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#cornel Wilde
ritahayworrth · 5 months
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Ellen, what's got into you? I don't know. LEAVE HER TO HEAVEN (1945) dir. John M. Stahl
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filmgifs · 5 months
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"I love you so, I can't bear to share you with anybody."
Leave Her to Heaven (1945) dir. John M. Stahl
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hotvintagepoll · 4 months
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Propaganda
Bela Lugosi (Dracula)—no propaganda submitted beyond this link to a Tumblr page
Cornel Wilde (A Song To Remember)—no propaganda submitted
This is round 1 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.
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Gargoyles | 1972
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atomic-chronoscaph · 1 year
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Gargoyles (1972)
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tourneurs · 5 months
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“In the beginning he loved me. But I’ll tell you something funny: he never liked me.”
Leave Her to Heaven (1945) dir. John M. Stahl
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citizenscreen · 7 months
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Ginger Rogers and Cornel Wilde in IT HAD TO BE YOU (1947), directed by Don Hartman and Rudolph Maté
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gatutor · 4 months
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Jean Wallace-Nigel Davenport "Contaminación" (No blade of grass) 1970, de Cornel Wilde.
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vintage-every-day · 6 months
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Cornel Wilde (born Kornél Lajos Weisz; October 13, 1912 – October 16, 1989) was a Hungarian-American actor and filmmaker. Wilde's acting career began in 1935, when he made his debut on Broadway. In 1936 he began making small, uncredited appearances in films. By the 1940s he had signed a contract with 20th Century Fox, and by the mid-1940s he was a major leading man.
(Wiki)
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Shockproof
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The combination of two filmmakers as distinctive as Samuel Fuller and Douglas Sirk would have made for a much better film than SHOCKPROOF (1949, TCM, YouTube) had Columbia Pictures not softened most of the rough edges of Fuller’s script. He wrote about a parole officer (Cornel Wilde) who becomes obsessed with a murderess (Patricia Knight, aka Mrs. Wilde) under his supervision. He tries to keep her from the gambler boyfriend (John Baragrey) for whom she had killed, gets her a job caring for his blind mother (Esther Minciotti) and, when she shoots a man to protect him, goes on the lam with her., The film still has a strong sense of the forces that drive Wilde from the straight and narrow and a wonderful bit of irony at the end that I can’t reveal. But it also has a hokey ending forced on Sirk and Fuller by the studio. Sirk hated it so much he left Columbia and briefly returned to Germany.
Sirk’s influence can be seen in an opening sequence that introduces Knight by following her picture hat as she adopts a new look and goes for her first check-in with Wilde (in one L.A.’s best. locations, The Bradbury Building). He also makes Wilde’s family home another character in the film (as he did with the family homes in ALL I DESIRE, ALL THAT HEAVEN ALLOWS, THERE’S ALWAYS TOMORROW and WRITTEN ON THE WIND). He tends to favor the story’s women, getting strong performances from Knight (she gives good regret), Minciotti, Ann Shoemaker as a police psychiatrist and Claire Clarkson as Knight and Wilde’s neighbor.
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letterboxd-loggd · 5 months
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The Big Combo (1955) Joseph H. Lewis
December 10th 2023
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ritahayworrth · 1 year
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I do hope I've interrupted you in your work. You have. Constantly, all morning. But how could I? I haven't been with you until just now. Oh, yes, you have. I've been thinking about you, and about Quinton. Gene Tierney and Cornel Wilde in Leave Her to Heaven (1945) dir. John M. Stahl
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rwpohl · 4 months
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leave her to heaven, john m. stahl 1945
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peggy-elise · 2 years
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Linda Darnell as Amber St. Clair in Forever Amber 1947 ❤️‍🔥
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favourite movies wached in 2022
3. The Big Combo (1955) dir. Joseph H. Lewis
First is first and second is nobody.
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davidhudson · 7 months
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Cornel Wilde, October 13, 1912 – October 16, 1989.
With Gene Tierney in John M. Stahl’s Leave Her to Heaven (1945).
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