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#i'll be underwhelmed but satisfied
to-be-a-dreamer · 2 years
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I need someone who sees West Endsies to let me know what they do with the different sections during Brooklyn's Here. Cause like. They must be doing something, right? Something's gonna happen when they call out the names of the boroughs at the end of the song, right? Unless they decided to pick the six boroughs named in the song just for funsies in which case I will be extremely disappointed. If we don't get Dolly Parton's Stampede-level rivalry theatrics during Brooklyn's Here I will be committing so many crimes like jaywalking or accidental tax evasion
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rqg179 · 9 months
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final thoughts on season 2 now that ive finished it (not my final thoughts at all, and i will continue to expand, at length and in great detail): i think saying it was good might be going a bit far, but must a tv show be good? is it not enough to watch david tennant and michael sheen be in love?
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liminalpebble · 6 months
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Stray (A Lokitty Tale): Part 2
Part 1 link
A/N: Hi all. This began as a prompt suggestion by @mischief2sarawr and has since grown three heads and answers to no one. It's now a multipart, very fluffy, story about Lokitty. I have no idea where I'm going with this except definitely to the comfort district of fluff town...maybe driving through a little traffic jam of angst on the way there.
Synopsis: It's 1971 and you're a single shop girl living in the tumultuous, often damp, city of Seattle, feeling lost and alone. Meanwhile, Loki (under the guise of D.B. Cooper) is on the run from Thor the moment he jumped out of that plane. After crash landing in a dumpster and disguising himself as a stray cat to lay low, he becomes your beloved feline room mate and an unusual friendship begins to grow.
Stray: Part 2
While the human was away, Loki sprawled out his long Asgardian body across your floor, passing the time with your extensive collection of books. It felt good to him, having arms and legs to stretch again, and opposable thumbs to turn the pages. Staying in a conjured form for too long could be taxing, and the breaks would be welcome, especially since he couldn't be sure how long this little arrangement might continue.
The god of mischief smiled a bit to himself, recalling how you had bustled around in your little uniform, getting ready for your day. You were obviously in a hurry, but you still took the time to stroke his fur and scratch under his chin while you talked to him.
“Good morning, little guy. I left some food out for you and the heater on. I'll be home late...hopefully with all the stuff you might need. Please don't pee in my shoes.”
Suddenly you stopped and rolled your eyes, raising up again to hurry out the door. “Jesus Christ, I'm talking to the cat again.”
Loki chuckled at that (well, meowed with amusement) and found, to his horror, that he was actually sad to lose your company for the day. He found he was becoming very curious about you.
Well, come on, he told himself, it's just that you're naturally curious and it's not like you have much else to occupy your time for now. Might as well observe the mortal.
Satisfied with his rationalization, he listened for the door to click shut and your heels to click down the hall. Once he was sure you were gone he returned to his usual body, and busied himself with your bookshelf, running his pale graceful fingers over the spines with delight.
She certainly has eclectic taste, he mused. The little apartment was crowded with books of all kinds; everything from Shakespeare to comic books, and where there weren't books, there were tidy stacks of records (again, a very eclectic assortment). His took it all in with gusto, fascinated by his choices of entertainment.
He blazed through several mystery novels (which were underwhelming as he was always well ahead of the reveal). Seeking the next read, his perceptive eyes landed on an antique volume, Norse Mythology. He smirked as he slid the book into his palm.
Now this should be interesting.
In a predictably self-indulgent move, he looked for an entry about himself, landing unfortunately on a beautifully illustrated page about Thor. He crinkled his nose in disgust and let the book drop to the floor, but as the tome landed with a thunk, it dropped open to the chapter with his name as the title. He lowered himself to the floor, laying on his belly as he read about his glorious self.
The description wasn't the most flattering. It painted the trickster god as a cruel and violent nuisance, but he had to admit that wasn't entirely inaccurate. There was, however, a glorious illustration in the style of an illuminated manuscript. Green and gold calligraphy snaked out the letters of his name and below it was a very handsome illustration highlighting his bright kaleidoscopic eyes and sharp rakish face (although they always got the hair wrong by painting it a garish shade of red). Oh well, what could one expect from foolish mortals.
His musing was suddenly interrupted by the sound of heels clicking down the hallway. In a panic he looked outside and realized it was already dusk. He had lost track of the time. As he heard your jostling and struggling to unlock the door one-handed, he quickly changed back to his feline form. Loki realized, a moment too late, that he hadn't had time to put the books back from where they laid sprawled out on the floor where he had been reading.
You finally shouldered your way inside, huffing and puffing, arms loaded with a heavy shopping bag. You set it down carefully and kicked your heels off forcefully, feeling weirdly satisfied that they smacked against the wall. (You always hated the damn things, and tended to punish them like this for the pain inflicted on your feet each day).
You smiled to where the sleek black cat was laying with his paws crossed delicately over the pages of a book, tail flicking lazily as if this wasn't at all odd. Loki noticed the quizzical expression on your face as you noticed the books on the floor. “Hey, buddy,” you chirped sweetly, “How the hell did you knock these off?”
“Mrrow,” the cat grumbled.
“Okay, okay. Keep your secrets you little magician,” you said, joining him on the floor and collecting the books. When you came to the volume under his paws, he refused to move them. He thought indignantly, I'm not done reading this! Though he was well aware he wouldn't be getting his way.
“Hrmmm,” you hummed, “Loki, the trickster...” as you traced your hand over the gold script. “He was always my favorite of the Norse gods, you know?”
“Meow?”
“Yeah! The tricksters always make life interesting, right?”
“Meroww.”
“See. I knew you'd agree with me.” You put a pensive finger to your lips. “He'd probably be a good namesake for your, huh, you mischievous scamp? I guess it's better than calling you “buddy” or “little guy” all the time.”
I should damn well think so, madam.
Loki watched curiously as you rose you to your feet, digging something out of your kitchen junk drawer. “Aha!” you exclaimed as you pulled out a green leather watchband (the clock was broken then lost long ago). Pulling out a marker you carefully wrote the name “Loki” in clear block letters on the tattered leather, then gently fastened the band around his neck. Smiling and stroking his fur with your warm hand you said, “Okay, Loki. You look very handsome,” you declared massaging his velvety cheeks with your thumbs. In return, you introduced yourself, saying your name and shaking his paw. “Nice to meet you, Loki.”
Loki wanted to protest this patronization, but your affection felt so pleasant, and it gave him a warm feeling to hear you call him “handsome”.
“Oh! I have...uh...stuff. I think this is the right stuff...Here, look, I've got a litter box and a little bed for you and I got a few different kinds of food. I'm not sure which one you might like best.”
You stopped abruptly, saying once again under your breath, “Jesus Christ...talking to the cat again, you lonely weirdo.”
Loki shot a paw out, tapping your arm and then nuzzling into it. And although you knew it couldn't be more than an animal trying to use you as a heating pad, it seemed like he was trying to say thank you, trying to say that he liked you talking to him and doting on him...and that he wanted to be held.
Crazy...I'm going crazy. I'm a crazy lonely cat lady, and I'm gonna die alone here someday and this cat is going to eat my eyeballs.
Still, it tugged your heartstrings as the little tomcat reached out its paws to your shoulders meowing and purring gently as it attempted to climb into your arms...and who were you to deny him?
Hesitantly, you reached out and held him against you, stroking gently and nuzzling your face against him.
You said quietly with a note of grateful awe, “Awww. I didn't expect you to be such an affectionate little guy.”
Neither did I. Loki thought, even more surprised than you were.
@mischief2sarawr @ladyofthestayingpower @acidcasualties @unlucky-number-13 @goblingirlsarah @gigglingtiggerv2 @lokihiddleston @lokischambermaid @lokisgoodgirl @marcotheflychair @smolvenger @alexakeyloveloki @littlespaceyelf @loopsisloops @joyful-enchantress @eleniblue @loz-3 @the-haven-of-fiction @sweetsigyn @muddyorbs @icytrickster17 @holdmytesseract @thenerdyoldersister @thedistractedagglomeration @sailorholly @peachyjinx @coldnique @sarahscribbles @peaches1958 @infinitystoner @mischiefmaker615 @coldnique @jennyggggrrr @tripleyeeet @itsybitchylittlewitchy @mochie85 @huntress-artemiss
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samijey · 2 months
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broke my promise to myself and actually watched the jey/gunther match and let me tell you... whoever booked that finish wanted jey to look like an idiot. mega rant under the cut which you should honestly read im not your mama but you should read it
he splashes gunther after getting dominated for 80% of the match and an (honestly underwhelming) spear and we're meant to believe the +2yr champion who's beaten virtually everyone on the roster (including drew who recently beat jey TWICE) was about to be defeated right there?......okay............ but it gets worse
when the referee (for no real good reason) stops the count at 2 after jimmy rings the bell, jey "forgets" about gunther and turns his back to him, allowing gunther to get back up almost IMMEDIATELY (remember we were meant to think he was about to be beaten 5 seconds earlier) yet jey quickly superkicks him BUT THEN decides to dive at jimmy on the outside instead of going directly for another splash (girl help) so ofc when he does go for the splash, gunther gets the knees up, and to add a cherry on top of this shit sunday, pins jey right there after performing no extra offense - doesn't even roll him up, jey just lies there flat on his back and gets pinned (while michael cole screams "GUNTHER ROLLS UP JEY USO" to make me even more mad, apparently, as zero actual rolling takes place in the ring - just a leg hook & weight on the shoulders combo... and not a particularly vicious one either) I just ??????
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and of-fucking-course as the TV feed gets cut, cue cody and punk who come out all smiles ready to do the usual fanservice routine for the live crowd and suddenly jey is mostly done selling what just happened and is smiling along with whatever you wanna call it - sending the crowd home happy?? since when did that become mandatory for broadcast shows??? why can't emotionally devastating moments count just as much when it comes to delivering a satisfying ending to the live crowd??? are you telling me they couldnt have had jey walk to the back WHILE SELLING the heartbreak/frustration of what happened and THEN send cody out to do the fanservice thing??? fuck maintaining suspension of disbelief I guess - you can't even argue that "it's fine it was just a treat for the live crowd" because WWE has posted the footage everywhere and promoted it heavily.
imagine if after the camera stopped rolling at last year's rumble, sami had got up, undone kevin's handcuffs and they both hugged and cut a cheerful promo at the crowd - everyone would've blasted wwe for undermining the impact of that finish and not letting the moment breathe.
here's another, even more similar example - remember what happened after summerslam when jimmy attacked jey? he sold the devastation of the moment all the way until he exited the arena, so why is this any different? because it's "just" TV and not a PPV? nah, i'll tell you why: because wwe does not give a shit about this current version of jey's character - he's there to spew the same catchphrase 100x an hour (because it sells merch and pops the crowd let's be honest), display a grand total of two personality traits, and rub his popularity off onto the people wwe actually consider stars
for comparison - you cannot tell me that if it was cody in this position (just lost an important match thanks to the most important person in his life + got attacked by them on top of it) wwe wouldn't have had him look devastated or cut an emotional, tearful promo that would've then been posted and promoted everywhere
"chill, it's not that serious" my apologies for wanting something i love (and KNOW can be so much better with minimal effort) to have a basic level of logic and thought put into it, it's not like wrestling booking is rocket science and we know wwe is NOT incapable of actually delivering good stuff 🤷??? the standards for this show are so damn low and seeing no one else be bothered by it does my fucking head in ouch ouch wheres the aspirin bye
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retrieve-the-kraken · 1 month
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Okay, I need to rewatch that, because once again, I watched it with too much trepidation, too much wanting to know what would happen, what the end would be...
Preliminary thoughts: it started out very strong, with those two conversations, but then I felt a little underwhelmed because of how rushed it felt, how much they had to squeeze into 57 minutes, how some important plot lines were left hanging whilst others felt like they could have been left hanging (because not everything gets resolved always), and because it was ultimately a bit cheesy.
But there were some moments that were really satisfying...
Did I feel disappointed at times? Yes. Was it predictable? Oh yes. But did I love it anyway? Absolutely. Did I scream when Wilhelm looked at the camera? You bet I did.
I'm gonna need to rewatch the whole season again, together with the last episode, to make it more flowy. And then I'll finish my thoughts.
The prayers worked, and it was good, and that's all that matters.
OH AND THE DOCUMENTARY!!!!
I loved it, I loved seeing all these little moments between everyone, I loved seeing their auditions, I loved seeing them talk so beautifully about each other. I cried when they cried. When Lisa started sobbing in Edvin's arms... my god...
My only complaint is that it needed more bloopers. Give us all the bloopers.
Also that I would have liked to see more of the intimacy coordinating process, because it's fascinating and I love that it's become a thing now and I wish more shows keep doing it.
Also I wish they showed the song-writing process for Simon's song and for the Revolution song!!! That would have been beautiful.
Thank you, Lisa. Thank you, Edvin. Thank you, Omar. Thank you, Nikita. Thank you, Sara. Thank you, Malte.
TACK FÖR ALLT.
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gidaryeong · 2 months
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Sejak episode 16
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So daebi said: just marry this crossdressing weirdo that you're sexually obsessed with and have an heir, it's fine idec at this point. And Yi In didn't immediately jump on that but was like, well mom if you want it then I'm NOT going to do it 😤
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Since this is the final installment I want to officially thank Sang-hwa for his service to the crown! His loyalty and diligence is only rivaled by his commitment to the bit. One of my favorite scenes in this entire show is the Gay Rumor era where he sprints off with the swiftness of Hermes to fetch the king's boyfriend some candy
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I must say I wish they would've talked more baduk when they play baduk. They always debate their real life issues and the game is just something they dabble with in the background, the way I embroider things while watching TV, but they could be meta-talking about baduk strategies in a way that convinces us that this really is their Mutual Obsession while simultaneously shedding light on their personalities. Is Mong-woo an aggressive and haphazard player? Is she more intuitive or more calculating? Has she memorized previous games or does she not have to, because she's operating on Pure Vibes? I still don't know what they're like as players, or if the king is ever close to winning, or if Mong-woo is getting kinda bored of playing against him because he never puts up a real fight. (And how does that then translate to their sexual relationship: she told her dad from the start that she'd only marry someone who could beat her.) In their first game they didn't speak a word because they were so absorbed, and they didn't even notice it had begun to rain -- I liked that much better, because if Mong-woo is the greatest baduk genius in the world then she would be more obsessive about it, almost to the detriment of their relationship, like Beth in The Queen's Gambit. She'd want to go to Qing for the challenge and thrill of playing the Emperor, not (only) for her country and king and father. Okay sorry rant over.
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Sometimes I pounce on my partner like this when he's just about to leave for the supermarket and I say "kdrama back hug 🥺" and he's always very patient with this extremely annoying behavior
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"I cannot send Mong-woo to the Qing alone. So I'll choose the violent criminal who tried to stab me and instead stabbed her. He'll keep her safe."
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Sure this is satisfying but did we have to spend so much time on this when we've got like 45 minutes airtime left to show Mong-woo's life-changing trip to Qing? Let me see her play the Emperor and pretend to lose! Let me see her flirt with the imperial harem and gain friends and enemies in court!!! Also: how did her father react to her crossdressing (since she gave it up when Myung-ha threatened to tell daddy)?
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Shin Se-kyung having to teach worthless noblemen on how to start a fire is a must for any sageuk. To me.
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It’s actually very sweet that everyone's just treating her like the princess now. But what's going to happen with the real princess? Another thing that they could have wrapped up instead of...
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THIS. So writernim introduced this guy as a new threat in the last ep and then resolved it with no tension or conflict. Another thing that we could maybe have just have skipped in favor of Mong-woo Wreaking Havoc in the Imperial City.
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PLEASE I don't understand anything!!! So they'll stay together forever now. But Mong-woo doesn't want to be his concubine (she'd resent him). And Yi In has no apparent plans to abdicate (he'll be king until he dies). Is she going to stay on as gidaryeong, and if so, why didn't she return to her station right away but tried to sneak away?
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It’s so funny that she just gave up and told him her name anyway lmaooo. She was like baby you'll never beat me let's not pretend ❤️
Despite my ranting I did love this drama very much!! A fantastic set up with a somewhat underwhelming execution is my sweet spot because it means I can write fic about it 🫶
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amethystina · 2 months
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Hey! Just wanted to tell you how deeply in love I am with Who Holds the Devil. This is a stunning story, it's so in character and so realistic, it's really like S2 that you chose to bless us with. Of course I love the show's ending, but it leaves so much up in the air that seeing it explored in such meticulous detail is a blessing! Wishing you all the inspiration and joy. When they FINALLY kiss, I'm going to lose my mind, lol.
Hi! Thank you so much! 💜
I feel you on the ending of the drama. I think it was a pretty satisfying ending considering everything that had happened, but it's true that it left a lot unsaid, unresolved, and unexplored. And so, unsurprisingly, my first thought was that I wanted to know what happened next. But I also soon realised that the only way I would get it exactly the way I wanted was to write it myself, so here we are.
Tale as old as time xD
I didn't set out to write what is essentially turning out to be a second season, though, (my timeline for the first draft was very contained and to the point!) but as I started writing I just couldn't help going deeper and deeper, adding more and more details. I guess because the characters are just that interesting? And there's just so much potential? And so much to explore? Every character has so much room to grow!
How could I possibly cut any of that out?
So yeah. I just can't help myself. And I'm so happy to hear that the characters feel accurate and realistic! I think that's probably one of my trademarks by now — I make a sport out of trying to capture the characters' personalities as well as possible. And so it's very satisfying to hear that I've managed! Thank you!
As for when they finally kiss, I'm probably going to have a mental breakdown when we reach that point, simply due to the pressure I'll be under. What if I don't deliver? What if it's not what everyone is hoping it'll be? I'll never be able to forgive myself if the kiss ends up being underwhelming after such a long wait x'D
Like, I know exactly how and when it'll happen (not when as in which chapter but at which stage in the story) but I also have to write it well. At that point, I will have put you all through such a long, drawn-out slow burn that the stakes will be incredibly high. And I am terrified of disappointing you.
But, that said, I'm too stubborn (and too fond of this story) to let that stop me. So we'll get there eventually! And I hope you will enjoy it when we do! And that the road there will be just as enjoyable as it has been so far!
Thank you so much for the kind words 💜
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color-cacophony · 6 months
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I was going to make a Big Official Review Post about Rayman in the Phantom Show but I don't really have enough complete thoughts to make something comprehensive and organized, but I still want to share some points from my experience with it so uhhh without further ado, here's a bunch of thoughts on what dazzled me and what I thought could have been done better.
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Here I go...
I'll start with the stuff that bugged me first because I don't like to end on a bad note:
I think the biggest issue is that giving the player the option to complete each set in any order diminishes the opportunity to have a linear story. Without a series of events building up to the finale, the actual climax doesn't feel as grand or substantial as it should be (it definitely feels like a few lines were cut from the moments before Phantom's first verse with how abruptly it starts). It would have felt more immersive to see actual scenes of the heroes trying to play their roles and have more varied quests based on puzzles or even characters and dialogue (like the search for Sweetlopek's stolen axe), all whilst gradually putting the pieces together that they were led into a trap.
Speaking of putting the pieces together, it would've paid off to have Beep-0 learn from his own arrogance in the past instead of repeating his assertion that he knew what Phantom was up to all along. That part made me kind of sad because I really like Beep-0 and it seemed like they were setting him up to eventually become less uptight and more open to admitting his mistakes, which would be more satisfying and obvious!
As we all know, Beep-0 isn't the only one who repeated himself. I remember an exchange I had with @randomrabbidramblings about our predictions for what would happen in the climax; they were hoping the final showdown with Phantom would not be redundant with his first encounter, having the same battle gimmick as before. Unfortunately that is, in fact, what they ended up doing. While framing it as Phantom being unoriginal or making a callback helps it a little bit, ultimately it made me feel let down (although I love Beep-0's delivery when he reiterates his line from Kingdom Battle. he means business).
As for the aftermath of the battle, I want to know where Phantom went. There doesn't seem to be any sign of him anywhere in the studio. It's really odd, given how this was supposed to be his grand comeback (alongside Rayman, of course), but we don't get even a simple explanation of what happened to him after he was defeated for the second time, unless I missed something. I presume this is his last major appearance in a game (unless they decide to do something completely different with him in the distant future??? wishful thinking but not ruling it out!), so it's a strangely underwhelming and mysterious send-off to our beloved ghostly diva. I would have been bummed that we didn't get lore paintings for him, but the memory entry summarizing his surprisingly short-lived career actually made me laugh and honestly, the thought of him only releasing one album and becoming so well-known just because he's notoriously a huge jerk and a producer of incredibly terrible films is so in-character for him.
Another choice I found unusual was the lack of any explanation as to how he got his voice back, since it's been established that he screwed it up by overdoing it. Although, they must have dismissed it knowing that not everyone is going to find the mural containing the only source of that detail. His voice could have healed over time anyway, but it just doesn't entirely make sense that they don't acknowledge it at all (I did see @bramble-scramble 's post mentioning a detail @randomrabbidramblings pointed out where a gramophone can be seen in a box in the studio's control room and it is supposedly the one Phantom replaced with a new one when he messed it up, but even if that's true, it's still a bit easy to miss).
I understand that a lot of these issues were due to restraints since it's only a DLC and they could only fit so much in, but that goes to show that this concept is a little too big for a DLC, but not quite big enough for a full game.
Now, for the things I loved...
I must give massive props to the artists and animators for taking reference from multiple Rayman games and essentially making the pinnacle of his goofiness. Rayman was HIGHLY entertaining to see (and listen to, thanks to David Gasman) and very lovable in this! And the way his dynamic with Rabbid Peach and Rabbid Mario changes up until the end where he becomes friends with them and realizes that he can work with the Rabbids now instead of against them it's just 🥺 awgh... It feels cheesy to talk about it but it really does make me happy now that Rayman has a chance to be an equal to the Rabbids and have something resembling a mutual understanding.
I appreciate them bringing back characters from the main game and giving them their own sets. Fittingly enough, it's like a curtain call for the final installment of SoH.
The return of Beep-0's swearing. SERIOUSLY IT'S SUCH A SMALL THING BUT IT DELIGHTED ME
The studio's lobby is gorgeous. Absolutely STUNNING I love all the details and the music notation motifs on everything.
Honestly the rest of this is just going to be me gushing about Phantom hehehe...
First of all, I was completely awestruck at the decision to give him a swing/jazz sequence because I love the aesthetic of the whole sassy big band musical number kind of thing so when I saw that Phantom was going to do that I went INSANE. The animation in the song sequences is absolutely top tier. Phantom is ALL OVER THE PLACE, very charming, very energetic. The swing bit made me realize just how unbelievably coordinated he is. Like when he's zipping and spinning around the stage and it doesn't affect his singing at all? Holy crap. Then, I went even MORE insane when rock/metal Phantom showed up. I would have wanted a verse in that style too, but I get that it was cut because it would mess up the pacing of the battle.
I love Phantom's inability to contain his excitement at the start of the battle, his annoyed lines when you destroy the lights, his smug remarks even when he's taking damage. He's just so- I'm just gonna say it- so freaking cute in this! His line deliveries in general made me fall so hard for him, especially "were you EVER a thing, Rayman?". The way he drops his voice sounds so cool...
Regarding his abilities, I thought they were going to explain why he could turn people to stone in Kingdom Battle, but they simply took that detail away. I don't have a big problem with this, as the Stone Deaf ability could have been part of the Megabug's influence (and it makes him at least a bit less OP lol). I'm also satisfied to finally know that he can indeed phase through things like any other ghost and isn't limited to just teleporting.
His death acting has definitely improved since last time, in that it's silly and makes me smile instead of just making me feel embarrassed lol.
So uummmm yeah that's all the noteworthy stuff I can think of! Overall I thought the DLC was delightful during my playthrough, but after I finished it I felt kind of sad because it just didn't feel "thorough". However, given that Sparks of Hope generally improved on so many aspects from the last game, I'm confident that they'll keep adding and experimenting with more characterizations and scenarios and make something even better if they decide to continue with Mario + Rabbids. And even if they don't, we'll always have the amazing fans to continue the story and put even more wonder into this wild crossed-over universe!
Anyway, thank you for reading through this highly disorganized rant/gush! And while I'm at it, thank you to everybody in the Mario + Rabbids community for making such amazing art and just being here to share our love for the series. That means thank you to @randomrabbidramblings @bramble-scramble @salamifuposey @hostess-of-horror @phandrow @pastelprince18 @critterzone13 @hostdoozy @majorpepperidge and more! You guys are super cool and I appreciate you even though I've never directly interacted with all of you, hehe. I suppose all I have left to say is goodnight, so goodnight/day everyone! Until next time I decide to dump more nonsense onto your dashboard :D
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linkspooky · 7 months
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Spoilers if you still haven't read the new jjk leaks so...
I really cant believe that your prediction of Gojo's battle ending up like Kaneki's beatdown has come full circle...my God even the one where he is lying dead chopped up with no arms and legs is exactly the same.
What are your thoughts on the conclusion of this battle or the whole progression of the story rn,because this really cemented Gege's bad writing at its finest for me.Such a lamest and most underwhelming death granted to one of the most well written character of the series with an offscreen death coupled with his whole afterlife dialogues dickriding Sukuna saying he wouldn't have stood a chance even without sukuna using 10s when the whole battle contradicts this,then Nanami telling Gojo that they always knew Gojo was a battle junkie and didn't care for others,committing a massive character assassination.Just why did Gege had to butcher his character this much?Im so livid right now with the way his death was executed and Gojo's character arc without achieving anything in his life and says he doesn't have any regrets and satisfied? I decided to drop the series because this all left a sour taste in my mouth and knows that there are more ridiculous asspulls to come in the future.But there are some theories going online saying Gojo will come back by rebirth or as a vengeful spirit by going North and correlating to the Lotus flowers in the panels.I still dont believe this will happen since Gege ruined the character for good,but I need to know your predictions on this one too to huff on my tiny amount of copium.
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I CALLED IT! *EVERYONE BEGINS HIGH FIVING ME*
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Besides the fact that I have proven without a doubt that I can see the future and therefore I can tell everyone with confidence Megumi will live until the end of the manga (this is a joke, or is it?), I have some more to say on the rest of your ask anon.
I'm not going to comment on whether or not I think this is good or bad writing. For me the question is not "is Gojo's death written well?" but rather "What does Gojo's death mean for the story?"
I'll address some parts of your ask and remember I'm not really agreeing or disagreeing with you, just trying to analyze why Gege made the story choices that he did.
with an offscreen death coupled with his whole afterlife dialogues dickriding Sukuna saying he wouldn't have stood a chance even without sukuna using 10s when the whole battle contradicts this
In this case I believe Gege offscreening the death is a pretty classic bait and switch. It happens exactly the same way that Kaneki's fight happens in chapter 143 of Tokyo Ghoul: Re, we as the audience see a build up to a big climactic fight between Kaneki and Juzou two of the most powerful characters in the manga only to literally skip the entire fight and show it's conclusion: Kaneki limbless on the ground.
It inspired a huge controversy back in the old days of the Tokyo Ghoul fandom too, imagine if instead of just skipping the final moment of the fight we skipped the ENTIRE fight between Gojo and Sukuna. Just Nah, I'll Win *Smash Cut to Gojo cut in half* The last chapter also ends with this, declaring Gojo's victory.
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My friend Comun said basically after this Gojo was guaranteed to lose because in shonen manga the second a character is entertain that they'll win they have the rug pulled out from underneath them. It's the same reason that when you're making a plan to have a heist in a heist movie you whisper it at first instead of explaining the whole plan ahead of time. If you just explain the whole plan and everything goes according to plan you've spoiled your own story.
In other words the classic bait and switch the audience is led to believe one thing and then slapped in the face with something else. This is just my justification for why I think the ending to the fight is offscreened, the same way it is for Kaneki's fight with Juzou, it's almost parodying battle shonen. Jujutsu Kaisen is a story where characters fight, and Gojo and Sukuna is one of the most hyped up fights in the manga, but the fight is not the most important part the characters are. Fight mechanics are important to the story, but they don't trump everything else so less important to the question of how Gojo lost, or even seeing his loss onscreen is the question of why he lost.
In my opinion the reason Gojo lost is because he was fighting for the wrong reasons, he cared far more about winning a satisfying fight then he did saving Megumi the kid he was responsible for. Gojo is kind of like the audience, he cares more about the battle aspect of shonen manga then the characters, so the author denies both Gojo and the readers their climax.
This is what we call an Anti-Climax.
As a result, the subversion of the climax, the Anticlimax, is probably almost as old. The anticlimax is when you're set up for a climax, such as a spectacular, battle-to-end-all-battles between the hero and the villain. It's built up more and more until the suspense is extremely exciting, and the reader/viewer can't wait for it...then the hero kills the villain in one hit, or the villain spontaneously drops dead [...] Anticlimaxes can work well if it's clear that the subversion of audience expectations is the point, either for humorous purposes [...] or as a more serious commentary on the genre of the work.
It's alright if you're disappointed though because fights are one of the main draws of the series, I'm just explaining the trope that's at work here. As for Gojo saying he wouldn't have stood a chance against Sukuna if he was going all-out I'm not sure precisely that's what he said. He just says he's unsure he would have beaten him even without the ten-shadows, that it would have been close. It's also not completely out of left field that Gojo found Sukuna challenging.
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We are told beforehand that Sukuna is holding back a move, because Gojo only has to defeat Sukuna, while Sukuna has to do a boss-rush marathon and beat Gojo and everyone who comes after him. We also receive this piece of foreshadowing, Sukuna saying "Very Good" after Mahoraga succesfully cleaves off Gojo's arm which was likely him learning the technique that he'd use to finish Gojo. He even called Mahoraga his shadow.
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Someone else pointed out that Sukuna was also winning the domain battles pretty thoroughly before Sukuna started to use the TenShadows in the fight so I don't think Gojo's statement of how he could have won with his techniques was that out of left field.
If it were not for Sukuna's whim of wanting to use Mahoraga, he would have beaten Satoru and it is even implied that Sukuna allowed himself to be hit so that Mahoraga would adapt to Satoru's infinity. Even in their activation of domains Gojo had to destroy and regenerate his brain five times while Sukuna didn't have this problem, this is because Sukuna didn't lose his domain as many times as Satoru because we must not forget that Sukuna's domain doesn't need barrier like Gojo's so it was easier to destroy Satoru's domain than Sukuna's.
Yet another person also pointed out that Gojo acting completely on top of his game the whole fight and confident in his victory, and yet seemingly contradicting that at the end by saying he might have lost even if Sukuna didn't have the Ten SHadows makes sense if you consider the fact that Gojo was putting on a show for his students. He had to appear absolutely confident he was going to win in front of them to make them feel safe. Whereas, with Geto he's with a peer so he can be more honest about what he thought his chances were.
There's another shift after the opening stage of their fight in chapter 224. What always stuck out to me from that chapter was Gojo noticing that their fight was being broadcasted. After he spots Mei Mei's crows, Gojo never, not once, for the remainder of the fight expresses doubt in himself in any outward way. We see frustration, we see anger, we see surprise, but never doubt. Never worry. And what does he say as soon as he get's the upper hand in the fight?
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As for the final part of your post:
Im so livid right now with the way his death was executed and Gojo's character arc without achieving anything in his life and says he doesn't have any regrets and satisfied?
I don't think Gojo said he was satisfied. In fact it's the opposite.
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Gojo's unsatisfied because of two reasons, number one he wasn't able to push Sukuna into giving his all, and number two that Geto wasn't among the people who were saying goodbye to him before he went off to fight. I did an entire post, on why I don't think Gojo is satisfied with his death at all.
However, the TLDR: Version, Gojo could have chosen to fight for two things, number one to be the strongest and number two for the sake of his connections to other people. Gojo chooses the first and he fails at that. He's not only no longer the strongest but he couldn't give Sukuna the fight of his life. He's unsatisfied for that reason. He's also unsatisfied because he deliberately gave up all of his personal connections in life, and chose to only focus on being the strongest. Not only did he fail at being the strongest but he also lost Geto and practically everyone else. If he'd have chosen to fight for personal connections instead then maybe things would be different and Geto would still be alive, and he'd be more satisfied because he could have lived a life with genuine connections to other people, but that's not what he chose.
If anything I think it's there to connect him to TOji and the way they died. They both die offscreen and die standing on their feet. In Toji's final moments he thinks he only chose to fight for his personal pride but then Megumi flashes by his mind.
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In Gojo's final moments he thinks about how much he regrets that he wasn't able to give Sukuna a true challenge, and then Geto flashes by his mind. He could have chosen to live for something other than pride, the same way Toji could have chosen to live as a father and that possibility flashes before their eyes before their deaths.
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I know some people don't like Curse and the sgi aspect of it but its genuinely one of the darkest Chucky movies to date. It has the same energy as the first Child's Play and that's what I love the gruesome spookiness that the current iterations lack. I know that Bride and Seed are guilty pleasures of mine but I miss when Chucky was an actual threat and was actually intimidating. With the low budget that it has it's extremely remarkable what they've pulled off. Cult has some of that energy left from Curse but it's campy where it doesn't need to be. Sure, Child's play 2 was somewhat comedic but it didn't take away from the horror factor and it wasn't stupid when it came to it's jokes. From 3 onward it was just straight up goofiness and the worst thing a horror series can do is not take itself seriously. I can forgive Bride because of Tiffany because without her that movie wouldn't stand a chance of gaining my affection. Curse is genuinely one of my favorite movies because the tone was creepier than all of the Chucky movies combined it's genuinely unnerving. And his looks were the creepiest of any Chucky doll ever despite him looking off putting in some areas. But when he has stitches revealed he's just so ominous and erie to look at. Stitched up Chucky is so iconic, I'm sad he's not used anymore. Classic plain face Chucky is nice to see and all but I miss my Frankenstein looking freak of a doll. The only gripe I have about Curse is that the death scenes are underwhelming except the rat poison scene leading up to the decapitation car scene and the axe scene near the end where his jaw was completely hacked off. It's a shame Cult has more satisfying kill scenes because I have nit picks about that movie for ages. Maybe I'll learn to love it one day, but until then. Cult honestly can't hold a candle to Curse. And the twist at the end of Curse was just the cherry on top of this blood bath sunday. I didn't like it at first but comparing it to all the other Chucky movies I've grown fond of it more than anything.
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coolpanda41 · 2 months
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SIDE ORDER THOUGHTS
I beat Side Order last night after 3-5 runs and after sleeping on it here are my thoughts (spoilers ahead)
The first ten floors (inital tower) is insane. Not only does it serve as a good tutorial but the dialog and tension is such a good hook
When I got to the first boss, I didn't look to closely and just thought "oh we're fighting Octavio again as the first boss? He's here? OK cool" it was infact NOT Octavio lol. I even took a screen shot before the boss fight and looking at it, yeah definitely not Octavio lol
Honestly so glad the Marina wasn't the main villain, and I'm glad she tags along in the elevator
Speaking of Marina, her and Pearl are so in love here. Like I shipped them before but now with their dialog, the dev diary, even Marina's computer screen being Pearl, they're so canon
Shipping aside, honestly think that the dialog is one of the strongest aspects of this mode as we learn more about the memverse and the character dynamics
I also love Acht, no need to further explain, they're just so cool
Person who's only rouge like experience is hades: man, this is just like hades! (This is a joke, I only said that on vending machine levels)
The levels themselves are fun, all be a bit repetitive at times. It is a rouge like but there 4 different level types (minus bosses) and limited floor design, then again, I've only played 3-5 runs and half of that was with Agent 4's pallet
A little disappointed that agent 4 didn't show up in the flesh but I'm a firm believer that Parallel Canon is supposed to be clones of them because of the matching hair styles with your own and with the completed pallet of 4, Order mentioned that Marina wanted 4 to be security for the memverse so I'm taking those crumbs
Also kinda disappointed that we didn't get more Off the Hook and Dedf1sh songs but the ones we got were good. I like how ebb and flow is kinda like Off the Hook's equivalent of Calimari Inkantation lol
Continuing with music, I like the music but felt like I didn't get to appreciate as much because I was so focused on the level (this is a me thing but still)
Order is a cool villian, bit generic but still cool, I like how his boss fight was foreshadowed as a locker item (it's an in universe Switch game, I forget what's it's called)
In the last phase of Order's boss fight, I got splatted a few times and luckily there wasn't life count so it just gave the option to continue or give up and every time I hit continue I thought "omori did not succumb, agent 8 did not succumb" lol
The credits were beautiful
This is probably the first splatoon story that I'll aim for 100% because there is still a lot to know and learn
Inkopolis Square as a reward was predicted but welcomed, it's really cool to see what has been built up since Splat2
ISO PADRE IS HERE, HE'S FREE, MY MAN IS FREEEEE!!!!!!!!!
A little disappointed that the grate the originally lead to Splat2's story mode is just covered a manhole cover unlike in the plaza but that's just a nickpick on my end
Shout out to that one octoling beside the claw machine saying they miss squid beats, we all do
Honestly still shocked at how fast I beat Side Order lol
Overall, I enjoyed Side Order. Personally, it was a bit underwhelming but I'm satisfied. Like I said, I'll probably be trying for 100% cause the dev diarys, pallets and collectables but for what's it's worth, it's good
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wretchedbirdthing · 5 months
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I don’t want to hate on Lost Word for any reason, that’s not what this is about; I don’t actually care all that much about the game. I just want to put out my own thoughts on their “version” of Aka or what I'll refer to as Shikigami Aya (cause they're wholly two different entities).
(I’ll probably put this under a thingy if it gets too long) (it got too long)
Now, I want to preface this by stating that I am very biased. Very very very and obviously biased towards Aka over Shikigami Aya. So keep that in mind! This is also just my opinion. I believe that despite this, my points still stand.
I also don’t want to talk about the characters themselves, mostly because I’m not fully comfortable in evaluating that (I don’t know if Yukari would wait for someone’s permission before doing something though I’m leaning towards “no” but I’m not comfortable with making a definite answer).
I also haven’t read the event yet cause I’d like to finish all the CDs first just in case the characterization sucks and I don’t want a bad impression of Merry and Renko. So I’ll just be going over the themes from the youtube trailer and the screenshots so graciously posted by neoaya. (I’ll read the story later once I’m done with the CDs.)
Let’s start with the “permission slip” that Yukari obtained from the Tenma. The concept by itself as a plot device is underwhelming to say the least. Having permission given by another character removes Aya’s agency in the process thus making the stakes lower and the story as a whole all the less satisfying. It could’ve been Hatate or any other tengu because it wasn’t their decision, it was the Tenma’s. 
It shifts the characterization towards one of circumstance, rather than being directed by the characters themselves. This isn’t because of Aya’s failings or her character faults or anything she did, it’s because the Tenma said so. But what of Aya? What are her thoughts on it? I don’t know about anyone else, but the Tenma’s reasons and justifications are far less interesting to me than Aya’s reasons and justifications, maybe because we barely know anything about the Tenma. 
It’s not fair to say that it’s bad writing but it’s just unsatisfying and unfulfilling, and just kind of lame. 
Disregarding what I don’t know about shikigami, it’s safe to assume that “becoming a shikigami” is a much greater deal than what’s presented in her profile on the account of what a shikigami is (to put it extremely simply, a shikigami is a spirit shoved into a youkai to make said youkai into a living computer). Aya is stated to be curious about what it’d be like to be a shikigami and that she could always “expose the truth” “if things went awry.” I won’t harp on it too much, but it seems like shikigami aren’t things that shouldn’t be taken so lightly. 
Aya as a shikigami brings such burning questions to my mind. Why would she do such a thing? What made her trust the least trustworthy (probably) youkai in Gensokyo? Did she know what she was getting into before she was turned into a shikigami? Did she know that she’d essentially be a servant to Yukari? Someone who you’d definitely not want to be a servant of? Does she even know what a shikigami is? What could have transpired for a typical youkai to give up their entire life to serve as Yukari’s servant? What do her friends think? What about the other tengu? (I acknowledge that these last two questions could be answered by the event and probably are but the others still stand.)
All these questions and more don’t matter because it wasn’t her decision. She had no control over how she ended up. All the tension and conflict that could arise vanishes. 
And that’s just such a shame.
Before I move on, I just wanted to focus on the “permission slip” given to Yukari by the Tenma. I’m giving it the silly name of a “permission slip” because that’s what it is; a document signed by the Tenma that explicitly states that Yukari has permission to turn Aya into a shikigami. I gave it that name because it’s also infantilizing to the characters involved. Having Yukari not only ask someone for permission but getting a signed note stating that she has permission, as if she’s a child asking their parents if they could go on a field trip, feels so childish, as if she doesn’t have any agency herself. Having Yukari act so cocky towards Aya about having permission and having Aya’s first thought be if Yukari forged the signature and not something that reinforces her position as an independent person reinforces this almost childish nature of the characters.
It just leaves a bad taste in my mouth.
(I said I didn’t want to harp on this but I did anyway, sorry! I will admit that I don’t know much about the tengu and their system of governance but I do know that Aya isn’t too fond of it. I also could be wrong about all of this if it’s discussed in the event.)
Moving onto the next point, that being Aya’s relation with Zenki, the oni that “possesses” her. It seems that Aya isn’t normally “possessed” by Zenki and Zenki only really makes their appearance when Aya uses her “phantasm-level power.”
My feelings and arguments are less concrete and more subjective than the previous point.
I don’t know, as a narrative device, it just seems kind of lame. She’s just normal Aya when she’s not using her powers? Sure she has to listen to Yukari’s rules and everything to keep the powers but still. Aya herself says that she’d “become pathetically weak” if she breaks Yukari’s rules, but her profile states that she’d just go back to having her normal power. I’d probably trust her profile over Aya herself because that's probably what Yukari told her. 
It seems almost “too easy” for Aya to just remain Aya. 
It has potential at least. There’s the irony being so power hungry that you’d do all these (potentially) terrible things to keep it yet you could go back to being normal at any time if only you abandoned that power.
Though it seems like Aya has had some alterations to her personality. She states that she “feels a bit like Ran” occasionally. I’ll give them the benefit of the doubt and not harp on this point too much.
I feel like Shikigami Aya has missed potential at a narrative level due to how her transformation into a shikigami is set up. It makes her backstory and character underwhelming due to her lack of agency and control.
But at the end of the day, it’s a fun, goofy character written for a fun, goofy game for fun, so it doesn’t really matter all that much (I say as I finish writing all of this).
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mygeekcorner · 8 months
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Fine I'll give you some more book asks since you acted all pathetic and reblogged it again and begged for more: 18, 25, 30, 42, 43, 50, 51, 55, 61, 67, 68, 80, 86, 99, 100, 102 (lol), 104, 117, 118, 124. Also you must answer them all in one sitting (no drafting) otherwise the curse of the procrastinating tumblrina will fall upon you
Hahahaha omg yes, brilliant, love it, love you
18 your least favorite book ever
I mean there have been a fair few bad choices I've picked up along the way. But that I actually finished?
I really do think it might have been Twilight. Granted I did go in expecting to hate it, but it still managed to be blander and worse than I thought it had any right to be for a series with such devoted following.
25 a book by your favourite author
I said this in another answer but I don't really have favourite authors like that anymore. There are many good authours out there and I will read a series or two but I don't go looking for their names like I used to. But so far I guess Erin Morgenstern is a 2 for 2 author with very beautiful prose in both The Night Circus and The Starless Sea
30 your favourite middle grade book
So I've already talked about Narnia, HP, and my love for Eva Ibbotson but that was pretty much what I read back then. So I'll just mention Which Witch? by Eva Ibbotson as well. I don't remember many details from it, but I do remember that I laughed my way through it, which is never a bad thing.
42 a book that made you want to scream by the time you got to the end
I remember A Storm of Swords by George RR Martin made me call you and scream at your answering machine lol
It was bad enough that the Red Wedding happened, but then right after we've seen the massacre the next chapter is from Aryas point of view again and it's her and Sandor reaching Riverrun and she is So Close to being with her family again, to being safe. But he is mean and harsh and won't let her run off and if I remember correctly he takes out his fucking axe and hits her in the head with it. And that's how the chapter ends???
I mean obviosuly he hit her with the blunt side and only enough to knock her out, but we have Just Seen how you can't trust anyone, and then she's with this big mean killing machine who she doesn't get along with, and he hits her with an axe??? Fuck man! Rude-ass bitch is what Martin is. But what else is new, you know?
43 a book that you have read more than three times
Harry Potter. And yes, I am well aware about how much we're all hating on Rowling now, please don't misunderstand me. But I had read the first 3 books over 30 times before the series finished. I used to re-read them about once a year. There is not a single book that even comes close to the amount of times I've read them. No, not even Narnia.
50 a book that made you cry a LOT
The Glass Lake by Maeve Binchy fucking wrecked me when I read it in high school. Like it is off to a pretty grim start with a mother leaving her family and them thinking she killed herself as is, but then it gets even More emotional. I remember this one chapter that just left me sitting there shellshocked for the better part of an hour, those of you who have read it will know when.
51 a book that you found underwhelming
Pride and Prejudice by Jane Austen. I know! I'm sorry! I love the movie and bbc miniseries as much as the next hopeless romantic but the book just kind of... didn't live up to it? Reading it you can kind of tell that it is her first novel and certain things are a bit rushed and clumsy. I still enjoyed it, but I was expecting to love it, you know?
55 a book with a satisfying ending
Chronicles of Narnia: The Last Battle. Them dying just felt right to me. Not that I wanted them to die-die of course, but the way that it happens? Yes. It all came full circle and I always found a certain comfort in the way he let them die and stay dead (to our world).
None of this rising from the dead bullshit. Just tell a good story and wrap it up like a neat little bodybag. Only cowards let protagonists rise from the dead. Looking at you JK, yes even when I first read the book.
61 your favourite horror novel
Ok so reminiscing on books I read as a kid has me thinking, one of the books that really had me Scared for real when reading was probably The Witches by Roald Dahl. And like yes, I know, it's a childrens book. But it's a Scary childrens book. And I was a Child. I just remember the horror as he found out he was stuck in a hotel infested with child-eating witches *shudder*
67 your favourite historical fiction novel
Rhett Butler's People by Donald McCaig, I really enjoyed Gone With The Wind, but this published fanfic/spinoff/prequel to that is just so good. It made me care for the characters in a whole new light all over again. And he always was my favourite out of all the original cast so it was nice to have some more ideas about what he had done before Scarlet threw that first vase at him.
68 your favourite piece of classic literature
Can I say Shakespeare here or did it have to be written as books-books? I'm deciding books-books is the premise so I guess I'm putting down Jane Eyre by Charlotte Brontë. I don't like the ending, but after the book mentioned in #86 a bit further down it is better now. And I think it's the classic I've come back to the most so...
80 a book that reminds you of a loved one
The Demon's Lexicon by Sarah Rees Brennan that @hobbitsus lent me in high school was just a blast to read and I remember it fondly. And the whole story is just so very Her from when we were growing up which adds to the love.
86 a book with an insane plot twist
The Eyre Affair by Jasper Fforde. Yes again with me bringing in published fanfic of classic works but the whole premise is so good! There are people who can jump into books? There is someone who manages to jump into an original manuscript, thus changing all the copies of the book? There are detectives working on putting the original Jeyen Eyre back into order when this happens to her? And that is the reason the book ends the way it does??? Amazing.
I never quite liked the ending in Jane Eyre, there is this bit that just seems to come out of nowhere to me. In this book? It's because Detective Thursday was there doing whatever she wanted. This fanfic makes the original work better. But the way it twists to do so? 11/10
99 a book with a strong female protagonist
The Deed of Paksenarrion by Elizabeth Moon gives us all that Girl power Asexuality Forge your own path representation and I am here for it. Does the last book feel like the same series as the first book? Not even slightly. But the books are still a fun ride and I recommend anyone wanting to read about a farmer's daughter running away to join the army and then being actually good at her job give it a try.
100 your favourite gothic novel
ok so in like my mind Gothic should be Old. Old as balls. But I will also admit to Wanting to read books that old more than I Actually read them. So I will be cringe enough to just go with Interview With The Vampire by Anne Rice cause that's the book I loved in high school and the internet lets me classify it as goth even if it doesn't feel right
102 your favourite dark academia read
What even counts as Dark Academia though??? I feel like it should be an ancient and heavy-ass tome but most things I read are quite modern? Can I say The Mists of Avalon by Marion Zimmer Bradley? Like the book took up a good part of my backpack when I read it in school, that should count for something right?
I liked the way it spanned three generations' worth of stories and all the mysticism going on. It was my first Arthurian fiction as well which felt very Big and Impressive at the time.
104 a fluffy, sweet read
A Hundred Pieces Of Me by Lucy Dillon was a really comforting and nice read that I liked way more than I thought I would when it comes to chick lit. I think of that book whenever I try to pick out a vase now lol
117 your favourite anthology
So do we count fairy tales here or no? Cause I kind of want to say Bland Tomtar Och Troll which is that swedish collection of childrens stories that had the most exquisite art in it and I was especially obsessed with the story about the mermaid Akmea who saved the beautiful sailor, or the one with the kindly white lion who showed up in someones yard.
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Sidenote: I went through these old books to find the pictures since google was no help and one has an inscription wishing me a happy 4th birthday, and one has me trying to write my name and it is the most stiltedly awkward penmanship ever and my gosh that's the cutest thing 🥺
118 your favourite short story collection
Hoo.. I don't read a lot of those but when I was in high school they would give out little paperbacks called "Färdlektyr" with assorted short stories and poems and I always looked forward to that semester's edition, does that count?
124 the book you’re currently reading
I started on The Forest Of Stars by Heather Kassner a while back, and realised that the first 5 chapters do not live up to my hopes and so have not read anything since I had to put it down at the end of a lunch break OTL
These were a lot to do in one sitting! I did take a short break for dinner, but otherwise I did do it all in one go, please be happy? :*
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thyenemybeloved · 3 months
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Back with a character redesign this time woooo
I've always been a huge fan of the show Mentalist and I especially love the Red John plotline you know, the entire premise of the show, the red herring tying the whole story together and ended up thoroughly disappointed by how the whole thing went down... The reveal of Red John's identity was so underwhelming to me even more so when I learned that it was basically a last minute decision, explaining why the whole thing was such a cluttered mess that I decided to make my own version of RJ.
I'm pretty satisfied with how he came out in the right picture although I still think I accidentally made him too handsome but it's a pretty self-indulgent redesign anyway. I completely changed his backstory from the series and went a more traditional supervillain route (while keeping a more reasonable and modest background), staying closer to the character's original inspirations (given that he was supposed to be the Moriarty to Jane's Sherlock) and trying my best to keep his personality and goals somewhat consistent and not as disjointed as it was in the series.
I could go on and on about my petpeeves and nitpicks about the treatment his character received in the show but I'll stop here for now lol I'll try compiling a proper essay about it one of these days, I do so love my character studies <3 I'll post more about him eventually so stay tuned for that if you're interested in hearing more about it!
TL;DR: I'm still salty about the resolution of his character arc so I made my own self-indulgent version to help me cope with it &lt;3
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ratasum · 4 months
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Sigh.
I have my reasons for disliking S.otO. I'm not going to list them because I do NOT want to debate them or be told I'm wrong or misunderstanding something. I liked the first drop! I went into this story extremely excited and eager to get into this new world. The second was underwhelming and yes, I absolutely hate what they're doing with Z.ojja as someone who's been a fan of her for a while, and as an asura player who's done the PS multiple times with her.
I don't dislike it because it's not the E.lder D.ragons. I don't dislike it because our title changed. I don't dislike it because it's not anything that came before. I have. My reasons.
I am not saying this to convince anyone to agree with me. If you like it, if you're enjoying it, that's fine! If you're happy with that plot, great, I'm glad for you! Please continue to enjoy it. But I have my reasons. And they are just as valid and legitimate as someone who does like it.
I'm holding out hope that the story will improve, that I'll start to enjoy the writing, or that very VERY obvious plot points they've dropped will be addressed. I'm trying to be optimistic in the face of an update structure that seems unsustainable (and no, I don't want "free content" and this isn't legacy player privilege or anything like that, it's a yearly fee for the same update structure as before and I would rather pay more for longer waits and get a good product and see the devs get to rest).
I am here because I love this game. I have aspects of it I think are narratively very satisfying that people I'm friends with have hated and rewritten and that's completely understandable. We're going to have varying opinions on it and that's okay.
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alienturnip · 2 months
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Finished FF16 a few days ago and I do have some (long) thoughts about it, so I'm noting them down below. Reactions include the Waloed & Origin arcs.
Tagging @zadien as you requested <3 My thoughts won't be organized but I'll try my best to articulate as I go. Wall of text alert!
I think this is yet another case of "the story didn't satisfy me a lot but the characters bewitched me body and soul" so here I am at the end of the roads... with a lot of grievances toward how the story was structured & written but also impossibly attached to the cast haha, needless to say I have fanart ideas planned and incoming.
Things that I enjoyed a lot:
CliveJill's scene with the snow daisies, where she tells Clive that she wants to spread her wings after all this is over. MY GIRLFRIEND... YOU SHALL HAVE THE WORLD.
Jill being so good with acting dkfjsl <3 <3 she's so cute....
Jill being as much of a ruthless mtfk as Clive, they're soooo in tune when it comes to wrecking havoc
Everything about Joshua he brings SO SO MUCH to the table both with his personalities and the themes he represents. I would ramble if not for fear of this post's length...
Dion's contradictory demeanor hahahahaha - he insisted everyone call him "Dion" but wouldn't shut up about "Ifrit" and "Phoenix", he also refused Harpocrates' gift but then gave another to Clive 2 seconds later, then sauntered off without even checking if Clive likes it or not...
I generally bemoan the lack of discussion on Dion's relationship with his country's imperialism and his hands in that (like, everything about him was perfect to address that topic even in very brief ways?), BUT I highly enjoyed Dion's theme about the loss of personhood and to be reduced to a vessel of power and worship, his multifaceted relationship with the concepts of power & duty & hierarchy. So subtly yet powerfully done with so little screen time... I think Clive's own engagement with the theme (which is supposed to be his central theme) comes short in comparison.
Dion's side quest with Harpocrates also scratched my brain in INCREDIBLY ways, but again I won't ramble too much in this post...
(Hahaha by this point I think everyone knows who my fav is)
Dion & Joshua's dialogues are all so well-written (maybe save for Joshua's last speech...)
Everything about Mid & Gav, they're beautifully done, I love them they have such solid places within the narrative and lovely personalities too. When I watched Mid navigating the Entreprise I was just squealing and cheering for her! Her talking about the dream of flight and the danger it might entail, and her plan of turning such a weighted topic into a lighthearted treasure hunt! My gosh 💗 Gav's drinking scene with Clive is also especially touching, I felt a lot for his burdens.
Lady Isabelle may I have your hand in marriage--
Clive holding Joshua or clutching his body...... breaks me every time I love love LOVE tragic siblings
I can honestly write an essay for each of the characters (especially Jill & Dion my thoughts about them are overflowing) but they will have to be separate posts at this point, let me know @zadien (or anyone else reading this 🫣) if you'd like me to talk some more.
NOW onto the criticisms proper...
Waloed & Origin arcs were pretty underwhelming, mostly because I feel like they haven't offered anything new that wasn't already resolved in the previous arcs...? I enjoyed Barnabas' vibe but his impact on me was a big fat 0, and here comes the conundrum because, well, I'm guessing him being emotionless & devoid of a personality is supposed to be the point with his worship of Ultima, but even that was not done well... All his bedroom scenes kinda ruined all of that, not to mention the out-of-nowhere 'mother' appearances that the story doesn't even bother to explore aside from showing her naked body (Benedikta got the same treatment after her death my god I'm so sorry my beloved)...
Idk what I'm supposed to take away from the character and, in consequence, the Waloed arc? I know nothing of who he was, his dialogues didn't even match Clive's growth at that point - again, why is Clive questioning his humanity NOW of all time, when the story has been going so well? Could they have, idk, shown Clive's fear coming back to him after reuniting with Joshua & discovering Dion's descend to madness, so that they can segue into the Waloed arc more smoothly - that despite Clive's best intention he may lose all his control at the most crucial point and ruin all that he holds dear (like Dion), and that he never let go of his guilt at Phoenix Gate, and having Joshua back unwittingly brought back the nightmares he'd lived with for 13 years? Maybe that would give his identity crisis at the beach some more substance instead of "Barnabas bested me twice and now I'm wet and sat" situation he got going on... I am thankful for Mid & Dion's arc & CliveJill romance & everything about Joshua but the main villain & plot points felt so distant... MY BRAIN WAS NOT SCRATCHED
(I adore Mid & Dion & Joshua hahaha they're so colorful in 3 entirely different directions, my silly children)
I am also not really convinced by Ultima's writing. The plot reveal of him being a God who created humanity but then abandoned us all *could* have been pretty powerful and on point if it wasn't executed in such fragmented ways. If only they dig deeper into one or two specific aspects of that concept to explore...
I am especially fond of the idea of Ultima as symbolic for "the absent parent" and "the narcissistic parent" (both in the intimate familial context and the wider context of head-of-state/leader figures), which could have paralleled SO WELL with Anabella & Sylvestre & EVEN ELWIN had they not cut off Anabella's presence immediately after her death, or had they make Dion reflect deeper upon his relationship with his father beyond "I killed him I am so sad", or had they make Joshua's and Clive's memories of Elwin more complicated - maybe in how they (especially Joshua) worshipped his as their father & leader, but less so as a man, someone human & flawed? And then they can explore how the children gaining autonomy & freedom despite their parents & the circumstances that shaped their childhood as a direct mirror to them breaking away from Ultima? The frustrating thing is, I THINK they did try to do that, what with all the Inner Voice snippets and the initial buildups and all, but the execution keeps coming up short...
Ultima & the Eikons as symbols of "power that binds & enthralls" in contradiction with Clive's fight for a "free world" could've been much more relevant and poignant if maybe they allowed us to get more invested in Ultima's backstory (flashback cutscenes perhaps? more involved murals? a more multifaceted discussion around the concept of will? some attempts at humanizing Ultima's race so that when Clive says "you're just like us" we feel it a bit deeper?) instead of just having the guy monotonously narrating all the plot twists... my god. Not to mention all the on-the-nose dialogues of power of friendship & crude slavery allegories... I don't know! I think Square did NOT do it well in this one.
That's all I can pull from the top of my head at the moment! Ready to hop into replies or asks to talk some more, but yea!
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