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fluentmoviequoter · 1 day

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Crushes Aren't Just for Kids

Pairing: Bruce Wayne x fem!JL!reader (Justice League Unlimited!Bruce)

Summary: When all adults are banished from earth, you join Batman, Superman, Wonder Woman, and Green Lantern in a unique fight to save the world. Along the way, some hidden feelings are revealed.

Warnings: spoilers/rewrite for Justice League Unlimited 1x3 "Kid's Stuff", fluff, mention of beheading, canon-level violence and action

Word Count: 3.1k+ words

A/N: I can't tell you how many times I've watched this show because Kevin Conroy's Batman in the DCAU tv shows is unmatched (and the kids who did the voice acting in this episode did phenomenally). I hope you enjoy and please let me know what you think!🤍

Picture from Pinterest

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You are in a unique position for several reasons. Being one of the only human members of the Justice League, you find yourself pushing yourself to be the best you can and ensuring that you can keep up with your superpowered teammates. Plus, you are one of the only people who knew Bruce Wayne before you knew Batman, and no matter how much he denies it, you knew after one look that the man under the cowl was none other than your favorite billionaire. When you first arrived on the Watchtower with your fellow vigilante, you wondered if any of the superheroes (especially those who had unique mind powers) could tell that you wanted to be more than fellow crime fighters with Batman. If they did, no one said anything, so your secret crush has remained secret as it grows stronger.

“Bats,” you warn as you duck away from Cheetah’s claws.

Bruce flips away from Deadshot’s line of fire before rushing up beside him. He punches under his jaw, and you watch as Deadshot lifts Bruce off the ground. Bruce throws a batarang, and you slide away from them as Deadshot falls to the floor.

“Guess that’s a wrap,” Green Lantern says. At Bruce’s look, he adds, “Sorry. Been hanging out with Flash too much.”

“I don’t see how that’s a bad thing,” you tease.

You look away from John and see three police officers entering the vault. A pink wave follows them inside, and your eyes widen when the officers disappear. Bruce pulls you to his side as John creates a forcefield with his ring, but it fails nearly as quickly as it appears.

When you open your eyes on a floating rock, you’re still tucked against Bruce’s side. You step back quickly and look around. Dozens of rocks surround you and each holds numerous people; adults only, you notice.

“It was judgment day,” Copper exclaims, “and- and we got sent to the bad place. The bad place!”

“Where else were you expecting to go?” you ask sarcastically.

“Snap out of it, Copper!” Cheetah demands as she slaps him.

“Yeah, calm down,” John calls. “We’re probably just in another dimension.”

“I don’t see any children,” Bruce says.

“You would be the one to notice,” you murmur. “It’s not a bad thing,” you add when he directs his bat glare at you.

“That’s because a child is responsible,” a woman wearing a mask interjects as she hovers above you.

“Morgaine Le Fay,” Bruce greets, though he’s prepared to fight rather than exchange niceties and introductions.

“Great, magic,” you mutter as you fall in line between Bruce and Diana.

“I mean you no harm,” Morgaine assures. “My son Mordred has wrought this treachery. Banishing all adults to this shadow realm.”

“Do you think Flash is here?” you whisper to John.

“50/50,” he answers.

“After I spent millennia feeding him, bathing him, preparing him to be a king,” Morgaine continues. “Where did I go wrong?”

“You’re a sorceress. Can’t you just undo his spell?” Diana asks.

“No. He’s got the amulet of first magic. He’s too powerful. But if we all work together…”

“You want us to defeat your own son?” Bruce clarifies.

“So don’t trust me. Let him rule the world and all your children. Here we will stay. Forever.”

“But what can we do? We’re stuck here, aren’t we?” Diana says.

“Please don’t say-“ you begin.

“Not exactly,” Morgaine answers.

“That,” you finish as your shoulders slump.

“The spell only banishes adults.”

“I don’t like where this is going,” you and John say together.

“It’s the only way,” Morgaine says.

“We have to do it,” Clark announces.

John exhales deeply, and you step back to be at Bruce’s side again. Magic has never been your preferred battle, and as Morgaine directs her spell at you and everything turns green, you clutch Bruce’s cape in your hand.

When you arrive in Mordred’s amusement park-turned-kingdom, you’re ready to leave. Being turned into a kid again wasn’t exactly on your superhero bingo card, and as a human, you don’t bring much to the fight anyway.

“I hope this is temporary,” Bruce complains.

You look over at him and feel butterflies in your stomach. Despite de-aging, you still have a crush on Bruce, but it hits harder and faster. You tear your eyes away from him and try to calm your racing heart. Each moment you live as a kid, you’ll start acting more like one.

“You sound weird,” Clark says. “Whoa. So do I.”

Diana looks between Clark and John before straightening her shoulders. She towers over them and smiles. “I kind of like this.”

“Why are you squinting?” you ask John.

Bruce, Clark, and Diana look over after you ask, and you drop your eyes to avoid looking at Bruce again.

“I wore glasses as a kid. Guess I need ‘em again,” John answers.

A pair of oversized green glasses appear on his face, and he jumps in surprise. They’re nothing like what adult John would create, and you stifle a laugh at the sight of them.

“I didn’t even try to make these!” he exclaims.

Clark laughs as Bruce says, “I hope not.”

You pat John’s back as he focuses on making nicer glasses. Once he’s ready and Clark compliments his new look, Diana reminds you that you’re supposed to be looking for Mordred.

“Bet the little punk’s in there,” Bruce says.

He points to the castle looming in the distance and begins running. You run behind him and watch as Diana, Clark, and John fly past you.

“It’s not a race,” Bruce grumbles.

He speeds up, but you keep your pace and make it to the castle all the same. Despite the earlier teasing about John’s glasses, none of you have mentioned any differences between the kid and adult versions of one another. You’re thankful, though, because reliving your childhood is not your favorite pastime. When you enter the castle, you stay behind Bruce as he stands beside Diana.

“The Justice Babies!” Mordred calls before laughing.

“What are you laughing at, precious?” Bruce asks.

“Precious?” you repeat.

“You,” Mordred answers. “Mother sent you, didn’t she?”

“Maybe she wanted a chance to have a normal kid,” you taunt.

“She shouldn’t send a boy to do a man’s job,” Mordred tells Bruce.

He grabs the amulet, and you watch as a young boy’s toys come to life. They grow until they’re giant, and you stumble backward before running for cover. When Clark flies into one of them and is knocked to the floor, you begin questioning if it was truly a good idea to become kids to fight a boy with powerful magic.

“Bruce, batarang,” you request.

He hands you one before running toward Mordred. You wait for one of the toys to run toward you before sliding between its legs.

“I’ll make a laser cannon. No, a missile launcher,” John says above you. “Oh! Oh, I know.”

“Just pick something!” you and Bruce yell together.

You dig the batarang into the back of the toy’s leg and roll to the side as it collapses to the ground before disappearing. Bruce and John take one out, while Clark disables the other with his laser vision.

When you hear Bruce grunting and see him dangling from his cape in the grip of the last toy, you gasp and run toward him. Diana beats you there and catches him.

“You okay, tough guy?” she asks.

“Let go. I’m fine,” Bruce demands as he struggles to get out of her hold.

His shoulders drop and his cape surrounds him as he sulks. You don’t ask the same question Diana had but thank him for the batarang as he passes.

“That’s not fair,” Mordred complains.

“Get him!” Bruce calls.

You run behind Diana and aren’t surprised when you’re all encased in ice. Mordred is powerful, and you and your fellow “Justice Babies” seem to be forgetting that. When you fall into a dungeon and are freed from the ice, you scoot toward Bruce. One of the cells opens, and red eyes glow within. You clutch Bruce’s cape and watch as a small demon walks out.

“Etrigan?” Bruce asks.

He steps away from you, and his cape slips through your fingers. You stay behind John’s forcefield as Diana lifts Bruce out of the way of Etrigan’s flame. Diana has been closer to Bruce during this mission than usual, and the butterflies in your stomach start causing more pain than happiness as you wonder if they’ve been hiding feelings for one another in the Watchtower, too.

“Don’t hurt him!” Bruce yells as Clark pulls Etrigan away from you and John.

Etrigan bites Clark’s arm, and he calls, “Tell him that!”

“C’mere,” you tell Etrigan. You crouch to the floor and pull him into your arms. “Stop!”

He calms down, and Diana helps Bruce up as Etrigan cries. You look at Bruce and shrug.

“He’s just a baby,” Diana says.

“And he needs more than a hug,” John adds, waving his hand in front of his nose.

“Now, that is a job for Superman,” Bruce says.

Bruce takes Etrigan from your arms and passes him to Clark. When Bruce takes your hand to lead you out of the dungeon, you nearly trip over your own feet. You’ve never been more ready to grow up before, you think.

Mordred’s new kingdom is comprised mostly of children doing what they were never allowed to do before. When you walk through the paths surrounding what used to be the center of the park, you are surrounded by children doing dangerous stunts and breaking rules.

“You two, knock that off!” Clark demands when he sees two boys playing with wooden swords.

“What are you gonna do? You’re just a kid,” they taunt.

Clark shoots a laser between them and answers, “I’m the kid with laser beams coming out of his eyes.”

“That’s just gonna scare them,” you interject before they run away screaming. “You can’t threaten kids the same way you threaten criminals.”

“Then what do we do?” John asks.

“Tattle,” Diana answers. She flies to an elevated area and yells, “That’s enough!”

Everyone freezes, and you find yourself reaching for Bruce.

“You can’t tell us what to do! You’re not our mom!” someone replies.

“No, but I promise you we will find all of your moms and I’m gonna tell!” Diana answers.

“Well, what should we do?”

“Go outside and wait for your parents. Now!” Diana demands with a hand on her hip.

“Man, your girlfriend sure is bossy,” John tells Bruce.

“Shut up,” he replies before leaving John’s side.

Those butterflies in your stomach become dead weight. You stall behind John, but he turns to look at you.

“You like Bruce,” he accuses.

“What? No!” you answer too quickly. “We’re friends.”

“Mmhmm.”

John gestures for you to come with him, and you follow Bruce together. You know that John knows more than he ever lets on, and if anyone found out about your crush, you suppose you should be glad that it’s the one who can keep a secret. Better him than Wally.

“He’s almost asleep,” Diana whispers as you look into Mordred’s hideout. “We can take him.”

“I’ll make a lawnmower and chew him up,” John suggests.

“A lawnmower?” you repeat incredulously. “Why?”

“I say we get that amulet away from him first,” Bruce says. “We’ll split up and sneak behind him. Then Lantern can do his thing. But no mowers.”

“Why?” John questions.

“Because it’s stupid,” Clark answers.

“He’ll hear it, too,” you whisper with much more kindness than Clark.

“I guess I’ll go with Clark,” Diana says. “Unless I should go with you,” she tells Bruce.

“Whatever,” Bruce answers.

John sees your eyes drop and says, “Clark can go alone. I’ll go with Diana.”

You appreciate it but shake your head because you don’t want to be left alone with Bruce.

“Whatever,” Bruce repeats.

“Go,” John whispers.

You lead Bruce around the side of the cave, and John shakes his head as he watches you go.

“What’s with them?” Clark asks.

“Really?” Diana questions.

“Man, for somebody with fifty different kinds of vision you are so blind,” John responds.

“What?”

“Is that a claw?” you ask Bruce as John tries to get the amulet.

“Unfortunately,” he answers.

He may be young, but his sarcasm hasn’t changed a bit. You lean against him when John’s claw wavers before disappearing. The amulet falls to Mordred’s chest, and Bruce moves you carefully as he calls, “Get the amulet!”

You join Bruce, Diana, Clark, and John in a failing attempt to hold Mordred down and take the amulet. He uses his magic to grow and throws Bruce and Diana off of him before standing. A young girl is standing nearby, and you take her hand to lead her to safety as the others fight Mordred.

“Bats!” you yell, just as you had as an adult this morning.

Bruce looks back and sees the living gargoyle chasing him and John and directs John toward a small bridge.

“Close the door!” you yell as Bruce enters the castle.

Diana closes and locks the door behind him, and you listen to John come up with complicated plans to stop Mordred as Bruce thinks.

“Forget it!” Bruce calls after John mentions giant handcuffs. “We’ve got to focus on…” Bruce’s eyes lock with yours and he says, “Never mind what I just said. We’ll take care of everything else. Lantern, you go crazy.”

“What are you going to do?” you ask.

“It’s time for all of us to grow up,” Bruce answers.

He takes your hand before running toward another area of the kingdom. Your butterflies begin reviving, and you wonder if anything will be the same after this.

“Go!” he yells to Clark.

Clark pulls the amulet from Mordred’s neck while he’s distracted by John before tossing it to Bruce.

“This is the most dangerous game of keep away I’ve ever played,” you yell as you take the amulet from Bruce and run it to Diana. Diana throws it to Etrigan, and you flinch when he bites into it. The wave of purple magic that escapes it is unsettling, but you don’t take your eyes off Mordred.

“I already absorbed too much of the amulet’s power,” Mordred says as he stands.

He uses his magic to suspend all of you, and Etrigan, upside down in the air. He pulls a sword from a nearby stone, and it turns purple before reappearing as a curved blade.

“I’ll take care of my kingly duty myself,” he declares.

“Is he really going to behead us in an amusement park?” you ask with your arms crossed over your chest.

“I’m scared,” the girl you helped earlier says. “I want my mommy.”

Mordred lowers his blade to say, “You don’t need a mommy. You’re better off without one. Trust me.”

“Ooh, mommy issues,” John muses. “Those ain’t easy.”

The girl begins crying and Clark taunts, “Some king.”

“I’m not impressed,” Diana agrees.

“What’d you expect? He’s a boy doing a man’s job,” Bruce finishes.

“You don’t know what it’s like being stuck as a kid,” Mordred says.

“Since you’ve had all that power, you could have been a man anytime you wanted. I think you’re too chicken to grow up.”

“Yep, big chicken. That’s what you are,” John agrees, flapping his arms like wings. “Bock, bock.”

“Face it, precious,” Bruce continues. “You like being a little mama’s boy.”

“I’ll show you!” Mordred yells. “I’ll show you all.”

“Sure, you will,” you agree with an eye roll.

“And when I am a true kind, I’ll start with the human!” Mordred adds, pointing to you.

Bruce looks at you, but you keep your eyes on Mordred as he spreads his arms and is surrounded by purple ribbons of magic. Etrigan claps as Mordred’s spell spreads, and he reappears as a man.

“I’m older than you now,” Mordred says as he turns to face you.

The magic released his spell, and you catch yourself as you fall from the air.

“You sure are,” Bruce says.

Mordred disappears, banished by his own spell. As an adult, he couldn’t stay, and now you can only wait until Morgaine does her part. Bruce steps to your side and you turn your face toward him.

“Are you okay?” he asks.

“Yes,” you answer just before Morgaine appears.

“A bargain is a bargain,” she says as she waves her hand before you.

The spell is lifted, and you are an adult again in only a second. You hadn’t prepared for the change in size however and are pressed against Bruce’s chest with the sudden growth. He makes no move to get space from you, though.

“Mommy,” Etrigan coos at Diana.

She drops him and steps back. You chuckle at the scene and Diana looks at you with furrowed brows before smiling and rolling her eyes.

Morgaine opens a portal, and Bruce places a hand on your hip as he steps around you.

“Wait,” he calls. “What happened to Mordred?”

“My spell gave him eternal youth but now that he’s broken it all he has is eternal life,” she answers.

“Circumstances aside, it was kind of enjoyable to be a kid again,” Diana says.

You walk to Bruce’s side and watch the happy reunions of children with their parents.

“I’m sorry,” you offer softly.

“For what?” he asks.

“You just- you didn’t get to be a kid like the rest of us.”

“Perhaps Diana was right. It wasn’t completely unenjoyable.”

He turns toward you, and his arm is pressed to your shoulder.

“You’re telling me the big, bad bat had a little bit of fun?” you tease.

“You never talk about your childhood,” he deflects. “So, I’m sorry if this brought up bad memories.”

“Just dead butterflies,” you answer.

Bruce glares at you, but it’s the one unique to when he’s reading you.

“Is that why Lantern sent us off alone together?”

You look down as you nod.

“My butterflies are alive and well, and happy to wait for you,” Bruce murmurs.

“Butterflies or bats?” you ask.

“Should we be having this conversation in an amusement park?”

“You’re right. Let’s go to Metropolis and make the cover of the Daily Planet so Clark has to write all about it.”

Bruce sighs, but he takes your hand as he leads you outside the amusement park. He presses a button on his utility belt and the Batmobile pulls up a moment later.

“Bruce,” you say once you’re inside. “You were a really cute kid.”

“You were really bad at eye contact,” Bruce counters. “Or was that just with me?”

“I guess crushes aren’t just for kids,” you muse.

“Maybe Diana will stop pestering me to ask you out now.”

You nod as you watch the road before you. It takes a moment, but you finally understand what Bruce just said.

“What?”

#hanna writes✯#bruce wayne x fem!reader #bruce wayne x reader #bruce wayne x you #bruce wayne x y/n #bruce wayne fic #bruce wayne imagine #dc comics x reader #fem!reader

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most-datable-datable-bracket · 1 day

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QUARTER-FINALS MATCH 3

Claude propaganda:

"To say Claude has trust issues is an understatement—you have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"

"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.

His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.

His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.

And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."

Milo propaganda:

“they were in the last contest sure but i feel like they could get farther. like they're literally a nonbinary grim reaper that's also an influencer and sure sometimes the influencer stuff can get kinda overwhelming i feel like it's very clear that they care about you and want to be around you. you guys go on a reaping date. their eyes and nail colour change based on their mood too and i think it's a really cute detail!! also SLIGHT SPOILERS but they even reference rocky horror in their special ending. they are perfect to me and i love them and i believe they deserve a second chance <3”

"Vote for Milo because they deserve it

They're literally so attractive

- They are a social media influencer

- They are obsessed with an adorable little kitty and will do everything in their power to make this cat the most beloved creature in existence

- They love makeovers and helping their friends rebrand (this includes working with Damien and the PC to help Jerry the Murderer rebrand so that they really has a brand identity)

- They are a grim reaper and even help the PC plan the PC's own funeral (special ending) and they give a great speech and it's super sweet

- They will sometimes take the PC on reaping jobs with them and shenanigans ensues

So in summation, vote for Milo because, as I repeat, they deserve it"

#claude von riegan #fire emblem #fire emblem: three houses #FE:3H #milo belladonna #Monster Prom #Monster Camp #Quarter-Finals #MDDC 2

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cordeliawhohung · 24 hours

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I saw a reblog of the anonymous ask someone sent you about using character ai, and someone responded saying something about how it’s disgusting to even ask that, which is a liiiitle harsh, but I digress.

The issue here, is that there are more people who don’t understand what AI is doing than people who do understand.

ChatGPT, Open AI, Character AI, Gemini, etc ALL steal from published works on the internet. It cannot be prevented, no one can stop it from happening.

I’m not an artist & I don’t publish my writing, but I do genuinely care about the artists and writers who are having their work stolen and receiving absolutely zero credit.

Please, please, please, do not put someone’s work into AI.

If you want to create a character, or a storyline & use character ai, by all means, go for it. But PLEASE, don’t disrespect or disregard these artists by feeding their work into an AI. It completely diminishes all of the hard work they put into their art.

oh boy, nothing like having a post you made in fucking january suddenly gain a fuck ton of attention lmao.

while i understand where you're coming from, i think you completely missed the main point of my response to that anon.

1: i literally explained that ai steals work to that anon. i said it's a pale imitation of what a real human would write. that it takes works that people put so much effort into and regurgitates it out. i told them not to put stuff into ai. i informed them, and i wasn't rude about it either. emotional, maybe, but i wasn't being rude.

2: the main issue i had with that anon, besides the ai grossness, was the insinuation that i'm not "creating enough content" for them. "the readers can interact more with the characters" comment from them really grinds my gears. even if ai didn't steal from creators, and it wasn't a godawful abomination, them wanting me to put my ideas and works into something that they can interact with that isn't through me completely disregards the entire purpose of me having this blog in the first place. which i ALSO explained to them. why would i want to put my work into a 3rd party source and not interact with my followers when that's literally my favorite part of creating? bonding and talking about the shit i put effort into? i had every right to be upset about that, and so does every other writer.

3: i have no control how people reblog my posts. so idk why you're coming in my inbox about what someone else reblogged, really, just to tell me everything that i've already explained to that anon. i know who you're talking about too, because they're a mutual of mine, and honestly, i agree with them. it's disgusting to suggest someone should put something into a third party source so they don't have to wait for me to "churn out works" or whatever. i know people aren't well informed. which is why i informed them on that post and left it at that. i also explained why it's frustrating to receive asks like that, to hopefully prevent them from doing that again.

also, while i have whoever is reading this, i'd also like to mention that the anon who sent that ai ask sent a response back (that i didn't bother to respond to because i wasn't trying to make this a thing) somewhat apologizing and said they asked me that because other blogs on tumblr were doing it too. don't do that. don't assume that just because some people are doing x thing, that means you can suggest it to someone else. it's rude, and comparing blogs is just frustrating in itself.

anyway. i will not be making this a thing. do not come into my inbox debating the ethics of ai or whatever, as i will simply not entertain it. (:

#core responds #fuck ai everything #fuck holding writers and artists to impossible standards #people have every right to be mad about it #and if they're a little rude about it i #really don't care

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mysterycitrus · 9 hours

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Quick question about how you decide what comics to care about? When it comes to characterization?

I know there’s comics that are generally considered ooc and no one really incorporates them into their characterizations. (Eg: I skimmed All Star Batman and Robin for fun. I now understand why people call him Crazy Steve, and I’m obviously not going to be taking this particular iteration of Batman and Robin into account when characterizing them.) But other than these really obvious instances, how do you deal with it? Like, I know fans of pre-N52 comics avoided a lot of stuff during that time? But now that we’re in Rebirth? I know that characterization in comic fandoms is always a bit thorny because of comic books as a medium, with all those different writers, timeline resets, etc… But you seem to have a really good handle on that, cause whenever I read any of your stuff and then read a comic, I’m usually like, yeah, same person here. Which I think is a feat! So, do you sort on vibes? Writers? Another metric? Case by case? TLDR: How do you deal when a character canonically says/does something that makes you go, “he would not fucking say that?”

Love your blog! And your writing!!!! Thank you!!!!!

ahh, crazy steve. what a guy (derogatory)

hmmmmmm for me personally if im writing a character i generally identify a “core” comic, regardless of retcons or conflicting characterisation, and then go off that. im reading a lot of bart allen atm so i focused on mark waid and todd dezago and completely ignored everything geoff johns has done with the character. for dick, scott snyder and judd winick are kinda the benchpoint for me, and then i kinda pick and choose (from wolfman, dixon, higgins, etc) what i think fits with that character. jason is easy cause he’s only had two comics worth anyone’s time. weirdly, some of roys best comics are written by devin grayson. so on and so forth.

wrt “he wouldn’t fucking say that” disease of which i am a chronic sufferer, I look back on dick (as an example) and his legacy characterisation, and whether or not it would make sense. not all legacy characterisation is good, mind!! but it’s generally easier to get a good benchmark if u go off a period when writers weren’t terminally on twitter. a lot of it is case by case, and i just map that in my brain

idk like SO much of it is just vibes and trying to create some internal consistency. like u said — there is so much conflicting characterisation and plotting and events that it can be very difficult so u just kinda have to trust ur own intuition. when i first posted persephone and got positive feedback for how i wrote dick I was kinda surprised — cause how i write him tends to clash with his popular depiction in both fandom and many modern comics. ig my real advice if ur writing (or reading) about these characters is to not fear complexity, and be conscious of exactly how racist most comic writers are.

#so sweet!!! but yeah comics can be whack #never fear conflicting characterisation !!! pick ur own adventure!!#Dick grayson #nightwing #dc comics #Batman #the ask and the answer

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magnet-lattice · 1 day

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(Lifesteal s5 spoilers for my understanding of The Players' plans, from catching incomplete sections of streams and osmosis. I do not think this is spoilers for any of them but I am not keeping up very well, so please correct me if I am wrong and I'll edit this. It's a little bit rambly, sorry.)

So, aside from the unrequited pitchflirting, my understanding of the Players' main finale plans are that they want to remove all of the buildings and restore the server or at least the main areas to looking the way they did at the start of the server, before anyone built anything. And this has some justification about like being a fresh start to the world, aside from the fact that it's a cool dramatic thing to do, but also!

It's really neat how the thing it does is specifically making the server look as though nobody ever played on it. Because the Players' whole thing, their primary conflict with primarily Jumper and Minute (I don't think they have a team name?) is that they're the only people willing to play heel, to do cool evil dramatic shit that other people can make content by fighting against, and almost everyone else (no offense intended to Squiddo or Wemmbu but they haven't been on much lately?) is either neutral, inactive, or insistently playing face?

And in the arguments between the players and Jumper and Minute, it has come up that the opposing side wants to end the server without conflict, and the Players' argument in favor of what they're doing is that it's interesting content which creates a reason for the other players to log on and participate. (This has consistently been their motivation since early in the Abyss arc)

And I think that in addition to the other justification, restoring the world to look untouched is a pretty powerful statement of "This is what you're advocating for the world to be: one where nobody ever logs on and does anything or fights or builds things that matter."

(In the interest of fairness, I know Minute was talking about like, getting people onto the server by having temporary mods during the sessions, and Branzy does have his carnival, and I do enjoy this content, but... at least to me, the fundamental strength of Lifesteal content qua Lifesteal (Minecraft's deadliest SMP), as a reason to be watching this rather than something else-- like a modded or survival series that happens to be made by the same people-- is the social effects of a bunch of people who are mostly tryhards in a competitive environment that encourages conflict and teaming and subterfuge and paranoia and big dramatic clickbaitable gestures?)

(I do in fact think it's fun and interesting when there are some people on Lifesteal who care about morality and want to do the nice thing! This is a fun source of conflict! I just... think it's more fun when that's not the majority of people who are logging on and doing anything, because then there's the risk of them uncomplicatedly winning, or successfully preventing or mitigating or discouraging the majority of the dramatic evil/annoying stuff, and then nothing happening? Lifesteal content is primarily about conflict. It's maybe a little more fun when the people involved have in-universe justifications that are not just "it's for content", painting the fourth wall with a thin veneer of "it's because it's cool and asserts our power" or some galaxybrained self-serving philosophical/metaphorical justification explaining why this supervillain stuff is the real moral thing to do, or whatever? But it's still fun as long as people are like, logging in and doing stuff and fighting or arguing with each other, and maybe having some big feelings? and at least one person is live or making videos so we can see what's happening)

#Lifesteal SMP

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kaidatheghostdragon · 4 hours

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Weird thought that I attempted to work out the logistics of, but what if cultists try to kill json because there can only be one balance at that is their king?

So, ghost king danny, Who Is The Balance, other random titles, yadda yadda. He's got unwanted and unhinged cults springing up to worship him, and it's a whole ordeal. They know via his titles and stuff that he's paradoxically both alive and dead, but maybe don't grasp the concept of liminality and/or halfas? They just think he's some ancient being that has unique qualities because of the concepts he represents or something.

So this cult is looking for a sacrifice to appease their god, eyes land on the bats, you know the story. They're doing their definitely-made-up-on-the-spot rituals, created by their amatuer wizard member who has just enough knowledge to pull off a few basic spells.

Something is off about the bats. The spells register them as mostly alive but also a tiny bit dead. That isn't really a problem because the wizard guy is intelligent enough to understand that people who have been clinically dead will register on the spell as a tiny bit dead. Vigilantes are always risking their lives, so its not a surprise that this includes them. No, the problem is that Red Hood, in particular, measures almost exactly equally half-and-half.

The cult gets together to discuss this discovery, whether its a sign, or a prophecy, or a blessing from their god, etc. Its decided that they need to ask Red Hood some questions and, against all odds and basic logic, they manage to kidnap Hood.

It's very immediately apparent the Hood had never heard of their God and thinks that the cultists are bat quano crazy. This is absolute blasphemy. Clearly, Hood is either blatently disrespecting a great blessing from their God... or he's secretly trying to usurp them.

This cannot stand. There is only One True Balance. Any other is a fraud or usurper. Hood must die to appease their god.

Hood by now has largely extracted himself from the restraints, and is almost ready to run when they turn on him. That's just par for the course from his perspective, of course the crazy cultists want to kill him. Since when has a cult ever kidnapped someone to give them tea and cookies?

What is a surprise is that they manage to draw blood - his blood - and at the moment they had done so, he happened to be on top of the summoning sigil.

It activates, and Hood knows he's screwed.

So we now have Hood injured and sacrificed to some eldritch god, the cultists think they are getting an A+ in culting (which is totally normal to want and possible to achieve), and danny is about to meet a new halfa that was almost killed by his unwanted soliciters for the crime of unknowingly being the fourth member of their species.

#dpxdc #dp x dc

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cads-the-cat · 2 days

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I know interviews are not really their thing, but I need to ask Vessel/the band some questions

Like what us the song writing process like? I don't really understand much about song writing but I'm genuinely curious how the songs take shape and how they are created to fit into the entire storyline. Writing a song itself isn't easy but making it all fit into al narrative must be even harder. And what about the seamless blending of genres within songs? Like what is the process there? I need insight into the creative genius!

Also, I really need to know who is actually involved in making the albums (musically) because I've heard so many different things and I need clarification. I know it was only Vessel and II in the beginning (also heard someone say only Vessel himself for One?). I think for the recording of Sundowning it was still only them in the studio and iii and iv were only there for tours. But we haven't really gotten an update on that in a few years and I have heard so many people claim different things i just don'tknow what to believe. Are iii and ivy now real parts of the band and go to the studio as well? Or will they do so for any new music (new era and all that stuff)

I know I will probably not get answers any time soon but oh well. Another mystery surrounding the band😆

#i need answers #please😇#sleep token #sleep token vessel #sleep token ii #sleep token iii #sleep token iv #songwriting

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auricgold0 · 1 day

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Random ideas I doubt I’ll ever write but I want someone else too #1

-Wilbur finds a dog/ wolf and tames it, rushing around for the day trying to keep the dog in check. The dog's name is Ozi (short for ozymandias) could include Quackity but includes Tommy for help with pets and shit.

-Randomly Wilbur creates and drinks a potion which practically gives him powers. He uses it to his advantage, an inconvenience to Las Navadas ending in a burst of flames or really cute idk.

-Dsmp au or just like au in general where Quackity and Wilbur are like life and death, put together as systematic partners to keep each other in check.

-Quackity and Wilbur (Dsmp) accidently become parents. Wilbur jokingly applies for an adoption paper just to piss Quackity off but when a little girl shows up to Quackitys place havoc reeks. Quackity and Wilbur decide to take care of this kid but stay rivals, the girl going back and forth between them. Romance happens, they both ease up more but they still hate each other cause yk it's them.

-Wilbur puts on eye makeup and is forced around Quackity by like Tommy or something and Quackity is just a mess for him like that so his demeanour is more distracted

-Wilbur sneaks into the library in Las nevadas late at night and Quackity ends up bumping into him while foolish is Discussing renovations to the design, it being too out of place or sum. Wilbur tries to hide from Q but Quackity finds him and asks what Wilbur is doing here. Wilbur goes on about books and Quackity blurts out that he used to have one before remembering it was ghostbur. Angsty shit, Wilbur goes on about Ghostbur and how people preferred him and Q reassures him. Then Q offers to suggest Wilbur some books, asking his opinion on the design.

-Quackity taps into his more nightmare guy and freaks Wilbur out while gambling blah blah idk - inspired by Alastors game

A fic where Wilbur forces himself into Quackitys home and convinces Quackity to let him crash for a few days. Cue arguments and overly clingy Wilbur who tries to hide that fact. Maybe have it lead up to his ending where he says goodbye or they fall in love so like a cute ending. Have them learn more about each other either accidentally or on purpose. A way to know your rival through living with them.

-Book of life au. Wilbur is a journalist travelling to Mexico after years of not being there. Last time he was he met The chief(Schlatt) and the researcher from the place (Quackity or change what he is) he comes back and his love blossoms

-Character them somehow finds fan fiction of themselves and read it (idk)

-They end up in the real world having to adapt to society and try to act normal. Having to buy houses, gambling addiction, laws etc. Wilbur ends up staying or they both go back and have a sweet ending. In the London area. Quackity realising Las Vegas is real, they have to work together.

-People are always claiming how they are the sun and moon . NOPEEE. Quackity is the moon, Wilbur the stars both equally as light and dark as each other. Stuck together because they're both in the dark 24/7. Do something symbolic with that

-Wilbur is like idk questioning his sexuality and stuff so he tries to be stubble and ask Quackity but it turns into a argument idk. I’ll probably actually figure out a plot but I want there to be dancing with Quackity in the lead, teasing Wilbur almost.

-The ‘there’s only one bed trope’ but them. Plot twist they don’t fuck but instead share sleepy secrets or admirations about the other and Wilbur falls asleep for the first time in a while. Why? Because he’s next to Quackity😍

#quackity #tntduo #wilbur soot #dsmp #c!wilbur #c!quackity #fanfic #myct #dsmp fanfic #may write some of these in the future who knows #if u don’t wanna write it give me prompt ideas for the ones you want me too😭#save a poor writer #writing prompt #writing

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