something really gets to me about eiffel and hera talking to themselves while addressing each other - in am i alone now? and the watchtower in particular. i can't say this to you, but you're still the person i want to tell it to. i know there's no way you can hear me, but if you can...
eiffel talks to himself a lot, and he is very used to being alone with no one paying much attention to the things he says, so i'm not sure he ever realized exactly how much until he was on the hephaestus. in the early days of the mission, i imagine hera responded to a lot of eiffel's asides and sort of embarrassed them both. and then that sort of... shifted. their relationship shifted, they got comfortable being around each other, and eiffel's conversations with himself started including hera, too. i like the idea of that as an establishing moment: that, at some point, there was a first time eiffel said something in an empty room, and hera was so used to him talking to himself that she didn't realize it was meant for her, and he asked her, "hera? are you there?"
i imagine hera still talked to eiffel, too, when they all thought he was dead. with each day increasingly longer and more difficult, that she would vent her frustrations to the empty comms room the same way he would've encouraged her to when he was there. she can't talk to anyone the way she can talk to him, and they just... keep talking to each other, even when they can't. they are so much a part of each other, the voice of encouragement and comfort in each other's heads. for so long, all they can really do for each other is talk, and they maintain that connection even in absence. they ask each other "are you there?" like reaching for each other's hands in the dark.
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innocently logging in to look at the Twst schedule for May like
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until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.
but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).
anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm
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A certain first encounter
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even if i didnt love botw as much as i do, totk drives me nuts bc, similarly to pokemon, this series is so SO SO full of potential, they have so many games they can pull from, theres so many themes, characters and worldbuilding thats just left to rot, you dont need to connect anything with a chain to old titles, you dont need to bring back any things that already had their ending, but PLEASE harness at least a fraction of all this!!!! and they just refuse to do it beyond shallow references
totk jsut drives it all home to me, bc this isnt just the next game in the franchise, but a DIRECT SEQUEL no 10 years apart from botw, yet they cant even, they REFUSE to even keep the continuity with its OWN lore it established in botw together, and that, i think, is what truly makes me so insane (derogatory) about totk
it PROVES they do not care, they dont care to build on anything of the lore of old titles beyond references in form of amiibos or whatever, they dont even care to make a sequel to their most successful game in the franchise coherent with its own lore
botw established a captivating detailed world full of potential, while lacking in active storytelling, it had environmental storytelling, characters and ideas that were the perfect ground to build on-
and then they do away with it bc idk .. they want you to build mechs and make videos of it that go viral and thats all they care about or something
shiekah tech? forget that existed
character being the character you know? act as if you are seeing them for the first time just like they are
lame story? dont think about that just be distracted by the epic presentation of it
lore the previous title established? forget that, all that matters is what is here and now
beloved character from old games beign brought back? hes a new guy and has no background and no lore and just sits waiting for you at the end to have a flashy fight with
references from old titles and their lore? just here for nostalgie bait, dont you remember? you LOVE this series, now give me 70 bucks for a glorified DLC that ruins what you loved about the series and makes you realize that nothign matters and nothing is interesting anymore
you are supposed to take it all at face value, to not think about anything, to see a character say something and just go with it, and forget it the second its over, be distracted by good music and pretty visuals, but dont think about, dont think about anything but what is directly said to you like you have no critical thinking skills, forget there was a game before this one, only the one you play matters, empty your skull and dont let yourself feel anything but what the game tells you to feel
if they dont even care to make the sequel to their most successful game actually build on the previous title, dont even care to keep their continuity of two games supposedly directly happening one after the other in tact- maybe they never cared, and all the meaning we thought we saw them build into their games was all accidental and meaningless
and that is absolutely soul crushing for fans like me to discover
its a game.
its not a story, its not a world, its not themes, its not characters, its not lore.
its a product made to make you pay money, not to make you think about anything.
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some of the astarion HCs that cross my gaze are trying to make him sexier + classic romance novel lead than he is Im afraid…… before he will be your sexy protector dominate boyfriend he’ll probably be like “babe do you think you can help me with this” “but that sounds like soooooooo much woooork… fine 🙄🙄🙄🙄” love him at his whiny twink self come on now
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soooo I had a lore idea earlier that ties into the rewrite really well,,,,,,
Poor unfortunate souls am I right :)
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Q: I will never let you go, mon capitaine.
Picard: Do you mean that as a promise or as a threat?
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the naruto vs neji fight makes me laugh because:
naruto frames his win as a victory for "hard work" (as opposed to inborn talent) even though the only reason he turned the battle in his favour was due to his innate potent chakra reserves. neji may be a genius, but he also learned and mastered the hyuuga main house techniques through his own labour. neji is a closer representation of hard work than naruto will ever be (especially when it comes to this fight).
naruto goes "haven't you considered HINATA is suffering too" after hearing about how neji's dad died for the main house
realized how fucked up it was that neji refers to hinata with the suffix "sama." the only others who receive that level of deference are the kages and the sannin.
naruto seems more outraged at neji for reacting negatively to what’s been done to him and his father than hiashi or the hyuuga clan in general (because he, too, is an orphan boy and he alone gets to dictate how every other orphan in the series behaves, apparently)
naruto immediately shelves the issue of the hyuuga clan to be revised after he rises to the position of hokage.
naruto says to neji "you can change your destiny." myself and presumably all audience members assumed that meant neji would not die for a main house member exactly like his dad did.
and watching this fight for the first time i thought "great we'll get development on all these fronts for naruto and neji and the hyuuga plotline later on" and isn't that just hilarious
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"Mr. Page received your letter directed unto my lady Anne, and delivered the same. There is yet no answer. She gave kind words, but will not promise to speak to the King for you." Cromwell to the Cardinal.
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[SPOILERS FOR F&C EP 9 AND 10]
so.. prismo glitching, scarab new wishmaster -> potential for lore behind prismo and wishmasters (also who the hell is their boss..), nice that simon got therapy but they didn't really explain minerva's sudden human-like consciousness, am i losing it or was golbetty turning into a humanoid form as simon got launched away?? and in the altered memory was simon talking to betty or was it his imagination??
the finale was good, but it left me with a lot of jumbled feelings and a LOT of loose ends. i'm hoping this isn't the conclusion for simon and fionna and cake's story (hell even prismo because he's seriously gotta deal with his post-jake depression, and then there's finn on that same boat) and that there's a season 2 along the way, because there's a whole chunk of stuff that wasn't really elaborated on as much as i would've liked, and some character arcs still feel a little.. incomplete?
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Fandom will be like “Arthur wouldn’t have been so bigoted if it wasn’t for [that EVIL Merlin trying to fulfill the prophecies through Arthur to create a long-lasting future for his kin. oh and Uther] the actions of everyone else around him” bro it doesn’t sound like much accountability is being held for one’s own actions :/ bro
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man i know im biased because he is my favorite but i just feel like some people are making orym out to be more bloodthirsty than he is. i don't think im 'uwuifying him' or whatever and maybe i need to rewatch thursdays episode but i just dont think him realizing and accepting that he can't keep trying to peace talk his way through a cult anymore is the same as him going Dark Orym, you know. not while they're facing the gods-sized, world-changing problem that they are.
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Me, lying face down on the carpet: I don't know how many times I have to explain that people love characters like Steve Harrington and Zuko, is that they have done things that are bad. They have said things that are bad. Possibly reprehensible. Possibly violent.
But then. And this is THE fundamental aspect of them that you must understand, they realized they were wrong. They realized that what they did and who they were were not things they were proud of. Were not things they liked doing or wanted to continue doing. Were things that hurt people. They realized that they didn't want to be that person anymore.
And then they changed. They went and tried to apologize to those they wronged. They worked to fix what they had done or helped do. They made strides to be different from what they once were.
Zuko stood up to his father, he apologized to the Gang, admitted to them he and his people were wrong, and taught Aang Fire bending. He changed and he helped and he apologized.
Steve helped clean up graffiti, he went to Jonathan's house to apologize for the terrible things he said and their fight(and got dragged into monster fighting and saved Jonathan and Nancy's lives), he replaced the camera he broke.
They owned up to their mistakes and apologized and did their best to remedy them. The apology and the changed behaviour make these characters likeable. They have flaws that have glared but they have accepted those things, tried to do better than them.
I need you to understand that there are characters out there that do the same things but never apologize. When you question why someone likes character a but not character b, when character a has also done bad things, I need you to think about whether or not that character has apologized and since changed that behaviour and thus been sincere in their apology. That is why. No excuse or justification. Did the character apologize and change? Did the other not? There you go.
Me, sitting up with the imprint of the carpet on my face: Woah haha where'd that come from?
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