#and ALSO. regardless of the lesbian aspect of it. many of you will watch such ass shows that have like no women or one woman in it

[munamania]

right can i just. okay. lesbian is not a genre so im not looking to lump all these shows together. got that out of the way. im also not looking to pit queer people against each other so ok checking that off the list. i am however going to go ahead and throw the misogyny card out here because it’s fucking annoying how shows that center women, especially when theyre woc and/or queer, still just don’t take off even in progressive online spaces the way any shows with our darling young gay male couples will. i’m not saying that’s, like, the Cause of them being cancelled either because we’ve been shown numbers don’t matter. and many of the “”lesbian”” shows that have been cancelled were popular otherwise. just complaining xo!

#because well maybe many of these lesbian shows are not that good. and it's hard for people to care #but also sometimes they like are. or they're not 'good' but they're still fun and if the dynamics in play were primarily #attractive young guys i personally think they'd take off. but there's no way to like prove that so im just talking out of my ass #and ALSO. regardless of the lesbian aspect of it. many of you will watch such ass shows that have like no women or one woman in it #and hype it up to all hell cause that's your babygirl #I SHOULD BE ALLOWED TO HAVE A GOOFY STUPID ASS DYKE TRAPPED IN A SHOW THAT ISNT THAT GOOD AND HAVE FUN!!! #i deserve pathetic women!!!!! #and also. largely upset with the most recent cancellations because of the butches/masc lesbians involved #because that you know has a special place in my heart. okay whatever #anyway. let me also add that plenty of the people who hype up mediocre gay shows are some of the most annoying people on the planet #so yk maybe it's a gift in a way to just have the illusion that the relationship begins and ends with me and my tv and one friend #but. like. the thing is is some of the tropes/dynamics/etc i see on these shows would make people go ferallllll if u know...... #circumstances were different. but they just dont care. and also like. i think it's fair to be sad that ur just not getting more time #with characters u enjoy #that none of the money these streaming services get goes to even shitty quality stuff #honestly it's so smart of them to be like Ooo look gay people i have smth for u! and then get everyone online going #omg stream it so it doesnt get cancelled!!!!!! to maximize off it anyway. and then cancel before it can threaten their image or anything #and get too big. or be smth they invest in

[thatgayb1tchwhosimps4her]

Yo so these are head-cannons from this thot a while ago.

Also the internet has come back, hopefully long term (never ever been this happy before), but enjoy for now xxx

*****

transmasc Van and Nat btw (I LOVE THEM!!!)

*****

Was definitely way too into it at the time to notice wtf you were doing.

Continues to not know about it until she goes on there later (Callie set her up on it, of which you did not know).

"Y/n……. What is this?" "Uhhhhhhh nothing, just a BeReal." "I can see that sweet thing, but who else is in it?"

You know you're fucked regardless of how you respond.

That's pretty much all I can think of honestly (I'm out here tryna keep yall fed, sorry).

---

Again, was probably way too into it at the time to notice.

Then she looks over your shoulder later on, while you're sat together watching TV.

"Watcha got there, love, hmmm?" "Nothinggggg" "Nothing huh, well if it's nothing can I see it?" "Nooooooooo"

Somehow ends up getting her hands on it (definitely did not chase you around to try and grab your phone, and/or tickle you when you wouldn't give up). "Oh?"

Honestly kinda flustered at first (even though she probably has no idea how it works).

Then makes it her screensaver for like a week, until someone accidently picks up her phone.

Poor baby gets so scared that someone's seen it, and changes it back to a more PG photo of the two of you.

100% gets a lesbian spider sense and looks up JUST as you post it.

But doesn't say anything until way after, when she somehow gets her hands on it.

"Baby, I love you, but I swear to god, if people find that and use it as a reason to not elect me, I will be mad." "Oooooooooh, maybe I like it when you're mad 😏." "Y/NNNNN!!!"

You end up taking it down after a couple hours (idk if you can do that, I haven't used BeReal in ages), cause you don't wanna actually make her mad.

Again that's pretty much it, idk.

---

This boy has no idea wtf BeReal is or how it works, but is definitely a little curious about it.

Honestly like extremely flustered by it when he finds it while looking on your phone for something (idk, like something you asked him to look at or grab from it).

"I'm not mad about it, it's actually kinda cool, but outta curiosity, how many people are gonna see that?" "I don't know." "Wha- how can you not- HOW MANY PEOPLE ARE YOU FRIENDS WITH?!"

Poor baby boy is very confused, but it's okay, he's cool with it.

---

The most smug motherfucker on earth when he finds it.

But then again honestly doesn't really give much of a shit.

But also 100% screenshotted it and sent it from your phone to his and looks at it alllllllllllll the fucking time may of masturbated to it once or twice when you weren't there 🤫.

Definitely makes it his screensaver too like Lottie, but has no shame about it whatsoever.

Not really got much else to say other then that honestly, but they speak for themselves, baby boy Nat has no shame whatsoever.

---

A little confused by it, like the whole sorta aspect of it, like "Why do people have to know everything about what people are doing?"

SAYS THE FUCKING STALKER/KIDNAPPER! anyways......

Defo hacks into your phone later on while you're asleep (cause that's just so much more fun then just taking it and unlocking it or whatever).

And also definitely stares at it for like an hour straight (that babygirl is such a freak and a perv, but it's okay, we love her for it).

Let's just say poor baby boy Caligula gets demoted to home screen, and then she changes it around, and he gets bumped back up to lock screen.

As much as Misty loves you, the photo, and just the whole aspect of the situation, she doesn't wanna loose her job for unprofessionalism.

*****

-Harlow

#Harlow (Lottie's Version) #original content #mine not yours #shauna sadecki x reader #shauna sadecki thoughts #charlotte matthews x reader #lottie matthews x reader #lottie matthews thoughts #taissa turner x reader #taissa turner thoughts #vanessa palmer x reader #van palmer x reader #van palmer thoughts #natalie scatorccio x reader #nat scatorccio x reader #nat scatorccio thoughts #misty quigley x reader #misty quigley thoughts #yellowjackets #yellow jackets

[cherry-valentine]

Summer 2023 Anime Season

Here’s what I’m watching!

Shinigami Bocchan to Kuro Maid Season 2 has been adorable, just like season 1. It follows a young man who was cursed by a witch to kill any living thing he touches (clothes don’t prevent it so gloves are useless) and his beautiful maid who remains with him despite the danger, as well as a growing cast of characters who end up involved with them. Despite the grim premise, the show is overall lighthearted and sweet, more comedy than drama (though there are definitely some darker moments sprinkled throughout). Season 2 has been paying much more attention to the secondary couple of the series, Zain and Cuff, a pair of witches who have befriended the leads. They’re almost as cute as the main couple, so it’s been fun to watch their relationship develop (also I should note that they are a heterosexual couple, since “a pair of witches” might imply otherwise; there is a lesbian couple among the witches and they’re also adorable but they’re minor characters unfortunately). The show has always been about forming connections despite seemingly insurmountable obstacles, and I appreciate that these connections come in many forms, from romance to friendships to family ties. It’s a big hearted show with fun design work and cute music. The animation is CG and, well, it doesn’t always look great, but it’s not hideous and I’ve seen far worse. If you can look beyond the animation style, you’ll find an extremely endearing show.

Bungou Stray Dogs is on season 5… I think? Regardless, it remains one of the best anime I’ve seen in recent years. Once a show gets to this many seasons I feel like a plot summary is unnecessary. As I’ve said countless times already about this show, its true charm lies in its ability to blend all its different aspects into a satisfying experience without those different aspects distracting from each other. It can be hilarious, then heartbreaking, then thrilling, all within a few minutes of screen time and without diluting any of those feelings. It also does a great job of stacking the deck against the protagonists so that there’s a sense of tension and danger even when you’re fairly certain they will survive. One of the best things about this series, however, is that things don’t usually boil down to two guys punching each other to settle all the plot points. There are special abilities and characters with super strength and speed and of course that leads to a lot of cool battles, but there’s usually a lot more going on. There are nefarious plots and unique abilities with even more unique applications and characters engaging in mental warfare and chase sequences and cat and mouse games and so many other things besides straight up fights. This season in particular has highlighted these elements. The animation and design work are fantastic. The opening and ending themes are awesome (especially that opening holy shit). I wish everyone would try this series.

Undead Girl Murder Farce is a detective series with a supernatural twist. The detective in question is Aya, an immortal disembodied head being carried in a birdcage by her two attendants, a sharpshooting maid named Shizuku and an oni. The oni is Tsugaru, a somewhat jovial and laidback human-demon hybrid with incredible strength and the ability to kill or at least damage other supernatural creatures. In this world, pretty much all mythological creatures exist, from vampires to werewolves to even fictional characters like Sherlock, Frankenstein, Dracula, and the Phantom of the Opera. The overarching plot of the series is about Aya and her companions traveling through Europe in search of her missing body, solving cases involving supernatural creatures along the way. Aya herself is an interesting character, being intelligent enough to give Sherlock a run for his money while being lighthearted enough to joke about her own body-less predicament. Tsugaru is also a delight. He takes pretty much everything in stride and has an entertainer’s mannerisms, but he’s monstrously strong and his bond with Aya and Shizuku is charming to watch. The art and animation look great. The backgrounds are lovely and the clothing designs in particular are very pleasing. It has my favorite opening theme of the season and my second favorite ending theme. Highly recommended.

My Happy Marriage is another new series this season. Set during the Meiji Restoration period, the story focuses on an unfortunate young woman named Miyo. She’s basically Cinderella, abused and treated like a slave by her wicked stepmother and half sister (though in this story her father is just as bad) after her mother passed away when she was a child. Miyo is seen as useless because she has no supernatural abilities in a world where all the prominent families have them. Seemingly in an attempt to get rid of her, her family shoves her into an arranged marriage with a man named Kiyoka who is notoriously cruel and has frightened off several potential brides already. Since this is a sweet romance anime at its core, the rumors about Kiyoka have been greatly exaggerated (he’s gorgeous and super kind, which really shouldn’t be a spoiler if you’re familiar with any kind of romance tropes). But just because Miyo lucked out in the husband department doesn’t mean her life is suddenly perfect. There are lots of different forces at work, from jealous family members to political machinations. Plus there’s a lifetime of trauma for poor Miyo to deal with, which is handled in a sensitive and realistic way. The show overall is wholesome and definitely a slow burn, but that makes sense. Trauma doesn’t go away when your life improves. The series has a lot of other things going on concerning the abilities of different families and political maneuvering, but I enjoy it most when it’s just about Miyo and Kiyoka developing their relationship. The animation is beautiful, with a soft color palette and lovely backgrounds. Recommended if you like romance in historical settings and don’t mind some supernatural shenanigans.

Jujutsu Kaisen is on season 2, and this season has two very distinct arcs (punctuated by a three week break between them). The first arc is a prequel story showing the teenage years of Gojo, the protagonist’s arrogant but fun teacher from season 1. This arc has two primary purposes: to show Gojo becoming the absurdly overpowered beast we saw in the first season and to show his best friend Geto’s trauma-fueled descent into villainy. Both were handled exceedingly well and at this point they’re probably the five best episodes of the series. I had watched and enjoyed season 1 but honestly didn’t think much about the series after it was over. But these episodes? They made me a full blown fan. They made me go read the manga and get completely caught up in two days (to be fair I skimmed some stuff pertaining to characters I’m not super into). Since they’re a prequel story, I’d even feel good recommending that someone start with them, just to see what this show is capable of. Because the animation is mind blowing. It looks like movie-budget animation. The music is perfection (my favorite ending theme of the season). It’s just a very slick, cool package. I don’t have a lot to say about the second arc of the season because it just started, but if it follows the manga closely it will be amazing. The Shibuya Incident arc is one of the best arcs in modern shounen, taking place all in one night (Halloween night! I was sold right there!) and having some of the most gut wrenching moments in the series. So I expect great things. That new opening is an absolute banger too. Highly recommended.

Best of Season:

Best New Series: Undead Girl Murder Farce

Best Opening Theme: Undead Girl Murder Farce

Best Ending Theme: Jujutsu Kaisen (first half)

Best New Male Character: Tsugaru (Undead Girl Murder Farce)

Best New Female Character: Aya (Undead Girl Murder Farce)

#seasonal anime #anime reviews #anime recommendations #summer 2023 anime #text #jujutsu kaisen #undead girl murder farce #shinigami bocchan to kuro maid #bungou stray dogs #my happy marriage

[chemtrail-notes]

I’m not sorry, where was the “big asexual news” that was promised? Because I didn’t see it at all. Yea this is about Heartstopper s2. *Originally posted 08/05/23*

This rant and or essay or essay rant will be through the lens of an asexual, aka my asexual lens. If you are asexual and you disagree with me, valid. Regardless I got things to say. And it is a rant so don't be surprised when I get blunt and sharp and harsh with what's down below.

First, what I liked about the show in short, good. It gave exactly what I expected it to give especially going off the vibes of s1. A whole lot of kissing vs actually talking to show their intimacy but hey, thats that.

Again first, what I liked about the asexuality aspect in the show.

1. There's an asexual/aromantic character.

2. Shout out to 'Summer Bird Blue' (aroace main character) and 'Ace: What Asexuality Reveals about Desire, Society, and the Meaning of Sex' as I have read them both and love them. (Wouldn't recommend 'Ace' to someone who is just realizing they are asexual without reading a less theorized/asexuality book prior to but it was wonderful to see it.)

That's it.

Like if you have never seen asexual rep in any form of media until now, I'm glad you got to see it here but when I hear "BIG ASEXUAL NEWS" I expect it to be big. This wasn't big. It was small, medium at best and I wasn't satisfied.

My first impression of Heartstopper was just basic curiosity back in 2022. I only heard of the name from seeing the graphic novel in my library years prior. And when the trailer came out, I had already read 'Loveless' by Alice Oseman (I was reading any book with ace characters and waited patiently to finally get my hands on this book that was wonderful for me) so I recognized the name. And watched it. I had no expectations then. The expectations came when I discovered after watching s1 that Oseman tweeted this:

That is when I had expectations for s2 and held her to that. And I had full faith. Oseman is literally aroace! Oseman has said openly that having aro/ace characters in their stories is extremely important to them! Oseman is basically an aroace activist and their name is one of the known names in the community! So of course, I was happy to not only watch s2 of Heartstopper but also support her as she is a voice I believe that can more people recognize asexuality. And I still do believe that; this rant isn't about her personhood, ethics or vibe. We have seen how many famous people show us that we do not know them at all so I'm not making any statements about who they are as an individual - nah I'm over doing that. I'm criticizing them as an AroAce author/activist plus Executive Producer of Hearstopper that has openly stated they want to show more ace and aro rep in media. My question is, the minute you saw your rise in fame and rise in popularity of Heartstopper the tv show why didn't you run to add that purple, black, gray, and white in the show? Because of all the shows to showcase asexuality on a main stage, Heartstopper can and dammit should be that.

Hi to the non-asexuals reading this -

homoromantic (gay/lesbian) asexuals exist - biromantic asexuals exist - panromantic asexuals exist - trans asexuals exist - heteromantic asexuals exist - nonbinary asexuals exist - it's just little to no sex involved

the same goes for aromantics just in reverse - aromantic bisexuals and so on

I don't want to hear anything about taking away from the other queer identities present in the show. I'm aware of how little gay or bi or trans or otherwise queer character shows the community gets. But do you want to know how many asexual characters shows the community has? Dare I add "main asexual characters that are explicitly mentioned by name or by how they are in relation to society"? ............. Exactly. Not many. Because from 2010 till now there has been a nice chunk now and growing gay, bi, or even trans mainstream media or characters in said media (even when they are cancelled, they still existed and do exist). Having the main characters of Heartstopper have some asexuals in the show wouldn't take away anything. And it should have happened. No, no, no, no not minor characters. Main. Cast. Asexuality is insanely diverse and has so much intersectionality within it, it CAN work! Would it change the canon from the graphic novel? Yeah, but who cares, the canon was already changed!

As I was watching s2 and realize that this big asexual news was making an insanely late debut, I was already ready to write this post. By episode 6 we had gotten a little attention to asexuality being mentioned with Issac getting more screen time (oh my gosh he actually gets more time on screen and lines??! Because he was literally a background character despite being in the main friend group) and that was it. But I was like "let me not run my mouth, maybe in the graphic novel Issac had way more time to shine and then it led into him being asexual seamlessly." So I go to the wiki and learn all about the Osemanverse - all Oseman's books are in the same universe - and all the characters of Heartstopper and to my surprise Issac didn't even exist in the novel! Lol! So now knowing that, I know all about Issac and can now run my mouth.

Issac was created for the show most likely to replace a character named Aled who was gay demisexual and also the main character for 'Radio Silence' another book of Oseman's but was part of the friend group in Heartstopper graphic novel. I find it really weird that the ace character got cut because it "wouldn't fit with the timeline" as he was a main character in another story but whatever (Oseman on tumblr says here). They bring us Issac. And in s1 he is the quiet one (literally he barely has lines) who holds a book all the time listening to his besties romance antics and sometimes being a voice of reason (within a minute to 3 minutes cause thats all he gets). And in s2 he is STILL the quiet one who has little screen time but a little bit more lines holding a book all the time listening to his besties romance antics BUT NOW has an intro to a guy who he likes but is questioning how far that "like" extends to then realizing the term aromantic asexual resonates with him....in the quickest, exposition-based way I have seem.

'Heartstopper' Season 2 Will Explore Isaac's Asexuality, Says Alice Oseman (collider.com)

WHEN?! Because it seems like any time to Issac was rushed. Am I supposed to appreciate the literal 1-to-2-minute discussion with the AroAce artist while we barely saw the actual art piece and then the exposition-like description of living in a world heavily toward romance or sex? Were the little purple graphics supposed to make my heart leap? Nope that is reserved for another character of a different show (more on that later). It wasn't explored - not like the relationship between Tara and Darcy or the connection between Elle and Tao, who are also not the main-main characters! Secondary characters if you will. I didn't add Charlie and Nick because of course most screen time would be dedicated to them, they are the primary characters. But shit! Even the two gay teachers had a more intimate and kind handling of their gay experiences and then falling for each other! And they are tertiary characters we just met! I---. I can't get it. Why didn't Issac get the same level of focus in this show? Explored? It was barely shown sans Issac telling James he didn't feel what he thinks is romance toward him. And then at the end where Issac grabs the 'Ace' book. I mean okay then...

Now for Oseman. Listen, I do not know her entire ace life story. However, I did read interviews about them and their quest for asexual representation and also aromantic representation. In a Guardian interview states - "'The world is obsessed with sex and romance. And if you don’t have that, you feel like you haven’t achieved something that’s really important,' she says. Oseman tries to highlight the importance of platonic relationships in her own work – even in Heartstopper, an out-and-out love story, friendship is hugely important – and to include asexual representation in her books."

I will say, friendships are shown to be highly important in the show so I have no qualms with that. I do have qualms with what she states next: "As much as Oseman and others like her are trying to start conversations about asexuality, she doesn’t think it’s going to be a widely talked about subject any time soon. 'We’re never really going to see much cultural change in terms of awareness until a big celebrity comes out as being asexual,' she says. 'And there’s nothing I can do about that.'"

You as an individual human on this Earth can't change that yes but lets stop pretending you don't have strong influence now, from your Webtoon days and now to Heartstopper TV days. Oseman even recognizes the attention and new fame that has come to them since the show premiered and became so popular that even Netflix (Mr. Let me cancel a show that people actually liked) renewed it for s2 and s3 practically a month after its premiere. So, I don't get it? Why not add in more asexual rep in the show? Why not run to do so especially because you didn't back when you first starting your author journey? Again, I've read up on them; I know Oseman may have discovered the term asexual at 18 but didn't claim it then and had many years of questioning themselves (not looking into asexuality, believing they may be demisexual, trying to like boys etc) until 2020 when they came out publicly when 'Loveless' debuted. So their old stories wouldn't have asexuality in them. Heartstopper may have been wrapped for s1 production by that point, but Heartstopper said officially on Sept 22, 2022 that production had started. Which really means from the end of spring into the summer s2 had started being produced and written. AGAIN, as the executive producer seeing the massive popularity for this teen show, why didn't you say "hey this is different from the graphic novels but thats okay because we can have two different forms of canon in these two different forms of media (novel, tv) - but lets make a main character(s) be on the ace/aro spectrum! The audience will be open to it!" And who would I make asexual as a main character? Easy peasy - Nick.

I refer you to the italicized words above with all the labels I listed. Anyway. The bisexual to asexual pipeline is real and many aces say that before figuring out they were ace they assumed they were bi because they didn't have a preference toward a gender and assumed either was good. I literally thought it for a long time myself. And it can work perfectly because Nick in s1 and s2 was thinking about his sexuality. The scene in episode 6 where things get intimate, and Nick stops Charlie as he isn't ready to do anything more than kissing though he says he wants to just not at that moment. Charlie literally states, "And I'd only wanna do it if you did, and...if you didn't ever want to do it, then I wouldn't either." THE STAGE IS SET. And what could have happened next is Nick goes on his phone (they on them phones all the time anyway) to look up why he's nervous about having sex despite liking his boyfriend, scrolls down page after page, sees posts about the pressure to have sex, in the article it mentions asexual people. Boom! Seed is planted. Obligatory: Aces can have sex as asexuals can fall under sex-favorable, sex indifferent (the two that would or could engage in sexual activity), sex-averse, and sex-replused. Then we would have Issac and Nick, both aces showing the beautiful spectrum that is asexuality and a dab into aromanticism. And yeah, I read that Tori will be officially stated as asexual and aromantic in Volume 5 of the graphic novel but as of now thats only for the graphic novels.

I don't write fanfic nor will I so no I won't just make up a fannon to satisfy me but when I hear Big Asexual News I expect it to be big. Because while Issac's realization of asexuality may have been nice I've seen better. Remember that character I mentioned before? Yea well its no surprise, its Todd Chavez from BoJack Horseman and not only was it actually built up longer with more focus on Todd, it was also the main queer sexuality in the show. Besides the former producer man who was gay (and Bojack ruined his tv career), then got cancer and died - Todd's asexuality was the main focus - main character - for diversity and I loved every second of it. You saw him not only realize something was amiss with him, go to an ace meeting and see differences in the ace spectrum, get a gf, realize the gf and him didn't have to date just bc they were ace, not back down when others would question if he could have romance, and eventually find a nice girl and move in together. Not to mention how the show pokes fun at allosexuality in a satire way. And you would think a show like Heartstopper with the influence of a literal AroAce person could match this or surpass this for the 13 to 17 teen audience (BoJack is good but heavy so kids shouldn't just watch it lightly) but it just fell flat.

I really feel like asexuality and aromanticism was pushed to the side by allosexuality and alloromanticism yet again, but it irritates me this time because it didn't have to be. And if Oseman didn't say anything, didn't hype the asexuals desperate to see more asexuality on screen in mainstream pop culture, then this post would have never existed. Yea the other producers and writers and blah blah blah may have stopped them, I can see how one executive producer doesn't have all the power but damn that tweet had me convinced that they had a significant amount of influence. And yes again, can 1 person change everything? NO. Oseman cannot be the only AroAce person to change the tides, we need more activists and people demanding to see more ace or aro rep. Yasmin Benoit is a great one who is getting more and more known by the day, more asexual books are being bought and in libraries, asexuality has more of an understanding than it did years ago (still a long way now). But in terms of asexuality in media.....not just the dumb stereotype of a robotic person or the "well you arent conventionally attractive or charismatic so it fits that u are aro or ace or aroace" or soley based on they had a trauma (bc that isnt a prerequisite for asexuality)....there's not many.

I don't care about spoilers for s3 so, in the future, before I decide to watch or not, I am seeing if more aroace identity is directly present before I decide to support the show in streams. Which won't matter in the long run because 1 person not watching won't hurt its popularity and I don't want it to. I don't want to hurt the show or dismiss how it is a showcase of lgbtqia in a happy, comforting, fantastic binge worthy show. I just want more for asexuality in media and this show could have launched it far if they actually made it big.

#heartstopper #issac heartstopper #Issac heartstopper aroace #issac heartstopper asexual #asexual #asexual rant #honestly I could tag the one the only themselves but I've chosen not to #but I am still going to talk #I said what I said #heartstopper netflix #netflix #kit conner #heartstopper alice oseman #heartstopper tv #heartstopper s2

[beautifel]

what was bad about go2 plot-wise? i haven’t watched it yet but i see very diverging opinions on this and idk if i want to bother watching if it’s gonna ruin my experience of the show, i rlly liked the first season

oh well like i said parts of it slapped and i genuinely enjoyed watching it but the plot… i’d have to rewatch to give a better explanation cuz i don’t remember everything but u can just tell that it’s written by ppl who spend a big chunk of their time scrolling tumblr and lurking in fandom spaces, it rlly felt like fanfic which . in and of itself… okay sometimes that rules because some widely used tropes are popular for a reason, i don’t always hate to see them in stories, but it felt like the whole season was fanfic plot or filler episode plot… plus some of the dialogue also annoyed the shit out of me and again i can’t precisely put my finger on what made it so annoying except that it sounded like bad fanfic (and i’m not talking about crowley and aziraphales dynamic here bc the actors have so much chemistry that they entertain me no matter how bad the dialogue lol)

i rlly couldnt bring myself to care abt the lesbian coffee shop romance like at all… also (spoilers) the stakes turned out to be so low honestly one moment aziraphale could get his entire existence wiped out of history for harbouring gabriel if it was discovered, crowley was risking severe punishment too iirc, also gabriel + beelzebub were going to get punished… and then aziraphale was like hey besties what if we just let gabriel and beelzebub choose their own punishment and suddenly all the angels and the demons together were like yes okay 👍 and then aziraphale gets offered a promotion. and also none of the angels recognised a guy who they were shown to literally have had entire conversations with before. just one of the many things that were pretty random and didn’t make a ton of sense tbh.

the ending was heartwrenching but i liked it, i think it will make for a great next season regarding that aspect of the story… the crowley and aziraphale storyline was genuinely beautiful to watch to me regardless of the bad writing in other aspects of the season so if that was the main reason you liked season 1 id say go for it!

i probably forgot to say other things but this is what i remember off the top of my head of my opinion when i was watching. maybe i’ll change my mind maybe not

#good omens spoilers #im only tagging this for blacklisters if u see this while browsing the spoiler tag dont start shit just scroll thank you 🙏

[aesthetic-bastard]

Media Interaction 2022

Part 4: April

Persona 4 Golden - This was my first time playing a Persona game and P4G is easily the most obtainable entry in the Persona series for first-time players. I originally started playing P4G in April but wouldn't end up finishing it until June which was a whole 80 hours later. I have never played any game like this before and I think P4G is another one of the top pieces of media I have consumed this year that opened up a gateway to a whole new bunch of interests.

Many of my friends were surprised I made it to the end of the game because most of my friends couldn't make it to the 80-hour mark. Even though the ending I got was very unsatisfactory I had a great time playing P4G up until that point. Every night I would ritualistically get into bed with my laptop around 9:30 to stay up and play this game. I think there was a perfect balance between spending time crawling through the dungeons and then sitting back and watching events unfold as you advance through the story which I found addicting to pick up every night. I also just could not wait to begin the Naoto Shirogane social link after nearly sinking in 40 hours at that point because I love to finesse the badest bitches. I have yet to play Persona 3 or 5 but I feel like this will be my favorite out of the series based on the plot regardless if I play any of the other games. My friends first introduced me to P4G as a better substitute for Danganronpa and I certainly liked P4G a lot better after playing it. I feel bad that Danganronpa was the first visual novel that I experienced and compared to P4G I've felt like I've been missing out this whole time. During my playthrough of P4G, I noticed a lot of elements Danganronpa took from this game like the UI, the fact that the first dungeon resembles the first floor of Hopes Peak Academy, an annoying talking bear mascot, and several characters from Trigger Happy Havoc having very similar writing to characters from the Persona 4 cast. I didn't play very many games or was interested in very much at the time I first played Danganronpa 1&2 and I feel like playing P4G opened me up to so much more and I feel like I have graduated to playing big girl games. I would love to play this game again someday with a new game+ save file and sink another 80 hours into it to see every aspect Persona 4 has to offer. I can not stress enough that time management is an important aspect of this game and even though I thought I managed well I still ended up with a bad ending.

Pure Trance - This was my first experience reading any work by Junko Mizuno. Pure Trance has a very cute, sexy, and pleasing art style that I'm attracted to but at times there was so much detail drawn into each panel it was hard to tell what was happening. I liked that this manga had a very dystopian way of touching on very dark subjects like eating disorders but there were so many plot points shoved into this 9 chapter manga that it ended up being very incoherent. There were so many things that I liked about this manga that if expanded upon would be so much better.

Love My Life - I'm not very big on romance and even though I experience attraction regardless of gender identity I don't dive very deep into the genre of yuri manga. I'm having trouble recalling very much from Love My Life but I think I initially read it because I thought this would be something that was a little erotic which wasn't the case. Even though I'm not very big on the whole genre of romance I think Love My Life had a very honest depiction of lesbian women in a relationship that isn't romanticized or pertains to any sort of fetish. Lesbian women can face the same challenges of maintaining a relationship no different than heterosexuals and I feel that Love My Life portrays this very genuinely. I thought this manga was fine at best and the art style may not be for everyone but I enjoy seeing LGBT people depicted as normal human beings who are no different from heterosexual couples.

#media interaction 2022

[mermaidsirennikita]

bridgerton--the good, the bad, the ugly

The short of it: Bridgerton excellently captures the tone of Regency romance novels and offers a lot of escapism and great sex scenes, but could definitely use some serious work in terms of how it depicts race and it should have made some further alterations to the dated and flawed source material.  Definitely loved a lot of it and am hotly anticipating the second season, but I want to see more work done and I HOPE that this encourages the adaptation of better (and less inherently flawed) romance novels.

Now for the longer take.

The Good

Bridgerton depicted sex and romance in a way that is totally different from anything I’ve seen in period dramas, for sure, but possibly different from anything I’ve seen on TV.  The romance of it all was woven into almost every aspect of the show. There is the handsome and seemingly severe but extravagantly wealthy and sexually adept duke sweeping into town.  The (multiple) rakes who just want to have fun while also being hot messes.  The awakening of female sexuality and the copious use of the female gaze.  (Note the pretty modest and minimal focus on female nudity, while we get plenty of lingering shots on Simon.).  People want love!  There is pretty minimal violence and perhaps the most physically violent scene involves Simon beating a man up because HE IMPEACHED DAPHNE’S HONOR~.

The sex scenes themselves focused on Daphne’s pleasure for the most part, and were probably among the best I’ve seen since Outlander in terms of chemistry, in terms of the visuals, in terms of focus on sex as an act of emotional connection and FUN. Yes, there was some Unlikely Vaginal Orgasming, but we also saw Simon tell Daphne about masturbation.  On the wedding night, he was pretty clearly touching her to help her enjoy it.  He ate her out... a good bit.  

And aside from that, we got all of the grand speeches, the stolen glances and touches, an excellent buildup of sexual tension that led to some pretty hilarious moments.  

I also really enjoyed many of the performances on this show.  Rege-Jean and Phoebe had great chemistry and excellent back and forth.  Jonathan was a GREAT Anthony.  I would argue that as lackluster as I found his relationship with Siena (more on that in a minute) it largely existed as a way to set him up for his romance with Kate.  He now has even more of a reason to be down with love, as opposed to solely relying on a kind of flimsy tragic backstory.  Additionally, his overprotectiveness of Daphne added tension to the story and made him a source of comedic relief for me?  I loved it.  Give me disaster Anthony all day; can’t wait until he falls to the enemies to lovers trope just like Simon fell to his FLAW-FREE fake dating plan.

A lot of the changes I found were really good.  Obviously, it was important that the show incorporated greater diversity (though they need way more).  Benedict was INFINITELY more fun and interesting than he was in the novels, and acted as another standout for me.  As much as I hate Portia Featherington, I think that the elevation of her to a proper villainess is probably necessary and Polly Walker excels at those types of roles, though they need to maybe have her be less like, actively racist.  I adored the addition of Queen Charlotte; she was excellent comic relief.  Lady Danbury’s expanded role and relationship to Simon was one of the best moves they made.  It touched my entire soul.

Buuuut....

The Bad

The show needs to work on casting more men that are frankly on Rege-Jean’s level.  It feels a bit awkward to see a guy that is by most people’s standards kind of stunning and then.... Colin looks twelve.  Lord Philip is like... a farm guy.  Get rid of the sideburns, we’re in romance novel territory.

In the same note, the girl who played Siena wasn’t a great actress and wasn’t super stunning, so even though I’m fine with her being a placeholder....  Eh.  Go for better casting.  The woman playing Madame Delacroix would’ve played that role so much better and I really enjoyed her dynamic with Benedict because she was just fun.

Frankly, I don’t know what the fuck they’re going to do to make me want to watch Penelope and Colin fall in love.  Their book was already a bit basic--fun, but far from revolutionary.  I don’t really get why they would receive attention similar to that of Kate and Anthony, basically.  The issue is that Colin, again, looks and sound rather young and twerpy.  It obviously wasn’t great for him to be tricked into raising another man’s child, but.... For fuck’s sake, how much would that have affected his life on a practical level.  He’d never know unless he was told, thanks to the lack of DNA tests.  He was marrying far out of his league in terms of attractiveness.  He’s a rich white guy in England with a supportive family.  

I really disliked the fact that Colin told Marina in his huffy little tantrum that he would have married her anyway--because would you have, buddy?  Really?  The thing is that Marina had no way of knowing that and her entire life (and the reputations of her cousins) was on the line.  She didn’t know if she could trust Colin to keep her secret.  They barely knew each other.  He basically came off as a whiny child and I’m fine with him staying in Greece if that’s the plan.

Penelope was just... psychotic.  And that was really disappointing, because I love Nicola and would love to have loved to see the fat girl get her sexy love story.  But first off, lol, it wouldn’t have been sexy because Colin was miscast.  Second, she basically tried to destroy Marina’s life and that of her sisters?  And herself?  Because Colin?  Because Colin, a guy who hasn’t even shown any amount of attraction to her at this point?  Her tears, her whining, it was all too much.  Penelope was dealing with a crush and Marina was dealing with the real Grown Woman issues of a child out of wedlock and as it turned out a dead lover and they were not on equal footing.

I mean, Penelope could very well make a great villainess at this point, and if done well I’d embrace it.  But I do not know how the fuck they can make me interested in her love story.  And the idea of her basically being launched into villainy because she was this chubby white girl obsessively jealous of a beautiful black woman...... not a great look.

The show definitely needs to explore diversity in terms of sexuality too--I don’t think it’s correct to read Benedict as straight because he still seems to be open to exploring.  Once he has more screentime, I think he could totally end up being bisexual, and it’s possible that the writers were trying to feel the audience out in terms of their receptiveness to taking a straight character who has a big straight love story in the books and making him LGBT+.  Eloise could also easily be a lesbian, and I’d be thrilled to see that happen.  They need to do something to expand the world, and if there are 8 Bridgerton kids, all of them being straight as an arrow seems SO unlikely.

The Ugly

Obviously, the rape scene was bad and should have been written out.  Simon could have gotten caught up in the moment and blown up at Daphne after he accidentally didn’t pull out in time.  Men.... accidentally don’t pull out in time... a lot.  That’s how babies happen.  It would’ve been believable, and due to our sympathies being with Simon largely, I don’t think he would have become irredeemable if he was more at fault than Daphne.  

As it was, I will say that the scene was somewhat better than it played in the books because Simon was conscious and totally sober, and it was a bit?  Confusing?  That he didn’t just roll Daphne over and pull out?  Because she wasn’t really clearly trying as hard as she was in the book to wrap her legs around him and hold him tight.  But it remained a rape scene.  The show also did a better job, I think, of establishing how fucked up it was that Simon took advantage of Daphne’s lack of knowledge.  Whatever he said about thinking she knew what was up--he knew she didn’t even know about masturbation.  He had to know she wouldn’t understand what pulling out meant.  He did very clearly mislead her to think that he was sterile and therefore denied Daphne her ability to give informed consent.  Did that justify what Daphne did?  Nope.  Two wrongs don’t make a right.  But both of them did a fucked up thing and I think that we honestly could’ve stopped at Simon’s misleading.

The issue too is that this leads into a bigger problem the show had.  It wanted to include diversity (yay!) but did not consider the total implications of what was happening (not yay).  Daphne and Simon’s dynamic is inevitably influenced by the fact that she’s a white woman and he’s a black man, regardless of whatever handwaves happened.  This influences the sexual assault and makes it even more messy.

Speaking of mess, I’m not sure what exactly would have fixed the “we don’t want this to be a colorblind casting” issue... but the explanation they came up with wasn’t good.  Never mind that this makes everything SUPER confusing (racism is over like..... maybe 50 years MAX after Queen Charlotte’s marriage if we assume she was a teen when she married and is in her 60s now?) but Lady Danbury’s dialogue explaining this was HORRENDOUS.  “One of them fell in love with one of us”.  The implications are awful.  I don’t know if perhaps setting back the integration of society centuries earlier would have helped?  But this wasn’t it.

Additionally, the writers and casting directors didn’t seem to get that diversity is all well and good, but what about the fact that almost every black character has a light skin tone?  Why are there so few black female characters?  Why is Marina, the most prominent woc on the show, given the “pregnant and desperately trying to trick a man into marrying her until her jealous white cousin fucks her life up and she is humiliated into settling for a loveless match” plot?  I desperately hope we see her next season, falling in love with Sir Phillip or perhaps having experienced a plot twist that gives her someone else...  And she better not die. Eloise can find someone else if Marina really ends up with Sir Philip.

Ultimately, again, I really loved the show.  But it needs to work on some things.  I think that a lot of its issues can be addressed and fixed in a future season, and I HOPE they do that.

#bridgerton #but fuck polin for life lol

[thedeadflag]

I’m so confused! I know it’s not your responsibility to educate me but in your post bringing awareness to the negative aspects of g!p fanfic you say

“Why do these g!p characters rarely if ever involve experiences reflective of trans/intersex women? Why are they so utterly cis and perisex-washed? Why do nearly all writers have zero idea that tucking is a thing? “

Doesn’t that answer your original question? The reason they don’t reflect those groups of ppl is bc g!p isn’t trying to represent those groups of people or else it WOULD be transphobic to limit them to one specific fetish right? it just refers to a canonically female character with the addition of a penis (I don’t argue the name “g!p” should be changed bc that’s a no brainer why that could be offensive). But the fanfic in general, how could it be harmful? I’ve noticed in my time reading it as a non binary person it’s given me great gender euphoria reading a reader insert where reader has a penis while being a femme representing person just bc that’s a reflection of my personal experience. I don’t see anywhere where g!p fanfic ever references or tries to emulate the experiences of trans or intersex people so how could it be offensive?

Sorry this is way too long I’m just very confused

I'm going to try and lay this out as politely as I can. It's after 3:30 in the morning here, so this could be a bit disjointed and rambling. More under the cut:

In real life, ~99.999999% of women with penises are trans women. Which puts us in a tricky situation of (A) being the only women with penises around for media involving women with penises to reflect back on, and (B) being in the lovely position of precious few people actually having had meaningful real life exposure to trans women, meaning (C.) all those stigmas and all that misinformation are going to purely affect us and it’s going to be uncritically gobbled up by the masses, since they don’t have any meaningful information to fill in the blanks with instead.

When we peer into the depths of femslash fandoms and see all these folks who aren't trans women writing about women with penises, and using cis women’s bodies as platforms for these penises, it’s the simplest thing.

I mean, some of those folks might actually be struggling and confused about why they’re into it, what the real appeal is, why they get off on it, why they might have some feelings about wanting a penis of their own…

…but from our vantage point, it’s really easy to gauge 99.99% of the time. We can generally see valid, legitimate yearning to have a penis pretty damn easily in a piece of art/writing, and we can also see when people who create this media are just hung up on a boatload of baggage and fetishization.

And 99.9% of the time, the creators are just hung up on a boatload of baggage and fetishization, and see trans women’s bodies as a perfect vehicle to tap into that, generally due to deeply held cissexist views that link us and our bodies and genitals directly to cis men, to maleness. As if penises are rooted in maleness and masculinity (which is absolutely not true).

And I have sympathy for NB folks (certainly TME ones who have reached out to me in the past about this) who might be struggling with that, but just because they’re non-binary, it doesn’t mean they get to appropriate our bodies and reproduce transmisogyny and trans fetishization in their attempts at feeling better. Shit doesn't work like that.

Because again, the only women with penises in this world, essentially, are trans women. Meaning any woman with a penis in media is a trans woman, implicitly or explicitly. Meaning that when people who aren’t us want to write us, intent doesn’t matter, it doesn’t matter if it’s just the writer’s fantasy, it’s still going to attach a variety of messages directly onto us.

And more often than not, due to cissexism, those messages are linking us to maleness, to toxic masculinity, etc..

While I do want to believe they're a fairly small minority, a lot of NB folks in fandom spaces like g!p characters in part because they see penises as male and the rest of the body as female and think that duality is interesting and would be comfortable, and is a nice balance of “both worlds” or a nice position “between male and female”, but that’s a wholly cissexist, transmisogynistic view to have, and it’s one that absolutely cannot be supported without directing sexual violence against trans women and invalidating our entire existence. Certainly not all NB folks into g!p like it for that reason, but holy shit a fair bit of them do and it’s weird and wrong and fetishistic.

g!p emerged from the idea that women can't have penises, and drew on the transmisogyny and cissexism of tr*nny porn to structure that frame of desire and the core patterns and trends within these works. It's always been trans women's bodies being used as a vehicle, whether or not the writers of these fics are explicitly aware of it, because the trope itself still holds true to its original patterns and cissexism. It's not the name that's the problem, it's the content; changing the name would be a surface level change that wouldn't affect anything.

g!p objectifies women with penises (trans women). A woman with a penis is more than just a woman with a penis, but the use of the term and trope is literally to (A) remind people that women don't have penises, otherwise the g!p term wouldn't be needed if people actually accepted women with penises as women, and that (B) this is a story centered on a scenario where there's a woman with a penis, with key focus on that genitalia specifically. it's the drawing point, it's the lure, it's what everything is centered on. It is a means for folks to write lesbian sex while also writing about penis in vagina and getting off to it. It's also no surprise that the penises so clearly emulate cis men's penises in these works, that is by design.

As I’ve said many times before, if you’re only writing trans women’s bodies to showcase cis men’s penises, you’re not respecting the womanhood of trans women, and this ultimately has nothing inherent to do with penis-owning women, it has to do with (cis) men and their penises, because trans women are just being used as a vehicle to emulate them. When NB folks do the same thing, and imagining themselves as those g!p characters, they are ultimately embodying cis men, their maleness, and often toxic masculinity, in a way that feels safe and distanced enough for them, a shell that they often code as cisnormative due to their own unprocessed cissexism.

And trans women don’t deserve that.

You seem caught in the idea that if something doesn't directly perfectly reflect trans women, that it can't be linked to us., which ignores the long long history of media being used to misrepresent marginalized peoples and cast us in insulting, dehumanizing lights. You show a lack of understanding of the g!p trope and the long history of its usage across a few other names, even if the content and patterns remained the same. It shows a lack of understanding of tr*nny porn and transmisogynistic stigmas, which the trope draws heavily from.

I think we can all recognize that most 'lesbian' prn that's made does not represent actual lesbians, it's overwhelmingly catered to the male gaze. We can also recognize that this category of porn has led to a lot of harassment towards lesbians from cis men who at the very least want to believe lesbians are just like they are in the porn he watches, that lesbians just need the right man. Lesbians are being used as a vehicle for a fantasy that was created externally to them, and doesn't represent their realities.

It's the same kind of situation here. The way g!p fics play out overwhelmingly doesn't reflect trans women's realities, but they are inherently linked to us regardless, as we're the vehicles for those fantasies, as unrealistic and harmful as they may be.

g!p characters are built in our fetishized image that’s based on a deeply cissexist misunderstanding of us, of the gender binary, and of bodies in general.

I mean, when 99% of cis folks don’t understand how trans women tend to be sexually intimate… when they don’t understand what dysphoria is and how it works and how it can affect us physically and emotionally…when they don’t understand almost any of our lived experiences…then they’re not going to be able to accurately portray us even if they wanted to.

And I’ve read enough g!p fics where authors wrote those as a means of trying to add trans rep, but because they didn’t understand us at all, it wasn’t remotely representative, and it was ultimately fetishistic, even if there was an undercurrent of sympathy and a lack of following certain common g!p patterns there that differentiated it from the norm.

If g!p fics were at all about reducing dysphoria or finding euphoria, then it wouldn’t be explicitly tied up in the performance of very specific sex acts, very specific forms of misogyny and toxic masculinity, very specific forms of sexual violence and exertion of sexual power, etc.

But it is.

So the notion that creating g!p fics helps NB folks? Nope. It CAN certainly prevent/delay those folks from facing a whole boatload of shit they’ve internalized, and coddle them at the expense of trans women.

Because if it was really about bodies and dysphoria/euphoria, there would be a considerable push (allying with out own) to end our fetishization and to represent us in and out of sexual contexts with accuracy, respect, and care. Because they wouldn’t care what sex acts were performed and what smut beats were hit, they’d just want to see someone with a body like their ideal being loved, being sexual, connecting, being authentic, etc. Which very much is not the case in the overwhelming majority of g!p fics. That's what we want, and it's not what g!p writers want, it's nothing they give a shit about.

Like, a ways back I started doing random pulls of g!p fics from various fandoms and assessing them for certain elements to provide some quantitative clarity. I started on The 100 here, and did OuaT here. Never finished the 100 one since the results leveled out and stayed pretty consistent as the sample size grew, so I didn't really see the point in continuing any further after about 140 fics when the data wasn't really changing much at all.

Lastly, media influences people. I've read countless posts and comments from people who use fanfiction as a sex ed guide, in essence. Which is ridiculous, but I also know sex ed curricula often isn't very accurate or extensive in a lot of areas, so people take what they can get. Representation in media can be powerful, and when it overwhelmingly misrepresents people, that's also powerful. Just because fandom is a bit smaller than televised media, it doesn't make that impact any lesser, certainly not for those whose primary media intake is within fandom.

Virtually all trans representation in f/f fanfiction is misrepresentative of us. That has a cost in how people understand us, how people react to us, and how people treat us. Not just online, but in physical spaces, and in intimate settings.

I invite you to read that post you referenced again, or perhaps this longer one which is a response to a trans guy who seemed to feel something similar to you with this trope.

All I can do is lay it out there and try to explain this. It's up to you how you handle this. All I know is whenever there's a big surge in g!p in a fandom, trans women generally leave it en masse, because it's a very clear and consistent message that we're not valued, respected, and that people value getting off on us over finding community with us.

#g!p #creative responsibility #trans fetishization #trans representation #intersex fetishization #intersex representation #genitals tw #genital mention tw #intersexism #transmisogyny #fandom meta #long post #cissexism #t slur tw #media representation #media literacy

[reflections-in-a-critical-eye]

Hi. You mentioned in your introduction that, out of BTS, you have a special interest in Jimin and Jungkook as artists and content creators. I don't know if you intend to critique their work through analysis of sign systems but that seems like a cool idea.

Roland Barthes himself never made any explicit statement about his own homosexuality in his work. In 'Incidents' he alludes to participating in gay erotic activity in Morocco. The obvious conclusions have been drawn by readers and scholars from this as well as biographical accounts. His work has at times been analyzed through lenses of textual suppression and the gay erotic. His own sexuality has been brought out when looking closer at the textuality of his writings.

Jimin and Jungkook have likewise never explicitly stated that they are partners or queer. A lot of people accept some of their art as showing familiar canonical codes and signs of gayness. This also extends to some of their actions and presentation. Where do you stand in regards to talking about that? Most of the discourse about this on tumblr is from bi, lesbian and straight cis women. There are instances of fetishization, exoticization and gatekeeping. It can be frustrating watching from the sidelines sometimes (I am a lurker who never commented despite reading Jikook blogs for years. Yup that's my life).

You have been reading Jikook blogs for a while, I assume. I am still not sure if discourse about undisclosed queer identities on the basis of spectator's feelings is ethical but I am not against it at all. What are your thoughts? Do you have a background in queer theory? If you isolate Jimin and Jungkook from the rest of BTS that becomes a queer reading of text, doesn't it?

Hello there! I assume you sent me 3 more anon asks, right? I tried to give an answer here that can maybe answer all your questions. If you also were the one who asked if I could have some cinema blog that you know of, the answer is no, I do not have one. Now, let's get to the main topic.

I have seen the discourse on Jikook blogs, I am fully aware of what is being written. Not only on tumblr, but on other platforms as well. Most of them are focusing on their relationship and the speculation surrounding it and few have written from an entertainment and media perspective without making definite assumptions about the nature of that relationship. Shippers, supporters or anything else for that matter, they have a place in the fandom discourse.

As to my own perspective, I do not talk about individuals and their personal lives, but I write about official content (that can be a vlive, the way they present themselves online, other media content such as GCF) and most importantly performances. Analyzing art is not speculating or definitely talking about the artist's identity. Since BTS in general, and Jungkook and Jimin in particular don't usually talk in depth about their concepts, the reasons behind it – we still don't know much about MMA Black Swan for that matter (all the background information that we would usually find if it were a film, theater play, performance of any kind), all I can possibly do is look at the performance and try to make sense of it. Sometimes the artist's identity is tied completely to the performance and sometimes it's not. In this case, there hasn't been anything explicitly said about it, so there's only one option left: audience reception through interpretation, which happens regardless if the artist offers his own key of interpretation.

You mentioned the ethical aspect, so in response to that all I can say is that a lot of discourse surrounding Jimin and Jungkook or them as a pair/unit (especially when it comes to art and media) is based on publicly released content which means their company and they themselves are ok with it.

Using queer theory to talk about K-Pop is not something unique and there are plenty of performances out there (not just what we see in regards to Jimin, Jungkook or BTS in general) that have been analyzed and talked about through that lens.

I recommend this article by Chuyun Oh and David C. Oh, Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing and I will add two quotes that perfectly explain how/why queer theory is used and how it is a legitimate perspective that can be applied to certain K-Pop acts:

''Historically, performance has been a site for liminal actions that transgress pre-existing boundaries and social norms (Turner and Schechner). Performance can present queerness in between homosexuality and heterosexuality without specifically being marked as queer or homosexual. Focusing on liminal features of queerness decolonizes Asian queer aesthetics by unmasking Western-centered gay subjects. Queer is often understood as a Eurocentric concept with the implication that the non-West queer subject should follow Western models.''

''K-pop becomes a source of Asian queer aesthetics. SY and SJ’s ambivalent construction of homoerotic role-play signals that anyone can act like, feel, and be queer without the danger of directly being marked as “gay” or “homosexual.” Such ambiguity has potential to liberate individuals and to allow alternative sexual identities, moving away from stereotypes of homosexuality embedded in Western culture. A certain body that does not belong to existing categories produces “anxiety and fascination,” and challenges the homogenized classification of gender roles in society (Albrecht 706).''

There are many other articles on similar subjects, not just focused on art, but on queer Asian identities. People are researching these various topics and it's all out there for anyone who wants to read about it. All I can say is that it's important to inform ourselves of cultural context on all matters and leave the BTS bubble (not talking about you anon, since I don't know the extent of your knowledge) and see that Korean queer art/artists exist publicly and online and people are talking about it, including on tumblr. It just depends on where you're looking at.

#asks #jimin #jungkook #jikook #queer theory in kpop #bts

[gianarosegoestothemovies]

New Queer Cinema

Starting from the late 1980s through early 1990s, a “new wave” of queer films became critically acclaimed in the film industry, allowing the freedom of sexuality to be featured in films without the burden of approval from the audience. This raw and honest film genre displays the truth, secrets, and vulnerability of the LGBTQ+ community and the representation that is deserved. The New Queer Cinema movement was started by scholar Ruby Rich who wrote “This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists.” (Rich) This movement started from Rich’s writing piece, not the filmmakers themselves. An article by Sam Moore discusses Rich’s start of the movement. He states, “Rich acknowledges that the films and filmmakers she considers under the umbrella of New Queer Cinema (including Todd Haynes, Cheryl Dunye, Isaac Julien, Gus Van Sant and Gregg Araki), don’t share a single aesthetic vocabulary or strategy or concern.” Instead, they’re unified by the ways that they queer existing narratives, subvert expectations and foreground queerness in material where it had been only implicit” (Moore). The journey through the New Queer Movement started with Ruby Rich defining the movement through her writing and inspiring filmmakers to continue producing movies with the correct representation.

           Actress from Gone with the Wind Susan Hayward claimed that Queer cinema existed “decades” before an official title was given to the genre. French filmmaker Jean Cocteau created Le sang d'un poète in 1934 which is documented as one of the earliest Queer films. This avant-garde style of film is associated with Queer cinema filmmakers such as and is displayed in many upcoming films such as Ulrike Ottinger, Chantal Akerman and Pratibha Parmar. The influence of Queer theory that emerged from the late 1980s helped guide the movement with the creators. The theory states "Challenge and push further debates on gender and sexuality.” Another closely related statement by feminist theory states,"Confuse binary essentialisms around gender and sexual identity, expose their limitations.” Queer cinema filmmakers were sometimes known to depict their films in a “mainstream” way that is agreeable to the audience. There was no exposure to the truths and horrors that the LGBTQ+ community experience and had a lack of representation of historical elements or themes. The concept of “straightwashing” was described to filmmaker Derek Jarman’s 1991 historical film Edward II. This film received backlash from the LGBTQ+ community due to the film’s queer representation catering to heterosexuality and heteronormativity.  

           The truth of the movement was for Queer films to stop romanticizing or bringing positive images of gay men and lesbian woman. The push for authenticity and liberation for the community needed to be represented in films. New Queer films were more radical and sought to challenge social norms of “identity, gender, class, family and society.” (Wikiwand.com).

           To quote the amazing drag queen of all time RuPaul “Everyone is born naked, and the rest is drag” the idea of gender identity and representation in the community is unlimited, why do you need to follow the norms of society when anything is possible? The late 90s documentary Paris is Burning introduced the audience to drag culture in New York City and the people of color who were involved in the community. The term “aesthetic” was repetitive in the research of New Queer Cinema which suggests the significance involved with the style of the films. The documentary includes the aesthetic of the drag world involving the makeup, fashion, and politics. AIDS activism was involved heavily in New Queer films and ridiculed the failure of Ronald Reagans acknowledgment of epidemic and the social stigma experienced by the gay community. Conservative politics occurred during this movement resulting in lack of media coverage and government assistance for the LGTBQ+ community. This political struggle did not discourage the community and the fight is still continuing today.

           Beginning in the 2010s LGBT filmmakers Rose Troche and Travis Mathews created a “newer trend” in queer filmmaking that evolved toward more universal audience appeal. In an article from Wikiwand.com states,

           “Rich, the originator of the phrase New Queer Cinema, has identified the emergence in the late 2000s of LGBT-themed mainstream films such as Brokeback Mountain, Milk, and The Kids Are All Right as a key moment in the evolution of the genre.[20] Both Troche and Mathews singled out Stacie Passon’s 2013 Concussion, a film about marital infidelity in which the central characters' lesbianism is a relatively minor aspect of a story and the primary theme is how a long-term relationship can become troubled and unfulfilling regardless of its gender configuration, as a prominent example of the trend” (Wikiwand).

           The film Watermelon Woman was one of the first queer films I watched for a film class, and this film allowed me to dive deeper into the subject I care a lot about which is the representation of queer narratives about woman of color. Queer woman and men deal with the most discrimination. It is unfair and cruel to see the difference of racial treatment in the LGBTQ+ community because the backbone motto is full exclusion and equal rights. The film Watermelon Woman shined light on LGBTQ+ black woman and interrogated the “Mammy” stereotype that most films depict about black actresses. Minority narratives were pushed into the circuit of the movement with developed into the later academy-award winning film Moonlight that displays those representations makes film history!

           Films to recognize in the height of the New Queer film movement are

Mala Noche (1986), Gus Van Sant, was an exploration of desire through the eyes of a young white store clerk named Walt and his obsession with a young undocumented immigrant named Johnny. The film is shot in black and white on 16mm film, contains many of the early Van Sant fixations that viewers would later see get refined in My Own Private Idaho, including male hustlers, illegality, and class.

Chinese Characters (1986), Richard Fung, this early film asks still-pressing questions about the nature of gay desire when it’s mediated via pornographic images of white men. The video defies genre, mixing documentary with performance art and archival footage to explore the tensions of being a gay Asian man looking at porn.

Looking for Langston (1989), Isaac Julien, this short film, a tribute to the life and work of Langston Hughes, is a beautiful and vibrant elegy. Julien creates a lineage of queer black ancestors for himself. The film moves like the poetry it recites, playing with the gaze and how various eyes look upon the black male body.

Tongues Untied (1989), Marlon Riggs, guided by the writer Joseph Beam’s statement, “Black men loving black men is the revolutionary act,” Riggs goes through his own complicated journey of homophobia from other black people, and then racism in the gay community, to find a community of queer black people.

Poison (1991), Todd Haynes, the three parts of the film tell a story about ostracism, violence, and marginality: the bullied child who allegedly flies away after shooting his father in order to save his mother (“Hero”), a brilliant scientist who accidentally ingests his own serum to become the “leper sex killer” (“Horror”), and a sexual relationship between two men in a prison (“Homo”). Exploits radical work that Haynes later uses in his other films.

The Living End (1992), Gregg Araki, the film follows Luke, a sexy homicidal drifter who has a distaste for T-shirts, and Jon, an uptight film critic in Los Angeles. Both are HIV-positive, and as their relationship unfolds, they fight about being respectful or lustrous.  

Swoon (1992), Tom Kalin, a black and white film that romanticizes wealthy Chicago lovers kill a 14-year-old boy named Bobby Franks because they want to see if they are smart enough to do it. The murder is more a play of power between them, with Loeb weaponizing sex as a way to control Leopold.

Rock Hudson’s Home Movies (1992), Mark Rappaport, Rock Hudson’s Home Movies is a documentary made up of glances and innuendos from Rock Hudson’s persona, displaying how this dashing, leading man of the Hollywood Golden Age was a closeted gay man.

MURDER and Murder (1996), Yvonne Rainer, is known for her experimental filmmaking and choreography, this film represents a late-in-life lesbian named Doris who suffers from neuroses and breast cancer. Her partner, Mildred, a queer academic, tells the story of their romance as older women. Rainer also makes appearances throughout the film in a tux, going on rants about smug homophobic parents while showing her bare chest with a mastectomy scar.

           1992 was the year of the highest amount of New Queer films being produced and exceeding box office expectations. Upcoming 2000s films such as “Booksmart”, “Call me by your Name”, “The Prom”, and “Rocketman” all represent the truths and authenticity of the LGBTQ+ community and creates pathways for more films to include these cinematic themes. The movement continues to grow and succeed in the film industry with new creators and actors being more honest about the LGBTQ+ community.

[time-to-write-and-suffer]

I wouldn't mind that post on VNs!

So I was gonna write three different lists, but then after writing the first part I realized this is very long and takes a while to write and nobody cares anyway so I’ll just post my recommended list only. Well, I mean, you asked, but I doubt you wanted all this lol. Thank you for giving me an excuse to talk about this stuff, though. Hope you enjoy my ramblings!

An explanation for what this list is: Sometimes I know a game isn't perfect in many aspects but I still had a genuinely good time playing it, hence why I'm recommending it. Also I should mention that I could talk for hours about some of these games so if anyone’s curious about more of my thoughts, let me know.

Alright, now that that's out of the way ...

How to Take Off Your Mask / How to Fool a Liar King / How to Sing to Open Your Heart (f/m): This is a trilogy of smaller, single-RO games where you can take one of two routes depending on how you act, and they’re all interconnected where you get to meet and interact with the previous games’ characters in the sequel games. I went into this expecting very little but what I got blew me away with how funny, charming and cute the games were. They don’t take themselves too seriously, at one point an angsty male character monologues deeply about some shit, and another one just slides into frame and starts mocking him. It was so fucking funny, holy shit. Also, a central theme is literally racism against catgirls? Which is monumentally stupid, and probably the games’ main flaw, especially in the final game where it pairs up a catgirl with a catgirl racist, but that one still ends with a literal bisexual queen literally making a man her malewife because she fell in love with his cooking, so like ... It speaks for itself. My favorite game of the three is the second one, where you get to play a punchy fake catgirl and romance a pink-haired prince. And honestly, all the female protags in these games are lovely and a breath of fresh air, and the male characters are fun and not abusive assholes either. There’s full Japanese voice acting, and two out of three female protags are literal catgirls who pepper in “nya” and “mya” into their dialogue, and it’s just treated as a quirk of their catgirl race. I AM NOT KIDDING. Yet somehow it never comes off as cringe, because it doesn’t take it self too seriously. These games are just cozy. That’s the only way I can describe them. Cozy and hilarious. Play them yesterday. Dream Daddy (m/m): Man tumblr did this game dirty. This is just a cute, wholesome daddy dating simulator with gorgeous art. Coming out on Top (m/m): So you know Dream Daddy? What if it was EXTREMELY, MAJORLY NSFW? Though I realize how bad the comparison really is, the only thing these games have in common is that they’re gay dating sims and don’t have an anime art style and oh, yeah, they’re both really well-written. Or at least, extremely funny. COOT (heh) is DDADDS’ horny older cousin, and I first encountered the game on a lesbian letsplayer’s YouTube channel. Yes I watched a lesbian play a gay porn game and it was GOOD. I was there for the cringe and fun and got surprised by how genuinely funny and sometimes actually touching the game was. I can’t give it my universal endorsement because it’s not a game for everyone, as I said, it’s extremely NSFW and the menu theme literally includes the singers screaming “SEX SEX” at the top of their lungs. There’s more to this game than the porn, but there’s just so much porn. It can be censored in the settings but it’s unavoidable. However, I still think it’s worth a look just because of how funny it is and how charming the characters are. If you don’t want to play it yourself, at least watch Anima’s playthrough of it. It hasn’t aged super well in some spots but I still go back to it every now and then. Akash: Path of the Five (f/m): This game markets itself as a more “professionally produced” western dating sim, and that’s accurate in some superficial aspects. The game is pretty poorly written, but it’s absolutely gorgeous and has really good English voice acting by actual professional voice actors. The premise is quite self-indulgent, but I genuinely respect that about it. You play as the only female elemental in a village with only men, and all five of your classmates want a piece of you. It’s clear the writers have put some thought into the lore and worldbuilding of this world, but barely any of it comes through in the actual writing and plot, which is basically just a vehicle for you to get together with your boy of choice. The ROs aren’t very well-developed either, and the plot is the same in every route with only minor variations depending on which guy you pick, up to the point where the protag has the same voice lines in some parts regardless of which guy she’s talking about. It also has one extra half-route that’s so bad and pointless I genuinely wonder why they wasted resources on making it instead of spending a bit more on the writing/adding some variations to the main plot. So why am I recommending this game? Well, it’s pretty, and it sounds nice. This game is a himbo, gorgeous but dumb as rocks. Enjoy it for what it is. I know I did. Get it when it’s on sale, I think if I hadn’t gotten it at half-price I would’ve felt a bit more cranky about it. Also Rocco is bae. Mystic Destinies: Serendipity of Aeons (f/m): Yes that’s the full title, no I don’t know what it means either. You may have noticed how most of the games so far I’ve enjoyed because they don’t take themselves too seriously? Well, this one does. It takes itself SO FUCKING SERIOUSLY. Like, way too seriously. It’s a little embarrassing at points because baby, you’re an urban fantasy dating sim. Calm down. But the game has gorgeous art and 3 out of 5 routes are very good. The last route, the one with your teacher, is both the most problematic yet somehow the one that breaks down the very concept of a dating sim within its own narrative (yes, this shit gets fucking META) and it got so wild at the end that 1) I still listen to the soundtrack for that route and 2) I still remember it to this day despite finishing it ages ago. My favorite route is Shou, he’s a sweetheart, but the mindfuck route is so buckwild that I think the game is worth playing just for that. There’s also a route that’s like a neo-noir mystery? I Do Not Know. This game is many, many things and it does them so sincerely and tries so hard, you can’t help but respect it. It doesn’t always stick the landing but man, just let this thing take your hand and wax poetic at you for a bit. Also get this one at a sale because it’s very expensive to get the full version. I got it for 9 bucks on itch.io and I felt that was a fair enough price, I’d say I wouldn’t have minded paying more for it because there’s a lot of content to enjoy and/or be baffled by. Arcade Spirits: This one’s a bit more weird from what I recall, and I honestly couldn’t tell you much about it, but I remember having a very good time with it and recommending it to a friend when she was going through some tough times and she said it made her feel better. I remember it making me feel better, as well. This is a VN about an arcade and the ROs are wonderfully diverse, with very real human conflicts that get explored in each of their routes. It can get quite existential and heavy at times, but in the end it’s a kindhearted game that I think everyone can enjoy. The main character was also, how you say, mood. It’s a game about getting possessed by a video game and then learning self-love. Ebon Light (f/m): This one’s free/name your own price on itch.io so go play it. It’s a weird plot where you play as a girl who ate an elven relic? And then the elves kidnap you because you’re the relic now. All the ROs are extremely pasty (like, literally white, as in literally the color white) dark-haired elves, except for one, who’s an extremely pasty blond elf, so ... diversity? I honestly don’t know what this game is aside from unique. I used to be a bit put off by the art style but now I think it contributes to the general atmosphere. It’s a weird game that technically doesn’t do anything groundbreaking but still left an impression of “huh. weird” in my mind and I think more people should play it. The ROs are all pretty generic dating sim archetypes but done well, with bonus points to Duliae who’s just a massive creep and I love him, and also Vadeyn who’s the only bitch in this house I respect. The worldbuilding is honestly a bit buckwild and I can’t give enough credit for how unique the elves’ culture is in this game. Definitely give it a go. Hakuoki: Kyoto Winds / Hakuoki: Edo Blossoms (f/m): These two are newer releases of an older Japanese visual novel. I wouldn’t call it a dating sim, it’s ... it’s more of a super depressing historical fantasy epic with some minor romance aspects awkwardly wedged in. It’s seriously some of the heaviest and most grimdark shit I’ve ever played in a VN/otome. I don’t understand why it’s a dating sim, it doesn’t read like one, it’s just historical fantasy based on real world events with characters based on real people, and they kill and they die and they grieve and they suffer. The games are literally about the downfall of the Shinsengumi, there’s no way of avoiding everything going to shit and you get to watch and be in the middle of it all as they struggle to stay alive and relevant in a world that doesn’t need them anymore. And there’s the protag in the middle of it all, being useless and submissive and bland just the way the usual otome protag is. I don’t think these games are necessarily fun, and the romance is certainly a lot more downplayed and deeply problematic just based on the age differences alone with some of the men, but the sheer amount of horror and sadness in these games make them stand out above its peers. It’s like watching a war movie. Since most of the characters are based on real people, they feel like real people instead of the usual otome archetypes, and they are so, SO flawed, it’s interesting to just watch them deal with the shit the world throws at them. It’s an Experience, and if you’re up for it, I think it’s worth the time. Cinderella Phenomenon (f/m): This game is free on Steam so go get it. You play as a really, genuinely shitty princess who gets cursed to be poor and forgotten and she has to help one of the ROs break his fairy tale curse so that she can learn about being a good person herself and return to her normal life. This game doesn’t look like much, but it has a genuinely well-written main character who’s actually at the center of each of the stories and in the overarching plot instead of just being around to make eyes at the real protagonists, aka the love interests. Aside from the main character, my favorite part of this game’s writing is how each route slowly but very smoothly expands upon the overarching intrigue. If you play them in a certain order, you get more and more info revealed to you that you didn’t see in other routes, gaps are filled in as you find out more about what actually happened and why, but every route also stands on its own as a full experience and none is more canon than the rest. There’s also some really heavy emotional parental abuse explored, which I found quite potent at times. The romances themselves were alright, I think Karma and Waltz were my faves.

#eff plays

[akajustmerry]

do you have any favorite WANA female characters? from both films and tv-shows?

oh, i've been waitin’ for this one!!!!!

dory seif (search party) - aside from just the joy of seeing alia shawkat not be whitewashed in a role, i love dory just as a character in the first place because of how honest, uncertain and flawed she is. she’s an iraqi-american millennial icon. 

naomi (i hate suzie) - naomi is a BICON.  naomi is british-iranian and bisexual. she has all the best lines in the series hands down. she’s so hilarious and even though she is playing ‘best friend to the white main’ type of role, she still has an incredible arc about being bi and single-ish and wanting a family that’s so well-written and performed. 

lexi vaziri (blood and treasure) - lexi is about the only good WANA rep on blood and treasure, unfortunately, but she is MINDBLOWINGLY COOL. she’s an egyptian master-thief and treasure hunter helping her ex find the tombs of Antony and Cleopatra. the series gets deeply chaotically rediculous and orientalist at multiple points, but lexi remains the coolest woman to ever live through all of it. 

ANY character played by desiree akhavan - just watch appropriate behaviour (2014) and/or The Bisexual (2019). every character desiree plays is a bisexual Iranian disaster and i love her for it. 

diane (ali’s wedding) - this movie is such a nice Arab-Australian rom-com to watch regardless. diane is the Lebanese Australian lead/love interest with an annoying and judgemental brown dad. i relate to almost every aspect of her life. 

nabila, tara, and magna (the walking dead) - walking dead, despite its many faults, has a lot of great casual rep for POC and while the show rarely (basically never) deals with race/ethnicity directly i’ve always just loved watching a show about the apocalypse where i can see lots of different people. nabila, tara, and magna are there being WANA and killing zombs - it’s cool. 

princess Isabella (still star-crossed) - princess Isabella is the kind of colour-blind regal character Bridgerton THINKS they’ve written. played by iranian-american actress medalion rahimi, Isabella is the lesbian princess of Verona in still star-crossed and she is IMMACULATE. 

also, he’s a man but shoutout to every character rami malek has ever played for being great rep. dude did the hard walking of being careful to be in great complex WANA roles so Ramy Youssef could shit on brown women and get emmys for it

#lexi vaziri #desiree akhavan #alia shawkat #i hate suzie #anon #/

[yurimother]

Top Yuri Anime Poll Results

Whether it is subtext or explicit, cute or sexy, school love or gay action thrillers I love yuri anime. These series either focus on or contain elements of female same-sex relationships. Pride month is the perfect time to look back and reflect on the best of this genre. I teamed up with OG Man of The Yuri Nation (yurination[dot] wordpress[dot] com/) and together we put out a poll asking what you thought the top yuri anime series were and over 1000 of you responded submitting almost 5000 different entries. We spent hours combing through the data, analyzing and commenting on the results and we would like to share our thoughts with all of you. Enjoy the reflections of me the yuri critic and OG the dedicated yuri fan!

These are the Top 20 Yuri Anime as voted by you

1. Bloom Into You - 692 Votes

OG: Be it East or West the YagaKimi took the world by storm. Citrus and BiY once again taking the top two spots remains unsurprising.There is something undeniably fascinating about our leading ladies consisting of an asexual slowly coming to love her senpai back but restraining herself for various reasons. The biggest one being said senpai having a deep case of self-loathing and a fear of romantic reciprocation, also for various reasons. She is like “I love you but please do not love me back”. Then there is one of the most popular “cursed” lesbians of all time in Sayaka, the fantastic adult side-couple (The world needs an anime starring lesbian adults/mothers) and the various other characters who have their own interesting tales to tell. The series absolutely deserves a spot in the Top 10 though it would not be in my personal Top 3. Oh and as Yurimother said the presentation was fantastic.Visually stunning from start to finish in my opinion. Special mention goes to the criminally underused first-person “camera”. So cool.

YuriMother: I agree with this series deserving a spot in the top ten even if not the number one slot. For me, it was good but not great. Moments such as the aforementioned adult couple as well as stellar art and a phenomenal score made this series enjoyable but they were not enough to overshine the problems of the narrative. For the love of the Yuri Goddess, this series is crying out for asexual representation but insists on carrying on with its confused romance. Enough complaining though, many people love Bloom Into You despite its faults and I agree. The characters are interesting and lovable and it manages to tell a yuri story more real and complex than the typical fluffy girl meets girl narratives.

2. Citrus - 452 Votes

YuriMother: The presence of Citrus and Bloom Into You prove two things to me, the importance of recency, as both anime aired only last year, and the sheer popularity of these series. Both had established and extremely successful manga runs which were adapted into English by the publishing masters of yuri, Seven Seas. Citrus is a contentious series, to say the least, as it includes elements of (non-blood related) incest and non-consensual actions as part of Mei and Yuzu’s “relationship.” However, if you possess the magical power to turn off the part of your brain screaming at you that those aspects are deeply problematic or if you seek a different interpretation then Citrus can be downright WONDERFUL. I actually loved this anime series for its characters, amazing animation, and salaciousness. As OG said, it is an operatic concussion of emotion (seriously everyone in the series needs therapy) but my is it fun to watch. The Citrus anime also holds a special place in my heart, as the first serious piece I ever wrote was a review for it over on Okazu (nice plug)! Citrus is certainly not for everyone but those that stuck with it and overlooked some of the problems ended up loving it.

OG: Here we are again with Citrus at #2. My thoughts on the series remains the same as in the previous two lists I discussed (the Akiba Research and goo Ranking Japan lists), overrated. Good soap opera/telenovela-esque series but my feelings on the cast are mixed (which I imagine was the writer’s intent). My main issue has always been the obstacles repeatedly challenging Yuzu and Mei’s feelings for each other instead of it focusing on “Hey. We like each other but our parents got married. What do we do? Can we keep our desires for each other in check?”. Instead it is one newcomer after another who want to eat either Yuzu or Mei and Yuzu repeatedly asking herself if she really wants robo-stepsister patties? I will give the anime adaptation credit. The story was easier to enjoy animated than drawn. It also helped that I grew up in a telenovela loving family. The characters’ actions, reactions and emotions were depicted better in the anime. I still consider the show’s greatest accomplishment being the humanization of Mei-Tron. In the manga it took a post-epilogue continuation to show readers “Hey everyone. Mei-Tron was human all along.” whereas in the anime I sensed the small bit of humanity quicker than in the manga where I continued seeing her as a block of wood with a brain up to the point where I dropped it. Harumin though is the greatest regardless of anime or manga adaptation. Bless her. Regardless of how I feel about the series I get its massive popularity. After all, were the rest of the story to get an animated continuation I would gladly pick it up...Not the manga though.

3. Sakura Trick - 342 Votes

OG: There are fans who understandably would disagree with Sakura Trick’s praise but I will always defend it and the anime as one of the very best in the genre. First off it aired at a time where animated on-screen close up kisses (specifically consensual ones) between ladies were rare. Haruka X Yuu’s relationship was believable for the most part. Even their season finale resolution, them not getting what being “in love” meant at the time, made sense though I get why it left some scratching their heads. Probably not the best “manga lure/bait” end I suppose. On the bright side Kotone X Shizuku’s story definitely did not have the two doubting their true feelings for each other. I do hope Kaede X Yuzu eventually hooked up in the manga as they too had potential to be a lovely couple.

YuriMother: Sakura Trick has no real narrative, no great insight, and offers little intellectually. As a teacher, it makes me furious, as a fan of yuri, elated. The anime is beloved for its plentiful soft service, presenting a plethora of kisses, cuddles, and awkward thigh shots (ew). However, it was one of the first anime to include this much explicit yuri service without being pornographic. All the characters were cute and fun, even if there was little in the way of development or complexity, it worked for the series. If you want something to make you think or to learn about yuri, pass over this one. But, if you want a cute and meaningless anime definitely watch it.

4. Yuru Yuri - 337 Votes

YuriMother: OG may not be a fan of Yuru Yuri but I certainly am, which is fairly obvious to anyone who observes that a solid 20% of my communications occur in the form of gifs from this series. It is hilarious, cute, and playful. Just like Sakura Trick, this anime is an easy watch with ultimately little substance. However, the part of me that is not rolling of the floor laughing every time I watch Yuru Yuri lives in a state of pained existence with the knowledge that this work of all things ended up being so popular when people are telling interesting stories about queer women and people in actual relationship that manage to still be funny and adorable while having something to say.

OG: The undisputed most mainstream friendly yuri series there is. It is also one of the funniest. My one gripe is that excluding a select few the main draw of the show besides the comedy and yuri is the ship wars, meaning (almost any girl can be shipped with each other). Not a fan of that but hey, it brought Namori the big bucks so who am I to judge? In any case not much else to add. It deserves all the adulation it gets but the free for all shipping irks me. Reminds me of how they botched Chika X Riko in the Love Live! Sunshine!! Anime. If you were going down the Riko X Yohane route from the start then why give us Chika X Riko in the first half? Ship wars yo. Tch. Hopefully I properly explained myself..

5. Kase-san and Morning Glories (Asagao to Kase-san) - 289 Votes

OG: Still wish this got a 12-13 episode anime. The glorious movie showed how much it deserves one. Whether it will happen or not remains to be seen. In any case the beauty of Kase-san X Yamada is how simple their romance is. No strings attached whatsoever. It is as straightforward as a self-proclaimed “ordinary” cutie, Yamada, having a crush on the super cool school beauty Kase-san. Said beauty is revealed to be just as “adorkable” as Yamada. The other highlight is their story not ending once they officially started dating (as is the case with many romance stories) but that being only the beginning, like real life. From then on, side-stories aside, the two biggest challenges for the two is Yamada accepting that it is okay for someone as “ordinary” as her to be the “cool babe”s girlfriend and Kase-san finding different ways to express her love/hunger for the cutie. As for the OVA, cramming the second part of the first series in an hour definitely had the downside of excluding some important moments, yes, but it at least covered some of the best moments in the manga. The first half of the story was summarized in a five-minute music video. One last thing. The animation, though a bit too brought for some, was glorious. It also had some long pauses which were effective (The bus stop scene being the most infamous) but while I did not mind them at all even I will admit some pauses went a bit too long. A small nitpick all things considered. Fingers crossed one day we either get that 12-13 episode anime for the first series, the sequel or both. That is one of my dreams.

YuriMother: At last, an anime that I do not have to react cynically to! Kase-san is one of the single greatest works of yuri animation to ever to be created and its glory is rivaled only by the manga from which it originated. Despite being only a one hour long OVA this adaption told such an engaging and realistic (finally) story of romance and personal growth. We get to skip the meatless girl meets girls arcs and get into the depth and complexity as Yamada and Kase work to further their relationship. They struggle with the fact that they are two different people who want different things out of life and love and have to actually work on their partnership. Kase-san also includes signs of physical affection and love that are never lewd, immature, or gross, I do not even think I could refer to them as “service”. However, for me, Kase-san’s greatest victory (both the anime and manga) is in its escape from school romance, which in this genre is often a shelter from reality, allowing for women to be in relationships without actually being queer. Kase and Yamada instead make an effort to continue their romance and build a life that includes their relationship once they graduate in a triumphant final act. This anime is a slap in the face to the class S stories and sloppily sexualized works which proliferate the yuri genre. Asagao to Kase-san shines as a holy beacon for the greatness that this genre can achieve.

6. Puella Magi Madoka Magica - 286 Votes

YuriMother: Hurray!! For two entries in a row, I get to talk about series that I wholeheartedly adore without having to constantly attach caveats. Puella Magi Madoka Magica is not considered by all to be yuri, and that is certainly not what it is best known for. PMMM is however famous for twisting the tropes of the magical girl genre and creating one of the most cohesive and thoughtful narratives ever put to screen. This series summoned a new era for the magical girl genre (what OG humorously referred to as the “Moepocalypse”) but no other title managed to top Madoka Magica’s runaway success. Every aspect of this work is highly polished including character designs, a phenomenal soundtrack, and superb writing. This is not only the definitive work of its genre but of all postmodern anime. Whether or not one is a fan of yuri every anime fan should give Madoka Magica a watch.

OG: Meduka Meguca. Its impact in the “Moepocalypse” (Shows where cute and sexy girls consistently suffering physically and emotionally. These are usually dark magical girl shows.) genre and legacy are undeniable. It deserves all the praise it gets. It scarred many unfortunate souls, Homura is a legend in yuridom, Kyouko X Sayaka are glorious (Especially in Rebellion), Meduka’s Mom Junko is a Top Tier Sexy Mama, Charlotte the Witch is a very strange girlfriend and of course Hitomi is a walking anti-fun meme. The animation, especially the creepy doodle like monsters known as Witches are memorable. However, it is not my favorite Moepocalypse show. That honor goes to Yuki Yuna is a Hero.

7. Strawberry Panic - 224 Votes

OG: Like it or not Strawberry Panic is a yuri classic. I have a strong feeling that like many readers around my age (31 during this writing) this was their first 100% yuri anime. The cheese is real but it is the yummy kind of cheese and I loved almost every minute of it, except Amane X Hikari. That was the weakest of the love stories going on. Poor Yaya trying too hard (Not saying this in condescending way. She literally tried too hard). It is like a young adult lesbian novel but more fun. I mean Nagisa X Shizuma might as well be “Lesbian Twilight but not crappy”. Let us be honest, Shizuma is a vampire. Chikaru is an undisputed goddess and Kagome is the cutest.

Oh and I will repeat this statement till my last breath…

#TamaoWasRobbed.

YuriMother: I may be almost a decade younger than OG but even for me Strawberry Panic was my first yuri and it more than earns its nickname as the “gateway yuri,” although last year’s Citrus and Bloom Into You may be presenting serious contenders for this title. If for no other reason than nostalgia, Strawberry Panic remains my favorite yuri works but this ridiculous soap-opera of an anime does deserve a fair amount of recognition. I see Strawberry Panic as the culmination of the S subgenre revived by Maria Watches Over Us. However, this work succeeds at both parodying many of the tropes of S and yuri while breaking a few. However, its greatest accomplishment is introducing many of the young western fans of yuri to the genre. Strawberry Panic, you are an overly dramatic mess but thank you for all you have done.

8. Revolutionary Girl Utena - 176 Votes

YuriMother: Another gem of the yuri genre, actually scratch that, if works like Kase-san are gems then Utena is the minerals from which gems form. I think that is how it works, I am not a geologist. My poor analogies and subtle nods to Steven Universe aside, Revolutionary Girl Utena is one of the single most important works of yuri anime, possibly even more so than Sailor Moon. These two works were the dawn of the current age of yuri, an era spurn on by social progress and the internet into a place where more yuri works featuring honest depictions of homosexuality are flourishing. Utena laid the groundwork for queer representation in anime and for that I remain forever grateful to this masterpiece.

OG: I must confess. While I saw the movie long ago and thought it was cool I have yet to sit down and finish watching the main series. I cannot say much about this show other than it is another yuri classic. Possibly one of the biggest. I think I will leave this to Her Holiness because even if I had seen it I do not consider myself someone who possesses the sufficient intellect to properly explain why this is a legendary show.

9. Flip Flappers - 132 Votes

OG: I would need an essay to explain why this show is legendary. Let me see. It is a story of a girl who discovered her gayness thanks to her growing attraction to a lovable idiot/genki. There are references to Western media, dimension hopping (including Class S Hell), self-discovery, a sexual orientation journey, a tree, armored wedding gowns, crazy third wheels, Ku Klux Klan stand-ins…You know what? Just watch Flip Flappers. It is a hot mess of random, crazy, creative and thought provoking awesomeness with a wonderful dose of gayness. Glory be to PapiCoco. However, as Her Holiness mentioned this is essentially Ikuhara-san levels of weirdness (though not as complicated I feel) but as the plot thickens it all (sort of) starts making sense...eventually. That tree yo.

YuriMother: Flip Flappers was almost too strange and abstract even for me, and that is saying something. However, upon further examination, one of the most interesting works of yuri is revealed. This heavily stylized anime delves deep into the sexual maturation of its protagonist while examining the yuri genre and representation in media. Flip Flappers is the perfect marriage of heavy visual style and intellectual substance. Definitely give them one a.. err better make that three watches, as you will want to be sure to get everything out of this beautiful series as possible.

10. Miss Kobayashi’s Dragon Maid - 131 Votes

YuriMother: This series is the closest anime fans have to a lesbian couple having a family that we have, and that is a shame. I LOVE family narratives, outside of the yuri genre Usagi Drop is my favorite anime. To me, seeing women balance life, a relationship, and children is some of the best queer representation there is. However, for every point in Kobayashi’s favor, there is also a glaring fault. Kobayashi is a modern woman in the workforce providing for herself and her “family,” but is borderline abusive to Tohru. Kanna is an inquisitive child being raising by two women, but there are weirdly sexual scenes featuring her. As previously mentioned on this list, if one can silence the reasonable part of the brain this work becomes enjoyable, hilarious, and adorable. Unfortunately, its faults prevent it from being more than an amusement and I seriously doubt that they will fade in the second season. But hey, it sells a ton of figures so… YAY!

OG: This series is one of the closest yuri fans have to a series starring a lesbian couple with a daughter and it is wonderful. Is the tale of an eternally grateful dragon who wanted to repay the human who saved her life, albeit drunk, by becoming her live-in maid. Tohru being a dragon girl had incredible power and could easily crush everyone in sight but preferred to try and understand humanity so she could live in peace with the woman she loved. It of course was hard at times but thanks to Miss Kobayashi slowly growing to accept her back (romantically she had a ways to go) and the two raising the adorable bundle of mighty puff known as Kanna they became a happy family. How long this relationship will last and whether Miss Kobayashi would come to fully love Tohru back romantically remains to be seen. I have high hopes it can and will happen. Kanna X Riko is precious (Yes. Even that scene). We even have a potential BL couple, which is nice. Not a fan of Lucoa X Shouta the shota. Not because of the age gap but it not being my kind of romantic comedy. It is the same reason I have a hard time buying Tsubame X Misha from UzaMaid. Mya-Nee X Hana from Wataten...maybe. At least Mya-Nee showed she is patient. Back to Dragon Maid. Great series. Naughty of course but great.

11. Sweet Blue Flowers (Aoi Hana) - 119 Votes

OG: Megane girl falls for a cutie but has a hard time confessing to her to the point she gives a relationship with another girl a try. Said other girl has troubles of her own courtesy of her own views on what love. Do not get me started on the OTHER girl who likes megane’s girlfriend. I did not even mention megane girl’s first love interest who she herself eventually begins questioning her feelings for the glasses wearing maiden. While this is well known throughout the history of yuri anime Aoi Hana made it clearer than ever that Yuri + Classical Music go hand in hand. Plus the show is quite pretty. Ultimately enjoyment of this series depends heavily on viewers’ patience.

YuriMother: Aoi Hana was ahead of its time in many regards. Most yuri during the early twenty-first century was unrealistic and melodramatic, especially with the revival of S stories. Aoi Hana instead presents a calm and realistic story that we still rarely see in yuri anime today. Instead of relying on tricks like service or comedy Aoi Hana presents a serene and character-driven story which is matched by equally calming scenery. It is certainly not the most thrilling watch, but a slow and beautiful slice of real life that remains one of the all-time strongest yuri works.

12. Yurikuma Arashi - 99 Votes

YuriMother: Yurikuma Arashi is strange, to say the least, but this is not out of the ordinary for legendary director Ikuhara, who also directed Utena. Parallels are easily drawn between this work and Flip Flappers, as they are both complex and encoded with enough symbolism to drown a bear. Yurikuma is one of my favorite works in the yuri genre and I have had more than a few heated discussions about interpretations of the work, including one memorable occasion when I was visiting a college professor and we ended up in a shouting match in the middle of the hall. However, while Flip Flappers holds a high degree of polish the same can, unfortunately, not be said here. Yurikuma Arashi has more than a few scenes of fanservice many of which overly fetishize the characters and relationship and some of the symbols, particularly lily flowers and the word “yuri” are practically beaten to death with an object I refuse to come up with because I am starting to have my fill of symbolism. However, despite some of its sloppiness, Yurikuma is one of the single most interesting and well-formed anime out there and analyzing it is practically a right of passage for seasoned yuri fans.

OG: Yurikuma Arashi is my favorite of Ikuhara-san’s series. To me it was the least complicated of his works but even so I needed help to understand the show. Luckily I had plenty of assistance. The meat of the story is more complicated but put simply it is about a war between a group of bear girls (and some human girls) who want to freely express their love and/or desire/hunger for each other and another group that amounts to Right to Censor from WWF. Like I said it is far more complex than that but that is the gist. The anime is quite ecchi and it has good reason for it. Again the gay bears are the more liberated of the groups and them getting more sexy scenes is meant to showcase that. Our heroine has good reason to be grumpy and a divine entity was introduced alongside a certain someone from a certain dark anime we already discussed.

In the end it is a show starring lesbian bear girls. I love love stories between women and i love bears. It was obvious I would end up enjoying this one. Like other complex stories it is not for everyone. Shows like Flip Flappers, Utena and Yurikuma have something of a learning people will have to get accustomed to in order to enjoy them.

13. Whispered Words (Sasameki Koto) - 88 Votes

OG: To me Aoi Hana and Sasameki Koto were always connected despite the former being a drama and the latter a comedy. Both star a female protagonist struggling with how to best tell the girl she likes her true feelings whereas their love interest for one reason or another makes it all the more challenging to get their feelings across. Both shows aired during a time yuri was not as popular of a genre as it would become over time. Perhaps if they had come out a little later when yuri was becoming more popular in the mainstream they would have fared better…Then again they may have helped set the groundwork for future yuri shows so it’s just as well they came out when they did. In any case both good shows worthy of “best of yuri” lists. SK has the dynamic of the megane in love and her somewhat airheaded love interest who specifically likes “cute girls”. Poor megane has a hard time figuring out what the airhead defines as “cute”. The show also features an amusing side-couple of an ojou-sama and her tsundere girlfriend. Not to mention the somewhat controversial side-girl who plays a more prominent role in the 2nd half of the anime. Heck, even Mr Crossdresser himself is cool. Let us not forget Miss “Ha Ha Ha!” Another really good show that I would love to see the rest of the manga get animated someday but considering most anime are essentially manga commercials and the SK manga ended the odds of a 2nd season are close to 0.

YuriMother: 2009 was a great year for yuri anime, with both Sasameki Koto and Aoi Hana, among other works, airing. But while Aoi Hana sought to resist many of the common tropes of the genre and tell a simple grounded story Sasameki Koto appears to have looked a the list of every convention possible and say “yeah I can do that.” It has melodrama, comedy, one-sided love, friend love stories, I worship this genre but even I think there is a limit. However, Sasameki Koto is one of the most competent yuri anime works of the current era. While all the tropes are present most of the problematic aspects of the genre are not. The story is well written, characters enjoyable, and art that is really well done for the time. I enjoy every watch and if I ever want to quickly download the genre’s tropes into another person's head I need only duct tape them to a chair and throw on Sasameki Koto.

14. Riddle Story of Devil (Akuma no Riddle) - 77 Votes

YuriMother: Akuma no Riddle was highly anticipated back in 2014, sporting a premise of student assassins that, while certainly not unique, was outside the norms for the yuri genre. It promised a dark and thrilling take on the yuri genre that would not become popular until the yuri horror trend a few years later. At first, it looked like this would be successful with an excellent setup and some pretty compelling characters but ultimately Akuma no Riddle fell flat and became more derailed as it continued. The monster of the week style of episodes left little room for complex plots and plans or proper character development, which is a shame because of how engaging so many of the assassins were upon original presentation. However, this show still has some of the best action in the yuri genre, placing it alongside series like Cannan and Utena despite its flawed storytelling. If nothing else, the anime may compel one to read the manga, which expands the story and characters more than the show was given time to.

OG: Professional assassins secretly gathered at an academy in an attempt to take the life of a seemingly innocent cutie to win the ultimate prize, one of whom wishes to protect the adorable redhead. Yes the manga, which is pretty much a Director’s Cut, is better and the anime would have benefited from having 20+ episodes instead of 12 and a delightful beach OVA but the show did a good job of showing viewers what each assassin was like, their motivations (though many of their origin stories were summarized in written biographies during commercial breaks viewers needed to pause to read) were clear enough and the duels, as brief as some of them were, had enough spicy goodness in them to be memorable, especially the ones in the latter half of the show. Oh, and although the manga wrapped up after the anime it had a very similar ending.

15. Revue Starlight - 72 Votes

OG: Gay theater girls who strive to become the top star, meaning the best actress or lead actor of the cast. How do they do it? By working hard and overcoming their personal hardships? Yes. That. What makes this show so wonderful despite being almost a year old as of this writing is not only do the ladies all have interesting stories to tell but so does the stage. Every song, prop, movement, dance, gesture etc. It is like the performers and performances are united. It is like in Spongebob where not only does the person in the boots tell a story but the boots as well.

Oh yes. I almost forgot to mention the mysterious underground theater and talking giraffe. Never forget the talking giraffe from Hell. #Wakarimasu.

Super cool and super gay.

YuriMother: Bushiroad continuously gets better at what they do, creating media franchises of cute girls filled with music and making mountains of cash from smartphone games. Inspired by the likes of Love Live, they created BanG Dream and last year Revue Starlight. However, where these franchises fell short Revue Starlight success. It never twists its characters to tell a story but rather creates compelling arcs around them. I thoroughly enjoyed and agree with its place on this list.

16. Konohana Kitan - 68 Votes

YuriMother: I know of Konohana Kitan for its constant presence at yuri events more so than the anime or even the manga. It is adorable, relaxing, simple, and fun. While it does not add anything super substantial to the genre it does not take anything either or present any objectionable material. The “plot” is nonexistent but that does not matter, as it is not trying to tell a story or make commentary, just be fluffy and simple.

OG: Konohana Kitan to me is a Girls Club (Cute girls doing cute things) and iyashikei hybrid anime. It is visually stunning as it is relaxing with Yuzu pretty much one of the cutest demigoddesses in existence. She of course is a chick magnet but her heart will forever belong to Satsuki.

17. Destiny of the Shrine Maiden (Kannazuki no Miko) - 65 Votes

OG: The other stuff on the show is still not that great but ChiMeko will forever stand the test of time as far as I’m concerned. Top 10 for their love story alone. Yes. I know THAT ONE SCENE continues being controversial and talked about every time curious new yuri fans witness greatness…but I will forever defend Chikane because I get where she was coming from. Would I have done something different? Yes. The thing is you need to put yourself in her shoes and understand what she wanted to accomplish and how far she would go to get it done. Kotoha is best side-character and Souma Ogami is real man’s man who does not deserve the hate. He was an honorable warrior to the end. He fought well and accepted defeat like a man. Plus his yell is inspirational.

YuriMother: My feelings on Kannazuki no Miko are incredibly mixed. It has many of the worst facets of early current era yuri anime, tropes include S, rape and… am I reading this correctly, demon mechs? Worst of all it presents a cycle, a never-ending loop that haunts the characters in the overarching plot and it does not resolve it. If a work ever presents such an element, like Puella Magi did, it must be overcome or confronted at least. Its presence makes the already cringy story feels cheap and lazy. However, I love the two female leads and their difficult relationship. I love the music, especially the hauntingly beautiful ending theme, and the final moments of episode 11 are some of the greatest seconds I have ever seen in an anime. I cannot wrap my mind around my view of this series but at the end of the day, I understand it. I do not believe that work like it would ever be warmly accepted today but for its time it does stand as a breakout piece of yuri anime.

18. Princess Principal - 61 Votes

YuriMother: Princess Principal is one of the best anime of the past few years. It had everything, an interesting premise, great characters, an incredible soundtrack. Alongside all this is the sharp writing and thrilling story. Princess Principal did everything Akuma no Riddle wanted to with an intriguing and action-packed story featuring strong characters. On top of all this, the animation is top notch. A six-part movie sequel is planned which has me somewhat concerned, but I am glad to see that it is being continued as the ending to the series was one of its weakest aspects. Now if you will excuse me, I need to listen to some jazz.

OG: Cute and sexy gay spies in a dramatic British Steampunk setting. What more do readers need? Allow Her Holiness to elaborate a bit further. Currently waiting for the multi-part cinematic continuation.

19. Izetta: The Last Witch - 60 Votes

OG: I am known for loving shows people do not think as highly of. Izetta: The Last Witch is no different. I love this show so much. Besides how certain events transpired some complained about the depiction of WW2. Basically think about people ranting about storylines and content featured in certain Call of Duty and Battlefield games. Here however, it is clearly a fictional great war inspired by WW2. I was invested in the following:

-The cute and sexy ladies.

-Seeing two badass lesbians lead an army against an evil empire.

-FiZetta’s romance. This of course being the major highlight. I love FiZetta so much. My sexy lesbian babies and Anne X Grea’s mentors. They taught them everything they know after all.

It is similar to how I felt watching Kannazuki no Miko where my focus was primarily on the leading ladies’ developing romance. The difference is that unlike Kannazuki I was also somewhat entertained by our heroines’ enemies along with their allies. Basically viewers’ enjoyment of the show depends on how seriously they take their history and are willing to overlook the liberties this story takes with its depictions of the weapons, military and the familiar evil empire. FiZetta are one of my favorite lesbian couples of all time.

By the way, in that famous scene, yes they did. Viewers just have to squint their eyes to see “it”.

YuriMother: Another show that I consider to have squandered its potential. I know that lots of people enjoyed this one, including OG but I could not bring myself to finish this constantly mediocre series. Perhaps I am tired of alternative light-fantasy European-war inspired plots. Trying to stand out in this bloated genre is difficult and Izetta fails. Izetta started strong and hooked many viewers with its amazing visual and auditory polish but this was quickly lost in the plot which, while set up well, struggle to gain any ground of pay off what had been established. On the yuri side, it did not really do anything interesting or satisfying, with plenty of scenes feature the character’s standing next to each other looking cute and one or two moments of actual yuri. I am glad that some of you were able to enjoy this one more than me at least.

20. Maria Watches Over Us (Maria-sama ga Miteru) - 57 Votes

OG: Like Strawberry Panic this is a “Like it or not” classic. Despite being a Class S show it did its own thing and became a pioneer for . It’s also responsible for the many yuri jokes related to all-girl schools in anime.Shimako X Noriko best Grande and Petite Souer! Yumiko X Sachiko were great too as the two grew to better understand each other. Most memorable scene for me was the panda costume. Even Sei is a sleeper icon in all yuridom. Yoshino X Rei had a very interesting dynamic. I actually think they are the real pioneers of relationships between cousins. Thank you YoshiRei. HaruKana, Kaede X Sara and several others owe you two much appreciation.

YuriMother: Another great and significant series, Maria Watches Over Us, took the tropes of early yuri works, Catholic schools, a lack of men, piano scenes, and emotional relationship rather than physical ones and turned the dial up to 11. For better or worse, it single-handedly revived the Class S genre and was copied (and parodied) endlessly for over a decade. However much I complain about S I actually do not think that we would have the current age of yuri without its popularity and proliferation at the beginning of the century so I owe a big thank you to Maria Watches Over Us for that. Ignoring its historical importance and literary significance the anime still presents an engaging plot with wonderful characters and more butchered French than my last trip to Europe. It is certainly worth a watch and worthy of a place on this list.

What do you think should be on this list?:

YuriMother: As I previously said, this is a pretty perfect list. As far as missing titles I can think of the following.

Simoun - not the greatest in terms of plot or animation but it had cute service and a fun action-packed plot.

Kashimashi: Girl Meets Girl - This series may be strange and present the dreaded love triangle but it did its best to tell a transgender narrative in 2006, naturally this involved aliens, and I applaud it for its attempts.

Cannan - This series is light on the yuri but heavy on the suspense, action, and amazing character designs. The terrorist plot is exciting and the final train fight featured in the series is one of the greatest action spectacles in anime that somehow manages to remain grounded.

OG:

-Harukana Receive: Best all-female sports anime ever made. Plus the gayness is not subtle at all.

-Mikagura Gakuen Kumikyoku: Eruna Ichinomiya is an underrated yuri icon. While not the first of her kind (That honor, I think, goes to Galaxy Fraulein Yuna) she set the standard of cool and inspirational badass lesbian protagonists who are proud of who they are and...also happen to be super perverts. Eruna made it cool to be such a protagonist. It is nice seeing a lesbian lead who does not care what anyone else thinks. She is hungry for cute girl booties. While she often loses her control in the presence of pure beauty she, as an inspiration for others like her, has enough self-control to not go overboard (most of the time).

-Symphogear: Symphogear is love, Symphogear is life. Hopefully Season 5 will keep up the good work.

-Rinne no Lagrange: My favorite mecha anime and the reason I embrace OT3s when the signs are there. Not the greatest but man was it fun. Plus Madoka Kyouno is still sexy.

-Yuki Yuna wa Yuusha de Aru: My favorite Moepocalypse anime of all time. Yuna X Togo taught me to love and trust some people outside my closest family again.

-Mouretsu Pirates: If someone were to ask me “Hey OG. What to you is the perfect anime?”. I would tell them Mouretsu/Bodacious Space Pirates.

-Kashimashi: Girl Meets Girl. Thanks to the first fan commenting and reminding me of it. Definitely worthy of a spot. #HazumuWasAlwaysFemale

Final Thoughts:

OG: Pretty good list and close to what mine would look like were I to make one. Reason I have yet to do so is because I do not feel confident enough to pick a favorite yuri anime of all time. Favorite yuri manga and couples? That I can do, but anime always seems to give me a hard time choosing my absolute favorites. Like I said though, a potential yuri list of mine would look something like this. I also found it interesting how similar the Top 10 are among both our respective fanbases and visitors to the poll conducted by the Akiba Research Institute.

YuriMother: I may have done most the complaining and left the praise to OG but I actually and really happy with this list. I think that every title presented is a worthy addition and while I would certainly move some higher or lower than their current placing I do not believe that these are too far off from my own opinions, which is surprising for a popularity poll. More than anything I am thrilled to see that works I dislike that I thought to be popular did not make this list. Perhaps I should have more faith in people and their opinions. Everyone did such a wonderful job voting and I am so grateful!

Thank you so much everyone for reading and for voting in the top yuri anime poll. To see the full results of the poll and to support yuri news, reviews, and content, check out the YuriMother Patreon. Happy Pride Month

#yuri #lgbt #lgbtq #lgbtq+ #pride #pride month #queer #gay #anime #cartoon #tv #lesbian #lesbians #girls love #wlw #gl #poll #manga

[sapphos-darlings]

i really wanted ur opinion on the confusion i’m going through right now. i’m a girl in my early 20’s and i’m confused whether i’m bi or lesbian. as kid i used to have small crushes on men but as i grew up i started “admiring” women more. when i heard boys had crush on me i used to get disgusted by it i still don’t know if it was just the self hate(?) right now there is not going romantically and i’ve never been on relationship bcoz i too busy focusing on other things. i just recently acknowledged that i liked girls both romantic and sexually but i think i still need to improve my thinking about wlws loves and sex aspects. currently i’m having problem if i really like men at all i’m terrified of them and usually think they’re trash but bcoz we’re taught to be in a relationship with them i’ve still have hard time being in relationship with a women and liking fictional men isn’t it so yeah i don’t know if i’m bi leaning towards men or just lesbian in shadows. i’m planning to watch and read more about wlw to improve my thinking. any help would be great thank u ☺️

Hello, Anon!

My opinion on this is that you’re going through something very ordinary for all woman-loving women. Making these distinctions in our orientation and sorting out our feelings is difficult, and some people never find all the answers.

The question of “is this authentically me or is this social pressure or internalized sexism/homophobia” is especially difficult. On one hand, of course we are shaped by our environment and culture, there are profound parts of yourself that wouldn’t be like that if you haven’t been raised in your culture and current society, and that doesn’t make them any less you.

But on the other hand, there are also profound parts of you that the culture wants to frame a certain way or would prefer to erase all together. I think especially us women have a staggering amount of expectations and limits alike piled on us, and really inspecting yourself about why and what you actually value, enjoy and choose and what you’re only performing for approval or acceptance can feel like pulling your entire self apart.

For this, I absolutely recommend the company of other women, reading about other women and searching out all kinds of writings by other women. Try female critiques of just about anything, try feminism from all times and all over the world, try female teachers, politicians, academics, artists, talk to your mother and aunts and grandmother and actually listen. Other women have asked these questions and put words to many things you wouldn’t even think of.

But then again, don’t let anyone dictate a new world view or ideology for you just because you’re desperate for answers.

Also remember that you can’t study yourself an identity or an orientation. You are who you are, and in its core that is incredibly simple: You either are a homosexual, or you’re not. You already know you’re not straight, so hey, you’re already here and one of us, and to some people that’s enough.

Also please know that regardless of if you are lesbian or bi you don’t ever have to include or consider men. You might not be sure what your specific orientation is, but if you are scared of men then feel free to just dump them from your dating pool. No woman owes anything to men.

Good luck on our journey! Things will clear up in time.

- Lavender

#replies #c: Lavender

[handlewithkara]

@chassycat-original​ It’s not that it isn’t possible , but I do think that it is a slightly different situation here. I'm by no means an expert on Supernatural, I mostly know it through general slash fandom cultural osmosi, but my impression is: . 

As flimsy as compared to years and years of canon it might be, Destiel does have at least that one concrete scene where a third party character taunts Dean that Castiel is in love with him. So they have opened the door to there being a romantic element. Stories have started on lamer sparks (like parallel universe evil gay vampire Willow)

this supposedly is from the script: 

(I think the can’t reciprocate is the bit that sounds suggestive, if this was just a friend I Love You, why should it be a big deal to say it back?)

My personal, fairly uninformed guess on the situation is this: so they came up with the idea of Castiel. They had an idea for an arc for him and then he was supposed to leave. 

But he was popular, so they kept him around, but he was aimless for a long time (again, we are not talking a season or two, we are talking 10 seasons!). 

And they decided already a while ago that Dean was going to be the main character Cas is linked to and the reason why (in universe) Cas is staying around. 

And then for the end of the show they decided that Castiel's motivation is that he loves Dean (or that they are going to expand on the love that was already the motivatino).

Again, keep in mind that I haven't followed SPN like, ever, closely, and I haven't read a writer interview from them in my life, so I'm just going on stereotype of how such things usually go. I could pictuer that maybe if you pressed them they might say something like "Cas loves Dean and it's sort of romantic, but it's kind of angel romantic, which is about half human romantic" and "Dean cares a lot about Castiel, Castiel means a lot to Dean". (if I'm totally off base and there are writer interviews where they say something else and more concrete, please link me)

For what it is worth, I do think that this can be argued to be an instance of the infamous queerbaiting, regardless of how the relationship ends up being defined, regardless of whether Destiel end up romantically, ambiguously romantically, confirmed one sided romantic or just generally ambiguous (or even confirmed "no homo"). 

The base line is that they set up a heavily ambigous scene, right as the show is about to end. And all those youtube videos show it pretty clearly, it's many people saying "I haven't watched Supernatural in years, but I saw it was trending, so I checked out the episode and I now will watch those remaining episodes like a hawk to see whether they follow up on it or screw it up". 

So they are using the ambiguousness of the situation to drum up interest in their series finale. 

Okay, let's give them the benefit of the doubt and say they are not using it, they just wanted to tell the story that makes the most sense of the characters in the last few episodes. 

They are still really heavily benefitting from this. So the very least they could do would be do a press release where they were clearly state what their intentions are (would be even better is to announce it beforehand that it was coming). Because otherwise it will always come across like a stunt to get attention and ratings by keeping people guessing, rather than something genuine on their side. (yes, a press release or big tv magazine interview is always going to have a lot less reach than the episode itself, but if they did it like that, one could at least say they tried their best not to present it as a “gotcha!” moment)

Why does it smell bait-y to me (again: not an expert, based on what how I have read queerbaiting described)? If they had made it clearly platonic rather than ambiguous then people wouldn’t have this motivation that they need to keep watching to see if there is follow up. Similarly, if they had made it non ambigous, like if they had thrown a romantic kiss in there, then any people who do have a problem with it might have a reason to drop out and not watch the last few episodes because they dislike the direction of the show (even if one takes position that the I Love You is unambiguous, Castiel gets removed from the story instantly. if they had shared a kiss and then Cas disappears, Dean in this scenario would still be unambigously mlm and his story would continue). By keeping it ambiguous they are optimizing their hypothetical viewership for the last few episodes. And the critique of queerbaiting is that that is pretty immoral. Either you jerk people along when you have no intention of delivering or you keep a story restrained in order to maximize your viewership appeal with hypothetical homophobes. 

There’s also another aspect. Let's talk about this as a hypothetical best case scenario for Destiel. 

3 more episodes left. 

Episode 1: Castiel declares his love for Dean and gets disappeared into The Empty

Episode 2: A stunned Dean cries to Sam "OMG, Castiel told me he loves me, I'm heartbroken, I don't know what to do with myself, I should have said it back"

Episode 3: They fight the big bad, suddenly Castiel emerges from The Empty, they beat the bad guys together and Dean throws himself at Castiel and they share a hefty tongue kiss before riding off into the sunset together

Supernatural is a show that has had 15 seasons. FIFTEEN! And Castiel has been around since season 4! 

Look I would never begrudge the fans if they were happy over that hypothetical 3 episode best case scenario. I get it. But as an outsider, I can't help but think: really? You had so many seasons to give Castiel an actual mlm storyline and you didn't? Let's say you decided only recently you were going to do that recently. You could still have had this in the first episode of the last season rather than in the almost the last. 

For what it's worth, I have NEVER bought into the idea that the CW is just that homophobic that they forbid a storyline like that. We can all see that the CW is absolutely chill with wlw pairings left and right, including pairings for lead characters (Batwoman, Legends of Tomorrow). 

I agree that the case is slightly more sketchy for mlm pairings. Though I do think that it is worth noting that they apparently were okay for it for both Captain Cold and Constantine on Legends of Tomorrow). I get that maybe the situation is different for SPN, since SPN was one of their steadiest performers and anchor to their schedule for a long time while Legends is like this cooky little show with barely any ratings or attention. AND Legends is an ensemble piece where maybe it's easier to sell making one of their characters mlm. (for what it is worth, I have never read a single interview about Legends that suggested that it was any sort of big deal or fight to be allowed to make Leo and Constantine on screen gay). 

So yes, it is not completely impossible that the CW is homophobic in this really thin slice (mlm characters, but only on their main male dominated steady rating show), but I can’t help but being skeptical when this accusation has been thrown around so many times in situation when it clearly didn’t make any sense. (their long list of wlw characters proves they have no problem with adding wlw characters, Legends and Batwoman prove they have no problem supporting shows with wlw leads, The 100 and Sara Lance show they have no problem adding it retroactively to characters who were intially planned or perceived to be straight) 

Constantine they couldn’t or wouldn’t show as bisexual when he was still on NBC, he had to come to the CW for that. Alex Danvers couldn’t or wouldn’t be shown as a lesbian when the show was still on CBS, she had to come to the CW for that. I think CW has shown over and over and over again that it provides a home for gay characters, I think people don’t give them enough credit if they so easily act like it’s obvious they must be the badguy as not their writers or showrunners who maybe just have a different vision or were themselves the ones too afraid to ask the network or were themselves the ones who had those audience concerns without the network ever expressing any opinion on it. 

#destiel #the cw

[danwhobrowses]

Ghost of Tsushima: Thoughts, Ideas and Hopes for DLC and Sequels

So I recently Platinum’d Ghost of Tsushima, I finished the story last week after 30 entries of livestreams which saw a whopping viewership of at most 2 people including one asshole that decided to spoil the end of Act II before I got there because I was playing stealthy and the way I wanted to play. But then wrapped up the Achievements on my own time. After a bit of stewing I’m ready to talk gush about it, including what I liked, a small bit of stuff I disliked and stuff I would suggest for future DLC and Sequel(s)

Spoilers for the Game, unlike that Commenter on my Stream I will not Spoil you on this, it is truly something you should experience for yourself

Because Good Lord, What A Game. Easily my Game of the Year, which compared to all the big hitter titles released is amazing, I mean Crash Bandicoot could still blow me away and Cyberpunk, Watch Dogs, Godfall, AC Valhalla and Miles Morales in waiting but probably not in this way. It is a magnificent game, one made with fantastic care and beauty, but before I go all out, let’s get the negatives out of the way 出る杭は打たれる。: A Flawed Masterpiece Ghost of Tsushima is brilliant but not without its faults. Most of these faults are admittedly minuscule and fixable, but until they are fixed they remain flaws. The biggest disappointment for me with the game was the lack of Japanese lip syncing. I loved the Japanese track, it also highly appealed to me to hear One Piece’s Roronoa Zoro voice Jin, but you have to kinda avoid looking at the mouths because it doesn’t match up, the models still speak in English and it’s a heavy shame that can kill some immersion. I guess they didn’t have the finances for it, because they could’ve done the lip syncs at the same time as they did the English ones if they had the Japanese track too. Combat for the most part was great, aiming could be wonky at times and Jin’s attacks didn’t carry on to a 1 foot ledge, but my main gripe with combat was the Camera getting in the way. It was adjustable most times, but other times it was not. Doing standoffs in the tall grass was night impossible at the later stages without the knees giving us a tell, one standoff I had was completely obstructed by a tree - I’m not making it up, a tree was literally all I saw for the Standoff. You lose so much health for failing a standoff too, bit harmful in later levels. The remaining issues are probably more personal, I didn’t quite like some of the sword kit designs - the ones with fluffy sleeves and I didn’t really like the armor dye you get for 100%ing the achievements, some weapons seemed to lose their luster in later parts of the game (particularly the half bow and Explosive Arrow, the former was only good for killing the angry doggos and the latter only killed Mongols if near another explosive to stack), that one Masako quest mission where you have to follow and pick off Straw Hats one by one without being seen, but will fail if you pull a triple assassination before the outpost where Masako’s lesbian lover was leading them all to so there’s more Straw Hats to blow my cover! (it wasn’t difficult it just annoyed me that it failed me for killing them all early) and the completionist in me hates that there are empty slots in the arrow and blowgun sections, but they can be worked in what I’ll talk about a bit later down the line, alongside some minor loose threads. Also you killed my horse man!

Your horse will accompany you on your entire journey - Ghost of Tsushima UI Message

Don’t you dare lie to me like that again Sucker Punch! Just because you’re named that doesn’t mean you can live up to it, we already lost one horse at the beach! Had to spend the final act with Not-Sora and Kaze with a hole in my heart never to be filled. But with that dealt with, let’s talk about some things I loved about the game

花は桜木人は武士 :  Living into a Legend With these games it is very easy to fall into the Elder Scrolls prototype of an array fun side quests and exploration and a so-so main story. Ghost of Tsushima though decided to have both the array of side quests and exploration and a great, complex and partly tragic story. There were many times I wanted to get back to the main story but held off because I wanted to be prepared. Long distances didn’t feel too bad to travel when the roads were uncharted either thanks to radiant battles, new settlements, vanity gear and side missions to ease you on the way. Additionally, the characters are for the most part fantastic, I cared for the safety of most of my allies and Jin himself, I wanted the Khan dead in a cerebral villain (albeit one whose final battle fell into cowardice) and I was open to the complexities of Ishikawa and Tomoe. I did feel that Shimura was being a tad ungrateful but I think it was intended for us to be frustrated to the edicts of the Samurai code - my frustration led me so much to deep dive to prove myself justified since the code was subjective and many agreed to aspects of ‘win no matter what’ and ‘do what protects the people the most’. Along with the main quest was paired with the character journeys of our allies as well as the Mythic tales which granted some extra strength and challenges to overcome in order to expand Jin’s arsenal. I particularly liked the observation and killing of leaders to learn new stances, as well as the widely acclaimed Stand-Off and the duels. The Arkhamverse fan in me did appreciate the focused hearing for stealth and that assassination speed could be upgraded. The idea of collecting vanity gear, armour dyes and equipment that are remains of the conflict showed that SP had completely immersed their plot into the world of Tsushima, with a great amount of exploration and nuances nodding to Japanese folklore And Tsushima is certainly stunning, it’s amazing that the PS4 can hold this much when we know how the PS5 is meant to be with ray tracing. The landscapes are beauteous which makes exploration and travel much more fulfilling, as well as the photo mode and the scenic builds to some of the major battles. What’s also wonderful is the calligraphy cutscenes for Mythic Tales and the loading screens, some wonderful artistry. Artistry which is added to by the brilliant uses of Haiku spots, Bamboo Strikes, Lighthouses, Shrines, Altars which you bow to, Fox dens where you can pet the Foxxos and even the Hot Springs for some ‘Man-Butt Action’, each positions that fit to Japanese media in soaking in a moment without killing any pace, especially added to the fact that each one contributes to a purpose. I will admit, I chose wrong at the end, I was thinking more of Shimura (said ungrateful uncle)’s honour rather than what Jin would what, feeling that Shimura would’ve done it himself had Jin not. But seeing the spare ending made me wish I chose that one and it’s something I’ll touch on later. But both endings are fitting and tragic for Jin’s journey from Samurai to the Ghost, being inspired by his allies and his connection to Yuna, there has been conflict throughout regarding the line of protection, honour and vengeance explored through other people’s tales that blend together perfectly with the main plot.  It is pretty political as well with the argument presented by Jin and Shimura’s conflict. Samurai while still romanticised were still shown to be bound to the blind loyalty towards the Shogun and Jito, you did not defy because it inspired others to think freely. Jin became a champion of a people by defending the people rather than listening to the jito - represented by the shogunate - and their stringent ideas that the Samurai who failed on the beach would be able to out-muster the force and brutality of the Mongol invasion regardless of the collateral and yet still call that honour. In the current climate in 2020, that hits a chord a little closer than expected. And the main story certainly has their stellar moments, the ups and downs really hit you - like killing my freaking horse! I had to lose Yuriko, Taka and Sora in a single playthrough. Losing Taka was inevitable, but still heartbreaking because of how much we struggled to save him and how much we want to still be Yuna’s friend, but then the highs just blow you away from the opening act, Ghost Stance, raiding Castle Kaneda and Shimura and the final raid at Port Izumi. Also did I mention that you can pet the Foxxos? Because that’s very important, also NPCs walk at your pace most of the time, which is a fantastic addition. I could probably go deeper but there’s other stuff I want to cover, but understand that the world and the story is wonderful and if you’re a fan of Assassin’s Creed, Arkhamverse and just Japanese culture in general this should tick your boxes. And hopefully there’s more to come.

石の上にも三年 : Strait to DLC The sad thing that happens when a good game is over is the void. Even if its days, having nothing left of the game to play is still a shame, and I know that Legends DLC is announced, but multiplayer involving fighting Oni as mythic legends isn’t my pace, I’m still not done with Jin and I feel like there are things we could still do. There are still 3 conflicts Jin’s story never resolved that could still be resolved now, each as multi-layered quests. The first is this ‘Ghost Army’ mentioned by the wagon guy in Omi, we are not leading this so who is? We may not be able to stop them but we could reduce the amount of people thinking we’re leading them to fight. The second is Daizo, if you don’t know that name it’s because the guy is never seen in the game, you only read about him in the Records of ‘Conversations with the Khan’. This Japanese Monk clearly has a thing for the late Khotun and he feels that the Ghost is being a dishonorable monster, this Khan lover is still at large and a confidant of Khotun, we could link with Norio in a quest to ensure he doesn’t rally or try to spread his appreciation of the Khan to others to try and complete Khotun’s work. The final conflict is one that eats me up: How did the Mongols Know About the Poison? Yuriko died showing me how to make the poisons, made more potent from her own herbal poisons which were crushed down, if she didn’t tell and I didn’t tell, who told? Because the Mongols drank the evidence and we could make a story of an Omi village traitor or even someone from Shimura’s camp leaking the info to the Khan to try and preserve ‘honour’. On top of these loose ends I’d very much like to see our allies again, even if they’re just at their home doing their own thing, as well as some other minor side characters like the Tadayori descendant Kaede, Flame Swordsman Bettomaru (who would’ve both been mighty useful with this Mongol affair beyond their sole missions) and the Yarikawa Archer Daikoku, I also would like to see confirmation on Jin and Yuna - there is clearly something there but that could be just me. What is also just me would be the suggestion of a shrine that can let you redo the Shimura decision, it’s not a too ‘out-there’ thing to do either considering we fought a Tengu. The shrine could be for Omoikane, Kami of wisdom and intelligence or Ame-no-Koyane, the ‘First in Charge of Divine Affairs’ which’d subject the player to a gauntlet of bosses past; Ryuzo, Kotun and Shimura, if the player goes against their initial decision, they will trade their ghost armour dye for the other and get a Charm of Pondering, if they stick to their guns they get both ghost armour dyes and a Charm of Strengthened Stance. In similar vein we could have a master Mythic Tale that stacks the duels of those tales into one for another special attack, weapon or armour. It’s also possible that we could add more duels, some remnants trying to avenge Khotun or even some Samurai sent by the Shogun in promise of becoming Jito. Likewise we can use this to complete the weapons set; for the Half Bow, take the Mongols’ poison arrows (which can be a reward for finding who leaked the poison to them) which can just eat at lesser enemies’ health and take a chunk of stronger enemies’ health before resolving out of it, as well as a sticky arrow that could slow enemies or weaken their armour, or a perfume arrow that can mess with the falcons and angry doggo’s senses. For the Long Bow we could have...okay I’m drawing a blank here but I’m not meant to do all the work XD For the Blowgun at least you could have a Blinding Dart to aid in stealth and a Panic Dart to increase chances of Terrify. We could even have a few more upgrades to our ghost weapons and stance combats, even increase the amount of kills Ghost Stance can yield. In addition to more Fox Dens, Shrines, maybe new resources to bolster upgrades, Sword Kits, Haikus, Banners, Flute Songs, dyes and so on. But I know what you’re thinking, we can’t put that all in Tsushima? We’ve covered the entire island and it’s unlikely that SP would make a fictitious island. And to that I say, I have that covered. In the Tsushima Strait between the island and the mainland there is Iki Island, part of the same prefecture and equally ravaged by the Mongols during the invasion, it’s also the base of pirates which can offer a stop point for a Tomoe reunion or simply travel via Umugi Cove. A small bit of expansion wouldn’t hurt, as long as Iki isn’t planned for something else that is.

能ある鷹は爪を隠す : Hopes for a Sequel Now part of me would be content if this was a one and done, the game shines perfectly on its own. But I would not turn one down. Though many would feel that Jin’s journey is done (I even heard a suggestion of Tomoe, I could see that but not right now, maybe for a third) but not me, there’s still a few glaring issues at hand. For one, the Shogun now wants you dead, new clans are moving in on you and there will probably be a new Jito regardless of the ending choice because of Shimura’s failure, Adachi will also need to look at another clan taking its land. There’s also the vacuum left behind by the clans’ subsidiaries; Nagao particularly but also Adachi’s rival clan Kikuchi, there’s easily possibilities to use canon Sō, Abiru, Shōni and Imagawa, there’s also room for Kikuchi Takefusa, who survived both Mongol invasions  . A sequel could offer some clan territorial tensions in that regard as the people of Tsushima side with the Ghost over the mainland. That conflict is one we have touched on in the end of the first, Jin has fought for his country’s safety so how will he act when his country wants him dead? The first was a story of sacrifice perhaps the next can be a story of maintaining his legend, inspiring the mainland Samurai and even redeeming himself in the eyes of the non-Tsushima natives. It’s also worth remembering that Komoda was the beginning of the invasion, and there was a second invasion 6 years later where Tsushima was attacked once more, the death of non-canon Khotun could spark other higher ups of Kublai’s ranks to avenge or clean up for Khotun, Kublai also had counsel from different nations to understand his enemy so we could have an even more vicious and cerebral enemy be made, or even a group of enemies led by advisors like Liu Kan or Yao Shu, maybe even Marco Polo if we move the time after the first invasion. In terms of gameplay we could also see Jin expand from Tsushima to Iki and maybe some more naval warfare, growing in his equipment (like Caltrops, Kusari-Fundo and Suntetsu) and maybe even his weapon, an Ono, Jitte or a Naginata to rotate with his not-yet-made Katana to combat with Samurai or the army of a Mongol threat, maybe even use the Bo-Hiya for ranged fire archery learned from the Hwacha. And like the Mass Effect games (or Dragon Ball Xenoverse if you wanna pick a franchise that didn’t end in a bitter aftertaste) you could have the option to transfer over some data from the PS4 save to the next one, which’d inevitably be on PS5 at the least - also don’t be surprised if this gets a PS5 remaster too, especially if it does win Game of the Year. What I suggested for DLC could be used here too, if there is a sequel with Jin I really, really hope that SP don’t opt for the route of killing Jin (or Yuna) off for effect, I was nervous about the current game ending with Hara Kiri and I’d rather not have that or a downer of a death for the legendary Ghost (I am a happy endings guy after all). An alternative route to go (other than following Tomoe to the mainland to rip off the Ghost) is to work backwards, call it ‘Ghosts of Tsushima’ working towards a story of a more ancient time, where a thief could become a samurai clan. A clan Sakai or Shimura origin would sell in that way too and avoid the idea that we have to start again from zero but still have the more ‘dishonorable’ stealth tactics.

義は険しい山よりも重く、死は大鳥の羽よりも軽い : Conclusion In the end, this game was worth the wait, worth the delays and worth the price tag. I feel like this will be one of the games I’ll fondly remember when thinking of the PS4, which has truly had a stellar library of awesome games like Spider-Man, God of War, the Crash, Ratchet & Clank and Spyro Remasters, DMCV, Jedi: Fallen Order and more. This truly ticked the boxes for the anime nerd within me and the history buff, even the Haikus spurred the poet in me a little too. If anyone hasn’t played this game, they should, and I hope that Sucker Punch realises that people like me want to see more. If it stands alone so be it, but I’m not ready to leave Jin or Tsushima just yet. いってらっしゃい

#ghost of tsushima #tsushima #tsushima spoilers #jin sakai #lord shimura #clan sakai #clan shimura #yuna #taka #norio #sensei ishikawa #masako adachi #clan adachi #clan kikuchi #clan yarikawa #ryuzo #khotun khan #samurai #mongols #mongol invasion #sucker punch #ps4 #dlc #sequel talk #dlc talk #review #bushido #tomoe #ghost of tsushima legends