the Glade, Thomas doesn't have the same reaction the others do.
You're just a badass from day one to him.
He thinks you're cool and calculated and you seem to know what you're doing.
He respects you from day one.
He doesn't get to have the whole realising you're cool moment that everyone else does.
He just thinks you're sick.
And he's like, stressed as shit, so he doesn't really have the time to think otherwise.
MINHO
Now, this is where it gets interesting.
Minho was one of the first boys to follow you into the Maze, just after Alby and Newt.
So he's witnessed your whole transformation.
From the early days of exploring the Maze together, to you making him Keeper, to the drunken nights where he'd had a rough day and you had to drag him to bed.
You've been together through thick and thin.
And some of Minho's confidence has definitely rubbed off on you.
The moment where Minho realised you were in face a girl, and not the one he first met was actually quite simple.
You'd had a long night, and with one of your Runners out of commission, you realised you hadn't told Minho to cover another route that day as you'd made arrangements for a new Runner to do a more simpler route- which meant switching up everyone's routines.
Fresh out of bed, wearing a sports bra and baggy trousers that hung off your hips, you went to the Map Room.
It wasn't uncommon for you to dress like this. The Glade is warm, and you basically mothered all these boys.
You whistled as you entered, gaining their attention.
"Oi, boys, listen up - I'm switching routes around today. With Sam off on sick and Darren being new, he's taking the easiest route. Minho, I need you to deal with covering the outer sections more. And Ben I need you to stick to your path for a change instead of going awol - your maps make no sense."
"Aw, what? But that's boring."
"I ain't shuckin' askin', Ben - do as you're told."
Oh.
Oh God.
Minho doesn't know why this is what made it click.
His eyes fell on your body, your words becoming static as he drunk in your figure.
Had you always been this attractive?
Had you always been this assertive?
Was Minho into dominant women?
Should he be concerned?
After this point onwards, Minho started looking at you differently.
In fact, you became the only thing he couldn't take his eyes off.
Minho would go from your confident and reliant friend to slightly awkward, but also occasionally flirty.
Like he can't actually decide what to do with you now.
It'd take a while, but after some near death experiences, he'd become more outwardly flirtatious.
Though, he still wouldn't be able to get over the admiration and awe for you.
GALLY
Gally would be your number one problem child in the Glade.
He always has been.
But, you normally left Alby or Newt to deal with him.
Especially at the start since he's a big dude with a big temper.
Gally always saw you unfit as a leader.
Too timid, quiet, anxious.
You name it, he thought it.
That was until the day him and Minho got in a particularly nasty fight.
You don't know why or what it was, but Gally had gone for the Runner. Alby was busy sorting out the Maps, and in light of Newt's recent injury - it was left up to you.
Jeff came running into your hut, panicking about the fight, leading you to running out after him.
"That's enough!"
You grabbed the boys, yanking Gally away by his collar.
"The shuck do you slintheads think you're doing?"
"He started it!"
"I did not!"
You'd had a hard day.
You didn't need this.
"I don't give two klunks who started it! We ain't got much choice to act like adults 'round here - and you two are actin' like diaper-klunkin' sissy babies! Get a shuckin' grip! I expect better."
Minho apologised quickly.
Gally did not.
"What? Why should I apologise when this shank can't shut his mouth?"
Well, you weren't having that.
"Because I shucking told you to. You're under my care and my order- what I say goes. You may be a Keeper, but that's up to me. Suck it up and do as you're told."
"...sorry.
"Better. Get back to work."
The way that Gally watched you walk away made it obvious to everyone who witnessed the scene that something had changed.
He'd always seen you as weak and a pointless leader, but now?
You'd put him in his place.
Initially, he was embarrassed.
But then he started seeing everything around the Glade, the power you actually held.
He also started to notice how attractive you actually had become.
Safe to say, he started to feel things after you basically called him a bitch.
He'd start showing you more respect after that.
Maybe a bit more than respect.
FRYPAN
Frypan has always liked you.
He's always respected you and been a good friend.
And he used to make sure that you were okay when things got too much.
But as you got older and more confident, you started to not need that comfort as much.
Unlike the others, there wouldn't be a specific moment where he realised.
He'd just be proud as he watched you grow as a person.
And you'd take charge.
It'd be a slow burn of feelings from friendship to genuinely having a crush on you.
You'd make sure his kitchen is always stocked and the Track-hoes do their job and the vegetables are up to scratch.
Though, his feelings came more with the physical transformation side of things.
You hit puberty, and went from being awkward to confident along with it.
Now, Frypan is probably one of the more respectful guys around.
But he can't help but stare when you bend over, or stretch or even just look at him with a smirk.
He's a teenage boy and you're the only girl around.
He's trying his best.
Though he did go from:
"Hey, everything okay? You look stressed."
To:
"H-hey uh, you uh, you need help, or...?"
Man's is down bad.
ALBY
Alby would probably be the person you're closest to.
He's the mouth and the power to your brain
You basically work side by side.
But, he'd always see you as someone he needed to look after and protect.
Then, as you grew up, came into yourself, that would change.
Especially when you started actually being in charge.
For the most part, he really doesn't care.
He noticed the others starting to act differently, but he didn't change much.
Apart from that one time you'd just come out of the shower.
And he just couldn't take his eyes off you.
And he kinda realised you're a woman.
But apart from that.
He's just... there.
Helping you lead.
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Sorry for disappearing, this is not my best work but I am currently in full corpse mode.
Anyway, hope you enjoyed :))
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findingnemosworld · 8 months
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𝐢𝐭'𝐬 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐦𝐞 𝐚𝐠𝐚𝐢𝐧𝐬𝐭 𝐚𝐥𝐥 𝐨𝐝𝐝𝐬 - 𝐫𝐮́𝐛𝐞𝐧 𝐝𝐢𝐚𝐬
・𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝 𝐛𝐲: 𝐚𝐧𝐨𝐧𝐲𝐦𝐨𝐮𝐬 ( 𝐜𝐚𝐧 𝐈 𝐫𝐞𝐪𝐮𝐞𝐬𝐭 𝐚 𝐟𝐢𝐜 𝐰𝐢𝐭𝐡 𝐑𝐮𝐛𝐞𝐧 𝐃𝐢𝐚𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝐦𝐚𝐢𝐧 𝐩𝐥𝐨𝐭 𝐢𝐬 𝐚𝐛𝐨𝐮𝐭 𝐞𝐱 𝐭𝐨 𝐥𝐨𝐯𝐞𝐫𝐬 𝐭𝐫𝐨𝐩𝐞 )
[ 𝐡𝐨𝐩𝐞 𝐲𝐨𝐮 𝐥𝐢𝐤𝐞 𝐢𝐭 ]
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Once upon a time, she was in love.
She did not necessarily dislike football, merely the portion of football players that seemed to show off everything they had off the pitch rather than on the pitch, her co-workers on the other hand were very much enamored with football players based on physical appearance, every single morning she overhears them gossiping about which player was single, which player they saw in some club or in this case, the players they'd like to have sex with.
" Aurora, who're your favorite players from the City squad? "
The young woman's head shoots up to see three heads looking at her, " Pardon? "
" You know, Manchester City " Hailey elaborates with an eye roll, scrolling through her phone then showing her a photo from Instagram.
Aurora chews on her bottom lip before she opens her mouth to say with a nervous smile, " I don't have a favorite because I don't watch football "
" Seriously " Taylor chimes in, " It's a great way to unleash your rage and you get to look at hot guys running around, well not all of them are hot " she shrugs, " But you get what I mean "
Aurora tilts her head, " Well, it may be for you but I have things to do after work, like sleep "
" Don't be such a bore Rora " Sandy states, " You should watch it, personally I only watch the matches to see Grealish play " she adds with a smile.
Hailey side eyes Sandy before looking back at Aurora, " If I were you, I'd choose Rúben, he's very attractive "
" Hailey you're engaged to Aiden " Taylor reminds her with a laugh.
" So ... it doesn't mean I can't look at the menu, or ... " Hailey giggles and leans to Aurora, " I want to help our dear Aurora find love "
Aurora shakes her head, " we should get back to work "
To be fair, their words lingered and it peaked Aurora's curiosity to look up the player Hailey mentioned, Rúben Dias - he was definitely good looking, Aurora chuckles a minute later; he's a famous player, what am I even thinking?
Once upon a time, she was in love.
Aurora was in the midst of closing up the bakery when suddenly, the bell chiming caused her to say, " I'm sorry, but we're clos- " the words fall but soon vanish the minute she meets the same chocolate colored eyes she'd seen in the photo two weeks ago, he gives her a tentative smile. " I'm sorry I'm late " he begins, his voice a beautiful mix of deep and gentle, " But if it's not any trouble, could you prepare a box of eclairs please? "
Aurora opened her mouth, wanting to apologize and affirm that they were closed yet his softened look was enough to have her relent and nod with a faint smile, " Of course " she said, disappearing to grab a box from the bottom shelf.
Rúben takes the time to look around the shop then ask, " Do you own this place? "
" It's jointly owned by my mother and my aunt, they've turned their dreams into reality so I'm only helping them the best way I can " Aurora responds with a faint smile, carefully stacking the eclairs inside of the box.
" That's impressive " Rúben nods before he approaches the register just as she placed the box, " How much is the box? " he asks.
" It's fine, you're a first time customer and my mother says that a first time customer's order is always on the house " Aurora said.
" Oh I can't possibly do that, especially since I made you stay overtime " Rúben interjects, reaching to pull out his wallet.
" I insist " Aurora stops him with a smile.
" In this case, I'm coming back tomorrow to pay you back, have a good night "
And indeed the next day he returns, very early which surprised not just Aurora but all of her co-workers who watched her interact with the Portuguese player with so much ease, Aurora was fully aware of them watching and it prompted her to be cheeky and ask, " Would you mind taking a picture with my three co-workers? " she gestures to all three girls who immediately scramble to pretend as if they weren't snooping in.
Rúben grins deciding to ask, " will you be in the picture? "
Aurora felt the obscure undertone of his question, she shakes her head. " They're the fans, not me "
Rúben's bottom lip playfully sticks out, " What if I said I wanted a picture? " he asks then adds with a smile, " Or a date "
Aurora pressed her lips to prevent a smile from appearing, " I would say, come back later, the same time as yesterday and I might give you an answer "
Rúben grins, " You got yourself a deal "
Once upon a time, she was in love.
He'd been relentless, despite her many attempts to push him away; he still powered through which in the end was the start of a blossoming relationship, between her work in the bakery and the straining schedule of his matches - Rúben and Aurora made sure to always make time for one another, be it in person or via calls and texts, yet a year had flown by and cracks were beginning to appear.
Rúben took longer to respond, whenever they spent time together - it didn't seem like he was truly with her and while Aurora tried her best not to have any doubts about his love, it seemed that no matter what she did, she'd always come in second and that had been the start of their downfall.
Arguments over trivial things.
Fights that seemed never ending.
It all lead to this moment, Aurora waited for Rúben to come after asking him to meet her, and when he arrived; he went in for a kiss but instantly frowned as he felt that she didn't reciprocate his emotions at all, " What's wrong? "
" I want to break up " Aurora blurts out before quickly composing herself, " We can't keep going like this, I'm sorry " she said blinking away the tears, " I love you, but I think it's best if we end this before it consumes us "
Once upon a time, she was in love.
It had been exactly two years since she last him, she'd kept up with his news; and would often attend some of his matches whenever time allowed, her friends had advised her to try dating again, to move on yet she couldn't find it in her to do so, sure she'd gone on dates here and there, yet nothing came of it - she'd end up reverting back to her old ways of withdrawing to solely focus on her work, especially now given that they have received a huge order for a wedding which meant she had to stick around over time, and she didn't mind it one bit, as it seemed better than to wallow up in self pity.
That night, she was occupied with decorating the cookies for tomorrow's display when a faint knock on the glass door caused her to gasp, drop the icing bag then look up to see a familiar figure there outside, ... she saw him.
She composed herself then she walked up to the front door, unlocking it to let him in. " Rúben, what are you doing here? "
Rúben looked disheveled, his hair had changed and what appeared to be a beard had grown across his face. " I came to see you " he said.
" Rúben " Aurora sighs.
" Hear me out " Rúben interjects with a serious expression, " Please "
Aurora huffs out a breath, " Fine " she gestures to the table, " Sit here while I go and make you some tea since it was cold outside "
Rúben nods, watching her from where he was sitting; she hadn't changed a bit save for her hair growing slightly past her shoulders which was evident by the way she had pushed to the side and braided; she returns with a cup of tea and places it down, she then moves towards the register to grab a small plate of cookies, " Here " she murmurs before sitting across from him.
" Rora " Rúben sighs, unsure of how to go about with this. " I miss you, like a lot "
" Rúben, we ended for a reason " Aurora reminds him.
" Fuck that reason, yes I love football but being apart from you physically killed me, and everyone could see it, hell " Rúben sighs, running a hand through his hair. " Even my teammates can see it, they all know how much you mean to me and how much I've been suffering without you "
Aurora blinks away the tears, " truth be told I ... " she sighs, " I missed you too "
Rúben smiles, " I want us to try again, properly this time " he grabs her hand, " I want to try and communicate, I want us to be a proper couple because I love you, I really love you "
Aurora smiles, " I'll do it, I'll try this again "
Rúben beams, " it's you and me against all odds my sweet girl "
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jeffgerstmann · 1 month
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So apparently AEW pays well and that's bad?
I know a couple of current WWE folks who definitely got better contracts simply because AEW existed and, thus, created a world where people might jump ship and go somewhere else.
But yeah, I don't know, people are fuckin' crazy. That said, with all of the recent free agent talk going around and that article that is all "WWE needs to look in the mirror about why they keep losing free agents to AEW," I think that's a little off the mark.
Like, yes, in a theoretical, big-picture kind of way the WWE should probably ask themselves why people would want to work anywhere else. And they can chalk it up to "well, we've had some negative press lately" or "this person just didn't want to work as many dates" or whatever. Each case will be different. But I think in the three recent cases cited, there are very real life reasons why none of those three would go with WWE. It's great that the offer from AEW was better and, honestly, I think those signees will easily find more success in AEW than they would in WWE.
Like let's not kid ourselves here: WWE could have offered Okada a fuckton of money, but would he actually make a meaningful mark in the WWE? He'd come in, the announcers would have to spend a ton of time educating the audience on why he matters because most of their audience doesn't watch anything else, and he'd probably just end up being the next foreign heel. The types of great matches he had in NJPW aren't really the kinds of things that WWE is looking for or especially needs more of. They'd probably rush him into a main event program for three months or so and then do something embarrassing with him. He'd be tagging with Nakamura in a team with a vaguely racist-sounding name or something shitty like that. He'd be another amazing performer in search of a meaningful storyline and the WWE's midcard is fucking stuffed full of guys like that right now. He'd be losing to Karrion Kross by Survivor Series.
Tack on the notion that WWE's business is doing really well and they're selling tickets everywhere they go and inventing new, more evil forms of revenue all the time and it's easy to see that WWE doesn't need Okada. They need to be making sure that they have a fresh crop of young talent ready to take over when the current headliners fall off or move on. At 36, Okada isn't quite that guy.
However, Okada is a great fit for AEW and its audience. Too good, actually. I mean I don't think he'll be a "needle mover" on the ratings because anyone in this country who knows who Okada even is already watches AEW. They're super-serving their audience. They're "building golden toilets" for their fanbase. As someone who really likes that shit, I'm stoked. But the weirdo ratings nuts online who live and die by television ratings are melting down over "is Okada a draw or not" or something. And I think it'd probably be obvious to anyone who really sat down and thought about it that Okada wasn't ever going to drag in a whole new American audience.
I'd say mostly the same thing about Ospreay. He'd become the leader of the Catch Wrestling Crew or whatever the fuck they're called now.
The other thing I'd say is that, over time, a better program will probably attract a larger audience. So AEW's programming is better by way of these new signings. They're great performers and I think they both have the ability to be super big in the US for years to come, provided they're working somewhere that plays to their strengths.
Bringing Sasha Banks over to AEW has a chance to bring in new audience since she had a level of fame here in the States already and, hey, maybe fans of hers weren't already watching AEW. It's possible! Punk did it, right? We'll see. That might immediately make her more valuable than Ospreay and Okada. That said, there are already a ton of women that I'd love to see more of on AEW TV, so inserting another star at the top of that division kinda rubs me the wrong way.
Either way, I think these three specific cases are, well, specific enough that trying to use this to claim that WWE is "losing out" on this free agency stuff is probably wrong. They know how much they're willing to spend on an individual talent, they've been at this long enough to have a pretty good idea how some of these people are likely to monetize once they get there, and they're simply not going to overspend on any talent anymore because they're really focused on trying to bring in new talent and raise them up through their system. For all we know, AEW overspent on all three.
But they aren't spending my money, so fuck it! It's awesome! I only get mad when the people I want to see are locked behind the ROH paywall. Like Athena! Put her on real TV, she's fantastic! What the fuck!
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blue-chimera · 4 months
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I posted recently re: an assertion that Dean is attracted to underage girls (based primarily on his comments about teen girls in "It's the Great Pumpkin, Sam Winchester" & "After School Special"). OP's angle was roughly: "Dean could have pedophiliac attractions as a result of having been sexually-assaulted in childhood."
While that's a reasonable-enough take, I personally disagree. I don't think Dean is attracted to teen girls. IMO, a close reading strongly suggests that what he's doing in those scenes can be boiled down to "crude humor attempting to gross out Sam."
But I also wanted to talk about Dean's general demeanor toward young women, because we see a fair amount of interaction between him & teenage girls, including Claire, Krissy (from "Adventures in Babysitting") & Marie (from "Fan Fiction"), and it's markedly different from how Dean approaches adult women. With adult women — up to & including grandmothers (S14:E13 "Lebanon," S11:11 "Into the Mystic") — Dean flirts the way he breathes. And it's explicitly acknowledged that his flirtation doesn't necessarily indicate that he wants to sleep with the women he's batting his eyelashes at (as Pamela says, "You don't want me... You just like to flirt").
This is just how Dean's most comfortable interacting with women. Frankly, I have to imagine he's not even conscious of his behavior most of the time. (Some of this style of interaction can probably be traced back to a lack of female role models/parental figures/etc. during crucial developmental years of his childhood. But some of this is simply because Dean really enjoys sex — and thinks everyone should enjoy it — and he's just extremely comfortable with himself in that particular context.)
But how Dean interacts with adult women is not at all how he interacts with teenage girls who end up in his social sphere. There's no casual flirting with Krissy or Marie, no smoky innuendo with Claire. And when Jody brings up the "sex talk" over dinner with Claire & Alex, Dean doesn't leer or snark — he's ready to bolt from the room. The way he treats these girls, it's clear they fall into the category of "kids," not "women," and that that's not a sexual category for him. Instead, Dean seems to slip into a more familial role. The way he interacts with Krissy & Claire isn't terribly dissimilar from how he treats Ben (adjusted for age) or Jack (once he finally warms up to him). [Although he leans into more of a "cool older brother" vibe than a "dad" vibe with the girls — likely sensing that they'd resent/find patronizing any attempt to be a substitute father — whereas he gives off more "dad" energy with Ben & Jack.]
Ultimately, we have tons of evidence that Dean cares about kids, treats them with respect in their 1-on-1 interactions, & has a generally protective attitude towards them. And everything I've seen suggests that this treatment is applied equally to boys and girls, younger kids and older ones.
(Tangential, but: Honestly, one of the things I love about Dean is the respect he has for women despite the way he grew up. A lot of men who come of age in a "boy's world" see women as almost some kind of alien creatures, beautiful but unknowable, desirable but not really people — not in the way it matters. Dean might not have a particularly nuanced understanding of gender in society, & he's definitely absorbed some misogynistic tendencies from the world around him — who hasn't? — but he's got the basics right. He's starting from a place of "women are people." With a lot of guys, it feels like even if they get there, they still have to stop & recalibrate sometimes, consciously reset their assumptions. But with Dean, it just feels like his default position. Maybe it's because he cares so much more about the hunter vs. civilian divide, maybe it's something else... IDK. But that's just the sense I get from him: that this is second nature.)
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strangertheories · 11 months
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1,9,10,18
1. That one character that everyone gets wrong. There are quite a few to be honest as I, along with my mutuals, are the only person in the fandom with correct takes (/j). But off the top of my head, Mike. Even if Byler isn't canon, Mike is still a traumatized child who grew up with parents who didn't love each other and also bullying. He's emotionally immature and says regretful things, but he's mostly just trying to cope with his feelings and insecurities. I saw an edit to him to First Love, Late Spring by Mitski that kinda puts it simply for me; "I was so young when I behaved 25 yet now I find that I've grown into a tall child".
9. The worst part of canon for me is the six nuggets comment. Just S4 Steve in general to be honest. I'm not exaggerating, it really puts me off rewatching S4 which is one of my favourite seasons outside of that. Yes he was worse in S1, but that was intentional. Now they've got a character who evolved through his relationships to others and got over Nancy barely hanging out with said people and instead just becoming that babysitter who likes Nancy. Not to mention Nancy's nightmare is becoming a suburban mother and the script seems to imply she liked that comment so now they're screwing over their strong female character as a reward for a guy becoming not shitty.
10. Similarly, fanon Steve drives me insane. I'm not a Steve anti, by the way, I really love his character's moments and S3 Steve is one of my faves in that season. But fanon Steve is literally canon Johnathan if he played sports. I was gonna put this for a misunderstood character but I put it here because it annoys me. It just frustrates me how people have this perception of Steve and then completely ignore Johnathan because (in my opinion) they are less attracted to him than Steve. Not problematic or anything, but it annoys me because Johnathan is super underrated.
18. The fandom needs to stop sleeping on Lucas Sinclair, although I think that's been getting better post S4 unless I'm just surrounding myself with pro-Lucas account. But he's so cool and funny and also the best boyfriend ever and I love him and it's so frustrating how this fandom will love the most mediocre white dudes ever and then ignore him.
And secondly, Jargyle! You cannot tell me that they don't get high and make out. They are so cute, my fave weed smoking boyfriends, and I do not see enough fic or fan art of them. I feel like they'd be way more popular if Charlie Heaton was more conventionally attractive (I'm a lesbian and think he's pretty but a lot of people don't) and if Eduardo was more conventionally attractive and white. I feel like every fandom goes insane for vaguely hot white dudes interacting with each other and yet Jargyle flies under the radar which is so annoying.
Thanks for the ask, in reference to this post. Also just to clarify, I am white so if someone who isn't thinks I'm overstepping then I'll gladly correct myself, but these are just some things I've noticed in the fandom!
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trumanlilac · 2 years
Text
/ / c h a p t e r - o n e / /
The room was drafty, it felt almost like a real hospital...well it was...but...you know, like the actual ones that people get shots and stuff in...I looked around, it was a typical setting. A few flower vases in the corner with plants that you could tell were obviously fake...and empty arm chairs all around. I was happy they were empty, I didn't want to see anyone...although I did wish someone was around so I could ask how these damn things went along...
Just with that thought, a tall guy dressed in all black came straggling in. He looked lost, or stoned...I really couldn't tell. He had a strange hairdo...shaved on the sides and long at the center...it was kind of cool as I scoped it. His eyes fell on mine, I looked away quickly. He sat down beside me, the smell of cigarettes against his leather coat easing into my nostrils. How could such an attractive guy let himself reek of the aroma of cancer sticks.
"Hi." He smiled slightly.
"...hi..." I smiled slightly also, taken by surprise that he'd actually speak to me...he didn't look like a talkative, or very friendly guy...I guess because he was wearing so much black.
"I'm not crazy, by the way." He assured me.
I laughed, I couldn't help it...he was so forward, "neither am I."
"Well good." He nodded, his smile growing wider, "not that I thought you were."
"I didn't think you were either." I shrugged shyly.
"But even if you were that would be fine." He said, looking right at me. We were so close together due to the set up of the chairs that it made me nervous, I leaned to the side a little, backing from him.
"Same for you." I looked away, I always became a bit nervous to look at an attractive person right in the face. It gave me an everlasting feeling that there just had to be shit on mine or something.
"Matty." He held his hand out, I could see his eyes wandering around every bit of my face and behavior, he obviously knew I was nervous...was he a psychologist? And just acting like a client?
"Katie." I shook his hand quickly and slipped mine into the pockets of my over sized cardigan sweater.
"Katie. Is it short for-"
"Katie?" A woman called, guessing she was my psychologist, I stood up and swung my purse over my shoulders, "sorry." I didn't look back, and followed the woman back to her office.
"Hi, my name is Elaine, I'll be your psychologist." She smiled and extended her hand after closing the door behind us. She happened to be a very attractive woman, and quite young to my surprise...maybe in her thirties or so. She wore red lipstick and had long blonde hair tied back...and bright blue eyes...and breasts that she obviously wanted to show off because they'd nearly pop right out of her blouse if she were to jump.
I reached out and shook her hand, then sat down.
"Are you doing okay?"
"No, a really attractive man just told me his name and I don't know how to take that."
Elaine stared at me, blankly, then a false smile spread across her lips. I could tell it was false...
"Well...let's talk about that. Why don't you know how to take that, Katie?"
"This is one of the problems. I don't like when people talk to me...well...men. I'm not homosexual, I am attracted to men, but when they talk to me it makes me want to just...just..." I sighed, wanting to pull my own hair out. Wasn't this woman supposed to make me feel not crazy about my damn problems? What the fuck is this shit?
"Go on..."
"Jump off a bridge." I admitted, feeling even loonier than I must have looked.
"I see. Would you consider this a fear?"
"Yes." I said quickly.
"Do you have this problem when females talk to you?" She asked.
"No, not at all...but I do get a feeling that they're judging me, as all people do to each other but I get a feeling that...they're out to get me. Break me down and make me feel awful about myself...like they feel higher than me in...life. I'd much rather just be alone and-"
"What you've just described, seems to me..a phobia of socializing. Which could come from a number of things..."
I looked at her, I've been told the same thing all my life by my one and only friend. What the hell was I paying this lady for if I could have just listened to my friend? My head began to spin. I stood up, grabbing my bag, "I don't feel so good...I'm gonna go...I'll call you to reschedule." I walked out of the room, finding my way back to the waiting room. Matty was still sitting there, he looked up from his lap.
"Hey, that was fast." He said.
"Yeah. Bye." I waved, quickening the pace of my feet.
"Hey wait up," he stood up, I stopped.
"I was wondering...if you wanted to wait for me...and come watch my band rehearse after this?" He asked.
What? Was he a fool? I didn't even know him...a band...I'm trying my best not to laugh...or run...
"Excuse me?"
"I know it seems strange but we've been trying to get an audience that we don't know to kind of tell us if we suck or not, and give us a hear...you would be helping a ton." He said.
"I dunno...I really should get going I-"
"Please?"
"Matthew?" The same woman came out, I tried not to make eye contact with her.
"I don't-"
"Please? Come on, we'll have free drinks." He said, lowering his voice.
"Oh, I don't drink." I shook my head, lowering mine too.
"...I didn't mean alcohol." He laughed, "you remind me of my girlfriend..."
"Matthew...?" Elaine called again.
"Right here just a sec." He held his hand up, still staring at me.
Girlfriend? I sighed on accident, "oh you have a girlfriend? Will she be there?"
"She's dead," He said.
My heart suddenly sped up in pace as he said those words, I suddenly began to feel sorry for him. If she was dead...why would he refer to her as if she still were alive and they'd still been dating? And how could I possibly remind him of her? What did I do? I sighed, feeling the pressure, "alright." I took a seat, watching him walk off with Elaine with a smile on his face.
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achangeinpriorities · 2 years
Note
-slides in late with hot chocolate- Bodyguard AU + Fake Dating for Hartley/LI of your choice?
Oh you gave me too much leeway on this one! I know (and ship) Hartley's more common ships, but for some reason this combination made me think Hartley/Mark Mardon, because it would be good for Mark and piss off the Rathaways tremendously (and that's always a worthy goal):
As he comes of age (before he comes out), Hartley's parents decide he needs a bodyguard. It's a dangerous world out there for a young, rich man, especially one as pretty as Hartley, and they wouldn't want anyone trying to hurt him.
Out of a large pool of applicants, they select Mark Mardon. This is an excellent gig for Mark, who was never formally trained - he cobbled together a training out of classes he could afford, and from his experience on the street. However, he comes highly recommended, by virtue of the fact that this man *never* leaves a fight unfinished. Upon meeting him, the Rathaways are annoyed to find that he obviously comes from a poor background - he's blunt, he doesn't know his way around formal events until instructed - but he's obviously willing to go to great lengths to protect someone. They'd accept nothing less for their darling boy.
An unintended side effect: Hartley takes one look at Mark Mardon, and all the months of questioning if maybe he might be gay reach a thunderous conclusion. Yes he's gay, and *damn* Mark is attractive.
They bond slowly. Hartley is still himself, caustic of wit and slow to trust. He's equal parts annoyed and intrigued by the fact that Mark doesn't take his shit; he's never before had someone threaten to spank him like he's a bratty kid. (He's never been more intrigued by the idea of being spanked like a bratty kid.)
In the intervening length of time, there's an attempt on Hartley's life, and Mark goes above and beyond in the line of duty. He ends up hurt, for which Hartley's parents give him a generous bonus (all of which goes toward putting Clyde through a good school). Hartley is left utterly bewildered. He never thought he was worth taking a bullet for. He'd always assumed that the moment he was in a situation where he became deadweight, the other person would look to their own needs first - and if that meant leaving him behind, so be it.
In addition to the newfound awe for Mark, the attempt on Hartley's life leaves him shaken. He's forced to confront the fact that he doesn't want to die without having lived authentically, and he thus enlists Mark's help on a grand endeavor: to pretend to date him and see how long it takes for his parents to catch them. He cautions Mark that he'll no doubt be fired, but Hartley will likely be disowned at the same time, so they'd both be risking a lot. Mark can't begin to fathom how this weird rich guy's mind works, but by this point he too is feeling spiteful toward the Rathaway parents (and is a little bit in awe of his charge, who stood his ground while threatened even though he'd have gotten his ass handed to him in two seconds flat).
And so they begin to fake-date. The Rathaways remain oblivious for a shocking amount of time, brushing off the surreptitious touches as a way Mark checks in on Hartley rather than a sign of affection. It takes them walking in on an actual kiss (Hartley's first) to figure out what's happening, and much chaos ensues.
In the aftermath, Mark ends up taking Hartley back to his place. Hartley might be weird, and sort of a pain in the ass, but Mark isn't going to make anyone live on the street. And besides, he admits when Hartley confronts him, the dating may have been fake, but finding Hartley hot wasn't.
They start properly dating about a week later, after Hartley has processed his feelings around leaving home. Hartley has never been happier or more himself, and Mark doesn't regret this turn of events in the least.
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mercurysstars · 3 years
Text
All That Glitters Is Not Gold (part 7)
Summary: Y/n gets hired to be the avengers chief physician and also happens to be an ex assassin.
Word count: 3.2k
Warnings: Needles, swear words, reader getting angry.
A/N: Okay y’all so maybe the reader has slight anger issues.
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𝘍𝘪𝘹 𝘮𝘦 𝘶𝘱 𝘮𝘺 𝘥𝘢𝘳𝘭𝘪𝘯𝘨.
_
Y/n suddenly became aware of the very persistent beeping noise in her ear. No matter what she tried she couldn't get it to stop and it was starting to annoy the hell out of her. She cracked her eyes open, the light-flooded her blinding her for a few seconds but her eyes quickly adjusted.
The first thing she noticed was the white plain walls of the Med-Bay. The memories flickered through her head like a flashing light. Y/n looked down to her bandage arm she peeled it back a bit, by looking at her wound she guessed she might have been out a little over a day and a half.
She grabbed the cords attached to her body and yanked them out causing the heart monitor to start flatlining. Wanda shot right up out of a dead sleep at the sound, looking over to make sure her friend was okay. Y/n didn't even know she was there until she spoke up "Oh good you're alive."
Y/n grimaced "Very much so. How long have I been out?"
"A little over a day," Wanda said confirming what she thought. "After FRIDAY alerted us, Barnes got there first to see you all bruised and bloody."
Y/n could tell Wanda was trying to keep the conversation light which she appreciated. She rolled her eyes and chuckled "You should see the other guy."
"Oh trust me I did." Wanda grinned. "I should probably go get bruce though so I'll be right back."
Wanda left her room. Bruce came in and checked her vitals and drew some blood just to make sure there wasn't anything toxic left in her blood. He said that they couldn't use the cradle because it could harm her further so there would be a scar. But Y/n didn't mind much a little bit of meditation and it would be long gone.
Wanda gave Y/n her phone but had to go because Vision needed some help. Y/n was checking some emails and she heard a little sniffle. She looked up to see a red-eyed Peter peaking into her room. She set down her phone and motioned him over. "Hey, Peter what's wrong?"
Peter seemed a little unsure of himself hesitating to speak. He once again sniffles wiping his face with his shirt. In a little voice, he mumbled, "I was scared you were going to die."
Y/n's heart broke into a million little pieces. She didn't know what to say to him. She wanted to comfort him but she didn't know-how. Y/n did the only thing she knew how. Made a joke out of it. "Oh, Pete you know some half-ass assassin can't get the best of me."
Peter chuckled also while hiccuping. He looked down then back at her. He rushed toward Y/n wrapping his arms around her. Y/n slowly wrapped her arm around him the stayed like that for a few seconds. She rubbed his back and patted it. "Can't breathe. Super strength." She choked out.
Peter pulled back standing next to her bed and rubbed the back of his neck sheepishly "I forgot sorry."
"Don't worry about it. And hey get some sleep I'm the one in the Med-bay and you look worst than me."
Peter promised he would. He gave her a get-well card that he bought with his aunt May. He turned to leave. Bucky was standing in the doorway. Peter told him he could go in and left.
Bucky walked into the room. Y/n's face lit up when she noticed him standing there. "Well look who it is. My savior."
Bucky gave a small chuckle. He looked her over. He can't get the image of her lying limp in his arms out of his head. He doesn't think he's ever been that scared or panicked in his life. It became blurry to him after she passed out. He vaguely remembers carrying her the few feet to the med bay and Bruce ordering someone to get him out. Funny how someone can change your life within a few months of knowing them.
"How are you doing." He breathed out turning serious. He sat in the chair next to her bed setting her clothes on the tabled next to them. He couldn't explain it he felt like it was her fault she was in here. Even if he hasn't done it personally.
"Good, I'm good. How's Alpine? I know she has separation anxiety."
"Well, last night she somehow got into my room again. And right now I think she's with Wanda. I'm pretty sure she sneaks her extra treats."
Y/n and Bucky continued to talk. She genuinely enjoyed his company. There was a feeling that she didn't want to name that started to open up whenever he came around. They decided to watch a movie. Y/n was sitting crisscross applesauce and Bucky had his feet kicked up onto her bed while laying back in the chair.
"You actually liked this movie," Bucky exclaimed. Y/n got to pick the movie and she picked newsies. She thought it was the right thing to choose considering it's about young boys in New York. Though it was a little before his time it was basic Bucky and Steve.
"Yes, it was my favorite movie of my teen years. Believe it or not, I thought their New Yorker accents were really hot."
Bucky laughed. He couldn't believe what he was hearing "No way. They are so bad. They aren't even accurate."
"Hey don't judge. I can't help what my teenage hormones find attractive." She jokingly kicked his feet and he put his arms up defensively.
"I'm not, I'm not. It's just that I don't see you like that type of girl. Back in my day, they use to associate accents with thugs or gangs."
"It's the 21st-century hun. Times are different." She put her non-injured hand on her hip.
Bucky raised his eyebrows and smirked "So I'm seeing."
The buzzing of Y/n phone interrupted their conversation. The caller ID read Anthony Y/n put up a finger to signal to give her a moment. She clicked the accept button and a nervous sounding Tony picked up "Hey Y/n how are you? I heard what happened."
Y/n? He never uses her real. That only means one thing. He did something that could potentially piss her off. She was out for one day and this is what happens. "What did you do Tony."
"Okay look so don't be mad when I tell you. Meet me in the debriefing room in 10." He hung up before she got the chance to object.
Y/n slide to the edge of the bed. She swung her feet over. She attempted to stand up but when she put pressure on her foot she nearly collapsed. Y/n didn't remember hitting her foot or anything but it must have been when she dove over her desk. Bucky put his hands on her waist to steady her. "Woah you okay there doll?"
"Yeah. Can you like?" She made a turning motion with her hand. Bucky immediately stood up and turned around.
Y/n took off her hospital gown. Buck caught a glance of 2 long scars crossing her stomach and what looked like to be a burn on her hip through the reflection of the window. He quickly turned away out of respect. Y/n slide on her pants and cleared her throat. "I'm done."
Bucky turns around and sees her supporting most of her weight on her right foot. "Do you want me to get you crutches or a wheelchair?"
"Why would I do that when I have a perfectly good super soldier right here?"
She hobbled over to Bucky and wrapped her good arm around his waist. He rolled his eyes at her being difficult but put his arm around her. He wouldn't admit it but he secretly liked it and thought it was sweet.
They got down to the debriefing room. Tony was pacing around the front muttering something to himself. Y/n and Bucky took up the last two seats. Y/n's foot was throbbing so she put it on the table to elevate it. They waited a couple of minutes for him to start. Natasha finally decided to speak up getting annoyed "You want to tell us what this was about before you burn a hole in the carpet."
Tony stopped to look at them and started to pace again "Okay so I didn't tell you guys everything. That meeting I had was with the UN. They are trying to get General Ross to be ahead of the Avengers instead of Nick Fury."
He paused to let them take it in. Some were confused, and a couple were mad. "Wait are they just trying to do this since we didn't sign the Sakovia accords?" Steve said what most were thinking.
"See that's what I said but they were talking about some bullshit about us being unorganized and dangerous. And the only way they'd stop it is if someone took a truth serum and I said Y/n would."
Oh, this is why he told her not to get mad. She had to take a deep breath so she wouldn't pull off her shoe and beat him with it. Is he stupid? He's a genius but he can't think before he speaks. "So how does it work?" Clint asked.
"Well, they will hook you up to a lie detector machine and inject you with the truth serum. The way it works is that every time you lie the serum will start to burn and your heart rate will start to accelerate."
"So what all do I have to lie about." Y/n finally questioned. She was chewing her lip in contemplation. She's pulled off worst than this and has had more on the line than this.
"What I know for sure is that I said you've been with us for 2 years, you can't tell them how you got that cut and anything that can potentially get us into trouble. Also, you can't take any strong pain meds."
"So basically she has to have one hell of a poker face," Bucky concluded.
Y/n sighs and rubs her head."How long do I have."
"12 hours until wheels up." Tony better buy me so many boxes of pizza she thinks.
_
Bucky watched as Y/n sat on the floor crisscross applesauce. Her back is the door and the only light in the room is the light from the hallway in the quinjet. Y/n could hear the soft buzz of Bucky's metal arm with her eyes still close she says "You know you can come in Sarge."
That startles Bucky. He walked into the room and sat on the floor taking up space next to her. He looked at her "I came to tell you we are almost there. Are you nervous?"
Y/n thought for a few seconds. Most people in her position would probably be pissing their pants at this moment. Having to go in front of the United Nations and lie straight to their faces. So she answered truthfully "No, no I'm not."
Bucky was surprised. She was genuine in her answer. If it was him he would be having a near stroke. "Really? Anyway so why do meditate it doesn't actually help with anything."
"Actually it does. It helps with my heart rate and it helps me heal faster."
"Oh?" He looked at her expectingly obviously not believing her.
She kicked out her leg and lifted the pant leg to her suit. The bruise was gone and she rotated her foot and wiggle her toes to prove she wasn't in any pain.
Y/n grabbed his shoulder as a crutch to help her get up and grabbed her heels. Bucky looked up at her. "You know I can't seem to figure you out."
Y/n paused and pursed her lips in thought "Somethings are better off left as mysteries." She patted his shoulder and walked out.
_
Wanda, Natasha, and Y/n broke off from the rest of the Avengers, having to go to the medical room so she could get a mini medical exam.
The girls walk through security. Natasha dropped all of her weapons in a bin so she could pick them up later. They put a device around Wanda's neck so she couldn't use her powers. Y/n could see how uncomfortable it made her. She walked over to Wanda and whispered "I feel bad you have to wear that. You didn't have to come."
Wanda looked at her and have a small sad smile "What you're about to do is worst than this. It's the least I can do for you helping us."
Y/n nodded to her. Security officers escorted them to the medical room. They had Y/n sit on a bed. They made her pee in a cup, took her blood, and checked her medical history. Natasha was giving her advice. While she knew most things it was still nice having someone coach her through and remind her of it.
When they finished Wanda went to join the rest of the Avengers. Natasha walked her to the door she adjusted Y/n's suit "You've got this. We'll be supporting you in the crowd."
"Thank you Nat for everything really." She hugged her and Natasha gave Y/n's arm a reassuring squeeze.
Y/n took a deep breath. She stepped into the room. The room was a half-circle shape with large windows behind it. In the back were journalists and reporters. And in the front were the UN personnel were located. Y/n walked past the Avengers and took her seat in the middle of the room.
Y/n could feel everyone's eyes on her. She got blinded momentarily from the flashes of the cameras. She looked over to the Avengers. Tony, Bruce, Clint, and Steve at the end. Bucky in the middle. And Sam, Natasha, Wanda, and Vision on the other end. Wanda gave her 2 thumbs up and Y/n smiled back at her.
Staff came over and started to unpack and hook her up to the lie detector machine. They took off the jacket to her suit and connected wires to three fingers on her right hand. They put a blood pressure cuff on her left tricep and inflated it. Ross stood up and cleared his throat being the room's attention on him.
"Good evening ladies and gentlemen. I'm General Ross and I will be doing the questioning on the behalf of the UN."
He turned his gaze to Y/n. "We're going to test the lie detector first."  Y/n nodded to him and he began.
"Is your legal name Y/n Y/l/n?"
"Yes." Y/n states.
"True." The man in the chair next to her says.
He looked down at the paper he had in his hand looking for his next question. "Very well. Were you born Y/B/D 1995?"
"Yes."
"True."
"Are you nervous?"
Natasha's words come back to Y/n. Lie once. Lie about something small. So they don't get suspicious. Y/n let her heart rate pick up a bit and purposely avoided eye contact. "No."
"Lie."
"It's okay to be nervous. God knows I would." Ross joked a few people chuckled and Y/n had to physically hold back an eye roll. He thinks he got her but in reality, he's right where she wanted.
He nodded to the staff and they walked over to her and began to prep her. They cleaned a small area of her arm with an alcohol pad. "This might hurt a bit." One muttered.
They stuck the needle into her arm and injected the serum. At first, it felt cool but then it hit her all at once it felt like someone poured a pan of grease on her. Y/n's skin was on fire, she bit her cheek so hard it nearly drew blood.
Bucky watched as Y/n closed her eyes and took a deep breath. If it was anything like the Super Soldier serum he knew it burn. She opened her eyes and if he didn't witness it he wouldn't even know it happened seconds ago.
General Ross walked back to the front and began to speak "We are ready to proceed. Did it hurt? I've never tried it."
"Yes." Like a bitch.
"What role do you play for the Avengers? Tony mentioned you've been there for 2 years."
"I'm their Chief Physician." The second part of his sentence was a statement so she missed lying by an inch.
"True."
He asked questions like that for a while or worded them differently. The questions were getting repetitive and Y/n was getting bored and impatient. She hasn't had to lie yet not that she wanted to. Especially not when she has the truth serum from hell injected in her veins.
"Have the Avengers ever put you in any unnecessary danger?" Ross questioned.
"Never." She replied trying not to bounce her leg.
"True."
"Tell me Miss Y/l/n how did you get that cut? It looks pretty deep." He paused seemingly watching for her reaction.
"My cat. She has some pretty mean claws." Y/n stated without missing a beat. She felt the burn of the serum. It wasn't as bad as the injection but damn did it fucking hurt. Despite that Y/n kept a straight face starting to get annoyed with him. She could hear the flutter of the cameras.
"True."
"Would you consider Miss Maximoff unstable in any way, shape, or form?"
Y/n has to stop her eyes from going wide. What the hell kind of question was that besides rude. It's like he wants her to lash out at him. "No."
The man watches the monitor for a few seconds "True." He finally says.
"Would you consider Mr. Barnes dangerous?"
The audacity of this man. You want to see someone dangerous? Let's see how dangerous I am when I choke you out with this cord that's wrapped around my finger- "No"
"True."
"Are you aware of his past?"
"Very much so. And that where it should stay the past. I don't know what you're trying to get at general."
"True."
"Were you aware that we are starting a search for Lilith and anyone with information on her that doesn't come forward will be sent to the raft? And were you aware that if we find her we are ordered to kill on sight?"
Y/n gets a bitter taste in her mouth. This cannot be happening. She can't freak out right now. She clenched her jaw "No I was not aware of either."
"True."
"Very well that's all." Ross returned to his seat among the UN.
The staff came over and unhooked her from the machine. Y/n felt like she could finally breathe. She stood up and walked out without glancing back. The Avengers did the same meanwhile getting swarmed with paparazzi.
Part 8
My mini taglist
@theashlynbarnes @writingonabrokenwall
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rikumorimachisgirl · 3 years
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Title: Eyes on you
Pairing: Shaw x You
Genre: Fluff
Word count: 2,901
A/N: You (Y/N) are not the MC in MLQC. This is a plunny that's been bugging me for quite a while, I had to write it. I hope you like it.
Disclaimer: I do not own MLQC or its characters, but I do own the concept of this fic.
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There were a few mysteries in this world that the esteemed Archeology Graduate Professors at Loveland University can't explain - for instance, the formation of the Stonehenge, the exact location of the lost city of Atlantis, the origin of the Nazca lines… and your presence at the Metro Art Gala dressed to the nines, positively gleaming as you strode arm in arm with your classmate and Thesis partner Shaw, who seemed like the perfect gentleman that evening. Thanks to your work at the Loveland Museum, you scored two invites to the gala featuring the recently discovered works of a well-known artist - an event any Archeology fanatic wouldn't let pass. The two of you walked along with LFG's Exhibition Hall, pausing occasionally to admire one of the recently discovered sculptures by the Renaissance artist D'Romani. As you both looked at the intricacies of the artwork in front of you, your charming companion would lean in slightly and whisper something in your ear, causing you to roll your eyes or stifle a giggle. 
To the guests in the prestigious gala, the two of you looked like two young people at the cusp of falling in love, but the members of the Faculty of the Graduate School of Archeology saw it differently - this was a real-life mystery if they'd seen one. 
As your eyes swiftly swept through the entire room, you could see that your professors only had one question in mind - how'd this happen? How did two people as different as day and night, who argued with each other throughout Graduate studies, end up amiably enjoying each other's company tonight? 
You drew a sharp breath and sighed. The answer was simple: Your Thesis defense was right around the corner. You needed him to cooperate, you were willing to go to great lengths to make it happen. And your Thesis partner (unfortunately) was ready to take full advantage of the situation. 
***
"Tell me why we're doing this again, " you said through the door that separated you and your date, as you were putting on the dress you bought (or invested on, as he casually stated) for tonight's gala, which he insisted on attending with you. It was six in the evening on a Friday, and you had just arrived home after cramming your workload at the Loveland Museum and foregoing your meal breaks just so you could leave work at exactly five-thirty. 
"I already told you a couple of times - you want me to cooperate with you so you can pass our Thesis, and I need a reason to be around her," the purple-haired man waiting at the other side of your bedroom door called out nonchalantly. "You can drop your fantasy about me asking you out because I'm attracted to you."
You hissed silently at his snarky remark and counted to ten. You haven't even left your apartment yet you already wanted this night to be over. "How do you even know she's gonna be there?"
She - the Miracle Finder Producer, the object of your Thesis Partner's fantasies, and as fate would have it, his brother's girlfriend. 
"They're doing a show featuring our Thesis adviser. Didn't he tell us about it during our last consultation?" He asked, his tone dripping with sarcasm.
"I wasn't listening," you shot back, as you took off your ponytail and started styling your hair with your curling iron. You chose a one-shoulder fitted black dress that stops right above your knees, so you thought of wearing your hair down for a change. 
"Ah, yes. You were too busy looking at your notes, trying to prove me wrong as always."
You closed your eyes, as you continued to make big beach waves and prayed to the gods you wouldn't commit murder tonight. 
"How much longer are you gonna take?"
"Excited much?" You asked, smirking while you now removed your glasses and put on your contacts. "You sound like a teenager excited to see his crush in a school fair!"
"Don't compare me to you!" 
"I don't have designs on anyone in the party," you called back. "Unless your brother's attending the event, that is. From what you've been telling me, he seems like a great guy."
Silence. You arched an eyebrow as you strained your ear to listen for any sign of life outside your bedroom door. What must your grunge-rock skater boy-turned-date-for-the-evening be thinking? 
"Do you want to pass our Thesis or not?"
You struck a victory pose at his remark. Finally, one point - you, Shaw - about twenty. 
"Are you done yet? This suit is really uncomfortable. Damn, why do people even wear these?"
"Because they're decent?" You shot back. "You know, you can always go home if you're not comfortable in your attire because when we get there, you need to act decent, too. Can't have your usual swagger in a formal affair."
"Just hurry it up already!"
You rolled your eyes as you applied your nude-colored lipstick to finish off your look before putting on your black stilettos, and stuffing your phone, wallet, and your makeup in your purse. 
"All done," you replied, as you finally emerged from your room. 
***
A part of you wished that the dynamics between you and Shaw were different. While he was a pain in the neck, and too carefree for his own good, you also thought he made for a good intellectual sparring partner, quite attractive, and it was hard to deny that he's got your heart beating double-time whenever he got too close for comfort like he was at that very moment. 
"My, you two kids seem to be having fun tonight."
You gasped, at the sound of the voice behind you, and you felt your date nudge you ever-so-subtly while straightening.
"Hey, Professor Adler," he said in his usual unruffled tone, his lips stretched into a smirk as he held his hand out to your Anthropology professor and Thesis adviser, who watched you both amusedly. His gesture made your eyes shot wide open, you thought they'd fall right off. Shaw shaking someone's hand? That's one for the books. 
"Shaw. Fancy seeing you here," the stout middle-aged man greeted while shaking your date's hand. "This isn't your usual scene though."
"Yeah, I know, but I can't exactly turn a pretty lady down, can I?" 
"I can see that," your professor said as he looked at you appraisingly. "Well, well, you clean up well, Miss (y/n)."
You fought the urge to squirm at the older man's words when you heard your date cluck his cheeks with his tongue and suddenly felt his arm around your shoulders, pressing you protectively close to his side. 
***
"All done!" You happily announced as you stepped into the living room of your small apartment where your date was impatiently waiting for you. 
You could've sworn he was stunned for a second or two before he shook his head and tried to regain his usual impassive expression. Finally, he stood and walked closer to assess you better. 
"You're not wearing your glasses. I thought you said you're practically blind without them?" 
You cocked your head to one side. Out of all the things he could've complimented or called out, that's the first thing he noticed? 
"Wouldn't it look awkward if I wore glasses to a formal event?"
"Your hair is all curly," he continued as if you didn't say anything. "And your shoes are so tall, won't you trip? Also, surely you have a jacket to go with that dress, right?" 
You stared at him in disbelief. Why did this carefree, bass-playing skater boy turn into your dad all of a sudden? 
"Uh…"
"Well, at least you're not wearing red lipstick. You don't have to try too hard to look sexy. Geez! I've got plans of my own this evening, so don't expect me to be your bodyguard," he continued to mumble as he circled around you. Before long, you felt something warm and heavy on your shoulder. His coat?
"It's just until we get to the venue," he shrugged as he led you to the car he borrowed for tonight. "I don't want people seeing you freeze to death."
You sighed, your shoulders slumped as you followed your date to the car. You already expected he wouldn't throw you a compliment for looking like a proper human tonight, and you cursed yourself for feeling gutted over it anyway. 
 ***
"So, which one of these sculptures did you like best, Professor?" You sighed in relief as Shaw changed the subject, his arm still wrapped around you, making you blush furiously. 
"Oh, I have to say I liked Eros and Psyche best. In case you haven't seen it yet, it's located a little further down the hall near the bar area," the older man was starting to explain when someone tapped his shoulder from behind. 
"Excuse me, Professor Adler," a gentle voice called out, making both the professor and Shaw jump. From behind the old man, a pretty petite with brown hair and big brown eyes, and the biggest smile on her face stepped up. "My name is MC from Miracle Finder."
Almost immediately, Shaw withdrew his arm around you, almost causing you to stagger backward. He straightened up and feigned disinterest. 
"Hey. It's a little rude how you stepped in while I was talking to the Professor," he said, his tone teasing. 
"Oh, I didn't notice you here. Do you mind if I talk to your Professor? We've invited him for an interview about the exhibit," the girl said sweetly. 
Based on how unconsciously coy she acted around Shaw, and the way he kept egging her, there was no doubt that this was the girl he was crushing on. You felt like the odd person out all of a sudden and needed to step away. 
You backed away slowly, careful not to rouse their attention because it would probably suck if you knew how Shaw would introduce you to his little crush. As soon as you were in a safe distance, you turned and walked aimlessly down the hall, pausing briefly at paintings or sculptures that caught your fancy, looking at its intricacies as you did so earlier. But somehow, it wasn't as fun as it was before, so you moved on quickly, to give way to the other guests who also wanted to view the artwork.
Finally, you came upon the bar and decided to rest your tired feet at the far corner, hidden from the rest of the world. Sighing, you slipped your feet off your stilettos and quietly watched as the guests around you - mostly couples - happily chatting away as they enjoyed the beauty of the art around them and the wonderful music that filled the air. You knew somewhere in the crowd, your date was fawning over his lady love, probably getting in the way of her filming your professor. 
Tch. 
You knew he liked her - he always told you he did. And why wouldn't he? MC was pretty, seemingly sweet, and dainty - the kind of girl any guy would like to protect. And you. You were the opposite. You lived for your work, were 'one of the boys', and didn't need anyone to protect you - that's just how you were - and now you started to realize that maybe guys don't exactly like that. At least not Shaw. 
Wait, what were you thinking? You scolded yourself as you shook your head. Why were you even thinking of what he liked when you don't even like him to start with. Or did you? 
"Ugh. What the hell is wrong with me?" You groaned when a cold bottle of beer and a frozen glass was placed in front of you. 
"I was gonna ask you that myself." 
You straightened up in your seat and shot a look at the guy seated beside you. Dressed in a nice grey suit, he smiled as he raised his beer bottle in front of you. 
"You look like you needed a drink. I hope the beer is okay. They don't have fruit beer or soda," he said calmly, his amber-colored eyes never leaving yours. 
"Y-yeah. Beer is perfect," you replied while pouring the amber liquid into the glass. "Thanks," you muttered before raising the glass to your lips to gulp down some liquid courage. 
"I saw you with Shaw earlier -"
The name on his lips drove you to a coughing fit, as you choked on your drink. "Sorry, " you mumbled in between coughs. 
"No, I'm sorry," the brown-haired guy said, as he cautiously and politely patted your back. "I didn't mean to bring that up. I was just curious."
"It's fine," you replied when you finally regained your composure. "Yes, we're just classmates in Grad school who decided to check this exhibit out for the heck of it."
"Classmates, huh?"
"Yeah, that's what we are," you said, taking a sip off your glass. "Grad school classmates."
"Are you telling me or telling yourself?"
You looked up and saw him smiling. There was something about Dreamy McHandsome who was seated beside you that felt so familiar yet different at the same time, but you couldn't point a finger at what it was exactly. 
"We're classmates, and we're working on our thesis together. But we're not friends - far from it even. We hate each other's guts."
"Can't blame you for doing so," he shrugged as he drank his beer. 
"Yeah. He dragged me here so he can get with someone he's been crushing on for so long," you rambled on, frowning. 
"Oh? And who might that be?"
"The Miracle Finder Producer. You know, the pretty girl in a blue top and white skirt. He's been going on and on about her for weeks…"
"You mean my girlfriend?" 
His girlfriend. You choked on your drink once again. "Y-y-your girlfriend? You mean to say…" You gasped. Has the beer made you stupid? You've barely drunk half of it, you thought as you fought to regain your dignity. This was Shaw's brother you were talking to - and boy, we're they blessed with good genes…
… And the same social awkwardness, you noticed, judging by how he kept his hand at your back, but not exactly touching it, as if trying to assess if he had to pat you or not. 
When you finally calmed down, he cleared his throat and gave you a small smile. "Don't worry. She talks to me about their conversations. I know what that guy is playing at, and I most definitely know he's not after my girl," he said, his voice broke no room for doubt. "My name is Gavin..."
"Yeah, I know…"
"You - what?"
"Oh," you said, tapping on your glass nervously. "Shaw kinda mentioned it in passing before."
"I see."
"So, what were you saying earlier about Shaw?"
"Oh. From what my girlfriend tells me, he's got his sights set on…"
"Ahem," you heard someone say loud enough for you and Gavin to turn your heads around. And there, standing behind you, was an angry-looking Shaw. You sat up, your gaze shifting between the two brothers as the air started to thicken with tension. "I talk to someone for a minute and the next thing I knew, my date walks out on me and right into the one person I'd hate for her to meet."
"Well, if you were just honest with her as with a lot of other things in your life, maybe she wouldn't have left your side earlier," Gavin retorted flippantly. "Is she finally done with filming?"
Shaw simply grunted in reply as he watched his older brother finish his bottle of beer and stand. "Well, Miss, there's a lot I've heard about you. Seems somebody couldn't stop talking about you, but I'll leave it at that." 
With a wink and a mischievous smile upon his face, the brown-haired guy sauntered off to look for his better half, as you and Shaw watched in awkward silence. 
He cleared his throat and glanced at you. "Hey."
"Hey," you replied, shakily. 
"So, about what that jerk said -"
"Yes?" You asked, feeling your heart hammer against your chest by the second.
"Whatever he said is not true," he said dismissively, as he took his coat off and draped it over your shoulders. "I told you before, I don't find you the least bit attractive."
You felt tears starting to sting your eyes, as he continued with his harsh commentary. "You're tough, highly opinionated, and you always want to come out on top. I don't find those attractive at all," he said. "I prefer a damsel in distress. I want someone clingy… someone, needy."
"I know that -"
"Oh do you?" He teased, his amber eyes twinkling. "You seem to know a lot about me."
"We've been working together for months now," you said. "Of course, I'd know more about you."
"I see," he said, as he took a step closer to you and touched your cheek, rubbing the stray tear that had managed to slip down the side of your face. "So, you must know I'm also a good liar. After all, I've kept all these feelings to myself for quite some time."
He snickered when he saw your frown deepen and he bent down just as he had done so earlier, to whisper. "I made you think I liked someone else when in fact," his low voice made you shiver. "I've always eyes for you."
The End.
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a-froger-epic · 3 years
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What's your opinion on Joe/Freddie relationship? It seems to me (i may be wrong of course) Joe was maybe the only one of Freddie's boyrfriends who was mostly submissive. Not in bed, but in general. It was unusual for Freddie who liked bigger, stronger and more confident men.
Hmm, I kind of see where you're coming from but my first thought here is that David was also not exactly, er, "big and strong". In fact, he was a small bean, just look at him. Freddie called him "my dearest & precious cherub" in a post card. 🤭
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And I would argue that David wasn't exactly "dominant" personality-wise, either. Not more so than Freddie. In fact, I think in many of his relationships Freddie was the one with the domineering personality. When he wanted someone, he wouldn't give up until he got them. He also had tactics to provoke jealousy and demand attention. Much as he needed reassurance and affection, he was also someone who set the rules (as in: I'm not talking to you now, I'm walking out, I'm playing this game). I think in many ways Freddie was quite controlling in his relationships. And he equally attracted a couple of partners throughout his life who were controlling with him. Anyway, let's not get into all of his relationships, since you did ask about Joe specifically.
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So, yes, I think Freddie's type is somewhat overstated at times, actually. First off, people do fall in love with people, not just A Type. Sure, we all have preferences, but there's a lot of variety within that preference and I think both Joe and David to fit some criteria Freddie clearly liked. (By the way, Jim wasn't taller than Freddie either, just bigger/broader.) Joe also had a bit of meat on his bones when they met and later became quite muscular, but that was really only after they'd stopped dating.
So, Joe and Freddie. I actually feel for Joe a lot, because it must have been a bit of an insane situation for him. Basically, Freddie met him, swept him up in this whirlwind romance and just immediately took him with him on the rest of tour and then to London (that was more or less the progression of events, as far as I understand). And there, Freddie had a boyfriend who he was living with. Only he'd decided that, oh, it's totally fine! He's got enough love for both of them!
Which obviously David was less than happy with. Meanwhile, Joe was just a really young guy who had been wooed by a rock star. I mean, not only was he in a very awkward situation there, he was also on really unsteady ground and had very little control over anything in that situation, I feel like. I think due to his age at the time, Joe definitely didn't handle Freddie's fame and all the things which came with it too well and he had issues with alcohol abuse. Just as with David, he and Freddie had some bad fights and things ended ugly. But I don't think it was a terrible relationship overall, nor am I someone who's quick to say David or Joe abused Freddie. I think both of those relationships, from all I've read, seem to me like situations where it takes two to tango and where two people just do not bring out the best in each other. Yes, both partners can be abusive/manipulative with each other. In fact, that isn't rare in relationships.
Given the friendship they had later, I think Freddie and Joe were a good fit, just not romantically and maybe not at that exact time.
Also, and I've said this before, but I get top!Freddie vibes from Freddie/Joe in particular. And I mean that in the sense that I feel like there's some partners Freddie would have been more of a vers with than others. Which I think is a natural thing that happens, we all adapt to our partners in a relationship. And yes, yes, we all know Freddie preferred to be on the receiving end. But you know what's interesting about preferences? You don't immediately know what you prefer until you have some experience. Years of experience oftentimes, when it comes to sex.
So sexually and emotionally, I see a lot of experimentation in those two first proper relationships Freddie had with men - David and Joe. And they were both younger than him, both of them not necessarily any more experienced in the matter of serious relationships with other men. It can't have been easy for any of them.
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thecandywrites · 3 years
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Micro-mermaid Chenera Part 1
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So, I know I'm, like two months late for Mermay, BUT. I had this amazing dream about micro-mermaids.
So hear me out- mermaids- half fish half human right? Deep sea mermaids/sirens would get HUGE to combat the pressure and stuff right? Well take it the other direction tiny pools in the amazon or the tropics, where we find guppies and betas and little very vibrant, very little fish but with a fantasy twist- micro-mermaids. Adults as big as your fingers, with kids and babies the size of your fingertips and finger nails, based on real fish, like betas, guppies, oscars, mollys, tetras and the like.
My mom ALWAYS kept at least one fish tank growing up, usually fresh water, one time she kept a brackish tank too, saltwater tanks were always too pricy for us BUT SO PRETTY TO STARE AT- AT THE FISH STORES. It's a life long hobby for her that she passed down to at least one of my sisters, my other sister is into guppies and betas almost exclusively and the different kinds and colors just within those two varieties are almost endless. And watching fish swim in a beautiful and healthy fish tank is documented to help out mentally and ease anxiety and even depression. Imagine what it would be like to have a tank of micro mermaids! Especially multiple kinds the way most will have multiple kinds of fish in a tank. I also got the idea from watching a documentary about how TINY little seahorses can be and of course My Little Mermaid- inner tween said 'tiny seahorse needs tiny micro-mermaid to ride it!' And of course seahorses especially are notoriously difficult to keep in captivity. If micro-mermaids were real, I'd imagine the same kind of thing. An expensive hobby that most would dump money into just for the privlidge of having their own wonder of nature.
And just like we have fish stores and fish breeders, think micro-mermaid breeders. Some are really good, others can be crappy, and this story follows a responsible, loving breeder, (more or less based on my mom who I love immesurably)
But me, being...well me, I can't write anything and not have a bit of angst, a good pinch of romance, eventual consentual smutty goodness and eventual happily ever afters. So...heads up.
Also since little fish tend to have shortened lifespans of only a few years, I'd imagine a micro-mermaid's lifespan would be similar in that they'd be shortened as well, so when you read cycles, that's in days. But also don't think of it as to the mermaids being years, if a micro-mermaid is 22 cycles, aka 22 days old, it's approxomately 11 years old in human terms so these guys are literally babies and kids when we meet them and get to watch them 'grow up' so to speak. So again, cycles=days divided in half= human years as point of reference.
But considering most merfolk in the ocean would live for who knows how long- if the average beta can live 2-5 years, lets say micro-mermaids can live to be 5-8 years old. Which compared to most little freshwater fish, is still, practically ancient. time passes differently for different beings, like dog years/human years/elven years kind of thing.
Cool? Cool. Let's dive in! (pun intended)
Micro-Mermaid
Chenera
Part 1
Ethel watched with baited breath from outside the glass as your parents gently used their billowy fins to circulate fresh oxygenated water across their eggs that had they laid in their small cave, made out of a large, fancy geode that Ethel had put into their tank to use as their cave to lay and hatch their young, the pockets of facets in the geode assisting to keep the eggs secure so that they would stay put and hatch successfully.
Ethel was a micro-mermaid breeder, and your parents were considered “royal chameleon” merfolk, a breed made special in that they could, like a chameleon, change their colors to suit their environment, but their fin structure and body confirmation was as if you crossed a beta with a mermaid, but in the micro scale, their large, billowy fins, long hair and plump bodies, an ethereal ideal for the subspecies.
And at a certain stage in their lives, she would put the adolescents into a much brighter colored tank, with things like hunks of gold and platinum and special rocks surrounded by color shifting fabrics on the outside of the glass so that the adolescents would always change into fancy, bright colors with precious metal accents and shifts of colors and special effects to their fins so that they could attract an equally colorful, healthy and vibrant mate and therefore, be worth much more on the market to enhance already immaculate genetics.
Ethel’s other tanks had schools of other micro mermaids of all kinds, from guppies, oscars, swordtails, molly’s, tetras and the like. Ethel was quite the collector and seemed to have every variety of micro mermaid both in nature and that could be bred in captivity and she was highly sought after in the industry because she treated each micro mermaid with the same tender loving care that she would treat her own children, if she had ever got to have them and her home might as well have been a mini aquarium since she ran one of the high end, micro-mermaid aquariums in the city and her home was where she bred the majority of her stock and her personal favorites that she was especially attached to.
Ethel preferred to sell mated pairs of micro-mermaids since micro mermaids preferred to mate for life but others preferred the “harem method” having a few females to a single male to get more clutches of eggs and thus, more micro-mermaids to sell since all the females could be laying clutches of eggs but that was usually harder on the female since she would have to care for the eggs mostly on her own since the male’s attention would be divided among all the clutches of eggs and even in the harem style, the male would prefer the company of his favorite and thus her eggs as well, and while that method got more micro-mermaids in volume, it usually always lacked in quality, the micro-mermaids would be slim, aggressively competitive and prey driven and would only live half as long, but wild caught micro-mermaids usually died before they could produce a clutch in captivity and capturing wild micro-mermaid clutches could be almost impossible since they usually hid them so well. Especially since male micro-mermaids could be very territorial once as mated adults. But before the mating process as adults, males could be housed together as kids and teens while in captivity.
Ethel had one particular tank though where she called it the “odds and ends” tank, where usually the last of her older micro-mermaids had clutches and died before the eggs could fully develop, where she would move the clutches into the large tank to be cared for by the community, something like an orphanarium for micro-mermaids that had a little bit of everything in it and to see so many varied individuals, and sometimes divided off into schools, it was one of her favorites to sit and watch and drink her tea.
She would even get clutches from other breeders, who would usually get overwhelmed or would run out of funds to keep the tanks going since micro-mermaids could be a very expensive hobby because they had a very specific and very demanding feeding and housing requirements depending on the subspecies, the salt water varieties being the most so. But in this particular room, was the “freshies”, she had other rooms in her house, the “brackies” or brackish water types, and her most coveted, the “salties” that room she kept under lock and key since the occupants of that room were worth thousands of dollars each and everything had to be controlled specifically and carefully.
Ethel usually had the laying and hatching process down to a meticulous science, she liked to keep her tanks at a specific temperature for the “incubation” process, where the eggs themselves would incubate at what Ethel had found over the years- was the “perfect” temperature so that almost all the eggs would hatch, the adults would be comfortable, but at the same time, the food she would put into the tanks to feed the micro-mermaids would not rot and attract flies or other scavengers who would try to fly into the house and prey not only on the mico-mermaid’s food but on the micro mermaids themselves.
You were one of the first to hatch, the egg’s shell breaking to allow you to break free as you squirmed out and into your father’s hands before he caught a few of your siblings who did the same before he cooed to you and greeted you happily as you opened your big eyes up at him and snuggled into his chest before he waited for your siblings to get their first and only milk from your mother, that would set up your gut to eat for a lifetime, before you were swapped out with your siblings and once you had your first milk, then you were brought up to the surface to get just a small breath of air so your air bladders would be filled and so you could navigate the whole tank easily before both of your parents touched your head, and the heads of all your siblings to the gold nugget in the tank so that all of you would have golden heads and hair, a trait that both your parents and Ethel prided themselves on.
It also served as a marker for which group you came from, your parents were the “gold standard” of the subspecies of beta-micro-mermaids. And other pairs had different metals or different colored stones so that each pair and their children would have that “mark” to signify which ones came from which parents for future breeding purposes, so that just by looks, they could decipher your genetics instead of having to go to the master gentics manual to decipher it all the time.
Now with the air in your air bladder and your first milk in your system, now your life fully began as you fully woke up and became conscious and thus wriggly and your siblings began exploring the tank as Ethel sprinkled in “baby bits” which was a composite of larve, krill, mackerel, anchovy, feeder-fish as well as algae as you and your siblings happily began “hunting” your first real meal, some of them using the surprise attack, whereas you and a few of your other siblings used the “stalking” method, hiding behind the roots and foliage of the plants at the top of the tank before you “pounced” and grabbed ahold of your favorite little bit and bit down into it, like a big loaf of bread that got softer to eat the more it was in the water as your tiny little teeth helping you eat it as you chewed it and held it between your two tiny hands and swam down back down to the bottom and sat in the soft sandy area, which was affectionately known as “the sand pit” with your other siblings who had hatched within the last few moments as your parents were busy helping the others that were hatching and repeating the process over and over until the whole clutch hatched.
“Well hello there beauties!” Ethel greeted as she waived with a big smile as you looked over and while your first instinct was to freeze and change into the color of your surroundings, to see your parents waiving back seemed to relax the rest of you.
“It’s ok, that’s Ethel, she’s the one who takes care of us and feeds us.” Your parents introduced before you used your tiny hands to waive back like your parents had as Ethel’s smile grew wider and more excited before she sprinkled in more “baby bits” for your siblings that would be hatching in the next few hours before she left and went to her other tanks to check up on the couples and the other clutches of eggs to repeat her process as she then tried to take notes of the other hatchlings and trying to count to see how many had hatched that day and once you were all full, you piled up in the silky soft sand to take your first rest from your first full day.
Since micro-mermaids aged quickly, it was only a few weeks and all of you had grown into playful rambunctious kids, swimming and chasing each other around the tank, building up strength and stamina, Ethel had turned the temperature of the tank down to a cooler temperature to incite your appetite and help you bulk up and gain a layer of fat over your buddening muscle and your parents had given all of you names to keep you accounted for as you learned language and all the various kinds of communication, at this point in time, all of you had the same gold heads and hair but could take on the colors of your surroundings so that some of you took on the sandy color of the “sand pit” or others had taken on the green color of the foliage of the plants that grew in the tank or the colorful geode and if it wasn’t for your gold heads, Ethel would have the hardest time finding any you in the tank besides your parent's who's colors for the most part had "fixed" into permanant colors. Your mother a colorful pearlescent, your father a striking metalic green, blue, purple and black.
The very few eggs that didn’t make it, your parents had given to Ethel to dispose of respectfully so as not to incite cannibalism and in the exchange you each got to touch Ethel's larger, but wrinkled hand and had carressed it as Ethel cooed at you, watching you all fondly and noting each one's unique colors and personality.
You had been one of the ones who liked to play in the foliage and plants at the top of the tank, often leaping out of the water to splash in the water at the top of the tank, a few times, hitting the lid, at first, it was on accident, then it was on purpose, to let Ethel know that you and your family were hungry as Ethel often chuckled at your antics when you would watch her make her rounds and feed the rest of the tanks.
“Who is keeping who here?” She would often chortle as she laid a few pieces of raw mackerel into the tank to watch your parents, you and your siblings, use little shards as "weapons" from the geode as well as little pieces of bones from previous meals to stab and attack the pieces and devour it, often having to fish out the bones out later with her little net. Micro-beta-mermaids had one of the most demanding and specific diets whereas the others wouldn't be so picky. But the better the food now, the better quality the micro-beta mermaid and better health and long life you would enjoy in later life. For Ethel, it was worth the money, time and effort to make sure each little being thrived the best they could.
Ethel's younger "adopted children" who she employed were more tech savy and had cameras set up on Ethel's most beautiful tanks with the more precious and prized occupants and set up a YouTube channel and live feed channels and seeing baby micro-mermaid babies hatch was always popular and Ethel's business boomed.
And while Ethel didn’t have children of her own, she seemed to adopt many who came into the micro-mermaid hobby and you saw many of the same people, most who worked for her would come and check up on Ethel on her days off and bring their children who often stared with big, starry eyes at you and your siblings as well as the others so that all of you got used to seeing different people so that when you would eventually be mated up, being moved into the store front wouldn’t be that big of a deal to you. It had been a tried and true method for Ethel for the last forty years and most followed her excelent example.
Then, one day, a small group fairies broke into the place and roused you from your sleep as you saw the glittering glows move around the room as you left the sleep pile in the sand pit to see what was going on and swam to the top and by now, you had grown big and strong enough to lift the lid as you cracked it open just enough to see better. But that seemed to be just what another was waiting for as you were grabbed and yanked from the tank as you screamed, all the water in your lungs splashing out as you watched in horror as other curious ones had also been yanked from their tanks and were being moved to a large plastic bag with hardly any water in it, as you squirmed and thrashed and took your little stone pick like blade that you always had tucked into the longer scales around your tailfin and stabbed at the vicious creature trying to fly you to the bag as the bag was picked up and several fairies were trying to fly it out of the house.
But your attempts to free yourself from it's grasp worked, it let you go and you thankfully landed onto the back of the other fairy, pick first so as to stab it by the heart, before you bounced off of it’s back into another lid of the tank, this tank being the odds and ends one, but the force of you hitting the fairy, bouncing off the fairy, and hitting the lid- shut the lid to keep anything else from getting in or out and had actually drowned the little vicious fairy trying to steal what it could from that tank and in the darkness, you swam until you felt the gravel of the bottom of the tank and swam until you found the deepest depression, under another cave and hid yourself in the darkness, using it’s dark nature to turn yourself as black as the night’s darkness itself, except for your gold head and hair which you used to hide in the deepest part of the little crevice like cave, moving the gravel around under it to make room for you to ball yourself into.
Come morning Ethel awoke to the horror to see that her home had come under attack as none of the micro-merfolk would come up from the bottom of the tank as she opened all the tanks and once opened the odds and end’s tank to see the drowned fairy floating on the top which caused rage to fill her as she knew that someone or something had incited the fairies of all beings to break in and steal her precious stock as she immediately tried to do some damage control and try to figure out who and what was taken as it seemed each tank had micro-merfolk-children missing because a full adult would have been too big and too strong to steal and would have drowned whoever or whatever might have tried to take them as she went to her other rooms, the brackish room was thankfully locked, but she could see little scratches and claw marks at the doors and especially around the saltwater room. But the freshies were in her livingroom and thus, open to the rest of the house, that’s why it got hit. Almost all the tanks were missing at least one child, the name of each child missing being written in the little bit of algae that had accumalated on the glass since the last cleaning as Ethel used a big magnifying glass to see it and then translate it from the merfolk's language as Ethel just kept crying, her tears streaking down her wrinkled and weathered face and falling onto her reading glasses.
Ethel offered her condolences to the families that lost little ones and made a memorial for the ones who had been taken and fed all the tanks a “funeral” meal, which was the most expensive and most comforting food she could as she made some calls to her friends and business partners and employees, as well as the police to see what could be done as soon the police arrived and detectives arrived along with all of Ethel's friends and neighbors came to give Ethel comfort as the police and investigators tried to document the break in and get statements from everyone about the theft and make notes so that Ethel, who had each and every single one of her micro-merfolk insured, could contact her insurance company and begin the claim process.
Meanwhile Nona had awoken to see a couple of his adopted siblings had been attempted to be taken but something had shut the lid on the fairy so their particular tank had survived from losing anyone. Although with it being the odds and ends tank, not much of really high value was in the tank to begin with. But looking out over to the other tanks in the room, he could see that the other tanks were mourning the loss of their own as the police were there, although they were finishing up the investigation and leaving with the drowned fairy and other pictures as proof of what had happened. But that also meant that they got a whole raw mackerel for the whole tank as everyone was feasting on it while he noticed movement out of the corner of his eye, something gold - flashing, catching the light before it disappeared again.
He paused in eating and took off a hunk and went over to where he thought he saw the glint of gold and heard the gravel move under the cave before he got down on his belly and peered into the crevis under cave that was it's own little cave he supposed but he didn’t see anything but black but felt the most subtle pressure wave, as if something was moving around in the crevice under the cave. He took a chance and simply set the hunk of mackerel down at the mouth of the cave and went back a fair distance to see if anything would come out and take it and hid behind the base of one of the plants and waited a few long moments before he could just barely see a small glimmer of gold again, before a small, light sandy colored hand attached to a small goldish sandy colored arm reach out and grab the bit of mackerel before it quickly took it back into the crevice and he could have sworn he heard munching sounds of someone eating it.
He quickly went back to the whole mackerel and tried to swipe a larger piece and carry it back to the crevice and tore it into two pieces and laid one at the mouth again as he slowly chewed on the other half, only he didn’t swim away, instead he sat and tried to peer in to see what was in there before he saw a glimmer of gold then it quickly vanished.
It was definitely another micro-merperson. He just had never seen anyone like it before.
“Hello?” He called into the crevice but you were still too scared to venture any closer.
“Are you ok in there? Are you hurt? What’s your name?” He asked but instead you just tried to sink down into the darkness. The water was different in this tank. It didn’t smell or taste like home. It was foreign to you and you didn’t know what tank you had fallen into. You knew some micro-merpeople did not tolerate intruders and you were afraid that if you ventured out, you would be attacked, you were unarmed and only an elder child, you were no match for an adult or even subadult.
So instead, Nona finished his hunk of mackerel and gently used his colorful tail fin to push the rest of it into the crevice before you took the offered piece and ate that too, not knowing when you would get another chance to eat again.
“See? I’m not gonna hurt you. But I just really want to know if you’re ok. Are you’re ok in there?” Nona asked worriedly as he came in and you backed up as far as you could and tried to make yourself as small as you could, folding up your own billowing fins as small as they could be before he came in and started gently grasping around the crevice for you.
“It’s ok, I promise it’s ok. I’m not going to hurt you.” Nona tried to reassure you as his fingertips grazed your fin and you quickly dove to another corner of the crevice to get away from him, but your movement caused the little bit of light to glint of your golden head and the shimmering black of your body as you moved and Nona could hear your labored breathing as he felt the water move around as you moved and settled again before he found the back of the cave and stretched out his hands as wide as he could and began to go forward again before you dove for the other corner on the other side, this time your outline was shown against the light coming in from the mouth of the crevice and all Nona saw was gold from your head, down your hair before it flowed into a shimmering pitch black again before Nona realized that you were no bigger than he was, in fact you were a little smaller than him and the scent on the water told him you weren’t from this tank, from another but he couldn’t recognize the scent because a clutch had never come into this tank from yours before. You were a kid, obviously from another tank, you must have been dropped in by the fairy, having grabbed you from another tank and trying to grab a second from his own tank.
“My name is Nona, and I’m 22 cycles old and we’re in the odd’s tank. You’re ok, you’re safe, no one is going to hurt you, not in this tank. Ethel’s really good about if there are any bullies, she pulls them out and puts them in the bully tank. You are not in the bully tank so you’re safe. I promise you, you’re safe. No one is going to hurt you. I won’t hurt you and I won’t let anyone or anything hurt you either.” Nona tried to reassure you as he came forward again as he closed his eyes and focused on the sounds of your breathing and even he could feel your fast heart rate pulse in the small crevice’s water, this time his hands forming an open reaching motion before his hands settled on your face and jaw before he opened his eyes to see two gold ones blinking back at him rapidly as he could feel your fast heart rate stay fast before it eventually started to slow before he chanced a small swipe of his thumbs on the apples of your cheeks as he just stared in awed wonder at you before you finally broke down and flung yourself at him and pinned him down onto the floor of the crevice, clinging to him and crying.
“It was awful, I saw all these pretty moving lights, it was glowing and glittering like the jewels do only it was from on the outside and I swam up to the top of the tank and once I did I was yanked out of the water and my mother always told me to keep a weapon in my tail so I took it and I stabbed at it as much as I could and it dropped me and I hit another fairy and I lost my blade and I fell down and I could feel the other monster that was at the top begin to drown but I just dove down and tried to find the safest spot I could but I didn’t know what tank I’m in and I thought I was in one of the shark tanks and I thought if I left, I was gonna get eaten!” You wailed into his chest as he wrapped his arms around you and comforted you.
“Do you know what tank you’re from?” He asked.
“No, I just know that my parent’s names are Avarian and Miralia.” You shook your head no.
“Ok, well I’m sure when Ethel cames back for dinner, once she sees you, she’ll know which tank to return you too so you can be with your family.” Nona consoled you.
He had never felt another mergirl’s hair as soft as yours, it was like it was softer than anything he had ever felt before, or felt one who was so young to have hair so as long, it went to your tail and usually only the elder micro-mermaids had hair that long but they kept it in braids to keep it from being tangled. But you were also a bit heavier than most girls would be at your age and your fins were bigger than his! He was a delta guppy micro-merman himself, known for their massive and colorful tails but his own was dwarfed by yours.
“So, what’s your name?” He asked again.
“Chenera.” You sniffled.
“Well it’s nice to meet you Chenera, like I said, my name is Nona.” He repeated.
“Do you know how old you are?” He asked
“I think only 19 cycles, 20, counting today.”
“Ok, so you’re younger than me.” Nona realized.
“Are you sure you’re ok? You’re not hurt or anything?” He asked again.
“I am.” You finally admitted as you could already tell there was bruising all over you and scratches from that vicious fairy’s claws.
“Ok, well do you want to go to the healer or do you want the healer to come to you?” He asked.
“Can they come here? I don’t want to leave.” You admitted.
“Ok, well, stay here then, and I’ll go get them, I’ll be right back ok? Two flicks of a tail.” He reassured you before he gently eased you off of him before you curled in on yourself in the darkness and he got out and raced towards the eldest merperson in the tank, who was especially inept at healing magic.
“I found someone.” He said as he tugged on her arm as she sat and ate the head of the mackerel, the best part of the fish.
“Found who?” She asked.
“The fairy that drowned in our tank, trying to steal the little ones, it was carrying another from another tank, she got away and hid under the big cave where we keep the half clutches. She got really hurt. Her body is all puffy.
“If she’s a goldfish micro- her body should be a little puffy.” She argued.
“She’s not like any other goldfish micro. She’s something I’ve never seen or smelled before.” He insisted.
“She’s hurt, she’s scared, she’s younger than me by a few cycles, she’s in the wrong tank and thinks if she leaves, she’s gonna get eaten. It took a lot just for me to get her to talk to me. Her name is Chenera, and she doesn’t know what tank she’s from. All she knows is her parent’s names. She says she’s hurt, she needs you.” Nona pleaded desperately.
“Ok, ok, I’m coming, I’m coming.” She finally relented before Nona practically dragged her to the mouth of the crevice.
“She must be a young one to fit inside here.” The elder- Thya noted.
“Chenera, I have the healer here, but she can’t fit in there, can you just come to the mouth of the cave so she can see you?” Nona asked before he stuck his upper body inside.
“It’s ok, she’s not going to eat you.” Nona reassured you.
“Here, I wouldn’t introduce you to anyone dangerous. Take my hand, it’s going to be ok.” Nona encouraged as he reached his hand out to you before you tentatively took it and he gently guided you to the mouth before you stuck your head out, your long golden hair suddenly picking up the cross current and being taken away in that.
“Oh my gills.” Thya murmured in awe.
“Hey Chenera was it? Hi, I’m Thya, I’m the eldest mermaid here and the healer of the tank, can you show me what hurts?” She asked.
“My head, and my back and, my arms, and most of my tail, just, everything.” You answered as you looked from her to Nona, back to her worriedly.
“Nona, go get Abaria and Fonta, she’ll need a mother’s touch.” Thya urged Nona but your tightened your grip on his hand ,kept him from going.
“Here darling, take my hand, let him go get some more help, he’ll be right back ok?” Thya offered as she offered her own hand to you before Nona simply put his hand next to hers so it wouldn’t take much for you to let go of him and hold onto her before you hesitantly transferred your hand from Nona’s to hers before he quickly swam away again and came back with three mother looking figures, the two Thya suggested and his own.
“Oh you poor thing! Did that vicious fairy drop you into here?” Abaria asked as she came and sat closest to you as the other mothers crowded around you as you nodded.
“Well you’re in the best tank in the place, we’re all found family here. No one is going to hurt you here. It’s ok to come out. Or are you too hurt to come out?” They asked.
“Come here darling. It’s ok. I know you must miss your mom something awful, but until we get you sorted out, I’m adopting you and I can be your mom until you’re reunited with your other one ok?” Abaria offered before you looked from Abaria back to Nona.
“She’s one of the best moms in the tank besides my own. She’s mom to most of the kids in the tank and she takes care of everyone like she laid the eggs herself.” Nona reassured you before you hesitantly crawled out of the crevice as the others scooted back so that all of you could come out.
“My goodness, how did all of you fit in there?” Thya asked once you were out and your fins unfurled. You had bigger fins than the adults even.
“Like this.” You contracted all your fins until it was just your body and a thin folded fin was behind you.
“You’re a plump little thing aren’t you?” Fonta noted.
“Not any more than any of my siblings, we’re all shaped like this.” You defended, unfurling your fins to cover yourself- self consciously as you pouted under her scruitinging.
“Well that’s good, that means that you and your siblings are well cared for and are fed well. And with a head like yours but a body like yours, it’s hard to know what tank you’re from.” Abaria sighed with an apologetic smile as she pet your head, feeling your silky soft hair before the other kids came around to curiously look to see you, all of them of different ages, some as young as three cycles and some as old as 30, one of the oscar-micro-mermaids, who was 27 cycles, already seeing all he needed to see, you were, in his opinion, the prettiest girl in the tank, therefore, you were going to be his future mate as the other girls in the tank looked at you with both weary suspicion, jealousy and a bit of pity because you clearly didn’t belong in the tank and with as black as you were form the chest down, you stuck out like a sick fin, but with a head and hair like gold, it was still a beautiful combination.
“Who’s that?” They asked.
“The fairy that attacked us last night, took her from her home tank and dropped her in here while they were trying to steal you guys.” Thya answered them.
“She didn’t fall from the fairy that came into our tank, she fell from way higher, like another was carrying her from way higher, she hit the fairy, hit them into the water, bounced off of their back, hit the lid and made the lid close and drowned the fairy, she saved us.” The kids that had been involved offered.
“Oh my gils, is that what happened?” They asked you as you nodded yes as Thya used the glowing of her hands to highlight all your bruises and cuts so that most of body glowed blue from injuries before she went through and healed each one, and noticed that the black then took on a midnight blue appearance, which she had never seen before and puzzled everyone around you.
“Oh you poor baby, come here.” Abaria gathered you into her arms and comforted you, and held you to her chest and gently rocked you comfortingly once your upper body was healed while Thya worked on your tail.
But sadly, Ethel left to go to work before the others could grab her attention. You spent the rest of the day talking to Thya and Abaria about what your tank looked like and what the names of your siblings were as it was clear to them that you were one of the more ‘special’ tanks but because of your coloring, you didn’t look like any of the other tanks that they could see from there.
By night time, though, the automatic feeders fed all the inhabitants of all the tanks and then not long after, the lights shut off, signalling it was time for bed.
But when Ethel came home late, the movement of her and her using the flashlight in her phone to make her way to her bedroom, was too much like the fairy’s light as you quickly squirmed out of the sleep pile and dove for that crevice again, hiding away as she passed and went to bed herself but once again, you were scared of coming out.
Your squirming had caused Nona to wake up again since he was nestled close to you, his hand in yours as his own instincts told him to stay put on the bottom of the tank until the light passed by but when he looked over to see where you had been sleeping with Abaria, her mate and their brood, you were gone but he had a feeling he’d know where to find you.
But the thought of sleeping on the gravel instead of the soft sand just hurt him to think about, so he swam around and collected bits of moss and leaves so he would cover the inside of that crevice so you would have a comfortable place to sleep for the night at least.
“Chenera,” Nona whispered when he came closer.
“Nona?” You asked as your head peeked out and saw him.
“A cave under a cave surrounded by gravel is no place to spend the night. Here, all this should make it a little more comfortable at least.” He offered what he had collected before you smiled gratefully at him, your white pearly teeth and golden head a sharp and beautiful contrast to the darkness before he passed each thing to you before you had Nona come in and help you to move even more of the gravel out of the way and dig down so that there was a deeper and more comfortable depression inside before Nona and you set the leaves down first and used the moss to make something of pillow before you laid down and refused to let go of Nona’s hand.
“Can you please stay here with me?” You asked, your big golden eyes too much for him to resist, even at his relatively young age before he laid down beside you, keeping himself between the mouth of the crevice and you as you cuddled into his chest, your fins wrapping around him as his’ tried to wrap around you in turn as he used his arm as your pillow as your hair was almost like a blanket for both of you as your colors changed again, a dark emerald, shimmering green now with black and gold as you settled down before he soon felt you relax completely and fall asleep before he did the same.
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eagles-translated · 3 years
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Analyzing the writing of Eagles
Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k
If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.
Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.
To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.
I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.
You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.
I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.
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Season 1: Tropes and clichés
Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.
What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).
Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).
So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.
Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.
It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:
[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.
Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?
I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.
A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.
Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.
However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.
So, how did they write their characters?
Felicia's character and backstory
To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.
Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.
So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.
Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.
The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.
I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.
Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.
Near the end of the third episode, we get some depth to the character and we hear her back story.
Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.
This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.
Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."
This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.
That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.
We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.
That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.
Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.
And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.
And it feels like the right moment for Ludde to come clean about what happened to him.
Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.
As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.
We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.
I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.
But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.
In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.
Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.
If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.
Ludde's problematic nature
One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:
Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.
I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.
I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.
In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:
My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.
I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.
So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?
Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.
Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?
This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.
Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.
It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.
Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.
This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.
Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.
Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.
So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.
I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.
It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.
Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?
Klara is mean... What else?
From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.
Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.
The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.
Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.
Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.
Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?
I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.
In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.
Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.
When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.
Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.
So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.
It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.
What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.
Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.
Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.
Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?
Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.
The Halloween Incident
To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:
I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.
This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".
1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).
Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-
Ludde: I like shellfish. (said to Amie, wearing a lobster costume)
Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.
In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.
Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.
What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.
There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?
There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.
Unbalanced screentime and Elias's wasted potential
A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.
The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.
Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.
But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.
Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.
Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.
In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.
There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.
Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?
In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.
What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.
Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.
His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.
Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.
Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).
If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.
The side characters and their comic relief
So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.
What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.
This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.
Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.
This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.
There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.
None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.
In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.
Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.
However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.
To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.
The potential of season 1
When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.
Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.
Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.
Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.
Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.
Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.
Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.
This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.
Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.
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Season 2: "Subverting expectations"
When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.
I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".
The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.
A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:
[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.
This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.
Amie's crush on Ludde—make it make sense!
Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.
But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.
Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:
Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.
This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.
That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.
I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.
Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.
I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.
I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.
To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.
Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.
Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.
While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:
So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.
In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:
Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.
When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.
It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.
Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.
The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.
At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.
Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!
Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?
Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.
This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.
It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.
What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.
Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).
Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.
I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.
This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.
If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.
Amie's musical ambitions
I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:
I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.
It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.
Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.
In the post where I wrote this, @gajana18 also had an interesting thing to add:
[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?
This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.
So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.
I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.
Klara's character development
When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.
In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.
I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.
Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.
But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:
I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.
Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).
So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.
Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.
But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?
Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.
Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!
So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.
I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.
But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.
Jack's sudden character change
Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.
Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:
Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]
Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.
What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.
When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:
I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.
Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.
Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.
Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.
When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.
This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.
In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.
Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?
Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.
Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.
His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.
The improvements of season 2
What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".
Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.
2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.
Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.
The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.
Easy and simple.
Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.
Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.
Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.
Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.
In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.
It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.
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Season 3: Finding one's footing
Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.
But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.
Where's Jack?
Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.
Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!
In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?
I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.
Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:
One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.
Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.
I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.
I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.
So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?
Michael's predictable predicament
Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.
Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.
In the next episode, we get a voice-over of the continued conversation between him and Amie.
Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?
So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.
Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.
However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).
I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).
When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.
Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?
I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?
They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.
This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.
Plot holes
Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.
I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.
On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.
Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.
In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.
This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.
This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.
I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.
I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.
I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).
I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:
[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.
Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.
The magic of season 3
What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.
While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:
I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.
I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.
Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.
The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.
Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.
This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.
Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.
Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.
She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.
It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.
It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.
Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:
[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.
Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.
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Season 4: Hopes and wishes
Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.
My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.
I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.
Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.
Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.
In conclusion...
This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.
So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).
I hope you guys enjoyed this long, long post and major kudos to you if you read this far!
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dindooku · 3 years
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As a young student studying Criminology, Gotham was the perfect place to study the thoery of crime. But, that didnt come without it’s own risks. Without your intention, your life becomes intertwined with another’s; a life you had so vehemently tried to repress - and now it was within your grasp; the opportunity held upon a golden pedestal, just waiting for you to take it. In your own desperation to fend off the demons tormenting your soul, can you overcome the very thing your swore against? Or will you succumb to the darkness? When had being bad ever felt so good?
Rating: M/E (swearing, triggers, panic attack (not explicitly said) - alcohol abuse (OC isn’t an addict but doesn’t display healthy relationships with alcohol) - please read the tags. this fic is going to be very dark and twisted so please be warned in regards to further chapters
word count: ~5k
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You needed this.
By fucking god you needed this.
You could blame it on your studies, your recent move to Gotham city to study your Masters in Criminology; the perfect setting really. And you could blame it on your stressful move; the house that you're renting not being anything like the photos you viewed online - the water-damaged walls and the odd-looking array of bullet holes in the front room, and maybe even the questionable red stain spotting along the cream-turned-brown carpet towards the bathroom.
But most of all it was this.
Moving to Gotham was the worst-best thing you have ever done. It'd do leaps and bounds for your research and personal evolution, but it was also becoming more and more apparent by the day as to why the little flat you lived in was so cheap; having an address with anything to do with Hell on it was probably a good indication.
Flat 221B, 36th, Hell's Kitchen, Gotham.
Yeah. That's why you fucking needed this.
It was an absolute shithole. You'd only been here for a week and you had experienced more crime than you had been privy to when studying at home. It was a catch 22, move to the most dangerous city you can think of and get 1-1 experience in crime, collecting data for your dissertation; or stay at home, go to a safe city and become some pansy police officer who refused to get their hands dirty.
You were always one for taking risks.
So, as you downed your last home-made margarita and stuffed your bits and pieces into your shoulder bag, you were off out the door.
Tonight was a field day; an excuse to go out and get absolutely trollied all in the name of science. It was just getting late, the sun had set a few hours ago and the Gotham nightlife brought the streets to life; ironically, considering the insanely high murder rates. Some would call you mad, a single, young, attractive woman walking unfamiliar streets at this time of night, in Gotham. And you supposed you were. See, the only reason you were studying crime was out of pure fascination. Fascination, yes. The theory of it, really - how the human mind comprehended such decisions and why you lived in such a society - who branded these rules? Desperation was a word you liked to play with. Its meaning subjective depending on your own reality, really. You had always seen the world differently... criminals weren't inherently bad people to you, they were just often misunderstood, brandished, acting out of desperation at someone else's greed. Obviously, you had the complete and utter fucking mentalists, but even then you could find an argument in their favour - like the Joker; he was misunderstood, torn and thrown around like a rag doll until he made a stand, a particularly violent one, but a stand nonetheless; a stand out of desperation to be heard, to be understood. And deep down you resonated with his actions, being driven to the extremes to be listened to.
You knew exactly how he felt. You had the scars to prove it.
Enough on that, though; you're here for a good time, right? Right. You're going out to forget about the stingy shithole you'll be returning to once the night bleeds into morning, to forget about the mountain of case studies you've yet to work through. It was all a bit overwhelming; thus solidifying your burning need to procrastinate and forget about it all, and what better way to do it than get black-out drunk in a bar you've never been to before?
You weren't an alcoholic by any means, you didn't rely on the sweet burn to see you through the days, but that didn't mean you couldn't revel in the double-ended spear of its toxicity - drinking so much to forget, but its effects only temporary. You were a student, after all, you had to live up to the stereotype?
You scoffed at the thought, murmuring out loud, "Fucking hell." Ok maybe you needed to slow down a little bit... you put the hipflask back in its pouch whilst you continued to walk to your third bar of the night.
You were on a pub crawl of sorts, embarking on your own little quest to scout out the best club in town for further investigation. You were just balancing on that fuzzy tightrope between bliss and blindness, the perfect haze to blur out the dangers of the night and warm your skin despite the bitter cold. You were in your own little world it seemed, and as a bright neon sign for a secluded back alley club came into view, you knew you had to investigate.
"Card." Came the burly voice in front of you. You had to crane your neck up to meet their eyeline, trying your best to pull a serious face and not laugh at the imaginary comedy sketch playing out in your mind.
"Card, you mean ID?" You ask, one eyebrow furrowing in question. You had all the relevant stuff, and deep down you'd be offended if they didn't ask, you'd only just turned 21, a few months ago in fact.
"No, Entry Card, VIP." He reiterates, crossing his hands in front of his chest. You scoff at the idea that a place like this required VIP cards to get in. 'Really? They'd have to pay me to not go in, ha' you humour to yourself, finding the joke a little too funny in your drunken state.
"What's so funny?" The man asks again, a bit more aggressively this time, like he knew you were mocking him in your head. And you were. You knew you shouldn't push your luck, his size easily outmatching yours. But fuck it.
"Nothin sweetheart, just surprised 'tis all," You tease, rolling your eyes as you put your ID away and prepare to leave the queue.
The bouncer can't help himself, "Surprised?"
"Mmm, yes, surprised, or disappointed? You choose." You smirk as you turn away, hips swaying in a drunken swagger that you would never normally possess. Something about you tonight just screamed fucking goddess - and 'don't fuck with me else it will be the last thing you do' - you didn't know why; you were in no state to start a bar fight and win. Maybe it was the tight, black faux leather flares and wrap around corset that filled you with a placebo pill of confidence; but by god did you have a stunning poker face, one that seemed to have caught the eyes of someone other than the bouncer you were antagonising.
A whistle stopped you in your tracks.
You stood on the edge of the pavement, back to the club, your hair flowing slightly in the wind. You tilted your head slightly towards the sound, your minimal movement the only sign of your acknowledgement. You really hated catcallers. It was one of the few things that would really wind you up, your short and temperate anger fizzing and popping under the surface.
"Let her in." Came a new voice. You turned around, eyes landing on an unfamiliar face. He was a tall guy, with an ice-white buzzcut and a sculpted face sporting scars; new and old - his brows knit into a harsh line and his piercing gaze instructing you with just his silent intention. You decide to play along, smirking back at him as you turn and saunter your way back to the entryway. As you walk past the bouncer you position yourself against him, slighting a faint touch of your body to his, sure to leave a whisper of your perfume lingering in the air as a sort of poisonous parting gift - a nicely packaged fuck you.
Your pupils instantly dilated to the sight laid before you. Ok, you take it back. This was no dingey club. Your skin was coated in an inciting shade of red; the coloured theme of the club. It was stimulating, the atmosphere - reigniting that previous cockiness you had been secretly harbouring through the night and twisting it into something still unfamiliar to you, the inner thrumming residing behind your naval indistinguishable from the music reverberating around the club.
The man who had whistled at you had disappeared, so you took this as your opportunity to grab a couple more drinks, to scout the club, of course...
You sauntered over to the bar and after a moment of getting yourself comfortable on the stool, locked eyes with the bartender. They didn't hold the same ferocity as the man before, and you felt your outer guard falling slightly at the soft tones lacing their eyes, their general aura giving off nothing inherently dangerous. They walk over, one hand wiping away at a newly washed pint glass with a rag.
"What can I get you?" They ask politely. They seemed young, too young in fact to be working behind the bar, but now wasn't the time for serious investigating - you highly doubted he was underage, just in fact sporting an inherent babyface. You smile sweetly back at the bartender as you purr your reply, "Whiskey on the rocks, please."
"Oh? Honey that's strong?" He questions, an eyebrow furrowing at your request. You giggle at his innocence.
"Mhm, make it a double." You smirk, and he only reciprocated, pouring a double and a little extra.
"You're new 'round here, aren't you?" He states as he passes over your drink, and you nod as you take a sip, soon following up with a further reply, "That obvious?"
"No, I just would've remembered a pretty face like yours if you'd been here before." He flirts, leaning down onto the bar, elbows sitting comfortably on the dark mahogany surface - it was a tactical move, you knew it, he was getting closer to you by the minute and you noticed his blatant interest the moment he locked eyes with you. You'd play along for a little while, it was good practice anyway, investigating.
You smile before replying, a brief pause between sips to sell your contemplation, "I can tell you're not one for wasting time..." You pause, implying silently for his name.
"Alex." He smirks, holding his hand out to you. You shake it, surprised by the dexterity. But as you thought things were going well, he pulls away sharply, his gaze dropping from you as he scurries back to the other side of the bar nervously. Your face scrunches in confusion, wondering exactly what you'd done wrong.
A firm hand around your waist answers your question.
The presence of another behind you makes you tense momentarily, their forward nature catching you off guard. A hand swirls around the small of your back, stopping at the natural curve of your waist, their palm sitting comfortably in the dip as their fingers latched into your exposed skin. The grip is tight, possessive - possessive for someone you didn't even know the face of. Your nervousness quickly turns into a tizzy, frustrated at the being behind you and their audacity to hold you so. You twist, turning your head to meet the side of their face, eyes rough with your bubbling anger.
The sharp-edged, stubbly profile of a man greets you, a little too close for comfort.
"Alex, two of whatever she's ordered on me, 'kay?" The man says. You roll your eyes at his cockiness, picking up your whiskey glass and downing the rest of the hot honey, burning your throat in the process - but you invited the pain, it's scorch momentarily masking the uninvited heat that was building elsewhere.
"I can order my own drinks, thank you." You scoff, sliding off of the barstool and away from his grasp, picking up your bag so that you can leave.
The man scoffs, using one hand to bring the red-tinted shades sitting on his nose sliding down, tilting his head to give you a better look. You turn and face him at the wrong time it seems, interrupting his very blatant scan of your form. You scoff at his actions, turning harshly to go, muttering to him as you walk past him and towards the exit, "In your fucking dreams."
Yeah - you tell him, girl. Too fucking right, that's what he gets for...that. Maybe you were overreacting, but the way your skin heated like wildfire at his unexpected touch, the way the previously dormant thrumming deep within your stomach tinged with a spark of something you hadn't felt in a long time, a feeling that was unfortunately not one of pleasure to you - you panicked. You'd never reacted like this, but something about his presence was just dominating your senses and you had to get away, to clear your head; maybe it was the alcohol, you didn't know - you didn't care, you just wanted fresh air and five minutes to get whatever the fuck has come over you out of your system.
"I see manners are not your chosen language," The man jokes, but he doesn't bother hiding the icy bitter frustration at your rejection. But you carry on, moving away from his ensuing footsteps.
"Neither are they yours," You retort, turning the corner towards the back exit. But you don't make it to the back exit. The scarred man from before moves from the shadows and grips your upper arm, swivelling you in one motion to face your incessant assailant. You don't give him the privilege of your attention, instead choosing to stare wide-eyed at the ground. Your bubbling anger evolves into something more pertinent, more feral, "What the fuck is it with you guys?" You spit, trying your best to yank your arm free. It was no good, every time you moved his grip on you tightened.
"That's no way to speak to a kind gentleman, is it darling?" The stubble-haired man chides, waving a hand in a dramatic swish as he talks.
"You and gentlemen is a bit of a reach, don't you think? And kind too, don't flatter yourself sweetheart -- hey! Let me go!" You scorn, yanking away harder. Your heart was starting to race now, the phantom ghost of familiar brutish hands that had hurt you before were blurring with your present reality. You couldn't go through that again, no. You'd moved away for a reason, even if it were disguised by your University Degree, the real reason was to get away from him.
Your change in body language seemed to shock both men, and soon the bearded man orders the other to let you go.
"Zsasz, let her go." He says sternly. As soon as his grip is off of you, you practically run to the bathroom, locking yourself in the stall. You close your eyes. You were trying so, so hard to help yourself, but it was just not to be. The last 12 months come crashing down on you, and you were helpless against the murderous gravity of it all. Your panic quickly turned into terror, and no matter how hard you tried to suppress the overbearing feelings blistering your heart, their clutch was now embedded into your conscious and they were working their way out, ripping and tearing, leaving nothing but devastation in its wake. It was brutish, the power of it all; how after all this time those short few moments held such a crippling power over you, a power no matter how hard you tried to overrule, decimated you each and every time. You're so caught up in your emotions that you don't hear the lock on the bathroom click, nor do you hear the faint rustling of a velvet suit making its way towards your stall.
However, you do hear the tap-tap of leather-coated knuckles against the door.
"Fuck off," You spit, not even attempting to mask the raspy panic between each word. The other person didn't say anything, and silence engulfed the room momentarily, only the occasional piercing sounds of your choked panic ripping the hazy-yellow neon light animating the bathroom. The clink of glass to wood brought your head up, your attention distracted and now upon the glass of whiskey being slid underneath the door.
"A peace offering," A familiar voice clarifies. You snatch up the drink and down it in one, desperate for a distraction; a controllable discomfort. You cough roughly at the strength, the new soreness from your rasped panic mixing distastefully with the burn from the alcohol - note taken; don't ever do that again.
You take a second to let the burn cool before speaking, "Thanks...for the drink." 
He doesn't bother with a reply.
Another few moments pass and you feel you have yourself under control. You take in a deep breath and straighten your clothes out as you stand, brushing the stray hairs from your face and trying your best to look presentable despite the absence of a mirror. You unlock the door and move to step out, hand holding the empty glass out aimlessly for the other man to take.
He doesn't take it.
You furrow your brows and pause in your movements, and it is only now you chance a look into his eyes for the first time. The moment your eyes meet his, you regret it. Not because you're scared or frightened, no; you regret it because you know those are eyes you will forever see in your dreams. This man's eyes told you similar tales of the navy shores from home that you had often resided to in search of peace, the lighter hues telling tales of the midwinter sky you would doze under; and the occasional slash of cobalt reflected the darker depths of his soul, mirroring the light of unnamed stars. His eyes painted your soul in a colour you'd yet to see, a colour only he could grace you with, and it made you weak.
You were transfixed, held stationary by his unspoken authority. He raised an eyebrow at you, his understanding all too clear. You broke from your haze and scuffed, a hot blush creeping over your tear-stained cheeks.
Embarrassed couldn't even cover it.
"Fuck," you whispered, wiping away once again at the drying streaks of once warm tears on your cheeks. "FUCK!" You shout louder this time, chastising yourself as you come back to reality. What the fuck are you doing? You're stronger than this?
"How about we fix you another drink, hmm?" He says. You chuckle as you pinch the bridge of your nose, the heavy daze from the whiskey starting to mount its assault on your senses. Fuck it, you came here to get blackout drunk, so you're going to get fucking blackout drunk - for free by the looks of it.
You roll your shoulders and pick your head up, holding it high. "Sure, ugh--?" You say, holding out your hand to shake his as you hint for his name.
He replies with a smirk before turning you towards the door, catching himself before he places a hand at the small of your back, "Roman, Roman Sionis."
"Well, Roman, how about a pitcher or two?" You challenge, "Ever drunk with a student before?"
He didn't reply instantly, but you didn't let him, storming confidently out of the bathrooms and to the bar. You honed in on Alex, and at first he looked excited to see you, but as you approached he saw the darkness in your eyes and instantly knew you were'nt to be messed with. He poured a double shot of Vodka and Coke as quick as he could; it didn't even reach the counter before its contents were emptied by yours truly and slammed back onto the mahogany.
"Another." You growl, and Alex doesn't hesitate, the next drink landing in your hands within moments. You sink this one like the last, face maintaining the deadly glare it had held since you entered the room. Roman was soon at your side, marvelling at your drinking abilities; it was scary actually, how you managed to down your alcohol with such ease, expressionless. His grin faltered on your fourth shot and he pushed his glasses up the bridge of his nose, breaking your anamatronic trance and stealing your attention to him; that's better - Roman always got what he wanted, and he wanted you. He raised an eyebrow at your anger, wondering how he could capitalise on this and turn the situation in his favour. But for some reason, he hesitates; the thought of being cruel to you made his skin shiver in an unpleasent way - oddly. See, Mr Sionis was a criminal, a violent, feral monster who, if he did not get his own way, or was undermined or disrespected, made sure that those were the last things said person would inflict - for disrespecting the King of Gotham's underground was a penalty punishable by death. A slow, torturous death, courtesy of his own cynical ministrations. He was the Black Mask, and the Black Mask felt no mercy. Why should he sympathise when he could not receive such pleasures? Others can't have what he cannot, that simply is not fair, its preposterous. And like the narcissistic bastard he was, he reasoned with this part of himself, convincing the little golden figure sat perched on his right shoulder that he was doing the nice thing by not kidnapping you right now and keeping you for himself. Something about you was different, he could sense it - he recognised the brutal blaze swirling in the depths of your eyes. They reflected his own - murderous. And that's when the little red devil on his left shoulder made their attendance known, reinforcing Romans suspicions. This girl had the devil in her, the same devil within him.
"What?" You asked, incredulously. Roman had been staring at you for longer than was comfortable, and you knew he was deep in thought over something. His eyes flicked like an old VHS tape, his physical thoughts and their direction reflecting in the depths of his scrutiny over you.
Roman grinned at his plan. He had to have you, but he knew now that forcing himself was not an option - he had to wait for you to come to him. And what better way than to get someones attention by no longer wanting it? It was the ultimate power play he thought, his excitement at the idea of you being his under your own intention ignited a blistering fire of self admiration within him - Roman Sionis was a fucking genius he thought, no, he knew.
"Nothing Darling, ciao." He replied smugly, his lips stressing a shit-eating grin at his own devious plan. He waltzed away from you to find Zsazs, desperate to let him in on his incredible plan.
You scoff at your dismissal. The fuck was all that about?
Rolling your eyes, your turn to Alex. You take a second to allow the room to catch up with you, "Did you see that?" You ask Alex, moving your head slightly to the side in a nod towards the now retreated Roman. Alex scoffs, placing a pint of water on the bar in front of you. You cut him a look of displeasure but knew you should probably slow down if you wanted to get back safe tonight.
"That guy, my dear, is Mr Sionis." Alex said, lifting his brows as at your confused look.
"Mr Sionis...right, and he is...?" You say, waving your hands in a confused manner.
Alex looked stunted, but continued to serve a few orders before continuing his conversation with you, "Well, Mr Sionis is the owner of this club."
Your eyes widen at the realisation, "The owner?" You mutter.
"Mhm." Alex hummed, amused.
But the conversation took a new direction, a direction Alex was not expecting.
"Tell me about this Mr Sionis, Alex." You murmur, gliding into your soft, convincing voice you used to get information about men.
"Well, he's the owner of this club, and my boss. He pays well." Alex starts, trying his best to close of the conversation.
"Hmm, yes; but what about him? What type of person is he?"
"I don't think--,"
"Alex," you growl, darkly. Your face dropped the sweet smile it had held before and Alex visibly winced. He knew he couldn't say too much, and he didn't know much either, but he also didn't know you, and if living in Gotham had any perks; he knew those eyes - they were the eyes of someone you did not fuck with if you wanted to keep breathing. So, Alex moved across the bar, leaning in on his elbows so he could whisper to you over the loud music; where only the two of you could be heard.
"He, he has a particular personality - colourful, bold,-" Alex starts, his eyes shifting past your figure a few times to make sure he wasnt being watched, "-Possessive. He gets what he wants - always. And he will do anything to do so, there's no limits with the guy. You fuck up, you're done."
"Done?" You whisper back, leaning in closer to Alex, only a hairs breath away.
Alex stalls, trying to find a way to answer your question without sinking himself to that fate. But he doesn't get the chance to, as you're pulling away and turning towards an unknown figure behind you.
The next few moments were a blur.
The next thing Alex knew, there was a face being buried into the hard mahogany of the bar, and the loud crack of the mans nose being broken shook Alex from his trance.
You moved so effortlessly, your movements only so perfect through hours of repetition. You didn't even stumble, and with the effectiveness of your ruminations, practically no attention was drawn to the now escalating scene at the bar.
"On what fucking planet is it ok to grab anyone like the way you just groped me, huh?" You whispered into your assailants ear. They whined and coughed, shifting under the mounting pressure you were placing at their shoulder. You had grabbed them by the arm the moment you felt their hand sliding across your ass, and the quick pinch had you seeing red - moving through muscle memory and destabilising the man by using his own weight against him. He was now bent over the bar, head buried in broken glass, his shoulder ready to pop at any moment. He was at your mercy and your blood turned primitive. You'd had enough of creepy perverts tonight.
"The fuck is wrong with you lady? It wasn't anythin' bad," The man groans, blood pouring from his nose and staining the white shirt he was wearing.
You pressed harder, muffling the pop of his shoulder joint and his cry of pain with a loud laugh, "Say, Frank - how bout you walk out this club now under your own premise before I have you wheeled out in a bodybag?" You sigh.
"The fuck, how'd you know my name was Frank?" he growled, grunting at the pain.
"Not only are you incredibly rude, but you're also rather obnoxious too, you fucking loser." You sneer, shifting his dislocated shoulder further round. He screamed, but only briefly, as you soon shut him up with a face full of glass.
"Fuck off, Frank, and don't come back."
You release him and he instantly turns and scampers away like the injured hyena he was. Rolling your eyes you turn back to Alex, who's eyes are wide with shock.
"Alex..." You mumble, and he gulps, his eyes searching yours out of panic over what you'll do next, "Just fix me a drink and I’ll be off. Sorry for the mess." You say calmly as if nothing happened. And that's the way it seemed, as no one even batted an eyelid to the violent display from moments ago. Alex says nothing but does as he's told, making you up an extra strong rum and coke. You down the drink and place the glass down.
"Where's the emergency exit?" You ask Alex, and he points to the door behind the bar. You smile, sliding him a small tip - hush money - and exit the building.
You made it about five minutes down the road before things began to get weird - real weird. This wasnt the same type of blurry you got from alcohol, this was colourful, dazy.
"Fuck - that fucker drugged me!" You sneer, words merging together as you propped yourself up against a brick wall. You tried to run over the events in your head, wondering where you tripped up. And then it hit you, the pint glass - when you leaned in to talk to Alex, he’d slipped something in the drink.
"Fu-cckk" You mumble, eyes incredibly droopy now.
You needed to get back to your flat, safety - yes.
But you didn't, as when you tried to move your legs they gave out from under you. This was an incredibly dangerous situation for anyone to be in, especially a young woman on the streets of Gotham. But the drugs worked quickly against your system, and before you had any time to prepare yourself for your inevitable demise, you blacked out
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albertasunrise · 3 years
Text
Coffee and Crisis - Chapter 1
So this is my first Mentalist Fanfiction with Marcus Pike. I loved the Mentalist and only recently realised that it was our dear Pedro that played the perfect Pike. 
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Summary: Marcus has been pretty unlucky in love. With a failed Marriage and engagement under his belt, will his luck finally change when he meets a pretty, young English girl in his favourite cafe?
Warning/Content: Angst, Blood and Injury, 
Paring: Marcus Pike/ Original Female Character
§
It was a chilly day in September. The trees were almost bare of their leaves. Branches waving in the city breeze, sounds of wood knocking together joined the cacophony of city sounds. Marcus scrubbed a hand over his face as he approached the cafe that had become a staple in his morning routine, always stopping for a coffee and a muffin without fail before heading into the office across the street. This morning was no different except for one tiny detail. Her. His eyes locked with her's almost as soon as he pushed open the door, the small bell above jingling as the wood knocked against it. She was stood in line, eyes staring off towards the door as she waited to be served. He was instantly struck by her, giving her a smile as he pushed the door closed behind him and stepped towards her. She had dirty blonde hair that that was wavy and thick, sitting a little below her shoulders and framing her oval face. Her eyes were a seductive shade of green, accentuated my neat black eyeliner that flicked out at the edges and a subtle brown eye shadow on her lids. Her clothes told him the most about her. She was wearing a Retro Print Star Wars t-shirt that was tucked into her pale Levi jeans that were folded up at the ankles and a black, wool-lined denim jacket. He was instantly drawn to her. She wasn’t like the other women he saw here on a daily basis, tight work dresses, perfect hair and makeup with ridiculous heels that they couldn’t walk in. Not this girl, in her white converses and geeky, acid-wash t-shirt. Her eyes watched him as he came to a standstill behind her, glances and smiles being all they shared for a few moments as Marcus plucked up the courage to speak to her.
‘I like your shirt.’ He said finally, motioning to it with his chin.
‘Thanks.’ she replied, nervously tucking her hair behind her ear as she gave him a warm smile.
‘I’ve not seen you here before.’ He stated, quickly glancing at the muffins to make his selection before returning his attention to her.
‘I’ve just moved here.’ She replied.
‘You’re English!’ It wasn’t a question.
‘Yeah.’ She giggled, trapping her lip between her teeth ‘Well I’m half English.’ She continued ‘Mum’s English, Dad's Canadian so basically, I’m cursed to be too nice and apologise for everything.’
He laughed at her reply, his smile reaching his eyes as they held each other's gaze for a while. It was only broken when the Barista asked for her order. Latte and a Lemon and Poppyseed Muffin. She knew exactly what coffee Marcus wanted, asking his muffin selection for the day before getting to work making their orders.
‘So are you a Star Wars fan or did you just like the shirt?’ He joked.
‘Oh no, I love it.’ She replied, laughing nervously ‘I’m a huge geek.’
‘I’ll let you in on a secret.’ He said quietly, leaning towards her slightly as she looked at him with anticipation ‘So am I.’
She laughed at that, covering her mouth in embarrassment at her sudden outburst. Her laugh was like music to Marcus’ ears, her smile addictive and he found himself wanting to see it more, hear it more. The sound of paper cups scraping against the stone countertop then pulled their attention away from each other.
‘That's Seven dollars.’ said the Barista.
‘It’s on me.’ said Marcus suddenly, handing her the money for both orders.
‘You didn’t have to do that.’ she replied as she looked at him with surprise.
‘Call it a welcoming gift.’ he stated, giving her a genuine smile before holding the door open for her.
They came to a stop outside, Marcus holding out his free hand ‘I’m Marcus.’ He said, smiling as she took it and gave it a shake.
‘Ada.’ she replied.
‘Nice to meet you, Ada.’ Smiling he glanced across the street towards his offices ‘I better get going,’ he continued.
‘Uh yeah, same.’ she replied, her smile dropping slightly at the thought of them parting ways ‘Best not be late on my first day.’
So they parted ways, giving each other a small wave before Marcus sprinted across the street and disappeared through the tinted black glass doors. From that day on, he saw her every morning. She would wait for him and they would queue together, taking it in turns to buy each other's coffee’s whilst they talked about movies, books and art. Marcus learned that she’d studied it at college back in the UK but had decided against pursuing a career in it. He learned that she was a personal assistant but that she worked remotely from her apartment around the corner. She had been engaged to a guy she’d met in college. They’d been together for almost 7 years when she was offered the job in the US and he’d told her that he didn’t want to move with her. So they had ended things, her moving a few weeks later.
‘So have you spoken to him since you arrived?’ he quizzed, sipping his coffee.
‘I spoke to him a few days ago.’ she replied, taking a bite out of her muffin ‘He’s been dating.’
‘Ouch.’
‘No, I’m happy for him.’ She replied, her tone surprisingly genuine ‘He’s never done the dating thing really. Just sort of fell into relationships… Hell, he was single 3 days before we got together.’
‘What about you?’
‘Me?’
‘Are you dating?’ He asked, his question making her choke on the coffee she’d just sipped.
‘No. Wouldn’t know where to start.’ She replied, taking another bite of her muffin and shifting in her seat.
They'd both agreed to meet in the cafe earlier that day, sit down and have breakfast for once.
‘I attract odd people.’ She continued, sipping her coffee.
‘Odd how?’
‘Well, I’m a girl… who’s a geek.’
‘Ahhh.’ He replied, understanding exactly what she meant.
‘You’re the first guy I’ve met that has been normal.’ she replied, her cheeks flushing a little ‘I don’t meet many people working from the office in my apartment either.’
‘I imagine not.’ he chuckled, giving her his signature smile that made her knees go weak.
‘Well, Marcus.’ She started, standing and throwing her coat over shoulders ‘This had been lovely but I need to get to work. Those meetings aren't going to arrange themselves.’
‘Yeah… Right.’ Replied the agent as he stood suddenly, his chair scraping loudly against the floor as he knocked it back.
‘I guess I’ll see you Monday.’ she replied, giving him a small smile.
‘Well unless you’re free tonight?’ he suggested, his brown eyes ever hopeful.
‘I’m free.’ she replied, pulling her bag over her shoulder ‘What were you thinking?’
‘Dinner?’ he shrugged, giving her a small smile ‘Take you on your first date in the US.’
‘I’d like that.’ She replied, her heart racing.
‘Great! I’ll pick you up at 7?’
‘Perfect.’
He was there at seven on the dot. Ada had spent much of the afternoon panicking about what to wear, knowing that it was a date but not wanting to overdo it. She’d fallen pretty hard for Marcus, the man invading her dreams and leaving her flushed when she woke up. She looked forward to their morning talks, missing them when he was away and over the weekends. When he’d asked her out, she’d almost passed out from the excitement but somehow managed to keep her cool. As soon as her day had ended she tried to figure out what to wear, realising that she had brought very little with her. She pulled a black lace skater dress her friend Liv had given her just before she’d moved. She wore it with some grey heels and minimal jewellery. She did smokey eye makeup and a subtle pink lip stain, her hair in a loose bun with a few loose waves hanging down to frame her face. When three soft knocks sounded on her door she felt her heart in her throat, hands shaking as she grabbed her bag and keys before opening her front door. She felt her nerves melt away when she saw him. He was wearing smart jeans with a Burgundy shirt tucked in and a smart leather jacket that fit him perfectly. He beamed at her as he checked her out, feeling his own heart flutter in his chest at the sight of her.
‘You look beautiful.’ He stated, watching her as she stepped out and locked her door behind her.
‘Don’t look bad yourself.’ She replied, winking at him as they made their way down to his car.
The restaurant wasn’t far from hers and after a fair amount of convincing on her part they ended up walking instead, arms linked as they talked about each other's days.
‘Here we are.’ he stated as Ada looked up at the sign and laughed.
‘A Canadian restaurant?’
‘You told me that you were half Canadian.’ He started, smiling sweetly at her ‘A colleague of mine told me about this place the other day at work and I knew I wanted to bring you here. Is this okay?’
‘This is perfect.’ She chuckled as he opened the door for her.
The inside reminded her of Christmas’ with her grandparents in Canada. The walls we clad with wood and decorated with hockey jerseys, pictures, sticks and pucks. It was the cheesiest place she’d seen in years and she loved it.
‘I feel a tad overdressed.’ She stated, looking around at the other people in there.
‘’You look perfect.’ He replied sweetly, grinning when she got all shy.
They ordered their food which, true to Canada, was oversized and terribly unhealthy. The conversation was easy, new subjects easy to find when old ones were exhausted.
‘So you know all about my dating history.’ she said suddenly ‘I bet someone like you has had women throwing themselves at you.’ She finished as she shovelled some waffle into her mouth.
‘Hah!’ He laughed as he took a swig of his beer ‘Well… I’m divorced.’ he started, smirking when Ada’s eyes went wide ‘We were young, foolish. She cheated on me with my first partner at the FBI.’
‘What a bitch.’
‘Yeah…’ he replied, shrugging as he took another sip of his drink ‘And then last year I met an incredible woman, Teresa and fell head over heels for her. We got engaged but later that day she told me that she was in love with someone else.’
‘Oh my god, Marcus I’m so sorry.’ Ada felt a pang of guilt at the man's story ‘I shouldn’t have asked… I’m sorry.’
‘Wow you really are Canadian aren’t you.’ He smirked, his eyes crinkling as he smiled.
‘Shut up.’ she laughed, swatting his arm before returning to her waffles.
As they walked home, their hands kept grazing each other’s until he trapped her hand with his. They took their time walking back, hands swinging as they enjoyed the sounds of the city together. When they finally came to a stop outside her building she spun on her heels to face him, biting her bottom lip as she gazed up into his eyes.
‘Can I confess something to you?’ She asked, her eyes drifting down to their hands ‘This is the first proper date I’ve ever been on.’
‘What?’ His head shot back in surprise ‘Really?’
‘I never did the dating thing. I kinda met people and we just ended up together.’ She replied, looking away in embarrassment.
‘So how was your first date then?’ He asked, pulling her a little closer.
‘It was pretty good.’ She replied, green eyes sparkling up at him.
‘Only pretty good?’ he asked, giving her a devilish grin ‘What would it take to make it perfect?’
‘Hmmm.’ She pondered for a moment, a cheeky grin crossing her face as she stepped closer again, her chest flush against his ‘Perhaps a goodnight kiss.’
‘Oh really?’ he grinned as he laced his fingers around the back of her head.
‘Mhmm.’ she nodded, licking her lips in anticipation as he pulled her in.
He pressed his soft lips against hers, his left hand cupping her cheek and his thumb stroking her high cheekbone. She opened her mouth to deepen it, their tongues dancing together as he wrapped his arm around her waist and pulled her even closer. She moaned against his lips as she felt a heat forming in her core, lacing her fingers through his hair as their kiss became more heated.
‘Did you want to come up?’
‘I’d love to.’ He replied, pulling away so that he could look her in the eye.
‘But...‘
‘But this is only our first date.’ He replied, pinching her chin with his thumb and pointer finger as he kissed her again ‘Let me do this properly. No jumping into things.’
‘Are you sure you’re not Canadian?’ She joked, grinning as he kissed her again.
‘Goodnight Ada.’ He replied, giving her one last peck on the lips before watching her walk away.
They spent most of that weekend texting like teenagers. They text about what they were doing, what they were reading. They even ended up watching Empire Strikes back and talked on the phone to each other during. They then continued to talk to each other as they lay in their beds, talking about their schedules for the week and possible plans for the weekend. When they finally said goodnight they agreed to have breakfast together in their favourite little cafe in the morning. Once again the day started as it always did. They stood in line together, ordered their coffees and muffins and sat at their usual table beside the counter. The conversation, as always, was easy and relaxed. They joked about how lame they were talking on the phone in bed like two smitten teenagers. Secretly though, neither of them had wanted to hang up. Their conversation was interrupted by the sound of sirens, screaming and shouting suddenly erupted in the morning air and the door of the cafe crashed open. Two masked guys came screaming in, guns waving above their heads and sending everyone into a frenzy.
‘Everyone get down!’ they shouted, pointing their guns at the customers who were crouching with their hands above their heads.
Marcus instantly switched into FBI agent mode, his right hand wrapping around his gun as looked at Ada beside him.
‘Stay down.’ he whispered as he squeezed her arm and started to stand.
‘Hey, Jackass I told everyone to get down.’ Shouted one of the men, waving his gun at him as he spoke.
‘Let these people go.’ he said, taking a step towards them.
‘Who is this guy?’
‘Dunno but he’s clearly got a death wish.’ One sniggered,
‘I’m Agent Pike.’ He started, hand still wrapped around his gun ‘I work for the FBI. If you let them go I can help you come to a peaceful solution.’
‘FBI huh?’ the leader replied, tilting his head to the side as he studied the agent across from him ‘Well you’ll be useful.’ He stated, pulling the trigger and sending Marcus stumbling backwards
‘NO!’ Ada screamed as she threw herself to his side, catching him as his legs gave out beneath him ‘Marcus…. Marcus look at me.’ she pleaded, shaking him as his eyes darted around the room in shock.
The agent rolled his head to look at her, blood rushing in his ears as he tried to suck in a pained breath. He could feel his shirt soaking quickly with the crimson lifeblood that gushed from the bullet wound to his abdomen. Ada’s shaking hands desperately tried to keep pressure on it as she held him in her arms, tears streaming down her cheeks. She leaned him against the counter and tore her cardigan from her shoulder, pressing it down hard on Marcus’ stomach which elicited a pained moan from the agent.
‘Well I’m sure this isn’t how you saw breakfast going.’ he joked, placing a shaky hand on hers.
‘Not exactly no.’ She replied, smiling at him grimly as she watched her cream cardigan slowly turn red.
The phone to the cafe rang and the leader answered, screaming his demands to the police on the other end.
‘You will give us what we want or the Federal Agent that’s currently bleeding out on the floor isn’t going to make it.’ he growled, shooting a look at Pike ‘You give us what we want or Agent Pike will die… You have one hour.’ he finished, slamming the handset down on the counter and storming off.
Time seemed to crawl by. Ada watched the minutes ticked by, willing time to go faster as she felt Marcus slipping away from her. Half an hour passed and his skin tone had taken on a sickly grey shade, dark bags forming under his eyes as each breath came in short, laboured pants. She watched as his eyes start to droop, panic rising inside her as his head dipped.
‘Stay with me.’ she pleaded, lifting his head so that she could look him in the eye ‘You need to stay awake.’
‘Talk to me.’ he asked, leaning into her touch.
‘What do you want to talk about?’
‘’Will you go on another date with me?’ he asked suddenly, taking Ada by surprise.
‘What?’
‘I want to take you out on another date.’ he stated, giving her a weak smile.
‘Of course, I’ll go on another date with you Marcus.’ She sobbed, stroking his cheek with her thumb.
‘G-good.’ he stuttered, feeling his strength start to seep away.
‘And then afterwards I want you to stay with me.’ She continued, desperately trying to keep him with her a little longer ‘I’ll make you pancakes in the morning, I have a posh coffee machine that makes amazing coffee. Then we’ll spend all day watching old movies, eating junk food and making out.’
‘Sound’s good.’ He replied, smirking at her weakly.
Ada watched as he started to lose the fight, his lips taking on a startling shade of blue as breathing got harder and harder. A sudden cough painted his lips with blood splatters and her stomach sank. She knew the longer they waited, the less time Marcus had left. Grabbing a napkin from the counter above, she wiped the blood from his lips before placing a soft kiss on them. Marcus felt his heart flutter at the feeling of her soft lips on his, kissing her back before everything went black.
~§~
Chapter 2
43 notes · View notes
echo-three-one · 3 years
Text
Whatever It Takes : Reloaded
They're on a mission, chasing a lead in hopes of locating where The Shadow Company is situated.
Table of Contents
Previous Chapter : Vlad the Janitor
Chapter 20 to another story made by Ray (echo-three-one) Comments and Reviews appreciated! I hope you enjoy! Love you all ❤️
forgive the piccrew
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Undying Admiration
Francine "France" Winters
Safe house 110197, Brazil
"Look at them two, you think we could do that too?" Soap asked France. They were both seated on Soap's side of the floor, the soft foam caught their asses as they crossed their legs while Soap spun around a water bottle.
"You and me? Sing and Dance? Never in a million years!" She denied looking at the poor guy's attempt to actually get her to like him. She thinks he already knew that she's already falling for him since day one. But she wanted to focus on other things at hand rather than distract herself with romance. Maybe if this was all over and he's still there, he'll finally get the answer he's looking for.
"Why not? I'm kinda okay with singing." He grinned. Francine giggled. Sure he is, his overconfidence was getting attractive for her. If they weren't soldiers in a war, they'd probably be making out again. What happened back at the Gulag was an impulse, she never saw it coming as she almost lost hope for his absence.
"Why don't you like… sing for me?" She dared her eyes stared intensely into Soap's eye-catching baby blue orbs. She made a mental note that staring for more than five seconds in those were already dangerous, so she always breaks it before the fifth.
"Why do you do that?" He asked, his voice was giving her ears a good time. Yes. She's falling for him. It felt like everything he does is attractive, but she shouldn't be too quick, life has taught her that the faster she falls in love, the faster they leave. So she had to test the guy's patience.
"Do what?" she asked as if she didn't know what he meant.
"Look me in the eyes then immediately break it as soon as I stare long enough…" His eyes squinted towards her as she evaded eye contact.
"I don't do that." She easily shrugged it off and got up.
"Well, good night. John. We have an early mission tomorrow." She got up as Soap trailed his eyes on her, the look of admiration was painted all across his face.
"Can you not look at me like that?!" She pleaded as her cheeks blushed. Her boyish appeal on the force always repelled attention and now this guy was admiring her for who she is and she felt happy.
"I won't do it if I get a good night's kiss." he pouted his wonderful lips. Lips she actually really wanted to taste again.
"Good Night John." She said as she closed the men's bedroom door and went to her bed.
~
When Price told her about a small recon mission, she never knew it was this small. The team only consisted of her and Ghost riding a rental truck to a village which was a few kilometers away from their safe house. The point person was an alleged nephew of a soldier that currently works for Shepherd. It was almost a dead lead but the intel being accessible enough was sort of worth it.
Rule of engagement is "Don't".
The village would most likely be unarmed, unprotected and peaceful. But Price advised to keep a side arm in case things go awry. It was a good call, and France noted to herself that she won't ever fire a shot for this mission as to not raise any sort of attention in addition to what Shepherd already gave them.
"Looks like it's time to go." Soap muttered as Ghost passed through them looking prepared.
Soap nodded goodbye to the man but he just continued walking.
"Maybe he had earphones on." he muttered as he pouted his lips. France softly reached for his cheek and shoved it sideways.
"In your dreams." She laughed as she waved goodbye.
"Every night." He winked as France made an almost disgusted face and followed Ghost. She was lucky enough that she quickly moved that Soap won't see her blushing cheeks.
France hoisted herself on the shotgun of the car and smiled at her partner, who looked serious. Without his mask, he was your average tough british soldier, and he looked like he wasn't in for some small talk while driving. France respected his privacy and trailed her eyes elsewhere, looking at the lush greenery and muddy tracks of tropical Brazil.
France wasn't a fan of quiet road trips, she tried humming to tunes from her playlist as the loud revving of the rental jeep overpowered her voice.
"Are you usually this quiet?" France asked, trying to break the silence between them.
"Yeah. You got a problem with that?" He replied, his eyes trailed on the road as it hit a bump. France actually felt shocked toward his reply and she started to worry about what she did wrong.
"You know you could always say no to Price's orders instead of regretting and wishing Roach would be here instead of me." She pouted, crossing her arms.
"Well that wasn't my case but now that you said it, maybe I should've asked for Roach instead!" He yelled. France couldn't help but shed a tear. She actually had no idea towards his hostility and the thought of not knowing any reason made her mad.
"Wow. Okay." she squirmed and unbuckled her seatbelt causing Ghost to slow down his driving.
"Where are you going? The village is still far from here!" he asked, France never bothered to talk to him as she simply walked away from the path.
Ghost immediately left the vehicle and followed her, catching her so she won't escape and run away.
"Why are you not replying?!" He asked, gripping her hands, restricting her movement. France used her strength to break free of his slightly weak grip and turned to him.
"You see now how it feels? To ignore someone without knowing why?!" She raised her voice. This seemed to make sense to Simon as he actually looked like he's sorry.
"I… " he sighed and looked at her, his eyes were lost and sad.
"I can't talk to you anymore… because I like you… but you've already set your eyes on someone else… so I just had to ignore you hoping that it'll make it less painful." he muttered. Complete silence filled the air.
France didn't know what to do. She didn't know what to say. It may be true that she already had eyes on a certain Scottish cutie, but telling him the truth all over again would leave such mental scars.
It took her long enough to say something that Ghost already invited her back to the car, and her silence may leave no meaning, but to Ghost it meant a lot, at least he knew that he no longer had a chance on her and would finally move on.
The village was like any other typical village, the elder's house would always be on the highest point and the two opted to ask the village elder first to gather clues.
One clue led to another as they visited each house looking for one Fabian Alvarez, a nephew of an alleged Shadow Company soldier. Only a few were able to speak fluent english and they decided to help, until such time that Fabian decided to show up.
He looked like a five year old kid, holding a rubber ball and he looked at France and Ghost awkwardly before hiding back into his house. Fabian was far too young to know about his uncle's whereabouts and the lead went cold once again.
The ride home was quiet. France didn't want to say anything as she can't. Her heart was like inside a washing machine, swirling around as she thought of how Ghost liked her while she's clearly liking someone else. It must've been hella awkward and painful to see on a daily basis. She felt that once, when her best friend got together with her high school crush and continued to stay together up to this day… She knew how he felt.
~
The moment they got back, she was actually greeted by Soap, who already had his hands wide open for a hug. As usual, France would ignore his gesture and it now felt that she was already helping out Ghost from the pain. But now, she's the one feeling restricted.
It pained her to not get near Soap and he's already starting to notice the indifference. She was actually surprised when he cornered her, just as soon as she stepped out of the shower.
Her cheeks flushed as the idea of her, only wrapped with a towel, stood in front of Soap. She felt really vulnerable in this position.
"What happened out there?" he looked angry but the tone of his voice sounded concerned.
"Nothing, it's just … A dead lead. A waste of time." She replied as she attempted to cross over him.
"And how does that warrant an indifferent approach toward me?" he quickly moved to block her again. She sighed at her actions. He was right. He didn't deserve this treatment, he needed to learn something about the truth.
"We had a little fight with your friend over there…" She muttered, her voice was low enough so he couldn't hear.
"Who, Ghost?" he inched his face closer and his face lit up like a curious bystander who overhears conversations on a daily basis.
"Yeah… It was an unpleasant exchange." She said vaguely.
"Well, it'll all be resolved soon. I guess you're too carried away that you didn't want to talk to me as well…" he chuckled and scratched the back of his head. That gesture always made France happy, he may not notice it but she loves the way his muscles twitch when he scratches his nape. She found it satisfying and hot.
"Yeah… I'll go change." She said, as she frowned as soon as they parted. She knew she had to tell him the specific reason and the events that occured today, but she felt that it would create a domino effect that would lead the team to be uncooperative.
During bedtime, Alex requested France to swap sleeping spaces, meaning that she had to lie down beside Soap. She couldn't find the courage to say no as it might ruin the reunion they both longed for after a very long time.
France swung the door open and found out that they were already asleep, except for Ghost who was once again missing. She used this opportunity to actually wake Soap up and let him be aware that she'll be sleeping beside him. She planned to make both men comfortable by spacing herself between them, by only showing affection to Soap while Ghost's not around, until such time that Ghost would accept the inevitable truth.
"John." She whispered, as Soap lazily opened his eyes and reached out for her, wrapping her in his arms.
"I really like you. A lot. I hope you'll be patient enough for me." She whispered again. She knew he wouldn't hear it but the idea of her actually expressing her thoughts to him, put her at ease, as she slowly closed her eyes and drifted to sleep, wrapped by the arms of the man whom she really admired.
Next Chapter : If I Remember Correctly
Notification Squad my Beloved
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