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#but she doesn't have a choice!!!!!!!
the thing is. once bella goes to volterra it’s over. she will always become a vampire. she doesn’t have a choice--she has a choice about how, maybe, and when, but only within bounds, (and only if she’s willing to give up a normal life and go on the run anyways), and her story will always end the same way. of course she’s going to pick edward, she might as well have an illusion that she’s doing it out of love!!!
twilight is a horror story
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moghedien · 2 months
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obsessed with whatever this weird ass romance arc they're in is
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ingravinoveritas · 2 months
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So I just wanna ask u just does this look like a real happy healthy relationship and in love with each or just put on for show for the fans and why do I feel like she making it all about her again and reminded everyone who she with it feels micheal was forced in the pictures taking with her the red carpet photo she looked bored and annoyed cos michael not paying any attention he just look miserable but I bet if it was David standing there instead of anna his face would be beaming like the one Georgia posted of them 4 together micheal face is electric and see how he lean toward David that best friend goals and I just love seeing them together cos that when he at his most happiness place
Also I find it strange that Anna was left out in staged scene but David wife gerogia made appearance doesn't that strike u as odd and gerogia brought the plus one date a girl could have and it wasnt anna yet they call each other wife clearly not as close etc then David and Michael are it seems.
And did u notice in the scene with David and Tom hiddleson about the dog sitter initially could present as benign and then he and the dog get up to all kinds of hijinks and ultimately disrupt stuffy old Michael sheen boring life but for the better like why put that in the script maybe his life with anna is boring and only staying cos he feels he needs too for the young children what do u think of all this
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From @amata-haan along with a screenshot of the group photo:
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(Grouping all of these together since it seems we've got a bit to talk about here.)
So, the biggest point of discussion seems to be the group pic that Georgia posted, and I will put up a larger size of that for us to discuss:
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When I saw that Georgia had posted this in an Insta story, of course my first thought was "Finally a picture of Michael and David together!" I think that was what we were all hoping for all night, to where it was almost glaring that we hadn't gotten one when the event ended (until Georgia's post, that is).
The second thing that came to mind is what you alluded to @moriarty-sisters, about this being a near repeat of what we've seen a few times before (first at the NTAs in 2021, and then the group photo Georgia posted on Michael's birthday, that appears to have been taken after Michael went to see Macbeth):
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Every time, Georgia is on the right. Every time, she and Anna have the same tight smiles while Michael and David have huge grins on their faces. At this point, it feels intentional, because twice might be a coincidence, but three times is a plan. There are slight differences to the vibes in each picture--although Georgia looks like she knows a secret and Michael and David look like a very happy couple in every one of them--but last night's group pic was...something.
Which takes me to your comment @phantomstars24 about how Michael is holding AL. I was under the impression that he had his hand on her waist, but if he is touching her breast, I'm perplexed at that being her reaction. She looks stiff and like a deer caught in the headlights, and regardless of where Michael's hand is, it doesn't seem like that's a great way to look when your own boyfriend is touching you. Adding to the strange optics is the fact that Michael is actually leaning toward David in the picture and away from her. It looks like his arm/shoulder is pressing into David and there isn't a millimeter of space between them, yet he seems to be a mile away from Anna despite having an arm around her.
(And none of this is even touching on Georgia using the theme song from Friends in the Insta story for the group pic, which she had to know we would all notice...)
So yes, a lot of thoughts on the group pic, but overall delighted to see Michael and David looking so happy next to each other. Especially Michael, in stark contrast to how he looked in some of the other pictures.
Speaking of which...I briefly talked about Michael and AL at the BAFTAs yesterday here and here, so I will try not to repeat myself too much in this part of my answer. But what I think we are seeing is two things: Anna's fantasy of what she thinks her and Michael's relationship is, and the reality of what we saw at the BAFTAs.
I think in AL's mind, she and Michael were like Georgia and David. But if we are going to say that Georgia and David were very loving and sweet together on the red carpet yesterday--which they absolutely were, with the kiss they shared and David comforting Georgia when she was experiencing anxiety--then there is no way you can look at the pictures of Michael and Anna and see the same thing. Even without bringing GT/DT into it, there is a massive, marked difference between pictures of Michael with AL vs. pictures of him with literally anyone else (such as this pic with Hannah Waddingham).
Looking at Anna's pictures that she posted, every one of them seems to be about ownership, right down to the Insta story with the #mine hashtag (which again seems to be her copying Georgia, also on the night of an award ceremony). The vibe that I got was of a teenager who'd won a date with her favorite celebrity and took him to the prom. Ultimately, though, she looked out of place, and he looked uncomfortable with her, both of which are a remarkable feat after five years of a relationship.
The pictures also repeated themes we've seen before (AL has previously posted a picture of her kissing Michael's cheek where he looks equally withdrawn; the photo in the car on the way to the event is a copy of pictures Georgia has posted of her and David in the car on the way to events) and speak to that idea of pushing a certain narrative, despite neither one of them appearing to sell it very well.
To that end, and to your comments @lepqueen and @turquoisedata, I would agree with you that it looks like AL is trying to mark her territory. The problem is that Michael had more chemistry just talking with David in that opening BAFTAs sketch than he did with Anna the entire night, and she was frequently left looking like she had no idea what she was doing or why she was there. Another example of this is an Insta story she posted earlier today that again demonstrated her main interest in the relationship:
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What's particularly noteworthy is the follow up Insta story on the right, which I couldn't believe she actually posted. I think that if you are fine and happy with the narrative you've put out, you are not going to be bothered by or salty about a comment like that, and AL clearly was. And all of this then casts at least some doubt that the pictures she posted are really telling the whole story. Just a recap of what we do know about last night (and if I am forgetting anything, someone please let me know):
- Anna was the only principal member of the cast who was not in the Staged-themed opening sketch, despite being in all three seasons of the show. - Anna was not seated next to Michael during the in person part of the opening sketch, despite there being no reason the producers couldn't have put her next to him even as a seat filler. - Georgia brought her friend Daisy Aitkens as a +1 and sat with her instead of Anna, leaving us with the above picture of AL sitting alone and staring straight ahead while in the background of a Michael J. Fox picture (that she is acting like is a picture of her with him, instead of her photobombing a picture of MJF with his wife). - During the show, the camera repeatedly cut to Michael in the audience when there was no reason to do so, but did not show Anna on camera once.
So yes, I think that if last night at the BAFTAs was somehow AL's attempt to mark her territory/assert her place in the UK acting industry, it did not seem to go over well. I think David and Georgia's relationship and Michael and David's relationship emerged even stronger than before, and unfortunately AL and Michael's relationship did not and does not compare.
My apologies for rambling on, as I never intended for this to get so long. As I've said before, this is all just my opinion, and I know I could be completely wrong, so I'm glad as always to hear from my followers with your thoughts. Thanks for writing in! x
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dootznbootz · 1 month
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I'm happy that the "Helen is of Sparta, not Troy" post is getting seen and people are giving love to her as they should but I'm getting a wee bit frustrated by the Menelaus inclusion with the whole "She was a possession to others and never had a choice".
Yes, Helen is a victim of fate and multiple horrible circumstances. She gets kidnapped by Theseus and Paris. So much blame is being put on her when she really isn't at fault and doesn't have much choice.
A choice she made though? WAS MENELAUS!
The Oath of Tyndareus was all about how "If you want to have a chance of marrying her, you have to swear to respect her and her choice and defend their marriage if it's needed".
If anything, Menelaus was her "prize"! Not the other way around!!! And they are clearly shown caring for one another!!! uyfuygluhyutfugy
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bumblingbabooshka · 7 months
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My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy
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Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
#amok time#T'Pring i s....T'Pring she....-puts my head through a wall-#PLEASE read under the cut for my rambling about T'Pring in amok time pleasepleaseplease#tired of 'T'Pring is evil/a bitch' and VERY uninterested in 'T'Pring is a girlboss'#T'Pring is a person in a society which doesn't think she has the right to make her own choices who's in [love] with a man who [loves] her#back in what I'd like to think is implied to be a slightly subversive way in its mutual and fervent nature (whether the writers thought#this was a good or bad thing - who knows. We know better RIGHT??)#and yes I will stylize T'Pring's hair differently every single time I draw it HEHEHE#star trek tos#Spock#T'Pring#also of COURSE something something spock/kirk & stonn/t'pring parallels: To keep your beloved safe you have to force someone else to kill#theirs - not BC you hate him (you don't) but you don't love him either and why does HE get to have you even if you don't want him?? Why doe#he get to 'give' you to the person YOU chose?? It's not a hatred on a person level (which I wanted to portray with the 'brothers') portion#but a sort of societal embodying.#I will think about T'Pring not wanting to be 'the consort of a legend' every damn day !!!#They really could have laid it on thick in making her evil guys...T'Pau even makes a comment about Spock's 'vulcan blood is thin'#but all T'Pring says is that Spock is a legend and she doesn't want that for her life. She wants Stonn.#And you're gonna sit there and you're gonna tell her that she's wrong!??? Spock doesn't even want to be with her!! Why is she so hated!?#CAN WE FREE MY GIRL??? She did all that but it's being read in the worst faith possible!!#comix#bea art tag#star trek art#She literally says the word 'FREE'...she's TRAPPED!!!
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canisalbus · 9 months
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Does machete have to hide his relationship with Vasco? Since he's a cardinal and all. That's gotta be tough considering how hard of a life he's had.
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zellk · 1 month
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Forgot to share here.... old doodles of when I finally came around to finding a design I like for Qalaari's mom !!
#it's so fucking funny to me that i inadvertently gave her a variant of the “mom about to die” haircut because... well...#surprise... she did die when Qalaa was young (12) :'^)#Qalaa (now between 20 and 22) still hasn't gotten over it#her mom had really weak health and really shouldn't have had a child but she made her choice#it turned out to be not the best one for her health LMAO#who wouldve thunk#but hey she wanted it and i'm pretty sure she doesn't regret it#but well... Qalaa does feel like she was a participant in her mom's death#(the other participant being her biological father who ran away before she was born and shattered aamira's heart)#ANYWAYS#i love qalaa's messed up familly#it's like a regular messed up story where actually no one (and everyone) is to blame (except Qalaa lmao she asked for NOTHING)#Aaamira gave so so much love to her child ;;;;;; this built the unbreakable core of Qalaa's kindness#aamira#aamira croquelune#aamira molandine#croquelune#still thinking about making that potentiel small DnD 'lore addon' of Qalaa's village that you can take and plug in your very own campaign#as long as you have 'far from civilization' woods or mountains you can put them in there#a village that welcomes the 'monsters' and the cast out#(like aamira)#look at me rambling in the tags lmao i just love qalaari (& her background) so much#last thing tho : you have to understand that Aamira is small and very slight and Qalaari was a HUGE baby and is a really big girl overall
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clonerightsagenda · 2 years
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Tried and failed to make a coherent post about this but the Granny Weatherwax moment that lives with me forever that I never see quoted is the “what has he ever done to me, that I should hurt him so”
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vickyvicarious · 8 months
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Dracula Declarations of Love
There is so much love, and so much talk of love, in this book. It's extremely hard to pick a favorite, but let's give it a go (or just get emotional over a bunch of quotes lined up together).
I tried to stick mostly to declarations/talk about (rather than acts of) love, primarily to focus on specific quotes and help me narrow it down to just twelve (still a big challenge). Before anyone asks, no, "I too can love" is not on here because Dracula's version of love doesn't stack up to the others for me in terms of emotional impact. And these were definitely chosen by my personal preference of specific quotes; there are a bunch of other great words of love that didn't make it in. Also, important note - this is not exclusively romantic love by any means.
The whole quotes don't fit in the poll, so please read below before you vote.
Full Quotes:
11 May, Lucy: "Oh, Mina, couldn't you guess? I love him. I am blushing as I write, for although I think he loves me, he has not told me so in words. But oh, Mina, I love him; I love him; I love him!"
24 May, Quincey: "If that other fellow doesn't know his happiness, well, he'd better look for it soon, or he'll have to deal with me. Little girl, your honesty and pluck have made me a friend, and that's rarer than a lover; it's more unselfish anyhow."
19 August, Mina: "I have cried over the good Sister's letter till I can feel it wet against my bosom, where it lies. It is of Jonathan, and must be next my heart, for he is in my heart. [...] I must write no more; I must keep it to say to Jonathan, my husband. The letter that he has seen and touched must comfort me till we meet."
24 August, Jonathan and Mina: "Then he took my hand in his, and oh, Lucy, it was the first time he took his wife's hand, and said that it was the dearest thing in all the wide world, and that he would go through all the past again to win it, if need be. [...] Well, my dear, what could I say? I could only tell him that I was the happiest woman in all the wide world, and that I had nothing to give him except myself, my life, and my trust, and that with these went my love and duty for all the days of my life."
24 August, Mina: "Lucy dear, do you know why I tell you all this? It is not only because it is all sweet to me, but because you have been, and are, very dear to me. It was my privilege to be your friend and guide when you came from the schoolroom to prepare for the world of life. I want you to see now, and with the eyes of a very happy wife, whither duty has led me; so that in your own married life you too may be all happy as I am. My dear, please Almighty God, your life may be all it promises: a long day of sunshine, with no harsh wind, no forgetting duty, no distrust. I must not wish you no pain, for that can never be; but I do hope you will be always as happy as I am now."
7 September, Arthur: '"What can I do?" asked Arthur hoarsely. "Tell me, and I shall do it. My life is hers, and I would give the last drop of blood in my body for her."'
17 September, Mina: "Jonathan asks me to send his 'respectful duty,' but I do not think that is good enough from the junior partner of the important firm Hawkins & Harker; and so, as you love me, and he loves me, and I love you with all the moods and tenses of the verb, I send you simply his 'love' instead."
30 September, Mina and Arthur: '"I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters; and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won't you let me be of some little service—for Lucy's sake?" [...] "I know now how I suffered," he said, as he dried his eyes, "but I do not know even yet—and none other can ever know—how much your sweet sympathy has been to me to-day. I shall know better in time; and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives—for dear Lucy's sake?"'
3 October, Jonathan: '"Nonsense, Mina. It is a shame to me to hear such a word [unclean]. I would not hear it of you; and I shall not hear it from you. May God judge me by my deserts, and punish me with more bitter suffering than even this hour, if by any act or will of mine anything ever come between us!" He put out his arms and folded her to his breast; and for a while she lay there sobbing."
3 October, Jonathan: "To one thing I have made up my mind: if we find out that Mina must be a vampire in the end, then she shall not go into that unknown and terrible land alone. I suppose it is thus that in old times one vampire meant many; just as their hideous bodies could only rest in sacred earth, so the holiest love was the recruiting sergeant for their ghastly ranks."
11 October, Mina: "You are nearest and dearest and all the world to me; our souls are knit into one, for all life and all time."
31 October, Mina: "We are truly in the hands of God. He alone knows what may be, and I pray Him, with all the strength of my sad and humble soul, that He will watch over my beloved husband; that whatever may happen, Jonathan may know that I loved him and honoured him more than I can say, and that my latest and truest thought will be always for him."
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uselessnbee · 5 months
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what i wish people would also explore more when it comes to Percy is the other side of his feelings about his mom about family and his childhood but this fandom is too afraid to paint Sally even in the slightest bad light (even if it's not bad just acknowledging her flaws because she's a human being and not perfect) that no one will touch on that subject. like yes Sally is the best mom but she also isn't and that's the thing! She isn't perfect! but she tried her best but her best still got Percy hurt and it isn't her fault at all but that's the tragedy of it. i want Percy's feelings about this explored. how he grew up with a loving mom but an abusive step father. how his step father would humiliate him and call him stupid but then his mom soothed him and told him he's not the things Gabe calls him. how Gabe would hurt him and Sally would be there to make him happy and loved but at the same time she stayed with him. i want Percy's feelings explored about how he knows his mother loves him but her absence still hurt him. she would work so much to have money to raise him she did that for him but at the same time it meant Percy was left alone or with Gabe. Sally gave up so much for him, she sent him away to protect him but at the same time he was sent away from his mom. she's the only parent he has because his father is absent and Gabe is not actually a parental figure at all but she's also often absent in his life too and that must have left him with such mixed feelings because it's not all black and white! Sally's love protected him but also hurt him. Percy loves his mom so so so much but there's also this deep-seated bitterness and hurt and anger he never let himself feel and then the guilt for having those feelings because his mom loves him he knows that and she gave up so much for him and she married a monster that abused her to protect him, he knows that but it doesn't make it hurt any less. the mess his emotions are because he knows his mom suffered for him and did it from her love for him but he still desperately wishes she never married that monster that he wouldn't have to have the childhood he had with him that he wouldn't have to live with the trauma he was left with. this all is exactly what makes their relationship so fascinating and also heartbreaking.
or the idea of Percy having weird mixed feelings after Estelle is born because that's his little sister and he loves her with his whole heart and would do anything for her and wants only the best for her but there's also this little jealous monster deep down that wonders why she gets to have a loving mom and a loving dad and a happy normal life but he never got that. why does she deserve it but not him? why couldn't he have that too? doesn't he deserve that too? he was just a child too so why why why??? and then the guilt of feeling that way too it makes me want to scream. emotions are fucking messy and they can be really ugly and they can make you hate yourself and there's no way Percy's feelings aren't a mess when it comes to this and i want to see it explored so badly!
and with Sally too! her feelings about Percy because she did so much and tried her best but sometimes unfortunately your best isn't good enough and it still got her beloved son hurt and she hates it and feels so guilty but she just has to live with that but she can't help to wish it was different. that their lives would be different. better. normal. she can't help but to wish she didn't have to do the things she's done, didn't have to suffer so much just to protect her child. can't help to wish she didn't have to worry so much, didn't have to be so scared about Percy, didn't have to be terrified that one day he won't come back home to her, that she won't be able to hold her son anymore because he will be gone, she just wishes he didn't have to suffer so much, she just wishes and wishes and wishes
and i just wish people weren't so afraid to explore this because it's so heartwrenching and yes if you want something do it yourself but unfortunately i cannot write nor am i able to handle this topic in a way it deserves so i am left only with rambling about it on here thank you
#i am not trying to victim blame or anything i love Sally and she did her best and didn't deserve any of the crap life gave her#but there's just something so tragic about the fact that she married a vile man and suffered abuse to protect her son#just for her decision to hurt him anyways just in a different way but the only other option would probably be Percy ending up dead#so she can't really truly regret it but she just wishes those weren't their only options#that she didn't have to do this just so that her child could stay alive#thinking about it makes me go feral#they had no choice but to suffer there was no way for their lives to be without this much hurt and trauma and it's terrible#and they didn't deserve it but there was so much love too#but the horrible thing is that that love just wasn't enough to save them from all that pain and i need to be sedated bye#percy jackson#sally jackson#pjo#hoo#percy and sally#percy jackon and the olympians#whatever you do don't think about a six years old lonely Percy sitting in a corner waiting for his mom to come back home from work#and he knows she loves him but he misses her so much when she spends so much time in work and that hurts#don't think about a ten years old Percy being sent away to a boarding school and he knows his mom loves him#but what if she's sending him away because he's just too much? or not enough? and what if she doesn't want him anymore?#and he knows that's not true but what if?#i'm thinking it#okay i think that's enough
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bonebabbles · 3 months
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Slash's Famous Scene
Here we are, lads. Everyone's favorite scene in the totally best arc of WC. The one where Slash pins a pregnant woman to the ground and licks her face, while threatening her fetuses and cutting her cheek open so Clear Sky can have more man pain.
So far I've been using "fridging" as synonymous with the brutal killing of a female character to advance a male character's arc; but I do want to remind everyone that the term "fridging" describes disproportionate violence done to women in the service of their husband/brother/father/son's arcs. It doesn't HAVE to be death; it can also be battery, maiming, depowering, or sexual assault.
So far, 8 women have died to serve male arcs, most of them for Clear Sky specifically. Fluttering Bird, Bright Stream, Storm, Misty, Bumble, Turtle Tail, Rainswept Flower, and Petal. Now Star Flower gets sexually harassed and kidnapped, bringing the arc's fridge total to 9.
Anyway content warning, obviously. It's still Warrior Cats and doesn't get too graphic, but this bag contains a dead dove.
First, Clear Sky gets another toesucking from the ghost of his wife who died after leaving his controlling ass. Specifically, after he threw his disabled brother out of his Clan, and after his lust for seeing random people (including his brother) get mauled at the border resulted in the death of Fox.
She tells him that his behavior never drove anyone away, it was all totally not his fault. I'm waiting for a laugh track and it never comes. The apologetics in this arc are unrivaled.
Then, Clear Sky wakes up and his pregnant wife is not next to him. So he goes looking for her and sees her being flanked by Slash and his memorable minions, Grunt 1 and Grunt 2. Star Flower is so possessed by fear that she doesn't move.
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They REALLY need to sell that Slash is TRUE evil, PURE evil, because of the wet fart that is Clear Sky's redemption arc. They're saying that Clear Sky ISN'T bad, because he is not this. A dirty, sadistic monster who coos evilly about how he's going to hurt the kittens in his wife's belly and cruelly twitches his whiskers.
(as a petty side detail, please also note that this passage cannot even keep Slash's fur color straight. Behold, a cat so evil that he cannot even remain a brown tabby! He turns gray when he commits nefarious deeds! Ashfurification included!)
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Star Flower is the one being pinned to the ground and having her face cut open as Slash screams about how she promised her father she'd be his mate, but this scene is about Clear Sky's distress. Star Flower is an object to this narrative, which these two men are in conflict over.
The pinning, the violence, the sexual implications, are being done to make Slash as monstrous as possible to contrast to Clear Sky. Slash doesn't kill anyone, so the narrative needs to make you SO UPSET your emotions are thrown into overdrive, so you'll accept how truly terrible he is.
The simple truth that this rancid book is trying to make you ignore, is that Clear Sky is exponentially more deadly. He has caused harm so unspeakable that they have to describe his bloody murders in passive voice. They "died" now, instead of "were killed," and the violent system he created is presented as "making up" for the trauma he's caused to the survivors.
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"Pushing his muzzle close to her injured cheek, he licked the blood from her fur with a long, lingering lap."
Think critically about the characters they are presenting and the actions they make them do. None of these are real people. They are writing choices. They have portrayed Slash as a perverted, domineering, child-abusing savage, so Clear Sky the Settler can look good in comparison.
then Star Flower gets dragged off, kicking and struggling, feeble and completely unable to defend herself as clear sky thinks about how she might die along with his fetuses.
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Obviously Clear Sky is so very stressed out by all this and needs to blow off some steam, so he smacks the nearest woman and starts screeching about how Star Flower is more loyal than the son he abuses
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The first thing he does after the Slash event was physically assault the nearest woman. I can't... I don't have the words. Are you seeing this. Do you see what I am fucking dealing with. literally the first woman he sees.
"DOES THAT FEEL LIKE AN ACT??" He bellowed like a fucking wifebeater at the girl whose face is bleeding because he cut her in a fit of rage. That's fine as long as you don't lustfully lick it afterwards I guess!!!
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scintillyyy · 3 months
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thinking about it again (steph's anger holding a lot shame & disgust for her parents/their life choices/her upbringing and her negative biases as a result and her desire to completely divorce herself from her roots & be, what she thinks is, better than that)
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possamble · 14 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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sysig · 5 months
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They’re perfect for each other honestly (Patreon)
#Doodles#Adventure Time#Fionna and Cake#Simon Petrikov#Golbetty#It's not exactly Petrigrof but like - it's not Not that either lol#I'm really really happy that the show acknowledges that Simon was selfish in his and Betty's relationship - it's Very Good#And at the same time in it's small way Beth does give the concession of ''I guess that wasn't exactly [his] fault''#They're both called out! Betty's obsession with Simon caused her own self-destruction - and she takes responsibility for it#Simon is still shafted with the consequences but it's not like Betty doesn't get her own consequences#This whole journey is just more consequences of both of their actions! Of what Betty modeled she was willing to give up!#And Simon loves her. He respects her. He was selfish and self-driven but that didn't stop her from taking root and inspiring him in return#Her being self-sacrificing and then in her own selfish way not letting Simon make the same mistakes as her I just hhhhh#They're so lovely ♥#It's a bit matronizing of her haha but she Wants with her entire essence - she always has <3#It's her turn to be selfish Simon has had his turn - she won't let him throw away her gift as much as he wants to#They're just both so beautifully flawed ahhhhh <3 <3#''We made our choices. We could've made better ones but...I don't have any regrets.''#It's about breaking the cycle! Of him rejecting making the same mistakes! It's beautiful ;;#Also all the halo imagery drives me nuts ♥ Angel bf and his cosmic goddess gf
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lemonhemlock · 1 month
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The truth about Alicent Hightower: why is she so disliked?
https://youtu.be/t9HjamrAMfU?si=QpoUMPQQSuTWmovz
I found this video on YouTube. I didn't watch the video, but I did read the comments, and many of them were negative toward Alicent. I want to know your thoughts on this video.
The comments are negative towards Alicent because the creator's request for engagement consisted of asking her audience to share why they disliked Alicent. Though I do feel inclined to enquire myself: why are you asking me to react to this video if you haven't even watched it?
Many of these talking points I have already addressed in my lengthy meta posts over time:
There is a conflation of Alicent from the books and Alicent from the show. Show!Alicent was not sent to comfort Jaehaerys and is more innocent and trusting that book!Alicent because she is younger.
Alicent is hated by many viewers for "seducing" Viserys. The creator says she doesn't and denies that people blame her for that, but they do. It's an easily-verified, observable reality and, thus, a strange thing to even say.
Jace/Helaena is not an advantageous marriage for the greens.
"Why was Otto spying on Rhaenyra?" It's literally his job. "He deserved to be fired". It's literally his job to be spying on everyone and report the information back to the King.
The Hightowers are faced with the fait accompli that Aegon will not be named heir. They went into the marriage fully believing that Alicent's sons would overtake Rhaenyra in the line of succession, as was the social norm.
It ultimately comes back to what I was talking about these last few days. This is the result of a conflation of several factors:
ignorance about what medieval social and economic arrangements actually were (what is feudalism? what is manorialism?);
stubbornly clinging to the notion that Westeros is an absolutist monarchy and that "the King's word is law";
downplaying the bastard issue, i.e. refusing to acknowledge how concerning the division of the marital estate was to inheritors and blaming it entirely on misogyny-fueled sex-negativism;
having no concept of what common law is or how it functions.
People can't let go of this image that Westeros is a capitalist modern state with an authoritarian leader (the King). And dragons. (It's Russia, basically. The dragons are bears).
Most of TB's discourse contains some combination of the above, which is why, honestly, at this point, if people are so invested in still talking about this, I would truly suggest a primer in medieval history, because this is getting ridiculous. These reasonings are just not rooted in a tangible basis of reality and trying to engage with them is like fighting windmills.
In the same vein, I wish people would stop bringing up the point of Alicent misunderstanding that Viserys changed his mind on his death bed. I get it, you think it's a dumb argument, but, lo' and behold, it's actually lifted straight from real history and, to the shock of thousands of Twitter users, it worked. What now? Stephen of Blois truly is crying in the afterlife because you think this little trick of his lacks realism. 🤦‍♀️
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sesamenom · 29 days
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Reverse Gondolin AU family portrait
#silm#silmarillion#idril#tuor#earendil#reverse gondolin au#is this baby earendil's first appearance in the au?#so I decided Idril & Tuor still get married in this au#mostly bc I want Earendil to exist.#i haven't figured out what I want to do with Lomion#but maybe he can be obsessed with tyelpe instead of idril bc they're friends in this au and idril showed up a lot later?#also c&c + celebrimbor moved to gondolin instead of nargothrond since Aredhel lives there#you may notice that tuor has a diff hairstyle & outfit in the au!#this is bc fashion trends in reverse gondolin are more influenced by aredhel's choices than turgons for obvious reasons#hence the white cloaks and shorter (but equally fancy) sleeves#also idril is lord of the mole in the au#my headcanon is that 'lord' as of the lords of gondolin is just the title regardless of gender for the specific role#'lady' is a different role with much less administrative stuff and more social/public-appearance type stuff#aredhel is the white lady of gondolin bc she does Not want to be a lord#so she does the occasional royalty-waves-and-smiles-from-a-tower type event when necessary#but other than that she doesnt have political duties#idril is the administrative/political leader of the Mole in the au hence she is a lord#shes also the lady of the wing bc she married tuor and is part of the house of the wing's nobility but doesn't do their political stuff#and tuor is the lady of the mole#reverse turgon after arrival has less of a interest in politics than canon turgon (the whole eol deal was rather traumatizing and he needs#time to recover)#so he's not one of the Lords but he is colloquially ar-feinion#his official title is some sort of prince#after he reaches a more stable emotional state he helps a lot w the political stuff when aredhel is out#so maeglin doesn't have todo everything himself
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