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#been thinking so much about a backstory for her
loveharlow · 2 days
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my unpopular obx opinions that no one asked for (unfiltered and in detail)...
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Sarah cheating on John B was not unexpected. She ran into the arms of Topper Thornton whenever the opportunity presented itself which bring me to my next point...
Sarah does not like being a pogue. I believed she liked the initial freedom and adventure but when shit gets tough, she runs back to what reminds her of her old life (*cough cough* Topper). She has the luxury of being on the fence of Kook and Pogue sometimes.
Pope is technically the real main character of the show. On paper, yes, the show is about John B finishing the treasure hunt that his father started. BUT, after season 2, it was clear that the entire treasure itself revolved around Pope, a direct descendant of the man the treasure belonged to and I don't think we got enough of that.
Pope is a stronger character than he is presented to be. I think the show highlighted his self-defense capability in seasons 2 and 3 but it's widely ignored that this man has gone up against Rafe on multiple occassions and lowkey beat his ass. (Rafe beat his ass too but still).
Kiara will forever be wrong for how she did Pope. She treated him like SHIT. Like, if I was Pope, I genuinely could not be friends with her after like. P4L my ass. And then there are people who call him butthurt but if the roles were reversed...Hardcore Kie fans can defend her all they'd like but after a certain point, there was no excuse for her to be leading him on the way she did. She knew she didn't like him in that way and that's very clear from the start of season 2, but she proceeds to sleep with him and then tell him off.
Ward is a better father than Big John. Y'know, I pondered on this for a bit. And I am standing by it. Big John would break both of John B's legs and throw him onto a set of train tracks if it got him closer to finding the gold and excuse it by saying some shit like "But you didn't die, did ya, Bird?". Like that man was ALIVE for almost an entire year and made no attempt to contact his son. Ward is a criminal by all means but most of the time, at least what we saw as viewers, he was doing it for Rafe.
Cleo deserves more screen time and a better backstory. I know she's a new character and all but like WHAT'S HER LAST NAME?? Like does she not have one? Is she not real??
(edit) Kiara is very insensitive to the feelings of her friends and overall generally self-centered. She literally acts like her parents are the worst in the world. I get it, they don't like her friends and they are indeed hypocritical towards the pogues considering her father was one. But in season 2, she gets in the car and says "this shit would be so much easier without parents" next to JJ, aka the one with an abusive father. Not to mention, she's seen how John B fell apart after his father disappeared and how hard it's been for Sarah to go against her father.
CLEOPOPE BEST SHIP.
Anyway, I did this out of boredom. I had to take a break from actual writing for a moment.
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rubberduckyrye · 10 hours
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Okay DRV3 Fans Let's Talk about Canon Ages.
Because I woke up and my brain connected the dots, and because some of you are fucking weird about High-school students. So let's clear the air here--and let's just say they're probably over 18 years old.
In my Gonta rant (which yes I'm linking here, go read it) I call him a young adult. Some people are under the impression (like that anon I got last night) that the V3 cast is canonly 16 or younger due to... whatever the fuck reason. But! I am here to argue a counter point--that the V3 Cast is actually much older and are more college age than young highschoolers.
First of all, let's remember the fact that in all DR games, the cast has gone to high school for some amount of years before their memories are wiped. V3 Also has this feature, and it is within the canon story that these kids remember attending HPA.
Now whether or not you believe this to be true is irrelevant right now because I need you to remember that the backstory for these characters was that they were being hunted down by the Ultimate Hunt, which means they were Ultimate Students at HPA first. Then they had their memories wiped to go into hiding. Yada yada.
The important part actually comes from Kirumi, however. Kirumi is the character that proves that the V3 cast is older than 18 years old.
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Remember this tidbit--where Kirumi was the maid of the Prime Minister? Well, when do you think she became the maid for the Prime Minister, do you think?
I have an answer for you.
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This is the dialogue from Kaito's "My Future" cutscene from DR:S. The "My Future" Cutscenes take place at the end of the run with the character chosen, and DR:S takes place right at the end of their 3rd year of attending HPA.
Kirumi doesn't specify who she will be working for, but considering that this person is such a big deal what she felt the need to consult Kaito about it, to help her sort out her feelings, I think we can all agree this is heavily referencing V3's plot where she is the Prime Minister's Maid.
This means that Kirumi only took the job as the Prime Minister's Maid at the very end of high school.
That means that by the time V3 runs around, she's well out of high school.
Now you can argue that V3 and DR:S aren't in the same canon--and you'd be right! I would never consider them to be canon to one another. However, this scene shows that in DRV3 and in DR:S, the intention for Kirumi to have been the Prime Minister's maid started at the very tail end of her time in high school. Same character, same backstory, different situation.
Meaning by that logic, Kirumi--as well as her other classmates--are over 18 years old in V3.
They are young adults.
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emwheezie · 7 hours
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"Maybe you weren’t a terrible person maybe you were just fifteen"
Each character in our story has an important event that helped shape their them. We thought it'd be cool to keep their age consistent across each of these stories. Possible TW in some of these.
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Art of Enzo and Lennon in HS.
1996, Meg prepares for her Quinceanera. She doesn’t want to have that big party and have all the attention on her. Meg has been super depressed and kids at school bully her, saying that she is going to kill herself like Kurt Cobain did. She doesn’t want these people at the Quinceanera, but her mom invited all the girls in her class. Her Quince doesn’t go as planned, not ruined by her bullies...but by someone who has been stalking her... 
1999, Tony: ???? (I'll update this later. He had a backstory, but it no longer serves his character arc so we're in the middle of updating it!)
2000, Liv is convinced by her older sisters go out on a mini “sister only road trip.” After driving around for an hour or two, they abandon Liv at a gas station, teasing her that it’s “sisters only” and she isn’t a real sister because she is adopted. 
2000, Gia fights with her first girlfriend, leading to their breakup. They share one last “goodbye” kiss. 
Gia’s story continues into Theo’s  
2000, Theo is super high and accidentally walks into the girl’s locker room where he finds Gia making out with some girl. Theo didn’t know girls could do that with each other. 
2001, Rosie is asked to step down from her school’s dance team because of her recent weight gain.  
2001, Enzo witnessed a murder. The criminal gang paid him off with a duffel of cash to forget what he saw. This moment changed his brain chemistry and explains how Enzo seemingly has an endless amount of cash and no job or parental assistance. (This is backstory is mostly comic relief and played off much less serious than the others.)
2001, Oli and his friends decide to wear dresses to school one day during spirit week. Oli steals a dress from his sister. After the group of boys make their statement and take pics, they change back to their regular clothes. Oli didn’t get the memo and is stuck in the dress all day. He gets teased and feels insecure. His asshole friends think it’s hilarious and won’t let him borrow any clothes. He’s stuck like that for the day. Once the teasing calms down, Oli realizes he kind of likes wearing the dress. O_0 
2002, Lennon hasn’t showered for about 4 months. He gets bullied for being greasy and cuts off all his hair in the school bathroom. Enzo is sitting in the big stall, skipping (art) class to draw dragons in his sketchbook. He thinks Lennon is such a weird little dude and befriends him. The next day, BigMac gives Lennon $20 to go somewhere professional to get his hair looking half decent after he went ham on it. Instead, he and Enzo spend the money on something stupid. He lies to his dad about how he spent the money. 
2004, Alyssa is severely bullied at school for her love of plushies. The one thing she cares about most is her mall job at Build a Bear. Her school bullies haze her while she’s at work, ending with them destroying the store. They throw the unstuffed bears and knock over displays. They get to the stuffing machine and let it rip fluff everywhere. The bullies escape before mall security and police arrive. Alyssa gets fired from her job because of this incident. It’s not fair, but her manager felt it was the easiest solution to avoid this happening again in the future. :(  
2004, Park makes a trek to Area 51 from his Florida home to find his dad.
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utilitycaster · 11 hours
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(I haven’t watched C3 in a while (the party had gotten back after being split into two after Vax got orbed) so my info is a bit dated)
I often wondered about how little info there is about Orym’s husband known to the party, how little has been asked or shared.
And I get that BH is very different from M9, BH tends to be very non-confrontational and doesn’t poke at others pasts much, but we do have another character who had a dead spouse: Yasha.
And M9 did know about Zuala because Yasha shared it and they knew little things like she likes flowers and they gave tribute to her when they could. The mural, the flowers, the remembrance and asking if Yasha would share her stories.
And I dunno, maybe I’m not remembering right, but there hasn’t been much of the same with Orym. I feel like most of what I know about Orym and his dead family comes from monologues or times when Liam sets aside a character moment to act solely. Orym doesn’t share, the party doesn’t ask and some of it feels like because a Orym has often has to defend himself against the Pro-Vanguard debates.
They had to go to Zephrah to get to know more about Orym’s dead family and a lot of that info came from NPCs!
I dunno. I haven’t seen the show in a while but I felt it when more then 50 episodes passed and still felt a difference between how gently Zuala was treated and remembered vs how Will is only brought up to prove bad guys are bad guys with only Orym trying to keep his memories in a soft place.
Hi anon,
I actually disagree with most of this! I think the fandom has a lot of issues with Orym, which I'll talk about below, but I do not think Bells Hells are dismissive of Will. I think the reason it comes up is very simple, namely, the manner of Will's death is core to the conflicts and factions within the campaign, whereas Zuala's death is obviously a huge factor in Yasha's backstory, but the Mighty Nein are not dealing with the Dolorov tribe in any capacity. Will's death, is, in fact, a symbol of the Ruby Vanguard's brutality and callousness as well as Orym's husband within the narrative; whereas Zuala is just Zuala.
I don't think Bells Hells has been particularly unfeeling towards Orym with regards to Will and Derrig's deaths when they come up, nor do I think their discussion of the Vanguard is borne of not caring. I think that the Vanguard's harm is particularly real for some party members, and until FCG's death just now it felt a little bit more distant for others. I think the conflict in-game stems from that: when you combine how viscerally real the threat of the Vanguard is to Orym and the way it's not so direct for others (and, obviously, that Imogen's mother holds a position of power within it) and also consider the characters' differences re: how they bring up (or don't bring up) difficult topics, you get some painful conversations! When I say I understand why Orym might not want to talk to the rest of Bells Hells because this is a topic of discussion, I don't think the rest of Bells Hells are bullying him or being deliberately unkind; I just think that there's a lot of misunderstanding and hurt feelings. When Will has come up as a topic of his own - and the conversations I specifically remember are with Chetney in the Heartmoor and with Fearne and FCG at Will and Derrig's graves - those party members have always been incredibly kind and supportive. It's the fact that his death is fundamentally a political one that adds a wrinkle, and that wasn't how Zuala figured into the party.
I also would add as an aside that the Mighty Nein did ultimately have a much more open arena for discussion, as witnessed by them eventually bringing up the possibility of partnering with Trent; that feels far more analogous to the discussions about the Vanguard than anything regarding Zuala, since the issue isn't ultimately "dead spouse", but "organization that is directly responsible for causing a character's life-altering trauma for the purposes of conquest and deliberately stoking unrest." I think there's a number of reasons why the Nein are able to do this, notably that the first time anyone considers it, it is very much a guarded thing; that no one but Caleb is personally impacted (whereas Imogen and Orym are placed at odds solely by their familial connections); and that it comes much, much later after the party has spent months clearly detesting Trent, so there is an increased sense of trust from Caleb.
Now, the fandom is a different story. Or rather, it's more similar than you think. The CR fandom (and probably others, but this is the one I've observed) has, since I started lurking in mid-2018 and actively participating about a year later, always had its share of people being extremely weird about grief. Some of it is shipping motivated (people who didn't like Beauyasha claiming Yasha wasn't ready and was too hung up on her dead wife; people who don't like Dorym or who resented the fact that Orym was resurrected before Laudna claiming either Orym isn't ready or, more chillingly, that he'd be happier dead). Some is not - I've mentioned before, but my favorite member of Vox Machina is Vex, and after I finished Campaign 1 I started looking for Vex content (again, this is mid-2018) and was inundated with "what if she can't braid her HAIR because she's too SAD because Vax is DEAD." Even now, I must admit, I look askance at the people claiming the throw to the Crown Keepers is good because it's a break - I don't think you need a break, unless you're extremely uncomfortable with grief or strong emotions! The first Campaign 2 episode I watched properly live (at least to the break) was episode 27 specifically because I wanted to see Beau and Caleb and Nott deal with that death now and didn't want to wait until Friday morning. I'm going to a concert this Thursday and won't be able to watch live and I can tell you what, I'm watching the back half of episode 93 Friday morning and the Crown Keepers half when I get to it, because this is what interests me, and it's fine if it's not what interests you, but someone you love is going to die one day and I have found that working through this through fiction lends a lot of meaning and catharsis. This is not, in fact, an unusual position; I highly recommend finding Liam's tweets from after Molly's death, and reading Ashly's essay about losing her partner, which she had written earlier but shared at that time as well. A core part of experiencing grief is that there is no break; there is only time.
In short, grief is complicated and unpredictable and it is indeed a part of Yasha and Orym (and no shortage of other characters) and will always influence them and be a part of them while also not serving as an end to their lives, and I think many people struggle with that. I suppose usually the response is more sympathetic within the fandom as it is towards Orym (though as discussed various fans used it to sideline Yasha's desires, to sand away Vex and Keyleth's ambitions and genuine excitment to live and grow, and don't get me started on Caleb or Vax). But it's always been a problem.
Ultimately, I think the reason Orym is treated so coldly is that, again, there's always been an issue within fandom of treating one's favorite characters as unimpeachable and any conflict with them or discussion of their flaws as a violent affront; but it does feel particularly pronounced in this campaign, particularly with regards to any obstacles (real or perceived) to Imogen or Laudna. [I could write an entire history of this campaign because it started with Laudna being The Untouchable One and only flipped to Imogen around the time of the solstice.] Hence such statements that, I truly cannot stress enough, I would rather give up internet access forever than admit to harboring such callousness within my heart as "Orym would be happier dead because his husband is dead" or "He has an obligation to recuse himself from discussions surrounding the Vanguard because he cannot be objective, a thing that is normal to expect of people with emotions and experiences and possible to achieve." (The latter really does pose a fascinating loophole. If the Vanguard just senselessly kills one or two family members from everyone's family then no one can oppose them, because it would then be biased and motivated by revenge. Life hack! It also reveals a pretty fundamental hypocrisy; if Ludinus is a Calamity survivor, maybe he should also be recusing himself! What's the math on how many people directly connected to you must be killed for your opinion to be right and good, rather than wrong and subjective?)
I think all of the above is, while, as discussed immediately above, not objective in that I'm a human being with personal experiences and emotions, fairly self-evident. I'll conclude by going into something that is within the realm of opinion, but I think is relevant to the discussion.
I personally believe the Vanguard's methods are sufficiently vile so as to cast doubt on all of their goals, but even if one doesn't, I find the idea that the Predathos should be unleashed and the gods should be killed is, ultimately, short-sighted, deeply self-centered, ahistorical within the canon (ie, unsupported by the text both in terms of canon events and, if we're counting them, appeals to emotion and authority - not terribly useful in real life, but very much the truth in a D&D actual play narrative), and a far less interesting story to boot. I think it would be devastating on a cosmic level in-world and that "oh it will sort itself out, probably" is perhaps the reddest flag one can wave in such discussions. So I do think that while Orym is acting on the basis of emotion, I also think he's right, and so the callousness is, as I've said elsewhere, a last-ditch effort by those with no capacity to construct a meaningful argument, because they think he's wrong and pointing out he's acting on the basis of emotion is their only ammunition to discredit him. At best I think the people who are arguing that the Vanguard is cruel but their cause is just have an extremely poor understanding of the setting and the specific narrative structures of this medium. Which isn't to say some of Bells Hells might not still make that choice, though Imogen telling Orym "I want you to know that that for a while it may have felt that you and I were not seeing eye to eye or maybe you felt that I, I didn't have the same goal in mind that you did. But don't worry about that anymore, all right?" in the wake of Liliana's conversation and the death of their only divinely-aligned friend feels rather indicative of their direction. But I do not think it is a choice defensible on the basis of morality; only defensible on the basis of "something a very hurt and angry and damaged person might choose to do."
People are specifically like this towards Orym because he is the mouthpiece for an opinion they don't like but ultimately cannot meaningfully argue against, and part of his justification in-world is the death of Will. While there was no shortage of people who hated Yasha, either for "die for our ship" reasons or your normal Reddit Bro misogyny, Zuala was mostly irrelevant to that discussion, hence the difference in how they're treated.
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Something Domestic Pt.2 18+
Summary: Her entire life, Kimiko had been convinced she was crazy. By her parents, her sister, doctors, everybody. So, she’s thankful to meet someone who assures her, her hallucinations aren’t just her mind messing with her. Too bad the messenger is a curse.
Tw: smut smut smut it got dirty quick (since this was meant to be the first chapter but i figured giving some of kimiko’s backstory first would be better) Mahito is his own warning, author is only halfway into season 1 so any conflicting details will be edited at a later date, mc can see curses and doesnt know wtf they are, idle transfiguration on Mahito during sex, stitches licking, neck biting, fear play (fantasy), dubcon I think? (kimiko is intoxicated and mahito has no idea what sex is), hair pulling, maybe ooc, creampie
Word Count: 1.7k
Part One
The two had introduced themselves, and talked for a bit before Kimiko began leading Mahito to her apartment. She isn’t entirely sure how exactly she managed to convince a stranger to come home with her, but she knows better than to question a good thing. She is fairly anxious, and his gaze doesn’t make things any better, and he knows as much, almost as though he’s trying to frighten her. She glances at Mahito occasionally as she fidgets with her nails. He can sense her fear, and it makes him feel delighted, especially considering how she’s ignoring it and her instincts for the sake of getting him home. He still isn’t exactly sure what she has planned for when they get there, though he doesn’t mind, either way he’ll learn a bit more about humans and then use idle transfiguration on her. Simple.
“You are quite nervous. Any particular reason?” He asks, stepping a bit closer and putting an arm around her waist, a slight shiver creeping up her spine at the touch. He is a bit tempted to use his idle transfiguration on her now, but she is interesting, if a little weird, enough to wait a little bit more before trying to do so.
“Oh— I just haven’t brought anybody home for a hookup before, much less a complete stranger.” Kimiko explains, her face bright pink and her muscles slightly tense under his touch, though she didn’t mind enough to move his hand. 
Mahito does look confused at the term hookup, but knows he’ll find out what it is once they got to where she was leading him. He keeps his eyes on her, and can tell she knows something is wrong, but she doesn’t try to move away or get him to leave, so he assumes she doesn’t know what he is exactly.
Soon, they reach her apartment and she steps in front of her door and unlocks it, the hairs on the back of her neck standing up as Mahito stands directly behind her, close enough that he’s breathing down her neck. She steps inside with him, and once he is inside he’s caught a little off guard by her suddenly tossing her arms over his shoulders and pressing her lips to his. He knows only a little about these kinds of behaviors, only enough to know she isn’t trying to attack him in any way. He’s unsure what to do with his hands at first, but soon he just puts them on her waist as she presses her chest to his and carefully walks him backwards until he hits the couch. 
He lets out a little grunt as she pushes him down onto the cushions and climbs into his lap, straddling his hips. She then pulls back from the kiss, her pupils blown wide, nearly consuming the blue of her eyes. “I’m sorry— I probably um- should’ve asked first.” He looks at her a little funny before he puts his hands on the sides of her jaw. 
He feels the urge to change the shape of her soul again, but is distracted by a new feeling pooling in his stomach and between his legs. This he has never experienced before, though he welcomes the feeling with open arms. He pulls her forward by the jaw and presses his lips to hers again in an almost desperate manner. She runs a hand through his hair and lightly nips his bottom lip, hearing him make a small noise of surprise in response. 
Her tongue slips into his mouth, and she uses her free hand to sneak under his shirt and feel over his chest. He slightly arches his back, leaning into the feeling of her warm hand touching his icy skin. She feels his tongue push past her lips, further into her mouth to an abnormal point, his tongue flicking against the back of her throat and making her gag for a moment. He realizes that might alert her to the fact he’s not a human, but surprisingly she doesn’t seem to notice it. If she does notice, she doesn’t care enough to dwell on it. He’s unsure if he’s thankful about that or not. He wonders if she’d still be the one leading if she knew he was a curse. He imagines her squirming and shivering under him with the knowledge he could kill her with a couple of words, and it makes him that much more aroused and needy.
Mahito puts his hands on her waist and squeezes as she pulls back from the kiss enough so she can properly start to undress him, slightly panting as she strips him of his top. She stops for a moment, and stares at the stitches across his neck before leaning down and trailing her tongue over them. She’s a little clumsy, but Mahito thankfully has no way of knowing as he tilts his head back instinctively and uses a hand to push her face further against his neck. She mouths over the stitches for a moment longer before leaving bites across his neck and starting to undo his pants. He mirrors her motions from a moment prior, removing her shirt and tossing it aside, staring blankly at her chest for a moment. She had something else under her shirt? Tedious. 
He moves to get her skirt off, deciding to let her deal with the rest. She soon stands up and removes her undergarments before tugging his pants down to below his knees. She looks down at him for a moment, seeming to be thinking about something or other before she settles in his lap again, his dick pressing firm against her thigh. It feels warmer than the rest of him, but still fairly cold. Mahito is nearly convinced he’s going to melt as their skin meets. He presses further against her until he’s pressing the side of his face against her chest.
He feels one of her arms snake around his head, likely to support herself and stay balanced while her other hand wraps around his shaft. Only a moment passes before she’s slowly sinking down on him and he’s suddenly overwhelmed with her warmth, though it still feels like it’s not nearly enough, nothing compared to what he believes lies ahead. He lets out a small sigh into her skin, his hands resting on her hips as she moves them slowly. It feels like agony, and he only gives her a second before he’s experimentally moving her hips for her, his large fingers digging into her hips hard enough for bruises to show the next morning. 
Kimiko runs a hair through Mahito’s hair, and curiously tugs on one of his ponytails, forcing his head back until he has no choice but to stare up at her. She gives him a little grin, and the sight makes him throb inside of her. She leans her head down and rests her forehead against his, shutting her eyes as she rocks her hips in the fast pace he’s chosen for them. She adds a bit more force into it, and lets out low moans, close enough that Mahito can feel her breath fanning across his face with every sound she makes for him. He keeps staring at her, and again mirrors her actions, moving his hips up into hers, and he feels excitement rush through his body at the bolt of pleasure the action brings. One hand slides up Kimiko’s back, pressing on her spine just hard enough to get her to arch it for him, seeming to get him even deeper than before.
“Oh, this has to be the best night of my life.” She tells him softly, almost quiet enough that he doesn’t catch it at first. Almost. Mahito can hear a buzzing suddenly, but he pays no mind to it, simply just continuing to thrust up into the pretty little human on his lap. He sprouts another arm, his third hand forcing her hand from his hair and making its way into her own. He tugs her hair like she had done to him, only now it’s to force her head down, rather than up.
“Yeah? Mind telling me why that is, hm?” Mahito grins as he thrusts into what seems to be a particularly sensitive spot for her, as both of her hands reach for his shoulders and she lets out a noise louder than before. He hits that spot again, and again, wanting to continue to draw those pretty sounds from her, even if it means she likely won’t answer his question. He’d rather listen to this anyway. She still does her best to answer, but ultimately crumbles, holding onto his shoulder as her thighs tense and tremble. 
Mahito is suddenly all too aware of the growing heat in the pit of his stomach, and he leans back against the couch, fucking up into her with far more force now as the tension in his stomach feels like it’s about to snap. “Oh, I feel like I’m going to burst.” He practically whimpers to her as he leans in to kiss her again, and she merely nods in agreement, her own orgasm only seconds away. He can’t focus on anything aside from how impossibly warm he feels and the bliss coursing through his veins as the pressure in him finally bursts. He stills, and Kimiko rocks her hips into him desperately, the feeling of him filling her up sending her straight over the edge. She grows nearly impossibly tight around him before she leans into his chest, staying still while they both take a moment to come down from their highs. 
After a few moments, Kimiko gets up, not wanting to get that intimate with her new friend by snuggling with him during a mere one night stand. She tugs on her underwear and her shirt, looking at Mahito in her half dressed state. “My bathroom is the first door on the left in the hallway, if you want to shower. I am going to go lay down though, my legs feel like jelly.” Kimiko sighs with a small giggle. “My bedroom is straight down the hallway if you want to stay the night, or you can sleep out here, either works.” And with that, she leaves Mahito to himself as she goes to lay down for the night. 
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grifff17 · 2 days
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Audiodrama Sunday 04/28/24
So much stuff this week! I think this is going to be my longest writeup yet!
@camlannpod what the fuck? Trying to avoid spoilers, but the ending of that episode was wild. The sound design for the last scene was so good. Also “You're good with an axe, right?” was brutal, I audibly said "oof". Only 1 more episode in the season, hopefully they get funding for a second one.
The first episode of @wanderersjournalpod came out this week. This was a promising start to a new show, I'm excited to see where it goes from here. The setting feels very mystical, I can't wait to learn more about the world.
@worldsbeyondpod was so tense. Suvi and Ame had the most awkward conversation in existence. This story has so much nuance, neither of them are clearly in the right, though I feel inclined to take Ame's side due to the "Geas + Alter Memory" double espionage scheme. Meanwhile Ursulon discovers that Orima of the Reaching Green is a short queen and gets a cool horse.
I'm now up to date with @lostterminal. Season 15 was great. I love Nia, and Daphne and Raffi were really interesting new characters. Also, the dragon was terrifying. This show doesn't usually have very much action, so the confrontation with it really stood out. The description of the automatic turret going "click, click" as it locked on to Maddie was so intimidating.
@worldgonewrongpod I loved this episode. The storytelling felt so natural and real, like someone telling me a story about a weird road trip they went on. I think I said this about the last episode too, but this was my favorite episode yet. It also sets up the backstory which was never really explained as to why Jamie and Malik are separated at all.
In @midstpodcast we finally had a nicer episode. No horrible fucked up Weep/Trust stuff happening, just Lark reunited with Zeila and Sherman. However, there's so much tension between these characters. I was surprised that Lark forgave Sherman for selling her out. Something to remember is that Lark and Sherman had been hooking up before everything went to shit, which was mentioned once and I think really changes their relationship.
New @keepitsteadypod! This is the first new episode of this show since I started doing these. This was a really cute episode. For how popular fake dating is as a trope in fandom spaces, you don't see a lot of it in audiodramas.
Fun episode of Mission Rejected this week. It was cool to see Bowden go from "vain actor" to "badass spy" when the stakes ramped up. We don't get to see him take charge very often, it was neat for him to be a competent leader. I wonder if the gang lying to Zelda(who definitely saw through it) and Chet(who probably didn't) is foreshadowing for more of a conflict with the new Secretary of Defense later in the season. Also I loved the squabbling gay couple running an illegal mining operation as the villains of the week.
@breakerwhiskey episode 200 wow. A letter from Harry! We learned that Harry has been listening to most of Whiskey's broadcasts, which recontextualizes a lot of the previous episodes. Also, the end was heartbreaking.
I started season 2 of @longcatmedia's Mockery Manor! I'm 2 episodes in and really like it so far. JJ and Bettie are employed in different parks, JJ is on the run from an organized crime ring, and Bettie became a monk? Also, it's clear that neither Hilda nor Jenkins stole the shipment, neither of them have motive. But I don't know who else would have motive either. Lots of mysteries this season.
Spout Lore had a great planning episode. I'm excited for the "saving Highspear" arc, the Highspear is so cool as a concept. A reverse Tower of Babel, that lets the whole world talk with each other. A literal monument to wizard hubris, which feels destined to fall. However I doubt it will, because, as the players mentioned, it would be really annoying from a storytelling perspective if everyone suddenly spoke different languages. This has actually made me realize I really want a story set shortly after some sort of "fall of the Tower of Babel", where communication is a struggle, but that's just because I think linguistics is cool. Anyways, the buffet talk had me rolling.
What a great week! However, it did not help my queue, which continues to grow instead of get smaller. I'll reach the end of it one day.
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queerfables · 2 days
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I'm very hopeful for Buck/Eddie to become a canon ship, it would be great if that's what the show is doing, but also the more that I watch the more I get really emotional about what the show has already done by making Buck bi.
I'm reluctant to say too much about this since I'm only on s4 but I feel like... this show always impresses me with how sensitive and real its portrayal of its characters is. With Buck in particular, my sense is that they have been doing on purpose what a lot of shows do accidentally with their macho action hero male leads, which is to deconstruct that role and expose what lies beneath the preformative bravado. And what that is is just a person with hang ups and vulnerabilities like anyone else. He's not uniquely strong and he's also not uniquely damaged, he's just someone trying to figure out who he is and find a place where he belongs.
Looking back on the pilot with what I know now about his past, I think that must have been the first time he's ever really fought for something he cared about (except for Maddie, and I will never get over him continuing to write to her for years even though she never responded, and her keeping the letters). Buck never fully belonged anywhere enough to fight to stay but being a fire fighter and working at the 118 is different.
What I love about his backstory is that although it isn't an inherently queer story - figuring out who you are and where you belong is something almost everyone experiences to some degree - Buck as a queer person who doesn't know it yet does make a lot of sense. I love that the show leaning into that reading of his character resonates so well with what they've already established about him. I love that he already has a community around him that includes queer people, and nobody he has to worry might not support him while it's all still new and uncertain even to himself.
If Buck/Eddie is where the show is going then I know they will do an amazing job with it, because character and relationship development is where this show really shines. And there's a whole other post in why queer Eddie would make sense (bi Eddie makes a lot of sense; at this stage, gay Eddie also makes sense to me and I think there could be a super interesting story in him coming to terms with his complicated feelings about Shannon in light of that realisation). But I also appreciate that the show isn't rushing into a Buddie otp storyline, that it's taking its time with the characters, and I appreciate that this is a show I actually trust to handle queer storylines well.
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elegiacescapist · 9 months
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Here's my Tiefling Druid Tav after hours of hemming and hawing and playing around in CC like a contented cat :3
Her name's Wilt, and she's having A Bad Time™ mucking around in Act 1 right now >3c
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aquilamage · 11 months
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I haven’t been insane about Vi enough lately so time to pour out some random thoughts. free association thinking time:
been thinking about her “It's my savings. I wanna be rich, okay? So I can travel, eat well, buy cool stuff… So no one can say I can't do something!” And none of the following will really be insightful or revelatory because it’s just what she says here but. yeah! that’s vi! the main reason she’s so big on money is because she has to be to get what she wants out of life! it’s what lets her say no to people telling her what to do, and that’s important to her because she has no choice but to be independent and support herself. because no one else will. No one at the Hive had anything positive or supportive to say about her being an explorer until she went out and did it (to a ridiculously successful degree, too. I have to wonder if/how it might’ve differed if she was on a regular accomplishment level team. not the one leading them all to the mission to the Hive). she never had a choice not to be. I could also see that being a little part of why she starts out not really being a teamwork person. past experiences have taught her she can’t rely on anyone else for support. (does make me wonder about what if she’d met Chubee before leaving the Hive. obviously she still would’ve left, but how might even a bit of support have changed other things?)
I feel like we don’t talk about the fact that The Beemerang Is Also Knives enough
ok so at one point there was this post talking about people with money and how it affects their life like. if you can afford to get a nanny then you can only do the fun parts of childcare and when you stop feeling like taking care of the kid you can just hand them to someone else to take them away. and again likely not especially revelatory but I would guess that’s the kind of way queen bianca handled the bees as her daughters (she does care about them. absolutely. but not in the same hands-on attached way as we usually associate with parents) and thinking about how that kind of treatment would then apply to vi....hm
in universes where discussions of Gender and Pronouns etc happen I think she has moments where she gets frustrated with the everything of Being Referred To and Having Complicated Identity She Hasn’t Quite Figured Yet and is like. gender is cancelled how dare you refer to me. but especially anyone else calls me a girl ever i will be stabbing them
also I think a lot about what circumstances she finds out about gayness/Gender being things. and whether she’s thought about it in herself before and whether she’d been dismissed on it/told it wasn’t a thing etc. most circumstances she ends up angry about the finding out times because of (un)consicious internal conflict stuff
underground tavern stuff implies she was definitely doing quests and stuff for money with them precanon. would kill to know what specifically it was. but also the first talk with utter implies that she was doing stuff off that questboard as well which is even more intriguing. utter’s spy also implies you don’t have to be an explorer to do them but otherwise you would think you did I feel. so again very curious what was up there
#inspired by that girl blorbos post and also me trying to think about where in the game they drop facts and such about precanon stuff w her#the urge to try and fic about the stuff between her leaving the hive and showing up at the association....strong again#'the hive didn't do anything' my ass. vi might have also been a jerk but it's just that she was the more obvious#easily labeled incident version of it. she was active while her treatment was the subtle passive neglect type of bad treatment#complex situation and also. yeah#an aquila original#vi bug fables#bug fables#also featuring funky gender lesbian stuff because thats not even headcanon. to me#hopefully the reasoning out stuff doesn't just come out like a load of nonsense#vi's one of those characters where I definitely feel comfortable in writing her on a basic level but some parts I'm super insecure about#and the part with her is in really capturing the complexities of her backstory and family issues#and the thing is it's like. I have to remind myself that some parts of how canon did her on that are actually decent#and I should pay attention to those complexities. but then also canon definitely did some of their 'this hasn't really been earned'#resolution stuff on her. mostly thinking about the postcanon dialogue with Bianca. it's jsut too much of a jump for that for me#and it's not even that I necessarily think bianca's dialogue is out of character. it's that I'm contemplating whether it would've#made more sense for vi to get angry about it. like.#ok so. sometimes i think about what coming out to my family might be like. and I've come to the conclusion that if they were just accepting#despite the fact that it would be best case scenario I'd be angry about it. because they've said some shitty stuff in the past. in general#they've made me feel unsafe about myself. so no actually you don't get to just suddenly be chill about it now fuck you.#it doesn't change the past hurts#and I could see Vi being like that too. even if part of her is happy about getting what she wanted to start with she's pissed about#only getting it now. with a side helping of also wondering if the approval /now/ is only because she's been so successful about it#what if she hadn't been so specially favored by elizant? what if she hadn't been on the team that saved the world? why did she (maybe) have#to earn the approval she should've had from the start?#also not gonna get into this one right now but tweaking her story with jaune to acknowledge that theyre both at fault in different ways#(again). would be nice#but now I'm definitely veering into repeating myself type rambling territory so
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goblin-simming · 5 months
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it's time. Meet Liesel Edgeworth, my most specialest girl of all time <3
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Young Adult (24)
Aspiration: Legally Sim (This sim wants to pursue a law career.)
Traits: Cheerful, Geek, Clever, Kind, Soft
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Teen (17)
Aspiration: Valedictorian (This sim wants to become a valedictorian! To do this, they'll need straight A's and some luck.)
Traits: Cheerful, Geek, Clever, Kind
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Child (11)
Aspiration: Whiz Kid (This sim wants to be the smartest kid in school.)
Traits: Cheerful, Geek, Kind
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Toddler (5)
Traits: Clingy, Inquisitive
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Infant (1)
Trait: Wiggly
This post is long enough already but I desperately need to tell you about her so i'll go ahead and cut the post :p
Note for readers: our ocs exist in a universe that canon-adjacent at best. We change so much so far back that it's frankly absurd so just. keep that in mind while you read <3
She was born in Munich, Germany to a prominent prosecutor and his wife, their first child. Her mother died during childbirth, leaving her and her father alone and upset over her passing.
She was born with a birth defect that left her legs weak, making it difficult for her to stand and walk on some days, while other days she is largely unaffected.
Her father did his best to raise her himself, making sure she had the mobility aids she needed, and her childhood was happy. She inherited her father's passion for the law, often accompanying him to the courthouse when permitted, and excitedly insisting he tell her about the cases she wasn't able to see play out in person. She also adored her neighbors, and spent much of her time bothering hanging out with the older neighbor boy who wanted nothing to do with her and his baby sister. The spring after she turned eleven, her father's health took a turn for the worst, and in the early summer, he passed.
With no other family to take her in, she was taken to an orphanage, where she spent the next few months. Most of her free time, she was permitted to spend in the records room of the courthouse, taking in any and all cases the records-keepers would let her access.
That was where she met Edgeworth, who saw the similarities between her and himself, and, in an uncharacteristically spur-of-the-moment decision, adopted her himself.
She spent the next six years traveling Europe alongside her adoptive father, excitedly taking in foreign legal systems and studying thoroughly, with the plan to eventually become a prosecutor as well.
During this time she also had the opportunity to meet Phoenix Wright and his daughter, Trucy, whom she bonded quickly with.
When Liesel and her father returned to the United States, with no plans to leave again, Liesel threw herself head-first into Themis Legal Academy, using her knowledge from Europe to spur her focus into the way things are done in her new home.
During her time at Themis is when she met Nora Spect, her self-proclaimed best friend, and Athena Cykes, another close confidant. She was also given the opportunity to reconnect with her childhood neighbors, the Gavins. Things had changed drastically between them, since she'd last seen them, and she got along much closer with Klavier than she had as a child.
She graduated second in her class, and started her career shortly thereafter, facing off for the first time in a real courtroom across from her best friend.
She prioritizes truth above everything else, leading her to have very few wins on record against Nora, though that hardly stops them from celebrating each case they work together, inviting friends out for drinks and karaoke.
okay i'm gonna stop rambling here bc actual events get really shaky from here on but!! other stuff to mention
she's autistic as fuck (she caught the Lawtism, as I've been calling it)
she's cishet & polyam
she's 18 during the events of aa4 and saw all four of the cases in person (4-1 from the gallery, and 4-2 through 4-4 while working alongside Klavier)
she had a crush on Klavier when she was a kid and it kinda faded while they weren't in touch but it comes back full force when she meets him again (and she's exceptionally awful at hiding it)
she has been asking for a cat since she was a child and only gets one after she moves out of her family's home because she was always either moving around too much in Europe or, once in the states, phoenix moves in and he's allergic
she's legally 5 feet tall but medically she's 4'11". she lied on her drivers license and her id and doesn't feel bad for it.
she spent a good portion of her life thinking of gay as the 'default' because so few of the people she interacted with were straight. she came out as straight to her family and is still embarrassed about it years down the line
she gets into a relationship w/ Klavier and Apollo at some point. still workshopping when exactly i just know she ends up w them ¯\_(ツ)_/¯
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drawredasdawn · 9 months
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Day Five -> July 20th: Role Swap, Secrets, Trust
Read More For (Very Tame) Nakey Ladies (Coriane Jacos/Elara Merandus)
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I, your best kept secret,
Whisper into your shadows
With heated breaths, gentle sighs.
You, my best kept secret,
Moan as I enter
Eyes roll back, muffled cries
-Onur Taşkiran
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moongothic · 6 months
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oh my ... what you said about Oda using the "I want to be a man bc women are weak" trope made me think about Kuina.
I am bit upset we didnt encountered a strong swordwoman yet. I hope we will soon. Some people think Tashigi could be Kuina but that would really hurt me. She isnt near Zoro level at all. I dont want Kuina to be right.
This would be stupid.
But.
I think the best case scenario we could have, is if Zoro somehow encountered Ivankov before Mihawk, he could ask for HRT so that he could then go fight and defeat Mihawk "as a woman" and fulfill Kuina's dream for her and prove that a woman could be the strongest (and maybe get turned back into a man afterwards)
That's not how gender works of course, but Oda doesn't get it either, and I'm trying to picture the best case scenario Oda could actually give us
Because the only way Kuina's fears could be proven wrong is if both Mihawk and Zoro lost to a swordswoman at the end, and I do not think that is ever going to happen. Because the clash between Mihawk and Zoro has been like The Ultimate Goal of Zoro's whole story, so him losing to someone else would just feel bad
Like it'd be a lil dumb (from a queer POV (unless Zoro turned out to be a butch trans woman, which to be fair, valid, and I would enjoy the dudebros getting Fucking Angry About It lmao)), but like. Oda does have his issues with the gender essentialism and misogyny, and the way the chesspieces are arranged on the table right now, it's either that or Kuina's fears end up correct. And it definitely sucks
#Moon posting#Of course when thinking about Kuina's fear#Like emotionally I do think part of the point was that Kuina's gender did not have an impact on her skill despite her fears#Like yes she was afraid of being weaker because she was AFAB but just because she was afraid it didn't mean it was true#Or alternatively Oda wasn't making a statement about misogyny etc with that backstory and the ''women can't be strong'' was like for real#It's hard to fucking tell which it is#Especially because the series has changed so much over the years#IDK man#Time will tell#One Piece#Although hey remember what I said in the last post about trans people just wanting be seen as regular people etc#How it's the same person deep inside regardless of the gender presentation and they still deserve to be treated with respect#It would be interesting if Zoro was a non-dysphoric trans woman and it could help drive those ideas home#And it would force the fans to like. Respect people who've just come out/are starting transitioning#And not just the people who you've only known ''post-transition''#There was actually this video from the channel Berry For A Thought called ''Escalation and Mythology''#(''A One Piece Theory about Crocodile (also Crocomom)'')#And it went into detail about queer and trans rep in One Piece and how the representation has been slowly ''escalating''#From Kuina ''wanting to be a man'' to Bon-chan to Iva-chan to Okiku and Yamato#Suggesting trans man Crocodile could then be the ultimate stage of the escalation#But imagine if trans femme Zoro was actually the peak of the escalation#How am I slowly warming myself up to this idea#OP Meta
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britneyshakespeare · 4 months
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Accordingly, I told Agnes about my declaration of poverty, about the cookery book, the housekeeping accounts, and all the rest of it. "Oh, Trotwood!" she remonstrated, with a smile. "Just your old headlong way! You might have been in earnest in striving to get on in the world, without being so very sudden with a timid, loving, inexperienced girl. Poor Dora!" I never heard such sweet forbearing kindness expressed in a voice, as she expressed in making this reply. It was as if I had seen her admiringly and tenderly embracing Dora, and tacitly reproving me, by her considerate protection, for my hot haste in fluttering that little heart. It was as if I had seen Dora, in all her fascinating artlessness, caressing Agnes, and thanking her, and coaxingly appealing against me, and loving me with all her childish innocence. I felt so grateful to Agnes, and admired her so! I saw those two together, in a bright perspective, such well-associated friends, each adorning the other so much!
David Copperfield by Charles Dickens, Chapter 39: Wickfield and Heep
#diana rereads david copperfield#i havent been updating this tag bc i havent really had the motivation to make posts but yes im still in happyland rereading this book#AND THAT'S THAT ON THE RIVALRY BETWEEN AGNES AND DORA#seriously it's been 5 years and i still can't get over the stigma ppl attach to dora that i REALLY do not think is supported by the text#dora is an imperfect character. and often in dickens ppl associate imperfection with unworthiness.#dora IS worthy. like i cant get over it. she has all the right friends sympathizing with her#but so much of the audience do not sympathize w her faults or her backstory at all#despite it having sooooo much in common with david's mother. who no one ever argues is supposed to be unsympathetic!#dickens#david copperfield#agnes wickfield#dora spenlow#dora has all the faults that ppl don't care to sympathize with real beautiful young women who have been condescended to all their lives.#she feels incompetent she feels she has no control in anything. her best friend is her dog for a reason#bc jip doesn't expect anything of her but to love and care for him. she is not one of her masters#and for that matter she is less of a master of jip than she is his indulging friend.#in the saddest sense. jip and dora are equals. jip represents all the control that dora has in the world (very little)#and she loves jip. and many ppl love dora. but no one has any more expectations of her than the dog.#ppl accept her subservience.#ppl act like dora is just frivolous and doesn't care about making david's life any easier when she doesn't believe she can help him w thing#like domestic duties. but EVERYONE in dora's life tells david NOT to expect anything of her.#she is only REPEATING what everyone has already been telling her AND him the whole time. she has no self-efficacy#dora spenlow is a tragic heroine. love it or leave it
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blujayonthewing · 3 months
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reflecting on how all of my other DMs have gone above and beyond to lovingly weave my and my friends' backstory elements into the larger worldbuilding of the campaign by contrast to all of the ways Elyss' DM has gone out of his way to suppress or excise any influences her family may have ever had on anything and I'm genuinely near tears over it
#'I'm so surprised that Elyss wasn't more interested in going to her mom's hometown now that you're in her homelands!'#YOU! CHANGED Nami's backstory so that she never traveled anywhere before having Elyss#and YOU decided that she never tells Elyss literally anything even when directly asked#because you're so desperate to make sure your players never know literally anything about whatever might happen to them ever#YOU made it feel not only unrewarding but as if it was actively unwelcome for you if I even talked to my mother!!#'we're making this very dangerous journey (that you've been retconned not to have made yourself so you can't spoil it)--#--assuming we survive can you please tell us anything at all about what to expect the other country to be like?'#'well. it is different than here. it may not be what you expect.'#'oooh why didn't you go to hometown' SUCK MY DICK I ASSUMED YOU'D BE ANNOYED IF I WENT THERE HOPING TO FIND ANYTHING#of course ELYSS wants to try to touch any part of her own heritage she can!!#do you think she doesn't wonder whether she has family there? do you think maybe it's weird that she doesn't already know??#when *I* built Elyss' mother I made her a traveler from a far-off land so neither of us had to worry about it#YOU decided to send us to THAT far-off land specifically and then REFUSE to let Nami actually TELL me anything about it!!#feels very much like you don't want me to engage with that! feels very much like you ACTIVELY don't want me to explore that connection!#and if it felt like *Nami* was being secretive about it then Elyss would be even more keen to investigate herself--#but it's just part of a well-established pattern of NPCs going 'it's a secret teehee' for very obviously no other reason than that--#the DM just doesn't ever want us to have information even if NPCs have that information and have no reason not to share it#anyway. tl;dr grief over elyss yearning her whole life for somewhere to belong#but not going to her mother's birthplace because she has no reason to believe there's anything there for her.#for purely stupid empty meta reasons.#'I'm surprised you didn't go there 👀' so maybe he had something!#but my mother-- through you-- was so cagey about whether her parents even exist that I kind of just figured you didn't! so!!#about me#my OCs#elyss
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fiendishartist2 · 1 month
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guys what if i want to make my own apollo justice game.
#i need to write a prequel to aa4 pls pls pls pls pls#okay get this: so phoenix isnt disbarred yet and he doesnt have trucy. hes still taking and winning cases#one day he gets a call from edgeworth and hes all like ''wright i need your assistance'' and hes like what for and edgeworth goes#''ive been given the most ridiculous case and i think youre the only man in law who can take care of it''#so phoenix bikes his ass to the detention center and boom. child behind bars#and phoenix is like ??? hey kid what are doing here. and this kid is the most surly mfer on the planet like you couldnt get-#-a word out of him if you tried. hes kinda giving phoenix the stink eye too but hes just the littlest guy on earth#and phoenix feels bad for him so he tries to get a rundown of the case (maybe edgeworth gave him an autopsy report or smth beforehand)#but get this. the kid still wont speak. he hasnt even moved a muscle. and after some prodding you find out this little dude-#-doesnt speak english (i dont love aa6 but i think apollos tragic backstory can be interesting so we're going w that but taking it seriousl#anyways so maya is like omg this kid is speaking khurainese but hers is kinda broken bc shes not from the mainland and only knows it-#-from like prayers#so you only get bits and pieces of the kids testimony. plus he still doesnt wanna talk bc ''dhurk told me not to talk to you''#so you start following the new lead but you ask too many questions and apollos like oh shit i said too much and wont talk to you anymore#but now you have two leads: khur'ain and a man named ''dhurk'' plus the fact that this is kid might be new to america since-#-he cant speak english but is smack dab in the middle of california. its all v curious and phoenix wants to get to the bottom of it#for the rest of the case i feel like it would go in the direction of ''we dont know exactly whats up w this dhurk guy or where this kid-#-came from but we do get him acquitted and phoenix is able to save him from the dark path he was heading towards'' thus steering apollo-#-in the direction of law and giving him a wayyyy better reason than aa6 gave him <3#i kind of like the interlinked nature of ace attorney's storytelling. like everything leads into smth else and everyone is impacted-#-by another person before they even become properly entangled w each other's lives#like how mia faced dahlia years before she met phoenix but dahlia was the one to connect them#or how trucy gave phoenix the diary paper but she's also the one who ropes apollo into the waa. even before they know they're siblings#or how lamoire left apollo and trucy as children and when they reunite as adults they cant recognise each other but they all find each-#-other anyways#i could go on but i think this could be cool yknow esp bc i think the most interesting thing about apollo's aa6 backstory is his life-#-post dhurk. like where did he stay? was he a foster kid? was he put into the system? how did that affect him? what kind of ppl took him in#i just wanna know how that whole thing would have effected him bc like when yiu think about it how did he even get to america?? his dad's#-considered a terrorist. idk man i think its interesting and apollo and dhurks interactions are one of the only good parts of aa6
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eyes1nthewoods · 10 months
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watched nimona. it was ok.
#(i'm very mean in the tags sorry :()#i havent seen the comic so my criticism is purely of the movie.#idk just kind of a mid kids movie. balister is very cute i liked him.#nimona......i want to like her but idk. i think her backstory should've had more attention put towards it. more hints about it#instead of the really abrupt scene near the end that explains everything. that was stupid.#(honestly better yet don't show anything have a big heartfelt outburst where she half explains what happens#(gross crying optional but preferred)#and leaves the rest to the audiences imagination. maybe a scene with voiceover that doesn't quite reveal everything)#the setting is pretty cool. story didn't make much sense to me.#''the wall is there to protect us against monsters!!'' but there's literally only one monster and it's nimona.#which could have been ok if the movie had been...better written i guess??#like do the guards just sit around doing nothing. is it a police state?? i mean obviously they're cops but. they don't do anything.#they aren't even shown to be especially bad or anything just incredibly incompetent#uhhh the romance is cute. it's nice. i wish it was more fraught and bitter.#the passage of time isn't clear it seems like it happens over the course of like a day???#balister learning to accept nimona was clumsy and rushed#the message of the film is nice. would be better if the movie was good.#i think the movie could've been longer and it would've fixed most of these things#i REALLY liked the animation though. the eyes being permanantly dilated was ehhh but forgivable on account of balister being very cute.
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