Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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Wtf is red dwarf and why does it look so cool
It's a British scifi comedy show from 1988 where in the very first episode everyone but one guy on the space ship "red dwarf" fucking dies. This one guy survives bc he was put in stasis for smuggling a cat on board. After 3 million years he gets outta stasis and learns that everyone died from a radiation leak and yk, it being 3MILLON years later its basically safe to assume hes the only human left alive. The ships computer, who is a floating head on a screen and who (legit and no joke) later transes his gender for a few seasons resurrects the guys boss as a hologram, who incidentally is also the person that accidentally killed everyone. The guys cat was pregnant and in the 3million years it took him to get outta stasis the cats evolved into humanoid guys so one of those cat people is there too. This all happens in the first episode.
The show has legit such interesting scifi ideas and shit i am so mad about how good it is. Shaking. If you like parallel universes then boy will you have something here. This guy:
Is legit at least 10 completely different characters.
You need to watch it rn. The only thing that keeps you from going "this shit is actually very sad" is the laugh tracks. For some fucking reason they keep making this show every 5 years or so. There was a movie in 2020. I hope they never stop.
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do you have a favourite portrayal of a character in the gotg game!! who is it and why <3
Oh I think they're all great honestly!!! Part of why I love the game so much is that genuinely, the whole team + supporting characters are written with such obvious love of the source material and equal attention between them all. When I see comments of people saying who their favorite character was from the game and the answer always being different from each person I'm like!! That's how it SHOULD be!!! They're the Guardians of the Galaxy (plural) the focus shouldn't all fall on a singular character like most other GotG media usually ends up as 😭
The two (sorry I can't pick just one) whom I think benefit the most from the game though are Drax and Gamora because they're almost always sidelined both in-and-out of universe by most of the various writers (especially as of late) and in turn the viewers/readers. I've been told plenty of times that they're the most boring members of the "main" team, BUT IT DOESN'T HAVE TO BE THAT WAY! The amount of love the game versions get (by the few who've played it at least) proves that 🥺
I've never really liked 616 Drax shifting to being a complete clown during the 90s and such (and even less so when the MCU followed along 💀) So I appreciate the game taking a bit of his seriousness from the DnA run and just making him struggle with nuance and context clues in a less exaggerated way (autistic Drax I still believe in u) and I feel the focus put on him and how losing his original family + the aftermath deeply affected him hits pretty hard here because it's treated very seriously and shown in depth, especially with how his family (wife) gets actual focus. I cannot tell you anything about Yvette in comparison to Hovat, who actually seemed to have had a personality lol (AND she was on their village's council like omg imagine having more to you than just being The Housewife) Though I will say I flip and flop on my thoughts about Heather being disconnected from Drax's life in this universe... The TLDR is that I think his arc here specifically works stronger when he has to come to terms with losing his entire family and accepting the life he currently has with the Guardians. BUT!!! I very much appreciate that Heather is still confirmed to exist within this universe, even if that means her dad issues would have to be dealt with in a different context if we ever get to see her.
Also? Shoutout to the writers actually bringing up the intense paranoia that always kneecapped 616 Drax but having that be a turning point in his backstory here, with that conversation he has with Peter where he talks about how he was becoming so paranoid of everyone being a chitauri/Thanos conspirator to the point of literally turning into an obsessed maniac like Thanos, and realizing that he desperately needed to turn his life around, it's so ough.
Out of the already many great conversations throughout the game, I think the ones with him are the most poignant. My favorite scene in the whole game is Drax and Pete's little moment on Knowhere... makes me go wahhh
(l also love that out of everyone on the team, it's his headspace that we quite literally get to go into. You KNOW that if this was any other media it'd be going into Rocket or Groot's head and likely treated as a joke.)
And oh my god, Gamora...
I find it so extremely refreshing that her role in the plot doesn't revolve purely around the men in her life, and instead, it's nearly exclusively her connection with other women. Or in the most direct obstacle she has to deal with, being how she starts projecting to the millionth degree on Nikki's situation for reminding her of what happened to her and Nebula. I find that infinitely more fascinating as a reading of her character rather than just dating drama or her arc getting completely overtaken by a man's instead.
And especially in her friendship with Mantis, who, despite having all these futures she's constantly seeing and having to navigate, still makes time to do her best to help her 🥺 From saving her life and being the one who put her on the path to healing on Lamentis, to getting her to join the Guardians and still checking in on her when she's able 😭 Friendship between women can be so powerful... u love to see it (🏳️🌈)
I also find it nice that there's this emphasis on her recovering mentally, and the comparison between Thanos essentially teaching her to just Deal with the shit in her life through very simplistic meditation versus the priests of Pama actually teaching her something to help soothe the mind :^( and that she still has moments of relapsing essentially. I find that to be a realistic take on recovery because that's just part of the journey since healing is not linear... and I think it's very sweet that she finds comfort in collecting something ---girly--- like dolls. Love to see a person reclaim a part of their childhood that they weren't allowed to experience. And how she's allowed to make BAD JOKES?? Imagine a woman being written to have multiple dimensions, crazy and absolutely unthinkable, I know.
There's this extremely specific theme in relation to Gamora across media that's been rattling around in my brain since first playing the game. When near the end during the revisit to Knowhere, she's about to completely lose it when Peter tries talking -for- her on what she's so upset about before immediately shooting him down, and she explains what happened between her and Nebula and she starts crying. It really struck me right then that she's never given a moment to cry elsewhere (or in the 616's case, the quite literal inability to.) aside from her shedding a Single Manly Tear (Original Sin) or a single moment out of legit fear (MCU 💀) because she's a hashtag Strong Independant Woman who can't be vulnerable etc etc. But for her to cry in front of the people she's come to care about, It gives her a moment of true vulnerability that I don't think she's allowed ever in most other media.
That and all of the above hits hard and is what makes me genuinely believe that the writers cared about her in the narrative and tried to do right by her when every other bit of media really hasn't nor cared to the majority of the time since the 90s :'^/ Brings a tear to my eye that she's allowed to just... exist in the narrative on her own merits and not on what she can provide to someone else's story.
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