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hamletshoeratio · 10 months

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"But no new content 😭!!" that means jack shit. We have several literal decades worth of content we can watch or rewatch. The writers and now the actors too are not only fighting for their livelihoods but for the futures and the soul of their industries.

Fuck new content, fuck the executives and producers and powers that be who make millions upon millions while the people, who create the content that make them rich, can barely make ends meet.

Here's some suggestions to anyone who doesn't know what to watch;

Nostalgia rewatch; watch old favourites, shows and movies you haven't seen in years but that stayed with you, the ones that mattered to you.

Watch the shows your parents didn't let you watch growing up because they thought the show was "too mature" for you.

Watch the shows and movies people have recommended to you that you never found time for before.

Watch indie films!!!

Look at different genres than what you've watched before and give them a go.

Try films and shows from other countries and/or in other languages. There's dubs and subtitles available and these shows and movies can be just as good if not better than their American and/or English speaking counterpart.

And remember when watching shows, that you do not have to binge them all at once, you can have your own personal tv schedule and watch say an episode a week like you would've done when/if they aired before streaming

Look at some older films and shows, why does it matter if it's in black and white or the camera quality is lower than 4k and hd, so long as it's good? And so many of those shows and films, while not perfect, have aged better than shows that have come out in the last decade, like the golden girls for instance has aged so much better than say glee (ok many many many shows aged better than glee but let's be real for a second, music was better when artists were terrified of the Glee cast doing a better version of their song on the show. I do still wish it was a show my mom didn't let me watch tho, lmao glee was fine but no, her twelve year old being obsessed with Les mis and rewatching it religiously was cause for concern 😂😭 I was just as obsessed with glee for seasons 1-4 especially).

It's ok to indulge your inner child and rewatch the classics tm. The shows and movies you grew up with. Rewatch the shows that got you through sick days from school, the tv movies you remember watching premiere, the cartoons that MADE your Saturday mornings, etc.

On the topic of animation, that's literally an unlimited genre you can tap into, which rarely gets the recognition and respect it deserves.

Don't be afraid to watch the one season wonders, the shows that networks and streamers cancelled after one season in spite of strong reviews and good ratings. Or the shows that ended abruptly around the season 3 or 5 mark because networks and streamers cancelled them because they didn't want to negotiate contracts and have to pay the actors and writers more. Get angry, remember what the actors and writers are fighting for.

The privilege of older shows that either concluded naturally or that writers were given a heads up on might be on it's last season is that you get closure, unlike with the above. That might not mean an ending is good but a bad ending is better than a cliffhanger. There's always fix its fics for a bad ending. And if the ending is good, it's typically GOOD in my experience. The fear of a cliffhanger and zero closure has already turned many against watching new content until the show is renewed for another season or is fully wrapped (and fans don't hate the ending).

Watch the shows that were in their day or are popular or critically acclaimed, they usually hold up to the hype.

Watch the old shows and movies your favs were on/in before they were your favs.

Try a soap or a telenovela, they can be entertaining af (holby city my love, Tuesdays have never been the same since the BBC robbed me of you).

If you liked a reboot or a revival of a show, try the original (in certain cases, the og is even better, see boy meets world v girl meets world).

If you like period dramas, try shows and films from other countries based on their history. A lot of times when people are telling their own history it goes far better than when Hollywood tries it (see the many times Hollywood has actors brought in because producers think they're good for box office and they then go on to butcher the accent their character should have, see Cameron Diaz, Julia Roberts, Meryl Streep and so many others who have absolutely butchered the Irish accent over the years for instance. There's also many many instances even recently of just blatant whitewashing see Matt Damon as the last samurai...).

Listen to recommendations, watch the shows and movies you know your family and friends loved but you never got around to watching.

#wga strike #sag strong #sag solidarity #sag strike #wga solidarity #wga strong #writers guild of america #writers guild strike #like your ncis law&orders greys er spn etc all have nearly 20+ seasons WE'RE GOOD FOR AWHILE FOLKS #like the amount of content we have for star trek alone like #do you want tos tos films star trek the animated series tng tng films ds9 voy enterprise dsc picard ld the shorts prodigy tas films?#support the strikes #union strong #sag aftra #sag aftra solidarity #sag aftra strike #sag aftra strong

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rqgnarok · 11 months

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music to my eyes - jamie tartt

fandom: ted lasso

wc: 4,266

warnings: spoilers for the season 3 finale of ted lasso, jamie being a lil self deprecating. reader uses female pronouns.

summary: jamie has a crush on the band’s bassist.

author’s note at the end!

Jamie’s so, so late.

Roy’s gonna have his balls. It’s the first training for the Queen’s Cup final against Tottenham– their first one without Ted, a little something before the freaking Champion’s League starts next year– and Jamie’s having the worst morning of his life.

He woke up late for his 4 am training that ran long, traffic was absolute shit and now he’s sprinting– not running, cause he’s not allowed to after he and Colin almost ran over the Prince of Denmark while racing each other to the locker room, a story for another day– down the hallway with Roy Kent’s fury just waiting to find its rightful owner.

He didn’t even have time to comb his hair today. It still looks amazing, but it’s the routine that matters. For his mental health or whatever.

Maybe that’s why he feels so jittery and doesn’t look where he’s going as he makes his way to the locker room. Jamie’s got his bag clutched to his chest and his headphones hanging around his neck, his jacket halfway on before he gave up and left it trailing down his side like a sad blanket.

He’s cursing whatever Gods control alarm clocks and traffic and hairbrushes when he knocks onto someone. It’s so forceful it sends them both to the ground with a grunt and a little ah! of surprise. Jamie tries not to grow annoyed and fails. He considers laying on the ground and becoming one with the carpet so he doesn’t face Roy’s justified punishment and sighs out his nose, pushing himself to a sitting position.

“–so sorry,” and it’s a woman, Jamie just knocked out a woman in his rush to work. What’s next? Is he gonna hit a cat with his car? Maybe spit on a kid’s face? She keeps babbling apologies, unaware of Jamie’s foul mood. “–supposed to be at her office but there’s just– there are so many hallways–”

“‘s alright,” he cuts her off harsher than he means to, guilt stabbing at him when she looks at him with wide, remorseful eyes. Jamie sighs, dusting off his clothes and standing, offering her a hand. “Me fault for bein’ in a rush. Should’ve seen where I was going.”

“Oh, god, you actually know where you’re going,” she says with a grimace, accepting his hand. She’s on her feet and standing too close to Jamie for a second that feels like a lifetime– almost nose-to-nose with Richmond’s greatest. Her laugh is stuttery and nervous when she steps back, barely meeting Jamie’s eye.

She’s cute. Jamie’s not planning to do anything about it, especially not with his fine for being late slowly becoming one for missing training but she is. Cute. His mouth lifts in a half smile at the thought, charmed.

“I was looking for Rebecca Welton’s office but I only got myself lost,” she says sheepishly, putting her hair behind her ear every couple of seconds since it keeps stubbornly falling out of place. Jamie’s fingers twitch a little but no. No, absolutely not, he’s not doing this to himself, no sir. “Is there any way you can give me directions without having to go with me? I don’t want you to be late for– shit. Practice, huh?”

Jamie thinks she’s the smartest woman that’s ever walked the face of the Earth until he remembers where they are. At Richmond’s training facilities. She’s looking at a disheveled man in a sports outfit. The story kind of tells itself.

“I– yeah,” Jamie stutters a little, clearing his throat to disguise it. “There’s, um, it ain’t a problem. I can take you there if you want.”

Her entire posture screams relief as soon as he offers, and it’s enough for Jamie to make up his mind even if she hasn’t said yes yet. “Would you? They said in the group chat not to be late and, like, they weren’t specific about it but you just know when a message’s for you, you know. And here I am, late–”

A beat.

“–and rambling,” she smiles at him again, the sight tugging at Jamie’s chest as he stands there like an idiot, his brain rebooting whenever she does it. “Yes, please. I’d really appreciate it.”

And so Jamie asks a kitman to take his stuff to the locker room while he walks her up to Rebecca’s office. His hand hovers but doesn’t quite touch the small of her back while he blabbers his way through small talk. Nice weather, today, innit, traffic was absolute hell though. Oh, you’re not from around here, that’s nice, do you plan on going sightseeing?

He delivers her to Rebecca’s floor to a thankful, ecstatic Higgins, who welcomes her with a hearty shake of the hand and promises that she hasn’t missed anything important. She’s barely able to spare him a smile and a quick thanks before the door’s closed behind them and Jamie’s standing there on his own, smiling at nothing.

He’s still wearing a dopey grin when he finally finds himself on the field, Roy yelling at him to run laps until sundown for being late. His legs are killing him, he’s £200 poorer, and he didn’t even get the woman’s name; but nothing can drag him down from his high and make him forget how she’d squeezed his arm in gratitude, touch warm and calloused against his skin.

The next day Rebecca’s there before practice starts, looking tall and pleased as she claps her hands and shares the big news: since the final of the Queen’s Cup is being held right here at Nelson Road, she managed to get a band to play during the halftime show. They’ll be here the entire next two weeks for rehearsals and staging, so everyone must be on their best behavior if they don’t want their name in the summer transfer market.

Jamie doesn’t connect the dots until he sees her again, this time at a local bar big enough to house less than two thousand people. Keeley hears from Roy who hears from Beard, who heard from Higgins that Rebecca said the secret band was gonna hang around the city for a couple of other smaller, quick gigs.

Jamie manages to excuse himself from video games at Colin’s with the guys and offers himself to Keeley as a buffer between her and Roy at a bar tonight. Though, in Jamie’s very humble and very right opinion, they’re already on their way to getting back together for good.

The band’s gathered a nice crowd, the lighting low and the thrum of the music hammering on Jamie’s teeth. He’s nursing the beer Roy bought him, the man charmed enough by Keeley’s presence that he let Jamie bend his rigorous diet regime. Just for the night.

It takes three songs for the bassist to speak up, a makeshift spotlight landing on her, sweaty and delighted at being onstage. Jamie’s blood rushes to his face and his vision blacks out for a second.

It’s her. No longer is she lost and out of her element, shyly asking a stranger for help. Both of her feet are steady on the ground, the strap of her bass snug around her neck. Her fingers are toying with the strings even when no song’s playing, an air of rightful confidence washing over the room as it takes her in. Jamie isn’t the only one suddenly breathless.

She grins against the microphone, coy. “Thank you so much for having us, Jaded Joker. We’re Karma Police, and we hope you have as much fun hearin’ us as we do playing for you.”

They fall into another song with that quick introduction and Jamie can’t take his eyes off her, barely hearing the song as the world around him slows down. Her clothes and jewelry sway with her to the rhythm of the music, the lights shifting seamlessly into different colors making her look ethereal.

Keeley clocks it in immediately.

“She’s good, huh?” she nods at the stage where Jamie’s stranger is moving to the beat of the bass like no one’s watching, shamelessly enjoying herself and making funny faces at her bandmates. “Fuckin’ smoking, too.”

Jamie only hums in a very Roy Kent-like way, knowing there’s no fooling Keeley fucking Jones. The last thing he needs is to give her details and have her dip a toe into Jamie’s nonexistent love life.

Of course, he doesn’t take into consideration that Roy’s a brazen gossip.

“So,” Sam elongates the word as he’s spotting Jamie on the press the next day, happy watching him grunt at the effort. “How was the band last night?”

Jamie almost drops the damned thing on his chest.

“Roy said you enjoyed it,” he continues giddily like he didn’t almost commit accidental manslaughter by catching Jamie off guard. “Especially the bassist. What was her name?”

Sam fakes confusion for less than a minute before Jamie gives, mumbling it under his breath. He’d been weak and googled Karma Police in the privacy of his car before going home, swiping through the images that popped up until he recognized her face.

(Y/N) (Y/L/N), the article he clicked on informed him. Jamie had repeated the name under his breath just to see what it felt like on his tongue for an embarrassing amount of time.

Thanks to Karma Police’s bassist and lyricist (Y/N) (Y/L/N), the band’s sophomore album New Perspective has found a home in people’s hearts and high on the global charts.

Keeley wasn’t kidding. She’s good.

“Oh,” Sam realizes, some of his amusement softening into genuine interest when he watches Jamie’s face do whatever the fuck it's doing. “Oh, you like like her.”

Jamie immediately flushes under Sam’s gaze, making sure the weight is safe in its place before physically fleeing the conversation. Sam doesn’t mention it to anyone, which Jamie appreciates so badly he could cry a little, but he does find his eyes across the locker room later when Rebecca comes in, four people in tow.

“Everybody, these are the wonderful musicians I spoke to you about the other day,” she says it in a way that screams I’m a pleasant human being and embarrass me and I will end your career right where you stand all at once. “We’re on a little tour of the installations and I thought we’d all come to say hi to wrap it up.”

The boys are charming and welcome them with ease. They’re not one of the most liked teams in England despite their bad runs for nothing, but Jamie’s frozen the second he catches sight of her. She’s a step behind one of her bandmates, shaking hands and smiling politely at conversations while staying slightly in the background, the stage persona from the previous night gone like taking off a jacket.

Jamie takes pride in the way their eyes meet and her tight expression loosens, her smile blossoming into something more genuine, less unsure.

“Hey, stranger,” she says a little awkwardly after having gathered the courage Jamie couldn’t to cross the room and say hi. It feels like they’re alone in a room full of people, and for a second Jamie thinks he sees Sam stealing a few looks, making sure he keeps the others away and distracted for a little privacy. “Did you make it to training the other day?”

“What?” Jamie blanks like an idiot, then shakes his head when he remembers how they met; both of them, late for their respective responsibilities. “Oh! Oh, yeah. I– yeah. I had to run for me life to make up for it, but I made it.”

“Good,” she smiles, shifting in her place. “I, um. I’m glad we get to play for you guys. What you’ve done this past season, getting back to the top, has been unbelievable.”

“You’re unbelievable,” he replies, awestruck, and backtracks when she looks a little apprehensive. She’s doing the hair thing again, combing it back while it stubbornly escapes its place every couple of seconds. A nervous tic, maybe. “I mean– some friends and I, we saw you last night at the Jaded Joker. If anything, it’s an honor we get you guys to play for us.”

“Oh!” she seems pleased, ducking her head at the compliment. Her shoulders loosen again, and Jamie tries not to feel like he just scored a goal against Man City. “Oh, you should’ve said hi! Did you enjoy yourselves?”

“I did,” he says, too soft, and it feels like an admission of something when her eyes search his face, for a moment landing on his mouth before putting herself back together. “Up there, it’s like– it’s like you forget everyone else. You’re made for the stage.”

If anything, (Y/N)’s delight only strengthens, tugging at the neckline of her shirt. Jamie finds himself trying to follow the trail of new skin and flushes as well when he catches himself just in time.

“Thank you,” she matches his tone. “You’d think it’d be nervewracking but it’s… silence. In my head. Does that make sense? I feel like it doesn’t.”

“It does,” Jamie agrees, breathless. It’s exactly how he feels when he gets the ball on his feet, every anxiety and worry and part of him he doesn’t like quieting the minute he steps on a pitch. “I get the same when I play. Peace in the chaos, I guess”

(Y/N) looks at him like she’s discovering the world’s eight wonder.

“Kids!” her bandmate breaks the moment by coming over, arm draped around (Y/N)’s shoulder. (Y/N) blinks, looking a little shell-shocked. “Sorry to interrupt this party, but rehearsal awaits.”

Disappointment claws at Jamie’s belly, but before he can let it fester the conversation continues, bubbly and loud. “Alas! We’ll be done around 5. You’re welcome to visit then. We’re going to the third floor, I think.”

(Y/N)’s only amused at her friend’s antics, even if Jamie’s back to having a knot in his throat out of nervousness alone. Jesus, what’s wrong with him? It’s like he’s eight again and crushing on the cute boy that lived in the apartment in front of the Tartt’s.

“See you then?” (Y/N) says, hopeful, and Jamie thinks it’s only fair he’s brave as well and nods as resolutely as he can.

“I’ll be there.”

He ends up having to ask Higgins for directions, after promising he’s not gonna stir up any trouble at least four times. It takes Roy passing by and giving a few reassuring grunts, guaranteeing Jamie’s best behavior before Higgins gives him the location. When Jamie goes to thank him, Roy only points at him menacingly, though lacking his usual frown, and says don’t fuck this up.

Rehearsals are just wrapping up when Jamie gets there, instruments being packed and people saying goodbye to each other when he makes his way into the room. He immediately finds (Y/N) sitting on the piano playing a complicated melody.

She lights up when she sees him, the music seizing. “You made it!”

Jamie stops her from standing up, instead sitting next to her after she scoots over to give him room. “That was nice. A song of yours?”

(Y/N) shrugs. “Hopefully soon. You never know, when you’re writing. You start working on a song and it ends up being a completely different thing from when you started.”

“Sounds messy,” Jamie says, a little consternated at the thought. Fortunately, (Y/N) laughs.

“It is. Do you play?”

“Fuck no,” he says quickly, then tries to explain himself as she splutters in amused surprise. “I mean, I don’t think I can. It seems pretty complicated. I’ve always been better with me feet.”

He reaches for the keys and begins playing some nonsense, loud and offkey, knowing it’ll make her laugh again.

“No, you gotta–” she cackles, placing her hands on top of his and quieting the dissonant echo of the keys. Jamie feels the tug at his lips, insistent, automatic, the same rush of delight that courses over him whenever he’s in her presence. “Gentle. Be gentle about it, jeez.”

She lines up their hands so her fingers move his and begins playing a quiet, fun melody. Jamie’s doing shit other than staring at her face, slightly twisted in concentration as she mumbles the notes under her breath. G, G, G, F, G, B, G, G…

“I know this one,” Jamie mumbles in recognition. (Y/N) turns her head to smile at him, pleased. “‘s from Nottin Hill, innit?”

“And a million other movies,” she murmurs back, unable to break the spell that’s fallen over the room. “I wouldn’t have taken you for a romantic.”

“‘s my favorite film,” he concedes, finding it incredibly easy to be honest when they’re sitting side by side like this, alone, their sides warm against each other. He loves his teammates, but (Y/N) didn’t know him when he was awful and arrogant, too cocky. There’s nothing she holds against him, no standard he needs to meet for her to be happy in his company. “Cried me eyes out at the end. Though I’ll deny it if you ever ask in front of anyone.”

(Y/N) laughs. “I promise I won’t. It’s a good movie. Doesn’t beat While You Were Sleeping, though.”

Jamie’s expression remains blank. (Y/N)’s face falls into disbelief, her hands tightening against his. “You’ve never watched While You Were Sleeping.”

He’s heard of it, but it’s hilarious to watch her forget herself, any sign of nervousness or polite shyness finally out the window. Jamie likes it– likes her, wants her to be comfortable with him and stop holding herself so tightly whenever she’s off the stage.

“You poor, sheltered boy,” she exhales, aghast. “Holy fuck, I can’t believe I’m about to introduce you to the best romantic comedy ever made.”

Jamie goes to take the opening but stops himself at the last second. He knows this process; the flirting, the leaning in for just a moment so she smells his cologne then pulling away, leaving her wanting more. The asking for a date, a fancy dinner, then taking her home. Sneaking out in the middle of the night, dodging calls until she stops trying to reach him.

He’s been doing it for years. He wants to desperately break the cycle and he wants to do it with her, but does he have it in him? Jamie’s been working on himself harder than he’s worked for anything else in his life, but what if he’s one slip away from becoming his old self? From turning out like his dad?

Sure, the old man’s changed, or– well. He’s trying to. But whether Jamie likes it or not he sees a little too much of him in himself sometimes, and he can’t do that to her. He’s known her for less than a week and he knows she deserves better. Everyone does.

Roy told him not to fuck it up. Maybe this is what he meant.

His expression stutters, shatters, and reestablishes itself in a matter of a moment, a blink of an eye. Jamie knocks his shoulder into hers gently, leaning back into place after a second. He teases: “And who made you the expert, eh?”

Rather than letting it drop, (Y/N) takes the bait just like Jamie knew she would. They stay there until a security guard comes to kick them out for the night, and they talk about everything and nothing. Movies, songs, bands they like, and foods they don’t. Jamie’s favorite players when he was a kid, his hero-like worship for Roy Kent, and how he’s made him a better player, a better man.

(Y/N) shares with him the first time she held a guitar in her hands, the albums she listened to when she was a kid that changed her as a person, realizing she could create magic through words and music. Her favorite cities to tour, how long she’s known her bandmates, how she’d die and kill for them if necessary.

By the time he’s walking into the pitch at Nelson Road two weeks later, the roar of the crowd around him swallowing every other sound, Jamie’s spent every free moment of his time with (Y/N) (Y/L/N). It was unavoidable, helpless as he is in his attraction to her, but Jamie doesn’t know what to do without, as Roy so carefully put it, fucking it up.

It hadn’t helped when (Y/N) snuck into the locker room to wish him luck, showing him the Richmond bracelet she was gonna wear onstage with a roll of the eyes. “Our stylist wouldn’t let me wear the jersey, but don’t you doubt for a second that I’m rooting for you, Tartt.”

Jesus Christ. Jamie had felt his cheeks warm up and dared to thank her with a loud, exaggerated kiss on the forehead that left them both grinning like idiots and Roy staring at them knowingly.

Before Jamie followed his teammates into the field, Roy had pulled him aside with a hand on his shoulder. “Tartt–”

“I know, I know,” he answered a little too self-deprecatingly. “Don’t fuck it up.”

But Roy only raised his eyebrows, realization dawning on his features. “You think I say that because I think you will?”

Jamie mumbled some not-words under his breath and Roy cursed. “Prick. I say it because you deserve good things, dickhead. And you should let them come to you when they do.”

Good things, Jamie thinks after one of his passes gives Dani the first goal of the night. The younger man jumps into his arms while hugging him tight and laughing into his ear, their teammates joining their embrace less than a second later.

He looks towards the general area of the VIP seats where he knows (Y/N) and the rest of the band are cheering them on. He pictures her screaming at the top of her lungs, arms in the air, and being happy for him like she’s known him for all his life.

She might be the best thing. Whether he deserves her or not, Jamie wants her. Wants to be with her, watch romantic comedies until they both cry and spend his free afternoons watching her play the piano while he plays FIFA in the living room. He wants songs written about him that have him blushing whenever he hears them in public and for her to come to his games and be able to dedicate every goal to her he ever scores.

Good things. Yeah, Jamie can get down on that.

“You fucking asshole!” she jumps into his arms the second she finds him on the pitch after the game, a medal hanging from his neck and sweat sticking to his skin. (Y/N) doesn’t seem to care as she lets him lift her in the air, holding onto each other tight. “You did it! You fucking did it!”

“I missed your show,” he replies instead, only a little bummed. He’s seen her play live before but there was an itch under his skin the entire half-time, knowing how close she was and being unable to get to her. Jamie grins. “And stole it, too.”

“There he is,” she teases gleefully. “For a second there I thought you were gonna be humble about this.”

“I don’t even know what that word means,” he says cockily.

“And how’s Mr. Man of the Match gonna celebrate, huh?” she wonders, hitting him lightly on the chest now that he’s put her back on the ground. “A fancy club? Getting shitfaced with the boys? A date with your left hand?”

Jamie puts his hand on hers at the last second, stopping her from pulling away. She sways into him, all traces of joking vanishing from her expression. He forces himself to stay on her face, the urge to look away defeated by how she’s looking at him. In wonder, open, hopeful.

She deserves good things, too. Jamie is determined to be the one to give them to her.

“I was thinking dinner?” he asks, fidgeting a little on his feet. “Maybe a movie? Thought I could see what While You Were Sleeping’s all about.”

(Y/N)’s mouth is fighting against a smile, somewhat hesitant still. Jamie doesn’t blame her, he’s been beating around this bush the entire time they’ve known each other.

“You want any company?” she wonders.

“Well, what kind of date would it be if it was just me?” he forces his features into faux confusion, watching her finally lose the battle and beam like a kid on Christmas. Her fingers twitch where he’s holding onto her hand.

“Not a great one,” she concedes, looking like all of Jamie’s dreams. “How do you feel about Mexican?”

Awful. Jamie feels awful about Mexican. He’s a white sexy boy in all the ways that matter and his taste buds punish him for eating spicy food no matter how much he likes it. But he can compromise. He’s starting to realize there’s very little he wouldn’t do for (Y/N) (Y/L/N).

“I feel fantastic about anything you like,” he answers truthfully. “I’m sure me tongue will forgive me eventually.”

(Y/N) laughs, fingers in Jamie’s hold shifting so she can hold his hand. “I think there’s a good lyric somewhere in there.”

“You plannin’ on writing me a song?”

She smirks. “Bold of you to assume I haven’t yet.”

Jamie squeezes her hand, leaning in to kiss her cheek.

“Can’t wait to hear it, love.”

___

there’s an ache in my bones to make a series out of this fic omg

i can’t believe the show’s over (is it tho????) so here’s some jamie fluff to heal our tender, mourning hearts. as always you’re welcome to tell me what you think and chat jamie and ted lasso as much as you’d like! thank u for reading AND for all the love on my last jamie piece that you can read here!

masterlist / ao3 / ko-fi

#commissions and asks are open!#leo writes #jamie tartt #jamie tartt x reader #ted lasso #phil dunster #roy kent #brett goldstein #rebecca welton #hannah waddingham #keeley jones #juno temple #sam obisanya #toheeb jimoh #i had so much fun w this i hope i do write more of them #reader insert

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familyagrestefanblog · 5 months

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Clarification I definitely should have done ever since season 4 and the Ladynoir conflict started escalating, but hey, let's just get it out:

There are reasons why I'm harping down so badly on Miraculous' Girlboss feminism and defend Adrien as much as I do.

To get the feminist (in-universe) explaination out of the way first:

I would be lying if I said that I like the direction the show has taken Marinette's character and the story in general. But regarding her specifically I simply have to say that most of my problems with her are how she is written as Ladybug, Guardian, and especially leader & partner. Not in her civilian self. Hence why you won't find that alot on my blog, only when it contributes to the overarching double standards problem from s4 I take issue with.

I simply cant deny it, Ladybug is a kind of leader I just came to not be able to respect alot anymore in how she operates most things bc she doesn't really ever look passed how things look & stand for herself, and what SHE needs & wants. Marinette is a very low empathy person in the sense that she struggles putting herself in other people's positions, or remembers considering that at all.

But that's not the reason why I can't respect her as leader. I have ADD, that would be really hypocritical of me.

What leaves me unable to respect her as leader though (& honestly kinda even wanting Alya to take her position) is the fact that the show doesn't see much wrong with Maribug doing that.

They don't properly depict this as flawed leadership she actually NEEDS to grow out of by making up for her shortcomings by, for example, making other people her official co-leaders. Instead the show since s4 (& kinda s3) will proceed to put it's feminist foot down if Maribug isn't actually in the end 100% correct and "totally girlboss justified" in any given case - with CN & authorities specifically - no matter the context. Ergo she's barely ever truly improving her weakpoints in partnership skills for example & continues doing the same mistakes over n over.

like she genuinely would benefit from having Chat Noir as her co-leader too, not just Rena Rouge. But no. The neurodivergend low-empathy girl can't have a high-empathy boy co-leader bc apparently thats misogynistic now, huh ?

Again, I have ADD and I'm also a woman. In fact, I actually have alot in common with Maribug (hence why it hurt so much once s4 took her away from me), so forgive me when I still say: I am NOT going to lower my standards of my believe that neither of those aspects get to be an excuse on everyone else's expense regarding LEADERSHIP (which I do also am in the position of in my life).

And I repeat: LEADERSHIP. Not Marinette herself as a person necessarily & esp not her civilian life.

People always say that her critics wouldn't be so hard on her if she were a man, but I strongly disagree. In my experience, if Marinette were a boy people would actually draw a line nowadays and call out that Mariano is too stuck in his own head to be a good leader (& partner). And maybe even demand that he shouldn't be in that position anymore either at all or until he's in a better head space.

Bc with male characters people are actually drawing lines now in important factors when it comes to power & the accountability coming with it, bc in the end being in change means it ain't about you

Hence why e. g. Steve Rogers (Captain America) was then a fucking fugitive from the law when shit got real in the MCU. They had to do that bc of his leadership morality not being able to exist well within a corrupted & complex law system under fire and attack. My man's an amazing battle leader, but the MCU did VERY well leaving taking care of all kinds of social & political matters to Tony Stark. This kind of nuance ain't Steve's strength. Marinette & Steve are actually a EXTREMELY similar type of leader and it's interesting that I don't exactly vibe with him too much either in that regard, but like him as person the way I did Marinette. So for me it's definitely an issue with their type of leadership.

But the mainstream female leader characters are often still "too female" to get held to the same regular standards bc telling a female leader character in a complicated and not entirely beneficial situation & position 'yeah, it's sucks but you're not the center of the universe'' is now more often than not still "too mean/ sexist"

again, Steve was made an outlaw for a reason and you can bet if he had been a Stephanie people would have made all her struggles about sexism & called the 'outlaw leader' route after Civil War misogyny, merely bc "society doesnt respect women". This is whats happening with Maribug & it clashes with her leadership style.

Hence why there AREN'T ALOT of mainstream female leader characters. And if we get some, most of them are narratively defined by how powerful & in control they are for THEIR OWN BENEFIT and it being depicted as 100% right & just in general (like with Marinette) which goes against what a normal leader should be, so alot of people don't like them (ignoring the actual sexist people for a sec)

The first Wonder Woman movie for example was so well-received for a reason. They did it RIGHT (& may I please also recommend Wakanda Forever? Fuck, that movie was GOOD)

But yes, it's notably how Maribug treats Chat, who is supposed to be her partner and friend, that I take alot of issues with.

And yes, I would say the same if LB were male and CN female. Ladynoir is so rooted in toxic femininity that this "partnership" (or just the entire LS) the way it is could NOT exist today in gender bend. S4 and the s5 finale in particular are unthinkable in gender bend and they sold it as "justified female empowerment" & "unparalleled loving treatment" from Ladybug's side Chat Noir needed to learn to be GRATEFUL for.

All while, and I will never stop stressing this: the show has never stopped writing Marinette to treat Chat Noir as if he basically just spawns into existence once he puts on the mask. He's HALF a human being. Even once she falls in love with him in s5.

This is the fundamental and deep seeded problem of where my issues come from here. It never stands in question if Adrien views Marinette and Ladybug as full human beings, but the other way around that very much is the case. In whatever way it's depicted. Yes this is a line I draw, especially because of the whole Sentihuman thing.

I personally am alot more like Adrien regarding Friendship and partnership (or what his character initially started out). They are heavy & meaningful topics for me. So seeing Marinette being utilized to girlboss all that into the ground with Chat Noir, esp in s4, while she apparently barely ever even noticed anything wrong with how she treats him in the first place as she literally replaced him with Alya/ Rena in everything but name

cause buring him under a wall of secrets & lies meant she can still 100% benefit from his eternal devotion by letting him believe she's too alone to be a partner anymore AT ALL. (Kuro Neko onwards and then NEVER stopped letting him think she's just as alone as he is. NEVER. She's still doing it in s5 while leaving him 100% isolated which was then his demise in the s5 finale.)

and gives Alya the deluxe partnership entirely on his expense, while barely ever sparing him even the most basic thought in anything; & by "Risk" then literally having them switch status. Rena is her actual partner she fully treats that way and he's merely her favorite temp hero with no rights, which Rena was previously.

And the only reason why Chat was treated with something resembling to fairness or dignity again in season 5 (& finally wasn't a rag doll for her every little mood anymore...) was because Maribug plainly had no other choice and had her team & position of power taken away by force while Alya renounced for her own safety. And yet she's still treating him as half a human being even by the end of S5. AFTER her character development. He's Chat Noir and that's where his existence ends in her leadership & friendship. CN and Alya in s5 are literally 2 halves of ONE PARTNER.

All that was painful to watch to say the least. Bc it's imo honestly a disgrace to friendship and partnership. I can't put into words how ashamed I would be of myself if I treated someone the way Marinette treats Chat Noir (again, HALF A HUMAN BEING).

Much less a friend I claim to love dearly and don't want to loose (another thing the MCU did better regarding Steve's fall-out with Tony over Bucky... I should really make that comparison post why Steve works for me & Marinette doesnt)

Just the mere fact that Marinette in "Elation" even told Chat "It doesn't matter who's underneath your mask" is honestly outrageous.

Because thats simply what it is for me. If s4 & 5 Marinette were portrayed from a similar morality angle to Emonette in the Paris special I would have much less issues with her. Cause thats ironically an angle female characters barely get & is mostly used to redeem the broken bad boys with a hidden heart of gold™.

Double irony: s1-s3 actually DID put civilian Marinette often into that angle, hence why I really liked her, but then s4 suddenly said "well, her methods & actions really dont matter. She's wrong, but actually not really; ergo she should get rewarded in the end. Always. But with a few exceptions. Here n there she loses to claim otherwise. But actually the world just needs to learn how right & amazing she is."

She makes countless mistakes but often either doesn't really learn from them anymore or they just don't "count" bc that's 'what makes her quirky & loveable', so having any issues with her now means you hate women. And she's a very flawed leader but actually never did anything wrong. Ever. You can't have your cake and eat it too.

I will be VERY blunt now: The moment you put a female character into the leader role the FEMALE aspect is supposed to be of secondary importance. And a leader, by the nature of the position, ALWAYS has to be questioned morally wise in my opinion bc of the fatal blindspots that will automatically occur in every leadership.

And it happened here too: Chat Noir's treatment. But they demanded that her being the (female) leader means she's OWED to treat him badly & gets to keep him as blindspot on HIS expense bc she doesn't like thinking about him existing as civilian person.

A leader is ALWAYS somebody who is NOT going to sit well with everybody regarding their approach. That's a normal instinct, and in fact it would be highly dangerous if that wouldnt happen at all. So if I, or other people, don't respect her as one that simply means she has an opposition the way every leader has & is being held to normal standards a leader should be held to, regardless of gender.

Sorry if you think thats sexist, but in my opinion that's a YOU problem. I personally respect female leaders too much to not acknowledge them as anything else but the potential threats they are. The same way I do with male leaders.

You're leader first, woman second. If you can't handle that get out of the leadership position (yes, oc that also applies the other way around). Feminism was about making sure that women cant be excluded from e. g. position of power just bc we're female. The goal wasn't to have yet another group of people stomp their foots, now claiming that they are OWED power once they wanna have it to feel powerful. But that's what Marinette was used to teach an entire generation of children, especially girls.

The last thing you will EVER get me to do is accept that I should be holding women - specifically for equality, female empowerment and leadership - to LOWER (moral) standards as I would the men in her position.

Buddy, I am NOT gonna fucking do that. Just the thought is pissing me tf off, and has ever since s4, cause it directly plays into the misogynistic thinking of:

"Women can't be given power, status or even too much focus as human beings because they're too irrational and immature to be able to then lay proper priorities & take rightful accountability for their shit like a man in power could; and not just scream and cry while playing the oppressed victim card the moment things don't work out & they aren't being given the special female treatment to let them mostly off the hook consequences wise.

Leading to everyone around them, especially the MEN, having to step up, do the work & basically babysit the women like children - while still having to give her the credit as person in charge - turning the women more or less into toddlers wearing a queen's crown"

Which, by all means, Adrichat in every dynamic of the love square by season 5, Gabriel at the end of "Recreation" and even Luka & Félix (& "thankfully" Alya too since s4) had to do for Maribug in alot of ways.

Pick up all of her slack in several major areas & catering to her while simultaneously having to still give most of the credit to HER or else they would be "mean to the female lead" (it's also telling that Alya is treated the best here, & goodness dont get me started on Su-Han...).

And with that out of the way, a few more meta reasons:

1) I'm NOT watching a damn documentary. Marinette is NOT a 14 year old, she doesnt exist & isnt based on a real person or story. She's a fictional main character and narrative tool, so forgive me for approaching this differently than a real life case.

and 2) in everything I watch I automatically look out for the narrative's blind spots and victims of the writings' favorites. I take it this seriously because this is career related for me.

Hence why I have barely ever liked a main character and ironically Marinette/ Ladybug was once one of the few exceptions (alongside Korra from Legend of Korra and Blitz from Helluva Boss)

Look, when I for example watch Helluva Boss or a Yugioh show I will automatically pay extra attention to how the female characters are being treated bc they are obviously treated worse by the writing and much more neglected and scapegoated than the male characters.

Meanwhile when I watch Miraculous and She-Ra, I do the opposite and pay attention to how the male characters are treated bc now they have the gender-biase against them.

And when I for example watch Avatar the last Airbender or Legend of Korra [and She-Ra, that show is great], then I actually get to be mostly fucking happy for once in my life jfc

I'm not going to elaborate too much more on this because I already named by my main point in the beginning: Chat Noir's - not even Adrien's, I mean CHAT NOIR - sometimes honestly awful treatment being the biggest moral and narrative blind spot of the entire show, and honestly where most of Maribug's problems then are also rooted in. Hence why I started focusing so much on Chat Noir since season 4. I look at the overall narrative and circumstances and look for the blind spots that needs to be solved to get to the core of the problem of this whole mess, to get effective results.

And that was and even by the end remained the fact that Adrichat is treated so badly, scapegoated in every possible way in the name of "feminism" and kicked out of the story where HE is at the core of most everything going on, just so the show can force Maribug into everything, make things about her that have no business being about her

Just so she can then be made to constandly turn around and scream, cry and stress about problems - and go about them in the least effective way - that wouldnt be there in the first place if she wasnt the main character of a story that isnt hers.

Mate, I dont know what to tell you here, but the fact that we are following Marinette Dupain-Cheng ,who has nothing to do with anything besides being the cool action girl, is and will always remain of the of core problems of this show. I WISHED that wasnt the case. But for the love of everything, Kagami would have made so much more sense as the female lead, but no.

Anyway, I will leave it at that now cause I already elaborate much further than I initially wanted to, I just wanted to finally have all this stated.

This Blog is not a full representation of how I lay priorities in (feminist) media in general, my view adjusts to the piece of media I'm watching.

And unfortunately, ever since season 4 Miraculous turned into a full blown extreme case and has only gotten better somewhat recently. So I will continue doing what I always do: focus on the fucking VICTIM whose bad treatment pulls down the whole show's quality, and here that's plain obviously Adrien Agreste/ Chat Noir.

And with all due respect: Die mad about it.

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raayllum · 7 months

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Thoughts about Callum's magic use in s4/s5 that aren't a proper meta but series of parallels/lil connections

First off is Callum casting aspiro frigis, one of my favourite spells we've seen before, but we've never seen him cast it before! I'm also intrigued by the size difference between his and Viren's casting of it, since while we've seen Viren make smaller (3x08, 3x09) they're both assisted by primal stones (the one in Callum's sky staff, the OG primal stone for Viren) so Callum's not being big enough to completely encompass the banther didn't make sense to me? However, given that Viren is aided by the primal stone and the relic staff (which is absolutely juiced with something wild), that difference would make more sense.

We also get to see more combat spells this season from Callum, which is exciting, as his previous one in S4 was just fulminus, so it's nice to see more variety (aspiro frigis, the angulus arrow spell, the lightning fist spell). Callum using the lightning spell with his bare hand given that if it didn't pan out / he got nicked even slightly he'd be corrupted is especially insane of him, but hey - you messed with his girl. Gotta pay the price.

I was also pleased/impressed with the misdirected Fulminus spell in 5x08, as it makes it clear Callum was aiming to kill Finnegrin with that bad boy, to be perfectly honest. Also fun to see him use primal magic without his staff for once, as his greatest asset is still that he can do magic without said external source like a primal stone or staff, relying here instead on his inner arcanum and the fierce storm raging around them. (And more sky magic during storms, please!)

It seems that Callum has prioritized memorizing combat spells as opposed to other kinds of spells, which makes sense - in a combat situation, you don't want to be pausing to check your spellbook. However, we still see him check his book to find spells, the same way he did in S4.

I think this is a very sweet sign of growth, as in arc 1 he didn't need to check as he only had around 4-5 spells he knew, but now there's so many he wants to verify / look for them when in doubt. (Probably smart, as messing up a spell or doing the rune the wrong way could have tricky consequences? Ficlets when). Not that he always knew his magic (or remembered his own words) perfectly, either ("She might've called me a fool" / "Who told you that?" "You did") bless his soul.

Can't wait to see what Ocean magic he gets to add to his repertoire next season, and how it'll be utilized in the future!

#tdp callum #mage boy #mini meta #analysis series #analysis #arc 2 #s4 #s5 #callum #tdp #the dragon prince #i wonder if he used pax partans during his almost meditative state in 5x08

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thegayhimbo · 10 days

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Ranking The Stranger Things Tie-Ins:

Now that I've finished the reviews (for the time being), I wanted to do a ranking of all the tie-in comics, graphic novels, and books. Originally, I was just going to do a Top 5 Best and Worst List, but I figured it would be more fun to make a complete list of all the tie-ins while also giving my brief thoughts on each one (especially for those who don't want to read my lengthy reviews). Please note this is all in good fun and just my personal opinion, which can be subjected to change.

Also, this list will NOT include any of the show's episodes, video games, tabletop games, children's tie-in books, the Choose Your Own Adventure book, the Stranger Things Experience, or the stage play The First Shadow.

With that out of the way, let's begin in order from Worst to Best:

#26: Stranger Things Summer Special (See Review Here)

I never cared for Powell and Callahan as characters. They barely have anything to do with the show's main arc, they're NOT funny, and the "bumbling cop" trope is something I've grown tired of in recent years.

The premise of this short, where both of them are conveniently present at key events during season 3 in their lousy pursuit of being "good cops," all the while having constant near-misses with the Upside Down, the Flayed, and the Meat Flayer, is a repetitive joke that quickly grows old. That's not even getting into the huge continuity errors plaguing the short and creating a bunch of plot-holes. Completely unnecessary. Hard pass.

#25: Stranger Things The Bully (See Review Here)

This only ranks slightly higher than Summer Special because I like the artwork better, and it doesn't mess up the show's continuity like the previous comic did. However, that's all this really has going for it.

For whatever reason, they decided to make an entire graphic novel focusing on Troy and James (the bullies from season 1), and all I could think about while reading it is "This is a huge waste of time." I already didn't like Troy to begin with, this comic does NOTHING to improve my opinion of him, and considering that neither James nor Troy have appeared on the show since (and probably aren't coming back for season 5), I don't see what the point of this story was. This paragraph from my review sums it up best:

#24: Stranger Things x TMNT Crossover (See Review Here)

I'm sure there are fans who enjoyed this bizarre trip while embracing its absurdness and surrealism, but I am not one of them. I like TMNT and I like Stranger Things, but I draw the line at saying both properties exist in the same universe. That's not even getting into the haphazard attempts by the writers to make this comic canon with the show. Knowing the Duffer Brothers, that's likely not going to happen.

#23: Stranger Things Tales From Hawkins (See Review Here)

The idea of doing an anthology comic focusing on Hawkins residents was intriguing, but the end result was disappointing. They should have broadened their horizons regarding which characters to focus on, and not just set the stories exclusively in the first 2 seasons.

Murray's story (Issue #2) and the Pumpkin Patch Rivalry (Issue #4) are arguably the best ones. The rest are either forgettable or derivative.

#22: Stranger Things Six (See Review Here)

My first venture into Stranger Things comics. I've come a long way since then! :)

I remember looking forward to this particular comic to learn more about Hawkins Lab, Dr. Brenner, Project MKUltra, and the special kids............only to feel underwhelmed when I actually read it. I wanted to like Francine/Six, but I didn't find her interesting or compelling as a character, and the attempts to include other aspects of the show's lore (i.e. The Upside Down, Terry Ives, El and Kali, etc) felt shoehorned. Combined with the direction season 4 went, and it's a safe bet to say this comic is NOT canon (if it ever was).

#21: Stranger Things Suspicious Minds (See Review Here)

Suspicious Minds ranks slightly higher that Six for doing a better job fleshing out the experiments that were taking place at Hawkins Lab, as well as giving more details about Kali, Terry Ives, the test subjects, and El's biological father Andrew. It helps that Brenner is a threatening presence in this book, and that the narrative excels in maintaining suspense.

However, similar to Six, the events of season 4 render most of this book non-canon. That's not even getting into a major continuity error regarding El's date of birth that sticks out like a sore thumb.

Suspicious Minds serves as a cautionary reminder that if you're a creator and you've planned out a major twist for your show, then you either need to have a direct hands-on approach to how tie-ins are written and approved, or you need to be willing to share that twist with those you've hired to write tie-ins for the universe you're managing.

In any case, it is PAINFULLY CLEAR the Duffer Brothers didn't share information about Henry/One/Vecna with Gwenda Bond when she worte this book (or Paul Dichter for that matter when he helped oversee its development), and boy does it show in the final product. 😖

#20: Stranger Things Kamchatka (See Review Here)

Another example of a comic where the premise sounds intriguing, but they squander it on characters who aren't going to play a role on the show while also giving very little (and in some cases, contradictory) information about the show's lore.

While I liked the darker tone, the Cold War setting, and the spy thriller aspects, the characters didn't do much to impress me, and I was also frustrated by the lack of canon characters (Hopper, Dmitiri, Yuri, etc) who could have been in this comic and weren't. It's not bad, but it is mediocre when it didn't need to be.

#19: Stranger Things Into The Fire (See Review Here)

A sequel that improves on its predecessor (Stranger Things Six). While the comic likely isn't canon for the same reasons Six isn't, I appreciated the personal stakes this time around, I loved the creepy gothic aesthetic they did with Jamie/Nine's hallucinations, and it was nice to see Kali utilized in this story in a meaningful way. Here's hoping the Duffer Brothers wise up and bring Kali back for season 5 because she deserves so much better!

#18: Stranger Things Creature Feature (See Review Here)

One aspect of Season 4 that was disappointing was how little we got to see of the family dynamic with El and the Byers once they moved. It's hinted at, but not explored deeply. Creature Feature dives a little more into that, as well as El's struggles with PTSD, and gives a nice heartwarming scene between El, Jonathan, and Will towards the end that makes the short stand out.

However, the one-shot comic is sadly brief, and it may leave people frustrated about why they didn't go for a longer comic/graphic novel about El and the Byers adjusting to life in Lenora. I would've been interested in seeing that!

#17: Stranger Things The Game Master (See Review Here)

A one-shot comic where we get to see Steve and Nancy back together after the events of season 1 while also getting a surprisingly sweet interaction between Steve and Mike that isn't them griping with one another. I don't care much for Steve and Nancy's relationship, but I did like their attempts to help Mike feel better after El's apparent death. That was enough to elevate this short.

#16: Stranger Things Erica's Quest (See Review Here)

Not a fan of the artwork, but I was happy to witness the Scoop's Troop back together again. I also love how this short confirms Steve has played D&D before, which gives context to that scene in S4 when Dustin calls Steve asking him to be a substitute player in Eddie's D&D campaign.

#15: Stranger Things The Voyage (See Review Here)

Major improvement on Stranger Things Kamchatka. It's highly doubtful the show will include any mention of this comic (though if the Duffer Brothers decide to bring back the Russian arc for S5, I hope they incorporate Dr. Karine as the main antagonist), but the story is scary, suspenseful, and has the kind of gruesomeness you'd expect from an R-Rated horror film.

#14: Stranger Things Darkness On The Edge Of Town (See Reviews Here)

Having grown up reading a lot of murder mysteries, I have a soft spot for the genre. Hearing that Hopper's backstory involved him tracking down a deranged serial killer in New York City back in the 70s while also dealing with a dangerous cult was enough to get me on board with this book.

This novel isn't perfect, but it makes up for its shortcomings in creative ways. Hopper's backstory with the NYPD is fascinating, the story's focus on issues related to poverty, crime, mental health, law enforcement, and societal woes works well (even if they drop the ball towards the end), Hopper's interactions with El in the present are a highlight, and the narrative is effective in keeping the reader invested.

#13: Stranger Things Erica The Great (See Review Here)

A light-hearted graphic novel that bridges Erica's arc between seasons 3 and 4 while expanding on her growth as a character and development as a D&D play. It was cool seeing Erica's friends get their day in the limelight (one of whom might be making an appearance in S5), and the story has enough funny moments to keep the reader entertained.

#12: Stranger Things Flight Of Icarus (See Review Here)

I know fan reaction towards this book was cold when it was first announced, and I'll admit parts of it were hard to read given we all know how Eddie's story ends. I'm not a fan of media that teases false hope to the audience, only to cruelly yank it away.

That being said, I will go to bat for this book: It's well-written, and does a good job expanding on Eddie's character and his relationships with others (Wayne, Al Munson, Jason, etc). I also appreciate the book's themes regarding "forced conformity," and its scathing criticisms towards individuals and institutions (school teachers, law enforcement, students, residents, etc) who scapegoat and punish people like Eddie for existing while allowing (or in some cases, enabling) truly vile people to get away with being vicious and cruel towards "acceptable targets."

Considering how certain individuals on Tumblr and varying social media platforms have been treating others for the past few months, this book couldn't have come during a more relevant time.

#11: Stranger Things Halloween Special (See Review Here)

A delightful Halloween comic taking place before season 1 which centers around the Party telling an urban legend about the Child Eater of Hawkins, which coincidentally has eerie parallels to Vecna. Creepy artwork, an unsettling atmosphere, and a fun twist at the end! :)

#10: Stranger Things Hawkins Horrors (See Review Here)

Same deal as the Halloween Special, except it takes place between Seasons 3 and 4, and features multiple horror stories told by Steve, Robin, Nancy, Max, Lucas, Erica, Dustin, and Mike while they're all trapped in the Video Store during a power outage. The stories are scary and reminiscent of horror anthologies like Tales from the Crypt and Goosebumps, and some of them even cheekily foreshadow certain events that occur in season 4.

#9: Stranger Things Runaway Max (See Reviews Here)

Like Flight of Icarus, this book is hard to read, albeit for a different reason: I don't enjoy stories with characters trapped in abusive situations, and this book does not pull its punches in depicting the utter hell Max suffered through living with both Neil and Billy.

That being said, I grew to have a new appreciation for Max's character because of this book, and I liked seeing her backstory, her perspective on the events of season 2, and her thoughts about the characters she interacts with. I loved seeing her relationship with Lucas develop, I liked her brief interactions with Steve, and there was a satisfying payoff in her standing up to Billy and finally regaining some control over her life. If you love Max's character, this book is for you!

#8: Stranger Things Winter Special (See Review Here)

The closest Stranger Things will ever have for a Christmas Special (not counting the endings of the first two season finales). So many little details (i.e. the way the Party explains different Christmas stories to El and how she visualizes them, the revelation about what happened to the demodog in Joyce's fridge, etc) that make this an enjoyable read.

#7: Stranger Things Lucas On The Line (See Review Here)

One thing I will say for the tie-ins is that I appreciate how they expand the perspectives of characters from the show. Such is the case with Lucas on the Line. It takes place between seasons 3 and 4, and explores Lucas's attempts to come to terms with his trauma, the growing rift between himself and Max, his attempts to balance his strained relationships with his friends and his desire to play basketball and break out of the "nerd" stereotype, and it gives a very brutal but effective portrait of what it's like for Lucas to be one of the few black kids in Hawkins constantly surrounded by people who are either outwardly racist or project their biases and prejudices in truly insidious ways.

There are two reasons I'm not ranking this novel as highly even though it's a fan-favorite: 1.) There are continuity errors that took me out of certain moments while reading it, and 2.) The third act (which is when S4 begins) does a clumsy job tying in with the rest of the book and its themes. I really wish the book had continued with Lucas's story up to the end of S4 instead of stopping halfway through.

#6: Stranger Things The Other Side (See Review Here)

I always wanted to know what was going on with Will in season 1 when he was taken to the Upside Down. This comic thankfully elaborates on that and doesn't disappoint. Will's journey to survive is both intense and terrifying, and the way the comic seamlessly connects itself with the events of season 1 is to be applauded.

I have no clue what the Duffer Brothers plan to reveal in season 5 about the Upside Down and why time froze in 1983 when Will was taken, but considering they talked with the writers and artists for this comic and gave their stamp of approval, I'm hopeful the events of The Other Side won't be retconned.

#5: Stranger Things Science Camp (See Review Here)

Who knew that when Dustin went to Science Camp, he walked right into a Friday the 13th movie? 😂

Don't want to spoil too much about this one, but I had a blast reading it. Dustin's perspective is always entertaining, the comic works as a brilliant introduction for Suzie, and the mystery plaguing the camp is genuinely interesting and has a good twist. High recommendation.

#4: Stranger Things Zombie Boys (See Review Here)

I'm still bitter that the character of Joey Kim never made an appearance on the show despite the camaraderie he had with the Party, as well as how he gave the boys some catharsis from all the shit they were put through in season 1.

Nevertheless, I enjoyed the premise of the Party making a zombie movie, and I appreciated how it handled the characters' trauma without being patronizing. The artwork was also impressive and beautiful to look at. Here's hoping we get more comics and graphic novels like this in the future!

#3: Stranger Things Tomb Of Ybwen (See Review Here)

At its core, the comic manages to explore an aspect that wasn't given much coverage on the show: Will's reaction to Bob's death and his attempts to come to terms with it. All of which culminates in a quest Will undertakes when he finds a map from Bob that (allegedly) leads to an ancient Viking treasure buried in Hawkins.

I don't want to give too much away in terms of spoilers, but the story is both emotional, sad, and heartwarming, and it does an excellent job reinforcing the friendship between all 4 boys while also demonstrating the impact Bob had on Will's life.

#2: Stranger Things and Dungeons and Dragons (See Review Here)

Speaking as someone who's occasionally crafted various fantasy scenarios in my head to cope with the stresses of life, this comic was deeply relatable. The show never shied away from emphasizing the importance of D&D to these characters, and this comic expands on that by illustrating why they became interested in D&D in the first place, how they've used D&D to cope with living in Hawkins, how the events of the first 3 seasons factor into how they play D&D, and how the game evolved with them as they continued to get older. It's like the piece of media from your childhood that stays with you as an adult. Arguably the best comic in the series (so far).

#1: Stranger Things Rebel Robin (See Reviews Here)

My favorite book and tie-in of the series. Speaking as someone who's gay, this story spoke to me on a personal level, and there were a lot of parallels I was drawing between Robin's experiences in high school and my own: The fear of being outed and ostracized. The desire to break free and explore the world. Recognizing the injustices that exist in society and wishing you could do something about them. Getting a nasty dose of reality that people you thought you could trust aren't reliable, and may even be more awful than you anticipated. Been there, done that, still dealing with some aspects of it.

It's funny because even if you take out the plot elements relating to the Upside Down, you still get a great coming-of-age story, and one that speaks to many people, LGBT+ or otherwise.

That concludes the ranking and reviews for right now! Thank you again for those who've been reading them! :)

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gayofthefae · 26 days

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I just realized the absolute wait of El saying "maybe he's right" when Mike told her about Hopper.

That was a reveal. And it meant nothing to her. There is even a romantic trope of the situation they were in and they refused to do it. They could have drawn it out and had El find out at the end (although that would have antagonized Hopper) and that be the big romantic moment, but instead, she finds out in episode 4.

In season 3 episode 2, El breaks up with Mike because he avoided her then lied about it and she didn't know why. In season 3 episode 4, he tells her that the reason was because he didn't want Hopper to break them up...

And she didn't care. She didn't care! Like AT. ALL. Barely even acknowledged it. Then she said that since hanging out with Max, she had realized that him doing that was not the only issue in their relationship so solving that one doesn't solve anything and she was happy to stay single.

Uh.....DAMN. THEY LITERALLY DID THAT. If he had said what he said before she went to Max and that had somehow been the order, I think she would have taken him back. But instead, and instead of having a single conflict and solution, they used that conflict as an OPPORTUNITY, a starting point to jump off of for the next one. They wrapped it all up with that conversation in the first half of the season.

From there, the conflict was Mike telling El he loved her, something that was not the source of their breakup and therefore should not solve it, and El didn't really have a conflict pertaining to him as she was not seeking to initiate anything. Once he genuinely apologized, they got on good terms again and she was more willing to communicate with him about trusting her and allowing her to be independent now that Max had helped her realize that she wanted that.

But at the end of the day....they could have done a romantic angsty plot and didn't. Because that isn't what their arcs are. Instead, they said "yes, the breakup was for made up reasons, but once she was fully informed, she chose to stay broken up because although the original reason for the breakup was a miscommunication, she noticed that she had been happier since breaking up and that was more important."

I will never shut up about how season 3 grew on me as their friendship season and how, in connection to that, they made up about halfway through the season during the m&m scene (which was very downplayed ftr) and remained broken up for 3-4 more episodes.

Mike was trying to tell her he loved her but that was not the source of the breakup so it should not have solved it. Even if it had, he didn't anyways. And if it would have solved it, then why didn't she get back together with him immediately upon knowing? Or at least after a couple of days of him not being able to say it. You might all die again, especially you, there is at least some urgency to the situation. Why not make sure to get back together right before the big battle like Lum@x did in season 4?

And I will always remember the analysis about how her romantic moments with Mike coincide with her grieving Hopper. Here are the facts:

After finding out that the reason for their breakup was a miscommunication, she chose to stay broken up for other reasons she had since come to realize.

After making up and getting to a good place platonically, she did not initiate getting back together and neither did he.

After hearing him say he loved her, she did not initiate getting back together.

When he didn't work up the courage on his own, she did not bring it up to him in order to get back together

After her father died and she was moving across the country, big, jarring changes happening in her life, she initiated getting back together.

She had many an opportunity she did not take, initially directly denying the chance, but even after that seeming content with either getting back together if he initiated it or not if he didn't. That was always my interpretation from my first watch, that formulaically they probably would but she seemed content with either.

When introduced the option, she broke up with him. When given the full information and direct opportunity, she chose not to get back together with him for other, more credible reasons. After making up, when given indirect opportunity, she did not initiate getting back together with him.

tldr: They could have made a thing of it. They could have drawn it out. They could have made it big and romantic - like I thought they were going to when they introduced it in episode 1 as if it were the primary conflict. But they didn't. They said "yes, she broke up with him for faulty reasons, but that was just so she could realize how much she loves being single."

#elmike contrasts #elmike povs #stranger things #el hopper #first watch #elmike breakup #el hopper arc #elmike analysis #the duffer brothers #byler

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queen-of-boops · 6 months

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Volume 4 Thoughts

Oh boy, things started to go a bit off the rails this week (doesn't help that I barely remember what happened last time) but here we go...

What was the point in getting to know the OG girls only for half of them to be dumped immediately? (Estelle and Willow for me, shame I wanted them to be my besties)

Evan is... yikes. Gorgeous sprite but as soon as he started checking me out at the ceremony it was a no from me

I cannot stop laughing about the chat with the dumped OGs. To sum it up: "Geri's a hypocrite, she's gonna hate you, but you and Joyo are adorable and we both ship it."

Joyo is SO CUTE. I wasn't expecting him to be so nervous and sweet right away, but I love that he's opening up to us some more (ok, in all honesty, my love for him should be studied cause it defies all scientific reasoning, but...)

Shocker, Geri still has a thing for Joyo.

Maybe this is my blonde MC who wears a lot of pink, but I look like Daph's sister and I hate it.

The challenge. Where to even start. That shit was ROUGH. The 'sexy' dialogue was so cringy, wtf was Geri doing anyway? HOWEVER Alex's 'wood weekend is starting early' comment SENT me.

Evan needs to chill. He's being very forward and isn't listening when I say I'm not interested.

Seriously Geri, you can flirt with Joyo all you want, he's not going back to you so save yourself some dignity and stop looking so desperate.

But I LOVED the chat where he was reassuring us and telling us all about his friend group, they sound so wholesome and inclusive 🥺

Raf and Daph are ADORABLE. I love them your honor, OTP. Please let them stay a sweet, loyal couple and don't turn them into a toxic mess.

Alex and Uma are surprisingly cute together too.

Unsurprisingly, Bryson and Bonnie have friendzoned each other.

The winner of the challenge gets to pick who goes to the hideaway? It should just be winner goes to the hideaway. Picking makes no sense (especially when we can't opt out anyway)

That being said, as a recovering Ozzy girlie, actually being able to go to the hideaway with my chosen LI for the first time since SEASON 3 (Damn, Oliver and Ozzy lovers were robbed) was so nice.

I need them to stop with the toys that are used for 0.5 seconds though, if they're not gonna be incorporated don't bother. Smut was a little better than last time though, but still nothing special.

Two new Islanders? Already? Guess that means no movie night....

A LOT more clear AI use these episodes and I'm so upset about all the OG girls leaving. Hopefully I can become besties with Daph soon cause the other girls are all starting to annoy me at times. Still head over heels for Joyo and at this point that's what's keeping me going, I hope more happens next week though cause this week was just predictable AF.

#litg #litg stick or twist #litg s7 #litg season 7 #mo rants about s7

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anti-spop · 8 months

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I just discovered your blog and omg???? Finally someone else who understands what ive been thinking like this entire time

I hadnt even considered Bowkyle before but it makes so much sense???? Kyle needs better friends tbh and Bow is like the greatest friend anyone could ask for he’s perfect. Incredibly wholesome, 10/10

To be honest i’ve never shipped c//a. I had barely figured out sexualities when i first watched s1 but i had Glimmer and Adora in my head as the endgame so i was suprised when they didn’t happen (especially after the whole thing about adora realising catra taking out her actions on her wasn’t her fault and catra basically being the reason Glimmer’s mom is dead but no apology for that ig.

Glimmadora has and will always be a comfort ship to me since the beginning. They have far better communication (and though i have quarrels with s4, the ship does get interesting conflict which feels more realistically resolved)

God I remember when s5 had just come out. Whenever i tried to read fics about glimmadora there’s be comments from people going “actually catra and adora-“ and stuff like that.

Apologies for getting ranty in what was supposed to just be a short ask hfhshfhshfhsh

/lh /gen

Don't worry about being ranty! That's what my blog is for, hehe

Glad to see you consider Bowkyle, it's like my favorite second ship, only behind Glimmadora. Even platonically speaking, I can totally see Kyle and Bow being BFFs. They would be very supportive of each other's feelings and interests.

Honestly, I'm with you there. I always liked Glimmadora better, and I genuinely believed they were going to be endgame, too. Though I liked the potential of C//A back then (before I really took into account they were sisters), I still didn't like how awful Catra was to Adora. Glimmadora is the actual GOOD enemies to lovers ship on the show. Honestly I still like them in season 4 because they had a believable conflict. It's sad that they didn't have such a satisfying resolution because s5 decided it was all about C//A, but I appreciated that Glimmer admitted Adora was right and she was genuinely remorseful. Unlike someone *cough cough*

(The way they don't even touch on Angella's death being caused by Catra is also. So revolting. They only mention the portal like at least twice in the whole s5, iirc, and they were completely brief.)

Anyway, welcome aboard! Thank you for your words! Feel free to send more asks if you want :)

#asks #anti c//a #spop critical

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satirates · 1 month

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I decided to watch Ninjago from the beginning again since it's being a while. Some of these episodes I haven't watched since 2012, but most of them I haven't watched since 2019 when I had my big Ninjago phase. Here's my thought on each season's from what I remember (I'm curious to see how it will change): Season 1: Good season with good characters. The final was PHENOMENAL and I watched it, like, 20 times. Baby me absolutely loved Zane and Hated Lloyd for some reason (I think it's because he was a brat) 9/10 Season 2 : I was not a big fan of the first couple of episodes or the city setting, but I again loved the final. It was so awesome! Still hated Lloyd for no reason, even has a teenager. 7/10

Season 3 (Rebooted): I strongly disliked that season, but for an excellent reason. I waited so long for season 3 that I couldn't wait any longer to watch it when it's release... in English... A language I didn't speak at the time. So my entire season 3 experience was trying and failing to understand the plot of a very confusing scenario that ended in my favourite character dying. I must tell that I wasn't a fan at the time, lol. 2/10

Season 4( ToE): I did wait for the French dub to watch season 4 and 5 so at least I could understand what's happening. I really liked season 4. Discovering new elemental masters was really fun, and they really nailed the tournament aspect of it all. 8/10

Season 5 (Possession): I didn't like this season when I watched it in 2015, but I loved it when I rewatched it in 2019. I think it's because I don't like scary things, so the ghost theming was too spooky for me when I was a baby. Strangely enough, this is the season that made me like Lloyd. I just needed him to be menacing, apparently. 9/10

Season 6 (Skybound): First season I watched in 2019 after giving up on Ninjago mid-possession in 2015. I knew at the time it was a very controversial season, but I LOVED it. It was my favourite so far. Not only did this season had very high stake, the Djin was also a very interesting villain. 10/10

Season 7 (HoT) : I'm not going to lie, I barely remember anything about the Hands of times other than it being focus on Kai and Nya and their parents. I don't remember disliking it, but it was clearly not my favourite. I don't remember/10

Season 8 (SoG): I'm going to say the same things for every season of this trilogy: I loved it! I liked the new design a lot, the animation looked amazing, and the scenario was the best we ever had. This was so cool. 10/10

Season 9 (Hunted): Same has the precedent season, but even better! Definitely the best season from what I could remember. I still own so many Lego sets from this era of Ninjago haha. 12/10

Season 10 (MotO) : I don't dislike this season, but it felt too short. I was really disappointed to see how the stake rise in the last episode without the emotions really landing that well. A miss in my opinion. But that final with the tornado of creation ? Fire! 6/10

Season 11 ( SFS) : I have weird feelings about this one. I do like what they did with the 11 minutes format in some cases (especially in the more humorous episodes), but it also felt like it prevent the episodes from reaching their true potential (haha). Everything has to start and end way too fast. I did like the Fire and Ice theming and both Asphera and the forgotten realm. If entertaining, this season was a bit underwhelming. 7/10

Season 12 (Prime Empire): Same critiques for the 11min format with this season (and onward). But I did like this one way more! The video game theme was really well-made and discovering the universe was really the selling point of season 12 for me. My biggest problem with it was that they just copied the scenario of Skybound which wasn't really original. 8/10

Season 13 ( MotM) : A Cole season! Yeah! This is the last season I remember really liking . The setting and scenario were fascinating, but a bit too simple for my taste. I think I was just happy to see my boy get a season to himself after 10 years . 7/10

Season 14 (The Island) : I don't really remember anything about this one. It was okay, I guess? It was just a really weird release. 5/10

Season 15 (Seabound: I officially dropped Ninjago after the first 10 episodes of Seabound or so. Not necessary because they were boring, but I wasn't invested in Ninjago anymore. I know Nya became the ocean since I was spoiled, but I need to watch this season to make my own decisions about it. 6/10

Season 16 (Crystallize): Haven't watched it, but oh boy did I heard bad things about it. This is on my list of new content to consume for a while now, so I need to watch it sooner than later. One day I will know/10

So yeah, wish me good luck! I hope I don't end up disliking things I loved as a baby, that would suck.

#ninjago #Time to watch ninjago!#again #boy it's been a while #But I need to do something waiting for DR season 2 or I will explode

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wheelercurse · 1 year

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They say it doesn’t make sense logically that byler happens; I say the only logical outcome is byler happening because of how they built up this narrative.

Anyway, I found four main arguments that people used a lot to deny byler, so I will debunk them in this post.

1. It doesn't make sense for their character's arcs because Mike's arc revolved around his relationship with El.

Mike's development and involvement with the plot have always been rooted in his relationship with his two closest bonds: Will and El. And the first two seasons, Mike's main focus was Will, not El. In the first season, he was doing everything to find him, and even when logic said he was dead, he never gave up and had faith that Will was alive. In the second season, Mike never left his side since he learnt Will was in danger again.

I could explain acutely how their character's arc has been built up, but I will summarize it with this:

El's arc has never revolved around Mike. In fact, it's kind of the opposite. Her arc is about a self-discovery journey. Her development occurs when she isn’t with Mike. In season 2, she learnt about her past when she was away from Hawkins, and Kali trained her more. In season 3, she discovered more of what she liked. Max taught her that there's more in life than stupid boys. In season 4, she went away to get her powers back and learnt more about her past. And also, had to accept that she wasn't a monster or a superhero. Her arc has never been about Mike, and a family is what she wanted and needed since the start.

As I said, Mike's arc has always been related to them. But let's talk about his inner conflict: his insecurities and low self-esteem. He has been bullied all his life, and he felt alienated. In s3, he tried to change himself to fit in and be one of the mature boys. He pretended not to like d&d anymore and ditched his friends for a girl. And in s4, he admitted to Will that he felt like a random nerd next to El. So why would his arc end with him staying in a relationship where he tried to conform?

Will's arc is about stopping hiding. Especially in s4, his arc was about getting the courage, to tell the truth about his feelings for Mike, but he didn't complete it. He sacrificed his own happiness for Mike's because he thought his love was unrequited. He also has been dealing with a lot of trauma and how the Upside Down took away his childhood. They have taken a lot away from him. Why would they end his arc with him not getting the one thing he craves: being with Mike?

2. They have been developing Mike and El's relationship since the beginning, and they won't drop that development for byler.

The more development they had was in the first season when they started as strangers and learnt more about each other and bonded. In the next seasons, they were away from each other. In s2, even when they kissed in the end, and we saw that they missed each other, there was no development in the sense that they didn't share a lot of scenes together, but Mike and Will were the ones who shared a lot of moments. In s3 and s4, they showed us how they didn't work together. Even when in s3, one of Mike's main worries seemed to be getting back with El, the rain fight was the most important scene for his character development. Remember, I said he was trying to fit in and left his interests behind. With this fight, he learnt his lesson.

And finally, in s4, we learnt that El had been lying to Mike for months. In one of her lowest moments, Mike acted cold toward her and didn't comfort her. The next day, he tried to apologize, but El told him that he didn't understand her, and they fought because Mike couldn't say I love you or even write it. They got separated again, and El focused on herself while Mike was dealing with his inner struggles with Will's help. At the end of s4, they explicitly told us that El and Mike were barely talking, and we didn't have another conversation (on-screen) between them. But we saw how Will and Mike became closer again even when his big fight at the beginning. They ended the season with a scene where Will confided in Mike, and Mike reassured him. And, of course, they ended next to each other in the last shot.

My point is they have been developing byler and building up Mike and El’s inevitable break up.

3. They have been building up Will's sexuality and feelings for Mike since the beginning, but they didn't do the same with Mike.

Since the beginning, they had shown us that Will was gay, but Mike was also queercoded, but people didn't notice it because he showed interest in one girl. Some examples:

Karen told him: "All this that's been going on with Will, I can imagine what it's been like for you. I want you to feel like you can talk to me. I never want you to feel like you have to hide anything from me. I'm here for you, okay?" Mind you, he was hiding a girl in his closet. And his words are similar to what Jonathan told Will in s4.

In s3, when El kissed him, he didn't kiss her back and reacted confused. He was in front of an open closet.

In s4, the melody played during Will and Mike's fight is called In the closet (at Rink’O Mania). And it started playing when Mike was in the shot.

Even if they hinted at Will's sexuality, his feelings for Mike weren't that obvious. Mike's feelings for Will were the focus in the first two seasons. Mike was the one who was determined to find him and did everything for him. And in s2, he decided to stay with him and give him an emotional monologue to get him back.

Even in s3, they still showed us how deeply Mike cares about him. He ran in the pouring rain to apologize. He noticed when Will felt the mindflayer again in the cinema and asked him if he was okay. He was hurt when Will moved away, and his gaze lingered on his house, then he went to hug his mom like the first time he thought he had lost Will (back in s1). Yes, he was also going to miss El, but they focused on Mike's feelings for Will during the sequence of Hopper's letter.

Yes, in s4, they showed us Will's feelings for Mike. He was yearning for him all season, and he gave him a veiled love confession. But Mike was also acting weird when they reunited at the airport, at the same time, he couldn't say I love you to his girlfriend. Mike was the one who kept repeating that they would face whatever happened together, and he also told him that Hawkins wasn't the same without him because he wasn't like their other friends and felt like he had lost him. (pretty romantic)

They have been showing us Mike's feelings for Will throughout the series.

4. They wouldn't break up Mike and El's relationship after Mike confessed his love in his monologue.

Congratulations, you have fallen with the red herring.

I'm not going to argue if Mike was being genuine or not. To me, what he said can be contradicted by what they have shown us in the series. But that's not the main issue with it.

The monologue was prompted by a lie. Mike finally uttered those words thanks to Will, telling him: "You're the heart." That line was a direct call back to his speech in the van when he disguised his feelings as El's. Without the lie, the monologue wouldn't have happened. And once the truth comes out, it will be over. Nothing built on a lie is going to last.

And even if El found the strength to fight back, they lost terribly. Hawkins went to hell, and Max died. El could bring her back to life thanks to her memories with her, more than Mike's speech.

Mike and El didn't talk about the monologue or about their insecurities. They weren't closer at the end, like Mike and Will were. So the monologue didn't fix anything.

#byler #byler analyis #I think it also counts as an analysis #I have said the same thing before in my post but anyway #this was inspired by a tiktok I watched

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