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nfasth · 13 days
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gallery-f · 5 months
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嵐山 その2 2009
Pentax K20D + FA macro 50mm F2.8 + DA 12-24mm F4 ED AL
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ultralowoxygen · 10 months
Video
AX18mmCS400D CS C41 - 4.jpg
flickr
AX18mmCS400D CS C41 - 4.jpg by Dzmitry (Dima) Parul Via Flickr: CineStill 400D CineStill C-41 2 bath
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thephoblographer · 1 year
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The Best Weather Sealed OM SYSTEM Zoom Lenses for Everyone
Take these anywhere with you.
The best weather-sealed OM SYSTEM lenses for passionate photographers are very versatile. Indeed, the company packs a zoom range into a lens body many photographers have often thought impossible. But if you photograph wildlife, sports, landscapes, or like computational photography, they’re incredible. They provide plenty of opportunities to get the shot as well as produce great image quality. If…
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funwithcameras · 2 years
Video
Behind NOTL Retail Sept 2022 by Bill Smith
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byungwookann · 9 months
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Audrey in Rain
SL660 + Olympus OM 100mm f2.8 + Instax Square Film (F4 + 1/250)
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brickcentral · 2 years
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Every month, we pick a LEGO photographer active in our community and share some of their work and a little about themselves. This month we moved to Poland to meet @archiminibricks!
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"My name is Arek, archiminibricks since the Tumbler/insta-reel revolution - legomiki earlier. I'm 38, from Poland and live in the Silesia region. I have 2 kids and they are the reason for LEGO re-love.
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I start hobbygraphy 15 years ago and LEGO photography in 2021, after watching Polish LEGO masters and discover lukasdata photos, I started digging more and on the way here I found Four Bricks Tall youtube channel and Brickcentral gathering people with the same passion and it all boost my photo skills a lot - at least I hope so.
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I use a Nikon z6II with nikkor 24-70 f4, sigma 70-200 f2.8 and nikkor 40 f3.2 macro. I was using continuous lighting for a long time but recently switched to flash which is way more challenging , but also way more rewarding in the final image. And the shelf with cardboards, diffusers, clamps and wires is overgrowing.
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I love to shoot outdoors where the possibility of creating a small world with some tiny sticks, moss, grass and mist from face atomizer is unlimited, but due to lack of time I often create a small world on the kitchen or balcony table.
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The things that I always search in photos are atmosphere and story, I love light shining through the windows, doors or branches that somehow fill the scene. I like making the scene foggy, misty, dusty or sweaty. I also pay too much attention to "perfect photo" scenery and make 50 shots of one scenery - but I fight with it recently, accepting that perfect scenery doesn't exist and searching for it, just holding you down.
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I search for inspirations in real life and other LEGO world creators. I mostly photograph “down to earth one actor” minifig scenes. Love hiker and sad clown minifig.
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All my pictures are post-processed in Lightroom (PS sometimes). I like that second “bringing to life” feeling - but don’t like to add fake digital stuff.
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Thank you Brickcentral for the opportunity to say something about me. Create for yourself not for social media applause and that's gonna be your best photos."
Thank you @archiminibricksfor accepting our invitation and let the community knows you better!
If you want some insights on the exclusive picture and for a better view of the others, head to our blog at https://brickentral.net/.
- @theaphol, Community Outreach Manager
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alovelydesolation · 1 year
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Results for a recently-developed roll of film. Love me some Fujifilm 400H, and a big shame it isn't available in 35mm anymore.
Both shots with Pentax K1000 body. Monarch butterfly shot with SMC A* 300mm/f4 lens. Landscape shot with SMC A 24mm/f2.8 lens.
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dancing-pear · 1 year
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Here’s a fun bird I tried so hard to capture last year and finally got a good shot of this January, a Belted Kingfisher!! As their name suggests, they are great fishers, flying along waterways and diving for fish once spotted! Their calls are distinctive once you learn them but they fly so fast it can be hard (for me) to get good pictures of them unless they are perching 😂😅💙 . . . Camera: Olympus E-M5Markii Lens: 40-150mm pro f2.8 Teleconverter: 1.4x (56-210mm) ISO: 400 Aperture: f4 Speed: 1/2000s Edited: ON1 Photo Raw 2022, Lightroom, Instagram . . . #BreakFreeWithOlympus #GetOlympus #olympusphotography #mzuiko #omsystem #olympusem5mkii #olympus40150pro #beltedkingfisher #kingfishers #beltedkingfishersofinstagram #kingfishersofinstagram #birdsofinstagram #birdphotography #naturephotography #birdsseenin2023 #FloridaBirds #Birding #stmarksnationalwildliferefuge #stmarksnwr #on1pics #lightroom #lightroomedits (at St. Marks National Wildlife Refuge) https://www.instagram.com/p/CqVqfc6L8UC/?igshid=NGJjMDIxMWI=
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gfxced · 2 years
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The GFX 50R Project
Putain chui pas habitué à ne pas avoir mes nouveaux jouets tout de suite. Avoir l’argent pour m’acheter un truc “potentiellement” sous forme d’autres trucs que je compte vendre, c’est une torture.
GFX 50R GFX 50R GFX 50R GFX 50R
C’est comme une litanie lancinante accompagnée de petits coups de poignard à l’arrière du cerveau. Mon gamin c’est le même. Quand il veut un truc, il enfonce le clou jusqu’au bout. Quand il reçoit quelque chose qu’il voulait, tout de suite il parle de la chose suivante. Ma maman dit quand même que j’étais pire que lui. J’étais plus agile de mes paroles, plus manipulateur. “quand tu voulais quelque chose tu tannais, tu tannais, jusqu’au trognon”.
C’est le TDA. C’est l’ennui existentiel. C’est l’excitation des nouvelles idées, des nouveaux projets. En grandissant je suis juste devenu assez bon que pour bien choisir mes lubies. Beaucoup moins de choses qui ne durent qu’un temps court. Les (auto)justifications sont devenues beaucoup plus crédibles. J’ai aussi un autre côté, le côté batave, un peu proche de ses sous. Les achats peuvent être dispendieux mais à condition d’être utilisés (ne discutons pas de leur utilité réelle). Donc j’ai un semblant de responsabilité économique. Mais ce sont toujours des caprices.
Mais revenons à mon mouton :
GFX 50R, c’est 51.4 megapixels pour un capteur de 43.8mm x 32.9mm. Les capteurs plein format actuels (moins grands) maintenant peuvent tout de même rivaliser au niveau de la résolution, mais la plus grande taille du capteur du GFX 50 donne aux images qu’il produit une gamme dynamique plus étendue, un rendu crémeux à souhaits.
Comment dire si tu y connais que dalle? Mhhh. Une image peut-être?
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Alors tout en bas en noir complet (difficile à voir) c’est la taille d’un gros capteur d’appareil photo de téléphone, le full frame c’est comme la plupart des appareils photos professionnels (avec certains APS-C) et c’est calqué sur la taille des films de 35mm.
Pour les béotiens, faut juste savoir que les mégapixels c’est un argument marketing : ce que ce qui importe vraiment c’est la taille du capteur.
Plus le capteur est petit moins l’appareil devrait avoir de mégapixels car une résolution trop grande signifie que les pixels seront minuscules et que donc...
Bon là je vais vous perdre, okay, alors en gros : beaucoup de mégapixels sur un petit capteur, ça rend n’importe quelle image merdique, moins il y a de mégapixels et plus un capteur est grand, plus la qualité de l’image sera grande.
Je suis pas clair, attends. Si tu veux, la taille d’une image (produite par n’importe quel capteur, je parle plus de ça) ben, plus elle est grande (résolution) plus cela sacrifie la qualité de l’image. C’est contre-intuitif, je sais, surtout que les gens pensent encore que “plus grande taille” = “meilleure qualité”. Non.
Alors le compromis entre taille de capteur et sa résolution (ses mégapixels) c’est une qualité du capteur dans sa construction. C’est physique. Inchangeable. Si tu réduis la résolution de manière digitale, ça ne changera rien à son rendu, à la manière dont il reçoit les photons et les capture.
FUCK! JE VOUS PERDS! JE LE SAIS.
GROS CAPTEUR = IMAGE DE DINGUE. VOILA! GFX = GROS CAPTEUR DONC GFX = NIIIIIICE!
REGARDEZ MOI CA COMME IL EST BEAU.
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C’EST UNE BRIQUE. C’EST UN SAVON DE MARSEILLE XXL.
Ici en bas, à droite, à côté d’un appareil que je possède aussi (les photos ne sont pas à moi hein) et donc on voit bien la différence de taille du capteur, c’est juste lolilol.
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C’EST UNE BRIQUE. C’EST UN SAVON DE MARSEILLE XXL.
Même si dans le monde du moyen format (tout ce qui est plus grand que 35mm), 43.8mm x 32.9mm c’est encore vraiment petit. C’est plus petit que le 645, qui est le baby-moyen format en film. Mais bon.
C’est le principe. C’est la taille du monstre. C’est la démarche aussi.
Je vais y adapter mes optiques 645, elles devraient fonctionner du tonnerre dessus. Je vais d’ailleurs m’en racheter une pour me faire une trinité d’objectifs. J’ai un 70mm F2.8, un 150mm F4 et il faudra juste chopper un 300mm F5.6 pour genre 250€. C’est pas cher parce que ces objectifs ont facilement 40 ans et sont complètement manuels, personne n’en veut plus, mais peu de gens pensent à les adapter sur leurs appareils numériques.
Non, les gens veulent des objectifs à autofocus performant, voire instantané. Tas de nuls. Moi je prends les chemins de traverse, je m’aventure hors des sentiers battus cette année.
Je vais encore débarquer à des évènements ou les choses bougent super vite avec mon gros truc pataud que je dois mettre au point manuellement, ça va être le fun.
J’acheterai sans doute pas d’objectif Fuji avec autofocus tout de suite, car évidemment moyen format signifie plus gros donc plus de matériaux dans les objectifs mais également plus rare, donc ces deux facteurs signifient plus cher à produire. Genre 2000€ pour un zoom standard. Gulp.
MAIS PAR CONTRE IL FAUT QUE J’ARRIVE A VENDRE MES BROLS!
Bon allez par plaisir, voici quelques images (fortement réduites) que j’ai prises avec un Mamiya 645 (avec du film donc).
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gonzoglass · 4 months
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The Opening Salvo, Cheap Glass For NIKKORheads! headache-induced rambling.
A journey of a thousand miles begins with a single step – Chinese proverb.
Nikon is probably one of the cheapest Camera brands to get into these days. That's mainly due to the fact that the F mount contains some of the most illogically cheap glass ever seen on a system to date! But there really hasn't been anyone trying to make a modern day, comprehensive list of all of the little buggers that exist. This is frankly due to the ever growing fact that there is too many lenses for one person to trouble themselves with because there can only be so many styles, focal lengths and F-stops one can touch on before they themselves become absolutely stone-mad and try to eat the canvas bag that holds your camera. There are people that review them as they come along and itemize them and props to those who can put up with that kind of cheap bullshit. But I’ll not bring Ken Rockwell into this whole charade if I don't have to.
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Black-eyed Susans - Nikon D3, Nikkor AF-D 80-200mm F2.8 one touch, ISO 400, F3.2, 1/400 second
With the Glass Problem I have, it seems that i have no real basis to try and hunt for the Good pieces of shiny Circular Goodness on my own. Ken Rockwell can help as a sort of basic bitch barometer but his Certified Hot Takes and Oversaturated images can only carry me so far. The best thing I can do then, Really. Is get grounded and try to cope with what I can get to and throw out the rest as cheap bullshit for the hounds to go after. 1987 and beyond Glass that can actually be worth a Damn. But the method of finding the diamonds in the rough can roughly be equated to going Landmine-Hunting with a sledgehammer.
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Forest Corridor. Nikon D3, AF-D Nikkor 18-35mm F3.5-4.5 ED, F9, 35mm, 1/500sec, ISO 640
With all of this and the above rambling, it feels like the best idea to me is to get some grounding on the opening of this Shameful Diary is to itemize the pros and cons of the glass I already have as I step up to get their newer counterparts alongside picking up some of the old, manual AI and AI converted numbers. Why not? It makes perfect sense to me. “Catalog what you know, pick up on what you don't” Maybe Ill Improve in this hobby for once in my life. But the immediate problem that I ran into with that angle is twofold. One; my collection of glass can best be described as “Eclectic” And two, if I really want to wring the potential Max Performance out of these shiny glass cylinders my brain is screaming at me that I should get a camera with a higher megapixel sensor inside of it. This idea gets constantly brought up by the council of mad gerbils that tens to run my inner thoughts, but is immediately shot down by the idea that the camera we would “like to step up to” the D850, does not supersede bills. So its immediately thrown out until I can cope with buying its just-as-capable cousin, the D800.
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Dog! Nikon F4S. Ektachrome E100 Before I veer off into any tangents or this manic wave passes over me and ill be left in a catatonic slump. Ill itemize a few of the repeat Photon-Wranglers that will show up here and mention some of the glass I hope to gather and show off. In the vein hopes of becoming a niche internet micro-celebrity on a dead website that had strange porn on it coming out through the eyeballs. This is what I get for not bothering to make a proper website. But once again, things like that cost money, which i don't tend to have a lot of for long periods of time. mainly all of it is spent on fanciful trips or restocks on film, not to mention development of the buggers. But anyway!
Repeat appearances will include the; Nikon D3 Nikon F4S Nikon D800/D850 (When purchase of either is applicable) Nikon F FTN Eventual Glass Purchases;
AFS Nikkor 24-120mm F4 G type AFS Nikkor 50mm F1.8 G type AF-D Nikkor 24mm F2.8 AF-D Nikkor 35mm F2 AF-D Nikkor 300mm F2.8 ED
AFS Nikkor 200-500mm F5.6 ED VR E type Vogitlander Nokton 58mm F1.4 SL-2 S AFS Nikkor 300mm F4 D type AFS nikkor 28-300mm F3.5-5.6 G type Among others.
But as I Shuffle through the Glass I have in an effort to either Sell or keep them Maybe some special moment will arrive that will make me think that all of this spent money on glass, film development, digital bodies and endless hours working out how the fuck a modern flashgun works or how to edit my RAW files like i know what im doing will be all worthwhile. Or it will make me want to travel back in time and throttle whoever designed the AF-D 80-200mm F2.8 one touch to have its’ focal length be changed by jerking off the main section of the barrel.
Atlas 1/8/2024
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nfasth · 3 months
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gallery-f · 5 months
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京都嵐山その1 2009
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infurunorotv · 4 months
Video
youtube
BARRY Channel  2023総集編2023年もありがとうございました!!0:00 Start0:01 香川県 観音寺市 天空の鳥居 Torii in the sky, Kanonji City, Kagawa Prefecture0:27 山梨県 山中湖村 石割神社 Yamanashi Yamanakako Village Ishiwari Shrine0:40 島根県 出雲市 韓竈神社 Izumo City, Shimane Prefecture karakamanokaminoyashiro0:49 秋田県 大仙市 唐松神社 Karamatsu Shrine, Daisen City, Akita Prefecture1:04 長野県 松本市 善五郎の滝 Zengoro Falls, Matsumoto City, Nagano Prefecture1:19 岡山県 岡山市 龍泉寺 Ryusenji, Okayama City, Okayama Prefecture1:27 秋田県 にかほ市 元滝伏流水 Nikaho City, Akita Prefecture Mototaki fukuryuusui1:58 京都府 京北中江町 賀茂神社 Kamo Shrine, Nakae-cho, Keihoku, Kyoto2:18 神奈川県 伊勢原市 阿夫利神社 Aburi Shrine, Isehara City, Kanagawa Prefecture2:32 愛媛県 東温市 滑川渓谷 Namegawa Valley, Toon City, Ehime Prefecture3:11 島根県 雲南市 龍頭が滝 Ryuugataki Falls, Unnan City, Shimane Prefecture4:23 長野県 松本市 燕岳 Tsubakuro-dake, Matsumoto City, Nagano Prefecture4:33 長野県 安曇野市 北燕岳 Kitatsubatake, Azumino City, Nagano Prefecture4:44 長野県 安曇野市 燕岳 Tsubakuro-dake, Matsumoto City, Nagano Prefecture5:24 長野県 松本市 蝶ヶ岳 Chōgatake, Matsumoto City, Nagano Prefecture5:52 鹿児島県 日置市 大汝牟遅神社 Kagoshima Prefecture Hioki-shi Onamuchi Shrine6:22 富山県 上市町 大岩山 日石寺 Oiwayama Nisekiji Temple, Kamoichi-cho, Toyama6:40 長野県 伊那市 甲斐駒ヶ岳 Kaikomagatake, Ina City, Nagano Prefecture6:55 高知県 香美市 轟の滝 Todoroki no Taki Waterfall, Kami City, Kochi Prefecture8:03 山梨県 甲州市 大菩薩嶺 Daibosatsu Ridge, Koshu City, Yamanashi Prefecture8:35 長野県 松本市 涸沢カール Matsumoto City, Nagano Prefecture karasawa curl8:56 沖縄県 宮古島市 サバウツガー(サバ沖井戸) Saba Utsugar (Saba Oki Well), Miyakojima City, Okinawa, Japan9:14 沖縄県 宮古島市 宮古神社 Miyako Shrine, Miyakojima City, Okinawa, Japan9:30 沖縄県 宮古島市 ヌドクビアブ Nudokubiabu, Miyakojima City, Okinawa, Japan10:08 熊本県 小国町 鍋ヶ滝 Nabegataki Waterfall, Oguni Town, Kumamoto Prefecture10:40 熊本県 高森町 上色見熊野座神社  Kamishikimi Kumanoza Shrine, Takamorimachi, Kumamoto Prefecture10:48 島根県 松江市 美保神社 Miho Shrine, Matsue City, Shimane Prefecture11:35 Fin【GEAR】・CANON EOS R3・CANON RF24-105mm F4 L IS USM・CANON RF70-200mm F2.8 L IS USM・CANON RF35mm F1.8 MACRO IS STM・DJI Air 2S※無人航空機の飛行に係る許可・承認書を受諾しております。登録記号:JU322B9B76BXPLT-230103578【Music】・Artlist - https://artlist.io
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thephoblographer · 2 years
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4 Great Lenses for Wildlife Photography in the Forest
This is a special one for everyone that loves nature!
Wildlife photography is about to get pretty fascinating in parts of the world with autumn upon us! Thankfully, so many cameras these days can help us find hard-to-see animals and birds in the forest canopy. Balancing low light needs with autofocus performance and build quality, while also keeping the package lightweight, is tough to do. So we’re rounding up a few great lenses for wildlife…
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funwithcameras · 2 years
Video
Market St. Sept 2022 by Bill Smith
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