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katnissmellarkkk · 3 years

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Alrightttt, I’m on a roll so we’re going onto chappy five 🥳🥳🥳😎😎

I know the movies made the Capitol — re: basically only Effie and maybe Caesar — have those ridiculous made up accents but .... I actually feel like the description of the Capitol accent in the book is supposed to be like the Kardashians or Paris Hilton’s voice. 🤷🏼‍♀️

“Why do these people speak in such a high pitch? Why do their jaws barely open when they talk? Why do the ends of their sentences go up as if they're asking a question? Odd vowels, clipped words, and always a hiss on the letter s. no wonder it's impossible not to mimic them.” Like this is a pretty good description of how Kim Kardashian and her sisters talk. And Suzzy C did say she was inspired by the juxtaposition between war news footage and ridiculous reality television shows so... I think my theory of the Capitol all talking like they’re on the Real Housewives of LA is pretty valid.

Just imagine Paris Hilton as Effie and Nicole Richie as one of her preps

Lolololol this whole section of waxing is reminding me to go get my legs waxed 😭😭😭 straight up calling me out here, Suzanne

I like how Katniss says her stylist “apparently has no interest in seeing her until the prep team has addressed obvious problems.” Like you can tell from her narration she was expecting to feel the same was about Cinna that she does about Effie and her prep team.

The “gritty loam that takes off dirt and three layers of skin” is probably just a strong exfoliator 😭😭😭 my girl knows nothing about quality skincare 🤧🤧 someone build a Panem Sephora

She mentioned them waxing her underarms.... girl, did you have hairy armpits before this? Idk why this revelation is new to me

“Grease her down!” Just sounds wrong 😅😅😅😅 I need to stop being annoying omg I’m like a twelve year old

Hmm it’s funny to me that Katniss refers to Octavia as plump. You’d think in a place like the Capitol body image and weight would be very important. Unless it’s like back in the old, old days when being overweight was a sign of wealth. Which would make more sense so this was an unnecessary thought process curtesy of Samantha

Katniss faking a smile and thanking her prep team shows she does know how to play the game and fake it better than she says.

So ... okay, hear me out, I’m not trying to get over the top or make this into something it’s not but ... the whole stylists / Cinna coming into the room and staring at her naked is a little weird. Especially considering Cinna isn’t Lenny Kravitz who’s like a bit older than her but actually like a twenty-something year old dude.

But okay, here’s the thing I was getting at ... Cinna’s one of the best people in this series and you can’t deny that. Even if you find him boring, he’s still one of Katniss’ closest people. Also he’s probably gay. But like ... what about the other stylists? I don’t wanna be that person who makes everything more than it is, but like, this scene just sounds like a perfect opportunity for some Capitol creep to assault a teenager idk I’m probably making a mountain out of a molehill just ignore Samantha okay.

That’s nice that he complimented her mama though 🥰🥰🥰

So Katniss calls District Twelve the least desirable district but ... doesn’t District Eleven suck too? Like she also later says District Twelve is the smallest and the poorest but doesn’t she also say Rue is worse off than her and Prim? Make up your mind, Suz.

Cinna claims he asked for District Twelve but did he really get an option? 😅 If it’s his first year and Katniss claims the newbies get them anyway 🤷🏼‍♀️ Samantha is once again, reading too much into this.

Awww, Katniss is thinking about how long it would take for her to assemble this fancy meal at home 🤧🤧🤧 it would take her days and the Capitol just has the necessary resources at their disposal and they just takes it for granted. And yes, I’m aware this is supposed to be calling all us readers out who take so much for granted I know. We’re the Capitol.

“How would I spend the hours I now commit to combing the woods for sustenance if it were so easy to come by?” It’s honestly so sad but so vital to her character that Katniss has zero hobbies or real free time. Her life is about surviving. She doesn’t get to live or enjoy very much of her time. She dedicates everything to keeping Prim — and her mother — alive, sacrificing everything a teenage girl should be doing. Sacrificing even the things the other girls in her world get to do. She mentions the merchant girls and the Seam girls who are more experienced romantically and sexually and socially than her. Because she doesn’t get to be a kid or innocent or even happy, in order to focus on her and her family’s survival. And the things she does enjoy, like spending time with Gale or dancing with Prim (mentioned in Mockingjay) she downplays in case they’re taken away, because nothing good is secure in her eyes. 🥺🥺🥺

Okay but what did Katniss’ facial expression give away that Cinna knew exactly what she was thinking? Or is she just less emotionless than she and Haymitch both claim? Ironically I think they’re the only people who call her emotionless which can easily be chalked up to their self-hate and terrible self-esteems.

Katniss is so afraid they’re gonna make her be naked for the parade 😭. Honestly though they’re children that’s so creepy that they’re even allowed to make 15/16/17 year olds be naked in a parade. I mean I know they kill kids every year but isn’t there like child pornography laws in Panem? 😭

“You’re not afraid of fire, are you, Katniss?” Is so foreshadowing 😭😂😅😎 Caesar Flickerman’s voice “Katniss Everdeen, the girl on fire!”

Honestly though Cinna is smart to make Katniss recognizable in the arena by leaving her with simple makeup. I know and the sky is blue we all know this already beating the dead horses until the farmer comes home.

“It crosses my mind that Cinna's calm and normal demeanor masks a complete madman.” It’s true though 😅😅😅😭😭 he was always a rebel. I actually think he may have asked for District Twelve after Katniss volunteered, because he saw the potential in her. Poor Peeta. Baby, I’m rooting you for even if no one else is.

Also I always found it a bit .... curious? That Peeta had a female stylist and Katniss had a male one? Not just because of the required nudity, you’d just think men would do better as a boy’s stylist and a woman would make a better girl’s stylist. So yes, my whole Cinna was interested in District Twelve because Katniss seemed like a good symbol for a rebellion idea seems very plausible.

I know I know I know I read wayyy too much into this stuff sometimes a cigarette 🚬 is just a cigarette 🚬

Katniss being relieved when Peeta shows up 😭😭😭 because even if she won’t admit it and even if she won’t let herself trust him, she still sees him unconsciously and completely against her will as a comfort because they’re in this thing together in a way, even if they’re supposed to try and kill each other

And honestly, it’s such a like... relatable feeling? To feel alone and nervous and uptight and then someone who you recognize — even if you maybe aren’t even friends with but you at least know — shows up and you just instantly feel less alone. I’m totally looking at this through shipper goggles and I’m not even ashamed you all knew who’s blogging you were reading ight? 😂🤣🤷🏼‍♀️

“He should know about fire, being a baker's son and all.” And he’s gonna learn a lot more about it when he falls in love — for real, falls in love, not a childhood infatuation — with the girl on fire. 🥰🥰🥰

But also, I love this particular line on a reread because it totally is an indicator towards their future. Like Peeta knows about fire, he’s experienced with how to handle it, and later on, he becomes the only person who truly comes to understand Katniss, who represents fire, in a way that no one else could ever imagine.

Hmmm, Katniss’ point of view here, talking about how Portia and Peeta’s team seem all giddy and air-headed and it’s only Cinna who seems reserved makes me rethink my previous imaginings of Peeta’s stylist. Maybe she’s just a Capitolite idiot and nothing like Cinna. And my baby got a raw deal here then too. Good thing Haymitch loves him more. Just kidding 😅😅😅

But also I wanna know why Cinna is hesitant to accept congratulations for his and Portia’s idea? Wasn’t he at least lowkey excited about it when he pitched it a page ago?

Their horses are coal black 🐴 😅. I like that they went the whole nine yards with the theme. Nothing but the best for the kids on Death Row.

Aww Katniss asking Peeta what he thinks about being set on fire is so sweet and pure for some reason. I just find their commodore here cute ok

“I'll rip off your cape if you'll rip off mine” this is literally their first friend type of interaction and it’s so pure y’all leave me be I’m emotional for them

🙃 Also lowkey reminds me of “I’ll show you mine if you show me yours.” Everyone look away ok I’m sorry

Peeta’s shady/annoyed Haymitch comment and Katniss’ joke at his expense 🤣🤣😂🤣😂😂🥲🥲☺️🥲🥲 they’re bonding it’s so presh

“And suddenly we're both laughing.” I hope they laugh a lot together post-canon 🥲🥲🥲. If they can make the other laugh during their terrible circumstances, then they can make the other laugh anywhere. 🤧 Except in Thirteen because he’s hijacked and she’s certifiable and they’re both so used and abused and 🥺🥺🥺🥺

Okay I have to say, Suzanne Collins really builds up a lot for certain events and then just like grazes over the actual action of said event? Like she builds towards the tribute parade but then kind of rushes through off the actual event itself? It’s a common theme in her writing. And I don’t like it at all ngl.

Oh wait she doesn’t actually rush the parade events the paragraph before just looked like she was about to I jumped the gun 🤣😂🤭 but what I said is still completely true for many events in these books sorry not sorry

I’m definitely reading too much into it but the fact that District One — the favorite of the Capitol — gets snow white horses and District Twelve gets coal black horsies kind of ... seems to imply something .... 🤭

Cinna just lets out a sigh of relief “it worked” like ... way to fill your tributes with hope, dude. “Yeah, you’re totally safe, don’t be scared-OH THANK GOD THAT WORKED I wasn’t actually sure you wouldn’t blow up.” But actually this answers my previous inquiry about why he seemed hesitant I guess he wasn’t even sure this wouldn’t burn them up that’s nice 🤭🙃

It’s a literal trial by fire *cue drum hit* 🥁 aww, I just cracked myself up 😭

“Then he gently tucks a hand under my chin. "Remember, heads high. Smiles. They're going to love you!" This is caught halfway between being very Capitol-y and very father-brotherly and idk which way to take it but it’s kind of cute 🤭

“For the first time, I look at him and realize that ablaze with the fake flames, he is dazzling.” This is such a significant line because Katniss isn’t saying Peeta is technically good looking (like when Haymitch said they were decently attractive) or someone else thinks he’s good looking (i.e Gale, her mother and lowkey Finnick) but she’s saying she herself thinks he’s attractive. Girl, your crush is showing.

"I think he said for us to hold hands," says Peeta.” I’m sure Cinna actually did say that but this just seems like a very good opportunity for Peeta to hold the hand of the girl he has a massive crush on. 😭😭😭

Okay Cinna gave a thumbs up so he actually was saying that but can you imagine Peeta’s excitement right now?

I mean, yeahhhh, there’s the certain death looming over him too but like live in the moment, babe. 🥰😘🤗👌🏻

I like that Katniss says the crowd is at first like 😳😳😳 before they start cheering like they’re thinking “what are these backwoods, hillbilly kids doing this year?”

“At first, I'm frozen, but then I catch sight of us on a large television screen and am floored by how breathtaking we look. In the deepening twilight, the firelight illuminates our faces” okay they both have to be pretty naturally attractive people objectively, because you illuminate my face without much makeup and no one is gonna be cheering.

“Remember, heads high. Smiles. They're going to love you! I hear Cinna's voice in my head. I lift my chin a bit higher, put on my most winning smile, and wave with my free hand.” I wonder what the true difference is for Katniss between Cinna and Effie saying this to her? Maybe it’s that Effie is just outright mean to her sometimes whereas Cinna shows her nothing but kindness from the start and expresses sympathy and understanding? It’s probably that he’s already earning her trust versus Effie who’s just cruel I’m not over her comments on the train ok

“I'm glad now I have Peeta to clutch for balance, he is so steady, solid as a rock.” Right from the start, Katniss refers to Peeta as solid and steady. Idk, I feel like this is something that the movies really misses along the way. Katniss wasn’t always strong or confident at all and Peeta, at least publicly, exuded those qualities pretty well. Samantha’s complaining again ™️ 💁🏼‍♀️🤦🏼‍♀️

Also this is just outright foreshadowing how Peeta will eventually become her rock. Or that he will be soon painted a rock ... pick and choose which way you wanna go with this. 🤷🏼‍♀️💁🏼‍♀️😅🤣

“As I gain confidence, I actually blow a few kisses to the crowd.” Okay, see I feel like Peeta really gives Katniss confidence in herself. If he’d been there in District Thirteen and they’d done propos together, she probably would have been a thousand times better.

But also this makes me think Katniss actually has it in her to be a charismatic, confident, alluring celebrity. She just chooses not to. 🤗🤗🤗

But this also reminds me of “She has no idea the effect she can have” okay imma move on and stop focusing on every little detail

I say that every chapter 🤧😅

“The pounding music, the cheers, the admiration work their way into my blood, and I can't suppress my excitement.” Say whatever you want, Katniss is still such a girl underneath it all. She gets excited over people liking her and cheering her on. And I know it’s because it increases her chances of getting sponsors but still

Honestly Peeta trying to showcase Katniss and let her take the spotlight is so selfless and indicative of his ultimate plan to help her win but also ... I can see how Katniss would believe it’s too good to be true and he’s messing with her. That he’s just playing the game to earn her trust, get her guard down and manipulate her later.

See, Peeta is actually framed at the start like the typical, standard YA love interest turned villain. In majority of YA books, at this point the boy is kind and sweet and helpful to the girl until she trusts him completely and then he turns on her and uses everything she gave him to destroy her. But the difference is, Katniss refuses to truly trust him and she is guessing his game incorrectly at every step. And then it’s revealed that it was never a game and he truly isn’t messing with her and everything he’s done that’s seem too good to be true and not even remotely plausible has actually been genuine and heartfelt and that, my friends, is why Peeta is above all other YA love interests. Because Everlark is actually the foil to many of the cliches. That was a long speech over some incoherent thoughts I’m so sorry if you suffered through that.

“It's not until we enter the City Circle that I realize I must have completely stopped the circulation in Peeta's hand. That's how tightly I've been holding it.” Awww he is her rock 😭🤧🥺

"No, don't let go of me," he says. The firelight flickers off his blue eyes. "Please. I might fall out of this thing." Okay this part is so cute and so blatantly setting Peeta up as her main love interest omg 😅 this isn’t the least bit subtle or disguised. But first off, the fact that Katniss is also Peeta’s stability here too 😭😭😭 and second of all, she takes time to notice his blue eyes against the firelight? She was attracted to him from the very start, y’all. That’s indisputable. 👌🏻😎🤧

“It's not really fair to present us as a team and then lock us into the arena to kill each other.” I agree with you, baby, it’s not fair at all. But you two take care of that situation nicely. Or not. Y’all do start a dang war. 🤭🤭🙃🙃

It’s rather ... ironic that it’s District Twelve’s chariot of them all that is pulled up and stopped directly in front of President Snow’s mansion. I know it’s a book, certain details like this are definitively contrived, I know get over it. 🤦🏼‍♀️💁🏼‍♀️

So uh. Snow is a small thin man? Why do I suddenly imagine Danny Devito as Snow 😅😅😅😅🤣🤣🤣🤣 y’all know he’d kill the role

“The darker it becomes, the more difficult it is to take your eyes off our flickering.” Okay, this is such a great line and it’s so significant to the rest of the series? The fact that Katniss — and Peeta, let’s not forget our boy — became symbols of the revolution. Like this line is deep if you think about it. The worse things in Panem got, the more the civilians looked towards Katniss and Peeta for hope 🥺🥺🥺🥺🥰🥰🥰🥰

Omg now after Songbirds and Snakes, we know the national anthem. I’m sorry, babies, that you have to endure that I’ll get you out of there 🙉🙉🙉

I feel like in part, the Capitol camera crew — Cressida, Pollux .... Pollux’s brother... is that you here???? — put so much attention on District Twelve because it would create some resentment and competition between them and the careers 🤭🤗

“I notice a lot of the other tributes are shooting us dirty looks, which confirms what I've suspected, we've literally outshone them all.” Insert Gretchen Wieners “I can’t help that I’m popular!” 😅😅😅😅😅

“I realize I'm still glued to Peeta and force my stiff fingers to open. We both massage our hands.” — they were hanging on so tight 😭😭😭😭

“Thanks for keeping hold of me.” He’s so sweet ☺️☺️☺️ I love him even if he’s kind of an idiot sometimes but so is Katniss so let’s not point fingers

“I'm sure they didn't notice anything but you. [...] And then he gives me a smile that seems so genuinely sweet with just the right touch of shyness” Omg I know Katniss views this as him trying to manipulate her but the fact that he’s actually just admitting the way he’s felt for years is so 😭😭😭😭 if only you’d spit it out sooner, Bready

“he gives me a smile that seems so genuinely sweet with just the right touch of shyness that unexpected warmth rushes through me.” She literally has a crush on her fellow tribute and her first line of defense is to decide he out to get her for making her feel this way 🤣😭🙃

“The more likable he is, the more deadly he is.” The more my crush grows, the more deadly he becomes. I know I’m reading this with shipper goggles but guess what? I’m unashamed. 🤷🏼‍♀️🤷🏼‍♀️🤷🏼‍♀️🤷🏼‍♀️ who feels guilty for reading this book with an Everlark bias not this girl right here 🙋🏼‍♀️🙋🏼‍♀️🙋🏼‍♀️

“I stand on tiptoe and kiss his cheek. Right on his bruise.” Okay first off, she says cheek here but according to a chapter ago, she claimed the mark was on his jaw... so in other words, she’s incredibly short. If a medium height guy has a bruise on his jaw and she has to stand on her tip toe to reach it... well... hashtag LittleKatniss

And second off.... can you even imagine how Peeta must feel. He genuinely complimented her here, the girl he has had a crush on forever, and she responds by kissing his cheek. He was probably really happy at this moment. And also this probably played further into his buying into her false display in the arena. That here we have her clutching his hand, smiling and laughing with him and kissing his cheek. Idk what I was trying to say necessarily but I made myself sad wow way to go me 🥺🥺🥺🥺🤧🤧🤧

Anyways! Those are my very over the top and too detailed thoughts! Hope you enjoyed if you read this! 🤣🤣🤣🤣🤣🥳🥳🥳🥳🥳🥳🥳😎😎😎😎😎😎😎🥰🥰🥰🥰🥰🥰🥰🥰

#thgagain #once again the Jen gifs are still headlining these posts 🥳🥳🥳#this isn’t as funny as my others so I’m sorry y’all #but I like nice commentary on these posts makes me feel less alone so feel free

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seasonsofeverlark · 4 years

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Oktoberfest Effect

Author: @alliswell21

Prompt: Town boys (drunk?) dare each other to venture into woods (Halloween night? [Oktoberfest]). Katniss saves Peeta (from peacekeepers? storm?) by pulling him into a cave for the night. (Drunk Peeta talks too much and is cuddly?) [submitted by @567inpanem]

Rating: Teen (for drunkenness)

Author’s Note: Thank you to @mandelion82 for lending me her beta services, and being a generally awesome cheerleader! Thank you @567inpanem for the prompt, I hope it brings you joy! Thank y’all for reading!

Oktoberfest, originally from Munich, Germany, is a two week folkloric festival, celebrated between the third Sunday of September and the first Sunday of October. Copious amounts of beer get served worldwide to celebrate Oktoberfest…👀this fic doesn’t reflected the cultural richness of the festival and or what it represents!👀

Tags: In Panem AU; No Games AU; Not representative of Oktoberfest; Drunken Shenanigans; Thunder storms; Snarky!Everlark; Humor; Blink-and-you-Miss-it fluff. One Shot.

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Oktoberfest is one of my least favorite festivals in the small repertory of celebrations my District is allowed.

It’s usually held in the beginning of October, after the first showers of Fall, and tends to last all day long, severely cutting into my hunting time in the woods, which comprises the bulk of my family’s livelihood. My mother is a healer, but people used to struggle to pay for her services back in the day, so she stopped charging anyone; people gave her what they could: rations, produce from their squalid gardens, old clothes and such. You’d think people would pay with coins, now that things have improved for common folks, but some habits die hard.

It’s probably the same reason we keep observing a holiday that’s real meaning has been lost to Panem since before the Dark Days; people just know that at some point, Oktoberfest was celebrated around this time, and people ate and drank ale by the bucketfuls, so that’s what they do today.

By the same token, it’s the most popular festivity in District 12, since it’s the only day of the year in which drinking is sanctioned and even encouraged by the higher-ups of government. Trains come carrying ale, spiked ciders, and even hard liquor for the celebration. People like Ms. Ripper, who sells moonshine and white liquor in our black market, better known as The Hob, have free range to sell their wares openly, without suffering repercussions.

The meek, dull denizens of District 12 drink the spirits by the gallons, just for the one day, and pass out in the most unseemly places around town, like savages. If something had become clear to me with the passing years, it’s that people tend to enjoy drunkenness to soothe their woes away, so it’s natural everyone embraces Oktoberfest.

But, as with everything, things aren’t as bleak as I tend to see them myself.

“Katniss!” My sister, Prim, calls breathlessly from the maypole circle, beckoning me over with one hand, while holding a bright, yellow ribbon in her other, “There still are a few ribbons left!” She shouts excitedly, her meaning plain: she wants me to join in the festivities.

Normally I’d shy away from any and all activities that would have me interacting directly with the townsfolk. It’s nothing personal against them, I’m just not used to being touched by anyone, except for my family, and weaving ribbons around the maypole practically ensures I’d be brushing up against any number of strangers …but, there are worse games to play, and I could never deny my sister anything, not even this.

I make my way to Prim and reluctantly snatch up a pale blue ribbon from the ground. My sister’s smile is so bright I almost relax when the music starts, and the dancers take to moving in and out around the pole.

It isn’t as bad as I was dreading it to be. The music is lively; the fiddler follows the dancers while the rest of the band plays on the makeshift stage a few feet away, and the pole is relatively short and moderately wide, so we make quick work of braiding a pretty pattern in one go. Also, people are at a respectable distance from one another, and most everyone feels as awkward around me as I feel around them, so they just give a wide berth when they pass me by.

Prim and I are laughing when the song comes to an end, and we take a minute to admire the pole’s multicolored design.

There’s a line of smiling people waiting in the fringes to take the ribbons the opposite direction to unravel them and weave them together again.

I pull Prim into a hug and kiss her blonde head, fondly. “Let’s give somebody else a turn, Little Duck.” Prim narrows her eyes just a smidge; she’s almost 16 and doesn’t appreciate the nickname as much anymore. “Let’s put some warm apple cider into you, yes?”

Joy returns to her baby blues immediately. “Yes! We should go find Mother as well!” she says excitedly.

“Let’s go then!”

After finding our mother in the crowd, and haggling over three cups of cider and one bag of boiled peanuts, our mother suggests we go home early, before the party gets rowdy.

An unfortunate byproduct of Oktoberfest with all the unchecked drinking is men get loud, bold and stupid. Better to clear out before that happens, because while crimes aren’t tolerated— under the influence or sober—people tend to get belligerent when alcohol is involved.

President Snow died years ago, when I was Prim’s age. Many things changed drastically, like the abolishment of the Hunger Games, and a slightly better salary for miners, but the seemingly tolerant new government of Panem gives men a strange leave to criticize the Capitol while drunk…which technically, is still a crime in today’s Panem, just not as mortally dangerous anymore. Still, women try to haul their spouses home before they can say something incriminating and land themselves in prison.

Nothing can be done about the youngsters, though.

With women trying to keep a leash and muzzle over the men, the teenagers have unhindered access to alcohol and close to no supervision; although spirits are supposedly only served to people 17 and older, I wouldn’t put it past the vendors to look the other way if a group of merchant kids pass a few extra coins across the table, when nobody is watching.

If grown up men are loud, bold and stupid while drunk, teen and young adult men are even worse, and that’s without a gaggle of equally intoxicated girls egging them on.

This year— as in every Oktoberfest— the electric fence surrounding the district lays dormant and harmless, lest one of the hundreds of inebriated fools roaming the meadow fall into the wires and fry themselves upon accident.

Not that the Capitol cares if a few malnourished— probably discontented— miners fall dead during a district festival; people in 12 used to keel over from starvation all the time back under Snow’s regime, but those deaths were usually chalked up to any number of unrelated causes: pneumonia, heart weakness, black lung disease…anything, except starvation. But dying electrocuted on the very fence that’s supposed to keep us safe in our little district is unthinkable! The fence is there to keep dangerous beasts— and nutritious game alike— away from us.

District 12 remains that enduring jewel of Panem, where you can starve in safety! All we need is to drink the memory of our empty pantries away for another year, and everyone is happy. I sigh. At least they did away with the Hunger Games; now we have singing contests and trivia challenges playing on national television instead of the blood shed of innocent teenagers, which is certainly an improvement. Somehow it’s still not a fair bargain, but district folk will never complain about this particular trade; our children are safe, and we get to watch Capitol people make fools of themselves in front of everyone.

Mother, Prim and I make it home early enough to make a quick supper of roasted potatoes, salted fish and the last of the bakery bread I traded for this week. I make a mental note to bring down a couple squirrels to trade with the baker for more bread. The man is one of the few I can regularly count on to trade fairly with, so I always save him the best of my squirrels.

By the time dinner is being cleared off the table, I can hear the murmur of families returning home from the meadow. A surge of nervous energy takes over me. I start bouncing my leg restlessly, peeking at the old clock hanging on the wall.

“Are you going out again?” asks my mother. Her tone is light and her eyes focused on the heap of plates and forks she’s balancing in her hands. I know better than to believe she’s alright with me leaving again.

“For a while,” I answer.

“You could get stuck out there!” says Prim, clearly displeased.

“I’ve been working on a shelter, just in case. I’ll be back before dawn if I can help it,” I say, brokering no arguments.

“Be careful,” Prim mumbles, her blue eyes pleading.

I stand up from my chair and plant a kiss on the crown of her blonde head. “I promise. Now, go make sure Lady is secured before I leave. I don’t want anyone getting any ideas seeing a goat loose out there.” Not that anyone would cross me knowingly, but people get a lot dumber while drunk.

The sun set on the horizon long ago, but all my years sneaking around urge me to blend instantly with the river of dark-haired children trailing their dark-haired mothers and fathers all over The Seam. It certainly is an entertaining sight; the children are immensely happier than their parents, of course, bouncing and giggling, carrying in their spindly arms their Oktoberfest bounty of apples and freshly picked ears of corn stuffed into old burlap sacks, prizes given to them by the Capitol for every one of those silly games they played at the festival. At least they know supper won’t consist of tesserae bread tonight.

Reaching the fence will be trickier now that the meadow is crawling with blond merchants and peacekeepers patrolling the perimeter of the fence ‘for our safety’. A few miners remain, helping with the cleanup process to earn some extra money, but they are so few I can’t use our physical similarities to hide in plain sight. The merchants, meandering around the meadow, throwing nervous glances at the fence every so often, pretending they don’t care the thing is off, certainly hinders my ability to sneak around.

I wasn’t the only person who ventured outside the fence by any means. Historically, people have snuck under the barbed wire links in the past to steal apples and berries, when the hunger pains were scarier than the bears and wild dogs roaming the woods; necessity is a great incentive, it either makes you very brave or very reckless…but the few merchants still hanging out here only linger ‘cause an alcohol-fueled thrill holds them captive. Tomorrow, when they’re home nursing a head-splitting hangover, they’ll go back to cowering at the sight of the fence.

There’s a group of towheaded youngsters, singing obnoxiously, near the edge of the meadow.

I roll my eyes and try to ignore them for the time being. Meanwhile, I skirt around the maypole, pretending I’m admiring the workers’ effort, pulling the pole out of the ground to haul it into storage until next year. It’s a massive effort, but all I can do is lament how now there’s gonna be a soft spot in the ground for a while there, even after they fill it back with dirt and rocks.

I curse darkly under my breath when I startle at the sight of two peacekeepers passing by the merchant boys.

The singing stops while the townies nod politely at the albino buzzards. The boys stare at the peacekeepers until they disappear at a bend behind a big, tall retention wall where the fence stops into a jagged corner, and then the young merchants do something very peculiar…they start a round of ‘Row Your Boat’, holding up their fingers in some sort of countdown. Their voices are so shrill and out of tune, everyone around covers their ears and looks the opposite way.

I cock my head, studying the boys. They’re clearly intoxicated: red noses and ears, laughing at nonsense, and the biggest telltale, a bottle of white liquor passing around their misshapen circle. I realize, they’re not all teenagers. A few of them I recognize from my days in school, and I know for a fact two of them are married, and at least one of them has a child on the way already.

I roll my eyes at their childish behavior.

The peacekeepers appear again in the distance, and the singers stop their song abruptly. One of the older guys lifts his fingers up, showing all ten digits; he closes his fists quickly and opens them again, now showing seven fingers. They all giggle like lunatics, and I lose interest in them.

I round the cleaning crew closest to the fence, but suddenly, one of the townies stands up and starts calling at the top of his lungs, startling me.

“Hey, you! The girl with the braid!”

I whip around, because I’m 99% sure he’s talking to me! I’ve worn my dark, Seam hair in a single braid down my back for the last 8 years or so; it’s practical, really, to keep it that way. But that’s besides the point.

I wear my fiercest scowl on my face, and I get an uncomfortable jolt to the stomach when I realize I know this guy, the one waving at me while his companions guffaw around him, still intoning their childish ditty.

Peeta Mellark, the baker’s youngest son, a boy I owe the biggest debt of my entire life, and for the first time since I can remember, he’s meeting my gaze without wavering.

Debt or not, I have half a mind to stomp his way, grab him by the collar and shove him into the nearest tree in retaliation. My mouth opens to ask him what his problem is, when out of nowhere a pair of peacekeepers pop up from behind the retention wall, walking in the opposite direction of the previous set of guards.

“Did you know it takes about a minute and a half to sing ‘Row Your Boat’ seventeen times?” Peeta Mellark chuckles, pink cheeks and nose, tilting his head towards the fence, and then his blue, sparkly eyes flit to the peacekeepers passing by; all the boys stop singing and nod at them in greeting. “Then, it takes like five minutes to sing something else, until we go back to Row Your Boat!”

These guards must’ve crossed the other ones at some point while out of sight without me noticing. If I hadn’t been distracted by Peeta calling out to me, I would’ve run right into them on my way to the fence, if not flat out caught red-handed crossing into the woods, and how would I explain myself then?! Everyone in District 12 knows of my poaching proclivities, peacekeepers included, but that doesn’t mean I should go flaunting around my intention to trespass. Panem is still not completely free and whether people should have the right to escape into the woods for sustenance is still a murky topic…I’m not too keen on finding out if hunting is still a punishable crime by today’s parameters.

I turn my eyes back to Peeta, but he’s already singing and joking with his buddies, and although he seems to be invested in whatever shenanigans they’re doing, I’m not too sure he’s oblivious to me. After all, he had to be watching me pretty closely to accurately guess I was close to being discovered.

I huff. My debt to Peeta just increased, and I have no idea how to start paying him back for it.

The peacekeepers are again out of sight; the merchants are singing again, and like before, people look away from their ruckus. There’s one boy with his fingers up…counting.

Peeta’s watching me; he lifts 4 fingers offhandedly and turns to face his friends.

Clever!

It’s a code, I gather.

They’re timing the passing of the peacekeepers into the ‘blind spot’ with one song, then start a different one to predict when the keepers will be back on the retention wall.

I shake my head to clear off the hint of a smile taking over my face. The silly drunks aren’t as stupid as I thought, I guess.

I make sure no one is looking my way; I also check the kid counting how many boats they’ve rowed, and leap closer to the spot I know there’s a loose link. I only have ten rows before the peacekeepers come back, so I make quick work out of the wires and slip to the other side fast.

The drunk boys break into hoots and cheers once I’m in the woods, and despite myself, I look in their direction just to make sure nobody saw me scurrying out. I’m partially hidden by a tree, and should be safe now.

The cheering isn’t because I slipped out of the districteffectively; the boys are either harshly ruffling Peeta’s hair, or slapping him on the back. They’re all laughing and crowing something I can’t make out, but soon I see the glint of white uniforms out of the corner of my eyes, and hide deeper into the woods.

I decide to check on my snares around here and head home right away. This was perhaps the worst entrance I’ve made into the woods, and too many know I’m out here as it is, but, if the townies are gonna act as a siren of sorts, better to use their system to my advantage.

Then…I need to figure out how to finally speak to Peeta Mellark and start getting my ledger even with him.

It’s completely dark by the time I reach my snares. I look at the sky and scowl. The stars are obscured, and the moon has a hazy ring around it. Clouds are rolling in too fast for my liking. Rain is coming, soon. So I make haste and run my fingers along the first wire I find.

My snare wields two rabbits, and I bag them without resetting the traps. I figure one of these will be enough to hold my family over for a couple of days. I can make some coins out of the second rabbit, which should be enough until Oktoberfest has died down and business resumes as normal. It’s a good plan if I say so myself.

A peal of thunder breaks in the distance, and I grunt lowly. This night keeps getting worse by the minute; it’s good that I’m almost back to my entry point. I head back to the fence, where I can still hear the faint howls of laughter of the merchant boys.

I’m 30 yards from the fence when another clap of thunder roars overhead, loud enough to reverberate in my bones; people beyond the fence shriek. I’ve only taken a step forward when lightning strikes, and I know the storm is hot on my heels.

The chanting of the merchants is getting louder. I never thought I’d think this, but it’s a relief, knowing I can count on them to distract the patrols while I sneak back into the district.

They’re egging and heckling each other like a bunch of rowdy hoodlums.

“Go on! Ten coins says you won’t last a second!”

“I say fifteen, if he brings back proof he was there!”

Somebody belches loudly, making the rest giggle like school kids.

I roll my eyes and try to concentrate on finding my loose wire in the distance. I’m only a few feet away from the fence, but it’s dark and windy.

“Seeriouslee, though,” hiccups another, mispronouncing his words. “Gwhat should he…” hiccup, “bring?” Hiccup.

“Don’t know. A berry maybe,”

“Or a bear bite!” cackles another. They all laugh boisterously.

I wonder what they’re up to now. The fools! Don’t they know they should be running home for cover? The first raindrops are already falling.

“Fine! Okay…I’ll do it! But I wanna see all that money now!” slurs a voice I recognize, because I heard it calling me less than twenty minutes ago. “Pay up!”

No! Not him! I think, feeling my stomach drop. Whatever it is they’re doing, doesn’t sound very smart.

“Dis it?!” Peeta Mellark groans, “I’m taking all your money, so I can buy me a hen house! Dis not even ‘nough to buy me chicken feed!”

I hear grumbling nearby, and the clicking of metal, suspiciously similar to how coins sound falling on each other. I assume they’re shedding the rest of their money for Peeta to see.

“‘Kay…‘Kay…better now. Okay. Imma go now. Hold me money, Rye…and don’t spend any of it! I counted it… it’s me money! Don’t steal it, or I tell Lavender you were smooching girls a week before you got married!”

“Don’t you dare!”

“Don’t steal me money!”

“Fine!”

“Fine! And don’t tell father ‘bout dis either!”

Somebody yells, “Mellark, stop stalling!”

“Yeah! Get—“ hiccup, “on with it al—“ hiccup, “…ready!”

“Goin’, I’m goin’!” I hear a few murmurs.

I swear, Peeta Mellark! If you set foot in my woods, I’ll shoot you in the toes!

I’m close enough to the fence to see a few lights flicking close by, but then another thunder drums, with a lightning to boot, and the rain droplets fall heavier.

“Wait! White helmets!” hisses someone, and even I drop to the ground to hide.

“Evenin,’ officers!” says Peeta.

I can picture him in my mind’s eye, smiling the same way he used to in school when covering for one of his friends to the teachers.

“Evening? It’s almost nine o’clock, boys!” says a woman. I’m not quite familiar with her voice, but I can surmise she’s one of the peacekeepers on patrol. “Curfew starts in 30 minutes, and a storm’s on its way. I suggest you all head to your houses.”

“Yeah, we will finish pickin’ up our garbage and head right home, officer!” says Peeta, all polite and pleasant like.

“Very well. You better clear out by the time we return, or we’ll have you spend the night in a cozy cell at the Justice Building,” says a gruff male voice, most likely the second peacekeeper. “Now, get on with the cleaning, gentlemen.”

There’s a chorus of voices murmuring stuff like “Right away, sir!” and “Of course, officer.” A lot of movement and hushed conversations go on for a minute or so while I lay on my stomach like an idiot.

I can only assume the peacekeepers are out of earshot when Peeta exclaims happily, “Aight! I’m goin’ in!”

The others start fussing and protesting, talking over each other frantically: “You can’t go in!”, “Are you crazy?! You heard them, there’s a storm coming!”, “Stop being a damned hero, Mellark! You already showed us up, by speaking to Everdeen!”

Peeta calls out, “Guys! Shut up! She’s the reason I wanna go in there! She ain’t back yet!”

I frown.

“Everdeen? Dude, she’s probably stalking a deer or somethin’…she’s fine!” says who I believe is his brother.

“Well…but what if she needs help? Shouldn’t some’ne go get ‘er?” He sounds concerned and strangely hopeful.

My stomach does a strange little flip at Peeta’s words, and then I have to shake my head to stop myself from being grateful for his concern. Outside of my family, Peeta Mellark seems to be the only person in this entire district who cares about me.

“No! That girl’s half feral! All them wild things in the woods are probably more afraid of her than we are!” says Peeta’s brother.

I find myself nodding in agreement, but scowling at the same time, because I’m not feral! I just hunt and enjoy the respect— bordering on fear— people have for me.

It doesn’t matter, though! Right now I feel almost as silly as they sound, and I just want them to take Peeta home, so I can climb back into the district and go home myself.

“I’m still goin’ in!” I realize Peeta is looking for the spot I used to come into the woods, and I hear muttering and hissing trying to dissuade him from coming in, but he’s already pulling the wire the same way I did, and a moment later, he’s wiggling his broad frame under the fence like an inchworm rolling on salt.

“No!” I huff under my breath, scrambling to get up, to push him back in the other direction, but then somebody is whispering harshly.

“White helmets!”

I’m not even surprised to hear Peeta’s so-called friends run away then. Coward merchants the lot of them!

A thunder booms above us, and I see Peeta struggling to pull through under the flash of the lightning that follows. It’s a miracle the peacekeepers haven’t seen him, splashing in the muddy pool forming rapidly under his body.

“Ugh!” I finally find my feet and practically throw myself on top of his arms, to pull him in.

Peeta shrieks, startled by my sudden appearance, so I slap a hand over his mouth to keep him quiet.

“Hush! Or they’ll find us!”

I pull him further out from under the wire. He seems to realize what I’m trying to do and relaxes his muscles, letting me guide him forward while propelling himself with the toe of his boots.

There’s a bush just two feet away from us. I drag him with me on all fours and crouch behind it until the peacekeepers’ flashlights disappear.

“Hi!” says Peeta.

“Shush!”

“Sorry!” he whispers…loudly.

“Quiet!” I hiss, bringing a finger to my mouth, as if I was dealing with a toddler instead of a 20-year-old man.

“‘Kay,” he responds, this time in an actual whisper.

I still roll my eyes at him.

Thunder and lightning and cold, stabbing rain fall from the sky unrelenting.

“Listen, we can’t stay here too long; we need to crawl back into the district!” I tell him, peeking from behind our hiding spot to make sure we are alone. I can’t see very far ahead, but it’s obvious the meadow is empty now.

“What?!” he calls loudly.

“For goodness sakes!” I mutter in frustration. “We need to crawl back into the district, or we’re gonna drown out here!” I’m having to yell so he can hear me over the rain.

“Oh! O-kay!” he says, smiling beguilingly at me. “I came to get you!” he yells.

I look at him, trying to convey all the annoyance I’m feeling towards him right now with just my facial expression, but I guess the moonlight is so minimal he can’t see me, because all he does is smile back at me.

“You’re welcome!” he yells after a second in a self-satisfied tone.

“For what?” I snap.

“For rescuing you, of course!”

I stare at him, dumbfounded. “Rescuing— you… what?!” I screech.

More thunder and lighting make it impossible to keep doing this where we are. And thanks to the storm, it’s too risky trying to crawl under the fence, too. Negotiating Peeta’s humongous body back under the railings in these conditions is just calling for trouble; we’ll either get found by the peacekeepers— if they’re still patrolling— or get hit by lightning; after all, the fence is meant to conduct electricity and fry whatever touches it.

I’m lost in my head, thinking about our options at this point, when a bright flash cracks overhead, so strong, it makes everything look like it’s day time, and I fall back on my butt for how close Peeta’s face is to mine.

“What are you doing?” I rasp.

“Wow! Has anyone ever told you, you have freckles over the bridge of your nose?” He asks, placing his two paw-like hands on my shoulders, pulling me back onto my haunches. “From close up, your face is as pretty as the night sky with all its coteslations!”

“Hmm…no—nobody’s ever said…” I huff. “Come on. We can’t stay here.” I tell him, pulling him by the hem of his coat’s sleeve. “I think you meant ‘constellations’ by the way. Alcohol really messes up your speech, you know.”

I think he says something, but I’m not sure, since the storm is swallowing up all the sounds around us.

The going is slow, because we have to wait for lightning to illuminate our way, and once, I realized we were straying onto a different path from the place I have in mind. Plus, I have to keep trying to untangle myself from Peeta’s grasp, so I can feel around the way with my feet. Peeta talks too much…nonstop, and I think it’s mostly the alcohol talking, but ugh! Would it kill him to just be quiet for a second?!

He’s awfully clingy for such a big man. I mean, he’s grown a few inches since we were in school, and he used to be stocky and broad-shouldered, even as a teenager, on account of him being wrestling champion two years in a row, plus having to handle those heavy trays in the bakery and whatnot.

I forgot where I was going with this?

Anyway, I hope the alcohol clears his system soon. He seems like an overgrown puppy at times, the way he trails after me and touches the end of my braid, which I guess he might be using as some kind of leash or rope to tether himself to me. Surprisingly, I don’t find it as annoying as I should. In fact, I find the warmth of his fingers… reassuring.

“Stop!” I tell him, when I hear rustling nearby I know isn’t from the rain.

A wild dog jumps in front of us, and I curse loudly. I should’ve grabbed my bow on our way out here, but I didn’t want Peeta to see my hiding spot; not that he’ll remember how to get to it, but he was able to find my loose chain in the fence, so…

I think the dog is coming after us. But before I can tell Peeta to run, he pulls me flush with his chest and somehow lifts me over his head like I weigh nothing. The dog is momentarily confused, and I take the chance to chuck one of my rabbits past it. The dumb animal looks at us curiously, but after a second, loses interest and goes for the easier, smaller prey.

I just got reminded of how strong Peeta is.

“Thank you!” I call out when he lowers me back to his chest. “You can let go of me now. The dog’s gone, but there might be more around.”

Peeta nods. His blue eyes are wide and alarmed, his cheeks, ruddy with booze just a few minutes ago, are drained of color. “Alright!” he gasps, clearly shaken.

I grab his arm and squeeze, leading him away from the spot.

It’s times like these when I miss my old hunting partner, Gale Hawthorne; for starters, he would’ve had a bow on him…he would’ve shot and killed the dog. He would’ve had my back… but Peeta had my back this time, and he surely is no seasoned hunter, not even an outdoorsman, yet it was his quick thinking and sheer brute strength that saved my hide.

It’s also the reason Gale and I broke our partnership to begin with. Given the chance, he would’ve left Peeta stranded out here, instead of finding him shelter. But that’s his style, not mine, and Peeta has shown his worth twice tonight, inebriated as he is.

I release a sigh of relief when I see the opening of a burrow on the side of a small hill. It’s not truly a cave; it’s much too shallow to be called that, but, I found it about a year ago, and have been carving it out little by little for these kinds of emergencies, when I need shelter on the run, and the concrete little shack by the lake is too far, and I want to stay close to the fence, anyway.

“Oooh! Is this a cave? Is it abandoned? We ain’t gonna walk into some bear den or somethin’?” Peeta asks, bumping into my back when I stop to remove a few branches from the entrance of my little hiding spot.

“Get in!” I command him, and he obeys at once.

I take a few minutes to rearrange the branches at the mouth of the cave, just to keep the water from splashing inside, although we are soaked through our jackets.

“Sit,” I tell him, bumping into him again when I turn to feel round the wall of the cave for my provisions. The little hollow is only 5 ft wide by 6 feet deep, so there isn’t much room to wiggle for two people even if we were both my size.

Peeta has to hunch down as it is.

He’s quiet for the time being. My fingers touch the cool glass of the oil lamp I was feeling for, and right next to it, is a box of matches. I can finally breathe!

I make quick work of the lamp, and we are finally in better shape than we were a moment ago. Peeta blinks owlishly at the lamp, and I can tell he’s surprised, but blinded by the sudden light.

“Where are we?” Peeta asks in awe.

“It’s my emergency shelter,” I tell him, kicking a log from the back of the cave towards him. “Here, you don’t have to sit on the ground.” I tell him, watching him sitting almost directly in front of the entrance with his legs crossed.

“You have a shelter out here? I knew you were smart, but I didn’t know you were a genius!”

My cheeks heat up for some reason. “Nah. It’s just common sense. Too many experiences out there without one. Whatever. Intelligence has nothing to do with this, really.”

“So…do animals come in here?” he asks, turning his head around to study the place, not as nervously as before.

“No. It’s too small for a big animal’s den, and too big for a small critter’s burrow. It’s ‘me’ size because I’ve been digging it out little by little, and putting stuff in it for when I find myself in the same predicament we are in right now.”

Peeta shifts to his knees and slowly stands up, hunching a smidge, ‘cause the cave ceiling is too low for him. He lumbers to the log I offered him earlier and sits on it heavily.

“This place is great!” he states, looking at the crude shelving carved into the dirt where I keep the lamp, matches, a couple of cans of food I’ve agonized about leaving here because it feels like a waste, and things like spare arrowheads and fletchings; things that’d be useful in a pinch.

I have a knife hidden inside the very log Peeta’s sitting on, but I’m not about to divulge that secret. It’s my last line of defense, and since I don’t have my bow on me, I feel safer knowing there’s at least one weapon in the cave I can count on. I need to bring a bow here at some point; I just haven’t found a good way to camouflage…yet.

“Thank you,” I say quietly.

“Um, you can sit here,” says Peeta after a long moment passes in silence. “Plenty of room!” He motions to the log, scooting to free up some space.

It looks ridiculous, because there truly isn’t any room left on that log for me to sit. Peeta looks like a smushed rag-doll, sitting on a match box, and all the room he’s leaving next to him, is only big enough to accommodate a toothpick.

“It’s okay,” I tell him, with a reluctant smile. “I’ll stand for now.”

“Are you sure?” he asks, biting his lip guiltily.

“Yeah. Let me be a generous host.”

His face falls. “I’m sorry,” he rushes to say. “You wouldn’t have to be playing host in your lovely cave if it wasn’t for me. Sorry I was so stupid,” he says sheepishly, “I should’ve known you had it under control before I tried coming in after you.”

“Oh…it’s alright. It was…touching. All those things you said back there.” My cheeks are burning with embarrassment.

“I didn’t say anything that wasn’t true,” he says, sounding almost sober.

Another long minute goes by in silence. “Was that a wolf out there?” he asks suddenly. “I didn’t know what to do. I thought about kicking it, but I was afraid it would mangle up my leg, and then I’d get blood poisoned and since medicine is hard to come by, I probably would’ve lost my leg, and I’m not sure I’d be able to master a fake one…unless it was like a Capitol grade thing with robotic nerve connectors and the such… I read some man in District 3 figured out how to make prosthetics that you can control with a chip implanted in your brain!”

I find myself laughing at his nonsense. And he seems to enjoy my laugh, because he keeps saying outrageous things, I can’t tell if he’s just making them up on the fly, or if he really read about them somewhere.

I slide against the wall after a while, until I’m crouching close to the wet floor. Our clothes cling to our bodies, but most of the water has leaked off of us already, which is good, since I can’t light a fire inside the cave.

“Are you hungry?” I ask him, interrupting his musings about how chewing gum is inherently evil, since we don’t have dentistry accessible in the districts. The boy really talks too much!

Peeta cranes his neck to glare at my game bag, which I recently placed by my feet.

“What do you have there?” He asks, interested.

“A rabbit. But we can’t eat that raw. We’d get sick with fever if we try. I wouldn’t recommend it,” I tell him. “But I have canned fruit we can share,” I offer.

He makes an agreeing noise at the back of his throat. “I could eat.”

“Fine. Um…close your eyes for a second. And don’t peek!” I chide.

As with everything else I’ve commanded today, Peeta obeys without questioning, and soon I’m darting my hand into the end of the log, retrieving my knife.

“Open your eyes,” I say.

“Where did you get that from?!” he screeches, staring open-mouthed at my knife.

“Secret compartment,” I deadpan.

“Well…I hope you’re not planning on stabbing me with that thing. That blade is bound to be dull now that you hacked into that can with it.”

“What does it matter if the blade’s dull?” I ask, exasperated.

“It’ll tear up my skin if you try stabbing me with it!” Peeta answers, arms moving in exaggerated arches, “I much rather get a clean cut through, thank you very much!”

What’s wrong with this boy?! He’s acting like discussing his own potential stabbing is an everyday thing.

“For your information, I’m pretty adept at sharpening things! And…Eww! Gross! Why would I wanna stab you?” I shudder. “I’m sorry, but I don’t do wounds, and I don’t do blood.” I pull a face, shivering.

“You kill things for a living!” He rolls his eyes in disbelief. “Why, the inside of your bag is covered in dried blood from those bunnies right now!”

“Animals! I hunt animals! I don’t do people’s blood and stuff…gross!”

“You’re kinda squeamish for such a lethal thing, aren’t ya?”

“Shut up and eat your pears!” I shove the open can into his hands, and he stares suspiciously at me for a minute before digging in.

Peeta moves over a few more inches, and the toothpick space widens to a Katniss’-rearside-size spot. This time, I take his offer gratefully and sit down next to him. He passes the can to me when he’s done.

“You know…this is the first time we’ve done something normal together,” he says, pensive.

“It’s the first time we’ve done anything together, Peeta, period!”

Peeta gasps, and there’s silence for a second. “You’re amazing!” He says, staring and blinking at me while I chew, as if I truly was some extraordinary sight to behold.

I scowl. “Why? Because I fed you canned food in a torrential storm in the middle of the woods?” I didn’t mean to sound so sarcastic.

“Yeah…” he says dreamily, then scowls, then shakes his head. “Nah! You’re just…amazing! Even my mother says that you’re a survivor and the only thing District 12 has of worth…a better version of Haymitch Abernathy!”

Haymitch Abernathy is District 12’s one, and only living, Hunger Games Victor. He’s also a grumpy hermit, and a drunk, and the richest person in the district. Like me, he was born in the miners’ sector, nicknamed the Seam. People say Haymitch used to be smart as a whip, and a looker too, but now he’s just a paunchy, middle aged man, with anger issues.

“Well, that’s not much of a compliment, is it?” I wrinkle my nose.

Peeta laughs, brushing his shoulder against mine…but that’s to be expected, he’s a giant after all, and the cave is practically a tall dresser.

“No, I guess it’s not. But father always gushes about your squirrels. Says you never hit the pelt. You always shoot them right through the eye!”

“Well, anyone can do that with enough practice.” I shrug.

Peeta snorts, and his knee presses against mine. “I wish I could do even half of the stuff you do. You’re an amazing hunter, and smart, and so pretty, and you can bring down deer, and the way you are with your sister…well, my big brothers have never been doting with me as you are with Primrose.” He sighs, looking at the flickering flame of the oil lamp. “You are something else!”

“I— that’s not…” I’m frustrated and embarrassed, so I snap, “I wouldn’t have been able to do, or be, any of those things without your help, so…there!”

He scoots closer to me. His body is strangely warm, even under the layers of wet clothes. There’s bewilderment in his blue eyes, and for some reason, I can’t look away from the way his hair is all matted to his forehead. He looks boyish. Kinda cute.

“What do you mean?” He asks in a small voice.

I chuff. “Well, it was like today,” I start, leaning back, averting my eyes. He smells of spirits, but weirdly enough, I’m not repulsed by the scent. “You called out to me in the meadow, and I was about to rip you a new one, but then I realized you were trying to help me. Then, you save me from a wild dog, by doing something as simple as lifting me over your head, like I weighed nothing.” I feel small, all of eleven years old, and the fact that I’m wet to the bone and cold to the marrow doesn’t help my case. My voice comes out tiny, “You fed me when we were kids. I’ve never been able to even thank you for that!” I purse my lips to keep them from trembling, and blink some 28 times to keep from crying.

Peeta sidles up against me. “Oh, Katniss,” he says low and reverently. I realize with a jolt, that it’s the first time he’s said my name. “You’re talking about the bread when we were kids?” His eyes glass over. “You can let that go now… after saving my ass tonight from the storm and the peacekeepers, I think you can count us even.”

“How can you say that?” I demand, “You keep saving me, and I don’t know why?!”

“Really?” he asks, cocking his head sideways, scrunching his face, and shutting one eye like he can’t quite see me clearly with both eyes open; his tone isn’t malicious, just surprised. “You know why…at least, I think you should,” he says, shrugging and leaning closer. “I thought you’d notice how all of my friends were roasting me because I finally said something to you, and all I said was something lame about Row Your Boat.” He chuckles. “Fifteen years I’ve been trying to pluck up the courage to talk to you, and when I finally do, I call you ‘ Hey, girl with the braid’ like an idiot!” He practically leans into me.

“Fifteen years?” I ask, bewildered.

“Yeah…” he trails off, his ears turning cherry red. “I seem to have harbored a crush on you since the first day of school, when we were five.” He slumps back against the wall, and suddenly I wish he was still draped over me, warming me up.

“Really?” I ask, because this story seems far-fetched.

“Oh yes! It’s a whole thing! Me being a goner from the moment I heard you singing that very first day…remind me to tell you all the gory details some day.”

“You betcha,” I say, amused.

“I’m sorry I’m such a dork, but hey! At least imma buy me some chickens to sell eggs, and save, to buy my father’s bakery one day, and then I’m gonna ask you out on a date or somethin’.”

“Uh— what? Really?!” I chuckle.

Peeta yawns. “Yeah, Imma take you somewhere nice for a picnic, like Victor’s Village or something, and I’m gonna bring good bread this time! None of that burnt, soggy crap I threw at you when we were kids, but real, freshly baked bread. With butter. And probably canned pears, ‘cause those are my favorites now!”

“Okay,” I tell him, not completely sure why I’m agreeing to this. After all, I decided a long time ago I was never getting married or having any children, at least, not as long as the Hunger Games loomed over me; I won’t be stringing Peeta along either. Gale accused me of doing just that once, which I don’t think I did? The accusation still stung.

Right now, it feels nice to think I could go on a date with this crazy merchant boy; and who knows?!

“Buttered bread sounds nice,” I say, sinking next to him.

“This is nice!” Says Peeta, sleepily, wrapping an arm around my shoulders.

“Yeah…it is,” I agree, realizing just how steady and warm his arms are, even encased in wet clothing.

“Will you go out on a picnic with me, then?” He asks hopefully, yawning again. His eyes drooping with sleep.

“I think I might,” I tell him. I haven’t felt this safe in anyone’s embrace since my father died when I was 11 and I stopped trusting my mother. “I think I will,”

I’m beginning to think that the alcohol fumes clinging to Peeta have gone to my head, and left me as simple minded as all the intoxicated people back home, maybe I have it wrong, and Oktoberfest does have its charm, because despite myself, it feels right to indulge in that fantasy tonight. After all, Peeta was the only person in the district back then, that cared enough about me and my family dying of hunger, to do anything about it. He gave me bread he purposely burned for me, all he gained was a bruised eye from his mother, and my inability to repay his kindness, for his generous gesture.

“Good! Just a heads up, though, I’ll prolly propose to you at that picnic, ” he says. His eyes are already closed, and I roll mine in response. “What you think my odds are of you saying yes?” He snuggles up to me, his head falls onto my shoulder.

“The odds might be in your favor,” I tell him softly; I’m not so sure I say that to humor him, though. I am really tired, and sleeping in his arms does sound like a luxury right now, so I’m gonna blame it on the ‘Oktoberfest effect’ in the morning. Plead sleep depravation insanity or something. “Night, Peeta,”

He mumbles a response, which turns into a slow snore.

I close my eyes, smiling.

I’ll indulge in the drunken ramblings of Peeta tonight. Tomorrow is a new day, and if the saying is right, the sun shines brightest after a storm…maybe it’s time I bask in the rays.

#everlark #everlark fanfiction #autumn 2020 #alliswell21 #submission #autumn #prompt

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rachelbracewriting-blog · 6 years

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Young Adult Fiction and the Reader

The debate over the merits of young adult fiction centers around its tropes, plot complexity, and general ease of reading. However, it is rare that anyone looks at the opinions of the readers themselves and how they choose books from the entire scope of the genre. Within every genre of literature there are a range of books from those that are well written to those whose literary status is questionable at best. Critics of young adult fiction seem to look only at the most popular books from the genre, usually those that have movie adaptions. There is no consideration of how polarizing these books tend to be with readers of the genre, or that the phenomena of popular books often stem from the effort publishers put into marketing a book. Critics of young adult literature analyze a few novels as a representation of the genre as a whole, without choosing their sample based on the reading patterns and preferences of those who regularly read within young adult literature.

Janice Radway investigated a similar instance of reader and critic dissonance within the romance novel genre. She found that the major failing in analyzing why women read romance novels was that “they ignore romance readers’ own book choice and theories about why they read”1 and instead “produce their explanation merely by positing a desire in the reading audience for the specific meaning they have unearthed”2. This occurs within many articles written about the negative aspects of young adult fiction. Most articles mention at least one of the following popular books: Divergent, The Hunger Games, Twilight, and The Fault in Our Stars. Ruth Graham, in her article “Against YA” says “Let’s set aside the transparently trashy stuff like Divergent and Twilight, which no one defends as serious literature… These are the books, likeThe Fault in Our Stars, that are about real teens doing real things, and that rise and fall not only on the strength of their stories but, theoretically, on the quality of their writing”3. She goes on to claim that “these books consistently indulge in the kind of endings that teenagers want to see, but which adult readers ought to reject as far too simple. YA endings are uniformly satisfying”4. Of all the novels commonly cited, only Twilight has a truly neat and tidy ending. Katniss and Peeta battle PTSD for the rest of their lives, Tris dies almost arbitrarily, and Hazel buries her boyfriend while coping with the fact that she will die soon and leave emotional wreckage in her wake. This reading of young adult fiction ignores both the endings of the books she herself uses as examples, as well as the reasons people may read these books.

Critics present reasons behind the consumption of young adult literature which ignore why readers themselves claim to read the genre. The book choices themselves are clearly from those that were made into movies and had a large initial surge in popularity that made them sensational. Many within the reading community, however, do not feel that these are a reasonable sampling. On Goodreads, a social media site that is described as Facebook for book lovers, these books are polarizing. For Divergent, many reviewers take issue with a lack of world building they see evident in the novel.5 Reviewers of Twilight who rated the book less than three out of five stars all cite either poor writing or badly developed plot.6 Graham and other critics ignore readers’ method for choosing books in citing the reasons for the popularity of young adult literature as “escapism, instant gratification, and nostalgia”, the nostalgia being only applicable to adult readers of this genre.7 Readers themselves, however, cite very different reasons for why a young adult book is worth reading or not. The most popular young adult fiction book of 2016 on Goodreads was Salt to the Sea, and nearly all the reviewers who loved the book list the beautiful writing as one of their top reasons that the book blew them away.8 The most popular young adult fantasy book on Goodreads was A Court of Mist and Fury, and readers most often discuss the beautiful storytelling and character arcs as a reason the book was their favorite.9 None of the reasons listed by Graham are found in the reviews on Goodreads, showing a lack of connection with the actual people who read young adult fiction. Considering the scope of young adult fiction, it is telling that the same titles reoccur again and again in articles that bemoan the genre as a whole; analysts of young adult literature are ignoring how readers themselves choose books and why.

A common criticism of young adult fiction is that the heroines are poor role models for young girls, Mary Sues who exhibit no personality and whose existence is reliant on two boys, neither of which she can choose between. This once again shows that critics do not take reader preferences into account when looking at young adult literature. Most consumers of young adult literature are put off by books that fit this exact description, and they prefer books with nuanced and diverse characters and heroines. Tara Burton, from her time as a ghost writer of young adult fiction, claims that “The typical ‘character pack’ provided with my outline tells me that Mary is ‘nice, smart,’ and other vague adjectives; she rarely gets narrative space to prove it”.10 However, reviews taken from Goodreads show that heroine personality matters when picking books. For Dark Triumph, one five-star reviewer said “Sybella took me some time to adjust to. She’s darker, moodier, more pained, and sometimes verges on crazy, though one can’t blame her. However, as I got used to her and came to know more about why she is the way she is, I became even more bonded to Sybella, and even more desirous for her to overcome the horrors of her life”11. This character description clashes with Burton’s insistence on the young adult Mary Sue heroine. In the first ten reviews for Dark Triumph, all mentioned the characterization of the main character and discussed why they did or did not like her. One explanation for this difference in experience with young adult novels could feasibly be that Tara Burton, as a ghost writer, only interacted with the portion of novels that are written quickly by publishers in order to tap into a trend. These novels are focused on quantity over quality. This demonstrates what Radway claims is necessary for critical analysis of a genre, a consideration “first whether she is a member of a different interpretive community than the readers who are her ostensible subjects”12. The majority of critics of young adult fiction are adults, oftentimes ones who do not consume any young adult books at all. A belief that all young adult heroines exhibit ‘Mary Sue’ characteristics clashes with readers’ own preferences for books with complex heroines.

Critics continually dismiss young adult fiction as lesser literature, however their analysis of the genre hinges on a few highly sensationalized books. These books, which often are poor examples of novels favored by young adult readers, are chosen partially based on popularity. Readers’ own opinions of what makes a good young adult novel are not factored into the analysis of why individuals read these kinds of fiction. The readers’ preferences are not examined or considered when deciding which books are representative of the genre, leading to the dissonance between critical opinion and reader thinking.

Janice A. Radway, “Women Read the Romance: The Interaction of Text and Context,” in Feminist Studies Vol 9 No. 1, (Feminist Studies, Inc, 1983), 54.

Radway, “Women Read the Romance: The Interaction of Text and Context,” 54.

Ruth Graham, “Against YA,” The Slate Book Review, (June 5, 2014): http://www.slate.com/articles/arts/books/2014/06/against_ya_adults_should_be_embarrassed_to_read_children_s_books.html.

Graham, “Against YA,” http://www.slate.com/articles/arts/books/2014/06/against_ya_adults_should_be_embarrassed_to_read_children_s_books.html.

“Divergent,” Goodreads, accessed February 17, 2017, https://www.goodreads.com/book/show/13335037-divergent?from_search=true.

“Twilight,” Goodreads, accessed February 17, 2017, https://www.goodreads.com/book/show/41865.Twilight?from_search=true.

Graham, “Against YA,” http://www.slate.com/articles/arts/books/2014/06/against_ya_adults_should_be_embarrassed_to_read_children_s_books.html.

“Salt to the Sea,” Goodreads, accessed February 17, 2017, https://www.goodreads.com/book/show/25614492-salt-to-the-sea?from_choice=true.

A Court of Mist and Fury,” Goodreads, accessed February 17, 2017, https://www.goodreads.com/book/show/26073150-a-court-of-mist-and-fury?from_choice=true.

Tara Burton, “‘Ghost Stories’: The ubiquitous anti-feminism of young adult romances,” New Statesman, (February 24, 2013): http://www.newstatesman.com/culture/2013/02/ghost-stories-ubiquitous-anti-feminism-young-adult-romances.

Christina (A Reader of Fictions), May 10, 2012, comment on “Dark Triumph,” Goodreads, https://www.goodreads.com/book/show/9943270-dark-triumph?ac=1&from_search=true.

Radway, “Women Read the Romance: The Interaction of Text and Context,” 55.

#rachelbracecriticalwriting

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