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starboundsingularities · 10 months

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tbh it's really always bothered me a bit that they never actually get into the consequences of misusing the magatama. sure, sure, they say your soul shatters, and like, yeah that's ominous and all, but what does it mean? obviously we never get to see that in-game but i've been thinking about it a lot and i would like to present these thoughts because oh boy there are a lot of them. long post under cut but it's a fun little au as well

alright so before getting into it all, obviously there are some things we're aiming to explain, in some sense, with this.

for one: what is a soul, even? most depictions of souls portray them as the very essence of one's self, as the "culmination of your being" or as some similar nebulous expression of an entire person. but... well, if a soul was the entirety of a person, what would that soul shattering entail? it would just kill them. which is a valid reading i guess but not very fun to mess around with and is also a reading that comes with some... troubling implications.

most notably, the meter on how close you are to that breaking point while using the magatama is the same meter as your penalties in court. not just in the asset used, which wouldn't be worth bringing up, but in the sense that once the magatama is introduced, that same value that meter is held at is shared between court trials and the magatama. before the introduction of the magatama, that meter refilled automatically between trials, each trial starting with it completely full, but after the introduction of the magatama, it was only ever refilled by successfully breaking psyche-locks. this is concerning, because it implies a direct connection between phoenix's soul and his performance in court, which probably wasn't intended but is very fun to mess around with and i love the idea of your soul being tied to your passions. however i don't love the idea of him Straight Up Dying if he does too poorly in court so. uh, no insta-death for soul shattering. anyways this whole side tangent never comes up again. thumbs up emoji.

anyways, if a soul shattering doesn't entail simply death, and if a soul isn't just someone's essence or personality or whatever, well, what is it? well, one compelling answer is that it's merely a container. it holds someone's essence or being or personality, but it itself is not that.

thus i present:

Soul Shatter AU

a soul is just a container. one that holds everything in. someone's passions, ambitions, personality.

someone's secrets.

if it were to shatter... without a container, everything would come spilling out. whoever was involved would be unable to keep anything contained within themself. sure, their physical self might be enough to hold in some of the more ambiguous, nebulous aspects of their "self", but it would prove rather difficult to hide something with nothing there to keep it hidden inside.

a fitting punishment, really, for abusing the power to reveal what others have kept hidden.

the fun part, of course, is what comes next. who's used the magatama? who's had the chance to fall to such a fate?

off the top of my head i can think of two people. phoenix wright and miles edgeworth. (i think mia used one too? my friend says she did but i haven't gotten to that part yet i'm only on the third game)

and both of them, despite their focus on finding the truth, are very ironically prone to hiding things themselves. their feelings, their troubles, their emotions.

what if we opened them up a little?

#ace attorney #gyakuten saiban #ace attorney au #phoenix wright #miles edgeworth #mia fey #(i barely mentioned her but shhshsh she can be relevant i just don't know enough about her yet)#soul shatter au #i think about this instead of sleeping #like imagine you're in court and your lawyer objects to something and the prosecutor is like ''ok well what's your evidence''#and your lawyer is like ''um. hold on i have something here i can use for this probably''#and you of course then ask ''man do you even know what you're doing?''#and he just says ''i really don't have a plan here but this usually works just trust me''#the idea of holding them to 100% complete honesty is really funny to me #benefits of this au: whoever you choose to soul shatter gets therapy #it's really funny in a narumitsu context as well because it's only a matter of time before one of them just Has to admit their feelings #like the idea of one of them just talking and the other going ''i want to kiss you so badly'' ''what'' ''NOTHING.''#etc etc. more things you can do with this but i can't make my tag rambles too long

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skibasyndrome · 5 months

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I'm about to throw all my academic values overboard to get this fucking article done

#linguistics are my enemy #not because I don't like the subject #I'm just........ so much less at ease with this than with literary sciene oh my god #I'm so glad I can mostly focus on lit in the future but let me tell you these few linguistics articles I have/had to do have really brought #me to my limit #and I thought I was already fed up and not giving a shit when I did that one article in summer... oh I had NO IDEA how much less of a shit #was capable of giving!!!#the thing is.... I think objectively I'm still? idk not the worst I could technically be doing #like there ARE people who straight up... idk don't even try to have a research question or who don't read more than a handful or articles b #t ugh #I like academic writing so much and I love putting in the work and I love actually getting into the reseach and finding the most important #texts and writing a balanced and well researched article but ugh..... I just feel like I keep reaching my limits with linguistics #and this time is worse than the others because this topic is SO FAR from being standardized and all I can do is ???? mention that there's #like a hundred different models and then just??? choose one and go with it? which is so fucking unsatisfying #but I swear... everybody in this field is just making up a new model that's just different words for the same thing (and not in the /normal #way that science /always/ is about making up a new model. no. this time they are very unnecessarily making up new models)#ugh. everything about this sucks #I should've chosen a different seminar I should've chose a different topic and I especially should've written more of this in summer when I #technically still had a little more time #sorry for blowing up your dash with complaints this festive season lol. I am just having a time (TM) with the different writing tasks on my #hands and I need a place to vent I guess #simon.out.#sounds so drastic btw I'm not about to cheat or plagiarize or anything but I'm about to do so much less of a proper work than I ever wanted #to allow myself to do. cherrypicking and all.

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gayfranzkafka · 11 months

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(insane post incoming) okay i've been a taylor swift re-recordings hater since the beginning but the Speak Now re-recording is making me INSANE i think it's partially just that i'm having a weird time emotionally anyway but like "Timeless" made me TEAR UP like bro WHAT like something about it being soooo essentially of that era but new like the novelty of it BONKED me over the head with a reminder of what it felt like to hear all those songs off Speak Now for the first time when i just had this IDEA of what love was & hadn't actually experienced it yet (& wouldn't for many years!!) like way before i even knew i was a lesbian just listening to taylor sing "enchanted" alone in my bedroom wondering who the guy she was singing about was & if she ever saw him again (because i was #blessed to not have internet access and therefor not know it was the dude from owl city she was singing about alsdfhaklsdhfasdh) & i remember just pouring through the little lyric booklet & its pictures & intro & mostly it was just me & the music & this picture of her in a ballgown in my head & this made up but hopeful romantic idea of what love is and like S C R E A M

#anyway i'm doing fine in case you're wondering #not to overshare but i think it's like. also because in my relationship rn we are like having to work through some things & like not even #anything out of the ordinary like just compatibility stuff that comes up for any longterm couple but we started talking about like spending #the rest of our lives together in very hypothetical way but still like really early in the relationship & now my gf is more like 'okay i #do really want to date you but i want to focus on working through these things & it feels overwhelming to talk about the longterm future rn #like not even in a way where i don't trust them & us to work through this but i'm just like. at the end of the day i guess i AM a romantic #& do have this idealized version of love that i believe in like i think that can be a bad thing (part of what kept me with my abusive hs ex #& i think it can also be a strength like i think it's NICE that i can still so clearly see & believe in a future with my gf even when we ar #working through hard stuff & when they feel overwhelmed but like. it's like is that DUMB or just like. i feel my feelings in a really inten #*intense way that i DO think is (sigh) like taylor a LITTLE BIT & it's like oh what does it mean for other people to not necessarily share #my same relationship to love like even the people you love will have a different relationship to love than you if that makes sense which li #*like duh but is also feeling like a mindfuck rn ANYWAY in conclusion i don't think my feelings are REALLY just about speak now but i DO #also think Speak Now WAS this formative text for me & represents/influenced the way i relate to love and like. SIGH. well i am thinking #about it. and i DID listen to 'timeless' on repeat & feel so emotional over it i literally felt like i was going to throw up <3 #and it's objectively like not even THAT good of a song asdlfjashdfasdfahsdf #anyway hiiiii how is everyone

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maddy-ferguson · 1 year

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i spent 365 out of the last 523 days thinking about a guy i liked when i was 12 because he was the last tether i had to hetero/bisexuality

#tmi alert:#basically in early 2021 i was like: am i a lesbian? i know i don't think guys are attractive and i wouldn't date one i'm gonna try to #determine whether or not i would sleep with one #and he was the one i imagined myself doing it with because he's like objectively good-looking and there's a bit of an emotional connection😭#and i couldn't even do it in my mind even though with a girl no problem obviously #and so i was like well i'm gonna keep not thinking about that too hard #and then i downloaded tinder and i had only girls usually because as we established i didn't want to date💪#ignore the emoji lmao i didn't want to date/sleep with a guy but sometimes i would put guys back on to laugh at them mostly bc it was funny #sorry and i'd see guys i knew from school you know and in july i saw him and i swiped right bc it was fun it was funny i wanted to talk #to him again (we knew each other it wasn't a crush on a stranger) and turns out he had swiped right too so we matched yeah that's how #tinder works anyway i said something lighthearted about how it had been a while and about how we used to sit next to each other in this one #class AND HE NEVER ANSWERED?#so of course i became obsessed with the situation and after a while i planned on sending him another msg a year later to be like haha it's #been a year that's so funny...WHICH I DIDN'T DO when the time came because it's more embarrassing than it is funny #but because i planned on talking to him again after a year i thought about it and about him every single day even though it wasn't even #that important i barely thought about him before the whole trying to picture myself having sex with him thing (...) like i REALLY did not #care about him it was just that thinking i was gonna catch up with him and then just not getting to got to me you know....#and it's crazy because either way i knew nothing was gonna happen but i was like if i had to sleep with a guy lt would be him! so the whole #situation (even though it wasn't a whole situation) kind of did a number on me. then when i didn't send the message it was like i was #instantly cured it's so funny the whole thing (again. not a whole thing) set me back a whole year #and like i say: brf slt

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krawdad · 5 months

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It's so damn hard to puppeteer a character's right hand and have it actually blend convincingly into the rest of the character performance

#I've been told that i am good at it #being a principle performer is a complicated enough arrangement as it is #but doing assistant work is this entire other set of skills even #its the sort of thing where when it's being done well you don't notice it #like puppeteerting is very much about getting this inanimate object to emote and feel alive #but its also a lot of the time about being able to coordinate as a team into this unified being #like improvising a song with 2-8 people #wait i think it's principal. pretend i used the right one earlier

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yawnderu · 7 months

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Pervert — König x Reader

CW: König is a pervert in this one, "I sucked dick on accident"!Reader, dubcon.

"Easy. That's white chocolate." You're currently on your knees, playing a little game with König. 'Taste test', wanting to make sure all your senses are working well, hence the blindfold covering your eyes.

"Good. Now what's this one?" His hand went to your neck, gently lifting your chin up as one finger of the other hand was gently shoved into your mouth, your tongue willingly licking his finger and tasting the liquid covering it. You recoil back with a face of mild disgust, dragging a laugh out of him.

"Dark chocolate. Ugh." Your nose scrunches up in disgust again, the bitter taste still on your tongue.

"I'll bring you something sweet, wait." You hear his footsteps disappear into the kitchen but you don't remove the blindfold, staying on your knees until he's back.

"Here." He puts something in front of your lips and you lick without hesitation, ignoring the way his breathing quickens, thinking it's because he rushed from the kitchen. Whatever you're licking is thick, your tongue lapping at it while the sweet taste hits your tongue, thankfully getting rid of the taste of bitter, dark chocolate.

"Keep— keep sucking, there's more." You can recognize the taste of whipped cream, though the more of the object you hesitantly suck down your mouth, the more different things you can taste. You slowly suck more, almost gagging at the feeling of something so thick going down your throat. You gag a little bit, head recoiling back slightly as you go back to sucking on the tip, trying to get the exact flavor so you don't fail this stupid game he's making you play.

"Whipped cream and peanut butter." You reply with confidence, making König's cock twitch.

"There's more, you just have to go deeper." He's slowly jerking off, a fat pearl of precum staining his tip, hoping the whipped cream around his cock will mask the taste.

"Are you making me suck on a cucumber?" You ask with a laugh, playfully slapping his thigh, though your hand remains there.

"Yeah— don't bite it." You pushed your head back to his cock and you opened your mouth, trying to suck until you could taste the other things. You push him down your throat enough to taste it... chocolate syrup. Your tongue laps at it from the bottom, your gagging noises making you unable to hear his breathing hitch, though you can feel something in your mouth. You pull away slowly, eyebrows furrowed under the blindfold at the new taste.

"... saline water?"

#konig smut #cod mw2 #cod mwii #konig x reader #konig mw2 #konig cod #konig call of duty #konig #cod konig #könig smut #könig #könig x reader #könig cod #könig mw2 #könig call of duty #call of duty #cod #konig x you

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birdantlers · 9 months

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A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

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Muting notifs

#artists on tumblr #Artistic #digital art #art history #anthropology #humanity #art discussion #art theory #skit yells

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theworldgate · 1 year

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I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

#bbc #gary lineker #football #politics #uk politics #long post is long #text #motd #match of the day

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caparrucia · 1 year

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Full offense and pun fully intended, but I genuinely think the very existence of "dead dove, do not eat" was a fucking canary in the mines, and no one really paid attention.

Because the tag itself was created as a response to a fandom-wide tendency to disregard warnings and assume tagging was exaggerated. And then the same fucking idiots reading those tags describing things they found upsetting or disturbing or just not to their taste would STILL click into the stories and give the writer's grief about it.

And as a response writers began using the tag to signal "no, really, I MEAN the tags!"

But like.

If you really think about it, that's a solution to a different problem. The solution to "I know you tagged your story appropriately but I chose to disregard the tags and warnings by reading it anyway, even though I knew it would upset me, so now I'm upset and making it your problem" is frankly a block, a ban and wide-spread blacklisting. But fandom as a whole is fucking awful at handling bad faith, insidious arguments that appeal to community inclusion and weaponize the fact most people participating in fandom want to share the space with others, as opposed to hurting people.

So instead of upfront ridiculing this kind of maladaptive attempt to foster one's own emotional self-regulation onto random strangers on the internet, fandom compromised and came up with a redundant tag in a good faith attempt to address an imaginary nuance.

There is no nuance to this.

A writer's job is to tag their work correctly. It's not to tag it exhaustively. It's not even to tag it extensively. A writer's sole obligation, as far as AO3 and arguably fandom spaces are concerned, is to make damn sure that the tags they put on their story actually match whatever is going on in that story.

That's it.

That's all.

"But what if I don't want to read X?" Well, you don't read fic that's tagged X.

"But what if I read something that wasn't tagged X?" Well, that's very unfortunate for you, but if it is genuinely that upsetting, you have a responsibility to yourself to only browse things explicitly tagged to not include X.

"But that's not a lot of fic!" Hi, you must be new here, yes, welcome to fandom. Most of our spaces are built explicitly as a reaction to There's Not Enough Of The Thing I Want, both in canon and fandom.

"But there are things on the internet that I don't like!" Yeah, and they are also out there, offline. And, here's the thing, things existing even though we personally dislike or even hate or even flat out find offensive/gross/immoral/unspeakable existing is the price we pay to secure our right to exist as individuals and creators, regardless of who finds US personally unpleasant, hateful or flat out offensive/gross/immoral/unspeakable.

"But what about [illegal thing]?!" So the thing itself is illegal, because the thing itself has been deemed harmful. But your goddamn cop-poisoned authoritarian little heart needs to learn that sometimes things are illegal that aren't harmful, and defaulting to "but illegal!" is a surefire way to end up on the wrong side of the fascism pop quiz. You're not a figure of authority and the more you demand to control and exercise authority by command, rather than leadership, the less impressive you seem. You know how you make actual, genuine change in a community? You center harm and argue in good faith to find accommodations and spread awareness of real, actual problems.

But let's play your game. Let's pretend we're all brainwashed cop-abiding little cogs that do not own a single working brain cell to exercise critical thinking with. 99% of the time, when you cry about any given thing "being illegal!!!" you're correct only so far as the THING itself being illegal. The act or object is illegal. Depiction of it is not. You know why, dipshit? Because if depiction of the thing were illegal, you wouldn't be able to talk about it. You wouldn't be able to educate about it. You wouldn't be able to reexamine and discuss and understand the thing, how and why and where it happens and how to prevent it. And yeah, depiction being legal opens the door for people to make depictions that are in bad taste or probably not appropriate. Sure. But that's the price we pay, creating tools to demystify some of the most horrific things in the world and support the people who've survived them. The net good of those tools existing outweighs the harm of people misusing them.

"You're defending the indefensible!" No, you're clumsily stumbling into a conversation that's been going on for centuries, with your elementary school understanding of morality and your bone-deep police state rot filtering your perception of reality, and insisting you figured it out and everyone else at the table is an idiot for not agreeing with you. Shut the fuck up, sit the fuck down and read a goddamn book.

#shut up rie

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demonic0angel · 2 months

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Celestial Bodies AU (maybe part 1/?)

Superman flew through space, eying the new galaxy that he and Batman had discovered the night before.

“So? What does it look like?” Batman asked him through the communications.

“Well…” Superman looked around. “It’s definitely weird. It has an enormous cluster of stars, but I’m not feeling stronger…”

“What? Are you saying that the radiation isn't working?"

"The stars here are all white stars or above, but they don't make me feel stronger. Actually... I think I'm feeling weaker too. Something is definitely wrong here."

Batman was quiet for only a moment before he asked, "Are you in any current danger? Can you defend yourself?"

"No, I'm fine. I don't sense any living beings around me. I can defend myself." Superman understood what Batman was trying to say. "Are you asking me to stay and continue observing?"

"If you can."

"Of course. I'll stay and continue investigating."

"Thank you," Batman said softly and Superman smiled at that.

"Don't sweat it! Let me get the receiver."

Superman pulled out the device that allowed him to connect to radio signals from space, and began turning it on. However, the moment it turned to life, the radio began to malfunction, short circuiting and turning into static as it shook itself. Superman nearly tossed it away before suddenly, it was normal again.

And then, the signal began to pick up.

And it began to sing.

Superman stared wide eyed as a symphony of music and singing came through the radio. It was a little choir of humming and barely audible voices, sounding as though they were underwater. Still, it was undeniably beautiful, like something heard from heaven.

"Batman," Superman said, hushed, "are you hearing this?"

"... yes."

"It's amazing! Are these stars making these sounds?" Superman continued flying, observing the blue and yellow stars, each radiating a heat that could not power him. He continued flying, listening to the ethereal song that called for listeners.

He hadn't been paying attention when he felt an ever sensed blistering heat and a force beginning to drag him forward. He turned his head and his eyes widened again before he cursed and flew a little distance away.

"Superman? What is it?"

"Batman, turn on your visuals," he said as he turned on the camera.

There was silence before Superman heard the barely audible click and then a buzz of a camera. The camera was attached to Superman and it would send the views back to Batman, allowing him to see just what Superman was freaking out over. When it turned on, Batman was silent for a moment, clearly as confused as Superman was feeling.

"... tell me what I'm seeing."

"A quasar, a protostar that is possibly becoming a blue star, a neutron star, and a black hole all coexisting right next to each other. As well as several planets all circling them like stars."

Superman watched the scene with a sense of both interest, awe, and horrified confusion.

The scene in front of him just wasn't possible. Not only would a black hole consume everything around it, there was already a quasar nearby doing the same thing with an even stronger force. However, the protostar and neutron star were fine even though they were so close, along with the few planets. The planetary nebula around the neutron star circled around each celestial object in an assembly line, flowing from the neutron star to the black hole to the quasar and then to the protostar. If the nebula wasn't taken by one celestial object, it was passed onto another.

Most of the nebula seemed to be absorbed by the quasar and protostar, but the two of them seemed to coexist in peace. The neutron star continued to spin and the black hole surrendered most of the nebula to its neighbors. The planets also spun peacefully, a few even had rings that were not taken by the quasar or black hole.

It was like only foreign objects, like Superman himself, would be absorbed.

It was fascinating. Like they were alive and knew how to live with one another.

Superman explained it to Batman in detail. Batman was silent before he said, "This shouldn't be possible. How could this occur? Unless there was some sort of external force that is keeping each astronomical object to themselves and prevents them from destroying each other, there's no way this could be a natural occurrence."

"Are you suggesting that this is man-made?"

"How could it be anything but? Aren't you listening to singing right now?"

Superman raised the receiver and the singing on the other side continued without pause, a constant symphony of voices.

"... you could be right. Do you want to try and make contact?"

"Yes. Send back a signal."

Superman pressed a few buttons on the receiver to send a radio message back and in an instant, the singing died down, leaving only a faint crackling and a water-like noise.

Biting the bullet, Superman then spoke into the receiver.

"Hello. My name is Superman, and I come from the Milky Way galaxy. I am a kryptonian from the planet Earth. I wish to peacefully connect with you, whoever you are."

More crackling.

Batman cursed softly in his ear and Superman winced, already feeling that he was too impulsive. However, just as he was about to backtrack and escape from this particular galaxy, there was a whispered, shuddery, "Hello."

Superman blinked and then called out, "H-Hello!"

There was silence again, only that underwater staticky noise coming through.

"Can I take this as you accepting my peace offering?"

"... yes."

The sound that came from the receiver seemed to come from many, all joining together into one.

There was a hitched gasp and then Batman hissed, "Keep talking! Ask them questions! Ask them if they want to make contact with us or if we can form an alliance!"

Superman nodded to himself and spoke into the receiver, "Can you see me?"

"We see you."

Superman paused and then continued in stride, "I'm sorry, but I can't see you. Can you show yourself?"

"In front of you."

There was nothing but the strange collection of celestial objects. Unless there was someone inside? It could be possible, but Superman hadn't detected anyone living around him for awhile now.

"Uh, I'm sorry, but—"

"In front of you."

Batman then said through the communicator, "Superman, the neutron star!"

The neutron star in front of him then began to spin faster and faster, before lighting up into a pulsar in the very next second.

Superman was stunned at the sight, as the radiation emitting from the neutron star passed over him over and over and over, radiating with a cold burn that resonated through his bones and made his limbs weak. The impossibly quick change from a regular neutron star into a pulsar only made him even more frightened as the radio signals made the receiver scream.

"We are here." The crackling voices said again, all as one.

Superman flew backwards, his breath caught in his throat.

"Superman?! Why did you go backwards?" Batman demanded.

Superman flinched and then he said softly, "Sorry. Instinct."

It was true. The fear that had entered his body had made him instinctively retreat. It was even worse than looking death in the eye. It was like the feeling of knowing the End of All, of knowing that your existence would be wiped out, of knowing that resistance would be futile and that your death wouldn't even be enough to save the ones you loved.

His heart pounded as he flew a little closer, enough to feel the heat from the quasar again and almost reluctantly said into the receiver, "Are you the neutron star?"

"We are all what you see in front of you."

"'We'? Are all of you speaking to me?"

The neutron star pulsed again, spinning just a little faster like before.

"I am the King. And these are my family."

The voice than switched out, a barely noticeable change in the difference because it was all the same voices speaking as one. However, now a different voice was leading.

"Ask your questions, Son of Jor-El. What do you seek?"

Superman's eyes widened. Then after a moment of silence, he said, "I am here to explore the universe and find protection for the planet I live on. Could you help us?"

"We are but objects in the sky. We will only answer questions."

Batman interrupted. "Ask them if they can see the future and if anything will happen to Earth."

Superman explained to the collection of celestial bodies, "This is my colleague and partner, Batman. We work together for Earth's safety."

"We know. He is the best of you."

There was silence from both Superman and Batman. Superman was stunned, but he also couldn't help but smile. "Yes, that is true. Can you see the future? Can you tell us if any dangers will be coming to earth."

Another voice came to life, taking the lead in speaking. "We can. Whatever comes, you and your Justice League can handle it."

Superman could hear Batman breathe a sigh of relief. Superman felt the same and he placed a hand on his heart as he gave a sigh of relief as well. "Thank goodness." Before Batman said anything, Superman asked, "Could you tell us more about yourself? How do you have a consciousness?"

The radio crackled and popped for a little while before the first voice, the one who called themself 'King' spoke up.

"We were like you once. But then I became a legend."

"Like me?" Superman asked.

Batman then said, "Ask them if they were human."

"Were you human?"

More silence.

And then—

"Yes."

Superman's eyes widened and he couldn't help but gasp in shock, a hand flying to his mouth as he stared at the celestial bodies in front of him, all of which used to be human. These enormous objects that used to be human, now forced to succumb to emptiness and spin in space without pause.

"Are... are you okay? We have magic users in our team, maybe we can offer you help?" Superman asked.

Batman hissed in the comms, "Superman! We don't even know them!"

The receiver crackled some more and the voice changed again. The sound of them being underwater seemed louder than ever.

"We are fine, Son of Jor-El. We are happy."

The person speaking switched to someone new.

"Ask your questions and then leave." The receiver quieted again. And then they spoke, "My little sister needs her rest for her rebirth."

Superman's eyes flicked over to the protostar, which was still absorbing most of the nebula. The only thing that could have possibly been 'reborn' was the protostar, as it needed to heat itself to start the transition to become a main sequence star. Was that one the little sister?

"Just two more questions, if that's alright." He could hear Batman's deep, frustrated sigh. He probably had more questions but was frustrated by Superman's curtesy and his lack of scientific curiosity. Superman knew he was annoyed but he felt an odd camaraderie with the celestial objects. He didn't want to anger them if necessary.

"Speak."

"How old are you? And will you help us again in the future?"

The receiver crackled.

The voice changed once more. "We are all far, far, far older than you imagine. Time does not work for us like other stars."

The speaker switched again. "But in human years, we have not reached our adult ages yet."

The honest confession made Superman's eyes widen, especially as he realized what they meant.

A bunch of children had turned into stars and black holes before they were even adults?

Superman was suddenly starkly reminded of Robin, Batman's sidekick, one of the very few children that he knew in their line of business. By Batman's silence, he was probably thinking along the same lines.

"Speak your last question and leave."

"Can the Justice League depend on you for further help and assistance in the future? I would like to come back if I can."

"Our King was once a hero too. Come if you need it."

That was when the quasar sent out a flare, the gases and planetary nebula around it rubbing against each other hard enough to send sparks Superman's way. It was clearly a warning, especially as the neutron star began spinning rapidly again, radiation beginning to light the air around him in a devastating chill.

"Leave," They all chorused.

Superman immediately turned away without hesitation. "Thank you very much! I will come again!"

The receiver did not speak again. Instead, the songs restarted and the voices continued to sing a song that he could not recognize. It was ethereal, if not haunting.

Superman was smiling as he left. Batman was silent in his ear and Superman finally asked, "So? What do you think?"

"... I think we need more information."

"You're just feeling soft because they said they were heroes and were also children," Superman teased.

"How do you know they weren't lying?" Batman sounded angry.

However, Superman wasn't concerned and only laughed. "Lying? For what? They could definitely rip me apart if they wanted. They even had a baby star with them."

"Hnn." The old softie definitely suddenly had a moment of heartache from remembering the baby star.

Superman glanced behind himself, where the fascinating cluster of stars, planets, and black holes all existed in harmony together. The quasar and neutron star lit the way alongside the other stars and the tiny galaxy grew smaller and smaller as Superman flew away.

Whatever this galaxy actually was, Superman would be glad if they could find the help they needed and helped the Justice League in turn.

".... let's come back in a month," Batman said, sounding like it was pulled out from his teeth.

It was good that Batman felt the same way.

Perhaps the next time Superman came, he could chat some more with this little galaxy?

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I did so much research for this, it's crazy 😭

Dan is the black hole and Danny is the neutron star. The reason is that both of them are technically star corpses (a large or high-mass collapsed or dead star can either result in nothing, a black hole, or a neutron star) and while Dan consumes everything around him, Danny is a remnant of a star before him. The planetary nebula that came from Danny going supernova is consumed by his siblings, mostly Jazz or Dani. Dan and Danny don't fight over it bc they love their sisters.

Dani is a protostar, which is also a baby star. I hc that she used to be a star before, but she's just restarting her rebirth until she becomes a black hole or a neutron star like her siblings :3

Jazz is a quasar, which is a different type of black hole, (inspired by this post I made). She and Danny light the way for their little galaxy.

Tucker and Sam are also there, as planets! They used to be stars but they're reborn as planets this time. Tucker is a desert planet with several Saturn-like rings of metals and sand. Sam is a terrestrial planet and is capable of life. All that's on her is plants and animals tho (they haven't gotten enough time to evolve yet). The rest of the crew (Valerie, Wes, etc) are also there and are planets. They never really reach the level of stars tho.

#dc x dp #dp x dc #jazz fenton #danny phantom x dc #dp x dc crossover #danny fenton #dpxdc #dcxdp #danny phantom #celestial object au #dan phantom #dani phantom #dani fenton #danielle fenton #danielle phantom #phantom family #dp crossover #dp au #dp x dc au

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cuddlytogas · 2 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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sunderwight · 26 days

Text

SV AU where Shen Yuan transmigrates into a dragon.

It's not so bad, at first. He's an extremely magical sort of dragon so he can easily take on a humanoid shape, and he has dominion over an entire mountain, with a magical gate that leads to his palace. Said palace has a fully stocked treasury, a library, garden, etc, with the only real downsides being that the place is kind of huge and very difficult for a neet with limited housekeeping or landscaping skills to keep up with. The original dragon had enslaved a bunch of fairy spirits to do it for him, but since Shen Yuan has moral objections to that, he'd let them all go and they'd run off before he could even think to offer to hire any of them as paid employees instead. Not that he can blame them for being in a hurry to get gone.

He does his best, and generally enjoys being a dragon lazing on his mountain, or wandering the beauty of his palace and investigating the books and scrolls kept there. He doesn't actually seem to need to eat or drink, so that's not really an issue, and nobody looks keen to bother him. But after a few months the dust starts to really pile up, and trying to figure out how to do his own laundry without modern equipment leads to several disasters, and even though he doesn't need to eat he's starting to think it would be quite nice to have a fancy sit-down dinner and enjoy it for its own sake anyway. He has an enchanted larder but his food prep skills aren't up to much.

So, Shen Yuan ventures away from his mountain. He keeps to his human disguise when he's not traveling, and at first tries to hire on some help from a nearby city. But when he explains that he lives on the mountain, he realizes the difficulty, because everyone in the area knows that only the dragon lives there. So they all think he's either a liar or a fraud, or some servant of a nefarious supernatural creature angling to trick and possibly devour them.

Shen Yuan tries approaching another town in his dragon form, to see if anyone will actually deal with him if he's being upfront and honest about the situation, but the townspeople just panic. He returns to his mountain to rethink his strategies, and in the meanwhile the alarmed locals hire a swordsman to go after him. The guy gives him a few very painful cuts before Shen Yuan mostly-accidentally sends him careening into a boulder. One broken arm later the swordsman is gently persuaded that the pay he was offered isn't worth the effort on this job, and leaves.

Discouraged, Shen Yuan decides he's gonna give this one last try. He picks the second closest city, flies up, and is like yes hello, yes I am indeed a dragon, no I'm not trying to burn down your walls, yes it would be excellent if you stopped shooting arrows at me, look they don't even get past the scales? It's kind of silly? Okay, yes, thank you very much. Good. Now, the thing is, I'm looking for some people. I want to take them back to my mountain with me, to my incredibly nice palace, and -- what was that? A princess? No no I don't want a princess, what would I even do with one? If anything I'm looking for the complete opposite of a princess!

Anyway, the locals take this to mean that the dragon is demanding a sacrifice in the form of a pretty boy of no particular pedigree, and Shen Yuan takes this to mean that he's finally made his case clear and they're going to dig up someone who is willing to overlook his being a dragon in exchange for free room and board and fair wages out of his massive treasury.

SY's a bit disheartened when the entire city could only apparently turn up one such person -- an underfed teenage boy who looks at Shen Yuan like, despite the situation, he is still expecting to be eaten at any moment. Poor thing! But at least having one servant means he can potentially get more, especially if it all goes well. The lad can tell others that working for a dragon isn't so bad! Well, provided that he doesn't give up in alarm at the state of the mountain palace.

For his part, Luo Binghe at first thinks he's definitely going to get eaten, and then that this dragon is weirdly nice about planning to eat him, and then that maybe the dragon has other (even less savory!) plans for him, until finally he sees the state of the dragon's laundry and the foot-thick layer of dust in the corners, and gets completely distracted. Mortal terror forgotten, those floors should not be that filthy, Lord Dragon respectfully that isn't how anyone should prepare rice either, but oh Binghe has never seen a kitchen so nice before in his life...!

Anyway, needless to say, it works out just fine.

#svsss #scum villain's self saving system #scum villain #bingqiu #this is luo binghe's palace now shen qingqiu just lives there #the only hiccup is that binghe is strangely bad at convincing anyone else to come work at the palace #shen qingqiu encouraged him to assist in finding other help but somehow binghe always comes up empty handed #oh well guess they'll have to continue living there just the two of them with no one else #(this eventually does change but binghe sulks for WEEKS about it)

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