#iirc she was only relevant during the finale

[jacquesthepigeon]

The Collector was initially supposed to be Volpina 2 apparently, the Volpina script has a note saying that they were planning to reakumatize Lila in the first episode of S2 in order to set her up as antagonist throughout the entire season.

God could imagine if she had been relevant that season at all

#iirc she was only relevant during the finale #i could be wrong tho #anon #ask

[asocialmoth]

Library of Ruina endgame spoilers

I feel like the only reason the Carmen flashbacks in between each phase in the Keter Realization were only put there because there was no other place to put them. The Keter Realization, when you break it down, was Angela's demonstration of The Knowing I. Yes sure, Carmen is the opponent here, but her relevance in the realization comes from her relationship with Angela, not Carmen's character herself. Additionally, Carmen's screen dialogue and the forms she takes are distorted mirrors of Angela, she herself is not traumadumping during battle. She is instead opposing Angela's choice to give up her newfound humanity to release the Seed of Light.

Bloodbath and Snow Queen are heavily associated with Carmen, however in the context of the realization they are attuned to Angela. As Bloodbath represents Carmen's decision to sacrifice herself under the burden of everyone's wishes and Ayin's decision to fulfill hers, it represents the expectations and burden that were put upon Angela. To become Carmen, to be the machine to lead them out of the pits of hell, and to wield freedom of choice to make the right decisions in the end. Her fight against Wrist Cutter represents that while she may be burdened, she still strives to move forward, wielding the true freedom she has and not sinking to despair, for herself and for everyone.

I don't really understand the Heart of Aspiration too well, but the gist is that it represents how a person with big aspirations must have a strong heart to match, lest they be overwhelmed. Carmen, having said to be have a weak heart iirc and she definitely had/has big aspirations, would be the perfect match for the Heart of Aspiration. And yet, the screen dialogue in this fight is about Angela's former aspiration to become a real human to match Carmen's image and memories for Ayin's favor, and about how she at this very moment can stand straight on her own feet with the discretion to live her own life.

Pinnochio is really straight forward. It's literally not related to Carmen at all, its about Angela's trauma with the script and her endeavors to become human. Her fight with Marionette represents her willingness to take responsibility for her own actions so that she may grow to be better and live on so that she may find herself happier next time.

The Snow Queen is again, very Carmen related due to her Lob Corp story log implying that the Snow Queen resonates with Ayin's memories of Carmen in the cryo-coffin, but it also ends with his memories of Angela waking up, his heart frozen in juxtoposition to Angela's inserted memories. Frost Splinter's dialogue involves her laments that she is alone and cold, referencing how the kind heart she woke up to turned out to be cold, and the rest of her life she thought herself to be alone causing her to build a frozen fortress of solitude to protect her own frozen heart. But Angela knows that she is not alone, she has people that she wants to stand with and protect, knowing that everything she's been through truly wasn't meaningless.

Finally, the Silent Girl. While she might be the abnormality one might least expect for the finale, there is no one more qualified. If the realization truly was about Carmen, WhiteNight would serve much better, but as I have explained, it's not about Carmen, is it?

Impuritas Civitatis was the name of Library of Ruina's final chapter. It means Impurity of the City. We do not know much about what the Head considers Impurities, except for one. AI, just like Angela. As has been discussed all this time, this realization is about Angela's resolve to give up her humanity in order to move forward.

Thanks to the imagery present in Meurault's character poster and EGO art, and the whole purification thing in Limbus Company chapter 3, it can be safely assumed that Silent Girl is cogito's representation of N Corp, with her appearance even resonating a sense of purity despite her dangerous intentions. While seeing mechanical prosthetics as a whole as impure may be exclusive to Kromer's group, it shows how far N Corp is willing to condone to uphold "humanity". Even outside of Kromer, they're so strict with taboos that they would consider someone watching a recording of their backstreets as a sign of guilt. What more with Angela, who is an impurity of the entire City, designated by the Head themselves.

Remorse wants Angela to be free. To become human. To finally taste her desires of being free and being human as she always wanted and exact her perfect revenge to those she sees guilty. To escape being an impurity from everyone's eyes, the Head's, Ayin's, everyone's. Angela rebuts this distortion of her desires knowing that by conforming to the Head's arbitrary she would only be continuing the cycle that will eventually crush her rather than having genuine freedom. She won't just take the easy way out despite it being in her grasp, she will embrace the pain, embrace the past. So that she may face the fear, and build her future. Like a true human should.

Also Silent Girl really didn't have any connection to Carmen other than "innocent looking girl that is actually dangerous".

...

So uh back to starting topic, Carmen's interlude cutscenes were pretty weird. It didn't even really give us any actually new lore, it's just stuff we've already known but in her perspective, which is cool but not really substantial. I'm guessing PM just inserted them in since apparently the Keter Realization in this form was no longer supposed to be included but added them back in due to backlash, and to fill in the gaps they added the Carmen interludes which maybe were also originally cancelled. Although then again maybe it was meant to mimic Angela's interludes in the Keter Core Suppression in Lobotomy Corp? Not sure.

Anyways tldr. Keter Realization is not about Carmen herself despite the flashbacks, it's about Angela seeing herself as her own individual and moving forward as herself instead of conforming to her distorted wishes.

#library of ruina #library of ruina spoilers #library of ruina angela #this was supposed to be short...

[questioningespecialy]

SiCKtM: the horrors of myself; or, seeing the monster

So I started playin’ Heartthrob Memorial: Under the Tree of Legends (aka: Tokimeki Memorial) on June 9th thanks to Translated.Games’ American English patch and finally figuring out how to find the exact ROM file I needed (ugh). We already know why I started playin’ it, so let’s skip straight to the issue.

See, I decided to (wisely/unwisely) play this highschool dating sim as myself from that time period. Genuinely, but “correctly”. I took notes. Paid attention to everything that was said and how it was said. Who seemed to enjoy what and what seemed to be of no interest to others. Every little thing that occurred in my interactions with the 7 girls I met. Everything that seemed relevant to me atleast (so damn near everything). And things were going great. Yeah, I was stressed dahell out tryin’a manage these relationships with all 7 girls I met during the first year of 1996-1997. The 7 girls I admittedly made secondary to mah grindset (of self-improvement) ‘til I realized I was neglectin’em. And once they did become a focus? Once they did get put to the forefront of my life with maintainin’ and continuously raisin’ stats becoming secondary instead? That’s when the stress crept in. I was always concerned with how they felt. What they wanted. And what they’d enjoy. Every interaction was purposeful. A purposeful question of “How should I respond?”. Of “What would she like more?” Of “Was that the right move?” And I won’t say it wasn’t helpful. But I also won’t say it did the trick.

11 days after final exams (I got ranked 57th 🤷🏿‍♂️), I walked Yumi home on July 18th of 1997 and she asked me what my summer break plans were before telling me she was goin’ to the Beach with Yoshio—her older brother. On July 22nd, a day after our Marine Day date to the Aquarium, Yuko asked me what my summer break plans were before tellin’ me she was going swimming at the Beach and Pool (also visiting the Zoo?). Then Summer Vacation began a few days later.

I joined Yukari at the Beach (pretty sure she was there early), got invited to a double date with Shiori and Yuina at the Amusement Park by Yoshio, went to the Pool with Mio (early) before walking home together, and then… the problems came. 2 weeks later, right after the Second Semester started and for the 4th time that year (and ever), I got rejected. Ayako said she had plans when I invited her to the Amusement Park’s night parade. Ayako again said she had plans (apologetically this time) when I invited her to the new Bowling Alley a week later. In class, the frankly dangerous Yuina invited me to the Shopping Mall on September 14th. 4 days later, I walked Yumi home again. 2 days after that, I enjoyed the Shopping Mall’s Junk Shop with Yuina (early), who let me know that she’s been busy experimenting but it’d be fine to ask her out whenever she’s free. The next day, on September 15th of 1997, the School Trip began. And that’s when I quit.

But why? Well, like I said before, this shit’s too damn stressful.

Here’s a screenshot of the screen you’ll get after calling Yoshio and asking “how the girls would rate me”. It was taken the day before Yuina invited me to the Shopping Mall and a week after Ayako rejected me for the 3rd time. Ayako… one of the 2 girls who liked me, and the only one to give me a gift on both my birthday and at Rei’s winter holiday party. The rest being neutral and Yuina being… Yuina.

iirc (it’s been 3.5 months, y’all) I got overwhelmed tryin’a stay on the positive side of everybody. Even the people I wasn’t interested in. In hindsight, I probably wanted everybody to like me. But also… I didn’t want no bombs.

So I was nice to everyone who showed interest in me. Went outta my way to go on dates with ‘em. Bought ‘em gifts when the time came. etc. I went from 4 girls feelin’ neglected on October 13th of 1996 to 2 neutral and 2 neglected on December 1st to 2 liking me and 3 neutral on April 6th of 1997 to 2 liking 3 neutral and 3 neglected on July 20th. Y’all, this was work. I was tired as hell tryin’a manage these mofos’ (digital) emotions. Tryin’a get these mofos to like me. Even though I had already decided… well, I’ll just quote a message I sent to someone many hours after I started playing…

Tokimeki Memorial's been a thorough fun of sorts. Lots of note taking (my god). Interesting seeing what comes, though. Just made it through the first of 3 years in-game. Hoping no wrenches get thrown my way considering how orderly I'm trying to take things. Kinda got a #1 after thinking over (for too damn long) which of two cuties I was gonna give a special chocolate to during White Day. One's a quiet Drama Club bookworm and the other's a friendly Artist Club artist. So I asked myself... "Who would teenage me have preferred?" And barely a second later ma ass answered "The artist". 😂

So there. “Everybody’s got a type.” anyway

So what’s actually goin’ on here? Why was I so bothered by a back-to-back rejection from someone who liked me at the same time that 4 other people (who I wasn’t even interested in) were just neutral? (nevermind bein’ stressed dafuq out by this whole-ass pre-Soulsborne shit) Why’d I quit this game 4 days after I started it?

Well, I’m not sure tbh. It was probably just too damn stressful, though. And that’s not even actually what this essay’s about. This essay (about some Tokimeki Memorial shit) came aboot after something hit me. I don’t recall what triggered the hit (since it’s been over a week now and I’m finally typing this damn thing), but I do remember the hit.

i was a monster

Let me explain. Remember when I said I was playin’ the game genuinely? It wasn’t a stretch. I made decisions that me from highschool would’ve made (if I was more outgoing). Stat grind and all. Well, minus the gift giving. I’ve very rarely received any from non-relatives, so I didn’t become the type to actually see the issue with not giving people one. 🤷🏿‍♂️

Anywho.

Questioning (from long ago of course >.>) was just… really nice. Like, I loved being nice to people, especially female-presenting people (🤔). It was to the point I would feed off someone enjoying my niceness. Felt so good, it could become orgasmic. Y’all,... I was a vamp. 🧛🏿‍♀️

But anyway, this lil tendency of mine (just bein’ nice and shit) would, uh… get me into some trouble I guess. >.> See~… some people~… kinda sorta~… 👉🏿 👈🏿 caught feelin’s 😐

And I wasn’t ‘bout it. 😬 So~… Yeah~… 💀

And where does this lead? To “problems”. Problems that I absolutely did not want. Problems that I definitely did not need. Problems that were, at best, an inconvenience. Problems that were, at worst, emotionally painful.

I did not like this shit. I did not need this shit. I just wanted to be nice to people. Nice without assumption. Nice without issue. Nice with the barest amount of appreciation.

But life wasn’t havin’ that. Humans don’t work that way. People are inevitably conditioned to think certain ways. Male-presenting mofos (brothas especially?) aren’t assumed to have good intentions when they’re too nice. People tend to like those who make them feel good. Somebody who gets no attention is likely to fall for the first (decent-lookin’) mofo that consistently gives them any. And then there’s attraction by proximity. 🤷🏿‍♂️

What I’m sayin’ is… problems came. And I hated it. I hated the way it made me feel to see someone I cared about clearly longing for me and knowing it’d never be reciprocated. I hated to see that moment, that expression, when I slipped up and someone suddenly saw me as more than just a friend. I hated the fear it’d cause knowing that I could lose a friend. I hated having to worry day in day out about people catchin’ feelings.

I just wanted to be. Be a friend. Be me. Be free… to love. Platonically.

And I managed. From my perspective atleast. Can’t say it was emotionally fair of me, the way I managed it. There’s no telling how many people were hurtin’. How many people were dying inside. How many people were in limerence. 😐 And part of me doesn’t wanna think about it.

But still i see them Their faces Their lonesome longingly pained faces

And I wonder... How much did it hurt? How bad was it for them? How bad was I? Was I a monster?

I mean, I did emotionally manipulate people to not see me a certain way. And I did have little concern for how some would feel as I talked them into a friendzone. >.> And I did tend to prioritize getting others to settle for friendship over them doing what probably was in their best interest and walking away. <.<

And so... Years beyond the social circles I found myself in at college. Years beyond the social circles I found myself in at secondary school. Years beyond the social circles I found myself in at primary school. I sat at my desk. Doing whatever. And it hit me.

#shit i could've kept to myself #long post #Tokimeki Memorial #Heartthrob Memorial #Yumi Saotome #Yukari Koshiki #video games #dating sim #horror #story time #monster #Translated.Games #fan translations #high school shit #friendship #the heart of the lie #“Nobody gave ME chocolates on Valentine's Day.” #took a whole chunk out for~ reasons >.> #there's a Viserys meme i need to get around to making 🤔 #real talk? hottest fucking thing bruh? ...cuties who're hella nice 🥵

[thosch3i]

The finale of Ultimate Note airs 12/9 (tonight in China) for VIP. Thank you to this drama for bringing me my favorite Iron Triangle ❤ Longer discussion of why I love it so much, and why I strongly recommend it to book fans (especially those upset with certain previous adaptations) below the cut, apologies if it’s not fully coherent at times because I haven’t slept enough and also it’s almost 1am. But your TLDR is basically: characterization, plot, pacing, relationships are the best of any DMBJ drama. Iron Triangle especially.

First, the pacing of this show is excellent. Pretty much all cdramas I’ve seen or heard of have been inundated with filler, and the previous DMBJ dramas fall victim to this as well. Ultimate Note took 36 episodes to cover 4 book arcs, whereas previous adaptations have taken more episodes to cover far fewer. There’s really not any content you’d be wanting to skip, as almost all of it is plot-relevant or character-relevant.

Second, the plot is the most cohesive out of any DMBJ adaptation. Frankly, this isn’t saying too much, given the novel plot can also be confusing as all hell sometimes, but Ultimate Note goes above and beyond in pulling in information from later books and, if I heard correctly, common fan theories, doing their best to fill in the plot holes left by the author to create a more complete story.

Third, the female characters are actually done well. (As well as they can be, given the source material’s unfortunate habit of fridging its women.) For example, A-Ning’s decision to go the Tamutuo wasn’t because she was ~in love~ with some man. She is a determined individual who has made her choice about her path a long time ago, and she is willing to risk death to achieve her goals. Even her death was done about as well as it could have been--it wasn’t drawn out to the point of it being sickeningly cheesy, and Wu Xie tried his best to honor her goals and bring her to the Palace of the Queen Mother of the West (even emphasizing to Pangzi, “if you died, I would carry you too”). In addition, Chen Wenjin wasn’t stuck in some ridiculous love triangle. She loved Wu Sanxing, of course, but her loving a man isn’t made out to be her entire personality. Her goodbye to Xie Lianhuan is poignant but not mushy. She’s steady and sure in her goals, and she knows what she has to do in order to save herself. Yuncai’s character, as well, I think was handled about as well as it could’ve been given the source material. Her relationship with Pangzi wasn’t overexaggerated and nauseating, and I think their relationship was more tolerable in the drama than it was in the novel overall. (In addition, I prefer how they handled her death in the drama versus the novel--instead of just killing her offscreen, they give her a redemption, and show how she’d grown attached to her new friends, Pangzi especially, resulting in her hesitation to deal the final blow.)

Related to the above point: no added forced romances that destroyed the female characters’ personalities and reduced them to just love interests for men, thank god. Pangzi and Yuncai’s relationship was already there in the novel, but nothing about their relationship was distorted in the drama to the point of being annoying, and Yuncai is shown to have her own goals for cozying up to Pangzi (at first, at least). If you want to get technical about “added romances”, you could honestly argue that it’s Pingxie. (And Hei///hua, but I’ll be honest and say they’re not my cup of tea, so I won’t really be discussing them. However, I do think their characters, while also exaggerated for humor at points, were also done well, and their relationship--while AFAIK was not a really a thing in the books at all?--was written in a way that the development made sense, and their personalities compatible.)

But anyway, while Ultimate Note does make Pingxie seem closer to each other than they were in the novel, we do have to remember that the novel is from Wu Xie’s point of view, and he’s a little bit of a blockhead when it comes to noticing how much Xiaoge cares about him. (IIRC, he wonders if Xiaoge even considers him a friend in Zang Hai Hua...after Xiaoge’s literally called him his “only connection” to this world in book 8.) However, from an outsider POV, it’d be natural for us to see Xiaoge worrying more over Wu Xie. Because from Wu Xie’s perspective, what did he actually see? Xiaoge dropping in to save him a few times and often vanishing or turning away right after, leaving Wu Xie with mixed feelings and confusion about his value to Xiaoge. Xiaoge being aloof before they set off to Tamutuo, claiming that he is a person with no past and future, and that no one would remember him if he disappeared. (Xiaoge smiles before telling Wu Xie that he’s on Wu Xie’s side--that’s a smile that the viewers see, but that Wu Xie doesn’t.) Most of Xiaoge’s visible worry for Wu Xie in the desert was also when Wu Xie himself was not there to see it. During the scene where the fungus was growing in Wu Xie’s stomach, he was entirely out of it while Xiaoge visibly panicked about hurting him, and after the fungus was dealt with, Xiaoge only stood off to the side--only to smile faintly to himself, relieved, after Wu Xie wakes up. (Again a smile that the viewers see, but that Wu Xie doesn’t.) But because from an outsider POV we can see all this, while Wu Xie remains partly ignorant, lines like “thankfully, I didn’t bring death upon you” and Xiaoge calling Wu Xie is only connection to the world seem that much more logical, now that we can see some of the depth and development of how much Xiaoge does care about Wu Xie.

That brings me to the primary reason why I love Ultimate Note, because the main selling point for me on any franchise is not actually world-building or plot, but rather the characters and the relationships between those characters. And for DMBJ, the relationship I’m always looking for--and the relationship that the entire franchise ultimately centers around--is the Iron Triangle. And the mutual trust and the strength of the bond between this Iron Triangle is unmistakable; no one is treated as expendable.

As much as we have joked about Xiaoge's double standards with Wu Xie versus Pangzi, the end of the Banai arc especially and the last five episodes have cemented the importance of Xiaoge and Pangzi's friendship. Their relationship is often the weakest leg of the Iron Triangle in DMBJ adaptations, but Ultimate Note has nailed it. Pangzi helps carry Xiaoge out of Tamutuo, and Pangzi's the one who primarily takes care of Xiaoge after he loses his memories. There's also Xiaoge's clear worry over Pangzi after Yuncai's death, and his assurance that Pangzi won't die as long as he is here in the later episodes when the two of them are separated from Wu Xie--showing that the Iron Triangle is a triangle; Wu Xie isn't the single connection that Xiaoge and Pangzi's relationship hinges upon.

Pangzi and Wu Xie's friendship doesn't need much explaining: the two of them bicker like they're brothers, and they could probably star in their own buddy-cop comedy together. Both Pangzi and Xiaoge are shown to be clearly worried for Wu Xie after the Xie Lianhuan reveal, and even though neither of them quite know how to handle it, they are there for Wu Xie. And of course, there's the scene where Pangzi pours out the water while they're waiting for Xiaoge to leave the meteorite. Wu Xie cries for Pangzi when they're in the Miluotuo cave and he chooses to carry out Xiaoge first, and once again, his worry for Pangzi after Yuncai's death is palpable. Even when Wu Xie has to leave Pangzi in Banai, he instructs Xiaoge to look after him (not that Xiaoge really needed the instruction, anyway--that’s his best friend, too).

Wu Xie and Xiaoge's relationship needs even less explaining: anyone who's watched the show can attest to how much they care about each other. From Wu Xie's frantic scrambling to grab the tapes upon hearing they were from "Zhang Qiling" and Xiaoge's introduction in the show being him stopping outside Wushanju to stare up (longingly?) at the sign, we see their relationship unfold in all of its quiet pining and lingering looks. When Xiaoge claims no one would know if he disappeared from this world, Wu Xie doesn't hesitate in promising that he, at least, will. Xiaoge smiles before telling Wu Xie that he's on his side, and Wu Xie vows to walk with Xiaoge until the very end. During the entire Tamutuo trip, Xiaoge is visibly worried for Wu Xie--when the parasitic fungus grew in his stomach, that worry was the most clear. But Wu Xie worries for Xiaoge too: insisting on going to save Xiaoge from the snakes that night when they all went blind; swearing that even if he faces death, he would wait for Xiaoge to leave the meteorite; telling Xiaoge that he will take him home. (Related: the soft, almost vulnerable way Xiaoge tells Wu Xie “take me home” in episode 31.) Not to mention--even when Xiaoge loses his memories, he still remembers Wu Xie. (And Pangzi smiles knowingly right after that scene.)

There are too many character/relationship moments I could write about, but one that stuck out in particular was when they were facing the spiders, and Wu Xie stopped Xiaoge from cutting his hand and using his blood to make the spiders retreat. At this point, Wu Xie and Pangzi don't know the extent of how Xiaoge was (mis)treated as a child (and used as a blood bag, apparently), but they know about how "A-Kun" was captured used as bait. Wu Xie and Pangzi would never ask Xiaoge to bleed for them, no matter what. Not now, let alone 10+ years later. (I won't name names, but if you know what I'm talking about, then you know.)

Which brings me to my main point: the characters in Ultimate Note are the closest to their novel selves I have ever seen in a DMBJ adaptation, and this is objectively the best adaptation of the DMBJ novel. (Whether you prefer another adaption or not is your opinion--I absolutely love the Time Raiders movie, even though that plot is literally all over the place, and Xiaoge is decently OOC--but Ultimate Note is the best adaptation of the novel, and the characters are the most true to what they actually should be.)

You can see the innocent and naïve Wu Xie, but you can also see the developing confusion, frustration, and anger he feels because he's been lead around by his nose his entire life. And he is angry in the novel; he is a bit of a hot-headed bastard; he's not just a naïve child. I remember seeing some complaints that Wu Xie felt "OOC" in the first episode for being so furious with his San-shu, but I think his reactions were spot-on with how he felt, and how he wanted to react. A similar point is the scene where Wu Xie slammed Xiaoge against the car--aside from just being some fun fanservice, in the novel Wu Xie really was furious at Xiaoge for vanishing on him and never contacting him after leaving the Heavenly Palace in the Clouds. A lot of the novel is Wu Xie's inner thoughts, which are difficult to portray in a live action adaptation, but he really did pretty much want to pick a fight with Xiaoge about disappearing, and  Ultimate Note decided on how to express this frustration in a way that suits a drama adaptation. In addition, you can see how Wu Xie’s past experiences like the trip to Tamutuo has changed him in how he manipulates Panma into bringing him to the lake; and you can see how almost losing Xiaoge and Pangzi to the Miluotuo changed him as well, when he thinks he’s lost them for real in episode 36 (leading up to his decision to put on his San-shu’s mask by the end, despite the fact that “some masks, when worn too long, can no longer be taken off”).

As for Pangzi: even though he has scenes that were clearly exaggerated for comic relief, he has plenty of moments that build his character and the Iron Triangle’s bond. These include him pouring out the water while he and Wu Xie are waiting for Xiaoge, his grief over Yuncai’s death, his standing by Wu Xie during the hotel auction scene, and his almost mother-hen-like worry about Xiaoge while they’re entering the Zhang Family Mansion in the last five episodes. Not to mention, he’s really quite a smart and perceptive character, despite his goofiness: he sees through Xiaoge’s worry about Wu Xie, and he knows when to step in and liven the atmosphere (see: Wu Xie being all awkward about his gift to Xiaoge in episode 31, and Pangzi being there practically just for emotional support). Also in episode 31: Pangzi telling Xiaoge that he’s getting more and more humane (the implications about Wu Xie here are pretty obvious). All in all, Pangzi is a funny person; he is often comic relief, but he’s also a steadfastly loyal friend and someone who loves deeply and without regret. Initially we saw more of his humor, but we definitely got the depths to his character by the end of Ultimate Note.

Finally Xiaoge, who I’m discussing last because he’s my favorite character: for once, I can see the humanity behind the title “Zhang Qiling”, and in a way that isn’t OOC. Xiaoge isn’t treated as a free source of bug-repelling blood; he isn’t treated as some overpowered, untouchable idol; he isn’t treated as a rescue machine for whenever another character needs it. He is a human, not a god. For the rest, I think his actor’s words speak for themselves. (And now I really don’t trust anyone else except him with Xiaoge's character.)

Ultimate Note succeeded in capturing the nuances of its main characters: Wu Xie’s loss of his “tianzhen” and slow maturation to the man he will eventually become by Sha Hai; Pangzi’s outwardly humorous pseudo-caricature but inwardly deeply loyal and loving spirit; Xiaoge’s vulnerabilities, painful humanity, and the “heart” given to him by his mother, hidden beneath a seemingly impenetrable armor. This is an Iron Triangle that feels like the Iron Triangle, without needing say so much in words. This is an Iron Triangle with mutual respect and a friendship I can see and believe in.

In conclusion: Ultimate Note does the story justice; it does the characters justice; it does the relationships justice; and it did all this with a low budget and almost no promotion. You can tell the crew definitely cares about the source material.

My only complaint is that they couldn’t film the finale.

Rambling over! All my love to the Ultimate Note cast and crew <3

#dmbj #zjbj #ultimate note #pingxie #iron triangle #盗墓笔记 #终极笔记 #瓶邪 #the lost tomb 3 #shouting into the void #i was supposed to be writing my essay for grad school LMAO #got 2.5k words of whatever the hell this is instead #basically iron triangle superior is what im saying #this is the longer and slightly more grammatical version of what i posted on twitter a couple days ago #FUCK I FORGOT TO TALK ABOUT PAN ZI #you know what its 1am im not editing this now lol

[thewebcomicsreview]

Homestuck 2 has updated! Christmas is ruined!

Previously, on Homestuck 2: Literally nothing happened, and a non-trivial portion of the patreon supporters gave up and quit. Can this update pull a Christmas miracle and right the sinking ship of Homestuck 2? Probably not, but let’s find out! 

We’re back in Candyland, having completely skipped over Karkat and John talking about Dave’s apparent death, because this comic is only interested in long conversations when they’re boring and not about anything at all. That’s alright, I got the gist of it.

When Karkat is finally gone, John still doesn’t move. It isn’t as though he has nowhere else to go, since there are quite a few places he might attempt to make himself useful, for better or for worse.

So, it appears to be morning now, meaning that John’s son has been missing in a war zone for almost 24 hours and I guess John literally forgot Harry existed?

Prediction: This conversation is going to end in some variant of “Where is our son?” “Oh shit!”

ROXY: hey john can u do me a quick solid

ROXY: actly idk how quick itll be but its definitely solid

ROXY: harry anderson says i just missed u being here but could u skip back on over?

What.

So, I went back and checked, and apparently nowhere is it explicitly said that Harry Anderson was also looking for the Vriskas, so I guess he....stayed home? Which makes sense, I suppose, but maybe a “Stay here I’ll go look for them” would’ve helped. I wasn’t the only one who thought Harry was out looking for Vriska too. 

ROXY: sup

ROXY: follow me

ROXY: well were just going to my room so i guess technically u know the way

JOHN: haha ok.

John follows, trying to shake the ominous feeling he got from what she’d just said. He’d been in and out of this house a lot in the past few days. Why should this be any different?

Is Roxy....horny? Is the solid she’s looking for John’s dick? I mean, that’d make her saying Harry wasn’t available kind of weird, but I think this framing is a fake-out.

...

What the fuck is that lamp, Jesus Christ it’s awful. Just a cat’s asshole, facing the door.

ROXY: r u kiddin me rn egbert

JOHN: i’m not? unless you were, in which case yeah lets say i was also kidding.

JOHN: oh my god, i’m sorry, i don’t know why this making me freak out.

ROXY: i remember our past boot knockin with fondness but that is a situation im not interested in revisiting

Oh hey, it was a fakeout. Good job, Homestuck 2. You successfully implied something just through the art. Art which, by the way, looks a lot better than the last chapter. There are backgrounds and everything. I wonder if Chapter 15 was rushed out due to Hiveswap and that’s why it was so weak?

He’s almost embarrassed by how relieved he feels. So what if his ex wife wanted to hook up? Shouldn’t that be a situation he could navigate? Don’t people like to find solace in human physical connection during dire times? Why did the idea of it make his mind white out in panic more than, say, any number of the traumas he just experienced?

I’m not the biggest fan of the way the narration is going JOHN IS AFRAID OF SEX WITH ROXY LIKE HE’S A TEENAGE VIRGIN AGAIN (LIKE IN HS1!) AND IT DOESN’T REALLY MAKE SENSE PLEASE REMEMBER THIS IT’LL BE IMPORTANT LATER, but okay, noted.

ROXY: u said ur house is gone??

JOHN: yep.

JOHN: completely.

ROXY: jeez

Heh. I like Roxy, still. 

JOHN: so i just sat there, watching, trying to figure out why watching my house burn down felt like i was being released from prison.

If this comic actually uses the phrase “home” and “stuck” in the same sentence I’m turning this blog around and we’ll go right back to Winnipeg.

ROXY: aight then no wind bending just use your mangrit

Roxy flexes, the corner of her mouth pulled up into a familiar grin. John feels his guts, so recently calmed, twist up into knots again. Her eyebrows shoot up and the smile loosens. He must have shown something on his face.

ROXY: ok or just like push when i push

ROXY: we both got sick muscles

ROXY: no other adjectives necessary

I feel unqualified to talk about how hard Roxy is pushing the June Egbert thing.

....Is that the fucking portal from Hiveswap under a tarp? Also hi Candy Callie, appearing in HS2 for the first time. One of the Calliope’s is nonbinary, I think, but I honestly can’t remember and I think it’s Meat Calliope? 

JOHN: do i get to know what that big thing under the sheet is?

ROXY: hmmmmmm no

JOHN: oh ok.

JOHN: are you sure? i mean, it seems like a pretty prominent feature of the room.

JOHN: space.

JOHN: wherever we are.

ROXY: and a totally mysterious n COMPLETELY inconspicuous feature it will have to remain for now

ROXY: we r kinda in a hurry here fyi

ROXY: and by that i mean

ROXY: we are in precisely the amount of hurry that means im excused from having to a that specific q rn

JOHN: right, sorry.

JOHN: i will pay no attention to the object behind the curtain.

ROXY: u catch on fast egbert

Oh thing HS2 has not been great at is that it has a lot of plot mysteries that are supposed to keep us enticed but they don’t really get implanted into the audience’s head (Remember Vrissy mysteriously collapsing that one time? Probably not, she did it off screen and the boys kind of laughed it off). This one’s hard to miss.

JOHN: so... this is all downstairs?

JOHN: it seems like you had a lot of work done.

ROXY: well no not x actly

ROXY: were in the old meteor

It’s kind of weird how this meteor keeps popping up like this. 

CALLIOPE: besides, hUman divorces are even more fascinating than i had ever imagined, and being able to witness yoUrs in motion was an honoUr.

This is an unexpected but not unwelcome direction for Callie to have gone.

CALLIOPE: ah right, right. yoU're probably a little cUrioUs as to where the dickens we are.

CALLIOPE: how much do yoU know aboUt black holes?

Oh, wow, we’re going right there, then. This does seem like a bit of a reaction to complaints HS2 wasn’t shmoovin’ enough, but maybe I’m reading too much into it.

CALLIOPE: no, i mean, what if oUr whole WORLD was inside a black hole.

JOHN: ok.

A’ight, that got a laugh out of me

JOHN: ugh, i fucking KNEW it!

JOHN: i'm so sorry.

JOHN: i'm so sorry that i put the earth inside a black hole everyone. ):

I like this conversation a lot. 

ROXY: iirc at least part of y u got so weepy was the fact that u couldnt believe a version of earth existed where ppl got 2 watch more mcconaughey films than you

JOHN: listen.

JOHN: i simply don't think you all appreciated the gift you were given.

Quite a bit, in fact.

ROXY: ur not gonna enter a weird time vortex and change the trajectory of a little girls life with the power of love

JOHN: aw.

Roxy and John have a good dynamic. 

CALLIOPE: bUt Upon her departUre, the rift closed for good. as far as i can see, there's simply no way for Us to commUnicate with the world oUtside the black hole.

CALLIOPE: i woUld certainly be very sUrprised to find oUt that anyone had managed sUch a thing!

JOHN: ...right.

John’s phone has very good coverage, since he was able to talk to Terezi in the epilogues, as we’re being subtly reminded of here with that ... before the “right”. I wonder if it still works after alt-Calliope left.

CALLIOPE: oUr exclUsion from the overarching coUrse of events which governs all reality means that oUr existence here is liable to dramatic and violent Upheaval.

CALLIOPE: to pUt it another way, becaUse nothing in here "matters", we are likely to be sUbjected to things which are a bit bats in the belfry, for no reason other than it's totally insignificant to the wider canon of reality.

CALLIOPE: and mUch thoUgh i am personally titillated by some of the conseqUences of this predicament, it is a degrading way for Us to live. u_u

Okay, so we are now being explicitly told that living in the black hole is fucking with the characters and is part of the reason they make such baffling decisions, like Rose not telling Kanaya about Yiffy, or naming her daughter “Yiffy” in the first place.

CALLIOPE: we need yoU to free vriska from the clUtches of oUr misgUided friend jane, and bring her here, to the singUlarity.

ROXY: weve been calling it the plot point

CALLIOPE: yes, the plot point is a key part of oUr plan

CALLIOPE: as far as we have been able to sUrmise, the only remaining method for escaping oUr grim confinement depends on leveraging the UniqUe properties of this location to create an event of sUch catalcysmic proportions that it simply cannot be contained within the black hole any more.

CALLIOPE: something SO dramatic, so hyper-relevant, that it becomes ontologically impossible for anyone to ignore it.

CALLIOPE: for that, we need an individUal of sUfficient narrative cloUt, so to speak.

CALLIOPE: and to liberate her, who better than the embodiment of the aspect of freedom itself?

So, the plan is literally for Vriska to be such a Huge 8itch that the black hole itself gets sick of her and yeets Earth C out of its own event horizon to freedom.

This is actually a great plan. 

And that’s Hamsteak. This definitely feels like a bit of a reaction to complaints about HS2, but hey, I dig it, I guess? Definite improvement over the last chapter.

#homestuck #homestuck 2 liveblog

[bestworstcase]

replies on this post ( @ngocthach4020​, numbering mine ):

Counterarguments:

1 - While I do agree that Zhan Tiri does a good job making it seem like she does care about Cassandra, the fact that Cassandra trusted a total stranger for over a year in itself makes her intelligence dubious at best. Not to mention Cassandra never asks the total stranger who mysteriously knows this much about her for her NAME during all that time, nor tries to find out anything else about her.

2 - Rapunzel is the heir to the throne. Of course she’s going to get more recognition than Cassandra. Cassandra herself was given multiple guard assignments throughout Season 1, cheered on by the people of Corona even when she came second place to Rapunzel at the Challenge of the Brave, and trusted with leading the assault against Varian in the season finale. This isn’t even getting into how she has plenty of opportunities at Ingvarr or Vardaros.

3 - The people of Vardaros focused on Rapunzel despite preferring Cassandra over her, yes, but that doesn’t change how they treated Rapunzel like dirt and Cassandra seemed to LIKE that.

4 - In the song I’d Give Anything, Rapunzel does acknowledge she wronged Cassandra.

5 - Just because Cassandra has legitimate grievances, it doesn’t excuse her trying to murder people who never did anything bad to her, which she does several times throughout Season 3.

firstly: i mean this in the kindest way possible but none of these are actually counter-arguments to the point i was making, which is that cassandra has very good reasons for her decision to trust zhan tiri and be emotionally vulnerable with her in the house of yesterday’s tomorrow. #2 is the only one relevant to the subject at hand, #1, #4, and #5 all concern things that happen after the incident being discussed and are thus irrelevant, and for #3 it’s unclear to me what point you think you’re countering and also, i have no idea what you’re talking about. 

but as with anything i have plenty of thoughts

#1: i have two thoughts about this one

the first is that this is, first and foremost, a writing issue. for whatever reason, the writing team was not interested in digging into cassandra’s character arc in s3, and they also were not interested in developing zhan tiri as a character, and they really were not interested in elaborating on the cass + zhan tiri friendship whatsoever. the end result of this lack of interest is that all of this character development is gestured at or loosely implied, and the vast majority of their relationship occurs off screen. we are shown their first meeting in relative detail, given a handful of brief glimpses that mostly comprise zhan tiri saying a line or two while cassandra listens and glares, and then given the end result of cass doing whatever zhan tiri tells her to do until a narratively convenient plot device is inserted to make her stop. the character development in this arc is extremely poor. no one is arguing that it isn’t. 

however my second thought is that, as a consequence, “cass travels with this person for almost a year without ever asking her name or trying to find out anything about her” is not, in fact, canon. that’s a matter of interpretation. (eg: i spent the entirety of the first half of the season assuming that of course cassandra knew who zhan tiri was, my reaction to CR in this regard boiled down to “well if cass didn’t already know that was zhan tiri she certainly does NOW,” RTTS did nothing to change my mind, and i was legitimately taken aback when OAH confirmed that cass just didn’t know. all of this was a plausible interpretation because so little of the cass + ziti relationship actually develops on screen. there is SO MUCH information missing.)

the point being: the only canonical information we have regarding zhan tiri’s identity and cassandra’s knowledge thereof is that cassandra doesn’t learn zhan tiri’s true identity until OAH. this does not preclude cassandra pressing the issue and zhan tiri lying to her by telling her a fake name, or feigning ignorance (a la “i’ve been trapped in that house for as long as i can remember and i have no idea where i came from or who i was before then,” which is absolutely a plausible cover story given the kind of things tromus pulled off whilst team corona was trapped in the HOYT and that cass herself has very recent experience with magical memory loss), or masquerading as an aspect of the moonstone itself (which is at least plausible enough that a good chunk of the fandom theorized that that’s who she was in the early half of the season). 

there is, frankly, no evidence to support interpreting cassandra’s “who are you?” as “i’ve literally never asked this question before” instead of “you told me things about yourself that i believed but it’s not adding up anymore so i’m confronting you on your lies” or vice versa, because... we just don’t know. i personally favor the latter interpretation over the former, because it makes more sense to me, but the text is unclear.

all of which is to say: the post was about why cassandra trusts zhan tiri initially, a questions which - as i said in the original post - is answered very clearly on screen. there is not enough canonical information about the development of their relationship afterwards to do anything more than speculative analysis, ie headcanon, regarding how zhan tiri cultivated that trust. for what it’s worth my personal assumption is that zhan tiri continued to act as she does in RR, fostering the emotional connection between herself and cassandra, and that shortly after the stinger in who’s afraid of the big bad wolf (ie their second proper meeting) she gave cass some explanation of who she was and what she wanted. i also make the general assumption that they shared a lot of conversations during the long walk back to corona because it is ludicrous to imagine otherwise. 

#2: cassandra is a commoner who was indoctrinated from birth with the cultural belief that the lives of the royal family are more important and have more inherent worth than her own. this only intensified once rapunzel returned to corona. cassandra exists in a system that chews her up and spits her out without so much as a thank you, and rapunzel is the center around which that system orbits. “rapunzel is the heir to the throne so of course she gets more recognition than cassandra, her servant” isn’t, in fact, a counterargument. that is exactly the problem. the world cass is in is inherently devalues her personhood. even her own father repeatedly prioritizes his duty to the monarchy over the wellbeing of his daughter.

in s1, cass is given guard duties which she is expected to fit around her already extremely busy schedule as a maid and lady-in-waiting to the princess, all without ever being made an actual member of the royal guard. she is given, in other words, all of the work and responsibility without any of the recognition, salary, benefits, or job security afforded to actual guards, and she is expected to do it during her scant time off. and she does it all with the constant unspoken threat of being sent to a convent against her will if she screws up looming over her head. that’s not... privilege or an opportunity, that’s flat out exploitation. 

even in SOTS, she is only put in command of the assault on old corona because most of the higher officers of the guard are out of commission, including the captain. and this happens mere hours after her father forcibly sends her to a convent, which really underscores what little autonomy cassandra has in her life and how capricious and arbitrary any “opportunities” that come her way in corona are. 

yes, she is better accepted in vardaros and the queen of ingvarr did at one point extend an invitation for her to join the battalion in ingvarr, but—again, that’s not really a counterargument. “cassandra would have to leave her home and move to a foreign kingdom in order to be treated with respect and live as her authentic self” is an enormous indictment of corona itself. 

#3: the vardarans are less than receptive to rapunzel attempting to force her sunny demeanor onto them and react with hostile indifference when she persists even after being told—by multiple people including vex, quaid, cassandra, and iirc eugene—that her behavior was not wanted or welcome. they make their opinions known without making any attempt to soften the blow, but—with the one exception of “ya clod” lady—none of them harass or bully her. i’m not sure where you’re getting “they treat her like dirt” from. they treat her like people who are annoyed with having someone else’s culture jammed down their throats by some foreign princess, which,

cass, by the same token, enjoys being surrounded by people she “clicks” with and with whom she can just relax and be herself, and she repeatedly cautions rapunzel against trying to make the vardarans act, think, and feel like coronans... in other words, she advises rapunzel to be culturally sensitive. and she’s right to do so. cass doesn’t start gloating about being better liked until after rapunzel lashes out at her and makes a huge deal out of cass’s events being different / more in tune with vardaran culture than her own. 

#4: things rapunzel does a full year after cass meets zhan tiri in the shell house are not relevant to the question of why cass trusts zhan tiri in the shell house and also lol no... she doesn’t? these are the lyrics of i’d give anything: 

[RAPUNZEL] I know we've grown apart It breaks my heart in two I miss your company The closeness we once knew

I won't pretend to know Just what you're going through But I'd give anything for you Yes, I'd give anything to relive everything with you So if you find that you're in darkness or despair Though you won't turn to me Please know I'll be right there Name any sacrifice I'll pay the price that's due 'Cause I'd give anything for you Yes, I'd give anything to relive everything we knew Yes, I'd give anything For you

i don’t... know how to read an expression of apology or even just acknowledgement of wrongdoing into this song because it... isn’t there. this is the exact same sentiment rapunzel spends the entirety of s3 expressing, which is that she misses her friendship with cass and would do anything to get it back and she doesn’t understand why cassandra is so upset. and frankly it really. does not reflect well on rapunzel as a character because cassandra explains her grievances very clearly at the beginning of the season: “my whole life, i’ve been cast aside for you. no more,” followed by, you know, the entirety of crossing the line.

like even just... compare rapunzel’s lines at the top of crossing the line:

[RAPUNZEL] This has to stop now Whatever it is that you're going through We'll fix it together, me and you Just like we've always done

to her lines in i’d give anything: 

I won't pretend to know Just what you're going through

there has been zero growth. zero recognition of the fact that cassandra has, by the time of i’d give anything, told rapunzel what she’s going through at least three times. (she laid everything out for rapunzel in the dark fortress after taking the moonstone; in gothel’s mirror room in TOTS, cassandra expressed her anguish over gothel’s abandonment and her feelings of inferiority; in OAH, cass used feldspar’s play to fumblingly express her difficulty sharing her feelings with rapunzel; and if you want to count the BVA rock telepathy and cassandra furiously screaming “i don’t follow your orders anymore!” in CR, that brings us to a total of five times that cassandra shares at least part of what she’s “going through” with rapunzel only for it to, apparently, go in one ear and out the other because by plus est raps is still like “what could POSSIBLY be GOING ON with cass.”)

the closest rapunzel ever comes to expressing her own wrongdoing is the mealy-mouthed “we both did things wrong” sentiment in OAH (“maybe you’re right and it is your fault, rapunzel... partially...”), which she then undermines by going essentially “but if you had just told me how you felt then none of this would have happened” (ignoring that cass... did... tell her how she felt... repeatedly... in s2...) and rapunzel acknowledging that it was probably annoying to deal with a sunny “flower child” when she was fresh out of the tower (which is true, but entirely glosses over her treatment of cass in s2). in the former instance it’s unclear what, if anything, rapunzel truly thinks she did wrong (certainly “not listening” isn’t it), and in the latter case she is apologizing for being ~too free-spirited~ in the first couple weeks after the tower which... wasn’t even the problem back then and certainly wasn’t the core problem in s2. and by her own admission in i’d give anything rapunzel still doesn’t even understand why cassandra was upset in the first place, let alone how she may have contributed to it. 

like the utter dearth of development between cass and zhan tiri, this is ultimately a writing problem that reflects poorly on the character, rather than a character problem per se. for whatever reason, the writing team didn’t want to examine the legitimacy of cassandra’s actual grievances—which by extension meant that they couldn’t write rapunzel as having any awareness of those grievances, so the end result is cass obsessing over gothel and rapunzel spending the entire season baffled, just baffled, about what cass is so worked up about, all while sadly pining for the friendship they used to have and vocalizing a desire to get it back but simultaneously ignoring everything cass says about why she’s upset, because rapunzel listening to cass would require rapunzel to genuinely wrestle with her own role in what happened, which isn’t possible because that would loop us back around to all those legitimate grievances that the writers just didn’t want to (or couldn’t) deal with.

but tldr no at no point in the narrative of s3 does rapunzel genuinely acknowledge the actual things she did wrong by cass.

#5: i’m genuinely not sure why you think this is even relevant at all, unless you somehow read “cass did nothing wrong” into the argument of “it is both natural and reasonable for cass to trust the one (1) person who appears to give a damn about how she feels,” which i think says more about you than it does about me. 

#rta

[tarhalindur]

The Tragedy of Madoka Kaname

One of the most common charges leveled at Homura, especially in the context of shipping arguments, is that the relationship between the two girls is unhealthy because Homura keeps overriding Madoka’s agency.

It’s not entirely wrong.  But it’s also not quite right, either.

Looking over everything again, I rather think that at least in the main series this is partially missing the point, and in the most ironic of ways - most of the accusations about Homura denying Madoka’s agency are, in fact, ignoring Madoka’s own agency.

After all, Gen Urobutchi is notoriously a fan of hamartia - tragedy wherein the downfall of a character flows directly from that character’s own personality and flaws.

Madoka Kaname is not immune to this.

(Spoilers go under the cut.)

There’s a few keystones to Madoka as a series, but the one that’s been drawing the most of my attention is the Junko-Madoka conversation in episode 6.  Which does get noted by the fanbase, but there’s one line in particular in the context of Madoka not knowing how to make mistakes that strikes me as critically important and that doesn’t get talked about that often:  “The more responsibility you have on your shoulders, the fewer mistakes you can make.”

Junko, as is often the case, pairs being a perceptive judge of her daughter’s character with a understandably very poor assessment of the situation her daughter is in.  That line is Madoka’s own hamartia: twice during the series, Madoka makes a small mistake in a situation where all the weight of the world is on her shoulders, with disastrous consequences.  (Whether Madoka intended to make either or both of those mistakes?  That’s an interesting question.  It’s possible.  To quote the other Junko line that sticks with me from that conversation, “sometimes, if you’re in a dead end with no way out, making a big mistake is an option”.)  The second is the strongest argument for the existence of Rebellion.  But it’s the first one that’s relevant here: Madoka’s request to Homura in episode 10 not to let her turn into a Witch.

A completely understandable and even noble request, on the surface. 

There’s only one problem.

To wit:

A) Madoka is a show that benefits massively from shifting interpretative lenses, nowhere more so than in scenes like this.  (This applies to Madoka’s second mistake, too - the show is meant to be looked at both through a Christian lens and through a Buddhist one, and the mistake is only visible through the latter.)

B) One very old take on magical girls as a genre, dating back IIRC at least as far as Sailor Moon and Card Captor Sakura if not a decade further, is the magical girl transformation as a metaphor for puberty.  And we can be quite sure that PMMM is using that take - as Kyubey himself tells us in one of the most infamous (and infamously hard-to-translate because Japanese pun) lines of the series, “in this country they call girls ‘shoujo’, so for girls who grow up to be ‘majo’ is it not appropriate to call them ‘mahou shoujo”?”... operative words “grow up”.  (Madoka can be very, very unsubtle when it really wants to make a point, and this is a case in point.)

Therein the problem: from the perspective of PMMM’s version of magical-girls-as-puberty, Madoka’s request can be neatly rephrased as follows: “please don’t let me grow up”.

Homura agrees to this.  (This in turn is a mistake on her part, of course.  Even setting aside everything else - and as I’m about to get into, that would be a mistake itself - I’m pretty sure it’s counterproductive to what Homura really wants deep down; given the archetype she’s trying to wear and her comments to Madoka in 11, I suspect Homura would be happiest protecting an equal.)

Everything else flows downhill from that.

It’s why Madoka becomes increasingly timid (on the surface, anyways) and unable to do anything at the same time that Homura outgrows (or, more accurately, appears to outgrow - again, parallels) her early-timeline self and becomes increasingly assured and self-confident - as Homura grows up, Madoka is regressing back to a childlike state.  (I am, of course, not the first person to note this.  But I’ve never seen anyone else note that you can set aside Homura’s agency entirely and still get this result because it’s the logical consequence of Madoka’s own request.)

And it’s why Homura disregards Madoka’s agency.  By asking Homura to not let her become a Witch(/not let her grow up), Madoka has inadvertently placed Homura in a parental role over her.  And a situation where a child under your care is unwittingly doing something fatally dangerous to themself?  That’s exactly a situation where it’s considered acceptable and usually outright praiseworthy to override the child’s agency.  (Something Homura is likely quite familiar with given her health issues.  Which stands in stark contrast to basically everything else about parenting, given the strong implication that Homura’s parents are either absent or dead.)

And finally, it’s also part of the problem that Homura runs into.  After all, there’s one problem with trying to prevent someone from growing up.  It doesn’t work.  Entropy triumphs.  (With one notable in-universe class of exceptions... and oh would you look at that, that exception class is exactly what Madoka eventually turns to to make good her request.  For herself and everyone else.)

(The payoff, of course, is Homura breaking down during her conversation with Madoka in episode 11.  For what’s probably the first time in subjective years, Homura treats Madoka as basically an equal, trusting her with an explanation of the actual situation.  And it works, albeit indirectly; Madoka manages to figure out a solution to the problem after Homura does this.)

(Note also the implicit contrast with Madoka’s other non-biological maternal figure in the series, Mami, whose role is instead to push Madoka to grow up.  There’s a reason for the Homura-Mami fight in Rebellion.  And I note a couple of existing things suggesting Mami will have a prominent role in Walpurgis no Kaiten...)

[goose-books]

goose-books productions: a 2020 review

view the image in higher quality here! (open the image in a new tab to zoom in.) thank you to my dearest @yvesdot for the template

transcripts and month-by-month details under the cut! for reference, you can find my projects here :-) overall, new and old followers, thank you for another good year over here! [holds your hand] [holds your hand] [holds your hand] [holds your h

january

i spent late 2019-early 2020 working on 2019’s nano project, quark, aka the speculative fiction thing about new york city and prophets and dissections of the chosen one trope and gay people. quark is my second-oldest project (five years!), but it’s also probably the most ambitious, so it’s been... difficult to wrangle into place, and i didn’t end up finishing a first draft. oh, well.

enjoy a snippet that is devastatingly emblematic of everything about quark. the tone. the homoerotic tension. the ensemble cast all talking over each other. the fact that caelum has spent pretty much this entire scene crying. fun autopsy report meeting.

Marble stares at the notebook in Shade’s hands. Or maybe he’s staring at Shade’s hands. Dawn feels a little voyeuristic, so she does what she does and says a dumb and unrelated thing: “Augustus, I think this pizza-on-the-floor thing is hurting my ass.”

Augustus flutters his hands. “Sometimes nonconformity is painful.”

“At least we’re originals,” Caelum mumbles into his sleeve.

“Exactly,” Augustus says.

“True originality doesn’t exist,” Marble says.

“Oh,” Shade deadpans, “it’s going to be a fun autopsy report meeting.”

It isn’t.

february

in january i stressed myself out trying to make the plot of quark work. so in february, i decided to take some time and write something Entirely For Fun. like, entirely for fun, no rules. and. my god. how do i explain the project i started calling “third eye for the bad guy.”

it was an unholy mashup of many of my past hyperfixations, including the gone series, a tale of two cities, warrior cats, and the left hand of darkness. one of the characters was a canon scalie and one was a canon fictionkinnie. it centered around a polycule of wannabe-evil-overlord high schoolers. i only wrote like three chapters but i was lost in the sauce for all of february and then i just… like… wiped it from my mind and moved on? somehow??? one character was a werewolf and that literally wasn’t relevant at ALL

I.

Someone was going to die on these steps.

This had been Ivy Lee Palomo’s thought last year during the all-school photo, and it rose in her mind again now. The one hundred marble stairs leading up to the great double doors of Saint Constantine Academy were the school’s pride and glory, steep as the mountain, sharp as the blade under Ivy Lee’s skirt. With the cutting wind and snow glazing the stone more often than not, with the freshmen wild and wired on their first day of their first year, it was really only a matter of time before someone slipped and cracked their fucking head open.

It wasn’t going to be her. Not when she had Doc Martens and reflexes like an electric coil. Still. Ivy Lee didn’t want to watch someone die. She didn’t get along with dead people.

march

in march, i got back to the project i’d started in 2019 - AMT, my podcast! it’s a shakespeare retelling set in a modern high school; this excerpt is funnier and also more unnerving in context. (double, double, toil and trouble...)

INDRAJIT: What the hell are you doing?

[PAUSE.]

DEE (like she’s lying): Making pasta.

[ALL THREE OF THEM LAUGH.]

NONA: That’s right.

MORA: We have the keys to Mab’s office.

DEE: We’re using her stove.

NONA: To make pasta.

DEE: Do you want some?

[A TENSE PAUSE.]

INDRAJIT: No.

april

and darkling rears its head! all of my other projects have existed for at least a year; darkling (specfic king lear retelling) is... special. it was conceived in april, when i started hyperfixating on king lear, and i still managed to write an absolutely ridiculous amount of content for it. it was like the power of hyperfixation let me speedrun the entire process. which. okay.

iv: control

They say Cressida Stayer was nine years old when she turned her hair to gold. They laid her down in bed blonde, and the next morning, the waves cascading down her shoulders were solid metal, glinting harshly in the sunlight, weighing her down, creating that odd head-cocked expression she still wears now. Nine years old. Two or three years before most people develop enough magic skills to dye a single curl. Much less transfigure their hair into precious metal.

People also say Leovald Stayer’s immediate reaction was to hack it off her head and melt it down for cash. But generally they say that part a lot quieter.

may

in may i wrote AMT episode 15, by which i mean that in may there was a day when i sat in my room with the door shut for literally five straight hours listening to the same three songs on loop as i wrote the climax of one of the plotlines of AMT. so. that sure was… a day.

ISAAC: Do you want… do you want someone to drive you home? Hawk, you’re worrying me -

HAWK (almost cutting him off): Don’t. Don’t say that. I’m here to help. With your… thing.

ISAAC (quietly): I… don’t know if you should be here to see this.

HAWK (a little louder, more audibly upset): Well - what else am I going to do? Go home and - and have my dads talk at me and - and not be able to answer them? Because I can’t? I can’t. I don’t know what to say.

[PAUSE.]

ISAAC (V.O.): I wonder if this is what he feels like, on the outside, looking in at me. Watching someone else hurting. Helpless and afraid.

He still fits perfectly in my arms. I rest my chin on top of his head and pull him close to me, like I can stop him from shaking, like I can stop anything from happening the way I know it’s going to. I bury my face in his hair. He smells so familiar. He’s so warm.

God, Hawk. I love you so much. You shouldn’t be here to see this. Something bad’s gonna happen. And you’re not the kind of person who belongs in a tragedy.

june

okay, honestly, i should talk about “night shift” here, because in june i wrote a whole short story in one night (and then foamed over it for a week), but i am still in the process of submitting it places! so i am terrified to put even a sentence of it online. instead: the other thing i did this month was to finish AMT! (sixteen episodes and somewhere around 175k, iirc, but don’t quote me.) these lines are the opener to the final episode!

RAHMA (V.O.): The combined series of sophomore year disasters stretched through November. It’s June now. It’s taken me… a long time to get this all put together. I was going to make a vlog about it, initially - well, calling it a vlog sounds frivolous. I was going to make a video recounting the whole deal. All of it. From when I kissed Avery Fairchilde to the very last night. I scripted dozens of drafts; I put together dozens of bullet-pointed lists of what to cover… and it was never enough. Because Avery and I weren’t the only ones involved. Even if I was only focused on the two of us, it wasn’t just the two of us.

So… I gathered up everyone else. The whole town of Ellisburg is still talking about the week the town went crazy, but it wasn’t just a week. There was a lot leading up to it. And I think if anyone’s going to talk about it, it should be us. The people who lived it. So here we are. The most ambitious Rahma Ashiq production of all time - at least so far.

july

every july i pause whatever else i’m doing to celebrate the birthday of aurum & argentate, twins from my oldest and dearest WIP The Mortal Realm. july fifteenth! mark your calendars. they’re princes, though argentate would really rather not be; you can read the full birthday piece here.

“Do you… plan to get dressed?” A bit of the usual humor crept back into Aurum’s voice. “Although if you want to speak to the kingdom in your underthings, by all means, you have my full support.”

Argentate scrubbed at his face. He wasn’t dressed, no, but the usual malaise hung over his shoulders like a cloak. Guilt. Nerves. The sick sense that he hadn’t done something he was supposed to. The numb knowledge that it was too late to change a thing.

“I meant to,” he said. “Get dressed, I mean.” The rest went unsaid: I have just been sitting here. On the floor. Thinking about how I should get dressed.

“Ah,” Aurum said, extending his hand. “The traditional route. We’ll save the nude speeches for the future, then.”

Argentate took his hand, stumbling a little as Aurum pulled him to his feet. He steadied himself on the closest wall, taking a few deep breaths. Don’t panic. Don’t panic. His hands found their way to the cross, again and again.

august

this summer, i wrote an entire draft of Valentine Van Velt is Dead, AKA “holden caulfield goes to exposure therapy,” AKA the weird little personal side project i keep tucked into my coat. interesting features include second-person narration from a narrator who doesn’t like the main character all that much. so reading it is kind of like the book wants to kill you? with an added dash of general melancholy.

You used to live here. That’s the thing that’s got you feeling so off.

You didn’t recognize your old house. I mean, you kind of did. You remembered that the road was on a hill. That hill felt like a goddamn forty-five degree angle when you were a kid. But if you didn’t have the address written down you wouldn’t have known it at all. It would have been just another little suburban house in rows of perfect little towns that make your skin crawl.

So now you’re in this diner looking out a gross smudgy window trying to block out the elevator music pumping through the speakers in the ceiling or whatever. I don’t know how speakers work. You’re trying to tune that shit out. The waitress comes over and catches you by surprise so you just point at some coffee thing on the menu so she’ll go away. For the record: you don’t drink coffee.

There’s a public library across the street. A little square building. You probably used to go there. The lady comes over and thunks your coffee on the table and gives you a kind of look, like she wants to know what in the goddamn hell you think you’re doing here and not at school. You sip your coffee and look out the window until she leaves you alone again. And then you spit it back into the cup because, for the record: you don’t drink coffee.

september

i spent september and october prepping for nano, so i was mostly working on darkling...

It’s late spring; still, at this time of night, on a rooftop, there’s a chill. The wind plays with the end of Ruby’s coat, with her hair. She hands the bottle off to Jasper, stares up at the fogged-over sky, wishes she were lying in Dany’s arms in Dany’s bed instead of here. Wishes, even, that Dany were the one on the roof with her. At least then they’d be cold together. At least then she wouldn’t have to imagine what Dany would say; she could just listen, and watch Dany’s flashing smile and her flinty eyes.

(She cuddles. This is another thing Dany does that Dany probably shouldn’t do, based on everything about Dany; it’s not like rattlesnakes cuddle. But Dany likes to nuzzle into Ruby’s side and rest her head on Ruby’s collarbones and toss an arm over Ruby’s chest, and hold her down like she’s worried she’ll float off somewhere. She’ll card her fingers through Ruby’s hair and hum. Even though they could get caught, even though she’s probably got better places to be - Dany cuddles.)

Ruby imagines it, momentarily, both of them on the roof together, sprawled like horrifyingly beautiful gargoyles, sharp teeth flashing, blood running hot. Up here - it’d be like they ruled the world.

But whatever. Jasper’s fun. He’s hot. He’s got a sharp tongue in a lot more ways than one. And she likes when he lets the mask down. She likes seeing the soft bits underneath. She wants to sink her teeth and nails into them so hard she draws blood. Masks don’t bleed. Ruby would know; that’s why she is what she is.

october

...though i was also in creative writing class in school, and thus ended up writing a bunch of poems of varying quality (my teacher had a real thing for poetry) and also one darklingverse short story where rory and cressida hold hands! which you can find here.

Lorelai Rory Flowers is afraid of thunder.

This is a bit of an embarrassing thing to admit, as they’re seventeen (“at least seventeen,” they like to tell people, “maybe two hundred, who’s to say?”) and generally wise beyond their years, or whatever it is that adults say about kids with too much psychological baggage. Being afraid of thunder is not a very wise-beyond-one’s-years trait. And yet the state of affairs remains: loud noises make Rory want to melt into the earth. Back when they still went to school, even the fire alarm sent them scuttling under their desk to hide.

Right now, in the elevator, all they can do is shrink into their sweater.

They haven’t let go of Cressida’s hand yet.

november

and then november of course was nano which was an adventure all the way through. (opening tumblr on the fifth day of nano to find out about d*stiel... was something.)

“Apologize to me. Or get out of my house.”

Gracen’s voice is very, very low. For a moment she thinks he hasn’t heard her at all. Then he spins, eyes blazing. “What did you say?”

Gracen watches her own chest heave. She pushes herself up off the desk, stands with the effort of pushing a mountain off of her back. Leovald is six-foot-four. Gracen is six-foot-two. In her heels, in the heels she must wear to be a professional woman, to be a lady - they are the same height.

Gracen wipes her nose. When she lowers her arm, there’s a streak of blood across the back of her hand. Fire shivers in her chest; her heart rings in her ears; her voice could cut steel.

“I said,” she says, low, slow, volume building, “apologize to me. Or get. Out. Of. My. House.”

december

and finally, the poem i posted this year! it’s called the beast sonnet, and you can find it in its own post over here (with commentary! how sexy.)

i kill the beast and drop down to my knees, my blade stained dark with blood of stygian hue, and for a moment these scarred hands shake free, and hold a world unfurled for me anew. but once-mourned victims, victors, vices find; fear winged me; now its absence strips me bare. my sword now dulls, my legs, my voice, my mind; the beast, pried from my throat, leaves no skill there. and still i hear it laugh, O DEVOTEE— O CHILD DEAR, NO GLORY WITHOUT ME.

i was quite productive this year; i have to think it was because i was avoiding things... the peak of my productivity happened over the summer and in november, AKA, college app hell. (almost done with the last applications! pray for me.)

a general breakdown of what occupied me this year:

(no, i don’t know why the “various other things” category ended up so large... i blame all the one-off projects i wrote a single page for, and also whatever the fuck happened in february. yes, i do know why it looks hideous; it’s because each of my WIPs has a theme color

thank you once again for spending some time at goose-books dot gov this year! what to expect for next year: well, i very much hope i can produce AMT... also hoping to get darkling ready for beta readers, so keep your eyes out!

#max.txt #and that's a wrap!!! what a goddamn year. #okay. breath in. tags: #quark tag #third eye tag #(i think there are like. two posts in that one?) #amt tag #darkling tag #tmr tag #vvvid tag #wow that was a lot of text. if you read all this... [blows you a kiss] thank you! #max actually writes #year in review

[donotstopthisdebatenow]

V3 Prologue Replay 0.1- It’s Time to Wake Up

Well, guess this is happening now.

Hello there. I figured I might as well write down things I picked up on during my replays and discussions with others, as well as some translation issues I (and many others from what I’ve seen) have noticed throughout out the game, with some fun trivia along the way too. This is mainly for the sake of my own peace of mind than anything, as I haven’t properly went through the game chapter by chapter in order recently, and I mainly compared translation as bits and pieces than going through line by line.

I will be recording the game both in English and Japanese to compare the lines and comment on differences if they seem of worth to note, which honestly most of it isn’t given that in terms of adapting the language in a natural sounding way -as a localization- they did a pretty good job. Most issues seems to come from lack of communication between the team in terms of context of some lines, but that’s mostly on the management of the team and I don’t have the insider’s knowledge beyond knowing that they were given some characters/sections of the game to translate so I can’t exactly comment on what was going on there.

For the trivia bits, please do keep in mind that it is me being nitpicky as a translator myself, and that I’m only pointing those out as how I would personally prefer those to be translated but at the end of the day, it really does come down to preferences since they do communicate the main thing they are trying to relay and unlike context relevant errors that do in fact cause geniune harm to gameplay and player’s experience (ie. inconsistencies in translation making Trial 5 a confusing mess) they are more what it says on the tin- some extra info/context on things.

All that said, let’s start~

Here we start with a shortened version of the V3 promo we will see in trial 6, as well as the V3 opening. Before I move to the latter though, I do want to note that for the “This story is not over” part, the Japanese counterpart uses “物語は終わらない” which due to the verb tense has a heavier “This story won’t end” vibe, which Monokuma kept insisting on in trial 6 as well.

It is not a big thing but simply a nice touch with the bold claims they make throughout the game on how it will never end.

It is also worth touching on given that one commenter in trial 6 was saying that it’s been three years since last season, so it is a bold “come back” line by whoever the group running this season 53 is.

Beyond that, it is just a nice recap and I personally love how the music blends fairly well together.

Hello there, “Team Danganronpa”. Still love how this spoiler was staring at us in the face entire time.

For the actual opening Tsumugi having a red string (of their fates) at hand and Rantaro being the only one who becomes one with their shadow to have pink eyes open was a nice touch.

The character in that pink blinking eye that for some reason wasn’t translated is the kanji for “lie” (嘘) btw. Also nice touch with Kaede facing the culprits in that blink and you will miss it scene before they dissolve to letters.

Tsumugi and Rantaro being on top of the slot machine just like how Monokuma’s ‘throne’ is between their trial stands is nice too.

The opening, which was supposedly used in-game as show intro as well, having the meteorities and that talent suppressing machine for the Ultimate Hunt plotline is of worth noting too. It is easy to dismiss the Gofer Project plotline for us players now, but the show was genuinely going for that angle before Kokichi’s takeover, hence it is worth keeping in mind while going through first four chapters especially.

For the game name, this is sort of a dead horse at this point but “Killing Harmony” rather than “Everyone’s [Mutual] Killing School Semester” was likely used due to character limit, so they had to get creative with an alternative subtitle. Character limit is a genuine issue translators face with especially with a language like Japanese and why we end up things like Yasuhiro telling us to call him Hiro or Korekiyo saying we can use Kiyo.

It is also interesting that they play the show intro twice in the prologue, one before and after their memories were altered by the flashback light, and given Monokuma when he appears later saying that this prologue was going on too long, it seems like whoever was in charge of that (supposedly Monophanie, if kubs indeed have their own AI, or the person using the avatar of said bear) messed up so they had that version aired unintentionally, hence having to go for an intro again later.

And now it’s time to wake up for one antenna girl.

If this part felt pretentious and weird to you when you first read it, don’t worry it is just usual “Kodaka trying to go purple prose except it comes off really awkward especially in English” and the translator chose to simplify a good chunk of it, going “yeah we ain’t doing that here” and I can respect that tbh.

But just for the sake of having it here: A more literal translation of that part would be “There is nothing here yet. No light, no sound. Nor my form or voice. Nobody knows who I am yet. Who I am? Who am I? I reach out a hand. A hand that doesn’t belong to anyone yet. To grasp my own existence- This is me. My name is Kaede Akamatsu. I finally recognized who I am. ...Nice to meet [you,] me. Miss protagonist of this crazy story.”

Again, a few things are just reworded to sound natural in English for the localization’s take, but if the line “Nice to meet... me” confused you before, that’s because translator went half way cutting out Kodaka waxing poetics on regaining consciousness, so taking off the subject in translation makes it sound weirder when she suddenly seems to start to talk to herself.

Also, the heavy protag framing with her and Shuichi honestly did more harm to the game than good, at this point. It would be better if they started off without that last line, as it would blend better with unreliable narrator we just happened to see events from the POV gimmick way better. Same goes for Demo having her, Hajime and Makoto sharing the “Protagonist Room” and how much hype they caused by actively pushing that angle. Part of that was preserving the twist, yes, but I also get why people do feel like it was meant as a “take that” as well.

It also did not help with people recognizing that we were playing as “side characters” the entire time as far as in-universe story plotted by this TDR was concerned too, since Kiibo was set to be the in game Naegi-expy protagonist of the season.

But enough of that for now, because we have a title card to tackle.

蘇る超高校級

I have to admit, revival probably was the best choice to use there as looking back now, there are a few things this is refering to-

1-) The simpler explanation of how they supposedly had their memories sealed, hence the “restoring/bringing back memories” meaning of 蘇る, which also means “reviving” the title of Ultimate in the Gofer Project plotline universe given how they were supposedly last survivors of the earth and

2-) How this is a revival of Danganronpa, going again with the fact that show stopped for three years/some people were awaiting for a new season for a while now, hence the resurrection/revival of Danganronpa and by extention, the concept of Ultimates by using that meaning of 蘇る in that way too. After all, “Ultimate” is really just “Best in X field amongst other highschoolers” title (as commonly fan-translated and iirc even made it to anime subs as “Super High School Level”), so having high schoolers who are given memories and the title to match with it is reviving that.

Finally out of the closet locker, and before we move on, I want to add another side note that when you invert the UI, pre first flashback light UI turns a familiar pink.

While one reading of this could be that this lie magenta being the inverted version hints at prologue being a lie, I personally take it as due to the inverted color being the one we see, it means the prologue has the “truth” than later parts, since in trial we have blue truth bullet changing color to become pink lie bullet theme, that the color they are inverted to being opposite of what they are simply makes more sense to me.

We will see when we return to this locker again later that our UI changed to yellow which inverts to blue, reverse of truth, which is especially poignant with Tsumugi’s later trial 6 comment on “if they will call fiction a lie, then all their actions and words were indeed all just lies, since they were performed based on things some people wrote, fiction, too.

It changing immediately after we are shown that first light simply felt too relevant to not tack this on here, but moving on-

A mood tbh

Poor girl, honestly. This is not even the only time she will end up hitting her head when we are done with prologue.

A bit of a short fuse there, but also fair.

That’s what we all would like to know too.

Imagine someone goes through the trouble of kidnapping you while you are on the way to school, and brings you to... another school you’ve never been to. It almost sounds funny if you ignore the small big fact that they are brought there to kill each other.

You tried, Kaede.

Also I forgot how much of the prologue was really just “Kaede causes herself physical pain while trying to calm down simulator” wow

Dun dun duun

Insert “Wow, Kaede comes out of her own closet AND brings hat boy out his closet too? Doing Arceus’ work, Kaede” joke.

Also hi, Shuichi.

This is honestly a weird way to phrase it, as what Kaede says is that it is “A boy dressed in a normal school uniform...” than emphasizing on Shuichi’s own normalness, in the Japanese version.

It is also the only line that has a slight change in both takes as in the second take, she says “A boy dressed in a bit weird school uniform...” which due to copy-paste and adjective being used to describe Shuichi than his clothing in the translation, it ends up being glossed over.

On the one hand, still funny. On the another hand, this kid is justifiably terrified...

“Buddy I need some context here I have no clue what’s going on”

“Oh yeah that happened”

Shuichi: Sees a girl in high school uniform, kidnapped by likely people older than them himself

Shuichi:

Shuichi: You are working with them aren’t you?!

10/10 detective work there hat boy. I know he is probably just still too scared to think straight, but it is still funny on hindsight.

That’s one way to calm someone

And both of their names are the same both takes too. Their way of referring to themselves (私 for Kaede, 僕 for Shuichi, which are both used in the Chapter 1 title as well) are same, as well as their general speech patterns too.

Damn, girl.

Also a nice time to point out that Shuichi spends a good chunk of prologue retake and chapter 1 doubting if they can really trust everyone, and it is good to see that he had same tendency to assume he is the only one facing something/that people around must be enemy unless he is explicitly told or shown that they are not.

It makes sense in the situation, really, especially with how Kaede being the one who opened the door to his locker, his experience is that this girl could be working for/with the ones who kidnapped him, but still worth mentioning.

A real flashback time-

Which is coming soon, because tumblr refuses to add more pictures to this post OTL

#danganronpa #danganronpa v3 #drv3 #drv3 meta #drv3 translation #drv3 commentary #v3 spoilers #drv3 spoilers #prologue #welp here we go #I could trim off some of the screenshots but #it looks more coherent and follows each other better this way? #I was gonna cut it after this next part anyway #so that works #and just checked how many pictures there are and seems like first take of the prologue will take about three posts #yaaay

[incorrect-pokespe-quotes]

Clearing Out the Askbox

I never thought about this before but I can absolutely vibe with this-- powerful kickass Suicune ladies for the goddamn WIN

Rest under the cut!

YES YES YES!!!! He has the colors, he has the vibe, he has the mysterious parentage... Kusaka make it happen

They do make the perfect middle children: They’re in a transition period between arcs, are seriously underappreciated, and forgotten by just about everyone! /s

Tbh I don’t think the setting up RSE in GSC would be possible bc the volumes for GSC were already out by the time the end of RSE came out and iirc it got cut somewhat short? I could be misremembering but I wanna say there was some weird publication mishap that made him have to do what he did with Celebi and the snappy ending... could be wrong tho. Also I wish he just didn’t kill them in the first place? Having them be seriously injured has the same / close enough emotional impact without a weird Celebi copout. Also I don’t trust Kusaka to write grief well in the span of like.... 4 chapters, maybe less. As for the aircar swap thing: thank you!! It wouldn’t really work in canon, but I think it’s a fun little what-if

Depends on the arc, but in general I think the tone of the game’s music fits relatively well with everything. Sorry that’s a lame answer :(

Red is a paragon whose simple and heroic nature make him the ideal first protagonist.  Green is the ideal foil, and though he tends to warp based on the plot and characters around him, every arc he’s in is improved by his appearance.  Blue is a very complex and fascinating example of how trauma can change people, but her potential was squashed by FRLG.  Yellow is the perfect example of Kusaka’s creativity and everything that makes spe great.  Gold is the first and only absolute bastard of a protag and really balances out the rest of his seniors.  SIlver probably has the best depiction of trauma in the series and has a subtle arc that stretches for 10 years of material, which works in his favor and makes him one of the most cohesive of the seniors.  Crystal was introduced at a terrible time (though imo that’s not Kusaka’s fault) and has suffered from botched inclusion in arcs ever since, which blows bc she’s awesome.  Ruby is a mess both in-universe and in terms of writing, but god this poor child cannot catch a break.  Sapphire... honey I’m so sorry.  Emerald got the best glow-up between original and remakes of any character thus far and is possibly the most outlandish character Kusaka has (and I love him for it) Diamond is kinda boring as a solo protagonist but really shines within the trio.  Pearl is seriously underappreciated for the arc he went through during DP, but unfortunately as soon as that arc finished he sorta lost relevance... impearltance if you will.  Platinum has a relatively common character arc for her archetype but gosh if she ain’t the cutest lil rich bitch you’ve ever seen.  Black is the shonen hero done in the best way possible.  White barely got anything in BW and then B2W2 have her so much, which is the exact opposite of every other character in the series.  Lack is an asshole who learns nothing but managed to still have the biggest turnaround of fandom opinion in spe probably ever.  I can’t remember much about Whitley other than “she’s baby” so let’s go with that.  X is way less “soft boy” than people claim he is, though tbh the snappy brooding dexholder is something we’ve been needing for a while.  Y is the most leader oriented dexholder we’ve been in a while and quite possibly the first one to be based on the player character, but despite that she still gets a taste of FDS in the finale.  Sun and Moon are wasted potential personified and I will forever be bitter about how two of spe’s most interesting characters got fucked over so badly by the plot.  I can’t describe Sou or Schilly because we’re only 1 volume and it’s impossible to predict where their arcs are headed. 

I was gonna say “what the hell are you talking about” but then you explained it in specord and it actually makes perfect sense. He reminds me of that one Gen Z “nothing matters” meme

#not a quote #admin vex #askbox

[bossuary]

Having just finished Tevinter Nights, I have un fucktonne of questions and theories. But, below are a few of the subjects/problems that I can’t stop thinking about.  I’m curious how other people interpret them, or if I’ve missed some critical details, because it seems like there’s some retconning going on.

so, spoiler warnings apply, since i’m about to discuss the Big Doings below the cut.

The most immediately relevant items come from the final story, right? BUT, because of the nature of the characters, I sort of assumed that much of “The Dread Wolf Take You” is a study in unreliable narrators. Can any of the tales be believed after Charter exposes the Bard? Do we move forward assuming the puzzle pieces we’re trying to fit together are the correct ones, or tread carefully on the word of a known liar?

Nothing about the Assassin’s Tale fits the facts we know: 

Meredith’s corpse didn’t actually stay in the middle of the square in uptown Kirkwall. Her remains were taken away to The Black Emporium. (iirc, Varric mentions this in one of the recent comics)

Pieces of her sword (Certainty) were re-forged for Samson to use in service of Corypheus, a sword which eventually passes to the Inquisition.

A shard of the idol continues to exist outside of Meredith’s remains, or her re-forged blade. Depending on worldstates, the shard is either a weapon rune--forged by Sandal and given to Hawke--or it was given to Varric (who then gave it to Bianca to study, I think). 

In the comics, and in a few of the short stories, the fiasco of Fen’Harel’s agent losing the red lyrium “item” is cleverly handled from a lore-continuity perspective. It’s only ever referred to as a “weapon,” which could mean a lot of things, and allows for greater freedom in describing it in later media. Until the Assassin’s Tale, I firmly believed they were talking about Certainty. Now we’re supposed to believe it’s been the magically re-formed Primeval Idol this whole time, freshly revealed (by the equally untrustworthy Mortalitasi) as a go-go-Gadget ritual blade.

So, are the Tales a cheeky narrative lie, or is it all lore retcon? If it’s a retcon... -What ritual could the blade have originally served? -Might it actually be a key, as lots of people have theorized? -Is there really a potion that can melt lyrium? -Does Solas actually have the idol now, or was his entire story a lie to cover the truth that he still hasn’t found it?

Also, uh. . .Can Solas just. . .kill people while they sleep/dream, even dwarves? I mean, he has demonstrated the ability to create a “dreamlike” state for a dwarf Inquisitor. But, this power seems OP, even for him, and narrative reach. Possibly it’s further evidence that nothing in “The Dread Wolf Take You” can be trusted. 1. If the plans for the Fade are already underway, what does this mean for people like Evangeline, Anders, Grandin, and Sigrid, who’re possessed by spirits/demons? It’s possible they’ll be forcibly separated. Those (like Evangeline) who’re only alive because of their spirit, will likely die. Without Justice, Anders might finally succumb to the taint. 

There are probably thousands of people across Rivain and Seheron, and among the Avvar and the Dalish, who’re contentedly hosting spirits. Would these spirits allow their mortal hosts to be harmed by Solas? Or could there be resistance to his plan from the Fade side of things?

Lots of the stories in Tevinter Nights include the theme of outliers breaking ranks from within a seemingly monolithic society: the Ben Hassrath don’t support the Antaam in their campaign, the Venatori and their supporters operate in defiance of Tevinter, the Crows had one of their Talons disrupt a centuries-old pact.

Going forward in the next game, we might see a spirit faction that, for any number of reasons, acts against The Dread Wolf’s plan to sunder the Veil.

2. Why does everyone in this book describe the red lyrium idol as having only two figures, when every depiction of it that we’ve seen clearly shows three? The crowned figure is (if Solas is to be believed) comforting one person, but no mention of the other poor soul, an even more skeletal figure who seems to be missing their left forearm, and is stuck on the other side of the large ring. No love for that dingus, I guess. Very curious.

And no mention of the serpentine shape that surrounds all three of them.

3. The sea is going to be a big part of the next stage of this story. 

-Mythal’s origin has her emerging from the sea. -In “Luck in the Gardens, the 8 Venatori who were tasked with keeping the “formless” monster in its sealed prison each wore a clay amulet depicting a thin four-winged dragon rising above a sea. -“The Horror of Hormak” describes the viscous gray transformation fluid (and the monsters it creates) as stinking of brine. -The Mortalitasi’s Tale includes a reference to The Dread Wolf screaming about the Sea of Dreams. -The Executors appear to be stepping into the action, finally. They are known as ‘those across the sea.’ -Among the murals discovered during Trespasser, there are some that include imagery of flowing water: The Death of a Titan, and  Lifting the Vallaslin -Before ascending to godhood, Ghilain’nain killed all of her creations. . .except the giant monsters in the deepest waters. Lore says “Pride stopped her hand,” which could mean that she spared them because she was too proud of how perfectly-made they were. Or, that an aspect of Pride (as a demon or spirit), convinced her to let them live.

4. I’ve always thought that the painted murals of Trespasser and those completed at Skyhold are actually of a different sort, in a very specific way. Much of the ornamentation, symbology, and iconography that’s used in the various frescoes in Trespasser. . .isn’t found in Skyhold’s frescoes.   My feeling, based on these differences in style, and the uneven quality of the paintings in the Vir’Dirthara, is that the murals in Trespasser have been painted-over. 

-Thanks to Gatsi, we know that the mosaics we worked so hard to complete for the Inquisition were all re-carved by several hands over the ages, making it difficult to get an accurate interpretation from them.

-During “The Horror of Hormak,” Ramesh and Lesha encounter mosaics depicting elven kings and queens, and their subjects. But the mosaics shift and change the longer they stare at them. The scenes transform from a glittering parade of nobility offering succor to their subjects. . .to a death-march of tyrants forcing magical torments on their slaves. 

-In “Genitivi Dies in the End,” our industrious well-traveled Brother is humbled when he discovers an elven tome that depicts the continent of Thedas in superior and, crushingly, more correct detail to anything he’s ever seen. Which means that either the continent has changed dramatically, or all the maps that exist in modernity are based upon a flawed (altered) source.

There’s an established trope of people from all parts of Thedas altering relics in order to change history’s interpretation of them. So, why would the frescoes/murals be any different? I believe that either Solas, or someone loyal to Solas, altered the murals in order to obscure the truth behind them. 

If we believe Philliam, a Bard! (though, again, an unreliable narrator), the Qunari Rasaan disbelieves all of the names attributed to Solas, either by his enemies or himself. As Philliam posits, to know Solas’ true name would be know the best and worst of him, his flaws and weaknesses, and what he’d “failed to be.”

Essentially, I think we’re being misled at every turn. And this leads me to. . .

5. None of the stories in Tevinter Nights expands on the role of dwarves in past and future conflicts. We get lots of new and juicy stuff on Tevinter, Nevarra, mages, elves, the Crows, the Lords of Fortune, even the Qunari. Noticeably and glaringly absent is any mention of dwarves, titans, and how they fit into the unfolding lore.

One of the largest and most influential groups of dwarves in all of Thedas (The Ambassadoria) lives right in the heart of Minrathous. Above ground. Vulnerable to the invading Qunari and Fen’Harel’s agents.

Dwarves are as tellingly absent in this set of stories as dragons were in all the Evanuris revelations.

The one place where those two things intersect. . .is out in the Hissing Wastes, near the Sunstop mountains (which has always sounded to me like the same naming convention as Skyhold).  

Out there, we come across a dwarven thaig, the only thaig to have been built above ground, that pre-dates the first Blight. It’s called Kal Repartha, which means ‘a place where we may meet in peace.’ Paragon Fairel and his sons appear to have built the thaig as a way to escape some huge conflict in the Deep Roads. 

Statues of Mythal’s dragon form are arranged in places of honor outside Fairel’s tomb. As if in protection. 

Fairel was a rune-smith, one of the greatest who ever lived. Mythal might have worked with Fairel toward some common goal, relying on his skills to make devastating weapons, runic keys for hidden places, or repositories of knowledge best kept secret. She might have protected Fairel as a respected friend and ally.

Reaching a little deeper, Mythal may have helped separate the ancient dwarves from the hivemind control of the titans, freeing them to create their own vibrant society, far from the “witless, soulless” existence they lived as drone-like workers. 

(As an interesting aside, Fairel wrote about dragons, proving that dragons, dwarves, and the Evanuris existed at the same time)

It just seems like the root of this unfolding elven lore is the Titans themselves, the life they created in the dwarves and the tangible world, the innate power of their blood, and the knowledge that was stolen from them. Why don’t dwarves feature more heavily in the anthology?

That’s it. That’s my tinfoil haberdashery at the moment. Thoughts? Corrections?

#dragon age #tevinter nights spoilers #tevinter nights #dragon age meta #DAMN #long post

[ahiijny]

First impressions of Symphogear XDU Global

... from someone who’s never played gacha and in fact didn’t even own a phone until as of 2 months ago

Oh, the screen’s in landscape aspect ratio, okay.

“The latest game data will be downloaded (110 MB). Wi-Fi connection is recommended.” I’m on Wi-Fi, that’s fine.

Hm, my phone only has 32 GB of storage and it’s already more than half full, will I be okay?

The Japanese dialogue audio is still in this, noice.

Oh, so this basically the first episode of season 1.

“Croitzal ronzell Gungnir zizzl...” Kanade transformation :)

“Superb Song”. Personally, I’m fine with this choice of translation; I’m pretty sure it’s what the creators originally intended, too. But “Swan Song” still sounds much cooler, doesn’t it :P Also, this song. Goosebumps, every time...

“The latest game data (130 MB) will beIn the background downloaded” More downloads? Also, that “beIn” isn’t a typo, the words were weirdly mushed up against each other in the app for some reason.

Symphogear XDU OP! Noice. I’ve seen this before on YouTube, but it’s still really awesome. And it contains a few minor spoilers for GX (Carol and Elfnein and the Autoscorers), noting that for future reference.

Miku in this OP is just so cool! A scenario where Miku became a main Gear user, that would’ve been nice. Alas, canon, it was not to be...

Kanade and Serena are active Gear users in this too, noice. But there are two Gungnirs and two Airgetlams now?...

“Gjallarhorn” Oh, so this is the parallel dimensions relic I’ve heard so much about.

“Please enter player name / *Player names can be changed later / *Names can be up to 10 characters long”. Okay.

Oh nice, Ryouko’s explaining the app.

“6 kinds of quests: Main Quests, Hexa Quests, Event Quests, XD Quests, Side Quests, and SP quests” Uhhhhh that’s a lot.

“You can choose one friend who will follow you into battle.” Oh, is this like the pair system in Touhou 11?

This quest is called “Diva of the Battlefield”.

Ohhhh this is the very familiar general everyday life memoria OST (I don’t know the name) that I’ve heard on the YameteTomete site before. You know, that one.

They translate Andou’s nickname for Hibiki as “Bikky”

"Custodian”? Is... is this foreshadowing? Or just a translation quirk? Do Japanese schools even have custodians? (I thought the students do all of the cleaning)

“Imyuteus amenohabakiri tron...” (looks like they mashed it all up into one word)

Okay, battle start.

Waaaaaaait what why are Chris and Hibiki here?? This is too early in the plot!

I am plot confus

Is this just one of those things where you have to be like “it’s part of the game mechanic” and try not think too hard about it?

Huh, and the Gear users and the Noise exchange attacks automatically?

Like... I barely need to do anything?

This reminds me a bit of the game mechanic in Mega Man Battle Chip Challenge, where the battle is mostly automatic based on your arrangement of chips in your “program deck” beforehand, and the only interactivity is your ability to slot in a special attack at any point during the battle (but you can only use your L and R chip slots for this, and you can only use them once).

Yay, battle won.

“MA1-1: Diva of the Battlefield”. I like numbering schemes.

“So she’s the Valkyrie of the Special Disaster Response Team Section 2... The only one who can stand up to the Noise?” Huh, so they do use the word “Valkyrie” in these translations, interesting

“Soldier A: "Whoa, I suggest you stop right there, soldier. You saw nothing and heard nothing. Is that clear?"” Heh :) Ah right, it’s supposed to be confidential.

According to Hibiki, the day one bonuses are amazing.

This onomatopoeia just looks kinda funny for some reason :P

Bikki pls

(Also, sorry about the volume bar, I’m still not used to taking screenshots on a phone)

The little girl calls Hibiki “Missy”.

"Balwisyall nescell gungnir tron…" Hibiki’s first transformation is just not the same without Synchrogazer :/

Got Song Stone x5, owo neat. I don’t know what these are though

Looks like that’s the end of the tutorial!

Ack so many unread notifications

Oh right, there’s some Attack on Titan crossover event going on, I’ll have to check that out later

Reading some of the news posts. Dunno what limit breaking is.

Hm okay, let’s try some of these free gacha rolls.

Why is a gacha roll so fancy graphics

“AME NO HABAKIRI DATTO” Noice

Wow why so flash

Let’s try more of these

“Ayumu Takasaka” Ah, a person whose name I don’t remember. iirc she’s one of Tsubasa’s classmates.

“WARUKUNAI WA NE” Yes, thank you Maria :P

Drop rates, Song Stone log, hmmm

Reading through the FAQ

“A: You may only upload game content for non-profit purposes (including personal use as a hobby.” I wonder if this excludes monetized YouTube channels. Not really relevant to me in any case though, my channel has 4 subscribers.

“Q: I want to learn more about the Symphogear anime and merchandise.” “A: We are not able to respond to any inquiries outside the scope of the Symphogear XD Unlimited app.” wat

Okay, let’s read through some of these "Rights and Agreements” pages.

Skimming through the terms of service. Lots of this reads as generic lawyer boilerplate, not tailor-made for this app, but rather feels like it was adapted from some very standard and thoroughly vetted template. Like, there’s stuff in here talking about using a robot/spider/site search/analysis application, but doesn’t that only apply to websites? Can you robot crawl an app server?

And it talks about it being prohibited “posting photographs or the like of nudity with a high degree of exposure” but is it even possible to post photos in this app?

“a. a. Posting or sending messages for the purpose of buying, selling, or exchanging...” there are two a’s here :P

Oh here we go, more topically specific ToC stuff. “Use of in-app currency” “Song Stone” hm okay.

Heh, the music changes to the XDU OP if I open the "Credit” page.

Hm, what’s this “Rights” section?

Oh, here we go, a bunch of software licenses. Mostly Apache, some MIT as well. And some without a specific name.

Interesting...

Anyway, hopefully I don’t get too addicted to this, I have a lot of other work that I still need to be doing.

But it’s nice finally starting to have a vague inkling about what all the Japanese XDU players were talking about :P

#symphogear #symphogear xdu #ahi's ramblings #long post #they say 'global' but it doesn't include europe #:/ #fortunately I'm not in europe #but I hear there's qooapp to get around region things

[courage-a-word-of-justice]

Aniplex Fugou Keiji Livestream | Fugou Keiji 2 | Kitsutsuki 2 - 4 | Arte 3 - 12 (FINAL) | Fruits Basket 27 - 32

During the Millionaire Detective: Unmissable livestream (part of FunimationCon and Aniplex Online Fest), I watched and took notes, so you might find these handy upon retrospect. To be honest, this is how I do the posts for magicalgirlsandcerulean’s livestreams as well, but there hasn’t been one of those in a while...

Otherwise, these are all normal notes.

Aniplex Fugou Keiji Livestream

Look out for the dancer from the OP

Onuki was the model for the dancing for the anime – he was told to do it out of the blue

Episode 11 might have one of these^ be relevant

Daisuke’s cup ramen has shark fin in it and he made the packaging from scratch – that’s why it’s so expensive!

The director Tomohiko Ito omits important information, allowing people to decide for themselves what happened. (Miyano) – This might be why the series is stylish. (MC)

Attractiveness of character design is important! (for adapting Fugou Keiji to modern day)

I’ve never watched a livestream where the stars were so conscious of their English and Chinese audiences! This was interesting, especially because Onuki is not normally known as a VA!

“We still have a little bit of recording to do.”

Fugou Keiji 2

I keep misunderstanding my own instructions…this starts again in July after ep 2.

Todai = Tokyo Daigaku (Uni).

I believe this is the 2nd time I’ve seen a rich person like commoner’s instant noodles, although I forget where I saw the 1stinstance.

Kambe switched to the back seat now, huh?

Ah! Now I remember! The first time was seeing spoilers for this episode on Twitter! (LOL)

I see Suzue has a sensible naming scheme for her data.

Hmm…judging by the Google hits, the name visible in the background (Betbeto bin Abura) is the Arabic prince from last time.

SYN-ACK. I see these guys did their work – that’s the final stage of the 3 stage handshake required for things like internet sockets (used to send “packets” of data).

Way to crash a party, Kambe siblings…(LOL)

I really wanna see someone draw Kato slapping (Daisuke) Kambe in the face with a wad of cash…or a “shut up and take my money” meme with Kambe in it.

I like how “special cup ramen” is on the purchases list and it costs 100000 yen. I also like how the reporter Mita was bought out for 5000000 yen (bigger than all the other individual costs except for buying out the Tower)…that’s how he showed up.

Kitsutsuki 2

I gotta finish this show and then pause it…3 shows in my normal lineup are safe.

Did Kindaichi take the bones of the fish out for Ishikawa…? Like a child would have had done for them?

Why is Ishikawa being referred to as “Hajime”…?

Draw this prostitute like one of your French girls…(LOL?)

Ishikawa clearly dropped those coins into that book earlier.

Way to diss the potential asexuality/celibacy in the house. I mean, it’s the 1800s – early 1900s, so there was less LGBTIQ+ stuff then and certainly the further back you go, the more sexual prowess becomes a sign of masculinity, but still, if the guy doesn’t want to go through with it, don’t force him.

Notice how the borders were pink for Ishikawa’s version and blue for Kindaichi’s.

Notably, Otaki didn’t seem to have that hairpin…but maybe that’s because we saw things from Ishikawa’s perspective.

Ooh…who are these bois? Also, crab.

Kitsutsuki 3

…cat? Now there’s a new perspective. That’s like saying the butler did it.

Yay! Hagiwara is Ume!

Notice Hagiwara’s version has a purple frame, while Yoshii (?) has yellow and another person has dark blue.

I think “consumption” was tuberculosis, once upon a time.

I love how the crowd is fed up with Ishikawa’s bulls***.

Ooh, chuuni Akutagawa…

In a Grove is the Rashomon story.

Tarou Hirai = Rampo Edogawa.

You stalker, future Rampo!

I kinda suspected Otaki when I thought through the possibilities…Ishikawa, Kindaichi, an outsider, Otaki (and as of this ep, Rampo too).

Gaiheikan? Is that Ishikawa and co.’s lodging?

Did they have pencils back in that day?

Kitsutsuki 4

Humouresques.

Kabayaki.

I think it was in Detective Conan that I learnt (one of) the only way(s) a man can get his nails done is by his wife doing it for him, possibly as a prank or to indicate he’s “taken”. Note this was early Detective Conan, so it’s very much a 90s attitude…considering the widespread acceptance of drag queens and the LGBTIQ+ movement these days.

Kozukata.

Lace flower.

Maichou seems to be a hybrid of Asahi Shinbun and Mainichi Shinbun.

[Monkfish/dictionary/going home] - Is this how Ishikawa shows consideration…?

The purple letterrboxing is back but this time with Ishikawa…meaning that’s just an aesthetic thing for all flashbacks after all.

Just from vaguely hearing it (I’ve got the volume on low), the words are nodo tsuki/nodo zuki. “Throat moon/throat wound” works just as well, if not better.

Balsam flower.

Update: Since enough anime fulfilled the special COVID-19 criteria, Kitsutsuki was put on hold after this.

Fruits Basket 2 2 (27)

I’ve read Another, remember?…so I kind of know what happens.

Uo’s got purple nails…that’s surprisingly cute of her.

Aw, Kureno! Another Ume role!

Why is “shisho” (master) not translated…? A weird Tokyopop-era translation quirk?

Aw, Shisho cut his hair…? Bummer.

Who was that? Shigure…?(!) Update: We find out his name later in this ep.

“If you continue to change, I’ll continue to protect you.” – Another quote for the archive.

Great…I feel personally called out by this ep.

Fruits Basket 2 3 (28)

It seems all male designers wear their designs if they have no one else to wear them…at least, that’s what I’ve gathered from Hajime (Runway de Waratte) and Ayame.

I remember Ayame stood in for Yuki’s parents in the manga at one point. This must be it.

(Spoilers for later!) I also remember Mine and Ayame get married at the end…This is the prelude to that.

Dang, Ayame, you moment-ruiner!

Fruits Basket 2 4 (29)

Did anyone in the doorway hear about Hatsuharu turning into an ox?

To quote Sailor Mercury, “Douse yourself in water and repent!”

Ooh, window splitting Yuki and Haru. Nice cinematography going on here.

I bet all people think they only think about themselves, in one way or another.

Arashiyama tofu.

Yatsuhashi are great. They’re these sweet triangle things like samosas that come in various flavours. Mitarashi dango are sticky brown skewered balls of glutinous rice…which I’ve never had, but I’ve seen them in enough anime to know what they are.

I only just realised this, but Yuki’s hairstyle isn’t even on both sides, like Atsushi from BSD’s.

Huh…you can see a copy of Mogeta and Ari (as it turns out, “Ari” is the name of a character and not “ant” at all in this case) on Haru’s bed. There’s also an article in one of the magazines discussing how denim is the popular thing now and which types are in right now.

Fruits Basket 2 5 (30)

I realised Yuki isn’t calling Tohru by her first name – he’s going against Haru’s advice.

Hmm? Why should anyone ask a rabbit to hold their horses…? (LOL)

CGI cars…*sigh*

Tororo is grated yam, IIRC.

I learnt recently that nanban means “savage” or “uncivilised”…for a potato and chicken dish, the name and the contents don’t really match…Update: Nanban means “savage” (noun) or “barbarian”. Close enough.

17-26…age gap 9 years…yikes…

The words “(a happy, yet) caged bird” come to mind when Kureno describes himself. Also, Kureno is an Ume role! Yippee!

Ahh…young love…even if it has a bit of an awkward edge to it. Mind the (age) gap!

Me being the Ume stan, of course I want to hear those sweet nothings in his voice, even if it has to be via a proxy like Uotani…I wouldn’t be an Ume stan if I didn’t.

…Ah, I see. Uotani reminds me of Minare from Wave and vice versa.

Oh, I just remembered Akito is 20 or thereabouts. Kureno/Akito is only a bit more legal than Uotani and Kureno.

Arte 3

Notice Leo never once uses Arte’s name in the lady’s presence. Her name does have some infamy to it, after all.

“She’s got some guts.” – You say that at a live dissection…LOL.

Is this love~? What’s the age gap between Leo and Arte, anyway? Update: We know for sure Arte is older than 13…that’s it.

Make the things you want prominent with perspective and such. I thought that much was obvious, but for someone straightforward like Arte, I guess it ain’t so. (Maybe it’s because I’m self-taught to some degree when it comes to art.)

*sketching by candlelight* - You’re gonna ruin your eyes, Arte!

Arte, ma girl! You’re getting’ a raise! Good job!

Arte 4

Anime makes this courtesan stuff sound like a host club…(?)

I thought Leo was saying “Aria” for a second instead of Arte, LOL. I’m getting too used to that being my alias…

Arte 5

The speech bubble said “so annoying I could die”.

Arte 6

The video’s gone all pixelated…at least, the subs have…

I bet she’s going to fall over…Update: Nup, she didn’t.

Arte 7

I thought Yuri was a Russian name…or a Japanese one.

This is basically Oushitsu Kyoushi Heine all over again! (LOL)

I thought Yuri would be pushy…like, “Here’s an offer you can’t refuse.” That kind of thing. Likewise, I didn’t think Arte would refuse.

Leo? *dun-dun-DUN!*

Siena is apparently in Tuscany. Also, I did see the Silent Manga Audition page had a chapter on a pregnant woman, so this is ch. 17 or thereabouts.

Is Ruthanna not getting the money because she’s pregnant…?

Epidemic? The Black Death?...Speaking of which, Arte is very much of that ganbaru spirit. By being progressive for her time, she becomes ordinary in our time.

Ohhhhhhh! It’s a reverse harem in progress here!...This would be a good otome game, come to think of it. It’s framed the same way.

Leo can be surprisingly childish at times, don’t you think?

Arte 8

…Really? She fell overboard? *raises eyebrow*

Ooh, china (with and without capitalisation).

Is this another sarcastic child…? Oh, bother. Still, I can see why Hamefura crossed over with Arte now…Katarina vs. Catarina!

Arte 9

Bigoli is a type of pasta, as can be guessed from context.

The kanji for the episode title literally translate to “bad child”! Like the Tones and I song, LOL!

Mikata (ally).

Arte 10

This episode is giving off a Katarina x Gimo ship vibe…but with how young they are, I’m not sure I should ship it. They’re 6, aren’t they…?

Oh, you can see Katarina and Sofia’s hug in one of the ED frames.

Arte 11

Arte’s let her hair grow out…

An Italian man…bowed. In Renaissance Italy. Now I understand what all the ANN complaints are for.

What’s up with that kid’s face…? *grumbles*

Leo’s just being Leo, I see.

That’s right, Angelo and Leo never met.

Instead of a father or a brother overly cherishing his daughter, it’s the uncle…I never thought I’d see the day I saw something like that.

Arte 12 (FINAL)

Is this like Orientalism, but with gender…? (What would you call that?)

Lemme guess…Leo is working on the church mural and so he’s away?

Was that Leo, in the middle of the mural somewhere…?

Another Japanese bow in this anime, which is set in Italy.

But where is Arte herself in that mural?

Fine = end.

Fruits Basket 31

The word Momiji is using is “hisso” or something like that. Hissho is secretary, so the translator made it “secret getaway” to make it work.

That hat! *laser stare*

*one of the textbooks has “high school chemistry” on it* Tohru can do chemistry?! I suck at chemistry!

The episode title is translated as “Are you really this stupid?” It seems the real line for that was “Are you an idiot?”

Something about high school girls appeared in my head when Haru mentioned Shigure wanting to see Tohru in her tight swimsuit…*mumbles grumpily about pervs*

Kyo’s not wet, even though he got in the water! Amazing!

I think it’s sad that Tohru responds to “stupid girl” like it’s her own name.

“…that makes you suspect me?” seems better.

The Akito and Shigure age gap is somewhere between 6 and 8 years, IIRC.

Fruits Basket 32

Tohru switched from okaasan (mother) to okattekita (a formal past tense verb meaning either “bought”, “lent” or “won” based on the characters…which I don’t have a reference for). I assume because it was so off the mark, the subbers chose a similarly off the mark word.

“When I was a kid, I thought watermelons would sprout in my stomach if I ate the seeds.”

We only know about Kyo’s dad so far…hmm…what about the mother? Update: (TW: suicide) I think it was at this point we already knew that Kyo’s mother didn’t love him and committed suicide, but it’s not certain until later.

Why do doctors always use scalpels and syringes as weapons…? I mean, even Jakurai’s symbol in ARB is a syringe!

I’ve been wondering…how big is the Sohma family? Is it diluted enough that Haru and Rin can love each other without genetic problems for their child/ren? (From Another, I would say the answer is “yes”, but shoujo normally doesn’t care about this sort of thing, which is why I ask in the first place.)

Shigure seems like the type to say, “U mad, bro?”

The mansion looks like the one in Haruhi Suzumiya, if I remember the appearance of that one correctly.

#simulcast commentary #fugou keiji: balance:unlimited #Millionaire Detective: Balance: Unlimited #Fruits Basket #arte #Kitsutsuki Tantei Dokoro #Woodpecker Detective's Office #Chesarka watches Arte #Chesarka watches Fugou Keiji #Chesarka watches Furuba

[hellzyeahthewebwieldingavenger]

Absolute Carnage vs. Deadpool #1, Venom vol. 4 #17, Absolute Carnage: Lethal Protectors #1, Absolute Carnage: Miles Morales #1 Thoughts

I’m trying very hard to both cover Absolute Carnage in reading order and also not bog down said coverage of the tie ins, i’m hoping to give the main book and ASM tie-ins my full attention but for all the other ones handle them less comprehensively. Obviously that depends upon their respective content.

The Deadpool issue had great art, funny dialogue, a brisk pace, some clever moments and a refreshing acknowledgment that the Peter/Wade dynamic is stupid. 

Having Carnage acknowledge Deadpool as the motherload of codexes because of his bonding with the 4 Life Foundation symbiotes (a.k.a. also collectively referred to as the Hybrid symbiote) from Wade and Kasady’s last encounter was a great use of continuity. My hope is the lack of acknowledgement of his time with the Venom symbiote (see Deadpool’s Secret Secret War and Deadpool: Back in Black) confirms that those stories are not to be taken seriously as canon, at least as far as Spidey or Venom continuity is concerned.

The only real problem is that, whilst the start of the story technically precedes Absolute Carnage, when we get to the symbiote stuff it happens during Absolute Carnage #2 and thus really is best read after that comic as it does give a few minor spoilers for it.

Venom #17 was fantastic!

Now, as I said in my Absolute Carnage #2 post, the plotting is out of whack. Venom #17 should be read BEFORE Absolute Carnage #2!

The story itself, whilst basic, is effective. The Maker is as morally grey (or flexible if you like, get it!) as ever. Dylan is characterized well, believable as the son of Eddie Brock. Normie is underserved but this isn’t his story. Something that did bug me though is that the art depicts them as probably about the same age with Dylan dominating their dynamic. But really Dylan should be younger. Dylan was born between Venom Along Came a Spider (1996) and Anne Weying’s death in like 2000 or 2001. Normie meanwhile was born in the mid-1980s!

That’s a small complaint though and easily No. Prized.

Now as for the rest of the comic Cates pulls off a masterstroke in how he’s structured this event, at least in relation to the Venom book.

Absolute Carnage seems set to be the book where all the thrust of the story happens, that’s where you go to see Carnage and I suspect going forward where you will go to follow Brock/Venom. Meanwhile the actual Venom book is going to be following Dylan, who’s been adequately built up by this point. It helps make the Venom book relevant but not demand that you go other the same events twice or ping pong between it and Absolute Carnage to see the next part of the story, it’s happening adjacent  to the main events but it’s also not a meaningless side quest!

There is also a lot of great use of established continuity in this book. Venom himself might not be in it much, but his LEGACY is. Dylan is his son (and remember he’s as much the son of the symbiote as he is Anne and Eddie) and so are the Life Foundation symbiotes. The Sleeper symbiote also shows up.

I confess I’m only vaguely familiar with Sleeper because I didn’t read Venom: First Host but I believe he’s strongly connected to Venom’s past, I think he is maybe literally the first host of the Venom symbiote.

There is also an interesting angle in this story because the lead is Dylan, the sidekick if you will is Normie and the antagonists are the family from Separation Anxiety, 2 of which are also little kids. I hope this factors in somehow as it seems there is a theme of family underlying this corner of the event! You could even extend that to Normie as the theme of family, especially dysfunctional family, is very relevant to the Osborns and is obviously now relevant to Venom/Brock’s immediate ‘family’ as well as the Separation Anxiety nuclear family.

The ar is also stellar. It’s not Stegman good but it’s still beautiful eye candy and looks enough like Stegman that the change isn’t jarring. I’m very happy Coello did the War of the Realms tie-ins as a taster and ‘warm up’ for this in fact.

Just great, I’m loving this one!

Lethal Protectors #1 was one of the tests for me about the strength of this event.

See of all the tie-ins this was the one I was least interested in. I don’t hate Cloak, Dagger, Iron Fist or Morbius, but I’m also fairly indifferent to them. I only liked Morbius in the 1994 cartoon (though I hear his 90s stories were quite good) and to me Iron Fist is dull outside of when he’s hanging out with Luke Cage.

So I checked this out but only out of a desire to be a completist.

I was fully braced for this issue to be what derailed the event’s thus far strong batting average.

Nope.

Even this issue delivered.

Granted it also kind of DIDN’T deliver since the cover characters aren’t even mentioned at all. Instead the closest thing to a protagonist is Misty Knight. Now I have no hate for Misty Knight but to my recollection her connection to the symbiotes began only in the Web of Venom: Cult of Carnage issue that this continues off from. I suppose having a vibranium arm makes her an obvious combatant against symbiotes, but she’s got less connection to the lore. She seems more like the vehicle to introduce the above mentioned ‘lethal protectors’ into the story. And I guess that’s fine but either include her on the cover or feature the title characters in the issue.

That’s mostly a nitpick though, the rest of the issue is great. More fun violent horror stuff with a creepy romance added on for good measure in the form of Carnage and Shriek’s toxic relationship.

The reintroduction of Demo/Demagoblin was interesting. I knew it was coming and I knew it would be a new female version but the fact that it was Shriek took me by surprise, I was sure it was going to be Lily Hollister a.k.a. Menace. Truth be told I’m disappointed it wasn’t as that would’ve been an organic use of a pre-established character and wouldn’t have swapped out Shriek (who is also very interesting) for Demagoblin.

It’s not a BAD direction but I’d have preferred the Carnage family from Maximum Carnage be reassembled differently. But seeing Demagoblin and Carnage make out is delightful in how over the top nuts it is!

They mention reintroducing Carrion and I really, really hope that happens!

The art, whilst not being as good as in other tie-ins is still doing a solid job!

Much like the other tie-ins this series is opening up a new front in this event and exploring it quite well thus far, so I’d recommend this too!

And as a plus they remember to tell you when this happens in relation to the main event book.

Miles Morales sadly...was the first slip up in this event.

Now I’ve made my criticisms of Miles (in the comics) vocal before and I don’t want to sit here and tell you this issue sucked shit or it was bad because Miles was bland in it. To be honest MOST of the protagonists of Absolute Carnage are fairly bland. Miles for instance was a knotch more interesting than Misty Knight.

In fact I wouldn’t call this issue BAD at all.

There were just some things wrong with it.

The most noticeable of these was how the events depicted towards the end don’t quite jive with the end of Absolute Carnage #2. If you just wrote them down on paper they would seem to. Miles and Scorpion are fighting Carnage cultists, Carnage/Osborn is there in charge, Scorpion breaks away from the fray, Venom shows up, Miles stands alone but is overwhelmed, he is taken over by the symbiotes.

However when you compare the art and dialogue of the two comics there are a number of discrepancies which is annoying because up until now you could make everything fit together one way or another.

Among the discrepancies, and this is a nitpick, is that the Carnage cultists are wearing their Ravencroft uniforms, which IIRC they don’t do in any other appearance. A more contrived aspect to them though is Gargan recognizing the tattoo of one of them. How? They are all covered head to toe in symbiote their tattoo’s would be obscured!

I also didn’t like how the Carnage Cultists were treated as so disposable. My impression was they each have a bona fide symbiote bonded to them so would be on a similar power level to Venom at least, so Scorpion impaling them wouldn’t be a big deal, they could heal from that. But they come off more as just super strong zombies, and not even as strong as Venom at that.

Grant that’s an issue perhaps with the event as a whole but it was most noticeable here.

The other problem with this book is that half of it is little more than a standard superhero fights super villain yarn until halfway through when it abruptly becomes an Absolute Carnage tie-in. It even kind of does that at the very start of the issue where the recap page randomly interrupts the story in progress for no reason, putting it ahead of the first page wouldn’t have spoiled anything.

It seems like a waste especially since the cliffhanger is identical to the cliffhanger of Absolute Carnage #2, it doesn’t progress the story at all it simply provides some preamble and not particular plot relevant preamble at that. It’s not that difficult to deduce Miles was probably fighting Scorpion before they were attacked.

What’s even more annoying, but not a problem with this book per se, is that the comic discloses that this should be read after Absolute Carnage #2 but similar disclaimers weren’t made for other tie-in issues. I don’t even think reading this between AC #1 and #2 would make much difference. There aren’t any spoilers for AC #2 because it simply depicts the same events regarding Miles in greater detail.

My final problem with the issue is one that’s more a problem with Miles in general regarding his status in the 616 universe. Let’s put aside how it inherently undermines the character for a moment, the recap page alone shows you how problematic it is to have him migrate to Earth 616. The blurb summarizing Miles’ backstory has to be so ridiculously generalized and use dialogue implying he might be from another universe but could equally be taken as poetic hyperbole. I don’t blame Ahmed, I even sympathize that he kind of HAS to write it that way. It’s just stupid is all and undermines the emotional resonance of Ultimate Venom being associated with the death of Miles’ mother. But then again DID she even die now? See what a mess this is?

I don’t want this to sound like this issue was terrible, it wasn’t it was just okay at best though sans the art. Absolute Carnage has thus far had good to great art and this issue is no exception.

As a standard Spidey v. Scorpion rumble goes this was fine, it was fun and got the job done, standard superheroics so I can’t complain too much. The only contentious part was Miles’ ineffective Venom Blast.

It didn’t work because Scorpion’s suit was insulated.

This is a double edged sword when it comes to analysis.

On the one hand that is inconsistent with the Venom Blast’s established power. It can work against electrical powered foes like Electro AND extremely powerful demonic beings like Blackheart. But you telling me some rubber lining enables Scorpion to just shrug it off? Bullshit.

On the other hand though...Miles having a cheat code power like that has always been reductive to his character.

The final thing I have to say on the comic is that the editors weirdly hype up the issue. In other tie-ins they praise Ahmed for reinvigorating the Scorpion, for even making him scary and a straight up killer. Putting aside how he was a fucking cannibal in Thunderbolts and Dark Avengers, Ahmed honestly didn’t do anything like that.

Scorpion is a standard supervilalin who DGAF about innocent life or killing, he just wants to preserve his own life and make a payday. He lands some effective hits on Miles and is a threat but...there is nothing revolutionary or reinvigorating about it. It’s not tired and bad it’s just standard and effective that’s all.

#Deadpool #Carnage #carnage symbiote #absolute carnage #Cletus Kasady #Wade Wilson #Spider-Man #Peter Parker #Frank Tieri #Venom #venom symbiote #Eddie Brock #Miles Morales #Ultimate Spider-Man #Danny Rand #Iron Fist #Cloak #Dagger #cloak and dagger #Maximum Carnage #Scream #Lasher #Riot #Agony #Phage #Hybrid #Misty Knight

[midnight-in-town]

Hello. Love your blog ❤ i was thinking that maybe guts will have a chance of get back his health, what i mean he's very tired for the years and is currently losing his sight. So what do you think? I hope the elf king helps guts body to be on top notch to kick hawk ass

Hi Anon and awww, thanks for the nice words!

About Guts tho’, well, he was warned about this…

…because the Berserker’s armor is to be used with caution. ://

Have you never seen this illustration that Sensei made for the lulz about Berserk within universe 20 years later?

Well, look at Guts being older than everyone because he keeps using the armor too much. xD This illustration is a joke but the issue depicted is real: the armor is very useful but dangerous.

That being said, I do agree with you that the trip to Skellig is possibly about more than just bringing Casca back. Originally, the whole journey there was only for Casca’s sake, but now that they finally arrived, I’d say we could stay there for a while and for other reasons. 

The first reason is that the magic community took a hard blow because of Griffith

…and the remaining sorcerers are possibly interested in fighting back against him one way or another. 

The other reason is Guts himself: there is what you proposed indeed, but besides the physical changes, Guts has so much to solve. 

there is what Slan did to him (the wound to his ethereal body, I don’t think it was ever 100% healed iirc?)

and there is the beast of darkness (that is staying low for now), which is related to his own trauma regarding the Eclipse

Casca is not the only one who needs to face what happened during the Eclipse.

In fact, Guts’ sanity so far rested on the only hope that Danan might be able to bring the woman he loves back. He clang so much onto it that he even disregarded his revenge against Griffith to will himself into trying to get her back. And even if he’s constantly reminding himself of what the Skull Knight said on the subject, I’m pretty sure a part of him is hoping Skully was wrong. 

So now that Casca is back, no matter how she and Guts will behave around each other, Guts is without a goal and, for a man as tormented as him, I believe that can be extremely threatening (”hello darkness my old friend”). 

That’s why I think Guts could have his own personal moment on Skellig where he might finally agree to look back onto everything that happened, in order to finally learn to cope too. Besides, if not on Skellig, where/when is he ever going to get the chance to reflect onto all that he went through?

In an older post, I mentioned that I could possibly see Gedfryn taking on the guiding role for Guts (where Danan took on that role for Casca), but that’s just me guessing without anything certain.

Besides Guts and Casca, I also guess that their time on Skellig could trigger development for the rest of their friends: Farny and Schierke could train a little with other witches for example? 

More than anything though, I wonder how likely it would be for Griffith’s army to target Skellig Island next. I mean, I still can’t give an explanation to this…

because I doubt Isma’s mom was worried about her daughter getting into trouble with Danan’s people or the sorcerers, so… Well, since Griffith targeted a lot of spirit woods previously (like Flora’s), who knows what he might have planned for Danan’s kingdom?

The fact we even switched to him recently in the narrative must also be for a reason, but it’s not like he’s getting really slowed down by other enemies…

…so eventually -maybe after he marries Charlotte?- he could decide to attack Skellig Island while Guts, Casca and their friends are still there. 

Still on the same idea, but I just recently made a post about Guts having a tie to Elves according to the Skull Knight and this could also be expanded on while Guts stays on Skellig, especially if he ends up having to protect them should Griffith launch an attack. 

Finally, an attack by Griffith could also lead to the Skull Knight showing up once more (since he’s the foe of all inhumans) and I find this would be extremely relevant considering that…

this is what Puck once thought about him (vol 18).

TL;DR everyone fighting on Skellig could be a way to conclude the arc on Skellig? And until we get there, I guess we could focus on Guts’ own trauma as well as Casca slowly getting used to being back, while Griffith chases monsters around, possibly gets married and decides that he will target Skellig next.

That’s my take on it. Rather uncertain because we switched to Griffith and don’t know why exactly for the moment, so we’ll need more content to be surer!

I hope it answers your question Anon. Thanks again for the kind words and have a lovely day.

#berserk #guts #casca #griffith #femto #skull knight #gedfryn #danan #berserk theory #anon #answers #my analysis

[miss-musings]

Why I want to stop watching the Blacklist (a.k.a., A Rant by Me)

This used to be my favorite show. Hands down. I would legitimately schedule things around it; I would leave events early to make sure I could watch it live; I would post about it on Tumblr and read other people’s posts the rest of the evening; I would search through multiple review site’s posts the next day.

I loved the dynamic between Red and Liz. I loved the mysteries and the little morsels of answers that we would get. I loved how, in the S1 finale, it felt like no one was safe: Meera got killed; Harold got attacked and nearly killed; Tom was shot and left for dead.

But, over the past few seasons, this show has become the bane of my TV-watching experience.

(EDIT: this post, which quietly keeps gaining notes, was written post-S4, pre-S5. So, there’s still plenty of relevant things in the post, but just keep the timing in mind.)

I would watch it, sure. But that was because I didn’t want the folks on Tumblr spoiling it for me. It was because I thought we were finally getting answers – which is what they teased us with every other week – only to feel so disappointed.

This last year, I made reaction videos for a friend of mine for every single episode. You know what one of the most commonly said things in those videos is? “Well, at least next week’s preview looks good.” Only to be disappointed in that episode, and to say the same thing about next week’s preview, and the cycle repeated itself until we actually got a half-way decent episode (which was usually some kind of finale or premiere, because that’s the only time actual shit can happen – during Sweeps Week).

Over and over again, both online and in person, I compared this to those scenes in cartoons where someone puts a carrot on a fishing pole in front of a donkey, and the donkey runs so hard to reach the carrot, only to never get there.

That’s how this show has felt the past season or two.

It’s only a shadow of what it once was, and I’m tired of it. I wish I could stop watching it.

So many other people I follow on Tumblr have said they’ve either stopped or thought about stopping. By comparison, Game of Thrones, Breaking Bad and the Walking Dead seemingly increase their viewership every season; the Blacklist has been NBC’s lowest-rated show in the demo for the last year, IIRC. The ratings for the Redemption spin-off were so low, the showrunners tried to pass it off as a one-off miniseries, when it was ALWAYS intended to be its own full-length show.

I understand that the show does well in DVR viewership numbers, and it was the most expensive TV show that Netflix had purchased when Season 1 was released.

But, this show continues to disappoint me. There’s hardly anything I like about it anymore. Hell, even James Spader, who’s a master at his craft, seems to be bored with it. His monologues are becoming more and more cliche, and even his amazing performances can’t save this dumpster-fire.

Its protagonist, Liz, is all over the fucking place in terms of characterization. First, she was naive and learned her “husband” had used and abused her. Then, she went to the dark side, chained him up on a boat and said she’d never forgive him for what he’d done. Then, she apparently forgave him, slept with him, had his kid, tried to remarry the guy, and then faked her death to get away with him and is now living her happy dream life with her little girl and her ‘perfect’ husband.

What happened to the dark, morally questionable, grungy Liz? What happened to the Liz who was jaded and afraid after being on the run for several weeks, or months?

She just settled down with a guy who she used to hate and she’s living the dream.

What in the literal fuck?

And, for all the time that has been invested in Liz, she has made little to no progress in her characterization these past few seasons. In fact, she’s done more of a 360. She’s right back where she started, more or less.

Why should the audience give a shit about her journey if she’s not making any progress? Why should we care that, halfway through this show, she has everything she’s ever wanted?

The side characters, like Aram, Samar, Ressler, Cooper and others are there just to serve the plot. Any time there’s a semblance of some character development or plot progression, the showrunners regress everyone back to Stage One so we can do it all over again. Aram and Samar look like they’re making progress in their possible romantic relationship? Fuck that, we’ve got to make sure Aram runs back to his abusive girlfriend and string this thing along another season! Remember when Ressler got shot, had prescription drug problems, and was in Narcotics Anonymous? Yeah, me neither.

Mr. Kaplan, who was best when she was on-screen to sass and help Reddington once every few episodes, gets pushed into the spotlight for some made-up bullshit reason that had never been discussed or hinted at previous to the “Mr. Kaplan used to work for Katarina Rostova” storyline. And while Susan Bloomaert is a fantastic and underrated actress and did her absolute best to make those scenes between her and Liz feel emotional, I didn’t really care about their dynamic at all because it felt so forced, underdeveloped, and out-of-nowhere.

Whereas the relationship that I care the MOST about – that between Red and Liz – that has been the most built-up and developed over the course of the show keeps getting thrown under the bus as Liz does the whole “love Red, hate Red, forgive Red” song-and-dance routine. She claims she agrees with Red when he tells her not to go back to Tom in Season 2… only to go back to Tom later in Season 2. She’s totally down with asking Red to help her whenever she’s a criminal on the run… but the minute her wedding gets shot up, she yells at him and says it’s his fault.

And now, as far as the Lizzington fans go, which I count myself as one of them, the show has written itself into a corner. Because all the amazing chemistry and romantic tropes throughout the show feel incredibly creepy now that Liz believes Red is her dad, regardless of whether he actually is or not. I don’t care how they try to pull themselves out of the ginormous hole they’ve dug for themselves on that one – why the hell would a woman ever end up with a guy that she once thought was her dad, even if it turned out he actually wasn’t?

And the only real way out of it is the Impostor Theory – a well-written and well-researched theory, but one that makes people have to do fucking mental gymnastics for it to work. You have to assume a lot of people like Naomi and Reddington’s former roommate from the Naval Academy who’s now an admiral, are in on it. Whereas dudes like Finch or the Director aren’t…

Don’t get me wrong; I think it’s a wonderful theory and it explains a lot. But, if it ends up being true, it means one of two things:

1) The writers didn’t plan this from the beginning and lucked their way into it

OR

2) The writers DID plan this from the beginning, which means they have the ability to be really good writers, but then they fell into all this other bullshit – like Liz’s weird arc and other things – which really means that they’re not that good of writers; they just had the one good idea.

And if the Impostor Theory DOESN’T end up being true, in some form or fashion, that means that Red really IS Liz’s dad, and this whole fucking show – Red’s entire characterization, his relationship and dynamic with her – has been a lie. Canon can be throw out the window to rot in the sewer and fuck itself in the interim, because the writers don’t even care any more.

Which, I realize is unfair, because I know there are hundreds of people who work really hard to make this show happen, and while it’s not, like, the worst show of all time, the fact that it had such potential and has fallen so far, almost makes it seem worse than a show that was so bad from the beginning I never invested time in it.

And what makes it even WORSE is that the showrunners continue to act like this is the most groundbreaking show on television, and put it on a pedestal On High, along with the likes of Game of Thrones, The Americans, and The Sopranos… you know, actually good shows.

That would be the equivalent of the Taken director demanding that his movie should’ve gotten an Oscar. It’s like, you know it was a fine movie, and I had a good time watching it, but like, bring yourself back down to earth. Taken is okay, but it is NOT Oscar-worthy material, so get off your high horse, dude.

I guess, if nothing else, it shows that the showrunners, writers and actors are so talented that they got me to invest in the show to the point where I can’t not watch it, even though it’s fallen so far and I feel like it’s nowhere near as good as it used to be. They hooked me and got me to care about these characters and their dynamics so much that, even though it frustrates me week in and week out, I will still keep watching it.

It’s just that, now, I might be doing it with a bottle of vodka, taking shots every time:

Red has a monologue that proves James Spader is too damn good for this show;

Liz is bitchy to Red for little to no reason, while continuing to be lovey-dovey with Tom;

Ressler survives a fight or car accident or some other action sequence with no injuries whatsoever;

Harry Lennix is completely underused as Harold Cooper in an episode, because he only tells his employees to do the obvious… and literally nothing else;

Samar and/or Aram take a step back from getting together, despite hints that they’ve liked each other since Season 2.

So, bottoms up, Blacklist fans!

#blacklist #nbc the blacklist #the blacklist #raymond reddington #lizzington #keenler #elizabeth keen #harold cooper #aram mojtabai #donald ressler #samar navabi #dembe zuma #mr kaplan #katarina rostova