#its a term I really love and feel really fits my experiences!!! | Explore Tumblr Posts and Blogs

wyvernest · 10 months

Note

would you be able to write something about chubby!reader having body issues and thinks she doesn’t deserve miguel because he’s so sculpted and beautiful, but miguel reminds her how perfect she is? (in whatever way you think is best)

i just love reading these types of fics and they really help boost my confidence 🥹

tysm! <3

hope you like it<3

aphrodite

pairing: miguel o'hara x f!reader

warnings: fluff, established relationship, body dysmorphia

summary: you start feeling self conscious right before your date, and miguel isn't having any of it

translations are at the end

Miguel had finally made time to take you out. You are well aware of the fact that he is a busy man, and had decided against pressuring him to abandon his work overtime.

But tonight was for you. He had planned out the perfect date, from the restaurant, reservations, to the tiniest details; what day would be best in terms of weather, your job, and his duties.

To say you were overwhelmed with excitement was an understatement. He had always been so caring and considerate, looking for ways to make you feel valued and appreciated even when time itself stood against his efforts. Finding unadulterated joy in asking you out like it was your first time getting closer to each other over and over again, the 'honeymoon phase' spark never once leaving your relationship, contrary to popular belief.

And so here you are, in your shared home, getting ready for yet another date with the most handsome man you've ever seen.

He's already fully dressed, fixing himself in the mirror. His black suit sits oh-so perfectly on him, hugging the shape of his large back and shoulders, tight enough around his biceps, so that they still bulge through the material when he brings a hand up in his hair to tame some dark strands that had fallen out of place. It accentuates the line of his abdomen, having his large thighs finish off the whole look.

He stands in front of the bedroom mirror, in his striking royal height, the man that ancient Greeks probably had as a muse when they sculpted the ideals of the male body. His dark, cocoa brown hair is brushed back, silky and soft. His perfectly contoured face is dimly lit by the low, warm bedroom lights, his features prominent: the bridge and line of his nose, squinted piercing eyes along with a downright intimidating set of brows His sharp jaw is held up high while he works with his tie, expert hands skillfully experimenting around an array of various knots, pondering upon which fits best.

He truly is quite the sight, you melt at the tableau before you, holding back a sigh seasoned with nothing but the very heights of being irrevocably enamoured.

His whole presence screams strength and mature dominance, with a hint of incontestable luxury.

Resuming your own outfit, your own body still only adorned in nothing but a pair of panties and a bra, you head to the closet for the one dress you have been imagining yourself in for the whole week since he offered you the invitation. You couldn’t be more excited to finally try it on and admire yourself with it, have people look your way while wearing it, with an arm hooked around the one and only Miguel O’Hara.

Putting it on and adjusting its stretchy fabric over your curves, your smile starts to fade. This isn’t what it looked like the first time I tried it on, you mentally conclude, and the more you look at it, the more things you wish you hadn’t noticed. You pull at the material, the hem, the sides, the neckline, anything you can think of that maybe, just maybe, could fix it. Panic starts to drip into your nerves, what will you do now if it just won’t look good? Screw it and go out with it anyway, and then feel all eyes on you for the rest of the evening? What will people think when they see you, merely decent, next to him? And otherwise, what other option is there? To pick some other dress that can’t possibly be more appropriate for the occasion, since you had bought this one specifically for the place you’re going, and still not look the part?

Your breathing starts to quicken as you keep fumbling with the textile around your shape, attention half directed to the open wardrobe, scanning every shelf and hanger for a second option.

Suddenly, the floor creaks, bringing the echo of incoming footsteps. And there he is, standing behind you, hands on your tense shoulders. You almost despise the image before you; his impeccable, calm and stoic image, next to you, discouraged and deeply insecure in evident comparison.

“What were you thinking about just now?” his words river down over the shell of your ear on a hot breath that has shivers shot down your spine.

“Nothing, I’m getting ready”, you cover it up in a sing-song voice, not wanting to dig deeper into letting him know that you don’t deem yourself pretty enough for him, let alone expect him to find you more attractive than you do yourself. Unfortunately, he’s too smart for your little diversion.

“Don’t lie to me.”, his tone serious, voice deep. His eyes rank up and down your body in the mirror, and you feel an acute need to just disappear. “Que guapa.”

He presses a kiss to your temple, and you feel rosy heat rise to your face.

Your mouth speaks before you think.

“Does it look good?”, he senses the hesitancy in your voice.

“Baby, you’d look like a goddess wearing a potato sack.” he speaks matter-of-factly, as if his statement equals water is wet, the honesty in his declaration evident with the speed with which the words left his mouth. You can’t help but let a giggle break through your disconcerted face, surprised with the association.

“What, like Marilyn Monroe?”

“No, mi alma, like you.” He wraps his arms around your middle, pulling you back into his embrace as you look at eachother in the reflection before you. His expression softens, visibly relaxed and happy to have you close to him.

“These curves, every part of you, I know them as I know myself.” His palms slide over your hips, and all the way back up to your shoulders, effectively chasing away any hint of doubt and worry, cleansing you of anything that isn’t love.

“Eres la mujer de mis sueños.” He bends down, his lips reaching the crook of your neck. “No hay nadie como tú."

You let yourself fall back into his tempting embrace, knowing that he’s exploiting your weakness for him speaking Spanish so low and deep into the vulnerable skin of your pulse point, completely forgetting about the date and the dress.

“And if you don’t like the dress, I’ll gladly rip it off.” He exhibits his talons as a warning, the curved edges of the claws grazing your bare shoulders intently. “If anything, the dress isn’t good enough to be worn by you.”

translations:

que guapa - how beautiful

mi alma - my soul

eres la mujer de mis sueños - you're the woman of my dreams

no hay nadie como tú - there is no one like you

a/n: again, if any native speakers see anything wrong with my Spanish please let me know🤍

#miguel o'hara #miguel o'hara x reader #miguel ohara x reader #atsv miguel #miguel o hara #miguel o'hara imagine #miguel o'hara x reader one shot #miguel ohara #miguel o’hara x reader

1K notes · View notes

lemon-natalia · 3 months

Text

Gideon the Ninth Reaction - Chapter 20

i just wanna apologise in advance for how long these posts are getting lol, i have a lot of Thoughts about this book

oh wait nope they are going back to the creepy lab where two people just got murdered. great plan guys

Dulcinea wanting to team up surprised me a little, but it really shouldn't have. she's been paying a lot of attention to the Ninth, and especially Gideon.

'thousands of years after you're gone ... is when you really live' this is such a different, almost warmer, perspective on death and necromancy, and i can see why it appeals to Dulcinea specifically, who's clearly had to come to terms with her mortality pretty early on in life. but its also part of the more disturbing theme that the past never really goes away, and can't help but view this line along the same lines of discovering the ancient study last chapter, and the ancient laboratory, and Canaan House in general, which are only just now having their secrets revealed, and the terrible consequences of those secrets becoming apparent, after thousands of years

'she grasped a railing, leaned over, and proffered her hand' well this is getting very courtly romance

ah yes lets go through the door decorated with a swirl of human teeth, i'm sure there's happy fun times to be had in there. harrow, resident goth interior designer who specialises in bone decor, is probably taking notes as we speak

even after hurting her hand twice, Harrow really just can't resist experimenting even further huh. she's so very reluctant to accept that her existing powers aren't enough by themselves for this

ooohhhh, having to literally suck the life force out of your cavalier to win?? thats so sick and twisted and i love it. these challenges are, again, clearly relying on this intense relationship between the pair, both in trusting them absolutely and in this literal soul-siphoning/melding link thing.

however, it feels like Gideon's really getting the brunt of it in these challenges. Harrow's absolutely putting in an awful lot of effort and power, but it's the cavalier who has to fight the bone amalgamation, the cavalier who has to have their life literally siphoned out. they're about trust and a bond between them, but also seemingly about a willingness to sacrifice your cavalier to achieve that goal, and i have a really bad feeling about where exactly this is going in terms of how exactly one achieves lyctorhood

'under no circumstances will i ever desire your juice' Harrow you may wish to revisit this sentiment when you guys (to my limited knowledge) eventually become girlfriends

'none of this is worth it, at all [...] i'm sorry. We take so much' i'm like 90% sure the voice talking to Gideon throughout all this was Dulcinea, largely because it doesn't really make sense for it to be anyone else, but there were certain lines, specifically these ones, that made me suspicious at first it might be some(one? thing?) else. but it also feels fitting that its Dulcinea coaching her through this.

wow, just wow, i'm really impressed with the writing in this chapter, and how the pain Gideon is feeling is expressed. its such an abstract experience/feeling to describe, but i think its done incredibly well

'Ha-ha, said Gideon, first time you didn't call me Griddle, and died' ok i know she didn't but THANKS for giving me an absolute heart attack with that sentence Tamsyn Muir

Harrow i get understand u are protective of Gideon but let Dulcinea comfort her plz

'you can't just ask someone why they want to be a Lyctor'. ahh the duality of Gideon the Ninth. this just evocative prose about how it feels to be on the brink of death, and then immediately afterwards hits you in the face with a mean girls reference. beautiful, iconic, effervescent.

#lemon natalia reads the locked tomb #tlt #the locked tomb #gideon the ninth #the locked tomb liveblog

115 notes · View notes

luckybunny555 · 10 months

Text

.˚◦⟡ Outta The Clouds✦.·୭ ˚○◦˚.

While hanging out with Gwen, you notice a slight change in her mood, so you try to cheer her up. She ends up confessing her feelings for you

🕷 Gwen Stacy x Spider!Reader 🕷

a/n: I got this idea when I discovered this song(title) and it was just so cute I had to write it! Reader's gender neutral, this is just pure fluff. okay, I realized there's actually a bit of angst too I guess, but juuust a little bit.

Oh, and another note, english isn't my first language so I was a bit unsure about a few words and terms I used(like "stunt" and "splutter" and "peck"), so please lmk if there's anything incorrect or other words that would fit better! Thank you :)

The sun was starting to hide behind the tall buildings of New York, turning the sky pink and lilac, and you and Gwen had been swinging through your city for a while now. She'd been helping you keep an eye out for any criminals or civilians who needed help, but mostly, she was just distracting you with her jokes and new "spider-stunts" she had learned. Not that you minded, though - neither of your spider-senses had warned you of any danger, so you had time to watch her and giggle at her little performances(clearly an attempt to catch your attention and impress you, but neither of you would admit it out loud). And to be honest, how could you mind it, when she was just so pretty and charming when showing off her new tricks, and how her experience as a dancer gave her a certain gracefulness, especially when she would land on some random roof? Safe to say, she had your attention all for herself.

Eventually, you two took a break, finding a nice spot on a tall building, sitting on the ledge to catch your breath and enjoy the view. Taking off your masks, you share a glace that makes both of you let out a chuckle. You return your attention to the setting sun, admiring its beauty. For a few moments, the two of you sit in silence, seeming peaceful and relaxed as you appreciated the scenery in front of you. Until you realize a slight change in Gwen's expression - head low, eyes focused on her hands, the corners of her lips almost curling down. You cross your legs, shifting slightly closer to her, your eyes sofly scanning her face.

"What's bothering you, pretty girl?" Your head tilts to the side as you offer her a gentle smile, earning from her a small chuckle. She looks at you for a moment, then turns her gaze back to her hands, fiddling with the fabric of her mask.

"Just... thinking about my dad," She responds quietly, letting out a sigh. You knew about what she was going through, and every time you were reminded of it, your heart would sink in your chest. Her words made you want to wrap your arms tightly around her and never let go, to protect her from everything else in the world, to create the most peaceful and safe world inside yourself just for her to live in. But instead, you simply placed your hand over hers, slowing down her nervous movements, making her turn her head to look at you.

You didn't really know what to do about it. If you could, you would solve all of her problems with a magic wand just so you could see her truly happy again. You'd do anything for her. But right now, the best you could do was cheer her up, get her mind off of her troubles and remind her that she was loved by many other people - but mostly, by you.

You reached for your phone, looking for a specific song from your playlist. "Y'know, I'm a firm believer that some songs offer more comfort than normal words can," You tell her, one hand still holding hers as the other holds your phone, your eyes fixed on it. When you find it, you put it on, turning up the volume and placing your phone in the small gap between you two, giving her a sweet, reassuring smile.

As the song starts, you start to sway your head and body to the rythm, the soft and uplifting energy taking over you. Occasionally, you'd sing along to some of the lyrics, either some "message" you wanted to emphasize, since you couldn't word them exactly yourself, or just some verse you had memorized. You took her hand, causing her to sway with you, earning a subtle chuckle from her as she shook her head, amused by your cheerful energy.

The way you smiled and sang along to the song got her stuck in a trance, unable to take her eyes off of you. It even brought a soft smile to her face. She was mesmerized by the way you moved so freely, and how careless and relaxed you seemed to be, even though she was watching. Truth is, sometimes your heart would skip a beat when you noticed her gaze on you, or you'd feel your cheeks heating up. But you tried to brush it off, because your goal was to lighten up her mood, and by the way her smile was growing wider, and how you'd occasionally hear a laugh from her, it seemed you were succeeding. So you kept swaying, occasionally using your intertwined hands as a fake microphone, looking at her while your singing mixed with giggles.

When the song ended, you exchanged a glance, causing you both to laugh. It warmed your heart to see her like that, genuine laughter escaping from her lips as she shut her eyes closed, shaking her head again. When both of you were able to quiet your laughter, your eyes met again, and time seemed to slow down as you observed how the golden light from the sunset illuminated her face. For a quick moment, that seemed to last longer than it did, you noticed the softness of her features, the color of her eyes, her freckles... You ended up forgetting that she was looking at you too.

"Can I tell you something?" She said, finally breaking the silence, snapping you out of your own trance. Her tone was soft and gentle, so you didn't notice the hesitance in her voice, and you couldn't tell how fast her heart was beating when she finally got the courage to speak. You nod, with your attention focused on her and not on the butterflies that seemed to appear in your stomach. "I feel like there's a sun inside my heart... whenever I'm with you."

Her words make your heart skip a beat, taken by surprise. You let out a nervous chuckle, averting her gaze for a moment as you try to soothe your own quick heartbeats, and failing at that. You bring one of your knees up, close to your chest, and rest your head on top of it, taking a deep breath as you look at her. "Does it feel like it's burning?" You joke, trying to cope with your nervousness. But you could feel your cheeks burning, and it wasn't from the warm sunlight that hit your skin.

She shakes her head, chuckling. "Feels more like a blanket," she tells you, and you could swear the way her eyes reflect the setting sun is the prettiest thing you've ever seen. "You make me comfortable," she adds, "and I find myself looking for any opportunity to spend time with you, because you're so bright and sweet, that I just want to..." she doesn't finish her sentence, letting out a sigh as she seems to think about her next words.

Your eyes are fixed on her, studying carefully her expression, and waiting expectantly for her to speak again. You could tell where this was going, and the sensation of butterflies kept growing, making you eager to hear what she would say next. The whole world seemed to fade away in this moment, the girl beside you seemed more interesting and beautiful than anything else.

"I want to be with you, like, all the time," she finally declared, chuckling nervously while turning her gaze to you, looking for your reaction as she tried to figure out what you were feeling or thinking. "I hope you get what I mean, I'm not really sure how to put this into words," she spluttered, unsure about your feelings for her.

"Mm-hm," you nod with a subtle smile, unable to form a coherent sentence with your heart pounding in your chest and your mind emptying with each second that you stare at her. Everything around you seemed to melt like ice-cream, and so did your heart.

She turns her head to face you, your eyes meeting again, and at this point, you can't ignore your butterflies anymore. With a bit of hesitancy, she slowly leans closer to you, moving her gaze from your eyes to your lips as she waited for a hint of your consent. When you finally leaned closer, mirroring her, she connected your lips and hers. She brought her hand to your cheek as she gave you another peck on your lips, gently holding your face. You weren't sure if this moment lasted forever or just a second, but you were simply glad for experiencing it.

The both of you slightly pull away, breaking the kiss with a soft smile on your faces, but you keep your eyes closed for a second longer. When your eyes meet again, you let out a giggle, appreciating the moment - and grateful for her confession. You shift your body closer to hers, laying your head on her shoulder to watch the almost hidden sun. You could still feel the warmth on your cheeks when she placed a gentle kiss on the top of your head before resting her head on yours, breaths slowing down and matching your rhythm.

Maybe, just maybe, everything would be okay. For now, it certainly was, because she could feel you right next to her, and that was enough to spark some hope in her heart.

#spiderman #spider man #spider man across the spider verse #spiderman atsv #across the spider verse #spiderman : across the spiderverse #spider man: across the spider verse #spiderman: atsv #atsv #atsv x reader #atsv gwen #gwen stacy #ghost spider #spider gwen #gwen stacy x reader #gwen stacy x you #ghost spider x reader #spider gwen x reader

282 notes · View notes

shuttershocky · 7 months

Note

Based on my (limited) experiences following the Type Moon fandom, it seems like there's such a wall between the fans of the "OG stuff" (mostly Mahoyo, Tsukihime, Kara no Kyoukai, FSN) and people who started with/also enjoy Grand Order, it looks like such a one sided thing where the fans of the older stuff tend to hate on FGO's writing and whatever it might have done to have done to Type Moon and Nasu's priorities, while the FGO fans just seem to enjoy the story while still being happy enough to support the OG stuff (Mahoyo/TsukiRe english release for example)

That incoherent wall of text is basically set up for me to ask what *you* think of FGO as someone who I imagine came from the older works. I'm curious about how you feel about the writing and stories in particular, from the arcs where Nasu started to be more involved (I haven't played them, but I believe it's Camelot?) since that's where I heard they started to get more elaborate. Do they live up to the experiences you've had with TM's other works?

Sorry for the long question, and I hope you have a great day!

Wow. I've been here for an incredibly long time if people no longer know about how much I used to play FGO.

Anyway, I would say what really sets FGO apart, not just from the rest of Type-Moon but even from other Fate works, is its scale, both in terms of the storytelling and its real life commercial value.

The hate you see many non-FGO playing TM fans have toward FGO is resentment towards how much it has simply taken up Type-Moon as a whole. The Tsukihime Remake was announced all the way back in 2008 and released in 2021 for example, partly because FGO taking off the way it did in 2015 meant it took up all their time and effort. They could not focus on anything else.

As their biggest moneymaker, it also began to warp the production of other works around it, as FGO had now become the main way by which people got into Type-Moon. Therefore, all things had to appeal to FGO fans in order to sell whether that was Fate/Extella Link pulling in FGO cast members like Scathach and Arjuna into the game, or Fate/Apocrypha's anime adaptation including as many FGO cameos as possible like Medea Lily (what was she even doing there lmao).

Of course, just adding FGO references doesn't automatically make something bad. Fate/Samurai Remnant for example has made fantastic use of FGO characters while mixing them in with new ones. However, you also get stuff like Melty Blood Type-Lumina having Saber, Ushiwakamaru, Dantes, and Mash all in the game while old fan favorite Melty Blood characters like Sion and Len are nowhere to be seen. You know that "Wi-fi is okay if you're close to the router" Melty Blood meme? That character Nanaya Shiki isn't even playable in the latest Melty Blood. When you see that and see not one, not two, but THREE FGO characters taking their place (Saber's a free pass), you'd see why there's a lot of resentment built up towards FGO by older Type-Moon fans.

As I said before, the difference isn't just in its commercial scale, but also in its creative one. Even in the most outlandish of settings, Type-Moon works are almost always smaller scale, character-centric pieces. Fate/Extra took place inside a supercomputer on the Moon, but it was about a glitch making an AI fight in a death battle between humans, and how that formerly blank AI feeling danger and wanting to live blurred the lines between what is human and what isn't. Tsuki No Sango (Coral of the Moon) was about a world 3000 years in the future, but the entire thing was a little space man in the palm of a girl's hand, listening to a love story about a man and a computer on the Moon.

For all its many similarities to previous TM works, FGO is still ultimately a save the world type of story. It starts with a demon destroying all of time, and then turns into a death game between entire timelines. It's big, it's bombastic, and it's instantly accessible, the kind of story structure you want to be able to fit the gacha format of an endless stream of new characters while keeping the ship steady with an overarching plot that lets you keep meeting an endless stream of new characters.

That's not really what I'm a TM fan for. I played FGO for its first 3 years, and once they brought out the Lostbelts I realized I was already satisfied and did not want to read yet another big world saving adventure plot all over again. I was pretty happy with how the first arc ended already, so my interest in continuing FGO shriveled up soon after.

Quality wise I'd say FGO is a very mixed bag, inevitable when FGO itself is a mix of very different writers (who themselves can be pretty inconsistent, Nasu included). Plenty of FGO chapters have also been cursed with subpar adaptations (looking at you, Camelot and Babylonia), further muddying the perceived quality of the stories.

I will say when FGO is bad, it's really bad (and often pretty racist), but when it's good, it's really good. For what I consider to be a mediocre baseline, FGO has some incredibly high peaks that rival the best in Type-Moon, and even when something is just okay execution wise (like Shimousa), some of the characters, concepts, and story beats are just so damn cool that they become intensely emotional and impactive all the same and inspire superior adaptations and follow up works (like Shimousa).

That being said, my favorite stories in FGO were the ones that would use much smaller scale, isolated adventures with a far stronger focus on characterization and emotional arcs that follow its thematic ones. Aeaean Spring Breeze is one of the best examples, being a tiny event about helping Circe move on from having been rejected by Odysseus in life, with some incredibly solid character work and a great understanding of how to mix the needs of a light-hearted comedy event with making genuine, emotionally compelling moments from a character that almost never speaks from the heart.

#in case I haven't made it obvious yet read the Shimousa Manga

157 notes · View notes

onskepa · 9 months

Note

Hello, could i get a neteyam x human!fem!reader where on pandora she get tanned and her skin is falling off and neteyam things she is going to die but she assures him

Ooooooooooooooooooohhh!!! I can tell you from personal experience, it was weirdly satisfying peeling the skin. Thanks for requesting! hope you enjoy!

-----------------------------------------------------------------------------

Tsawke

Pandora wasn't like earth where it had major change of the climate. Drastic change for a new season. Pandora do have different climates and each of their own spot.

Where the green lands of the forest na'vi live, there are days in the year where it does get colder and/or warmer. But nothing too drastic to consider a new season. Now the sun was blazing across the forest, brining warmth more than usual.

Wasn't that hot, but was warm.

And that is where sweet Tsawke would take the opportunity to sun bathe. She loves the sun and all its bright glory. The warmth, the light, and the life it brings. Of course no disrespect to Eywa. But in terms of science, she knows the sun plays a big part of keeping things alive.

Every day, every hour, Tsawke would take every chance she can get to go outside and enjoy the sun. No chores, no exploration, just herself and her sun.

Rare she can have a day to herself, but when it comes, she never lets it go to waste. Like now.

From when the sun rose Tsawke climbed to the clearest cliff with the lovely view of the floating mountains. It was a perfect place to sun bathe.

A little too perfect.

Following day neteyam went to visit his dearest at the human post. Going in and saying the usually morning greetings he was close to reach Tsawke's door when spider stood in front of the door preventing neteyam from entering.

"hey bro! um, why not come tomorrow?" spider says a tad bit nervously.

Neteyam tilted his head a bit, feeling curious as to why spider would block him from seeing his beloved.

"is she sick? has something happened to her?"

"yes! she is sick and she doesn't want you to go in. Human sickness isn't a pretty sight believe me" spider speaks quickly. Hopping for his blue friend to leave.

Hearing that only made neteyam worry. Humans are fragile and despite the technology to protect them, death isn't a 100% preventable.

"all the more reasons to see her! move spider!" neteyam says, now feeling the urge to help Tsawke at her weakest point. But he also doesn't want to push spider like that.

Spider still doesn't move, determine to keep neteyam away. "Sorry neteyam but Tsawke told me not to let you in. She doesn't want you to see her right now. Just wait for tomorrow" spider tries to ease neteyam but it seems it falls on deaf ears.

"either you move or I will pick you up like a baby" neteyam threatens, and he was serious. Spider was willing to help his fellow sister but DAMN....his pride.

"its ok spider, let him in" Tsawke small voice was heard from the small gap of the door she opened.

Spider nods and left as neteyam gets close to the door.

"Tsawke? what is wrong? spider told me you are sick" he speaks, clear worry in his eyes.

A soft giggle escaped the girls lips, "I'm alright nete, it's just I didn't wanted you to see me like this..."

"like what Yawne?" he urges.

With a sigh, Tsawke opens the door wide so he can go in. The room was dark and a bit colder than usual. Turning on the lights neteyam gets a good look at his beloved human.

He freaked out.

"oh my Eywa what happened?! are you hurt?! does it hurt?! are you feeling alright!? should I take you to my grandmother!?" so many questions in a panicked voice as neteyam tries to understand what he is seeing.

Tsawke's skin was peeling off in pieces. She giggled, amused seeing neteyam's worrying fit.

"I'm alright nete, really. It is just yesterday I spend too much time under the sun. You can say my skin was....over cooked" she smiles as she explains in the simplest form.

"over cooked? Is that what happens to humans?" neteyam asks.

Tsawke nods, "yes, like the animals that need to shed, we humans also need to shed. It doesn't hurt I swear. I just didn't wanted you to see me like thinking worrying it might degust you..". She rubs her arms softly, suddenly feeling insecure about her body in front of neteyam.

His gaze softens and he gets closer. "Yawne...I could never be disgusted with you. I find it interesting. Humans are very different from us na'vi and I enjoy it every time you show me something different. So please Tswake, don't shut me out because of this. I love you, all bits of you. Even if you are 'shedding' as you say".

His words have a power of some sort. It soothes Tsawke greatly. "thank you nete, it means a lot" she smiles brightly.

Neteyam smiles as he gets closer for a hug but she backs away. "yes it doesn't hurt but that doesn't mean I can take physical contact at the moment".

He pouts cutely, shoulders slumped down slightly, ears pinned down and tail stops moving. He looked like a cat that way.

"haha, its ok neteyam tomorrow you can hug me all you want. But for now, why not enjoy some music?" she suggest. Satisfied with the answer, neteyam sits close to her but not too close and they pick a song and sing along to it. Enjoying each other's presence.

And that is all for this one! Hope you all enjoyed it! until next time!

Tsawke = sun

Yawne = Beloved

#avatar #na'vi x reader #avatar the way of water #na'vi avatar #avatar 2 #na'vi x human #neteyam #neteyam sully #neteyam fluff #neteyam x reader #neteyam x human #neteyam x human reader #spider socorro #spider x reader #spider x y/n

362 notes · View notes

genderfluid-culture-iss · 3 months

Note

Idk if you're still doing the baby genderfluid tips thing so don't mind me if you're not lol

But I think the absolute best thing anyone could have told me while I was questioning my gender is to STOP treating my gender like it's scientific research or whatever. Gender is not something you need to fit the symptoms and diagnostic criteria of, and once you stop treating it like that and instead ask yourself what you WANT to be, it gets a lot easier.

I struggled with accepting that I was genderfluid for a long time because I thought that since I didn't experience my gender the way I was "supposed to" in order to be "allowed" to identify as generfluid, I just. Couldn't? But everyone's experience with gender is so vastly different that it really Does Not Matter.

Express your gender however you want! Experiment! And for the love of God open your eyes to seeing things beyond binary terms. You do not have to "look" 100%, unambiguously neutral/nonbinary. I've found that presenting a little more fem on most days feels nicer than going for the complete gendernull look, because I've stopped associating clothes with gender as much.

Of course, its always about whay works for you (a lot of genderfluid folks like going for neutral in case their gender changes during the day, lol), but for me it helped.

Anyway sorry for the HUGE wall of text 😬 love you guys ♡

I’m still accepting these!! Thank you so much!! I’ve just been lazy on updating the links shxiosaohasio

#lgbtq #lgbtqia #lgbtq+#anon #anonymous #genderfluid #genderfluid culture is #genderfluid culture #Genderfluid tips #genderfluid help

57 notes · View notes

fishedeyelenz · 2 months

Text

ANNOUNCEMENT FOR THE BLACK CHRISTMAS FANDOM

Hello everyone who's been following my writing and art and OC's!! Your support has warmed my heart, and got me through some thought times. Thank you very much for sticking by me, commenting, sending me kudos and asks regarding Dilf Billy and my oc-verse I made around him!

However... I have come to realize I have made Billy, at least the older 45-50 year old version of him my own. Very much my own. I think there's a discrepancy between my characterization of him, and how he is portrayed in the movie/novel/commentary. Another thing is that I love him too much. I want to make him my own, not an interpretation of a pre-existing character...

So that's exactly what I am going to do! I'm taking him and making him an OC. Currently I am in the process if changing up his backstory to make him distinct from Billy Lenz, though the Dilf version we see in Rats in the shadows and partially in So give me coffee and tv will stay similar.

My goal is to create a group of ocs consisting of the character formerly known as Billy, Camille, Bean and other side characters who will exist in a story about an ex serial killer father. I'm still early in the rework, but I feel like I don't have change too much.

What this means I will effectively be distancing myself at least partially from the Black Christmas fandom, at least in terms of my content creation though these past few months I have been in a rut given college preoccupying most of my time. I still love Black Christmas, it will remain one of my favorite movies forever. I cherish the friends I made and the experiences I had, but I want to move on to more original creations, uninhibited by primary existing source materials.

I will still interact with fan works in terms of reblogging art and writing , and I will most likely draw more of Billy Lenz and the other characters from the movie in the future. Anything regarding Camille, Bean, "dilf Billy" though, will be something divorced from Black Christmas, entirely its own thing, though obviously inspired by it.

Will I return to writing for Black Christmas? At this point I am uncertain. I have a WIP of a priest!au thing for Dilf Billy, which if I ever get around to finishing I would post under the pretense that it's a Black Christmas fanwork. However, I am not sure if I will finish it, given that I don't really have the time, and at the moment motivation to really work on it. Another story idea exists too, one which would better fit into the Black Christmas ethos with is very dark tone and heavy subject matter (while still remaining a smut work) which I would gladly have exist as a fanwork.... But once again I am lacking the time and want to do it. It would be a very big project, all things considered.

So what now? I will keep all my Billy Lenz/Dilf Billy content up on my blog, my AO3 will stay intact (though I will forward this announcement onto there), and I won't change my tags on Dilf Billy related posts. Moving forward, though, everything created for my oc inspired by Billy Lenz/Dilf Billy Lenz will be tagged as that. I need to come up with a new name for him first...

I will also make a post regarding how the plot of Rits/Sgmcatv would have went if I'd finished them, to give you guys some sort of conclusion. Though the new oc story with Bean, Camille and the new Billy oc in it will very closely follow Rits original storyline. Most of the events of Rits are canon still in regards to Camille's and Bean's backstory, with of course some caveats (no Brahms, Camille and "Billy" meet differently etc.). But the large majority of the plot points and story beats are the same.

I will be happy to answer any further questions, as my inbox is open. I'm sorry to disappoint anyone, but I've felt the need to move on, to elevate this story. I hope I can be forgiven. Now I bid farewell to this part of my life and creative era, and look forward to the new.

#billy lenz #dilf billy lenz #oc: camille #oc: bean #black christmas #my art #my writting #agnes lenz #oc: lily #not a goodbye #but things are changing

37 notes · View notes

leolingo · 6 months

Text

(long post about purgatory and meta and rp)

sigh one thing ive been thinking is that it feels a bit unfair to see so many people complaining or doomposting over how purgatory affects the overarching qsmp rp story or how it ~interrupted arcs~ or is ~disturbing current storylines~ or ~narratively unsatisfying~ like. Sure. its a bit abrupt and most players were caught off guard because lore-wise it stems from the federation which means none of them were told about anything beforehand

but... its only been three days. maybe we could have a little faith? like idk ill be soooooo out there rn and say that maybe the admins did this now for a reason. maybe itll make sense later on. we already see lore repercussions with elquackity and his motives and all the nods to the eggs.

theres fair criticism to be made (when done respectfully) if youre mainly here for the roleplay but i feel like we sometimes need to remind ourselves that the qsmp storytelling is a VERY ambitious project. lmao. imagine being the writing team and trying to wrangle 20+ characters with distinct points of view and journeys on an ever-changing story because of the very nature of live rp. its practically IMPOSSIBLE to tie up every loose end neatly and at this point i dont think we should expect that. keeping up momentum with all plotlines must also be pretty hard, cc's schedules and outside factors like server programming and building and mod tweaking and all those meta elements considered and so on and so on

i DO also want the story to move forward and be cohesive and make sense in a satisfactory way. like i really do!!!!!!! but i try to understand that thats not ALL the qsmp is about. from the start quackity said the server wouldn't be exclusive to the rp aspect. it sure is that way right now, but thats because most of the active members are VERY passionate about roleplaying. thats a good thing! they have fun and its fun to watch and the experience is mostly good for everyone because it corresponds to their expectations to an extent

the thing about purgatory is that i feel like its a lot more meta than most people doomposting realize. it ties into the story, sure, but to me it feels like the sudden switch in environment and vibes and stakes isnt actually catered to the rp and thats FINE. like thats not what it exists for and thats fineeeeeee

pac for one has said he appreciates the event for the change of pace, though its very hard (lol), because regular qsmp was starting to feel a bit stale to him and he was kind of running out of things to do. THATS A GREAT THING! managing player engagement like that is awesome and sometimes necessary. YES, purgatory caters to a very different playstyle than what we're used to -- and thats one of its strenghts.

a lot of hispanic creators have also felt this!!!! roier, rivers and carre most prominently have been VERY excited about this event because its similar in format to a lot of spanish speaking events like mc extremo and such. a lot of these players are also not particularly interested in rp-ing and had not been logging on very often prior to purgatory.

even roleplay regulars like tubbo, fit and bbh have shown interest in purgatory for the competitive nature of the setting!!! thats cool too!!!! something different, new possibilities to play around with. thats what the events should be about. kudos to the admins and dev teams for attempting it in such a big scale. their effort shows and all the mechanics weve seen are really fucking cool

i love the roleplay!!!!!! its one of my favorite parts of the qsmp!!!!!! but its not ALL there is and it shouldnt be! non rp-oriented creators are also part of the project and deserve to have a little fun too -- not to mention a big chunk of the hispanic fan community that has blown up twitter with support bc what we have rn is similar to events they already love!!!!!!! im glad to see so many of them get excited again!!!!!!

at the end of the day, qsmp is a LONG long term project, and purgatory ends in two weeks. by the time its over, we can all choose to engage with it as we wish. it can be a big filler episode in your mind, if you want. it can be just for fun..... otherwise, if its not fun, your regularly scheduled qsmp will be back soon anyway :3 its fine to not like it, its fine to have something negative to say about it if properly tagged and not like. crazy entitled or blown out of proportion for what this situation is.

i just hope we can all manage our online experiences accordingly and avoid making things less enjoyable for each other. this is supposed to be fun

#rant kind of #i hate hate hate doomposting it drains me #lets not assume the worst!!!!!! lets wait and see!!!!!!! theres so much time!!!!!!! how about that #qsmp #discourse

74 notes · View notes

kindlespark · 1 month

Text

this is gonna be SO long and rambly sorry anyway i saw a post abt how babel does queer characters and it got me thinking abt why the tropes it uses would usually turn me off other stories but didn’t here

MAJOR BABEL SPOILERS //

i feel like i’d be more mad abt how robinramy ended up in babel if it marketed itself as queer lit at all or if its fans were going “WOW AMAZING QUEER REP” abt it. but no one told me any of that, so finding out they were gay was just a fun little bonus surprise to me. i get why ppl are eh abt robinramy not getting together/technically still being subtext (which i dont think is really true btw like the book literally says “robin was falling in love” but idk i guess if you were stupid you might’ve assumed that it was falling in love with oxford given how romantic some of the other language is (WHICH IS ALSO THE POINT bc i think robin’s friendship with ramy blurring into romance is why he romanticised like all his friendships/experiences in oxford BUT IM GETTING OFF-TOPIC)). i just think robin’s repression abt being gay was intrinsically tied to his attitudes on imperialism (wrt refusing to acknowledge anything that complicated his life until it was too late) and i don’t consider it a cop out or queerbait. like i genuinely don’t think robinramy could ever have gotten together without drastic alterations being made in terms of plot and character. plus i think it’s clear that kuang didn’t want to write a story with any kind of focus on romance at all, because it’s not that kind of book. there’s no successful het romance either, so it grates a lot less. the only reason romance is included at all is to show the ways in which white entitlement manifests. so the tragic way robinramy played out just made sense to me.

and i speak as someone who accidentally spoiled myself on You Know What in the middle of reading and i was like ugghh boooo dreading it the whole time expecting to roll my eyes when it happened but then when it did i was like. wow im actually not that mad LMFAO 😭😭😭 actually thematically the book sets it up so well that i believed that this was unfortunately the only way it could’ve gone. babel is about the loss and tragedy and grief that colonised people experience. it’s about the lengths people will go to to uphold empire and the lengths ppl will go to to tear it down like idk 😭 i guess it is bury your gays but it didnt bother me this time because i thought it fit thematically ❤️ i enjoy tragedy as a genre a lot and i would’ve made it gay anyway you know. thanks rf kuang for doing it for me so i didnt have to.

WHICH IS ALL TO SAY that i guess if you’re going into babel for the queer rep without appreciating that the story is fundamentally a tragedy it would feel like it’s just reusing tired tropes….. but i think the choices kuang made were rly deliberate and not in a way that feels like trauma porn or shock value. the book is fundamentally about the struggles of poc so the layer of queerness that was introduced felt like a subtle extension of the experiences of characters of colour in the book, and i enjoyed and related to it as a queer chinese person who kind of realised they had to prioritise their fight for the liberation of poc over queerness mainly because the idea of western queer liberation cannot be dissociated from imperialism and many aspects of homophobia as we know it was an export of christian european empire into our colonised countries in the first place and FUCK THIS IS A WHOLE OTHER TANGENT ABOUT HOW I THINK RAMY AS A CHARACTER IS EMBLEMATIC OF THE TENSION AND STRUGGLE THAT QUEER POC DIASPORA HAVE BETWEEN OUR IDENTITIES GODDAMNIT OK FORGET IT POST CANCELLED i just rly think babel’s handling of queer characters is fine and makes sense and i like it personally and maybe i will make a coherent analysis about it one day but that day is not today byeeeeeee

#/#//#sam speaks #byeeee ive been trying to type this post for over an hour but i give up #slashes are there bc i dont want it to show up in the main tag it’s rly incoherent and also subjective #babel #babel spoilers

49 notes · View notes

luwukass · 3 months

Text

OKAY TRACKLIST BREAKDOWN!!!!

so i have now had breakfast and coffee and my brain is on and FUNCTIONING lets get into this

putting a break here incase youre scrolling and dont wanna read all of this lol

so first things first i was watching tiktok and people were making a big deal about how its split up into sides similarly to midnights now i do believe that taylor posted the back cover of the vinyl and that the cd will be different but i could be wrong. even if it is split up like this on purpose on every physical copy this does mean that it is a two LP album instead of one like midnights

one vinyl (both sides) can hold up to 44 minutes of music on it so we can roughly estimate that the full album will be about an hour and a half long now if each side is 22 minutes long each track on side a, b and c should be about (if each song is in equal length) 5 and a half minutes long. side d has 5 songs on it so some of those might be short to fit in the manuscript

i have also seen people compare this back cover to the back cover of lover which is absolutely breaking my heart and im sure thats not gonna be the last lover comparison i see about this album

okay so lets dive into this track by track

SIDE A

track one: Fortnight (feat Post Malone)

okay so first of all this is obviously not a reference to fortnite the video game but i think all of those jokes are funny as hell. the fortnight shes talking about here is a reference to the measurement of time as seen down below google states that fortnight is a british term for two weeks.

according to wikipedia fortnight is derived from the old english term fēowertiene niht, meaning "fourteen nights".

now onto post malone i actually listen to some of his music from time to time. he mostly does do rap but his most recent album austin (which is coincidentally also taylors brothers name, but is also post malones real name) is listed on google as alternative rock, indie pop and synth-pop. so im unsure of what vibe post will bring to the track. i think its also surprising she placed one of the two collabs as the opening track. i think the vibe for this track will probably be either a story about what happened in a certain two week period or about what is going to happen in two weeks from the songs time standpoint (if that makes sense lol)

track two: The Tortured Poets Department

A TITLE TRACK!!!! now obviously we dont know much about the album yet so we cant really try and figure out what the title track will be about so im just gonna do a little yippee for having a title track

track three: My Boy Only Breaks His Favorite Toys

this is a Whole fucking title good lord the only thing that really comes to mind when i think of this title is the lyric in better than revenge where she says “soon shes gonna find stealing other peoples toys on the playground wont make you many friends” which is if im not forgetting anything the only lyric as of now where she’s referred to being someones partner as someones “toy” but that lyric itself is a metaphor for relationships being playing on a playground. this will probably be a sad or angry song about how her ‘boy’ goes around breaking/hurting his favorite ‘toy’ aka taylor

track four: Down Bad

okay now down bad if you dont know is a slang term to describe how badly you have fallen for someone (mostly used in a more sexual nature in my experience than romantic) so this song will probably be about how badly she is for the love interest of the song

SIDE B

track five: So Long, London

alright new track five lets go! so this is obviously seeming to be a reference to track 11 on lover, london boy. now like taylor said when she announced it this album has been a secret for two years so we dont know when these songs were written or who they are about but i feel like it is safe to say this song and most of the other will be about said london boy [i personally do not care who a song is about and it is not taylors job to tell us who a song is about and that isnt the point of her music, but i will be commenting on the joe breakup bc that seems to be a large idea of this album so far] i can see this probably being about the break up and possibly sampling some music from london boy like she did with cornelia street and youre losing me

track six: But Daddy I Love Him

okay so the first thing i thought of when i read this track title is the scene from the little mermaid where ariel is fighting with her dad over the eric statue and im gonna be honest i dont remember the plot points in order of this movie BUT i do remember when taylor dressed up as ariel for her new years party in 2019. so given what we know this will probably be a song about maybe her fighting/arguing with her dad over how much she loves the love interest of the song regardless of who he is/how he treats her

track seven: Fresh Out The Slammer

okay so im not sure what this song will be about bc i dont think taylor has ever been to jail before so it would probably be metaphorical type of “im back bitches” type of song im assuming this might be a bass heavy maybe more rock leaning song and if it is a “im back bitches” it might be about the amount of time she was single for with the ‘slammer’ being her old relationship

track eight: Florida!!! (feat Florence and the Machine)

alright so as we all know this album has been in the works at least for two years but we dont know when each song was written so take this with a grain of salt but the tampa eras tour shows were the first shows after the news of the joe breakup dropped. so this song might be about her feelings during those shows. for those that want to know these were the surprise songs for the tampa shows in order.

night one: speak now and treacherous

night two: the great war and youre on your own kid

night three: mad woman and mean

SIDE C

track nine: Guilty as Sin?

okay so my main curiosity about this track is the question mark in the title because guilty as sin isnt much of a thought provoking title to me but that fact that its a question is interesting. the current vibes im getting are that this might be a more sexy song? but i have no idea here

track ten: Who’s Afraid of Little Old Me?

okay so THIS is giving big taunting energy like “aww who would ever be afraid of little ol me 🥺 youre afraid of me?” which im Hoping thats what the vibes are bc that would HIT but i can also see it being completely different as well

track eleven: I Can Fix Him (No Really I Can)

oh my GOD this one sounds like its gonna be sad. so this is obviously a reference to the common seen online phrase “i can/could fix him” which as ive seen is normally used towards people who are attracted to hot fictional characters that usually have a lot of emotional baggage or are villains (i saw it a lot when ballad of songbirds and snakes came out about young snow) so this song will probably be about her promising that she Can fix him and really will despite ‘him’ being broken or maybe even possibly a bad partner

track twelve: loml

so i saw and rb a post earlier about how its very interesting that this is already an acronym which i completely agree with because taylor knows we are no strangers to turning her song titles into acronyms. so loml does usually mean love of my life but i think because its already an acronym it might be something different (i saw someone earlier say it might be loss of my life instead of love)

SIDE D

track thirteen: I Can Do It With a Broken Heart

this one i think will kill me personally. i think this one will probably be about her continuing to go on with life (and possibly the eras tour) post joe break up i think this one will either be a sad song or a light beat ‘picking myself up on my feet’ song

track fourteen: The Smallest Man Who Ever Lived

this has so many implications but personally i think the interpretation shes gonna use for this song will be about how the said man is small emotionally and just as a person (i doubt she will talk about physical shortness in height or other areas)

track fifteen: The Alchemy

now im gonna be so real here i have no idea what this one will be about google says that alchemy is an older version of chemistry so maybe she will talk about the chemistry or alchemy she has in her relationships?

track sixteen: Clara Bow

alright Clara Bow! okay so i dont know much about old hollywood so i am NOT the person to deep dive into what this song will be about but all i do know about her is that she was The “It” girl of the silent film era so im assuming this song will probably be like the lucky one and talk about the rise to stardom and being the Biggest Star Of The Time

track seventeen(bonus track): The Manuscript

alright so after looking at the definition of a manuscript this is the PERFECT bonus track?!!?!?! so a manuscript is normally a piece of work that is written or typed out but isnt officially published which is just genius for having it be a bonus track that probably wont be on streaming (if not for a long time) i have no idea what itll be about but i love that mastermind

that’s pretty much all of my thoughts as of currently PLEASE let me know what yall think and what theories yall have for this album i am SO excited for april 19th 💕

#my posts 💕#taylor swift #swiftie #swifties #taylor swift theories #clowning 🤡#ttpd #the tortured poets department

39 notes · View notes

deathnotably · 25 days

Text

i decided to post this by itself because i don't understand how tumblr works anymore and i wanted it to show up in the relevant tags, but... the following is a note on this post.

tl;dr (yes, at the start): some of the confusion regarding how well akechi understands (hegelian) dialectics in the english-speaking fandom may be due to a choice made by the translators during the localization process.

in the japanese version -- which i don't have right in front of me, so i'm going off my memory -- akechi uses the technical term "aufheben," which is typically translated to "sublation." (see section 1, paragraph 2.) it's extremely difficult to explain what sublation is, but it is not exactly the same as a "thesis" (X) and separate "antithesis" (not X) coming together and "synthesizing," which seems to imply their differences have been cancelled, that they've reconciled (i.e., are no longer in conflict), or that the terms "X" and "not X" have somehow disappeared.

rather, "aufheben" or "sublation" is supposed to describe a specific process of becoming that belongs to the kind of activity dialectic is, where a given thing -- let's just keep calling it X -- preserves its individuality in the process of encountering its opposite (not X) at the same time that this encounter changes X in its fundamentals. crucially, this all takes place within X; it doesn't encounter its opposite in the form of an external force, but as a function of its (for lack of a more elegant phrase) taking itself to task for its own contradictions.

i know this is very vague, so perhaps the easiest or most intuitive way to understand "aufheben" is to think of it as a moment of self-realization. a really stupid, topical example: i might say i hate someone. still, after spending a lot of time with my feelings of hatred for this person, i might realize that this hatred expresses envy for those things i like about them and that i wish i possessed myself. note that in realizing the foundations of my hatred for this person are affection, i haven't also negated my hatred of them; that is, i don't love them instead now, and i don't hate-love them, either. rather, i've realized that my hatred and my affection for them are inextricably intertwined. this is a really, really bad -- but i hope evocative -- example of "sublation" (or, at least, an aspect of how it works).

the reason this translation difference is notable is that the original's reference to "aufheben" implies that akechi actually has a pretty sophisticated understanding of hegelian dialectics.

that's right: akechi is enough of a nerd to have read the phenomenology of spirit in his spare time, which is not an experience i would recommend to anybody. (that, or: in japanese, it's more common to speak of "aufheben" than "synthesis" -- but this would still give him a more sophisticated understanding of hegelian dialectics than the typical english speaker. i don't actually know if this is the case in japanese-language discussions of hegel, but perhaps i will make some time to check in the future.)

it is fairly common -- though, as i've tried to suggest above, strictly speaking incorrect -- to paraphrase hegel as akechi does here, at least among english speakers. this is in part due to translation difficulties with the word "aufheben." the english translators probably went with thesis/antithesis/synthesis here because the game's audience is more likely to have heard of this trio, and they probably wanted to spare you the experience of googling what the fuck "sublation" means.

-- a pity, because "aufheben" is pretty fitting for akechi's entire chatacter; this moment could even be taken as one of the game's first hints at his character arc.

#persona 5 royal #persona 5 #goro akechi #akeshu #shuake #deathnotably originals #persona

24 notes · View notes

currantlee · 10 months

Text

Ganondorf in German Tilo Schmitz Appreciation Post

The first cutscene of TotK is defining for Ganondorf as a character. I played the German version of the game, and the dub does a stellar job with this scene! It is very memorable IMO, and it instantly sets Ganondorf up as a somewhat stereotypical antagonist, but a serious threat nonetheless. It's one of my favorite scenes in the game, and that is also because Ganondorf's German VA, Tilo Schmitz, does an absolutely stellar job! It's great that he's getting the recognition he deserves for this performance!

Each line of Ganondorf's monologue in this scene is packed with (character) exposition, both textwise and deliverywise, but you don't even notice because you're in too much awe - at least that's my experience with the scene (in German).

Sooo... I wanted to take a closer look at how exactly both the scene and the voiceacting accomplish this.

Translation: That is supposed to be the sacred banishing sword? And my miasma shatters it just like that... A useless blade. English Localization: Was that the sword that seals the darkness? A blade that shatters so easily against my power cannot save you from me.

A few things about this line (and the rest of the scene) under the cut, because I'm gushing. A LOT.

The Master Sword is rarely called Masterschwert (its name in German) in spoken dialogue. I think over the course of the entire game, the Great Deku Tree is the only character to do so, and in Breath of the Wild, only Zelda calls it Masterschwert once. It is, however, called Masterschwert in the inventory, as well as several text-only dialogues. My hypothesis as to why they did that is that Masterschwert, when spoken out loud, sounds involuntarily comical in German since it comes off as way over-the-top, and can thus destroy an entire, serious scene. Personally, I think heiliges Bannschwert (which I would personally translate as Sacred Blade which Banishes Evil if I were to do a less literal translation, like I did above, into English) is a very fitting title, even though it doesn't sound quite as awe-inspiring if translated into English literally.

Secondly, the gloom is called Miasma in German, which is a historic name for mysterious sicknesses. While not common in contemporary German anymore, you can actually find it in the fantasy genre here and there, including in videogames. German localizers REALLY love to use this term. In comtemporary German, it would be übler Dunst (bad / ill haze), Verunreinigung (pollution / contamination), Befleckung (impurity) or Ansteckung (infection), all of which combined I find to be a really great description of what the gloom is and what it does! Especially considering that the entire reason Link and Zelda decided to investigate it in the first place was because the gloom was making the people of Hyrule sick.

I personally like this line much more than the English one, simply because to me, the English line screams "exposition!!". The German line is also exposition of course, but it does it in a much less subtle way.

Last but not least - let's appreciate Tilo Schmitz, Ganondorf's German VA. The way he delivers this line is spectacular! He makes it sound like Ganondorf is almost a little upset that the Master Sword shattered so easily, while sounding both dark and ancient at the same time. Honestly, I could not imagine a better delivery!

Translation: Zelda... And you, wielder of the banishing sword... Link. English Localization: Zelda... You who carries the fragile sword... Are Link.

Ganondorf explicitly draws a connection between Zelda and Link in German (not in the romantical sense), which feels much more natural than this kind of jump he does in English.

On a somewhat unrelated sidenote, I like that the camera shows both Zelda's and Link's reactions to Ganondorf knowing their names (unfortunately, I couldn't capture Link's because the subtitle vanishes just before he reacts, and I don't want to overload this post with pics, so... Go watch the scene again 😆). Love that Link has a very obvious reaction too, I feel like he is generally pretty expressive in TotK, which I very much enjoyed!

Translation: Rauru's grand prophecy... English Localization: Rauru placed his faith in you...

This is an interesting difference to me, because while both lines pretty much mean the same, the connotation (implied meaning) and tone are completely different.

In English, Ganondorf sounds like he is almost blaming Link and Zelda for not fulfilling Rauru's expectations, especially when combined with the next line.

In German meanwhile, this is more of a sarcastic comment, that expresses Ganondorf's disdain of Rauru more than anything else. Tilo Schmitz delivers this line with a very sarcastic undertone as well, making it clear that Ganondorf is, much like in the previous lines, mocking both Link and Zelda, as well as Rauru.

Translation: Two pathetic worms. English Localization: And that was all that you could do?

Now, there is a big difference! Whereas Ganondorf's line sounds almost like a challenge in English, in German, he is ourtight insulting Link and Zelda.

Also, Tilo Schmitz is amazing as Ganondorf in general, but this is probably my favorite line in the entire game from him. It sounds impactful, it sounds arrogant and despising, it has everything this line should have and more. Most of all, it sounds like he actually means this, and he means it as the character Ganondorf, not just as someone playing Ganondorf (from a meta perspective) or just anyone who can't stand Link and Zelda. It is a perfect line in my opinion, both scriptwise and delivery-wise.

Aaaaand that's pretty much it for this scene! Like in the English localisation, Zelda asks how Ganondorf knows their names (and Julia Casper makes her sound more timid than confused, which I also like very much!).

Anyway, thank you so much for reading 😊 Honestly, I was pretty overwhelmed by the response to my first posting about the German localization of TotK, so I wanted to wait a bit for things to calm down a bit 😅 In the 10+ years I've been on the internet, nothing I've made before has gotten this level of attention. It makes me very happy you guys seemed to enjoy it so much though, and I hope you enjoyed this one as well.

Have a great day, night, whatever time it is when you're reading this, and enjoy the game!

101 notes · View notes

maybeimamuppet · 4 months

Text

OKAY MUPPETS IT IS TIIIIME FOR EZZYS OPINION HOUR

i saw the mean girls movie yesterday and i have THOUGHTS. spoilers below the cut but general thoughts up here

1. is it objectively not a super great movie? yes

2. is it my new favorite movie? yes

3. will i defend this movie tooth and nail from people who don’t like it just bc it’s a musical or bc they’re a 2004 purist? YES

4. did this movie make me feel so many conflicting emotions back to back i have now had a tummyache for 24 hours? YESSS

5. will i ever, ever, EVER IN MY LIFE forgive tina fey for the ending? no.

alright babes welcome to below the elementary school gym class parachute

last spoiler warning!!

these aren’t all in order and are most definitely not all the thoughts i had bc i have the memory storage of a flea and once an experience is over it is GONE FROM MY HEAD so this is the list of thoughts i struggled to put together when i got home lmao

overall thoughts:

it felt very gimmicky. the stage production felt gimmicky too but in a fun way, this was gimmicky in a way that kinda gave me a touch of the ick

it did not feel to me very much like a cohesive movie. it felt like browsing ig or tiktok and just seeing a hodgepodge of scenes stuck together. which is a cool idea but idk how well it worked in practice and i also don’t know if it was intentional.

this is not the word i’m looking for but in terms of personality they absolutely whitewashed all of the characters and i really don’t care for that. the visuals and the casting were so immaculate but in terms of personality they just made them all taste like unsweetened corn flakes.

i’m biased and didn’t care for most of the tweaks they made to the songs individually BUT i think they blended with each other more cohesively than they do in the stage production so that was cool. and i am able to understand why they made them more pop-esque than theatre-y it’s just not my personal vibe

it all felt very emma watson’s beauty and the beast. like. not deserving of much hate but also just not as good. it has its time and place but i still just. the changes they made were too much for me. that being said i am gonna be the #1 viewer whenever it’s released to streaming platforms was not kidding when i said this is a new favorite movie

the whole like. tiktok and iphone camera thing was an interesting??? idea. i really liked it for cautionary tale but the rest. i think it was a better idea than the way they executed it.

i miss do this thing!! i wish they had done like a mashup with it and the stupid with love reprise but i wasn’t mad at the reprise so ¯\_(ツ)_/¯

fourth wall break was real cringe!!

thoughts abt cady:

angourie is so cute!!!!!!! she has the perfect look for cady. her costumes were kinda yikes but physically she’s mwah chefs kiss perfection

cady is so viscerally autistic in this version and it is DELIGHTFUL

but again i feel like they took so much from her. in the show she’s this overexcited little bubbly (autistic again but still) thing and she’s naive and then it’s revealed she’s conniving and manipulative and has this serious dark streak in her. in the movie it felt like she was just. awkward and then straight to conniving and manipulative. it was interesting but i miss my little jumping bean i wish they had given her some more spice

this movie has turned me into a cadina shipper of THE HIGHEST ORDER i’m already writing a fic for them and i call diiiiibs nobody else do it i write slow /j

i honestly really liked what ifs. i didn’t enjoy it as much as it roars but i think for the screen and for angourie’s voice it was a better fit. and i think it blended better with the new versions of the songs than it roars would have. not mad at it and the staging of it was really cool

cady being the one with a single parent is so interesting to me!! idk why they did that but i think it’s interesting. makes me wonder what happened to her dad but also go mom!!! women in stem!!!

her relationship with the art freaks was so???? weird??? it seemed like damian was the only one who really wanted all of them to be friends. i love this version of janis and damian together but when they were with cady it was all just so BLAND. it didn’t really feel like she and janis were friends at all which is what’s supposed to make the betrayal sting so much

whatever they were aiming for with someone gets hurt they missed hard bc holy cadina batman that shits gay dude BUT THE STAGING WAS SO COOL with everyone like frozen and then they all kick back in all crazy with the music it was great

janis thoughts:

THEY FUCKING RUINED HEEEEEEEER

AULI’I WAS SO PERFECT SHE WAS SO CUTE AND HER OUTFITS ARE SO COOL BUT THEY JUST TOOK AWAY ALL OF HER PERSONALITY

janis is supposed to be spunky and angry and hurt and vengeful and quirky and out there and firey and she’s meant to HAVE GRIT GOTDANGIT but again she just felt so whitewashed. like here’s a vaguely leftist lesbian in ripped jeans and cool eyeshadow that’s janis right?? LIKE NO IT IS NOT

i’d rather be me, while it had a little less vocal oomph behind it than the stage show, was as transcendent as i hoped for and i got chills multiple times. also the comedic timing of the bus was immaculate and the sound it made made me cackle

i can’t tell how i feel about the new middle school incident. i think it takes so much of the pain out of it for janis which is meant to be her main motivator. she was not supposed to be KICKED OUT she was PULLED OUT but i do kind of like that they clearly made it where regina kissed a girl and liked it and freaked out and that was the catalyst for everything

i do not ship this version of cadnis and that to me is unforgivable. they have sooo little chemistry as friends let alone lovers i just can’t stand it. janis doesn’t ever even seem like she wants cady around. it seems so much like they took away what makes janis janis just to turn her into another catalyst for regina and cady’s stories

apex predator was fun!! i honestly like it being janis and damian singing it better than janis and cady i think it works better as a warning and stuff! and also the band in the tree made me laugh so hard. i’m glad cady had them as her tour guides but again that’s all it felt like they were to each other and i miss them being a little posse

REVENGE PARTYYYYYYUH. i thought the staging was really fucking weird?? like all the pastels and shit didn’t really fit i would’ve much preferred it to start like that and then have blood dripping down the walls or something when they’re talking ABOUT PEOPLES HEADS ON SPIKES. but musically it was my favorite of everything!! i’m so happy they put the original verse back i almost screamed out loud in the theater when i heard it!!!!!

i never thought i would say this but i wish they had not canonically made her a lesbian. i will never forgive tina fey for having her end up with that random girl. no shade to the girl, she’s gorgeous and i’m glad we got some on screen, good, healthy queer rep. but in my eyes that is absolutely just a cop out because they know people wanted her to end up with cady or regina. they’re spitting on us and saying “here have your fucking lesbian and enjoy it this is what you get” and expect us to be happy with it. i get so angry every time i think about it and it honestly kind of ruined the whole thing for me. i would rather she have ended up with kevin g again. or like. honestly damian romantically would’ve made more sense in a twisted fucked up way. i just absolutely hate how they handled that.

damian thoughts:

HE! WAS! PERFECT! i am a grey henson stan first and a human being second but by golly he might be my new favorite. comedic timing on point and the fact we barely get to hear him sing is a FELONY. he was delightful and i love him also we love black queer rep!!! fuck yeah!!!! his bit with the fan before id rather be me. sent me into the dang stratosphere i love him so much

ALSO HIS DATE AT RHE END WE LOVE THESTRE BOYYYYY!!! ugh so cute i love

regina thoughts:

HOW DID THEY MAKE HER SUCH A COWARD???? HOW DO YOU TAKE A CHARACTER WITH SO MUCH POWER AND FUCK HER UP THIS BAD???

again everything that’s a core tenet of her personality was removed. i wasn’t afraid of her which is a CRIME bc renee on broadway’s regina was TERRIFYING. she just felt like one of those girls that every hs has like 7 of. they’re a dime a dozen, they’re rich and hot shit and they know it but you don’t care what they do because you know they’ll be divorced and broke and probably fat at your 10 year reunion. it’s giving peaked in high school and not queen bee which is really sad honestly

it made cady seem so much more evil tho?? like regina seemed. hurt. and cady was still so gung ho about taking her down. and it made janis seem much more manipulative too. i don’t care for either of those things

her costumes were so weird??? half that shit regina would not touch with a ten foot pole but it’s renee and she would and she’s hot so i do not care. also this isn’t a criticism but her halloween costume was giving gargoyle more than angel lol

plastics thoughts:

gretchen again felt really reductive. she was all anxiety. not that gretchen isn’t that onstage but it just felt like that was her entire personality. but bebe was adorable and i loved what’s wrong with me she did a great job

avantika was DELIGHTFUL. i loved her so much more than i was expecting to she was the only one where i never had a moment like “i am watching people acting in a movie they are repeating written lines” it felt much more like fluid with her. 10/10 beautifully done to her

aaron thoughts:

HOW DID THEY MAKE HIM MORE BORING????? MY GOD

he was already the most redundant character in the whole goddamn thing and they somehow made him even more useless. he could’ve been removed from the movie entirely and it would’ve changed NOTHING. he is white bread if he was a spice he’d be flour. didn’t think it was possible to make him more that but by golly they did it

HOW DID HE AND CADY END UP TOGETHER HE HAS THE CHEMISTRY OF A BRICK WALL. she has so much more romantic fire and chemistry with regina this is some of the most comphet shit i’ve ever seen. it’s giving wicked levels of comphet like gooooddamn.

misc. thoughts:

THAT LINDSAY LOHAN CAMEO HAD ME OUTBOF MY SEAT I DID NOT SEE THAT COMING BUT IT WAS AMAZING also that “i don’t know your life” was mwah

MS NORBURY SND MR DUVALLLL WERE SO CUUUUUTE i squealed ngl i love them

overall like 7/10 good movie i’m angry about a whole bunch but this is also amazing i’m so glad we got this new content and i am definitely hyperfixating on it now. so not that different from my stage show opinions lol

#ik this sounds like i’m shitting on it a lot but i promise i’m not #i absolutely loved it #i’m glad this amazing show is more accessible to people now #would absolutely recommend seeing it #i just have a lot of feelings #i feel like a parent #disappointed but not surprised and at the end of the day still absolutely in love #thus concludes opinion hour with ezzy #which actually took me almost exactly an hour to write #hope you enjoyed see you next time lol #entropy with ezzy #mean girls #mean girls musical #mean girls 2024 #caps tw #swear tw

42 notes · View notes

eldjester · 4 months

Text

SOAR, The Damage Race and Damage Die

(Yes, this is inspired by @makapatag latest post, I like getting into details about what goes on in my design thoughts)

So I've ran a fair bit of games over the years, and talked about a few design thoughts with my good friend Ru. That experience has lead me to feel opinionated on some stuff or try to fix some "issues" I didn't want in my own TTRPG, namely Damage Die and the idea Damage Race is all that matters.

-Damage Die: For about a whole year, I have been running a system that uses multiple types of damage die, from d6 to d10, which are bound to its classes rather than abilities (this is Icon, if you're curious), and while i don't think it is unworkable, it made me think about a few things, namely the nature of why we roll for damage in the first place and why so many Tactical TTRPGs want to have critical hits. In most cases, I don't tend to like rolling for damage with wide possibilities, for example rolling a d8 or a d10, as those are very swingy and hard to make informed decision about, even if they fit a playstyle that's more about pushing your luck, they just don't work for me, I don't like how they control pacing, especially if rolling high on them is supposed to really hurt, it tends to make anything that surrounds them uncertain for basically everyone on the table, and for me it doesn't really do a fun surprise when you do roll good on them. Critical Hits adding more damage is also a staple of many games, and I think as time goes on i'm less of a fan of that too as it tends to be done in a way that just shines a bigger spotlight on the uncertain damage numbers of some attacks (hi "Double Damage on crit" systems !). So what I ended up doing, was just remove this idea that your damage die has to inform the damage you do related to its number. See, I'm a big fan of tables, I love random tables, I also love having some level of control over what you can expect, so I had a fun idea, what if I used a damage profile table for attacks ? So, in SOAR, when you hit (which you still need to roll to do specifically for attacks, as I like having that mechanical lever to tinker with) you roll a d6 or more if your abilities add some, and you keep the highest one, the number you roll then tells you what you'll be using as a profile for the attack, bigger means better in this case, here's an example:

Weak Hit (1-2): 2 damage, push target 1, move 1

Normal Hit (3-5): 3 damage, push target 1, move 1, push target 1

Strong Hit (6): 4 damage, push target 1, move 2, push target 1, target is dazed

Critical Hit (6,6): 5 damage, push foe 1, move 2, push foe 2, foe is dazed. A keen eye might have noticed this shares similarities with how FITD handles rolls in terms of spread (being a tiny bit more forgiving), this has allowed me to make sure I know how much damage every attack does while still having room to make the damage uncertain, you can still cheer if you roll a strong hit or a critical hit (you in fact, have a resource you can spend to upgrade a hit to its next step if you want to), as a fun added fact, this type of damage profile idea started off as something I made for a gunfight based game, and worked backward into adding to SOAR, from my, admittedly limited, testing it has sped up play a fair bit while still giving me levers to work with in terms of balance. -The Damage Race There's this really annoying feeling sometimes when you play TTRPGs Combats that not doing damage isn't ideal, you see it all the time (death is the best control my beloathed expression) even when it isn't "true". Something you learn relatively soon in TTRPG design is that even if you don't think something is true, people believing it is will still affect how they interact with it, often in a self reinforcing way, and this was something I wanted to avoid in SOAR as it would be especially prone to this, it is after all a Beat'Em All inspired TTRPG, so it was going to have people come in with that assumption regardless. So I thought, hey, what if I didn't bother trying to balance Control and Damage here ? What if i had everyone "do both" ? So that's what I ended up settling on, every Style comes with an attack, which you can use EVERY turn, and a bunch of abilities, which is where a lot of statuses and utility moves exist. Of course, it didn't come free of problems, I had to essentially make everyone have more HP to account for it, but it also made me free of a problem I was having trouble figuring out: what if someone never attacks and just deals damage through abilities which never need to hit ? The way i'm doing it now, people HAVE to care about attacks, and it also means that, with it being essentially "free", I can balance around it and make sure fights aren't static, players always have 2 shots at changing things every turn they do. Thus far in testing I think it has proven to work.

#ttrpg #SOAR #gamedev #rpg

52 notes · View notes