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#fukiishi
barefeetwiki · 1 year
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Kazue Fukiishi
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whoisremu · 2 years
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Blood on the Tracks - Shūzō Oshimi
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musedelsa · 1 year
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Fukiishi (Blood on the Tracks)
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storytella · 1 year
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Things are Getting Weirder: Blood on the Tracks Volume Two
Today, Jack returns to talk about #BloodontheTracks's second volume. #writing #blog #manga #TheJCO
Welcome, weebs, to Animated Observations If the premise of a mom killing one attempting murder on one of her nephews while simultaneously traumatizing her only son wasn’t enough, oh golly gee does this next part have a nice little surprise. Volume 2 largely focuses on the aftermath of the first’s climax, resolving the dramatic moment only to then simultaneously build on another dramatic moment.…
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memory-echo · 8 months
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My impressions on the finale of Chi no Wadachi
So, first things first: Fukiishi has superpowers is confirmed, right? I mean, seeing into the future is a super power, isn't it? 😂
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I mean, she had already predicted the future when she warned him he would be crazy from being in close proximity with his mother, and that turned out to be true, so she's had the superpowers since she was 14.
I thought it was common sense back then, but now I'm thinking that she always knew more...
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This panel killed me. It just killed me. Excuse me while I cry my eyes out. 😭😭😭
I don't know if it's intended to be a call-back or not, but coming from chapter 152, I tend to think it is… and it just kills me. 😢
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Shūzō Oshimi is a big fan of visual echoes and silhouettes, isn't he? Wildly different states of mind = wildly different silhouettes.
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Seiichi is a true hero who embodies the boundless strength of the human spirit. He was plunged into the depths of hell by the person he should've trusted the most, and through enduring countless hardships, he taught us that our true strength lies in finding out who we really are.
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Seiichi's legacy will forever inspire us to be authentic and stand tall, no matter what challenges life throws our way. His journey will never be forgotten. 🫡
And credit to the author for keeping the promise. Both kids are alive and in relative peace. 🕊️
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It would've been awesome if the kids could've lived together, but as the philosopher Jagger once said "you can't always get what you want. But if you try sometimes you get what you need."
In closing: "Literature is the most agreeable way of ignoring life." 📚🤍 #FernandoPessoa
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I guess what I'm trying to say is “The best revenge is to be unlike him who performed the injury”, and in that respect, Seiichi has succeeded as admirably as anyone who ever lived. Also, all the time in the world and all the books you can read - that's my idea of Heaven!
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japanesebeautygirl · 6 months
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【吹石一恵】エロ事実
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dyingenigma · 2 years
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Petal Dance (2013) dir. Hiroshi Ishikawa
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redsamuraiii · 28 days
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Lucky Seven (Ep 10)
When you already think about marriage after talking to your crush for three minutes. 😂
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globalzonetoday · 4 months
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Rena Fukiishi Biography/Wiki, Age, Height, Career, Photos & More
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wdlabo · 2 years
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cinemaronin · 2 years
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ペタル ダンス Petal Dance (2013)  directed by Hiroshi Ishikawa
video edit by Denis La Funk (Cine Ronin) https://www.youtube.com/c/DenisLaFunk
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cursedvibes · 2 years
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I caught up to Chi no Wadachi
It's such a crazy story, but also so very realistic. It depicts the cycle of abuse so well. First it was Seiko who was neglected as a child, and before she could fully heal from that, she pulled her own son, Seiichi, into her own problems, tried to use him to fix herself, but only managed to make everything worse. For him at least. So far it looks like she did actually manage to get the life she always wanted, at the expense of her child. While I love Seiichi as unreliable narrator of the story, I hope we get a better look at Seiko's own past & psyche. Then again, having this very limited view and having to draw your own conclusions and judgements of her is also a very interesting and engaging narrative technique.
To me it seems like she is a study case of how suffocating the life as a housewife (specifically in Japan) can be. She got a child she didn't really want (where I still wonder what role the father played in all this, since he said it is his fault Seiko ended up the way she did). She had no job, so she was wholly dependent on her husband who she doesn't love and her son who she initially didn't want either. The problems she had in her childhood only worsened, so she roped her child into her misery and used him to bring the ideal family image crashing down and kill herself.
Except she managed to traumatize her son so much that he ended up even worse than her. Seiichi never learned to be his own person, and took the fall for her, so she could be free to live her life. Basically, she robbed his life to get her own back.
The manga also shows very well, how someone's first reaction to pain is to use others to fix it. Fill the hole left with someone else. Make the trauma go away by clinging to others instead of dealing with it (an understandable but unhealthy reaction). You even see it initially with Fukiishi, and it is hinted at with Shigeru's mother as well. The father is another case. He uses ignorance to cope. He pretends everything is well, even when Seiko has left him and Seiichi is in prison. Despite his promises and apologies, he fails to emotionally connect with his wife and son, except on a purely physical level. Like Seiko said, he doesn't fully listen to what others are saying. His own defense mechanism. Otherwise he couldn't keep up his optimistic attitude.
Could ramble for hours, but I really love this manga so far. Horribly twisted and really looks into the depths of the human psyche, especially in respect to family.
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phosphophy11ite · 2 years
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there's a lot of mixed feelings surrounding blood on the tracks, mostly that's too long and now, at 100+ chapters and just starting a new arc it's jumped the shark. i disagree with this for a couple of reasons
Shuzo Oshimi's chapters are shorter than most because they take up lots of space with large illustrations. The story is not developed through large amounts of dialogue or words at all, but rather through the illustrations (especially expressions) and Seiichi's own thoughts, which are usually shown as a few phrases of text.
The central point of the manga is not that life is suffering, which is what many seem to believe. Seichi is not just some poor guy who shit keeps happening too. Yes, his life has been terrible but it's not that things keep happening to him. He creates/amplifies some of his own problems too. Throughout the manga Seiichi has shown signs of hope, especially with Fukiishi, that he must 'live on.' From the mangas I've read of Oshimi's, he is not afraid to delve into tragedy and the dark perversions, actions, and violence humans are capable of. Happiness and Flowers of Evil, two of his most famous work, are tragedies in the sense that bad things happen but the characters keep on pushing. They live on. It seems doubtful to me that Oshimi would create another manga, especially one that is his longest yet, just to showcase sadness.
Seiichi is not a pushover character. Many people say that he lacks a personality, and therefore he is poorly written. I do agree that Seiichi does seem like a pushover much of the time, and you could really make an argument that he really doesn't have much going for a personality. But his sense of self, his own being, is completely crafted around his mother. Before he is a boy he is his mother's son. When he loses his mother he loses his sense of self. He is empty because he has relied on his mother to create him for years. And when you can't see your own self, you cannot process those around you (reality). This is shown by Seiichi's reoccurring delusions, such as Shige, and the haunting, Seiko-like figure.
I am curious as to how Oshimi is going to proceed with Blood on the Tracks, and I do think he can do a very good job with the story and characters.
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memory-echo · 7 months
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nakamuso · 2 months
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Blood Ruts" - I'm glad it's not a crippled END
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I finally read the last volume of "Blood Trails".
Volume 17.
I'm afraid I'll spoil it for you.
I wrote an article about Mr. Shuzo Oshimi on Da Vinci Web before.
Curse of the Mother", "Boku wa marinaka", "Blood Ruts"… The existence of "mother" is indispensable in Shuzo Oshimi's works.
The title of the book is about the existence of a "mother," but the content of the book is about the existence of a "woman. The only mother is Shizuko's mother, who is in the blood.
There is no other way. The last volume ended in such a way that there is no other way.
Shizuko-mama, who has become a crippled person, finally withers away and dies. Shizukazu looks on alone. The long and painful battle is finally over.
Then, at some point, Mr. Fukiishi returned to his hometown. He goes to see the house where Shizukazu used to live, but the land has already been cleared. In the beginning, Mr. Fukiishi appeared a lot, and somehow he was a nice boy who cared about Shizuichi even after he went crazy.
That night, Shizuichi appeared in a dream that Mr. Fukiishi had.
The Shizukazu in the dream was just as he was in reality. I don't know what the time line is, but he is an old man with gray hair. I suddenly remembered Shizuko's mom, but I couldn't remember her face any more.
I guess Sei-chan has become at peace with herself after so much time has passed. I hope so.
When I read back the first volume, Sei-chan was still very playful and cute. She had many friends and was a sociable child, but who could have predicted that she would grow up to be such an adult?
Mom was beautiful and cute (on the surface), but who would have thought she would turn out like this?
There is no saving grace, but I'm glad it didn't end in a very dark way. I think it would have been a little too hard for Sei-chan if it had been a crippled END. ……
I looked it up and found that the first volume came out in 2017. It had been 6 years. There were a lot of pages without dialogue, and there were times when I wondered how the story was progressing, I'm glad I was able to read it all the way through.
Come to think of it, I only read "Welcome Back Alice" up to the middle of the book, so I'd like to read the completion of this one next.
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dyingenigma · 2 years
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Petal Dance (2013) dir. Hiroshi Ishikawa
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