#i dont remember what compelled me to make this i just know its been in my drafts for a WHILE and i need it to leave | Explore Tumblr Posts and Blogs

alphabetboyluvr · 10 months

Text

dance with the devil | jjk

REQUEST | jktaee3 on wp

VIBES | angst, royalty - bridgerton vibes, childhood friends to enemies to ?luvrs?

SOUNDTRACK | die for you - joji

HOLLY'S NOTE | (originally posted april 2023) so fun facts, i've never watched bridgerton. i actually put it on in the background as i was writing, which is where the lil line about being diamond comes from. i also do fuck all world-building in this, so just... use your imagination lol. i have no idea if this is like... correct? i dont read nor write period pieces and haven't done since school so.... go easy on me hahaha <33

also!! went for jeongguk instead of jungkook. feels more dramatic? time appropriate?? idk! mix of eng and Korean inspo for titles / locations!!

WORD COUNT | 2.5k

There are easily a hundred pairs of eyes on you as you walk into the ballroom. Maybe more. The room is grand, gilded in gold—grotesque in its display of wealth, but nothing new to you. You've been in a dozen rooms like this within the last month alone. More money than taste—but you can't buy class.

Despite the influx of unwelcome stares, there's just one you can actually feel. It comes from a pair of deep brown eyes in the corner of the room; a glass of red in one hand, the gloved fingers of your least favourite cousin in the other.

Dark and brooding, Jeon Jeongguk has no right to look at you in the way that he does. Duke of Busan, womaniser of more counties than you care to imagine, he's troubled wrapped up in a waistcoat and ruby-encrusted signet rings.

But you've always liked trouble. Shame.

The grip that Lord Min of Daegu has on your hand tightens. He can notice it too; Jeongguk's stare. Your satin gloves are silky against Lord Min's skin, and he must admit he enjoys being the focus of Jeon Jeongguk's envy. He thinks it's about time that the over-egotistical tyrant of hearts had his comeuppance.

"Remember," Lord Min whispers quietly to you as the crowd watches on. He's a trusted confidant; not suited for marriage. At least not with you. It's the county's worst-kept secret that he retires to the boudoir with Master Park each and every evening. No one at the ball is under any illusion that he is a suitor of yours. "You're a diamond in a mine of sapphires."

"Oh, but sapphires are far prettier than diamonds," you pout, voice dulcet as you scan the room. It's approaching your birthday, and time is running out. A suitor needs to be found, and found promptly. Too much time squandered on frivolous pursuits during your youth had prevented such a search.

It's something you're reminded of whenever your eyes catch Jeongguk's. Endless days spent under beating midsummer sunshine; burnt skin and freckled cheeks. Youth well-spent. Youth wasted.

"So? It matters not." Lord Min smiles. "Diamonds are far stronger. Sharper. And still just as exquisite as sapphires. Do not sell yourself short."

And by that, you know exactly what he implies: steer clear of the Duke of Busan.

It would be a fruitless endeavour. No good would come from it.

Years of your childhood had been spent in a whimsical land with him, full of castles and fairies, and witches and warlocks. Potions had been made in his garden using his mother's best perfumes and items stolen from the pantry; make-believe scenarios came to life in the forest between your family's estates.

Summers had been frittered away together by the sea; Winterton Manor the backdrop of your dreams, your hopes, your fears.

But the Duke did as Dukes so often do; embroiled himself in debauchery and distasteful pleasures.

You had watched on, bemused for the most part, and also intrigued by what compelled him.

Had you not been enough?

Grapevines whisper, and Jeongguk had spent far too much time frolicking in vineyards. Drunk on the delights of his youth, he'd forgotten that there would be life beyond the present.

It's a price he pays, now. A debt he hadn't realised he had racked up.

One that he's reminded of every single time you glance his way. He cannot afford a diamond.

Somehow, however, he can seem to afford the audacity of approaching you in the powder room towards the end of the evening.

You've had lacklustre dances with half a dozen bachelors, and they've all been uninspiring. Only two of them managed to make it through the waltz without stepping on your toes.

Time is running out.

And Jeongguk?

He's running in circles trying to get you out of his head.

Seems apt that he'd bump into you at some point.

Not like he sought you out. Not at all.

Not like he handed the maids by the staircase a few silver coins to divert other partygoers elsewhere, either. He wouldn't dream of doing such a thing.

The Duke of Busan knows you well.

Knows that it takes all of your might to not glance in his direction as he makes his presence known.

"Really?" He asks with a cocked brow and arrogant smirk, leaning against the doorframe. You're preening at your hair. Making sure your pins remain in place. "That's what you chose to wear? To a ball of this grandeur?"

You're wearing white. It's tight against your chest. Too tight. Pleated beneath the satin ribbon under your bust, encrusted with sequins and finished with lace. It's beautiful. Matches the white satin gloves that finish just above the crease of your elbow. You carry yourself with elegance.

In fact, your posture is so well-poised that Jeongguk is the only attendee of the ball who has noticed the split in your skirt. When stood, it is hidden by the pleats. When dancing, it is camouflaged by the lace. When you lift your skirt to meander up the stairs? He becomes reacquainted with the curve of your ankle. The split is no larger than the length of a letter inviting him to tea, but it feels overwhelmingly large.

As far as the Duke is concerned, you may as well be wearing lingerie.

You smooth the skirt of your dress and consider rearranging your tits just to give him something to stare at. You decide against it. Think he would enjoy it far too much.

"Oh precisely," you respond with an equally arrogant grin, before turning to face him. You're haughty in the way you position your body, almost as if you're trying to entice him. "Haven't you heard? I've a suitor to find."

He scoffs. "And you think dressing like a whore is going to find you one of any value?"

A whore.

Very rich of him, you think, as if the entire party doesn't know what he gets up to in the dark. And the daylight. And just about any time of the day, actually.

What they really don't know?

That he used to get up to it with you.

"Absolutely not," you smile. Your father might want you married off, but there's no suitor here for you. Not tonight. If you have to bring a man home, it unquestionably has to be one that your father won't approve of. "That's the point—although, now I come to think of it—this dress did seem to find you, didn't it, Jeongguk?"

He stays quiet for a moment. He doesn't enjoy you being correct. It's part of the reason you bicker so much. You're always correct.

"White really isn't your colour," he tells you with an ambivalent shrug. "We both know that."

Innocence. Purity. Virginity.

For once, The Duke is correct. It really isn't your colour.

Humorous, how he's dressed head to toe in black. Perhaps you should be, too.

"And green isn't yours," you tease, walking towards him. "Yet you seemed to be full of it when I entered the ballroom with the Lord of Daegu."

He remains silent. Can sense you have more to declare.

"Moreover," you hum, proving him right as you pause beside him, "as I'm sure you're well aware, Duke, it's the colour beneath the dress that counts."

"And what is beneath the dress?" Jeongguk husks, not looking over towards you. He doesn't want to let you know how much you affect him, still.

"The same lace that greeted you last summer in the stables of Winterton Manor."

Red. Fuck.

His favourite.

"Tell me, Duke," you tease. He deserves it, you think. "Does the Viscount of Gwangju like red?"

"Hoseok?" Jeongguk scoffs, addressing him by name, not title. The lack of respect shown by the young Duke is asinine, truly. A show of his immaturity. "Despises it."

Truthfully, he has no idea of Viscount of Gwangju's preferences.

"Good," you taunt. "I'm enthralled by the prospect of a challenge."

Jeongguk will be damned if you end up betrothed to the Viscount of fucking Gwangju.

"He concedes easily," he says. This is another lie. He just doesn't want to give you any further ideas. "Do not expect a challenge. Anticipate disappointment."

"Oh, but Duke," you laugh and it's so exquisite that he thinks he might just melt. "Disappointment has always been your forte, has it not?"

During the balls of recent years, where Jeongguk would only ever offer his hand to other women, and never you? Yes. Disappointing.

In the smoky parlours, where he laughs and jokes with the other gentlemen, about which debutantes are simply destined to become spinsters? Oh, incredibly disappointing.

In the drawing room adjacent to his bedroom, while you had waited beneath his sheets for his return, as he was agreeing to court your cousin instead of you? Perhaps the most disappointing he'd ever been.

It's been a year—the worst of your life.

"You've made your bed, Duke. Sleep in it."

"I've tried," he says sternly. He doesn't want to joke any more. Doesn't want to flirt. "I cannot bear to sleep in it without you."

You shake your head. Such a devil.

"You seem well rested enough."

"It's a facade."

And you find yourself quite annoyed; frustrated by his apparent disdain for a life he chose. A destiny brought upon you both by his inability to be discreet—though you're unaware of this caveat.

You see, everyone does know of his reputation, but he always kept your pursuits of passion hidden. Private. To the world, you're pristine.

"What do you require, Duke? My pity?"

He knows he doesn't deserve it.

"I require nothing of you."

"Then seek me out no longer. Do not pursue what you cannot commandeer, Jeongguk."

It's a lesson he would have done well to learn many moons ago; one remembered by you even if it was lost on him.

And yet, at quarter past twelve, as he loosens the black satin bow of his collar in his bedroom, Jeongguk pauses.

A knock has just sounded at his door. His chambermaid, he assumes, just checking on the fire—or maybe Master Park's chambermaid, instead (though Jeongguk's business with Master Park's staff isn't ever entirely 'business').

Regretfully, he thinks it could be Lord Kim Namjoon of Ilsan, here to reprimand him for his manners. His mentor in all fashions, Namjoon is always the first to discipline the young Duke following his nights of debauchery—though all things considered, he feels he's been quite well-behaved tonight.

He sighs as he rests a palm flat against his bedpost, and bellows, "Enter."

A sternness settles on his brows, hard and uncompromising, as he turns to the door. There's a dishevelled nature to his hair, undone and falling slightly over his dark eyes. His loosened collar and unbuttoned waistcoat only aid to make him look even more rugged.

He's marred in vulnerability, though. His pretty pink lips rest ajar, as his eyes fall on the intruder of his thoughts.

Amusing, you think, how the bedroom is where he domineers best, and yet is always where he seems the most unfortified.

Perhaps he hadn't been lying about his facade.

Perhaps he really doesn't sleep well without you.

Perhaps—just perhaps—you might indulge him one last time.

"Tell me, Duke"— You walk into his room and close the door behind you, eyes not leaving his —"Do any of them compare?"

He watches you strut past him and crawl on the luxe quilt on his bed. Oh, how you've missed it.

"Any of who?"

"The maids," you shrug. You aren't naive. You know exactly what he does, and who he does it with. "Master Park's maids? Surely Lord Kim's, too. And the working girls. The debutantes—need I go on?"

"No," he says, watching as you loosen your heels and kick them to the floor. They land with a thud. He knows the noise will have echoed throughout the house. "You needn't."

The truth of the matter is that his escapades are well-known amongst high society. He has a reputation, which is why his courtship with your cousin was forced upon him.

You're surely too good for him, but he's of too much value to remain without an heir.

A marriage is needed for him before the end of the year. His father says so.

Contrarily, your father would never agree to the Duke of Busan proclaiming you as his Dutchess.

Jeongguk knows this, for he's already asked.

Of course he has.

Last spring. Kept his mother's ring in his pocket just in case. A proposal was planned for early summer, before your trip to Paris.

He thought perhaps he would go with you—a pre-honeymoon, maybe—but your father had refused his request for your hand, and who was Jeongguk to go against the will of the man who had raised you?

Jeongguk won't burden you with this knowledge. Your life will be far more fruitful if you remain silently furious with him for never giving you what you deserved.

"And do they?" You enquire once more. unaware of his anguish. "Do they compare?"

Jeongguk leans down to his boots. Unties his laces and stands on his heels to remove them. He kicks them away. Is just as undressed as you are. Equal.

"Do you think my bed would be empty right now if they did?"

"It isn't empty," you tease.

"No," he acknowledges. "But it has been. It's been empty for months."

"Months?"

You don't believe him.

"I've had an empty bed since I returned from Winterton last summer," he declares.

"Though your hands have been full?" You sneer, painfully reminded of the way he'd held the hand of another woman in the ballroom that evening. You've had to bear witness to it on multiple occasions by now. It never gets any easier. Your fucking cousin, of all people.

"Pay no mind to the fact my hands have not been empty in ballrooms," he speaks quietly, shame washing over his features. Yes, it would be far more desirable if you were to be furious with him, but he wants to alleviate the hurt that you are quite clearly encumbered with. "As I said, it's a facade."

"Why? What are you hiding, Duke?"

As if you don't know—he laments—that I'm utterly besotted with you.

He glances away from you to watch the fire as it crackles in his hearth. He wonders if it would be less painful to tear his heart from his chest and roast it in the flames, than it is to be in love with you.

"I hide nothing from you," he says with a broad smile as he turns to face you once more. Jeongguk is adept at falsifying his discretions. "But I am without at a dance."

You grin, now. "A dance?"

"I'd love one," he smirks as he holds out his hand. He twists your words almost as elegantly as he used to twist you around on empty ballroom floors; just two of you after the parties had died down and the revellers had hung up their dancing shoes.

He strides to the side of the bed. Satisfaction sinks into his features when your gloved hand slips into his palm. He pulls you up. Pulls you closer. Rests a hand upon your waist and positions himself perfectly for you. He was raised a gentleman after all, even if grew up to be a rogue.

"May I have this dance?" He says quietly, only needing to whisper.

You're so close you probably count the beat of his heart.

One, two.

Does anyone dance better than I do?

Three, four.

Do you lose your breath when someone else draws you closer?

Five, six.

I could dance with you forever.

Seven, eight.

Would that be agreeable?

Nine, ten.

As if you can read his thoughts, you just nod.

"You may."

#bts fanfic #jungkook fanfic #jk ff #jungkook ff #royalty au #royal bangtan #bangtan ff #jungkook angst #jjk fic #jungkook x reader #bridgertonxbangtan #bridgerton #bts #ahhhhh i still hate tagging #free me from this HELL #enjooooyyyyy x #byholly

164 notes · View notes

canonmisogynyvictimstournament · 9 months

Text

PRELIMINARY ROUND - THE LEGEND OF ZELDA - ZELDA

PROPAGANDA

Tetra (The Legend of Zelda: Wind Waker)

1.) Wind Waker actually has a point with its misogyny and kinda condemns the misogyny. We first see Tetra as a helpless girl in the clutches of a giant bird monster. A pirate ship catapults a boulder at the bird, which drops Tetra on the hero's home island. We find out that young Tetra is the rough-and-tumble captain of an entire pirate crew, and the brains of the outfit. We later learn that bird monster has been kidnapping a bunch of girls to find the reincarnation of the legendary Princess Zelda. It is revealed that Tetra is the next Princess Zelda. Because she is Zelda, she transforms from a tanned pirate captain into a pale princess in a dress, and her role requires her to wait in a castle for the hero to finish his quest. Which is what she does. And the point of the story is that this is wrong! The villain is wrong, and the hero's mentor is wrong—they're both hurting children and forcing them to reenact old roles in an old story, in their selfish quest to resurrect their long-dead kingdoms. Then breaking tradition, (I believe) Wind Waker Zelda is the first Zelda to wield the sacred Light Arrows and to take up an active combat role in the final battle. The happy ending is that Zelda turns back into Tetra, and she and Link set out to forge their own future. BUT THEN. The cheap sequel Phantom Hourglass (the equivalent of a direct-to-DVD Disney movie sequel tbh) pretty much opens with Tetra being turned into a stone statue. And she's a stone statue for the ENTIRE GAME until the hero rescures her. Clear-cut sidelining of a compelling female character, smells like misogyny to me. At least Tetra's identical granddaughter was a playable co-protagonist in the next sequel, but arguably Tetra founding a new monarchal country named the same as the ancient one and then actively continuing the tradition of making Princesses Zelda undermines the conclusion of Wind Waker. Tetra possibly has the most personality and most meaningful role out of all the Zeldas, and she's far from the biggest victim of misogyny here—but still, let's remember that even Tetra deserved better than she got.

2.) Was built up as a super-cool pirate leader antihero who helped out Link. Then, as soon as it's revealed that she's that era's incarnation of Zelda, she gets magically put in the standard Princess Zelda dress (which also makes her skin lighter for Some Reason), and she ends up being sequestered in a basement for her safety until the finale, where she actually gets to do something again.

3.) Idk if anyones talked about windwakers sequel game, phantom hourglass yet so i will. Dont go into ph expecting a lot of cool pirate zelda action because shes a statue for like most of it. Shes a statue and you have to go save her.

Zelda (The Legend of Zelda: Breath of the Wild and The Legend of Zelda: Tears of

1.) Oh my god. Oh my goooooooood. She was like. Ok in botw (I don't know). But then in totk, they COULD have had her take a more active role, especially with her whole sage of time thing and the era she was in not having a "hero", but NO. She barely did anything, and then in the end she ended up sacrificing herself (at least turning into a dragon is new. Like I don't really have a problem with the dragon thing but man they dropped the fucking ball with everything else). Like one of the creators literally stated that Zelda HAD to be the damsel in distress (rescue her from a crystal, a castle, whatever) and yeah, they definitely continued that in totk. Please just give a mainline Zelda a sword or an active (fighting) role in the game I am BEGGING YOU. Damsels in distress aren't cool, especially when you hype them up to be super powerful!!! She fucking deleted the Calamity from existence in botw you could have done SOMETHING

2.) WHY CANT I EVER HAVE A MAINLINE ZELDA GAME AAAA

I hope someone else gives good propogands but this is specifically about Tears of the Kingdom. So before it came out, I tried to avoid anything and everything about the game so I could go in 100% blind but I did see a few images of course because internet people don’t tag or algorithms lol but the point it looked like Zelda was the protagonist or at least a swap where they’re both playable choices and you can swap between them because she and link looked so alike and I was so happy to play her and was like as much as I like link free my girl from never ending Princess saving needing and it was happening!!

It did not happen and she was again lost and felt like a repeat of the last game where I need to save her (not exactly the same but COMEON)

3.) forced to be a magic sealing princess when she wants to do science and build robots

#polls #preliminary round

65 notes · View notes

cleromancy · 6 months

Text

while from the doylist perspective the stories are specifically propping tim up compared to jason by doing this... i am obviously still very interested in, and compelled by, jason canonically having a pretty high opinion of tim going all the way back to their first meeting.

(for the record, absolutely nothing in-universe justifies jason having this opinion of tim up until tim springs him from prison imo. he beat the snot out of tim in tt29 and it wasn't even hard and yet for some fucking reason he still walks away thinking tim is a Better Robin than he was? like... ok. sure. more thoughts on this later in the post tho)

so the new earth (post-crisis pre-reboot) continuity tim-jason interactions we have, in order, are batman 617-618 (from batman: hush, this ones a retcon and barely counts, its just jason holding tim hostage with a batarang to his throat; and you might also get a glimpse of jay doing this in batman annual 25 lol but its in the other room so im not checking), tt29 (published in the middle of uth coming out, lol), tt47 (countdown tie-in), robin 177 and 182-183 (post-countdown, immediately after jason dumps his red robin costume and one of tims rogues fishes it out of the dumpster to wear, correctly intuiting *for some reason* that this will get to tim), and......... sigh. stupid battle for the stupid cowl.

(and, since were talking about jasons perspective, theres also the picture wall in lost days. i dont know what issue it is because to me lost days is not "made up" of "issues", it is one book i simply open to devour whole whilst weeping.)

i think tt 29 is the interaction i find the most frustrating because... we have an idea what tt29 would have been like if it were good. bc we have ga01 69-72. and granted Tim is such a cocky little shit (affectionate) that jason simply. Would probably not have been able to scare him no matter what, lol... but imagine if this fucking issue had been good.

ok cutting 4 length

the problem with johns. .......the FIRST problem with johns. is that he regularly has interesting ideas and his execution of them completely falls flat. the second problem with johns is that he can't write dialogue. the third problem with johns is that it was really really important to him that you understood what a Talented And Special Boy tim is but instead of showing you that he just forced other characters to. tell you. over and over. jason is not johns' only victim in this quest. (and johns was also not the only perpetrator, as we will see when i get to fuckin fabnic.)

but like i said i *am* actually interested in the potential here, because i do think there is potential.

and i also think that--at least when you read into it as deeply as i do--jason is sympathetic in this issue. (don't give me "hes beating up a child" crap here btw. jason's only 2-3 years older, tims a peer to him, they could easily have gone to high school together if jason hadnt fuckin died.) johns deliberately shows us Jason hoping raven gets a reprieve from the nightmares, and he certainly was *trying* to show us how much it would fucking suck to be remembered as the Bad Robin, forgotten except to be a cautionary tale, what kind of things that would do to a person emotionally. AND he makes a point of highlighting Jason's loneliness and isolation as robin, and. tbh i dont think the issue itself rly blames Jason for that. (you most certainly do not gotta hand it to him though. under no circumstances do you gotta hand it to johns for anything.)

and while jason tearing off his clothes to reveal his party city knockoff robin costume--the better to beat you with, my dear--was, erm. falling mostly on the wrong side of the line btwn camp and cringe... i do think jason writing his own name in blood on the wall was right on the money, *especially* because it was obviously not tims blood. like, tim wasnt bleeding anywhere near enough for that. it was either fake blood or jason prepped his own beforehand for them to DNA test--but also if they saw it before they saw tim, to make them fear for tims life, as a reminder of the risks theyre dealing with here.

oh but i was planning on talking specifically about like. what Jason might actually have seen in tim that left him with a positive impression. as-written? kinda nothing. lmao. or well the one thing imo is this

just kidding i couldn't find the panelz somehow despite posting them literally like yesterday and i ran into this lol:

>:| got distracted again. by this.

anyway i give up ill add the pics later. but its the exchange where jason has *decisively* won the fight, tims crumpled on the floor concussed and winded, and jason demands if tim *really* thinks he was good enough to tail bruce unnoticed for weeks.

and tim says "yes." hes beat up enough he can barely talk but there's still no hesitation whatsoever. and jason is *really* down on himself in this issue--he calls himself a failure, he feels like no one cared about his death, he feels unremembered. and jasons stated intentions here were to get the measure of tim but i also stand by the interpretation that he wanted to warn tim off of the sidekick gig, to remind him you uh. you have to be dick fucking grayson to survive it. (i dont believe either of them mentions him by name, but hey, dicks shadow is big enough for the both of them.)

i think what jason finds worthy of respect here--and, on top of that, intriguing enough that in robin 177 he entreats tim to join him--is the confidence, and also? at absolutely no point does tim believe jason is there to kill him. not a fuckin high bar, i know, but like i said i do think jason had *planned* to try and scare tim off (just also mega derailed himself by accident bc he got too in his feelings about the statue room 🥺), and... its not a bar he would have expected Tim to clear, is all im saying. particularly because while it is *possible* this took place in the middle of uth (tt 29 was released in november 05, between batman 646 and 647, which is the part where slade shows up bc black mask hired him to take jason out, so tt29 couldnt have happened in the middle of those two specific issues, but there are several other points at which jason could have taken a break in menacing gotham to fly to san Francisco), with Jason talking so negatively about himself i have to assume this is after the end of uth.

(you might be able to place this in the in-universe chronology by if/when teen titans mentions chemo dropping on bludhaven, which happens immediately before the bruce-jason-joker final showdown. however i dont feel like poking around for that or any other details to anchor tt29 to the other events happening at the time rn.)

i just also think so much of what jasons doing in this issue is like--he doesn't know *what* hes there to do. he had a plan and hes kinda fumbling it, not because tim is being especially resourceful but because jasons still licking his emotional wounds from uth, and titans tower is bringing up ones i dont think he ever realized hadnt healed. hes feeling everything at once. hes angry and hurt and full of self loathing but i think by the time tim simply says "yes," jason hits the stage of just being... burnt out. done lashing out, fucking tired, just wants to go home, if he can ever find it.

but i do think that "yes" would stick in his craw for a long time afterwards.

tt47: tim kicks jason in the nuts and pretty much declares them even for tt29 lolol. you may have seen my post about how jason only *sometimes* wears armor in countdown--hes drawn in the armored turtleneck and tac pants in tt47, but there are times in countdown hes out there fighting aliens and metas and shit in his jacket, a *t-shirt,* and *jeans.* just a squishy regular degular baseline human doing this and no one ever brings it up. but anyway. do i think tim would have seen jason wearing the equivalent of civvies plus a domino mask, narrow in on that, and immediately decide to kick him in the balls? i sure do. do i also think that this would make him rise in jasons estimation?

yeah. yeah, i really do. lol

anyway after this! after this is jasons briefish world-hopping stint as red robin saving the universe being a big damn hero and getting paid dust by everyone around him, in countdown; i think i mentioned before in this post that at the end he abandons the red robin suit in a dumpster, where it gets picked up by one of tims rogues. this storyline sucks and fabnic is a hack unfortunately. the rogue did it bc he wants tims attention or whatever. not important except for how irritating it is that fabnic fumbled a concept this juicy (tim inheriting and eventually purposely adopting The Bad Robin Mantle) which is also further fumbled by stupid battle for the stupid cowl, and the people who it falls to to salvage it are. johns again, in adventure comics 3, and yost, who is a better writer than johns or fabnic but not by like a huge margin.

and while i do think tim having a bad opinion of jason at this point was inevitable i find it so frustrating the way it was executed... like so often with Bad Tim Writing and also fuckin DC Editorial's Jason Slander Agenda shit it wasn't because in-universe thats how the characters would feel, the writer was using tim as a mouthpiece, and jasons competence and things he cares about arent taken seriously... BUT WHATEVER the point is that when Tim goes to stop Jason from his villainous scheme to reduce crime or whatevr jason has such a high opinion of him that he asks tim to join him:

and jasons loneliness, his desperation to be heard, is such a theme for him in the new earth/post crisis era and i wish it had been. Handled better lol are you noticig a theme here its that Jason has been written badly. (tim too, tbh.) and when tim says no jasons dejected but unsurprised acceptance breaks my heart. but to me the most interesting part of jasons appearance at the end of tims robin series is in 182, when tim--for absolutely no good reason--gives jason the means to break out of prison.

he says something about how its what Bruce would have wanted, but for. reasons i wont get too deeply into rn, that absolutely does not hold water.

anyway i just think there's no way jason doesn't start crushing on tim at least a little at this point. shrug.

bftc sucks and i dont want to look at it rn. but its also got examples of jasons high opinion of tim. and also im mad at it bc both countdown AND his appearances in robin feel like they could have been taking jason to a like. more of an antihero type of role and then we get bftc and morrison and its kind of. fucking hard to get jason anywhere near back on track after that for those of us who still like playibg in the post-crisis pre-reboot sandbox. and i wouldnt be mad about that if bftc had been good bc Jason absolutely does make an incredibly interesting and effective and tragic antagonist when handled well but well. he wasnt. and i have no idea what bftc would.have even been like if it was good bc it was so off the wall and dumb and assassinated actually *everyones* characters. so.

anyway

im just going to roll back to robin 183 now

jasons referring to the damage tim got when he got a little bit exploded in 180, this pretty nasty burn on the back of his head, which was actually why he wore jasons RR cowl for the first time (he was still robin). but what you do see here--aside from Tims narration which puts him *firmly* on the side of obnoxiously arrogant and judgmental instead of charmingly cocky in this issue, to my estimation, thanks for nothing fabnic--is the two of them on firmly cordial terms. jason still thinks more highly than tim does of him, but theyre asking each other about their injuries... tim caring about the wellbeing of people he doesn't even like is par for the course with him, ofc, but once again Jason doesn't really get that a whole lot. constantly haunted by this panel from countdown btw:

does he though!!!!!!!!!!!!!!!!!!!

here is another jaytim preboot canon interactions post from a few months ago with some more thoughts, some repeated lol.

anyway. incoherent rambling complete for now. however. jaytim time is all the time 👍 i will revisit this.

#dc #text #jaytim again? no problem #jaytim #meta #jaytim text

51 notes · View notes

shigayokagayama · 1 year

Note

I think one of my only nit picks about Mob Psycho is I do wish there was a moment Mob voiced his opinion on Teru. I feel like the story does a good job at getting across how he feels about Ritsu and Reigen but not really him?

Like, i wouldn’t consider them super close or anything. And I feel like you can def gather an idea of how Mob feels about him (generally a good friend who’s also very helpful, perhaps even a similar “admiration” he has to Ritsu where Ritsu has a lot going for him academic wise and Teru is someone popular with girls and has a confident attitude) but I guess I just wanted a little more of his own thoughts? I’m not sure how to put it but I think about how in the guidebook he has a lot to say of Ritsu and Reigen but for Teru he’s like “he has a good fashion sense”

Obviously a big part of Mob’s character is he doesn’t speak his own opinion a lot and the story hides his direct thoughts a lot and it makes him interesting as the story asks you to try to understand him and what he’s thinking and who he is.

But there’s a layer to their relationship that I thought was really interesting and I guess I wish it came to light more?

Both are important to their respective development being the first psychics either have met. Their relationship is focused on the idea of strength but also a wake up call to living in reality. Teru has to accept living a life with more then his psychic powers despite hating that part of himself and Mob has to accept that he can’t just suppress his psychic powers forever and that they’ll always be a part of him no matter how much he hates it.

I think there’s something super compelling about someone seeing you at your lowest or what you see as your worst or perhaps they bring out the worst in you but your relationship with that person. And sometimes its easier to do that with people youre not super close to because showing your flaws to the people you hold really dear to you is hard and you’re so scared of disappointing them. I get reminded of that idea

I do think it’s there it’s just subtle and I love subtle! I think Teru himself is a subtle character in a lot of ways.

I wanted to know someone else’s thoughts on this though or what they think of their dynamic cause it’s on my mind sometimes sugwusbwj

oh i totally agree with you their relationship kind of fascinates me. i believe i remember reading an interview where one said that if mob wanted advice for stuff dealing with his powers he'd probably go to teru but dont quote me on that bc i dont actually remember where that comes from.

im so glad we got confirmation that they still hang out afterwards and just seem to both be physically incapable of making the first move ("you should invite me to hang out more" INVITE HIM YOURSELF TERU!!! MY GOD.) because the ending of the manga left it sorta ambiguous and the idea of teru drifting apart from the singular friend who he has an actual emotional connection with has been haunting me since i first finished the manga. like, i know he does hang out with the awakening lab kids and presumably teru and the spirits and such gang sometimes, but those are all people whove only known the teru that is working on bettering himself and considering how adverse teru seems to the idea of getting help (see him rushing into every situation on his own and getting his ass kicked) i cant imagine any of their conversations would ever turn to the problems hes had in the past and the problems hes currently dealing with. i mean, reigen only knows about terus parents because he was in the room when teru explained his situation to mob.

#this ended up so much longer than i meant it to FSJKNFJKS #do NOT ask me about teru if you want an answer shorter than a paragraph #mp100 #mob psycho 100 #teruki hanazawa #shigeo kageyama

104 notes · View notes

sshireens · 2 months

Note

2, 6, 8, 12 👉👈?

THANK YOU YINNIE 💓💓💓

2. a compelling argument for why your fave would never top or bottom

this requires me to narrow down my favs, which is so much more difficult than i ever could have expected. yin if i don’t answer the ask quickly this was why. catelyn tully would never top because ned lays pipe and she’s a freak like that. saw a ss of a reddit post that was like ‘my wife likes to get blitzed and then come home and have me fuck her brains out’ and thats her. brienne is never bottoming and jaime is never topping because jaime has some kind of reversed gender thing going on that makes him want to be a girl but not to another man. and brienne lives to serve. she literally is a sword. and thats a penis metaphor as we all know. margaery is never topping men because despite being the first ally in westeros she thinks thats weird. these are compelling arguments to me! daenerys stormborn is NEVER. NEVER NEVER NEVER. never bottoming because A). thats the prince that was promised B). jon likes to get dicked down C). i personally believe that being sold and traded will lees her to discover (amidst her several trysts with irri jhiqui and doreah (bc u cant tell me otherwise. irri is canon first of all)) that she, as the breaker of chains and mother of dragons and khaleesi of the great grass sea, is not inclined to experience things at the whim of others but rather the opposite. is that appropriate to say.

6. which ship fans are the most annoying?

oh god. SORRY PLEASE DONT SHOOT ME EVERYONE! daemyra (this might be biased bc i just dont like daemyra) some sansan ppl really get under my skin…. LUCEMOND JESUS CHRIST. almost forgot about them (was almost free). wow sorry lucemond shippers first place for annoying. its not that im an omegaverse toxic incest yaoi anti its just. Its the people it truly is i cannot even enter that circle. there is a blog on here though i can’t remember the url of that makes cute sfw art that doesnt frighten me and ive been known to browse, even hit like once or twice. lucemond still stay away from me please

8. common fandom opinion that everyone is wrong about

daenerys is not going to be queen of the seven kingdoms NOR SHOULD SHE BE. if daenerys takes the iron throne the whole series is pointless

12. the unpopular character that you actually like and why more people should like them

what qualifies as unpopular. also what do we consider like. because i consider like as in ‘this is a fun character to see interact with the world’ and NOT!!!!!!!!! ‘i support this guy’. just to clarify for any other viewers at home. a character ive seen a lot of people Dislike but i think deserves to be heard out is criston because he’s funny and thats it thats why everyone should like him. but i dont consider him unpopular? hmm tough tough …… will i get flayed if i say larys like i mean he’s just sick i love wondering what is going on in that head. in regards to characters i think are not given enough attention: jaehaera targaryen. ‘she’s a little girl shes a non-character’ SHUT UP. she’s a little girl exactly. she didn’t get the chance to be her own person she is alicent’s pain helaena’s pain and her own. GOD MY BABY GIRL….. she names her dragon death…… AUGH DONT EVEN TALK TO ME DOONNTTT EVEN. um also rhaella, daughter of rhaena the lesbian AND! mother of daenerys. bc first of all rhaella and aerea switches thats true. so like. rhaella septa rhaella wondering if that was meant to be her. wondering if maybe it would have never happened if she hadn’t traded places. is it kinder to force her twin into the faith or to let her die? Augh. also daenerys’ mommy just… why dont we know about her i need more people on here like me willing to band together to make up canon. i guess thats not really a reason why people should like them. ALSO SHIREEN BARATHEON I DONT KNOW IF YOU CAN TELL BUT IM THE BIGGEST SHOOTER FOR SHIREEN THATS BABY THATS MOTHER THATS THE PRINCESS THATS MY DAUGHTER THATS ME I LOVE HER SO BAD OH NY GOD SHIREEN PEASE COME HOME THE PEOPLE MISS YOU. and i know everyone dgaf about baby boy bowl cut brown boba eyed broken bran. but i gave birth to him. and thats why you should like him.

i don’t consider myself a targ girlie and then it comes to questions abt asoiaf and i can only answer in reference to them 😔 tried to be diverse 🤞

#asoiaf #ask game #amethyinst

12 notes · View notes

gentaroukisaragi · 3 months

Text

im 24 eps deep into house so here are thoughts

i like it a lot. it's formulaic, its problem of the week focused, it's wide range cast of characters who have their depths...now that i'm thinking about it, it's probably the same reason i enjoyed scrubs a lot? what can i say medical dramas. when you have cynics making cruel jokes on your show, im hooked.

that being said its so 2000s. and house is a lot more cruel than your average asshole with a heart of gold, especially in the earlier eps. but it is literally 20 years old so

not as gay/queer baity as i thought it would be at the start. im very in love with robert sean leonards face and ive been desperate to see him; feels like the eps are very contained with their scenes, throwing me a Wilson scene or a Cuddy scene only every so often (but they dont usually have anything to do with the problem of the week so i get it. the fact that house and wilson are supposed to vaguely be holmes and watson expies made me think they would spend more time with each other. and im pretty sure they do in later seasons, but im very impatient)

literally every other episode has an actor i recognize. usually im not good with that, but there have been a ridiculous amount of child actors whos faces i know and older actors who stuff ive enjoyed. also so many of the young men patients of the week on this show have such pretty eyelashes. its so 2000s with the mascara and the lashes. i cant properly explain it.

fave characters are Wilson (for his face and his niceboy nature) and Foreman. Despite his conservative politics, I like the respect he commands from House whenever the latter is willing to admit it, and ive spoiled myself on the fact that he becomes dean of the hospital towards the end, which just validates me on thinking hes the best of the first round of underlings. (i may have spoiled myself on a couple of things but im just not gonna think about it until they come to pass.) Foreman can be very kind and thoughtful, despite how wrong he can be sometimes and he's so very skilled.

this show is so white. but its the 2000s so i should be grateful two women are even major cast members at all (even if Cameron is so misogynized (<- not a real word but i hope you get what i mean)) and speaking of misogyny. Cuddy is so fucking hot, im so glad they keep making her wear low cut shirts all the time.

its so nice how slowburn it is, compared to shows these days. They got a full 22 episode first season, and they didn't have a major villain arc until towards the end of the first season and they didn't even bother to reveal house's tragic backstory until the penultimate episode of the first season. they could afford to be a lot slower 20 years ago and those first few episodes (my disgust with house's casual misogyny and racism aside) are very good and compelling (though i am grateful they veered away from the colouring or whatever of the pilot. just a little too dramatic for my tastes) we've only barely touched on character backstories but everyone has gotten a decent few focus episodes which is lovely. (except Cuddy but i know she gets a focus ep later and also there are literally 8 seasons of this show i have time)

anyways looking forward to this show unfolding and expanding some more while trying to save people.

also could not believe the first death of the show (that i could remember) was the mixed race lesbian couple's baby. what a 2000s move.

#houlse

8 notes · View notes

destinysbounty · 1 year

Note

HELLO i am in your inbox because your post about ninjago cycles made me drop my phone, ive literally been thinking about this idea forever!

around when i watched s8, i literally started reading the entire show as one big time loop because of all the repetition and cycles in the show. i dont know if that phrasing holds true, but i think the idea itself holds up

i think what really drives the entire cycle of the show is the need for balance. i interpret ninjago the place as created by fsm to be a reflection of his worldviews: dragon vs oni; good vs evil; light vs dark. the fact that the overlord keeps coming back, and his descendants will have to keep fighting him is a part of a larger system put in place (accidentally or purposefully) by fsm. when one person is defeated, a power vaccuum appears that HAS to be filled, usually by a new villain

basically, balance is the mechanism by which all these cycles come to pass. its kind of a law of physics in ninjago, good will always win, but evil can never really lose. everyone has to keep repeating history, personal and global because the world literally will bend itself in order to achieve that balance.

(i hope this makes sense i wrote it very quickly lmao) thank you sooooo much for bringing up cycle symbolism in the show,,,, once you start looking for it its everywhere!

(Here's the cycle post in reference)

Thank you for sending this ask! I apologize for the belated response, but I wanted to wait to respond until I had the chance to get ahold of some screenshots that would be relevant to this discussion. With that out of the way, let's get into the meat of the issue!

First off, you are absolutely right! I think the circle motif represents a few key themes: balance, as you mentioned; recursion; and inheritance. And all of those things, in a way, tie back into the show's interpretation of destiny and the way fate is baked into almost every aspect of the story.

Balance is the most obvious interpretation, of course, and perhaps the most compelling. Like, not just because the circle is by design an incredibly balanced shape, simultaneously having infinite sides yet at the same time only one. But also because there are so many instances of circles appearing in the way in which the balance between light and dark is visually represented within the series - especially with regard to the creation mythology.

(On an unrelated note, I think it's actually kind of a cool detail how the FSM is represented as a grey being - not Oni of darkness, not dragon of light, but something in between. The child of both worlds.)

The world was created by the FSM, and while I can't remember if it was ever outright stated, I think there's enough evidence to at least assume spinjitzu was used alongside the Golden Weapons to create Ninjago (I'm happy to elaborate on this if asked!)

On this note of balance, I also think it's worth noting the attention drawn to the splitting of circles. As seen above, with the creation of the Dark Island, but also with the Battle Between Brothers! Now, I'm definitely overthinking this, but bear with me for a sec.

The Monastery of Spinjitzu is, quite iconically, arguably circular in shape. Well, it's really more of a hexagon, but you get my drift. And the sons of the FSM, each representing light and dark, were friends for a long time. But when Garmadon finally succumbed to the venom's influence and was banished to the Underworld, a crevice was torn into the ground, splitting that circle - and likewise splitting the two brothers in the process.

And again! The Lloyd v Garmadon fight in sesaon 8! Despite loving each other very deeply, they have both been forced into conflict by the forces of destiny time and again. Lloyd knows the drill at this point. "I've saved you once, I'll save you again." The fight itself takes place in a circular structure - the Kryptarium Prison panopticon. Lloyd enters this fight assuming the established cycle of fighting and redeeming his father will be reinforced. But when Lloyd is thrown through the wall, thereby breaking through the prison's circular structure, so too is this cycle broken as well (and with it like half the bones in Lloyd's body as well as his heart).

And of course, we can't forget the most iconic example - when the FSM created the Dark Island, banishing the Overlord and his Stone Army for the protection of the world he created, the circular continent was split in two. The destruction of the circle.

The destruction of the circle is also how the Oni are introduced in Mystake's story - the dragon creates a circle, and the Oni destroys it.

So to recap: a circle is balance, balance is stability and unity, and the dissolution of the circle is the loss of stability.

That in itself is a cycle - creating something, destroying it, creating it again.

Kinda like the show itself, in a constant loop of the world facing ruin and building itself back up again and again. Like how the Overlord can never truly be defeated, dying and coming back like the ebb and flow of the tide. Like the snake eating its own tail, a cycle feeding itself endlessly. Like how a circle has infinite sides.

That's interesting enough as it is, right? Just wait! It goes deeper!

As mentioned before, the FSM arguably created Ninjago to some extent using spinjitzu. Spinjitzu, which is both a martial art and a lifestyle that utilizes circular motion to create a tornado around the user. The quintessential example of the circle motif. Spinjitzu is quite literally the foundation of the show's identity and worldbuilding. This show is, on both a narrative and a meta level, built on the concept of circles. And according to the Core shorts, one of its principle values includes balance.

Which, in the end, boils back to what you were saying about how cycles are a law of reality in Ninjago. I agree!

If I have my lore right and Ninjago was created through spinjitzu in some degree or another, then that means it was created through circular motion. The world was made spinning. The world was made as one big cycle. So to some extent, I do definitely think that good and evil must constantly fight. If the world isn't constantly repeating itself, if this cycle of recursion ever stops, then the world will stop spinning. And what happens when the world stops spinning?

Chaos, as I'm sure you can imagine.

Although, we also have to consider that the Overlord said "there will be peace in the dark". Now, since he is a villain and also the embodiment of darkness itself we should take his words with a grain of salt, but it definitely raises the question of what it would look like if darkness or light truly did prevail over the other, or if such a thing is even possible in the first place. Will there be peace in the dark? Or does the Overlord have an arguably more compelling motivation - that is, as an immortal being incapable of death, locked in an eternal limbo between victory and defeat, he knows that the only way this deathless hell will end is if the balance is destroyed and the universe falls to pieces. Maybe that's what the Overlord means by 'peace in the dark'. That theory has a lot of holes in it, of course, but I'm certainly intrigued by what that would mean for the Overlord's character. This might also hint at the origins of Darkley's, but that's a weird little tinfoil-hat tangent that we're not gonna worry about right now.

Now, I mentioned earlier that there are three main themes that the circle motif draws on: balance, recursion, and inheritance. And those three themes all tie into destiny somehow. So far, we've talked about balance and recursion - how history must keep repeating itself, how the whole world must remain in eternal conflict between light and dark or else the circle will dissolve and chaos will reign. But what about inheritance?

This is the fun part, but also a bit obvious. First, inheritance comes through elemental powers - not only because powers are passed on from person to person, as well as the legacies of those powers, but also because the elements of creation all tie back to the Green Ninja. They all manifest in him, and while the other ninja are capable of wielding those powers independently they all tie back to Lloyd in the end. Like convection cells but instead of circulating wind currents it's magical powers.

And, of course, I'm not the first person to comment on how elemental powers can be seen as a metaphor for generational trauma, and how each character inherits the legacy and loss of prior generations vicariously through their powers. Other people have elaborated on this idea far more eloquently than I ever could. But it's still worth mentioning in this discussion, so here we are.

And!! Then you've got things like the Yin-Yang Eclipse (which, imo, didn't look much like the Yin-Yang symbol at all. It looked more like a funky Z if you ask me). With Yang telling Cole to "close the circle" - the curse of the Airjitzu Temple requires that someone always remain behind as the master of the house. Yang needed Cole to take his place as the temple's new prisoner. He needed Cole to complete the cycle of inheritance. He needed Cole to close the circle.

And that right there is the base essence of this show, isn't it? Closing the circle. Completing the cycle. The sins of the father laid upon the son. History repeating itself. Repetition and recursion.

This all pertains to destiny in ways I hope are quite apparent at this point. The scholars in the Cloud Kingdom write destiny. They choose what happens. They designed the Prophecy of the Green Ninja. Perhaps they're doing all this, perhaps they're putting the ninja through all this trauma and suffering, perhaps they're creating this history and this world to be endlessly recursive, in an effort to maintain the balance and protect the universe from spiraling out of control. Or maybe they're just doing it to get their sick kicks. Who knows? We've only seen the Cloud Kingdom for like one whole episode so at this point who's to say.

But a bit more blatantly to the point, according to Lloyd in 2.12 "Return of the Overlord" the below images show the symbol for destiny. And what do you see??? Circles!!!!!!!! Circles as unity! Circles as balance! And in the latter image, circles represented through colors, which denote their roles in destiny and likewise the powers they inherited from their ancestors! It's circles all the way down!!!!

Oh and before I go, here's some food for thought. The Overlord once said that "destruction comes from the eternal struggle between light and dark." And Oni have the power of destruction. Garmadon, once he's reached his true potential, is powered by conflict. "It's the fight that fuels him." Which does seem to corroborate with what we know about the Overlord himself - as Misako said, "where there is light, there must also be darkness." Conflict creates darkness, and darkness creates conflict, just as light creates shadow.

God, I'm losing my mind over this. Balance is the struggle between light and dark. Destruction is a byproduct of this struggle. Destruction causes darkness. Darkness plays a pivotal role in the existence of the balance. The balance is creating itself. The cycle ultimately cycles back in on its own self. We've come full circle. It's the freakin' ouroboros! The snake eating its own tail! Endless consumption with infinite return! Circular motion causing its own endless perpetuity!! It's a fight you can never truly win but also can't lose, because the existence of conflict creates conflict, and without conflict there cannot be peace! You cannot escape from the cycle because you are the cycle!

So, to conclude:

Thanks again for the ask! <3 God I sure hope this rant made at least a teensy bit of sense.

#overly convoluted 15-season toy commercial my beloved #ninjago #long post #ask #destiny post

88 notes · View notes

forwantofacalling · 1 month

Note

hsr yanqing for 3, 7, and 14? and perhaps our girl katniss for 20 and 24? :3

:0 omg hi garnet

3) Least favorite canon thing about this character?

I'm going to be honest with you i rarely remember anything canon about a character if i dislike it unless its TRULY abhorrent. but if we're going with LEAST favorite canon thing...probably that we don't get to see him enough :( where is my jing yuan yanqing post-ghosthunter event closure.

7) What's something the fandom does when it comes to this character that you like?

draw him small and excitable like a puppy. he's truly just a littol guy. im also a HUGE sucker for whenever someone draws him standing/sitting/flying on his swords i just think its so cool and fun. ALSO i think ALL THE TIME about that one comic in which he keeps calling jy General even when they're alone and at home. and the follow-up one in which jy keeps calling him ANY other title except for his son. theyre so cute.

14) Assign a fashion aesthetic to this character.

oh god are you TRYING to get me killed on tumblr dot com. i mean i think he looks great in wuxia/xianxia style clothes 🥺 i also think it'd be fun to put him in techwear for an au or something. but other than that i have no notes LOL

20) Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?

oh i swear i dont remember enough of the hunger games to answer this. wish i could give you a clever answer of "side character #41 and heres why" but personally im very soft for cinna and katniss's friendship,,, i think a lot about the fact that he requested his mockingjay sketchbook only be given to katniss if she decides to take up the mantle herself because he knew seeing his work would compel her to make the decision even if she didn't truly want to...wish we got to see more of them.

24) What other character from another fandom of yours that reminds you of them?

god i suddenly have never been in any fandom ever in my entire life. uhhhh. god i think i have to say margaret nearl arknights for refusing to win the Major and instead carrying her competition down the path to the champions hall together. she doesn't do a lot of ground work herself in the trenches but she uses her status as a symbol to lead the charge for other resistance groups in kazimierz. because she's a nearl. all eyes are on her when she steps onto the screen and she knows it. the difference between her and katniss though would be that she wields her identity as the Radiant Knight very intentionally and without outside influence. hm. lots to think about.

anyway thanks for the questions :)) this was fun!

#silver talks

3 notes · View notes

cinnaminsvga · 6 days

Note

omg so i saw your account pop up on that bit at the side with accounts to follow and stuff and immediately was thrown back

i don't know how long ago it was actually but based on the fact I've recently revived my own writing account after like 3 years away and forgetting tumblr even exists, but it's been at least that long since I last saw your account but immediate like nostalgia

this sounds terrible but i genuinely can't remember what exactly I read of yours (other than probably most of it back in the day) but I just remember you were one of my fave writers, i don't really read bts anymore because i'm up seventeen's ass these days but ima have to go through your masterlist and reread stuff for the memories now

im pretty sure that there was one specific fic series you wrote that you made group chats for on kakao maybe, i was there for it i just have terrible memory. now watch it turn out it wasn't even you that did that 🥴

i actually meant to send an ask last night when I saw your account and followed you (i think i used to follow you from my personal but idk) but it was late so I thought "hey let's wait until tomorrow when you can string together more cohesive sentences, yeah?" and then this shit show happened. but at least im not actually screaming at you in this ask like i probably would've last night

anyway, just wanted to just idek just sort of reminisce a lil and tell you that it made me really happy to see your account after these years even if you're not always active, it's nice to see that you still pop back now and then 💖

(I apologise for the mess of this. i'd say im usually more eloquent but that's a fucking lie, im a complete mess all the damn time <3)

WOAGH this was an unexpected letter in my inbox i'll tell you what (a pleasant surprise!) but hello hello welcome back and thanks for taking the time to send a message after all these years :D the tumblr algorithm, in all its mystery and dysfunctionality, sometimes makes little fun things happen like this lol

judging by your description, that fic series you're talking about is very likely "the lonely hearts club", which i suppose is an smau rather than a fic but yenno... it was something alright... if you were there during the peak of it, when i had kakao group chats for it... then it must have been 6 years since youve been around these parts (i posted that in 2018!! aint that a strange thing!!)

also, i appreciate all and every screaming ask sent my way HAHA this was actually very fun to read because like you said, i'm not very active on this blog, but getting messages once in a while is still a sweet treat!! nice to know that strangers on the internet just feel... compelled to talk to me, yenno?? especially you, who had somehow stumbled onto my patch of land by some algorithmic miracle :D it's nice reminiscing with ya!! if you really were here back in 2018, then you've known me a long time (even if you forgot most of it HAHA but i dont blame ya... my memory is pretty foggy even on a good day) so thanks for making a short stop my way <3

#good luck with your writing blog!! i too have fallen down the svt rabbit hole 💀#well thats a lie bc ive always liked seventeen but woag... my fyp on all my social media accounts have been saturated with their content no #ESPECIALLY SCOUPS... who has always been my baby and will always be #but damn he looks so good dude...#he was so cute in his appearance with eunchae on star diary ;w; just a sweet lil guy UGH #also wonwoo and keria video... UGH THE CUTENESS AGGRESSION RAHHHH #sorry for rambling in the tags it is who i am... but yeah tldr it was nice to talking to you :D #hope ur doing well 🫶#Anonymous #answered

5 notes · View notes

spatio-rift · 3 months

Note

Hello! I wanted to ask your favourite ships and the ones that you don't really like and why

Hiiii thank you for asking i love to talk about stuff like that and procrastinating on work. i think in recent years ive been enjoying comedic dynamics the most ^_^ i love to laugh and the best kind of dynamics (romantic or otherwise) to me are ones that are funny first and foremost. and theyre best when theres something compelling about it but still a lot of room to play around.

a funny thing ive noticed also is that for most of the media i really really like i care about a platonic unit including the ship/at least one character more than the ship itself? like strky > imakasa, taka (oto) > suika, $quad > kubometo.... like the shipping is funny but the platonic unit is where i get the warm feelings from.

now to actually answer the question ^_^

my favorite ships are the ones cited above as i said mainly because theyre hilarious to me. but i also like that suika dont necessarily like eachother but grow to care deeply for eachother, and the plausible possibility of a history together in oto as kids from how much they know about each other despite being so hostile in early hebi. what happened there... its funny asf but It Could Be That Deep. and also i like the idea that they still hold a massive grudge against sasuke literally 15 years after he fucked them over even though the man doesnt care and probably doesnt even remember. ive always liked the idea that they could have bonded when they reunited during the war over both being mad at him for treating them like dirt but alas kishimoto decided karin still being into sasuke and beating the shit out of suigetsu was funnier.

kubometo and imakasa have a lot less going on, mostly i just find them absolutely hilarious. imayoshi in knb is mostly presented as weird menacing and creepy from seirins pov so imakasa (and strky) is a fun way to play around with his sillier traits, because in that unit hes not a scary opponent determined to do everything in his power to win, hes not an eccentric senpai that never says what hes thinking to his teammates... around kasamatsu and other dudes his age hes just a gay little freak. its refreshing!

i will not pretend kubometo has anything like this going on. its just really funny to me! so many things in saipsi are, but this one really scratches an itch for me. i would actually say that trying to make it deeper than it is and write about it seriously makes it a lot less interesting for me. well thats just my saipsi philosophy in general ^_^ if you start thinking too hard about it it becomes less funny, which is a capital mistake when enjoying a gag manga.

Erm ! for the ships i do not like.... there are so many but out of respect for some beloved followers i wont mention the ones that i really hate just because im biased as hell and no other reason (lol). lets just talk about a few that i have actual arguments for.

for saipsi i dont mind a lot of things as long as it is made funny by people who like it (otherwise i just do not care) but when it comes to saiko and kusuo im sorry we need to stop what is happening here. Out of every possible pairing in saipsi why these two. asou made saiko because financial power was the only thing he could think of at the time that was left to be a challenge to kusuos powers, and then he never really pitted them against each other because it was (offense number 1) already done (kusuos dynamic with kokomi and her divine beauty esp in earlier saipsi revolves around the exact same thing) and (offense number 2) literally not even funny.

their main reasons for interacting are 1) one sided rivalry because of kokomis crush on kusuo, which was abandoned Very Quickly and thank god for that because it wasnt funny at all and made saiko less likeable with each panel (and it encroached on makotos reason for existing in the work as well) 2) The Purge, except saiko never ever learns who that cyborg ciderman cosplayer that humiliated him was. kusuo barely registers in saikos mind past his introduction like he really doesnt care. the ones that consistently and meaningfully interact with him are always nendou, aren and kaidou, kusuos just always around so we actually witness it. it actually matters a lot to me that saiko is one of the only characters that are in the (extended) friendgroup not because of kusuo but mainly because of first kokomi and then nendou. so why make him and kusuo a thing?? theres nothing there! (heavy breathing) sorry if you like saisai i had to get it off my chest.

i think one other ship that i really do not like now for Actual Reasons is hanaima from knb. i used to be a Huge fan but as with a lot of things in this godforsaken fandom my enjoyment of it was really soured by people who just Did Not Get It. hanaima is the ship for people who want a ~Dark and Edgy~ dynamic in a highschool basketball manga. people who like it generally dont understand hanamiya and imayoshi as characters and the actual dynamic they have, they just want to write about abuse and poor little meow meow hanamiya and yandere sadist imayoshi and stuff like that. One! hanamiya is not scared of imayoshi he just hates him for being annoying and weird and not letting him do whatever he wants which is injure people and ruin their dreams! Two! imayoshi is kind of a freak but he is kind! whatever awful thing you think imayoshi did to hanamiya in middle school that explains why hanamiya doesnt want to do anything with him now is complete bullshit! its not about imayoshi being evil or an abuser or anything like that ITS ABOUT HANAMIYAS EGO! at most imayoshi is just annoying because messing w people hes fond of is his favorite past time!

ah well there are more things that people get wrong about their characters and dynamic but lets not increase my heart rate too much i wouldnt survive it. if i had to sum it up i think ships i do not like are either just offensively unfunny or like, the idea of the ship goes against established character so forcing it to happen makes them awfully ooc to the point of being near unrecognizable. like i know anything can happen in the mind of a fan but i like these characters for a reason, you know?! Erm well i dont know how to end this rant now so ill just say thank you for asking and sorry if its a boring read, just talking about myself and all ...!

#but to be honest even with the ships i do like... i only like the way *i* do it #because nobody really gets it the way i get it <- not to say im above everyone else but just we enjoy VERY different things about it #so i could make a similar rant about all the things i do not like about how people portray suika etc etc #its kind of hard to talk about stuff i dont like! ultimately its more like 'im neutral on this but people do it badly so i dont like it'#i dont want to ruffle feathers if i get really honest about the things i actually straight up do not and never will like

3 notes · View notes

leporellian · 1 year

Note

thoughts on broadway and/or the tonys and/or musical theater in general

fuck i never did get around to this LOL here we go

broadway... compels me in some weird way. like for every single complaint musical theatre fans lob at opera- 'it's too much about spectacle!' 'it's too elitist!' 'it's funded by rich people!' (which that last point in and of itself is. Have you ever been to europe. but the way in which opera criticism is uniquely USAcentric is a convo for another time) are all... like... right there in musical theatre on broadway.

arguably those are even more of a problem over in musicals. musicals have Brand Identity. when you think of wicked, every wicked production is specifically built to look the same, with no real difference in direction or performance besides individual casting. (and also that infernal dragon, for some reason, that they never even really actually use except for like one moment where it wiggles around a bit. a lot of my memory of seeing wicked in 9th grade is just remembering how absolutely disappointed i was that they had a big dragon animatronic and they never used it in a satisfying way! like, what the fuck! anyway, again, tangent.) even if there isn't a cohesive brand there's the matter of rights settlements, and certain creative restrictions, and on top of that there's the fact that it is incredibly hard to go watch broadway musicals if you don't have transportation and monetary access to them. (and don't get me started on whatever the fuck "bootleg trading" is. like man they're even inventing capitalism in new places. hello.)

opera meanwhile is the wild fucking west. most of the standard rep works are in the public domain. there's only 1 standard rep opera i can think of off the top of my head that has any creative restrictions in the performance license contract, and given the one creative restriction with that one is "please have black people play the black characters and don't do blackface you freaks jesus christ" i'm totally down w/ it. if you want to go watch opera, there's thousands of recordings on youtube and on specialty sites like operaonvideo.com that just act as a huge performance archive. opera is genuinely one of the most accessible art forms there is with the advent of the internet.

(man remember when hamilton had basically a free raffle for 10 dollar tickets every week or whatever that was? meanwhile the opera company in my college city literally just sells 11 dollar tickets to students and every time you buy one from them it acts like it now has a blood debt to you. crazy.)

broadway is like genuinely so capitalistic it baffles me, godbless. and i do WANT to understand musical theatre better but a lot of the time it just sort of whizzes past my head and i have no idea what to make of it. (that, and theatre kids are.... Well. Yeah)

THE TONYS are equally baffling, but instead of broadway which feels like some strange dystopian world, the tonys have a distinctly alice in fuckin wonderland shit to me. there are opera award shows but none of them are nearly on the same level as the tonys. it's cool that the trophy spins around i think. i think its very obvious the tonys largely exist as a further marketing mechanic and not as like... actual awards, but to be fair thats the point of all awards shows at this point anyway. (well, that and making a lot of people very angry.)

looking at this year's nominations for example. here are some of my thoughts: i forgot about the some like it hot musical, i genuinely have no idea who the audience of that is meant to be. CORN MUSICAL??? who the fuck made a CORN MUSICAL and WHY? &juliet terrifies me with its existence. the plays should unionize together. i dont know why i was surprised ben platt is there i thought he just kind of faded into the walls after the dear even hansen movie or something. isnt new york new york a frank sinatra song. oh shit the sweeney todd revival already premiered? (i dont keep up with broadway news) why is there a corn musical. also when i looked up the tony awards i accidentally typed in 'the toby awards' which is apparently an award show for building design. Anyway thats my analysis as someone who is genuinely so clueless about current broadway news

13 notes · View notes

strawberrycircuits · 11 months

Note

oooough in that case..... i also want to hear abt malon/link and uhhh how about malon/zelda ?

ok so malon and zelda r sooo. auauaaa. i THINK if they got to know each other they would be amazing 2gether no matter what. worlds strongest horsegirl + dainty secret ninja princess. love that for them. also i love everything about sheik + malon too hence the box being marked for comedic potential. tfw the cute guy who keeps visiting yr farm is thefucking princess of hyrule. id just collapse on the spot

malon and link i. ooh boy. i have far too many brain worms about something that was dubiously canonized for the sake of a plot contrivance ok lets go

as if i didnt make it completely and utterly clear malink makes me SOOO INSANE. SO INSANE!!!!!!!! malon is so similar to link but also Not at the same time. both of them have parents they barely remember/never met and fathers that are kind of doing their best but failing to give their kid the support they actually need. malon is isolated by living away from castle town in a similar way link was in kokiri forest. they both seem to have this Longing For Greater Things that they dont rlly understand beyond being compelled towards it and theyre both overworked because of their surrounding circumstances. the primary difference between them is that malon is just, like. Normal. Where link watches her dad (who is a giant tree) die in front of her after being told to leave the forest of ageless kids in which she grew up, malon has to deal with a father who is too tired and overworked to meaningfully connect with her. links mom died because she was a refugee in a civil war fought in part over her child, and malons mom died of like, illness or whatever. link grew up in a magic forest where she couldnt leave lest she DIE (as she was led to believe) and malon grew up on a farm that occupied the majority of her time and prevented her from interacting with others. links childhood was stolen through people using her as a weapon to be honed and not a person to be valued, and malon's was (although obvs not nearly to extent links was) stolen because she had to handle the responsibilities and duties her father placed on her at such a young age.

what i am getting at. is that while their experiences are WILDLY DIFFERENT, they have gone through similar things!! its just that malons arent steeped in destiny and the goddess's will and all that shit that led to links childhood being as fucked as it was. shes just a farmers daughter whos had it kind of rough. AND YET SHE *KNOWS* WHAT ITS LIKE TO FEEL LIKE YOU WERE NEVER ABLE TO CONNECT WITH OTHERS THE WAY YOU SHOULDVE, TO HAVE YOUR YOUTH STRIPPED AWAY BY UNDUE RESPONSIBILITY. so when link feels like theres no way anyone could understand the things shes been through shes proven WRONG because NO THERE IS YOU ARE NOT ALONE IN FEELING THIS WAY. it may not be as fantastical as what u went through BUT STILL. there is SOMETHING here i swear to god!!!!!!!!

malon has so much potential and she has so much potential with link but nintendo does not care abt that. they wanted to say tp link was oot links grandkid and thats all they cared abt. and i wish that the fanbase at large would recognize that there is Something Compelling Going On Here if u look but no. no they dont. malon is reduced to a mother figure, a motive, a wife shoved in a fridge if shes considered at all. id rather there be no content for her at all tbh. just bc nintendo didnt care abt their female characters in 1998 and 2006 DOESNT MEAN u have to treat those characters the same.

tldr: malon rights

#puts this in the main tag again. u will listen to my Malon Is A Compelling Character propaganda you WILL #ocarina of time #malink

9 notes · View notes