#god i love zero g sonic | Explore Tumblr Posts and Blogs

sisilafami · 3 years

Text

2020

Rap:

Lil Uzi Vert - Eternal Atake Playboi Carti - Whole Lotta Red Polo G - The Goat Los and Nutty - Panagnl4e Vol. 2 Preservation - Eastern Medicine, Western Illness Sada Baby - Skuba Sada 2 (Deluxe) Medhane - Cold Water $ilkMoney - Attack Of The Future... / G.T.F.O.M.D Akai Solo - Eleventh Wind Roc Marciano - Mt. Marci Chief Keef - Ferrari Musik Rio Da Yung Og - City On My Back Armand Hammer - Shrines Max_B - Charly Tony Shhnow & 10kdunkin - Rp's & Plan B's Shawny Binladen - Merry Wickmas Babyface Ray - For You Tae Dawg - Ooze God / Dawgprint 2 Lil Baby - My Turn (Deluxe) TisaKorean - Wasteland Lil Uzi Vert - Luv vs The World 2 R.A.P. Ferreira - Purple Moonlight Pages Ka - Descendants of Cain 03 Greedo - Load It Up Vol. 01 TyFontaine - 1800 / Virtual World Moor Mother & billy woods - BRASS Boldy James - The Price Of Tea In China (Deluxe) Mad Moon - Mad Space Smino - She already decided mixtape G Herbo - PTSD B Side WTM Scoob - A Beautiful Drug / Don't Be Proud / I Went to Plu2o Young Nudy - Anyways KanKan - B4 AMGs & SRTs Drakeo the Ruler - We Know the Truth (Deluxe) Tree - The Blue Tape Yak Gotti - Gotti Outta Here KrispyLife Kidd & Ysr Gramz - Kid N Play CeeFineAss - Welcome to My City H31R - ve·loc·i·ty Baby Smoove - Hardwood Classic Lucki - Almost There Bandgang Lonnie Bands & Bandgang Javar - The Scamily Damedot - Mafia Lord (Chapter I)

Hm:

18veno – R4z / Pablo 21 Savage - Savage Mode II Akai Solo - Ride Alone, Fly Together / Like Hajime Autumn! - Ils Verront / Solitary DaBoii - Tour Vibes Dopeboy Ra - Mobstyle Duwap Kaine - Bad Kid From The 4 Flo Milli – Ho, why is you here Goonew - Big64 2 Hook - I Love You 2, Hook Key Glock - Yellow Tape Lil Durk - Just Cause Y'all Waited 2 (Deluxe) Lil Keed - Trapped On Cleveland 3 (Deluxe part) Lil Shane Krush - 5000 Degrees in the Field Los - Carlos \ G Shit Vol. 1 Master Holy - A Holy Journal Megan Thee Stallion - Good News MIKE - weight of the world NLE Choppa - Top Choppa PG RA - God's Gift Rod Wave - Pray 4 Love (Deluxe) Rylo Rodriguez - G.I.H.F Rx Papi - The Real Dominic Toretto/ Mood Sada Baby - Bartier Bounty 2 Spotemgottem - Final Destination Starlito – Paternity Leave Su'lan - Baby Glock Gang WB Nutty – TWYH (That's What Ya Heard) Yhung T.O. x DaBoii - Demon and Mufasa YN Jay - Coochie Land (Deluxe)

R&B:

amaarae - The Angel You Don't Know Brent Faiyaz - Fuck The World Teyana Taylor - The Album Liv.E - Couldn't Wait to Tell You... Brandy - B7 Kehlani - It Was Good Until It Wasn't keiyaA - Forever, Ya Girl

Amplify20 (info @ amplify2020.blogspot.com) :

Michael Pisaro-Liu - Tai Pi Bryan Eubanks - Qualia-Cosmos English - Democracy Keith Rowe - an assemblage - construct for 45 voices / GF SUC TARAB - 41 containers Vanessa Rossetto - perhaps at some time you have acted in a play- even if it was when you were a child Bonnie Jones - An Hour is a Sea Joe Foster - Since I Don't Know When Michael Rosenstein - Outer Cape Sojourn Lionel Marchetti - L'ignorance Kevin Drumm - Q Manja Ristić - Out Of Thin Air Benedict Drew - Music for crawling inside a costume Marc Baron - Elle a traversé deux fois la même rivière Shira Legmann - The Ganges Heather Frasch - The sound of objects helps me remember Zhu Wenbo - Open Reinier van Houdt - friction sleep maze (22 april 2020) / horizon without traveler (22 may 2020) Moniek Darge - Quarantine Butterfly Ivan Palacký - Sanctuary

Contemporary:

Choi Joonyong & Jin Sangtae - Hole In My Head Olli Aarni - Mustikoita ja kissankelloja Linda Catlin Smith - Meadow Naomi Pinnock - Lines and Spaces Dominique Lemaître - De l’espace trouver la fin et le milieu Manuel Pessôa de Lima - Realejo Sarah Hughes - I love this city and its outlying lands Philip Sulidae - Tupik Paolo Coteni - Nel Corso Del Tempo Lil Jurg Frey Live 5-2-2020 / Live 5-14-2020 Delphine Dora - L'inattingible Greg Stuart - Colluvium Du Yun - A Cockroach's Tarantella Clara Ianotta - Earthing Timothy McCormack - Karst Lucy Liyou - Welfare YIN YUE- An Amateur Compilation

Digital Beats:

DJ Diaki - Balani fou DJ MC - DA LEGENDARY HIT FACTORY Equiknoxx - Equiknoxx Music in 2020 Gooooose & DJ Scotch Egg - jac DJ Lycox - Kizas do Ly NÍDIA - Badjuda Sukulbembe FELIX - Oito ou Oitenta

Nice forms:

Elysia Crampton - ORCORARA 2010 Joanne Robertson - Painting Stupid Girls Lorenzo Senni - Scacco Matto Beatrice Dillon - Workaround Dylan Henner - The Invention of the Human Brannten Schnure - Ei, wir tun dir nichts zuleide! Space Afrika - hybtwibt Autechre - PLUS James Ferraro - Neurogeist Mohammad Reza Mortazavi & Burnt Friedman - Yek 2 Mark Fell & Will Guthrie - Infoldings Merula - Sleep Eiko Ishibashi - Hyakki Yagyō Various - Kulør 006 Employee - Hold Music Vol. 1

Techno / House?:

Serwed - Serwed II 33EMYBW - Arthropods Terrence Dixon - Galactic Halo Actress - 88 / Karma & Desire Nkisi - Initiation Speaker Music - Black Nationalist Sonic Weaponry Lord of the Isles - Whities 029

Jazz?:

Moor Mother - Circuit City Nick Malkin - A Typical Night in the Pit Lemon Quartet - Crestless Moor Mother and Olof Melander - ANTHOLOGIA 01 Jon Hassell - Seeing Through Sound (Pentimento Volume Two) Moor Mother - Clepsydra

Pop?:

Charli XCX - How i'm feeling now LISACHRIS - uchushimin meat computer - virtual house arrest FROMTHEHEART - things happen- it's ok! EM Records - S.D.S -零- (Subscription Double Suicide -Zero-)

New Old:

Foul Play - Origins Roland Kayn - Requiem Pour Patrice Lumumba George Lewis - Rainbow Family Henning Christiansen - Op.201 L´Essere Umano Erravando La Voca Errabando Adult Fantasies - Towers of Silence Notchnoi Prospekt - Курорты Кавказа (Health Resorts of the Caucasus) Charles Curtis - Performances & Recordings 1998-2018

#2020

23 notes · View notes

mw-draws · 4 years

Text

rules of being a doctor who fan

1. (possibly the most important) You are not allowed to actually like any episode of Doctor Who and must find fault in every episode (apart from most of Hartnell's and Troughtan's era and all of Pertwee's era, from then on, the rest of the show is deemed shit apart from a few stories such as Genesis of the Daleks and Blink)

2. you must hate Steven Moffat and Chris Chibnall. RTD is a Saint and his tenure must not be critiqued (apart from a few episodes to avoid contradiction from rule one)

3. you must hate change, despite the show being about change. you cannot accept any form of change and the show must stay to its roots of the glory days of the 60s and 70s (bonus, early 2000s, but not too much, as before mentioned, not to contradict rule one)

4. find criticism in everything. not just the episodes, but also the characters, set designs and monsters. ESPECIALLY the Doctors (except from 1, 2, 4 and 10. they must not be touched)

5. despite Doctor Who having mostly left wing politics and being a very political show, adding social commentary to the events of that time, you must hate this. you cannot accept any form of political correctness in Doctor Who, ESPECIALLY in Jodie Whittaker's era. despite having the same amount of politics as the years before it (and in some cases, less than classic who) because woman Doctor bad and nothing else.

6. despite filming just finishing for a certain series, you must demand for a trailer months before the series is set for release and the crew having next to nothing to give to you (unless, you want an incomplete and rushed trailer, then you can pick everything apart from that,,, which leads onto my next point...)

7. pick apart e v e r y t h i n g. from promotional photos to the very show itself and claim how Doctor Who is dead (rip 1963-2017) despite the most recent series 11 having a higher viewership than series 10 (which doesn't mean one is better than the other, all I'm saying is that series 10 deserved better and series 11 doesn't deserve worse, they're both brilliant seires' and hating them doesn't make you special)

8. oh? you're new to the show and/or are younger than 35 and watching Doctor Who? what the fuck is wrong with you??? are you nuts?!

9. you don't know absolutely everything about Doctor Who?? yoU HAVEN'T WATCHED CLASSIC WHO???!?!? GOD, YOU DISGUST ME!!!!! what's that? you're not able to watch it because you can't get any dvds and classic who is on next to zero streaming sites??? bullshit. you're just a lazy fake fan who doesn't even care about the show's legacy

10. don't let people enjoy things. don't let people find enjoyment and love in Doctor Who. and do not, under any circumstances, let people like Jodie Whittaker because she killed Doctor Who with her AWFUL acting and stupid sonic screwdriver and she is Satan reborn. oh, and if you do find someone who does like Jodie shittaker and GOD AWFUL series 11, list a million sexist, racist and homophobic reasons as to why they should not like series 11 (RIP DOCTOR WHO 1963-2017)

201 notes · View notes

circuit-music · 4 years

Text

2019 Music Recommendations

2019. Another stellar year! There was so much excitement this year to be found musically. First off some surprises from some older acts who haven’t released material in decades. Both Heavy Water Factory and Numb had terrific returns to form with new full lengths this year and not surprisingly after the long slumbers - still showcased modern sounds and futuristic ideas. Some terrific re-issues this year from the likes of Dive, Force Dimension and Robotiko Rejekto all from the awesome Mecanica label. If you missed them the first go-around seek them out – those are all important artifacts in the industrial-ebm history. Oh yeah, they also re-issued Acid Horse and Pailhead records this year too! Synth-pop and synth wave made a huge impact again this year with remarkable releases from Hatchie (favorite record of the year), Silent Em, Luminance, Iris, Body of Light, Minuit Machine, Wingtips, Replicant and others. Post-punk seemed to be the buzz phrase this year with a lot of attention on it. Many great records from the likes of Foreign Resort, Present Moment, Ritual Howls, Veil of Light and Years of Denial. Retro sounding EBM still caught my attention with outstanding releases from Klack, Randolph & Mortimer and Unconscious. Likewise, there was so much contemporary energy surging in the newer techno-ebm realm with punchy releases from Crystal Geometry, Maedon, Kontravoid, Raffaele Attanasio, Rhys Fulber, Ansome and so many others. This isn’t a top 10, top 25 or even a top 100. Instead, it’s an A-Z recommendation list encompassing many genres as those lines are getting more and more blurred. The majority of what I listen to is electronic based and that runs a whole gamut of sub-genres from techno-ebm, to synth-pop to whatever. A good tune is a good tune, regardless of genre. For each release I’ve listed a format (the one I purchased the release in). If there’s not a format listed - it’s usually digital. My preferred format is vinyl, but if you can’t find it on vinyl it’s likely available digitally as well. RE stands for re-issue by the way.

There’s a ton of new pioneering music out there for sure waiting to be discovered and it’s the “what’s next” that keeps me a motivated music fan. There’s never a dull moment in speaking, writing, DJ'ing or promoting new music, so I’ll keep doing it and hopefully be a guide for you all ;).

HIGHLY encourage you to get out there and seek out new music; Visit the record stores, go hear a new DJ, fire up Spotify or another streaming service, check out some new music via podcast, DJ mixes, label sites, online retailers, Facebook, BANDCAMP, BANDCAMP, BANDCAMP, etc. There’s a plethora of discoveries to be found out there. If you do the work, you’ll be rewarded ;) Speaking of Spotify – I made a playlist this year featuring plenty of the bands on my list. There’s at least a track or more from the artist who have a presence on Spotify. Here’s the link: https://open.spotify.com/playlist/3ZxvyspTQAiizVe2WN43Fr?si=jsLN6-DiS5WQerWSRbb9Fg

As in years past I’m sure I missed a few things, ignored the hype on certain releases or just plain forgotten something. If it needs mention and I overlooked it - I may do an addendum in the next week or so. Anyways, got your notepaper and plenty of beverages ready? Don’t be a TL:DR (Too Long: Didn’t Read) fool. Read up. Enjoy the music of 2019!

Onwards with the list!!! :D

-Marc

000 - We Became Reptiles EP (RND. Records) Adam-X - Midnight Sun 12” (BITE)

AEmit - Devourer 12” (Fleisch) Ansome - Hounds of the Harbour 2x12” (Perc Trax)

Arkan - Stamina (RND Redcords)

Autumns - Shortly After Nothing LP (Death & Leisure) - Pissing Away My Youth CS (Opal Tapes) Autumns/Verset Zero - ST 12” (Soil Records) Axkan - Torment 12” (Omen Recordings) Blush Response - Fissures in the Megastructure (Schematic Music Company) - Selection for Societal Sanity 12” (Sacred Court)

Body Beat Ritual - Instinct Primitive/Crash report 12” (Haven)

Body of Light - Time to Kill LP (Dais)

Boy Harsher - Careful LP (Nude Club) - Tears 12” (Nude Club) - Come Closer 12” (Nude Club)

Cardinal & Nun - I Met the Devil 12” (L.I.E.S.)

Celldod - Under Isen 12”(Veleno Viola) - Myndighetsforakt 12”(Unstable Signal) - Kemisk CS (AMOK)

Cervello Elletronico - Top Ded Ctr. CD (HANDS)

Chromatics - Closer to Grey CD (Italians Do It Better) - The Sound of Silence (Italians Do It Better) - Time Rider (Italians Do It Better) - Petals (Italians Do It Better)

Codex Empire - Slow Erosion 2xLP (aufnahme+wiedergabe)

Cold Cave - Promised Land (Heartworm Press)

Comfort Cure - Night Sweat (Self-released) - Intimate Vocabulary (Self-released) Confines - Geography of Nowhere CS (Synthicide)

Crystal Geometry - The Cyber Heresy 12” (Sonic Groove) - State of Play 12” (HANDS) - XV Signs of Doomsday CS (Tripalium Records) - Hexa Hexes (RND. Records)

Dax J - Chaos Comes to Conquer 12” (Monnom Black) Distant - Fallen Emperor CS (Detriti Records)

Dive - True Lies 2xLP (Mecanica RE)

Downwell - I See Death in Your Eyes 12” (Oraculo Records) Fee Lion - Blood Sisters - Blood Sisters Remixes (BOUND)

Force Dimension - Dues Ex Machina 2xLP (Mecanica RE)

Foreign Resort - Outumbered LP (Artoffact Records)

Fractions - Scars of Love 12” (Fleisch) - Constellations 12” (Rotterdam Electronix Harsh Mentor - Salve 12” (aufnahme+wiedergabe)

Hatchie - Keepsake LP (Heavenly Records)

Headless Horseman - 008 12” (Headless Horseman)

Heavy Water Factory - Fluid and Meat Remastered (Self-released) - Spillage (Self-released) - Purity of Evil (Self-released) - Amandava (Self-released) - Reaktif (Self-released)

Horrorist - Separate Dimension 2xLP (aufnahme+wiedergabe)

I Hate Models - L'Âge Des Métamorphoses 3xLP (Perc Trax) - Intergalactic Emotional Breakdown 12” (Arts)

Illnurse - Unreleased (Self-released)

Image of Life - Attended by Silence LP (Kernkrach)

Imperial Black Unit - Murder Under Establishment 12” (aufnahme+wiedergabe)

Inhalt Der Nacht - Deine Aura 12” (Seelen)

Iris - Six LP (Dependent)

IV Horseman - Dies Irae 12” (aufnahme+wiedergabe) Keepsakes - Modern Anxious Vernacular 12” (HAVEN)

Klack - 2400bps 8-N-1 (klackprodukt) - Introducing the 1984 Renault LeCar, Layover

Kontravoid - Too Deep LP (Fleisch)

Korine - Uncrossed / To You 7” (Born Losers Records)

Kris Baha - My Master 12” (Pinkman) - Palais 2xLP (CockTail d’Amore Music) Lapse of Reason - Sorrows 12” (aufnahme+wiedergabe)

Leathers – Phantom Heart (Self-released)

Liebknecht - Produkt V1.2 LP (Ant-Zen) - Ice Over Erfurt (Digital) - Koln EP (Digital)

Linea Aspera - Preservation Bias LP (Dark Entries RE)

Luminance - Ahead 2xLP (Medical Records) Lust For Youth - Lust For Youth LP (Sacred Bones),

Maedon - Against His Will 12” (Sonic Groove)

Maenad Veyl - Body Count 2xLP (Veyl) - Onto Duat 12” (Bedouin Records) Mind | Matter - Peste Nere CS (Detriti Records)

Minuit Machine - Infrarouge LP (Synth Religion)

Multiple Man - High on the Hog 12” EP (Fleisch) New Frames - Schweres Wasser 12” (HANDS)

Nick Cave and the Bad Seeds - Ghosteen 2xLP (Ghosteen Ltd.) Nordstaat - Ein Opfer Auf Dem Altar Der Technologie CS (Clan Destine Records)

Nostromo - Extreme Manifestations 12” (aufnahme+wiedergabe)

Numb - Mortal Geometry LP (Metropolis)

Parallx - RP4 (R-Label Group)

Physical Wash - Physical Death CS (Self-released)

Populists aka Yan Wagner - Belgian Trip 12” (Detriti Records)

Present Moment - Split LP (Oraculo Records)

Radical G/Horrorist - RR2 (R-Label Group)

Raffaele Attanasio - Lust It Fills the Space 12” (LFJ)

Randolph & Mortimer - Manifesto for a Modern World CD (Self-Released) - Exclude/Divide (mp3 self-released) - R&M Remixes (mp3 self-released) - Electronic Body Weapon (mp3 self-released) - Body (mp3 self-released)

Rendered - Adrenalin EP (Mindcut)

Rendered / Black Egg - No Compromise 12” (Tripalium)

Replicant - A Taste of Midnight LP (self-released) - Pale Blue (mp3 self-released) - Lifelike (mp3 self-released)

Rhys Fulber - Ostalgia 2x12” (Sonic Groove) - Baut Mit 12” (Sonic Groove)

Rhys Fulber + Blush Response - Corruption of Form 12” (Sonic Groove)

Ritual Howls - Rendered Armour LP (Felte) - A Safe Haven From the Sun Robotiko Rejekto - Communication 87-92 2xLP (Mecanica RE)

S.I.T.D. - Stunde X LP (Infacted Recordings) - Sturmlicht CD Single (Infacted) - Requiem X CD Single (Infacted) Salem Unsigned - Cantica (RND Records)

SARIN - Moral Cleansing LP (BITE) SARIN / Imperial Black Unit - Will to Destroy 12” (BITE)

Schwefelgelb - Aus Dem Gesicht Remixed 12” (aufnahme+wiedergabe) Sharplines - Born of God and Void CS (Dead By Overdose)

Silent EM - The Absence LP (Disko Obscura) Sina XX - My Body, Your Rules EP (RND Records)

T_error 404 - Spacemorgue (Khemia Records) - Ritual of Time (Area Z)

Test Dept. - Disturbance LP (One Little Indian) - White Label 12” (One Little Indian)

Thomas P Heckman - Acid Seduction 5 12” (AFU Limited) - Bone Breaker 12” (Molekul) - EBM Manifest Part 3 the Remixes 12” (AFU Limited) - EBM Manifest Part 4 The Remixes II 12” (AFU Limited) Tommy 47 - Veer 2xLP (47) - Veer Remixed 2xLP (47)

TR/ST - The Destroyer Part 1 LP (Grouch), - The Destroyer Part 2 LP (Grouch), - Gone (Grouch) Unconscious - Your God Is Dead LP (Detriti Records)

Unhuman - Nylon Speech 12” (BITE) Various – Benzeen Part 1 (Green Fetish records) with: New Frames, hel.IV, LAVEN and more

Various – Infidel Selection Vol. 2 CS (Infidel Bodies) with: Rendered, Crystal Geometry, Thomas P Heckmann, Hypnoskull and more Various – RAW Compilation Second Breath Parts 1-4 (RAW) with: I Hate Models, Keepsakes, 14anger, Crystal Geometry, IV Horseman and plenty more Various – Sardonic Tonality Vol. 1 12” (HAVEN) with: New Frames, Keepsakes, Ansome and more Various – Self Aware IV CS (X-IMG) with: Konkurs, Primary, Survival Paradox, Unconscious and more

Various – Synthicide II 12” (Synthicide) with: Ortrotasce, Andi, Cervello Elettronico and more

Various – The World of Monnom Black II 3xLP (Monnom Black) with: Fractions, Zanias, Dax J and more Veil of Light - Inflict LP (Avant!) Veldt - Ground Floor CD (Detroit Industrial)

Velvet May - Vast as Black Night 12” (Tears on Waves) - Unknown Bodies 12” (Tears on Waves) Verschwender - Face of Silence 12” (Seelen)

Vittorio Di Mango - RND.R030 (RND Records) VTSS - Self Control 12” (HAVEN) Wingtips - Exposure Therapy CD (Artoffact Records)

Years of Denial - Suicide Disco 2xLP (VEYL) - Body Map 12” (Pinkman Broken Dreams)

Yello - Bostich (ancient methods remix) 12” (aufnahme+wiedergabe)

2 notes · View notes

gertrudehalverso-blog · 5 years

Text

Which Music Genres Are Fashionable Round The World

It is official - science has primarily confirmed, with a examine, that Pop music is certainly each getting louder and diminishing in variety. An on the spot and enduring anthem for the gay Latinx community, Yo No Te Pido la Luna" is as much about the moon as Coronary heart of Glass" is about cardiovascular health. This is a music about grabbing the evening by the hand and squeezing for expensive mercy as a result of the sun might not come out tomorrow. The track's legacy has solely grown since its release, www.magicaudiotools.com with queer artists like Javiera Mena and Alex Anwandter citing it as a direct affect. Certainly, a whole generation of Latinx electro-pop artists can trace their sonic DNA back to Romo's glittering power-ballad. A.C. Flamenco is a music, music and dance model which is strongly influenced by the Gitanos (Spanish Gypsies), but which has its deeper roots in Moorish and Jewish musical traditions. Originally, flamenco consisted of unaccompanied singing (cante). Later the songs had been accompanied by flamenco guitar (toque), rhythmic hand clapping ( palmas), rhythmic toes stomping (zapateado) and dance (baile). The toque and baile are additionally often found with out the cante, although the music remains at the heart of the flamenco custom. Trotz der unglaublichen Dichte und Menge an Info, ist "Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé" zu keiner Sekunde mühselig oder langatmig. Es ist dem frischen Schreibstil und der direkten Art von Stanley zu verdanken, dass die Geschichte der modernen Musik immer lesbar und unterhaltsam bleibt. Der Autor vermag es seine persönlichen Ansichten in objektive Erzählungen einzubringen, bietet Underdogs und vergessenen Musiker eine Plattform und spornt immer wieder zu eigenen Reminiszenzen an. 7. The 1980's saw disco dominate the key music scene with the pop rock taking a back seat. Rock started to distance itself aside increasingly with glam rock, metal and different being different scenes folks followed. pop rock was more different at this point. Bands like R.E.M had been the main trend setters. This music was hyper rational and futuristic byt still had hints of punk which drew crowds in. 1980's was a lull in pop rock. It had been swolled up and e-tournament.ru spat out. Indeed, pop music as it is at present would not be what it's at this time with out that evolution. Pioneers of rock music embrace Muddy Waters, Ike Turner, Louis Jordan, Little Richard and Bo Diddley. They served because the role fashions of later artists similar to Carl Perkins, Jerry Lee Lewis, Elvis Presley, Bill Haley, and much more who made it big. From then on, more superstars rose by means of the ranks and made pop music like no different-superstars and worldwide icons like The Beatles, The Yardbirds, The Rolling Stones, The Who, Led Zeppelin, Manfred Mann, Cream, and many others. At present's musician really is spoiled for selection relating to professionally produced and curated packs of presets and synth patches. Zero-G have been producing this stuff since 1990, and you may hear their samples utilized in old dance tracks such as the Prodigy's Climate Expertise to Haddaway's What Is Love? - or more lately in the work of Rammstein and columbustennant36.wikidot.com Skrillex. Kanye West uses Zero-G's Africa voice 161 from 1991 in his 2012 monitor Clique , whereas Africa 13 111" appears in Huge Shot, Kendrick Lamar's recent coupling with Travi$ Scott In the meantime, users of Loopmasters ' Sample Boutique libraries vary from Deadmau5 to David Guetta. Kendrick Lamar's REALLY FEEL (2017) makes use of two of the company's off-the-peg samples - COF_125_Am_LaidOut_Underwater" and COF_134_B_Changed_Dopey"- and if preset sounds are ok for pop's first Pulitzer prize winner, they're adequate for everybody. What does the nervous system of the lowly lobster have to inform us about standing up straight (with our shoulders back) and about success in life? Why did historic Egyptians worship the capability to pay careful attention as the highest of gods? What dreadful paths do individuals tread when they turn out to be resentful, boastful and vengeful? Dr. Peterson journeys broadly, discussing discipline, freedom, journey and duty, distilling the world's wisdom into 12 practical and profound rules for all times. 12 Rules for Life shatters the modern commonplaces of science, faith and human nature, while remodeling and ennobling the mind and spirit of its readers. The exact relationship between music and speech notion stays unclear, nonetheless. (See Musical Roots" here.) Joe Crew of cochlear implant company Superior Bionics suspects that the correlation may merely replicate common auditory processing abilities, such as focus, fatigue, and working reminiscence. The hyperlink between speech and music is pretty tenuous once you factor that out," he says. Goldsworthy thinks it's price a attempt, though. His group is now working to train CI customers to raised hear music in hopes that it may additionally improve their capacity to grasp speech.

Rock and roll brought with it the electric guitar, and Beatlemania could also be spotted throughout Japan. Through the recognition of both a new sub-genre of kayoukyoku called "Group Sounds" sprang up, though its tenure was tenuous at greatest. Group Sounds attempted to recreate the rock band motif with Japanese musicians, however controversy abounded when members argued about whether or not or not rock and roll could be performed in Japanese. Many bands struggled to realize a foothold as they debated between singing in English or Japanese. Finally Group Sounds died away for a few years when no person might come up with a transparent answer.A couple of years ago, my buddy Jill Sternheimer and I started a conversation one night time while driving across the streets of New Orleans. Both of us are music nerds, and we frequently attend the sorts of musical retrospectives which have develop into widespread on this age of historical exploration by way of tribute exhibits and historical playlists. Jill, the truth is, often organizes such exhibits at Lincoln Middle Out of Doorways, where she is the director of public packages. I sometimes write about them, and infrequently ponder how music historical past's being recorded and revised within the digital age. Why, we wondered, was the significance of girls so often acknowledged as a trend as an alternative of a supply of lasting influence? We got here to a conclusion that, in 2017, will likely strike nobody as a shock: that the overall historical past of common music is advised through the nice works of men, and that with no severe revision of the canon, women will all the time remain on the margins.

1 note · View note

makeste · 6 years

Text

BnHA Chapter 008: Capture the Flag

Previously on BnHA: Deku won his homeroom teacher’s approval by sending a baseball into outer space. Recovery Girl was like, “stop breaking shit.” All the characters got their superhero costumes revealed EXCEPT FOR DEKU because the mangaka is a fucking tease.

Today on BnHA: All Might’s first class! The kids split into teams of two to play Capture the Flag Nuclear Device! And, oh yes

KACCHAN VS DEKU

(((o(*ﾟ▽ﾟ*)o)))

As always, all comments not marked with an ETA are my unspoiled reactions from my first readthrough of this chapter. I’ve read up through chapter 11 now, so any ETAs will reflect that.

hold onto your butts, kids, because we’ve reached the second volume, and judging from the cover it seems like this rivalship is about to heat up

also this cover totally spoils Izuku’s about-to-be-revealed superhero costume, but that’s okay since I’ve seen it before already

I’m at a loss for words at how wonderful and perfect this title is. just want to give it a round of applause

and I accidentally saw the title for chapter 9 while I was scrolling through the volume index and. !!!!!!!!!

(it’s “Deku vs. Kacchan” in case you were wondering)

SOMEBODY better have learned how to clench his butt more gently and visualize that damn microwave egg real good, that’s all I’m saying, because shit’s apparently about to hit the fan

ahhh there is a whole page of detailed backstory on how their costumes were made. I’m gonna cry they put so much actual thought into it

LMAO Bakugou helped design his own ridiculous costume

this will absolutely ensure that everyone takes you seriously, Kacchan

real talk this is the most Gokuderaish shit he’s done so far. I knew he had some nerdiness in him somewhere

there is apparently a Quirk Registry where everyone’s quirk details are kept in some kind of national index. pretty sure this kind of thing was the impetus behind the conflict in the first X-Men film, as well as the first (comic-verse) Marvel Civil War. but I guess it’s not as controversial when 80% of the population has these powers. at that point you’re like “yeah okay let’s make a list”

in Horikoshi’s Wikipedia bio it said he was a huge Marvel fan and it fucking shows. in a good way

lol Izuku’s mom startled him and he hung up on All Might

what is he actually going to list as his quirk though, since the whole One for All thing is supposed to be a secret? what does AM have on his own quirk registry form?

(ETA: in chapter 11 it’s revealed that All Might has told at least 3 other people about his quirk, though. so there’s that. I wonder if he has a friend in the government, or if not, maybe the U.A. principal has some influence. or hell, he probably has a fair amount of influence himself, being the great symbol of peace.)

his mom is apologizing to Izu for her sad crying in his sad flashback. is this going to get emotional. Deku hasn’t cried yet in this chapter and the clock is ticking, so

sob Deku is wearing the costume his mom made him with love. I can’t

THE JUMPSUIT IS FINE BUT THE HELMET THING. I FUCKING CAN’T

also is this thing really going to hold up when he goes all out? last time he ripped the arm right off of his jacket. I hope he did tell them something about his quirk, otherwise this thing is not going to last

(ETA: lol he did not and lol it did not)

the good thing is that everyone else’s costumes are also so fucking ridiculous that not a one of them can say a damned word

except for this guy

I don’t know his name. right now he’s Hot Guy in the Corner. but this guy knows how to uniform

listen, I have heard people compliment my shoes as “really comfortable looking” enough times to know when someone is just trying to be polite and reaching hard. I appreciate the thought though

trying to figure out how those giant boots of hers could possibly be useful for her zero-g powers. especially since she apparently didn’t actually request them. maybe they’ve got magnets or some shit

All Might is embarrassed that Deku made derivative Victory Antennae for his own costume just like All Might’s

AW HE LOVES YOU

statistically the most heinous villains are more likely to appear indoors. there could be a Heinous Villain standing behind you right now. it may already be too late. hide yo kids hide yo wife

now All Might’s going to split them into two-person teams and sic ‘em on each other

”this teaching thing is fucking easy.” [pats self on back]

these kids are the best

oh damn he’s actually got a whole involved scenario for the thing. as expected of the man who so obsessively planned every last minute little detail of Izuku’s training

but actually this is just capture the flag

it’s capture the flag my dude

in theory their partners will be chosen by drawing lots! in reality it’s the all-powerful hand of the mighty mangaka at work

lmao Iida questions if this is really the best way and Izu launches into a lengthy explanation about how it makes sense because it’s similar to what might happen in real life, and Iida fucking apologizes for getting ahead of himself. YOU’VE BROUGHT SHAME UPON YOUR ENTIRE FAMILY IIDA. HOW DARE YOU QUESTION THE LOTS

somehow I saw this coming

the guy on Discount Zuko’s right has such a flat head I didn’t register him as a person for a sec and was wondering why Discount Zuko didn’t appear to have a partner

I’m 99% sure Discount Zuko’s name is Todoroki by the way, but WHEN. WILL. HE. get an actual introduction goddammit?!

heh

...am I really going to have to learn the rest of these characters’ names too?? there are 16 of them. this is like the goddamn Chuunin Exams all over again

goddammit

Ochako is so happy to be paired up with Izu, while Izu is Having a Crisis

yeah son you need to get over that

oh boy here come the ~RANDOM LOTS~

a.k.a. the ONLY TWO TEAMS WITH NAMED CHARACTERS ON THEM*

*I know Yuri on Ice is a named character as well but I CAN’T REMEMBER WHAT IT IS and CLEARLY IT DOESN’T MATTER YET ANYWAY

my GOD those are some fortunate ~RANDOM LOTS~

so what do the other 16 people do, just sit back and watch?

son of a

I suppose they’ll all take turns and the next four will go once these four are done, though. off-screen of course. fuck those guys

All Might is telling Bakugou to adopt a villain mindset and that it’s okay for him to go all out. All Might out here trying to get Deku killed

this gon be good

meanwhile Ochaku and Izu are trying to memorize the building’s layout. Ocha isn’t stressed because this time they don’t have to worry about being expelled

and it must be my birthday because here’s a whole page all about Izuku musing on his and Bakugou’s rivalship

sooooo this is either gonna be a draw or Bakugou probably will actually lose to him. the latter is going to fuck that kid right up if it happens

(ETA: :DDDDD)

YES. EXACTLY. DAMN MY WEAKNESS FOR RIVALRIES

All Might thinks loudly at his son that he’s not going to show him any favoritism

All Might is a fucking liar but it’s cute so he gets a pass

Deku and Ocha are sneaking in through a window. I assume Ocha floated them up there or something. she’s so smart and talented

I wonder if she could just float Iida and Bakugou out of the building so that they wouldn’t have to actually fight them

Izu’s helmet makes him look like Sonic the Fucking Hedgehog and it’s really distracting me

BAKUGOU LEAPING IN OUT OF NOWHERE TO ATTACK THEM

THANK FUCK, HE BLASTED DEKU’S HELMET OFF

NOW he looks like the Izuku I’m always seeing on tumblr posts

JUST TAKE OFF THE OTHER HALF OF THE HELMET, DUDE

this Momotaro-looking guy is complaining that Bakugou’s sneak attack wasn’t “manly” but dude he’s supposed to be playing the villain in this scenario

heh. he’s off the fucking hinges

OH FUCKING DAMN

IS HE ABOUT TO IPPON SEOI NAGE THIS MOFO

”did he just read my moves?” wereeeee you thinking your movement was actually subtle...? let’s go back and take another look

this is such an obvious attack a three year old could probably read it

not discounting Deku, though. son of a bitch really DID ippon seoi nage the shit out of him

YES DEKU, YES

“Kachaan, you almost always lead with that right hook.” his lifetime of being bullied finally pays off! also, seriously, that was the most obvious right fucking hook anyone’s ever attempted. thanks in part to the always dynamic and interesting art style!

ummmm

is... this... actually a compliment somehow...?

no, seriously, he’s leading into a speech about how he’s not gonna sit back and take Kacchan’s shit anymore, but he also just analyzed his attack, and then said that this is something he specifically does with “heroes he thinks are awesome”

for now my verdict is that it is a compliment but it’s probably unintended and he might not be paying attention to what he just said

anyway, Deku’s getting seriously fired up now

KACCHAN YOU BETTER WATCH YOURSELF MOTHERFUCKER THIS IS THE FACE OF A KID WHO’S ABOUT TO CLENCH HIS FUCKING BUTT

lmao this tiny panel of Iida looking around wondering where everyone else is

darn him

FREEZE FRAME!!

ENHANCE

ARE THOSE

TEARS

DEKU

THIS WAS LITERALLY THE LAST PANEL

YOU WERE IN THE CLEAR

OH MY SWEET GREEN SON

...one of these days. one of these days we’ll get there

BONUS:

my takeaway from this is that some of these characters don’t actually have normal names and are only going to go by their superhero names, which makes me wonder if we’ll ever find out All Might’s name. I want to knoooooow but don’t spoil me please sob

#bnha #boku no hero academia #makeste reads bnha #midoriya izuku #uraraka ochako #bakugou katsuki #all might

63 notes · View notes

mynameisdreartblog · 5 years

Text

Teachers

Aries: Football (unamerican) coach. I feel as though Betty Crocker's employees have been studying my movements in anticipation for something. Everyone I meet I assume is working for her, and that's not my paranoia acting up. Recently, factory locations have been springing up all over this country, and here I was thinking the hag would just stay in America where she belonged, but no. I was struck terrifyingly curious about this, so I looked on her website <excusing the modem's start-up process>, and look! It says here that she, herself, has ninety-plus different reasons as to why we still love chicken breasts. God, there's no way a human could write that much about chicken breasts; I'm terrified of each and every one of them if I'm quaint. This is a disturbing sight, but I'll abstain from doing something now until it really starts to become a problem… I fear I'm falling into old pits though. […] I hopped on the 'net today and I saw something only describable as vile. Fuck Betty Crocker and her offensive Kiss Me, I'm Irish cookies. Crocker, you liar and probably not even human; you are neither Irish nor worthy of a kiss. She's done it now, she's cross the line and struck me straight in the soul with everything she has: This witch wanted to infest my land with her polluted factories, steal my press with her spam articles, and now steal my culture too! [,,,] I know what I must do now; can anyone drive me to their headquarters? The new one they just built here, the one that's already polluting our water supply with chicken broth. God, I'm so furious, so vengeful, and so willing to vanquish this evil that I! That I… that. Wait, what do you mean we can't use Betty Crocker for this one? Some other epic internet-based literature uses this as a canonical joke? For fuck's sake, just use the Quaker Oats dude instead; we'll take the words we had already and change them to be about Quaker Oats and his offense towards Irish people. <Redmond starts to drive 'til their ride runs out of gas halfway through> For fuck's sake! GIVE ME THE QUAKER OATS MAN, I'M BEING PAID BY THE HOUR HERE!

Gemini: Sociology teacher. I can feel James Rolfe writing a letter that details all the offense that I caused him right now, and I'll be sure to refute his every claim like he refuted all my feedback. Just for reiteration: I will not apologize to him for those honest criticisms I made of his newer video-reviews, specifically of the 2006 Sonic the Hedgehog game and Big Rigs: Over the Road Racing. If he's been going at his online profession for ten-plus years now, then he can handle a fair bit of digital criticism. [,,,] I told him that I'd prefer if he'd respect my position more after a paragraph-long explanation as to what my position was. Frankly, I thought Rolfe would be a more understanding and self-aware person to recognize that my life as a national mailperson whose work spans across the entire Indonesian archipelago. Clearly, my goal was that he'd attempt to sympathize with my working-class struggles as he'd do with any American mailman whom he is familiar with, but I didn't get any of the respect I was expecting. Not even I was spared for the decency of verbal abuse, because I was given something worse: The unrelenting silence of zero responses towards my effortful comment. That told me that Rolfe is a man who doesn't care about the issues of working-class folks like me. I'm hesitant to state, and possibly slander Rolfe, for the likelihood that he has a strong prejudice against Indonesian and Papuan peoples by refusing to acknowledge my criticism and my simultaneous first and third-world perspective. […] I just don't know what his issue with me is; after all, I've read every one of his love letters to me and I managed to enjoy them despite how sloppy his nerdy, rage-filled writing was. I think I made out his name the best of all and the thanks he granted me for sending him all of the games nobody else here wanted. «Truce, thanks for supporting my quest to protect the world from shitty-ass games. From: The fucking nerd.»

Scorpio: Public skills teacher. "Mexican-South Korean relations, from Wikipedia: The Free Encyclopedia. Mexico-South Korea relations refers to the bilateral relations between Mexico and South Korea. There are an estimated 15,000 Koreans and Mexicans of Korean descent living in Mexico. Both nations are members of the Asia-Pacific Economic Cooperation, G-20 major economies, Organization for Economic Co-operation and Development, and the United Nations." [,,,] Yeah, so I pulled out a random book from the library for my book report assignment (I'm still surprised they gave me the freedom to do this), and I got a book about Mexican-Korean relations. I'm also surprised by how they can create such a thick book on a topic with little-to-no history, so I naturally assumed it was some sorta fictionalized history. As you could tell, I opened up the first page to find out that the first quarter of the book was a copy-paste job from the Wikipedia article with most of the citational numbers removed. The font was also in a very large size, presumably to fill space and not be readable for readers with impaired vision. [,,,] I tried opening the pages beyond to the rest of the book's contents, but they seemed glued shut, and the more I attempted to pull them open was I expected them to rip, but they just stayed firm to the bookcase. A closer inspection revealed that it was actually a container welded to the bookcase, and that it there was something inside of it. It wasn't alive, but it could jingle alright. [,,,] I decided to pry that sucker open and I found a mysterious note, but I was scared 'cause it addressed me directly! All it told me was that I should be in bed by 9 pm; I was so scared, but I knew the note told what's best for me, and I obeyed it. The moral of this story is that you should do your homework and follow your bedtime schedule! […] «Dear Dad, stop writing in my diaries, thanks.»

Capricorn: History teacher. You can tell the people who go to this place are from the '70s. After hauling an artificial Christmas tree into a lady's car, she gave me two quarters and said, "it's not much, but get yourself a cold drink." I felt so vintage at that moment: I felt like I was consumed with vintage appeal. My worker overalls were put onto me in that moment and I was ready to work the rest of my life in a windowless retail store. But it was before they sold all of the cool shit they have now like E-cigarettes, so they just sold regular cigarettes to teenagers who had predominant facial hair. […] Right then, wouldn’t anyone be compelled to by the working-class American luxury that is a cold soda: Preferably, whatever they sold at Becker’s? Yeah right, I used to do the same thing everyone else did except I looked aged enough to not even rely on facial hair to get one of those… cold sodas. Isn’t it so vintage that we live in a polity completely built around the idea of infinite room for exploitation resulting from the false belief that there’ll always be new lands to exploit? Isn’t it so vintage that the complete destruction of two entire continents was all done in the name of securing the existing powers in Europe at the height of the 15th century when they were beginning to crumble due to their unsustainability? Isn’t it so vintage that countless cultures, peoples, and languages were… Heh, let’s not let the blade in our mouths become too sharp and let’s get back to that vintage ‘70s lifestyle. Let’s gather me and the boys to stop by Becker’s and get some nice, cold sodas… and be called a savage by the racist clerk who made sure to call the police on me if I ever walked into that place again. Motherfucker should know his goddamn place telling me that I can’t be in the store that he built on land that isn’t his. I was a 27-year-old man and that’s how I was treated… back in sunny Halifax! Ha, I still have the fake pine on all over my hands: My bloody, beaten hands.

#Zodiaccupuncture #Zodipunc #Aries #Gemini #Scorpio #Capricorn

1 note · View note

alystayr · 5 years

Text

Playlist musicale 2019 (1/2)

Liste des chansons (playlist 2019 - part. 1)

Mise à jour : 30 juin 2019

playlist 2019 (part. 1)

playlist 2018 (part. 2), playlist 2018 (part. 1)

playlist 2017 (part. 2), playlist 2017 (part. 1)

playlist 2016 (part. 2), playlist 2016 (part. 1)

playlist 2015

0-9 #

A Perfect Circle - So Long, And Thanks For All The Fish (2018)

AC/DC - For Those About to Rock (We Salute You) (1981)

Air - La Femme d'Argent (1998)

Alice In Chains - Angry Chair (1992)

Alt-J (feat. GoldLink) - Last Year (Terrace Martin Version) (2018)

Arcade Fire - We Exist (2013)

Archive (feat. Band Of Skulls) - Remains Of Nothing (2019)

Asaf Avidan - Over You Blues (2010)

Joan Baez - Diamonds and Rust (1975)

Balthazar - Bunker (2015)

Band of Horses - Wicked Gil (2006)

The Beatles - Helter Skelter (1968)

Beirut - The Rip Tide (2011)

Björk - Army Of Me (1995)

Frank Black - Los Angeles (1993)

The Black Keys - Lo/Hi (2019)

The Blaze - Queens (2018)

Bon Iver - Holocene (2011)

David Bowie - The Stars (Are Out Tonight) (2013)

Dave Brubeck - Take Five (1959)

Jeff Buckley - Last Goodbye (1994)

Kate Bush - The Man I Love (1994/1927)

Francis Cabrel - Samedi Soir Sur La Terre (1994)

Cage The Elephant - Ready To Let Go (2019)

Bertrand Cantat - Les pluies diluviennes (2017)

Lewis Capaldi - Bruises (2017)

The Cardigans - Erase / Rewind (1998)

Nick Cave & the Bad Seeds - O'Children (2004)

Chubby Checker - Let's Twist Again (1961)

Cigarettes After Sex - Crush (2018)

Gary Clark Jr - This Land (2019)

Leonard Cohen - Avalanche (1971)

Vladimir Cosma - Les compères (1983)

The Cramps - Human Fly (1983)

The Cranberries - All Over Now (2019)

The Crystals - Da Doo Ron Ron (1963)

Dick Dale & The Del-Tones - Pumpkin and Honey Bunny / Misirlou (from Pulp Fiction) (1994/1962)

The Dead Weather - Hang You From The Heavens (2009)

Depeche Mode - It’s No Good (1997)

Détroit - Sa majesté (2013)

Dido - Take You Home (2019)

Dire Straits - Private Investigations (1982)

The Dø - Anita No! (2014)

Peter Doherty & The Puta Madres - Who's Been Having You Over (2019)

Lou Doillon (feat. Cat Power) - It's You (2019)

Dolly - Fin d'époque (1997)

Bob Dylan - Knockin' On Heaven's Door (1973-1995)

Eels - Tremendous Dynamite (2009)

Eiffel - N’aie rien à craindre (2019)

Eiffel - Ne respire pas (2002)

Eminem - Lose Yourself (2002)

Mylène Farmer - Sentimentale (2018)

Florence + The Machine - Hunger (2018)

Foals - Exits (2019)

Foo Fighters - All My Life (2002)

Peter Gabriel - Growing Up (2002)

Serge Gainsbourg - La Javanaise (1963)

Garbage - Stupid Girl (1995)

Genesis - Dancing with the Moonlit Knight (1973)

The Good, The Bad & The Queen - Merrie Land (2018)

Macy Gray - Sugar Daddy (2018)

Greta Van Fleet - Highway Tune (2017)

Françoise Hardy - Tous les garçons et les filles (1962)

Ben Harper - Diamonds on the Inside (2003)

PJ Harvey - This Is Love (2000)

Hole - Awful (1998)

Buddy Holly - Peggy Sue (1957)

David Holmes - Rodney Yates (1997)

IAM - La fin de leur monde (2007)

Imagine Dragons - Natural (2018)

Indochine - J'ai demandé à la lune (2002)

Billy Idol - Dancing With Myself (1981)

Les Innocents - Jodie (1987)

Interpol - If You Really Love Nothing (2018)

Iron Maiden - Fear of The Dark (1992)

Jean Michel Jarre - Robot’s Don’t Cry (movement 3) (2018)

Elton John - I'm Still Standing (1983)

Joy Division - Transmission (1979)

The Kills - Black Balloon (2008)

The Knife - Heartbeats (2003)

Cecilia Krull - My Life Is Going On (from La Casa de Papel) (2017)

Lake Street Dive - Mistakes (2016)

Mark Lanegan & Isobel Campbell (cover The Gun Club) - The Breaking Hands (2012)

Led Zeppelin - Dazed And Confused (1969)

LP - One Night In The Sun (2018)

M - Lettre infinie (2019)

Madness - One Step Beyond... (1979)

Ibrahim Maalouf - Beirut (2011)

Madrugada - Hold on to you (2005)

Manu Chao - Me llaman calle (2007)

Massive Attack - Angel (1998)

Mercury Rev (Feat. Norah Jones) - Okolona River Bottom Band (2019)

Metallica - Fade to Black (1984)

Miossec - Nous sommes (2018)

Moby - Extreme Ways (from Jason Bourne) (2002)

Tom Morello (feat. Gary Clark Jr. & Gramatik) - Can't Stop The Bleeding (2019)

MorMor- Heaven's Only Wishful (2018)

Giorgio Moroder - Midnight Express Theme - The Chase (1978)

Mudhoney - Touch Me I'm Sick (1988/2013)

Muse - Madness (2012)

The National - Hairpin Turns (2019)

New Order - Blue Monday (1983)

Nine Inch Nails - March Of The Pigs (1994)

Nirvana - Aneurysm (1991)

No One Is Innocent - Charlie (2015)

Claude Nougaro - Paris Mai (1968)

Agnes Obel - Riverside (2010)

Les Ogres de Barback - P'tit coeur (2019)

J.S. Ondara - American Dream (2019)

OrelSan (feat. Stromae) - La pluie (2017)

Pink Floyd - On The Turning Away (1987)

Placebo - Protège Moi (2003)

Planes Mistaken For Stars - Fucking Tenderness (2016)

The Platters - The Great Pretender (1955)

The Police - Every Breath You Take (1983)

Portishead - Sour Times (1994)

Elvis Presley - All Shook up (1957)

The Prodigy - Firestarter (1997)

Queen - Love Of My Life (1975)

Queens Of The Stone Age - The Lost Art Of Keeping A Secret (2000)

The Raconteurs - Sunday Driver (2018)

Radiohead - Paranoid Android (1997)

Rag'n'Bone Man - Human (2017)

Rage Against The Machine - Take The Power Back (1991)

Ramones - I Wanna Be Sedated (1978)

R.E.M. - Bad Day (2003)

Chris Rea - Cry for Home (2005)

Lou Reed - Satellite of Love (1972)

Rival Sons - Feral Roots (2019)

Dick Rivers - Pas de vainqueur (2014)

Cock Robin - The Promise You Made (1985)

The Ronettes - Be My Baby (1963)

Saez - Rue d'la soif (2017)

Nitin Sawhney - Sunset (2001)

The Score - Stronger (2019)

Eric Serra - My Lady Blue (from Le Grand Bleu) (1988)

Sex Pistols - God Save The Queen (1977)

Shaka Ponk - Killing Hallelujah (2018)

Sigur Rós - Brennisteinn (2013)

Emilie Simon - Fleur De Saison (2006)

Simple Minds - Alive And Kicking (1985)

Siouxsie And The Banshees - Israel (1983)

Skunk Anansie - Charlie Big Potato (1999)

The Smashing Pumpkins - Zero (1995)

Patti Smith - Summer Cannibals (1996)

Sonic Youth - Mildred Pierce (1990)

Soundgarden - Fell On Black Days (1994)

Regina Spektor - All The Rowboats (2012)

Bruce Springsteen - Western Stars (2019)

Still Corners - The Trip (2003)

Alain Souchon - Quand j'serais KO (1988)

Angus & Julia Stone - Heart Beats Slow (2014)

The Stooges - Ann (1969)

Supertramp - Cannonball (1985)

Survivor - Eye Of The Tiger (1982)

System Of A Down - Toxicity (2001)

Talk Talk - Such A Shame (1984)

Sébastien Tellier - La Ritournelle (2004)

Téléphone - Argent trop cher (1980)

Kate Tempest - Perfect Coffee (2016)

These New Puritans - Into The Fire (2019)

Hubert-Félix Thiéfaine - Confessions d'un Never Been (2005)

Yann Tiersen - Tempelhof (2019)

Thievery Corporation - Shadows of Ourselves (2000)

Tina Turner - What's Love Got To Do With It (1984)

U2 - New Year’s Day (1983)

Frankie Valli - Can't Take My Eyes off You (1967)

Suzanne Vega - 12 Mortal Men (2016)

The Velvet Underground - Femme Fatale (1967)

Veruca Salt - Volcano Girls (1997)

The Verve - The Drugs Don't Work (1997)

Le Villejuif Underground - Villejuif Underground (2017)

Weezer - Zombie Bastards (2019)

The Who - My Generation (1965)

John Williams - Hedwig's Theme (From Harry Potter and the Sorcerer's Stone) (2001)

Amy Winehouse - Love Is A Losing Game (2006)

Wolf Alice - Don't Delete the Kisses (2017)

Woodkid - Run Boy Run (2013)

Shannon Wright - The Caustic Light (2013)

XTC - Making Plans For Nigel (1979)

Neil Young - Southern Man (1970)

Hindi Zahra - Stand Up (2009)

Zazie - Nos âmes sont (2018)

#Playlist #2019 #Listes #Musique #Rock #Pop

2 notes · View notes

bandstolookup · 2 years

Text

in solitude

into the moat

istapp

junction 18

jakiro

keepsake

the killing moon

the kinison

knockout

let's get it

logan square

cory marks

lonely kings

lostprophets

jason lancaster

jim florentine

king of asgard

intensus

jacobs dream

john arch

king's x

the hevails

i killed the prom queen

in battle

incapacity

ipissimus

jim breuer and the loud & rowdy

kill division

lay down rotten

lazarus a.d.

machinemade god

memory garden

mortification

lightning swords of death

malefice

mirror

mount salem

native construct

nightfall

nova collective

OSI

neaera

noctum

omen

over your threshold

martyr

molotov solution

nasty savage

negligence

nonpoint

one way mirror

overcast

channel zero

sourvein

paths of possession

pentagram

pilgrim

poison headache

powerwolf

princess pang

pyrithion

ravage

raven black night

razor of occam

the red death

rival

sahg

return to earth

rose funeral

sarke

phoenix mourning

poundhound

psyopus

raven

the red chord

riot

the rotted

satans wrath

secrets of the sky

shining fury

sister

skyforger

slough feg

sonic reign

symphony x

symphorce

theories

this ending

thought of industry

thrust

torture killer

trigger the bloodshed

trouble

since the flood

starwood

system divide

thomas giles

torchbearer

trioscapes

vader

valkrja

viking

winter solstice

vehemence

voivod

witchkiller

y&t

x-cops

church of agony

vesania

vomitory

red devils

yob

40 watt sun

bodyfarm

darkness by oath

demonical

down among the dead men

ereb altor

facebreaker

the foreshadowing

gloria morti

poison the well

pentagram chile

shakhytor

internet money

zombified

admiral sir cloudesley shovell

age of taurus

blood ceremony

cathedral

diagonal

electric wizard

the gates of slumber

gentlemans pistols

grand magus

hidden masters

iron man

litmus

nicolás

poison the prophet

river lynch

rios mios

orange goblin

purson

uncle acid & the deadbeats

witchcraft

river lynch and the spiritmakers

astra

church of misery

supa bwe

internet raised

firebird

horisont

moss

troubled horse

witchsorrow

woe of tyrants

hammers of misfortune

fight the fight

good tiger

hamferð

this romantic tragedy

vesuvius

wearing thin

we are defiance

common threads

whitney peyton

common holly

the charlie daniels band

fatboibari

victor internet

no vacation

the adverts

felton

aaron joseph russo

through lifeless eyes

mellow fellow

modern english

jorja smith

rian basilio and the roosters

whaley and hedner

jesus molina acosta

air reez

petrov

basilisk

basil curious

vancouver sleep clinic

cole bennett

vansire

vantage

buckethead & friends

vanic

vanilla

age of shadows

foy vance

no vanity

up from here

yung van

vanilla muffins

vanilla oreo

jam in the van

vandelux

vanilla fudge

vandella andrew

SBTRKT

karen o

major lazer

ezra koenig

page ninety nine

enemy soil

realtor 7

facade burned black

gnob

pankration

cobra kai

[fate of] icarus

jumbo

jeromes dream

sam dinovo

denel

lurka

ethan gruska

RAC

empathy test

discovery

boy george

nightly

rayvon owen

malaki

gemma bradley

corite

hablot brown

hope waidley

dj scheme

polo g

twst

park hye jin

fonkynson

matt fax

soleima

k.i.n.e.t.i.k.

audrey mika

leon of athens

ayelle

jazzinuf

cynthia lovely (cyn)

brasko

sly5thave

wesson

the r train

macca wiles

alex the astronaut

didirri

jaguar jonze

hayden calnin

st south

mass minor

king crash

bakar

100 gecs

carrie baxter

imminence

christian sparacio

raye zaragoza

kembaland

criibabysos

daniel avery

dominic Fike

josh levi

rebūke

bonelang

america's favorite punk

all things blue

allie x

brad brownfield

dick vitale

ethan camarata

chris adler

willie adler

the dirty guvnahs

ezra furman

ezra bell

the fight

ennio morricone

tear ducks

joey dean

ezra vine

ezra millz

george ezra

ezra collective

far caspian

smoothboi ezra

sly

the outfield

motorama

forests

forest

forest sword

forester

champ's club

forest creatures

forest blakk

east forest

berklee college of music

the forest rangers

forest therapy

pink turns blue

boy harsher

twin tribes

cabaret nocturne

soviet soviet

ellis b

the dirty pennies

emanon shakur

the heartways

mokele mbembe

baby keem

dominic fontana

laladee

fawns of love

giveon

afrotricks

pop smoke

vision video

jason lapierre

the dude ranch

imperial cities

SCR

gene taylor

the roots

stl gld

christian mark gibbs

aveline wallflower

josiah grey

dead lover

forest sun

forest rochester

the forest escape

slightly stoopid

trevor hanks

brandon bee

marza panther

wide waters

shane michael

loose cattle

hexakiri

do work naked

in two we break

candy claws

chinatown slalom

summer salt

cotton jones

skramz

forest lane

forest dump

k forest

the lonely forest

deep forest

dead wood forest

random forest

the forester sisters

sleeping forest

an american forrest

metallic forrest

sean casey

shoobies

hole

violet night

violeteyez

violet cold

violet nine

violet skies

violet taxi

violet marvel

violet rock

violet light

violet dust

little violet

backdrop violet

hello violet

violet aurora

circles violet

james violet

violet indiana

violet tyson

the high violets

witch vomit

witchrider

witchskull

witchfinder general

witchdoctor

all them witches

witch mountain

b*witched

witchery

witchaven

future of forest

witchtrap

witchmob

witchtorch of autumns

witcho

bell witch

angel witch

the deadly angels

crunk witch

acid witch

devil's witches

mountain witch

night witch

esben and the witch

burning witches

psychedelic witchcraft

purple hill witch

damn the witch siren

the witch dr.

little witch

the witchitas

mercury witch

witch taint

seven year witch

dead witches

witchthroat serpent

country witch

two witches

witch cross

burning witch

black witchery

strangers

minus house

witchfinder

the witch kids

vinegar hill

recoil vor

saints alight

confession

little sea

isotopes

duck duck ghost

fort vine

neon vines

the musket vine

of the vine

sweet vine

the vineyard sound

strange vine

trent vine

witches of london

frankie and the witch fingers

carpthian forest

boom forest

foreign forest

ezra henderson

ezra band

ezra salmine

ezra jordan

ezra hazard

better than ezra

labrinth

crisaunt

sweatcult

maze

maze1981

maze116

basil poledouris

jeremy loops

soft glas

basil rathbone

basil valdez

basilica

basilio

basilisk osiris

basil o'glue

basil panagop

basil

the spitescreamer basilisk

covenant basilisk

basil harwood

schola cantorum basiliensis

martin basile

mazen

mazen awad

blonde maze

mazes and phazes

mazeskin

mazembe

the maze

yxng maze

colour mazes

stoned mazes

juvenal maze

mazerboy

mazebored

mazemat

ivan b

ivan ave

ivan gough

ivan ooze

ivan

waverly

waverly hills

waverly seven

waverlys

waverly lies north

waverly ross

the waverlys

the waverly giant

waverly consort

digitization maze

kuna maze

spendtime palace

miel

deafheaven

common souls

common market

eery

good morning

commonminds

common sense

common tiger

common jack

commonwealth baptist college

common cents

jamie n commons

common grounds

the common view

common children

thee commons

our common collapse

the commonheart

common man music

commoninterest

forever the sickest kids

common courier

nothing in common

common & friends

the common linnets

cure the common

chris common

common market

scott miller & the commonwealth

common strangers

spencer common

common luck

commons

commonwealth choir

common war

common grackle

common threads

van common

prada-g

common deer

pinwick commons

common souls

16yrold

p4rkr

surfliner

life of death

thaiboy digital

SEBii

A.G. Cook

cartier god

lord apex

gupi

barry white

ben e king

smitech wesson

blanke

naeleck

hyper

jon brion

jeremy messersmith

tilly and the wall

common thieves

common rotation

sweet trip

jonatan leandoer96

wondha mountain

yves tumor

död mark

danger incorporated

duwap kaine

fly commons

common creation

fightstar

loreen

twisted insane

mechatok

albin gromer

cloud cult

dye

hopsin

mélanie laurent

nic & the family

lokey

common people

alan walker

joyfriendd

uglyzucc

where is nomu (nomu ? idk)

unitkai

powerdolls

slayyyter

arca

rico nasty

313d3p

tamia

red velvet

ratif

sutter kain

trio hot

the nonkey brothers

the notwist

nero's day at disneyland

veronica maggio

hypnosister

forrest gardner

klezmeyers

JPEGMAFIA

dakota commons

common ground

9 in common

every king & commoner

commonweather

common jones

king commoner

common.voices

commonknowledge

commonplaces

justin trawick and the common good

the boston common

common unity

commoneer

commonfaced

commonfolk

commonside

commontime

commonsound

commonplace

commonrage

commonyouth

CommonPlace

creation rebel

commontone

common folk

common center

common fires

common labor

common things

common cliche

ritt momney

commonSen5e

commonblue

kid common

common users

commoncycle

cure for the common

whether, i

jarrod alonge

ending left

kevin devine

versaemerge

right away great captain

monster magnet

the filthy souls

lower than atlantis

middle class rut

colour revolt

alex greenwald

lanski

coconut records

chasing sokaris

the so so glos

mansions

moving mountains

all get out

the dead hunter

o'brother

matt jaffe

thundercloud kid

story untold

american sin

than luu

this wild life

busted

flower leperds

half past midnight

glasslands

than zaw myint

electric valley

kevin harp

jason lapierre

riverchild

rob mathes

conceited

ghoul

kevin hewick and friends

get scared

40 rod lightning

shadows fall

battousai

kidcrusher

tony gallichio

heavygrinder

mike vallely

betraying the martyrs

soilwork

lee ving

jc charles

in the moment

northlane

a thousand times over

junkyard fieldtrip

all things blue

fear

matty mullins

the utah jazz

in hearts wake

jon lewis

awake and unafraid

new found glory

WSTR

just jax

jes say

mineral

jeffrey nothing

shadow kid

løenwulf

skud

in dying arms

lynk

hollywood ending

action item

fronzilla

julien baker

cannabiscorpse

goatwhore

gonstermachers

against me!

slutty hearts

the blue van

eyes set to kill

a band called sad

alesana

hinder

theory of a deadman

cris cordero

broken bells

the devil wears prada

sick puppies

hoobastank

the dark

drive by truckers

lil tarus

marek stanisław sajmbor

canto

the early november

the arcs

atta boy

circa survive

half moon band

HAWK

half moon baby

manilarajj

from over the water

commonwealth choir

frames

innerlove.

de'wayne

the dangerous summer

kids in america

lakes

example

mosey

promise of redemption

sleep in.

sleepy limbs

string machine

suntitle

sweet pill

the still, small voice

triangle shirt factory

twentythreenineteen

vinnie caruana

champagne colored cars

nude shoes

mas malo

milkmen

the phoenix within

post season

rich people

selfhelpme

vincent john

actor|observer

aficionado

aviator

for all i am

battle lines

broadway calls

the casket lottery

doll skin

emarosa

fame on fire

groundculture

hands like houses

have mercy

hold close

lotus eater

point north

roam

stand atlantic

sylar

thrice

tonight alive

vaines

vanish

what's eating gilbert

wstr

88 fingers louie

against all authority

air dubai

amber pacific

atom and his package

break the silence

coldrain

common rider

cruel hand

damion suomi & the minor prophets

digger

dillinger four

divided by friday

driver friendly

dryjacket

dying in designer

i am the avalanche

ever we fall

falling sickness

fifteen

for the foxes

funeral oration

guttermouth

heckle

heroes of modern earth

the human abstract

hundredth

jeff ott

kaddisfly

the kickdrums

the photos

best ex

charmer

lil xtra

melee

mike park

milk teeth

mustard plug

the nobodys

nural

the queers

ronen kauffman

royden

samiam

scared of chaka

the silence broken

selby tigers

daisyhead

departures

drug church

early graves

the felix culpa

foreign tongues

forest green

former thieves

grey gordon

great grief

hot mulligan

in between

jail socks

julia louise

koji

long lost

looming

lowtalker

maps for travelers

old sol

mixtapes

muskets

no trigger

old lines

pine

pet crow

rescuer

run forever

sainthood reps

seasons change

shai hulud

spill

state faults

stay inside

unturned

xerxes

adventures

allison weiss

temptress

anakin

i call fives

balance and composure

funeral for a friend

ghost key

into it. over it.

lee corey oswald

the fire the flood

major league

now, now

small leaks sink ships

somos

the swellers

tancred

touché amore

la dispute

half moon bay

half moon day

half moon

half moon sound

half moon god

half moon factory

half moon portrait

the crew of the half moon

the half moon shrine

half moon tuesday

half moon science

half moon jug band

half moon nima

half moon waves

aaron west and the roaring twenties

half moon codex

half moon glass

anthony raneri

half past moon

Afterlife

stairwell

story untold

somos

there for tomorrow

thrice

tripp underwood

the weakerthans

young & heartless

dwellings

invent animate

settostun

strawberry girls

valleys

aethere

the afterimage

a kiss for jersey

armor for the broken

the artificials

alesana

a skylit drive

avant garde -

bad luck.

boxbomb

brighter than a thousand suns

confide

the dead rabbitts

delusions

earthists.

everyone dies in utah

erra

eternal void

finch

greeley estates

i set my friends on fire

half moon tide

the half moons

van & his hotel half moon orchestra

half-way to the moon

charlie and the half-moon

gangz

animal sun

righthandshade

rome hero foxes

young kings

coworkers

the coworkers

the car ride home

soothing car ride

xxx car ride

carpet ride

carol rider

carly rider

carlton ridenhour

red carpet ride

rider tax-cara-cara

ruby stone french

carl axell and his temporary rid...

business school

HUNGER

better off

0 notes

deadcactuswalking · 3 years

Text

REVIEWING THE CHARTS: 29/05/2021 (Eurovision, BTS, Olivia Rodrigo, Galantis/David Guetta/Little Mix, Anne-Marie & Niall Horan)

What better way to celebrate the end of a week in which I have been consistently ill and surprisingly busy? Sixteen new arrivals, of course! Shoot me, but first, congratulate Olivia Rodrigo for her second #1 as “good 4 u” gets the album boost to overthrow “Body” this week. I can safely say I think it��ll be there for a while. Let’s just start REVIEWING THE CHARTS.

Rundown

Sixteen new arrivals and therefore, kind of a bloodbath. Why are there sixteen new arrivals? We’ll get to it. Other than six new arrivals from last week, we have a couple other drop-outs, the notable of which being those that spent five or more weeks in the UK Top 75 – which I cover – or those that peaked in the top 40. Therefore, those include, rather ironically on Olivia Rodrigo’s album week, former #1 “drivers license” (only dropping out because of a silly UK chart rule that only allows three songs per lead artist on the chart), as well as “Don’t Play” by Anne-Marie, KSI and Digital Farm Animals, “Another Love” by Tom Odell, “Calling My Phone” by Lil Tjay and 6LACK, “Heartbreak Anniversary” by Giveon, “Tonight” by Ghost Killer Track and D-Block Europe featuring OBOY and “Miss the Rage” by Trippie Redd and Playboi Carti. I’m not complaining about most of this, sorry, Giveon.

We have no returning entries – thankfully – so instead we can just focus on notable falls and climbers. I guess we’ll start with notable losses, songs that dropped five or more spots from their placement last week, and of course we do have a few of them at least as a result of, say it with me, sixteen new arrivals. The first few of these are all harsh drops because of ACR, which happened to coincide with the rest of the chaos, including “Little Bit of Love” by Tom Grennan at #24, “BED” by Joel Corry, David Guetta and RAYE at #25, “Friday” (Dopamine Re-Edit) by Riton and Nightcrawlers featuring Musafa & Hypeman at #26, “Peaches” by Justin Bieber featuring Daniel Caesar and Giveon at #29 and “Let’s Go Home Together” by Ella Henderson and Tom Grennan at #33. We also have the losses for J. Cole staying surprisingly slim with “My Life” featuring 21 Savage and Morray at #27, “Pride is the Devil” featuring Lil Baby at #28 and “Amari” at #35. The rest are mostly just expected continuous fallers, like “Wellerman” by Nathan Evans and remixed by 220 KID and Billen Ted at #44, “Nice to Meet Ya” by Wes Nelson and Yxng Bane at #46, “Your Love (9PM)” by ATB, Topic and A7S at #50, “Marea (We’ve Lost Dancing)” by Fred again.. and the Blessed Madonna at #51, “Ferrari Horses” by D-Block Europe featuring RAYE at #53, “Heat Waves” by Glass Animals at #57, “Seeing Green” by Nicki Minaj, Drake and Lil Wayne at #58 off of the debut, “All You Ever Wanted” by Rag’n’Bone Man at #61, “Martin & Gina” by Polo G at #63, “Leave the Door Open” by Silk Sonic at #64, “My Head & My Heart” by Ava Max at #65, Travis Scott’s remix of HVME’s remix of Travis Scott’s “Goosebumps” at #67, “Addicted” by Jorja Smith at #68, “Beautiful Mistakes” by Maroon 5 and Megan Thee Stallion at #70, “Sunshine (The Light)” by Fat Joe, DJ Khaled and Amorphous at #73, “Someone You Loved” by Lewis Capaldi at #74 and finally “Believe Me” by Navos at #75. Phew.

Now what’s interesting is that we have nearly just as many gains, and they’re pretty unique, big surges in most cases, starting with “Cover Me in Sunshine” by P!nk and Willow Sage Heart at #52 thanks to the album boost that also prompted P!nk’s “All I Know So Far” to creep into the top 40 at #39, “Build a Bitch” by Bella Poarch at #32 off of the debut, “Starstruck” by Years & Years at #31 thanks to a bizarrely uncredited Kylie Minogue remix, “Little More Love” by AJ Tracey at #21, “Didn’t Know” by Tom Zanetti at #20, “Higher Power” by Coldplay at #19, “Black Hole” by Griff at #18, Majestic’s remix of Boney M.’s “Rasputin” at #16, “Good Without” by Mimi Webb soaring into the top 10 and hence becoming her first at #10, and Olivia Rodrigo getting her third thanks to the album boost as “deja vu” is at #4. I think that’s more than enough that needs to be said about music that was already on the chart last week, so welcome back to the part of this series where I get either increasingly frustrated or exhausted every time I have to list another song.

NEW ARRIVALS

#72 – “Life Goes On” – PS1 featuring Alex Hosking

Produced by PS1 and Mark Alston

So, what better way to start sixteen new arrivals? A generic piano-house club track, of course. PS1 is a New York DJ and for this track with a 90s-esque piano and synth melody, bassy drop and tight, bland percussion as well as oddly-mixed anonymous female vocals made to sound robotic regardless of genuine emotive performance, he’s enlisted Australian singer Alex Hosking as well as co-songwriting from hit-makers GOODBOYS, both of which make remarkably little difference to the fact that despite being a faux-inspirational club track, this song is incredibly joyless and flailing in as pathetic and one-note of a fashion as possible. Yes, that is one exhaustive sentence chugging on as long as possible, but there’s no better way to parallel this disposable garbage than that.

#71 – “What a Time” – Julia Michaels featuring Niall Horan

Produced by Ian Kirkpatrick and RKCB

Niall Horan coincidentally has two unrelated female-male duets debuting with him in this week. Thankfully, Julia Michaels only has the one track debuting, and for the love of God, I can’t even figure out why she has the one, as this is a track from a 2019 EP that flew massively under every radar except seemingly mine as whilst I have listened to this EP, I cannot remember for the life of me liking any of it besides “Anxiety”, which makes sense since Michaels is at best an uninteresting songwriter and at worst an insufferable vocal presence. Regardless, I’m going to assume the surge is due to TikTok or some kind of residual Niall Horan hype, whatever there is of that, and look at this song two years after the fact. Well, for what it’s worth, I appreciate the vaguely folkish guitar riff, even if it’s going to be drowned out immensely by Michaels’ approach to vocal takes, which is to put as little effort into that first take and then multi-track enough for it to sound listenable, particularly on that bizarrely unfitting chorus in which reminiscing on a wonderful, intimate time with your partner is demonstrated by rote piano chords, an awkward string swell and distant, reverb-drenched incoherency on the vocals. I guess I do like the switch in the final chorus as she changes “what a time” to “what a lie” to emphasise the bitterness of that break-up, but I don’t think that bitterness has to soak the entire master because this song is dripping in apathy that I just don’t have any time for personally in my pop power ballads. Wait, Niall Horan was on this song?

Eurovision Song Contest 2021

Whilst I may not do a special episode on this blog for the Eurovision Song Contest, I’d be lying if I didn’t confess to watching and enjoying it every year. This year’s, the first since 2019 for obvious reasons, was hosted in Rotterdam in the Netherlands and was won by an Italian rock band, with the United Kingdom infamously receiving zero points yet somehow more applause than Israel’s performance. Telling. It’s not all politics though, obviously: the reason songs win is not just the lighting, stage presence, vocal performance or grandiosity, but rather the songs themselves, or at least ostensibly so. The winner this year didn’t have the best of any of those factors in my opinion – no, not even the politics – so it’s clearly about a mixture of this success criteria. This year had some particularly good songs and the most consistency out of Eurovision in a while, naturally leading to quite a few new arrivals, also factored in by the charts being weak, so we essentially get an album bomb. Let’s pile up every new arrival related to Eurovision and talk somewhat more briefly about each song, starting with...

#66 – “Dark Side” – Blind Channel

Representing: FINLAND

The Finnish entry this year is one of two heavy rock entries, both of which charted, and this is a genre represented by about one country annually. There’s always a Gothic-influenced or industrial-esque band in the shortlist or national finals if not the semis and international final, but it doesn’t stop them from being some of the most interesting Eurovision contesters. It’s in English and came sixth with 301 points. Is it any good? Well, it’s far from bad with that pumping electronic groove before it’s crushed by metallic, distorted and rather ugly guitars that remind me of, if anything, scene-era nu metal and crunkcore, especially due to the clean and growling vocal dynamic. The song is still anthemic as all hell and if we ignore the dog barking and stuttering vocals, as well as the fact that these vocalists don’t have that much grit to their performance, we can appreciate the clamouring rock track this is, and I’d be lying if I said that final chorus isn’t pretty epic. Next!

#62 – “Voilá” – Barbara Pravi

Representing: FRANCE

The French entry this year is one my staunchly Italian nationalist online friend immediately had a distaste for, and as someone with British citizenship, I am also legally obliged to give this Worst of the Week. Sorry, Barbara but traditions are traditions. It’s in her native French and came second overall with 499 points. Is it any good? Well, like many French entries and French pop songs in general, it’s in a chanson style that adapts very well to the modern western art-pop sound, as Pravi’s cooing vocals are at full focus in the mix as they skate around more subtle pianos, wonderfully elegant strings and this wistful tone that may or may not make sense for the content. What? I’m not learning a word of French past what was grained into me during primary school. Overall, I think this is a pretty great song with a lot of that almost Bjork-esque swell especially in Pravi’s vocal performance that I think makes for a pretty excellent listen, especially by the time that abrupt finish hits. I’d probably prefer it being a bit less minimal and scattered so the hook hits harder but overall this is one of the best Eurovision entries this year. However, she is French so, next!

#59 – “SHUM” – Go_A

Representing: UKRAINE

The Ukrainian entry, always successful enough to get to the finals, was particularly hyped up prior due to its... eccentricity and ended up in fifth place with 364 points. It’s in their native Ukrainian so they might as well be garbling acid both verbally and as a written text, so I guess I have to judge it on the fact that this is pretty bonkers, with a charismatic and energetic vocal performance that yells over triumphant bassy horns perfectly blended with the 80s bass synths but not so much with those chirping flutes that, whilst cool on paper, kind of just give me a headache when faced against this thumping dance beat that remains decidedly strained for most of its runtime, and annoyingly so as it means the song never has that cathartic of a release, at least to me, but what drop it has ends up deconstructed and janky in something that might fit on PC Music but I’m not sure it does on Ukrainian Eurovision. This has something there, but I’m not into it. Sorry.

#47 – “Embers” – James Newman

REPRESENTING: United Kingdom

A catastrophic loss is British culture at Eurovision, and it’s not the first time in this century that we’ve gotten the infamous null points. James happens to be related to the more noteworthy John Newman, but that didn’t avoid a “nil points catastrophe”, coined by Jochan Embley, who reviewed the song for the Evening Standard and is now set in stone as an utter fool as his quote predicting that not to be the case this year is now forever preserved on the Wikipedia page for this very song. Nice one, Embley. We finished at twenty-sixth and Newman should honestly be glad this embarrassment is charting. The worst part of this whole ordeal is that the song’s actually fine and definitely representative of British pop music with its 90s-esque piano, bassy drop and anonymous vocal performance – if any of that sounds familiar – and I do love the plastic brass added here for the sake of bombast. It’s nothing interesting, and a tad too long considering how little it does with its musical premise, but it’s not worse than half of any given Eurovision. Maybe next year we submit a UK drill song, I’m sure that’ll get the people going. Tion Wayne, do you want to take a flight to Italy in 2022? Maybe bring Young Adz here while you’re at it; that could truly be a fascinatingly out of place Eurovision entry but at least one of these countries – probably Russia – would vote for it. As for now, at least this was funny to see absolutely bomb, and Graham Norton become increasingly hopeless for its success as the night went on.

#43 – “10 Years” – Daoi Freyr

REPRESENTING: Iceland

One part of this guy’s backing band tested positive for COVID-19 so they had to isolate and just show the dress rehearsal again but it didn’t stop them from charting and delivering a pretty damn unique entry, as Iceland is known for doing nowadays. It’s all in English and finished in fourth place with 378 points, and is it any good? Well, for one of the whitest concepts in television, this is the whitest song of this year’s entries, starting with some gentle violins before abruptly careening straight into this Daoi Freyr guy monotonously droning over bass-heavy nu-disco straight out of the 2000s with a level of irony balancing out whatever sincerity there is in the quasi-R&B breakdown, and, you know, it’s fun, at least? I do think the stage performance is remarkably more interesting than this funktronica mess in the studio, but this is catchy and inoffensive, two good ways to get people to care about your song in Eurovision, so it makes sense. Also, that chiptune synth-solo borderline saves this song, even in all its brevity.

#17 – “ZITTI E BUONI” – Maneskin

REPRESENTING: Italy

So third place didn’t chart – sorry, Switzerland – but we do obviously get the winner charting as high as the top 20. The chart’s weak and the lead singer’s hot and probably does cocaine – it’s a recipe for success, especially when they probably have mafia connections and can threaten or buy their way into the charts. Unrealistic and possibly xenophobic stereotypes aside, this is the Italian entry and whilst I was personally gunning for Portugal, who came twelfth, I can see how this gathered 524 points, even if they had to censor the lyrics for the sake of the contest, not that I can tell because I do not know a lick of Italian. Sorry, Ignacio. Anyway, this song kicks ass and rather disrespectfully at that, as the lead singer breathily sings over garage rock-esque guitar licks and some pretty manic drumming that delivers not only a catchy hook but an undeniable groove, assisted by some slick rapping that comes out of the blue in the second verse and honestly fits the song – and the singer – a lot better than it has any right to. Congratulations, Italy – you’ll be paying out the ass for the next contest. Ciao!

Back to your regularly scheduled programming...

Well, that got a lot out of the way. Not all of it, though.

#60 – “Topshottas Freestyle” – Potter Payper

Produced by Chucks

Potter Payper is basically some guy from Barking, East London, and that’s all you need to sign a record deal with the same label that has Stormzy on payroll so that’s why he’s here. With that said, there’s something deeper here, or at least in the first few lines of this singular verse – without a chorus – in which Potter Payper narrates a street lifestyle, far too common for young working-class British men, retelling what is probably his truth about the consequences of ignoring motherly advices and finding yourself in a situation surrounded by gang violence, drug trafficking and all the paranoia that comes with it. Of course, he then brags about his wordplay, gunplay and fashion, and the rest of the verse just feels aimless with nothing exactly restraining the meandering checklist of clichés, and zilch returning it back to what I thought was going to be the point of the song. I guess this trap beat is okay but this same acoustic guitar and oddly-mastered bass is so common and uninteresting that I find it hard to care. I don’t have an issue with British music being Americanised as that’s just the result of musical evolution and the sharing of culture, but when the only way you can tell this isn’t from the States is the accent does make me question why this is charting amongst Dave and AJ Tracey instead of Lil Baby and Gunna.

#56 – “GANG GANG” – Polo G and Lil Wayne

Produced by Angelo Ferraro

Polo G, after just having the biggest hit of his career with the US #1 hit “RAPSTAR”, follows it up with a Lil Wayne collaboration and thanks to a busy and just misguided release date and timing, it makes a lot less noise than it should. It absolutely deserves that level of attention too, with its chopped-up borderline ambient melody that creates a perfect foundation for this high-energy bass-heavy trap beat as well as Polo G delivering a lot more energy than on “RAPSTAR” (to the point where I think that’s the reason why his actually interesting songs don’t do as well). The chorus has a pretty great melodic switch-up by the end and whilst the flows are pretty rote, it’s hard to say they aren’t smoothly delivering all of the flexing and gunplay pretty typical of Polo G, and if anything that’s what it’s missing: an extra layer of depth, not that I care of course, because Lil Wayne’s on it. Wayne has been astonishingly great on features recently and this is one of his most impressive features to the point where I could barely write about it on first listen, with some of his slickest flow switches ever and whilst the content doesn’t get any more interesting than pouring his heart out for his lean, his pure charisma outshines anyone who could have been on this track and this means this ends up pretty excellent in terms of 2020s trap-rap. I don’t know when that Polo G album is coming but I hope it has more of this. Also, for the love of God, Wayne, keep this energy up for the next album. I’m begging you.

#42 – “SUN GOES DOWN” – Lil Nas X

Produced by Roy Lenzo, Omar Fedi and Take a Daytrip

As his follow up to “MONTERO”, we have a new, decidedly less sexual Lil Nas X hit debuting again surprisingly low on the chart considering the last single’s success, finally delivering in the musical department as for me, there’s a constant conflict between wanting to like Lil Nas as a character, performer and personality rather than actually enjoying any of the guy’s music. Last time I talked about Lil Nas, I did bring up the Pitchfork album review that questioned if he really liked music and whilst it’s funny, I do see how Lil Nas could have perhaps taken Pitchfork to heart as a result as he practically explains his love of popular music as a way for him to feel like he belonged in a community, which is especially meaningful for a man constantly left alienated because of his own mental health issues as a teenager and struggling to come to terms with his homosexuality, to the point of suicidal thoughts. I just love how the verse ends on a happy note where makes the leap of faith to come out and how now he’s proud of himself, he wants to make sure his fans are proud of him since they’re the people who got him there. For me, those last lines recontextualise the chorus as becoming less about contemplating death but more about ascending to a happier place and rejecting all your struggles that you’ve overcome. It helps that this is all sang pretty soulfully over an almost emo guitar melody with some basic flows but gorgeous multi-tracked vocal melodies accentuated by strings that elevate this song even higher, even if it seems underdeveloped. Sure, it doesn’t have that second verse, but does a victory lap need a re-over?

#38 – “Mask” – Dream

Produced by Perish Beats and Banrisk

Nope.

#22 – “Our Song” – Anne-Marie and Niall Horan

Produced by TMS

Okay, so this is a duet where two ex-lovers – only in the song – attempt to get over each other but end up hearing a song they held special to their relationship and all of the memories and pain comes flooding back. Without the youthful exuberance of Taylor Swift’s song of the same name, this duet should carry some bitterness and resentment but mostly capture a hesitant nostalgia... and despite being oddly Niall Horan-dominated, I guess it does that pretty effectively, or at least would if Niall wasn’t crushed by a misshapen trap beat that drowns this pathetically fluttering guitar loop into a mush that not even Anne-Marie can over-sell. Everything here is so utterly basic that it kind of screws itself over by trying for any energy or passion, and therefore kind of just doesn’t. I’m glad.

#9 – “Heartbreak Anthem” – Galantis, David Guetta and Little Mix

Produced by Bloodshy, Henrik Jonback, David Saint Fleur, Thom Bridges, David Guetta, Mike Hawkins, SONDR and Johnny Goldstein

It really speaks to the power of Little Mix that even with only three members and only one of them not expecting a child, they can bring Galantis back of all people. Although given that Galantis is already a duo, I fail to see why David Guetta needs to be here, and the same can go for any of the other seven credited producers of this song, which actually only includes one half of Galantis! I question if a song ever needs that many, despite the fact that in reality they probably contributed zilch to the song each, just enough to get a pay check. None of that should matter, however, if the song isn’t good and I’ll admit this is far from the worst that any of these guys have delivered, with a string melody and swell not unlike 2015-era house Galantis themselves made, and vocal deliveries from the girls that sound like they were located in vastly different locations from each other (to the point where anyone harmonising with Perrie sounds really awkward regardless of how many vocal manipulation effects you can put on them). For seven producers, that’s inexcusable, but as a song, it’s just a shallow post-break-up song that kind of feels like a dig towards Jesy if anything (although I hope it isn’t). I’m not a fan – I never was going to be – but it works for what it is as this colourful house jam, and not much else. This is Galantis’ first top 10 since 2016, by the way. Yeah, Little Mix are that big.

#7 – “traitor” – Olivia Rodrigo

Produced by Dan Nigro

It couldn’t have been “brutal”? Or “hope ur ok”? Okay, well, if we’re going to have the dullest track on the album bar one I guess we’ll go with the one that follows the “drivers license” formula to a T but without as much passion in the vocals, without as much interesting songwriting quirks and with a whole lot of rote fluff removed far from any indie-girl influence that undercuts what is essentially a teen-pop product. I’m not going to pretend I cannot get caught up in melodrama and embrace that, but this is a slog of a ballad with an almost sing-song, condescending vocal melody in that chorus, multi-tracked and studio-produced to rid her of any of that natural rasp she has when singing live. The song is about being annoyed by an ex finding someone new and the more toxic thoughts that come with being the ex-girlfriend in that situation, but with decidedly low stakes this time around that just make her more unlikeable than relatable. I’m sorry, I didn’t think that album was half-bad at all, but please don’t make this the post-release hit.

#3 – “Butter” – BTS

Produced by Ron Perry, Rob Grimaldi and Stephen Kirk

See, I value my personal information, and I don’t know about you but I’m as scared of these guys as I am Nicki Minaj stans, or Minecraft YouTuber stans, or serial killers, so whilst I doubt my platform is extensive enough to reach that level, I also know that these people are so online that they could easily find me somehow somewhere. With that said, just to clarify, when I say I wish I could “Nope” myself out of this one like I did with Dream because I have consistently little to say about this band, it’s not because I in any way dislike BTS or the band members within, or their record label that manages them and many other K-pop bands which I also do not dislike, or, because I’ve seen this happen, East Asians in general. Is that enough stalling to just say I don’t care about this basic pop fluff? When BTS are in Korean, their lyrics aren’t embarrassing and their production tends to be more experimental or at least catchier, more interesting. I like a fair few Korean BTS songs as a result but I just do not see the appeal in making another stiff, cleanly-produced 80s-esque funk-pop song with some chiptune synths that are admittedly kinda cool other than getting on US radio. There’s some interplay between the boys here but it just leads to a pretty homogenised track where none of them have enough personality to shine through, not even SUGA and RM on the tacked-on rap verse that so awkwardly ends. The synth solo sounds perfectly out of an era of dated 80s synths that I’m not sure anyone other than Bruno Mars actually had nostalgia for, and not even some pretty vocoder can save it. The writing is too clumsy, the production’s not equipped to handle it and there’s not much to speak of in terms of performance. I fear for my life when I say it but I think this is actually pretty bad.

Conclusion

Okay, so, we’re finally finished with this week and God, I’m glad, as there’s not that much quality here to speak of, although what is here is here in droves, so Best of the Week gladly goes to Polo G and Lil Wayne for “GANG GANG”, with “Sun Goes Down” by Lil Nas X following closely behind as an Honourable Mention. In terms of Worst of the Week, it doesn’t actually go to they who shall not or he who should not be named, instead going to the pathetic “Your Song” by Anne-Marie and Niall Horan, with a Dishonourable Mention going to BTS for “Butter”. It’s just “Dynamite” again but with considerably less reason to exist. Here’s this week’s top 10:

If I make it to next week, who knows what’s coming? This is a slower week – hopefully – and I don’t think black midi will chart, though it’d be comical, so I’ll hold off on predictions and just thank you for reading. See you next week!

0 notes

the-nysh · 7 years

Text

Opm dub: complete English OVA commentary (with links)

Oh man! I’ve been waiting for AGES to finally see these in English, ever since seeing the subs for them way back. My main incentive to compare how gay the translations are, and I can certainly say, I’ve not been disappointed! 8D

Below are my thoughts and impressions from each one, complete with links and a transcription of fun quotes I enjoyed! Have fun!

OVA1: The Shadow that snuck up too close

Saitama, to himself: “Man, I gotta admit, stalkers really are scary. Come to think of it, lately I’ve been feeling eyes on me from somewhere too. … It’s no big deal if it’s just someone with a grudge. But… if that anger turned into some kind of warped love or twisted infatuation the way it did in that movie, then…how should I handle it?” (Look at this, he’s ok being hated; he can handle physical confrontations, but emotional things like love and stuff frighten him! Ahh Saitama, just how will you deal with Genos’ type of attention?! 8D)

Genos: “Perhaps the secret to his power lies in his food. ... No normal person would dream of such behavior, therefore…” (Genos pls, there’s nothing special in Saitama’s trip to the diner, his diet, or his choice in food; the egg is just poor! Genos simply cannot fathom these conditions otherwise. Grasping at straws, yet doesn’t understand the most simple explanation. Important to note, this demonstrates how he couldn’t put two-and-two together to purposely bribe Saitama later with rent money (offering rent is simply proper boarding manners instead) as he doesn’t understand how tight Saitama’s finances are. Plus, once Genos writes off this superfluous ‘food’ explanation for Saitama’s power, it also writes off the ‘Saitama eats monster parts for power’ fan theory too.)

Saitama: “Thieving bastard! I’m so gonna catch you and kick your ass!” (GAWD I’m dying over these NERDS trying to out-stalk each other. XD)

Genos: “…DAMN! It IS just a french fry!” (overdramatic no indoor voice borg) “He has a normal diet; it is no different from an average person’s. I have not discovered a single thing. Is it possible that Master could be a cyborg like me? I have considered the data, just one thing left to do.” (CONFRONT HIM IN PERSON MY GUY. Also, his hope that Saitama could be like him. :’3)

Saitama, to the so-called monster/‘thief’: “COME AT ME STRAIGHT!” (LOL, the dramatic irony here how they’re indirectly talking to/about each other)

Saitama’s internal monologue: “If I continue being a hero, I’m sure this won’t be last time someone’s out for revenge against me. That’s my fate; it can’t be avoided I guess. I just need to change how I think. Right! I need to think positively! I simply have to believe there’ll be people in this world who appreciate what I do. People who’ll know that I’m there to help. I became a hero 3 years ago. I’m not saying I need fans or anything, but it’d be nice if someone noticed all the things I’ve been doing around here. …Oh yeah! There was that one guy who wanted to be my disciple.” (He REMEMBERED Genos! Thinking of things positively from now on too, thank god! :’D)

Genos: “Investigation day 5. I have prepared myself for the worst. *deep breath* Sensei, sir!” Saitama: “You actually showed up.” (Gawd, Genos taking that huge pause, mentally preparing himself to confront Saitama directly. Including preparing his whole backstory speech at ready too. But man, he doesn’t want to screw this up or upset Saitama from all this. :’D)

Summary: Man I love the dramatic irony in this ova. And how in the beginning, it was all dark in trepidation, with Saitama scared of a 'warped love, twisted infatuation' stalker, but in the end...he wants to think positively of what may come, and thinks of Genos :')))) (boy does he have a storm coming!)

OVA2: The Disciple who stinks at storytelling

The mafia guy…refers to the giraffe keychain as 'these babies' GAWD I’m already dying. “This little giraffe must mean a lot to you!” FFFFF!!! And HOW! 8D Genos: “Yes. It is extremely important.” BOIIII

THE BATH SCENE: full script I posted here. Gggnnghh, Saitama TRYING to get Genos to say how the water feels good: “How was it for you?” GAWD! Just trying to get Genos to relax (like in the drama cd), and Genos not quite understanding that and shifting the convo to a pitch singing match instead. Saitama’s “aww, c’mon really?” like with a fond, ‘oh man what am I gonna do with him’ smile, and then playing along anyway. :’))) Genos’ “that is the note for mi!” in english sounds so much like ‘me,’ like Saitama had delivered HIM the special note he requested! THESE DORKS!! 8’D Messing around together in a public bath house! (where that other old guy can totally witness their unabashed antics!)

*Saitama noticing Genos staring and standing awkwardly close to him while naked on the massage chair* S: “Uhh…you can take off without me, you know. *gives keys* Wouldn’t want you to get a chill after your bath. But hey, don’t lose those, ok? These are crazy times we’re living in. Losing your keys will only lead to trouble.” Saitama pls, Genos can’t catch a chill. XD But look at that, the egg worried for his safety/wellbeing anyway, as he gives him permission to leave ahead of him. ;D Seriously, those double-take side glances of his at Genos standing so expectantly next to his side! Like goodness, egg would like some space pls. XD But also, Genos takes Saitama’s key offering and instructions to protect it super seriously too. (he never changes the position of his arm while carrying it!)

*flash to present* G: “THAT is how important the key is to me.” Don: “Your stories are terrible. ‘Faah’-get about it! Nobody cares about any of this crap!” (lol, the audience does tho ;D) G: “Your ‘Fa’ should be higher; ‘Fa~’ see?” (HOLY SHIT what an ass! XD) Don: “Unghh!!” G: “In any case, the key is important and I would like it back now. Surely you have…one or two things that are important to you.” Don: “My Family means everything to me! I’d do just about anything for’ em!” G: “I see, then you understand how I would do anything for Master Saitama.” (!!!!!!!!!! The important, classic declaration line, delivered like this! :’D)

*flashback* S: “So you decided to wait around after all? It’s so cold, too.” *sneezes* G: “Are you ok, Master?!” S: *shivers* “It’s freezing out. The chill’s gettin to me.” G: *glances at his head* S: “Uh – were you just checkin out my head?” G: “No! I would never.” GAAHH! It’s so gay!! I can’t handle this. :’D Like, OF COURSE Genos wouldn’t leave Saitama alone there! Previously Saitama was worried Genos might catch a chill, but HE catches one instead! And Genos showing his open concern for him! Glancing at his head like mentally correlating his baldness with greater heat loss too (get him a hat, Genos!) Saitama noticing that detail and using the flirty, ‘checkin out’ language, GAH! Plus Genos’ BLATANT LIES. FFFFF!!!

S: *imitating Genos* “DINNER TARGET AQUIRED~!” With that super quick facial change, and Genos staring at him the whole time! 8D

G: *extremely close death glare at the store employee* “It is only 2 seconds past the posted time. Will you please make an exception? You still have the merchandise!” *seething and clenching his fist* “The attitude of that employee. Have you any idea how I felt?! IT WAS WRONG!!” (absolute, no chill drama borg throwing an emotional fit here)

*Genos continues to ramble on, with the Don getting pissed and annoyed at him to get to the fucking point already* G: “Be patient. There is an order to the series of events in question.” (this was the ‘words come from the heart’ line from the fan translations) *comes to the conclusion that they’re complete strangers with zero connection* Don: “You mean you’ve been running your mouth since the moment we got here, just so you could tell me you’ve met him on the street today for the first time?!” G: “You did ask. There, I told you everything. Now give me back the keys as you promised you would.” Don: “SMARTASS PUNK!” (and later: “YOU FOOL! How stupid can someone possibly be!?”) Genos plsss… Like, it’s adorable how naïve and straight-laced he is, expecting proper honest procedure from typical law-abiding citizens…however, these mobster guys are anything but! (and yet he doesn’t even recognize or expect they’re criminals at first) And him simply rambling about his complete bath story with his sensei to complete strangers!! His enthusiasm and priorities, man! X’D

*flash to the REAL present* G: “And finally after all that, I was able to get the key back. But unfortunately, I missed the sale.” S: “Well…I had a spare key so in the end it was no big deal. But it sounds like you had a lot to contend with, didn’t cha?” G: “Master, I must apologize to you. I am too incompetent to run your errands!” S: “Nah~! It’s no big deal! We’ll just have a tofu hotpot tonight.” (he’s really warm here :3) G: “This will not make up for it…” S: “Hm?” G: “But here, *offers special bag* I went by another store.” S: “Huh? NO WAY! That’s some super expensive meat you brought home!” (he’s super happy!)

S: “Good thing we had some eggs, it’s sukiyaki time! Let’s dig in!” (the egg mentions eggs, heh) G: “RIGHT!” (HE is so happy now too!!)

Summary: So GOSH, this entire ova can be summed up with a ‘GENOS PLS’ and ‘these total gay, hopeless dorks!’ X’D Also, the end scene reveals Genos had told Saitama this entire convoluted story too, but UNLIKE the Don, Saitama patiently listens to the whole thing without complaint! Even warmly reassuring Genos’ distress that everything’s fine. :’3 And yep, Genos humbly offers him the expensive meat in apology (as the best alternative he could find, as in his fool mind, best=most expensive), and Saitama is so HAPPY to receive something he would never normally get! Both of them, enjoying a fancy hotpot together. :’D Bless <333

OVA3: The overly complicated ninja (Sonic’s special)

Sonic’s epically horrible dream about getting punched in the dick by Saitama. Stranger: “Everything ok? I heard you moaning up there!” (WORD CHOICE, man! XD) “You kept calling out ‘Saitama…Saitama.’”

Sonic fukkin carves a detailed face of the egg into a tree… He’s eternally haunted by phantoms of an evil Saitama always ending their encounters by punching him in the dick!! c h r i s t ‘Why’ indeed! ‘Psychological trauma,’ as the old hunter says it is. :P

Sonic: “Fine then, I’ll admit it, Saitama. When I sensed your power, I was afraid!” Ahh, I like how he confronts his weakness. And is determined to overcome it! Training to control and accept his fear! 8D (and gaining a cute little boar friend for support~) Interesting of note to me, how he’s AFRAID of Saitama’s power. How many other people would be as well? When in contrast, people like Genos, would never be afraid of Saitama.

The hunter’s name…is revealed to be FRANK. Omg dub team, pls.

Sonic: “Hey, Hunter. If you’re defeated before you fight, the results will be the same, no matter how often you try.” And this is neat. How someone could be defeated mentally before even trying. :’) Much truth in these words.

Saitama *randomly pops out of nowhere* “Oh. A bear.” (HIS FACE I CAN’T!) Inadvertently saving the hunter while on the prowl, omg. Settling for the bear for dinner, as the baby boar ran away in fear recognizing his face from Sonic’s wood carvings. XD

*Together, at home* G: “So is this what you would call a ‘bear hotpot,’ Master?” S: “Yeah, you heard those rumors about the giant bear causing all that damage right? *snarfs a bite with blushing cheeks* YUM~” G: “You mean, you can really eat them?” S: “Sure, you can eat most any animal.” G: *takes out notes* “I see!” S: “Oh, a-and I hear wild boar is pretty good too.” G: “I LEARN SO MUCH FROM YOU, MASTER!” (omg, genos pls! this is becoming an ongoing gag line, to have him finish their convos with this level of enthusiasm! XD Also how wary he’d been eyeing the bear food, ahaha.)

OVA4: Bang, who is too overbearing (The excessively pushy Bang)

Bang: “Hm? Genos? Why are they together? Wait, come to think of it *recalls Genos yelling ‘Master!’ during the meteor* Could this be a teacher-student situation? But their rankings are Class S and Class C! So what’s going on?” (WHAT indeed! 8D Also, ‘situation’ changed from ‘relationship’ as in the fansubs)

*At the scene of the dead cabbage monster* S: “What should we have for dinner? I think we’ve got some cabbage left.” G: “Cabbage alone will not be enough. Shall I purchase some meat, Master?” S: “Ugh, what am I supposed to do with you, Genos? (OMG) Now listen! Don’t underestimate cabbage! Stir fried in yakiniku sauce goes great with rice.” G: “Ah! I see, so preparation is what truly dictates the results. Even a powerful weapon can be junk in the hands of the incompetent. Tell me; is that the lesson, Master?!” S: “Uh, I wouldn’t go that far.” G: “YOU TEACH ME SO MUCH, MASTER!” S: “Uaah, all your talk about meat made me wanna eat some! Great, way ta go, man.” Wah! This perspective has them inspired from the monster to eat their cabbage leftovers, rather than say, harvesting ingredients from the monster (no collecting monster parts here). :P Also omfg, but is this whole convo a callback to the second ova? About Genos purchasing meat again (Saitama like ‘oh no you won’t again!’) and indirectly calling himself incompetent (like junk?!) again!? (for failing against the meteor this time) Like GEEZ, the toaster is so hard on himself. :’) But, Saitama there telling him not to go that far. :’D And how casually/fondly Saitama speaks with him now (‘What am I supposed to do with you? Way ta go, man.’) Such good interactions!

Bang, to himself: “Up close he appears to be nothing more than an ordinary guy. Genos looks superior in every way, yet Saitama is guiding him. In terms of Association ranking, Genos is placed much higher, but if Saitama’s mastered a fighting style that surpasses rankings, it’s a different story.” (hohoho, how this summarizes so much! That classic ONE disconnect between appearance, rank and expectations there too) S: “What’s with the weird old guy? He’s gone all quiet.” G: “He is eccentric. Many are like that in Class S.” (Pfft, like…yourself, Genos? ;D And goddammit! Indirectly rude to his face too! XD Well actually, BOTH these dorks are rude to him, hah. They just fukkin get up and leave him – after Saitama asks Genos if he’s ready to go, together.) Bang: “That must mean this Saitama is an all-around outstanding teacher.” (huehue)

Bang: “How ‘bout this, why not stop by my dojo sometime? Might be interesting, what do ya say?” S: “Uh…nah I-I’m good.” G: “Master Saitama is a very busy man.” Bang: “C’mon, don’t be like that. Here, this is the address for my dojo. I’ll be there all day tomorrow.” G: “Did you not hear what I said?! Master is–” S: “Allllright, old man. See ya tomorrow.” G: “Uh! MASTER!” (Heh, Genos trying to defend Saitama, and YET! The ‘yoink’ from Saitama totally surprising him. XD Overprotective toaster, man.)

*later* G: “I thought for certain you were going to stop by the dojo.” S: “Well uh, I’ve learned old dudes like that can be persistent. Humoring them then blowing ‘em off is the only way to avoid big headaches.” Bang: “...He’s so very vulnerable and inexperienced.” *Saitama immediately dives in front of a truck* G: *gawking shock* “!!!! MASTER!!” S: “Thought it was a cat, but it was just a stupid plastic bag. And now all that delicious meat we bought has been run over by a truck and ruined.” OH MANNN!! Although I do prefer the prolonged yell of ‘SENSEIIIII~!!’ in Japanese, Genos is STILL stunned into overprotective shock for Saitama’s safety here. PLS, he JUST witnessed Saitama punch out a meteor! And YET he cannot help this protective instinct when the person he cares about appears *in danger*! XD Does Saitama’s normally ‘soft’ egg face make him appear ‘vulnerable’ to him too, as it does for Bang?!

Bang: (internally: “This changes all of my mental simulations.”) “You two look like you’re in need of some nourishment!” (OMG, this word choice! XD) S: *audibly scoffs* Bang: “Back at my dojo, I have some premium meat that the Martial Arts Association sent over.” (ooh they mentioned this detail here) S: “Ah! What a coincidence! I happen to have a bottle of yakiniku sauce! Where is your dojo?” (ahaha his projected heroic voice!)

Saitama, behind Bang’s introductions: “Ughh, this is such a pain in the ass…” Omg, him audibly complaining and annoyed already, he just wants the meat and to go home!

G: *finished clattering on phone* “Master, I will do it.” S: “You understand all the rules?” G: “I do. The explanation took too long, so I just looked them up.” Genos pls, you’re one to talk!! YOUR explanations take forever too! XD GAWD, these dorks I swear.

S: “All right then! The next hit wins, come get some!!” Omg, Saitama’s so into the game. XD Spirited, competitive and totally a sore loser about it too, buahaha!

Bang: “Maybe now you understand that you’ve had a match. Especially you, Saitama. Before you knew it, you enjoyed taking part in the competition. Otherwise you wouldn’t have gotten so serious. … Martial arts are appealing in this way, a way that you can never get from fighting and physical combat.” G: *with arms raised in the same attentive position as Charanko’s* “He has a point; Master was getting serious.” Ohoho, Genos is super interested the moment Bang says the game enticed Saitama to get serious. Interested in whatever can do THAT to his sensei!

Charanko calls him Bang-sensei! 8D (and not ‘Master’ like Genos)

S: “Whatever, let’s go one more round and finish this! I’m STARVING!” (HAH, Saitama pls!) G: “Master, shall I play you next?” (whoa, there!) S: “Uh-what? Why?” OMG Genos pls. X’D Heh, probably because he wants to challenge and see Saitama get serious against him this time. Like a sparring match of a different kind! ;D

Summary: AHHHHH, gosh!! Pretty much the whole ova was absolute gold, with plenty of prime interactions! (I had to refrain from transcribing every conversation XD) What a riot and so much fun!

OVA5: The sisters with too much going on

LILY!!! And FUBUKI!!! 8D Their voices! Ahhhh <3 ‘Gentle tomboyish’ is how I can best describe Lily’s voice. :P Also notably, the group calls Fubuki, ‘Miss Blizzard.’

Genos, internally: *introduces all the formal info for Fubuki* “But why is she…? Allergies, maybe?” (GENOS PLS, she is crying you fool!) THE LINE: “They are crabs. Crabs for my Master!” (EXACTLY LIKE IN THE SUBS I’M CRYING) Fubuki, internally: ??? “Uuhh, Isn’t this guy from Class S?” (She is horribly confused for their first ever line spoken together! XD Doesn’t even KNOW who his ‘Master’ is too!)

Genos, immediately with no chill or indoor voice: “EVERYONE, EVACUATE IMMEDIATELY! I have been informed there is a bomb on this train! PLEASE HEAD TOWARDS THE EXITS, TIME IS- *suddenly realizes* DAMMIT, they cannot! There is no way for them to escape!” (THIS FOOOOL I CAN’T HANDLE HIM HOLY SHIT X’D)

Genos, to Fubuki: “What is it? You cannot handle it without your underlings?” (HOLY SHIT THIS ASSHOLE xD He doesn’t approve of her style of heroics with rookie crushing, and doesn’t hide the disdain in his voice at all!) Fubuki: “No, I just don’t appreciate being ordered around, ok!?” (Heh, their interactions are off to a great start. :P)

The little Class C hero girl! Swim-chan, ahhh! Blushing in Fubkui’s presence. ;D Fubuki: “Shut up and get it together! All that whining’s not gonna change anything! Calm down and prepare yourself.” :’)))) Fubuki, doubly hard on herself while she lectures the girl (girl still blushing getting ordered around, heh). Speaking from experience and her OWN issues with inadequacy compared to her sister. Ahhh, my girl. <3

Genos, with extreme strained grunting holding the front of the ramming train: “YES!” (LOL, does this remind you of anything? ;D) Tatsumaki: “Outta the way~!”

Waaah, Fubuki responds to her sister’s quip, ‘why didn’t you just get off of that thing?’ with a ‘none of your business, is it?’ :’)))) Fubuki still has her PRIDE and sense of duty, man!! Aughh! She’s so upset her sister smothered her attempt to shine all over again! Can really feel sentimental for her. <3

Swim-chan comes to personally thank and express her gratitude to Fubuki for saving her. :’) Expressing her ongoing doubts of even continuing to be a hero (Fubuki can totally relate, always being in her sister’s shadow), but has gained renewed inspiration and strength from Fubuki today! :’DD Ahhh, so good! Both of them, uplifting each other to never give up!

*Naked, at the LAB* Genos: “Dr. Kuseno. Beyond strength, speed, range. I now know there is another type of power I lack.” Kuseno: “Well this is quite sudden. What is it?” Genos: *intense close up* “SUPERNATURAL.” Kuseno: *turns away* “I’m sorry to say my technology can’t help you with something like that.” Genos: *visibly distraught and pouting* Kuseno: “Must’ve been quite the formidable enemy you were fighting. Tell me, what happened?” Genos: *sulking* “…I utterly failed at shopping! *walks away* If only I possessed supernatural powers, the crabs would not have exploded as they did!” Kuseno: “The poor boy must be tired~” - Saitama, waiting for Genos to come home for dinner: “Sure taking his time, what gives?”

UAHHH!!! This boy I swear!! X’D And poor Kuseno too, totally used to this ‘poor boy’ always running with no chill (and his ridiculous requests). :’D Genos pls….Saitama has all the chill, patiently waiting for you to just come home!

OVA 6: The murder case that was too impossible (The far too impossible case of murder)

Immediately, Child Emperor’s voice, and soon enough, Lightspeed Flash’s voice too! “The answer to that is none of your business.” He sounds…posh and manly, heh. Meanwhile, Saitama and Genos are sitting side by side together in the water, minding their own business. :P

Zombieman’s voice?! It’s kinda…higher than expected. :O Like a young, nasally goody guy? Tank Top Master’s voice too…pretty deep.

PPP: “What a waste of a beautiful boy!!” (omg lol, plus the actor does his lines well btw)

Genos, literally fighting with a child to defend Saitama’s honor: “Hold on. Are you implying that Master Saitama is a suspect?” Child Emperor: *to Saitama* “Well, maybe not with that face.” (OMG no!!! X’D) Genos: “Listen to me! Even if My Master wanted to destroy Zombieman, he would not need weapons, a single punch would– *realizes, internally* Wait a second, if Master wanted to test the validity of Zombieman’s immortality, he might have used a weapon to go easy on him. Unfortunately, that would make sense.” Saitama: *notices Genos staring at him* “Hm?” Genos: *secretly to him* “Easy, Master. Do not worry. I will defend you at your trial.” Saitama: “I! DID NOT! DO IT!” (HOOOOO, it’s the ‘perjury for my sensei’ line! Classic. X’D)

King’s voice!! It’s like, deep and oily? Very ahh, distinct. Totally would not expect considering how his real character is like. Also his ‘King Engine’ here is a literal drum beat! (and not a heartbeat like how it is in the main anime eps)

Tatsumaki: “I know Zombieman doesn’t die when he gets killed!” (HAAAH referencing the ‘people die when they are killed’ meme, I can’t believe this XD) Zombieman: “Honestly it doesn’t bother me. This stuff happens all the time when you drink.” (HE’S SO CHILL OMG WTF. Treating getting stabbed like casual everyday shenanigans. :P) Everyone: “WHAT?!” Saitama: “Nuh-uh. Not at all.” (dude, exactly XD)

*Saitama and Genos, walking home in the sunset together* Saitama: “It was her, huh? The little brat caused all that trouble. You know, you gotta wonder why she’d do something so crazy.” Genos, internally: “…Unfortunately, that is likely your fault, Master.” *flashback* Tatsumaki: *offering Genos her drink* “I’m done~ Here. I just don’t like drinking, it tastes gross.” Saitama: *takes it away from Genos, scolding* “Of course you don’t like doing that! You’re still just a little kid! Stop trying to act so much like an adult, alright? You shouldn’t be drinking to begin with. Little kids should just have orange juice or something!” Tatsumaki: “WHAT!? Listen you–” Saitama: “I’ll go order one for you right now.” Genos, current time, internally: “Tornado’s pride got hurt, so in an act of retaliation, she forced herself to drink more, despite its flavor.” Saitama, beaming: “I gotta say, Genos! That hot spring sure felt great, didn’t it?!” Genos: “YES, MASTER!”

Ahaha! X’D Saitama can only view Tatsumaki as a child! And Genos, withholding such details from Saitama, while making sense of the whole fiasco for the audience. In any case, it’s great to see both our dorks HAPPY, side by side together. :’D

Overall, VERY enjoyable and especially so to see how faithful the dub team kept to their characters, never holding back on the gay at all, either! ;D (what a blessing!) Recommended for anyone to see the ovas again, in this fresh, alternative perspective! (special thanks to @dolltrash-etc for providing me with the links to study these, and showing me bits of her limited dvd release booklet! <333)

#opm #saigenos #english dub #commentary #I HAVE FINISHED AND PROVIDED LINKS WITHIN! 8D #this got way in depth omfg but i have no chill ESPECIALLY with content of our beloved dorks X3

56 notes · View notes