#jörg burger

[nofatclips]

Elf Dance, originally composed by Moondog, performed by Vanessa Wagner on Inland, and reinterpreted by Suzanne Ciani on the remix EP Inland Versions

#music #piano #infiné #piano music #infiné records #vanessa wagner #moondog #remix #suzanne ciani #louis thomas hardin #louis hardin #kompakt studios #jörg burger #Bandcamp

[burlveneer-music]

VA - Velvet Desert Music Vol. 3 - once again all the tracks embody the aesthetic conjured by the title (Kompakt)

Kompakt unveils the third volume of Jörg Burger’s Velvet Desert Music compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With Velvet Desert Music Vol. 3, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music. Because it’s such a broad church, Velvet Desert Music admits all kinds of new experiences, as well, with Burger looking for music that "leads out of the desert into the velvet universe". Indeed, of all the volumes in the series, this third instalment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke. Burger himself reappears, too, alongside Fritz Ackermann (of The Novotones), Max Würden and Thore Pfeiffer, in The Velvet Circle.

#Bandcamp #kompakt #jörg burger #compilation #various artists #cinematic #electronic #2023 #germany

[kraftwerk113]

Life´s too short for weird music Tagesempfehlung 03.04.2024

Les immer Essen / Hand=Take

Anfang 1986 habe ich mir ein ganz besonderes 7 inch Single Exponat vom Wühltisch gekauft. Damals konnten Sie Singles, die nicht mehr in den Charts platziert waren, für 99 Pfennig von Wühltischen kaufen. Und so ging mir eher zufällig einer der besten Songs der deutschen Indie Popmusik der Eighties ins Netz. Die Formation Les immer Essen mit den fantastischen Hand = Take. Les immer Essen stammten aus Köln und traten leider nur mit drei Singles und einem Album (Tally Ho!, 1985) in Erscheinung. Das Sextett setzte sich aus Victor Hansonis (Vocals, Guitar, Harmonica), Gerhard Oels (Guitar), Bernhard-Maria von Loesener (Keyboards), Jörg Burger (Bass, Vocals), Eas Hoppmann (Saxophone, Vocals) und Gerd Türke (Drums, Percussions, Vocals) zusammen. Hand = take ist eines dieser kleinen Wunder der Popmusik der Eighties, blieb aber außerhalb Deutschlands völlig unbeachtet und konnte selbst in den Deutschen Charts kaum für Aufsehen sorgen. Für einen spektakulären Auftritt bei Formel 1 – der deutschen Videoclip- Musikshow der Mittachtziger hat es doch gereicht. Für mich ein kleiner, magischer Moment. Auf You tube findet sich allerdings das rekonstruierte Originalvideo, was ich Ihnen nicht vorenthalten möchte. Auf den Streaming-Portalen suchen Sie Les immer Essen und Hand=take leider vergeblich.

#Les immer essen #Hand=take #75 years of / inch Vinyl Singles #Youtube

[metal-dortmund]

Rock Hard Festival 2023@Amphitheater Gelsenkirchen, 26.-28.05.2023

Auch in diesem Jahr standen wieder einige gute Acts auf dem Programm, doch direkt nach Ankunft wurde ich wieder mit Dummheit der gesamten Backstage-Baggage vom Groupie bis hin zu den ganzen mitgeschleppten +1ern genervt, als ich ihnen ein übriggebliebenes Ticket günstiger verkaufen wollte, sodass sie am Eintritt gespart hätten. Irgendwann bin ich es bei einem normalen Fan losgeworden, der tatsächlich seinen preislichen Vorteil erkannte. Nun konnte ich aber auch endlich rein. Alle drei Tage fanden wieder viel zu früh statt, außer man machte das Allroundprogramm mit Camping. Motorjesus rockten wie immer und die Thrashlegende Holy Moses gab sich souverän und verkündete zum 60ten Geburtstag von Sängerin Sabina im Dezember ihr letztes Konzert spielen zu wollen. Schade, denn sie haben es noch drauf. Man sollte aber vielleicht aufhören, wenn's am schönsten ist, als herumzutouren wie die ganzen Großen und den Scheiß nur noch vom Band laufen zu lassen. Der Sound auf dem Rock Hard war dürftig, oft zu übersteuert, aber hier wird noch live gespielt. Lediglich Thin Lizzy-Originaldrummer Brian Downey mit seinen "Alive And Dangerous"-Jungs und Michael Schenker zu seinem 50-Jahre-Jubiläum überzeugten mit einem klaren und hörbaren Sound und natürlich beide auch mit der entsprechenden Bühnenshow und tollen Songs. Testament waren auch geil, aber doch etwas zu laut, obwohl wir uns auch dort in der ersten Reihe befanden. Weitere Highlights waren sicherlich die Auftritte von Vicious Rumors, Benediction, Triptykon, die ein Celtic Frost-Set spielten, Katatonia und Legion Of The Damned. Nestor mit ihrem 80er-Jahre-Flair sind sicherlich Geschmackssache, aber bei dem Gejaule, das VoiVod Gesang nennt, mussten wir wirklich flüchten. Schön auch mal wieder alte Kollegen wie Eisi vom Rocks Magazin zu treffen und mit dem ich in den 90ern beim Headbangers Ball gearbeitet habe. Gerüchte besagen, dass das Gelände nur noch für das nächste Jahr für Metal genutzt werden darf. Ich hoffe es nicht, nachdem uns schon mit der Loreley-Bühne die schönste aller Veranstaltungsstätten genommen wurde. Das Amphitheater ist nämlich für mich die zweitschönste. Die Verpflegung: Preise überschlugen sich mal wieder! 13 Euro für einen Deluxe-Burger, der nicht wirklich schmeckte. Am besten war tatsächlich ein veganer Stand. Leckeres Essen, bezahlbar und hat satt gemacht.

#dortmund #rock #live #metal #konzert #show #heavy #concert #rock hard #eisenblätter #festival #open air #2023 #katatonia #michael schenker #msg #tankard #voivod #holy moses #ivanov #vicious rumors #benediction #testament #triptykon #celtic frost #black metal #brian downey #alive and dangerous #thin lizzy

[afireyearth]

#music #Spotify

[wildwechselmagazin]

[estherattarmachanek]

Admiral Kino KONTAKT VIDEOPORTRAITS PREMIERE: Donnerstag, 9. Juni 2022 | 17 - 24 Uhr mit Edek Bartz, Josef Dabernig, Katrina Daschner, Silvia Eiblmayr, Sanja Iveković, Anna Jermolaewa, Peter Kubelka, Goran Sergej Pristaš, Ashley Hans Scheirl, Franz Schuh, Clemens Setz, Goran Trbuljak, What, How & for Whom/WHW, Werner Würtinger und Želimir Žilnik Programm: 17 Uhr: Vorführung der Videoportraits von Anna Jermolaewa & Ashley Hans Scheirl 18.15 Uhr: Vorführung der Videoportraits von Josef Dabernig & Peter Kubelka 19.30 Uhr: Gespräch mit Joerg T. Burger, Peter Kogler und Claus Philipp 20.45 Uhr: Vorführung der Videoportraits von Edek Bartz & Goran Sergej Pristaš 22 Uhr: Vorführung der Videoportraits von Franz Schuh & Clemens Setz Admiral-Kino, Burggasse 119, 1070 Wien https://www.admiralkino.at/ http://www.kontakt-collection.org/start Jörg Burger (hier: Admiral Kino) https://www.instagram.com/p/CemGzNbD4-G/?igshid=NGJjMDIxMWI=

[13melekradyo]

Güncel modern kompozisyon kayıtlarından bir seçki // A selection of recent modern composition recordings. Download.

01 – Jóhann Jóhannsson – Two is Apocryphal 02 – Luke Howard – The Opening Of The Gates 03 – Tom Rogerson – Toumani 04 – Jörg Zemmler – Hinterrücks 05 – Rob Burger – Ground Cover 06 – Toechter – Bliss 07 – Kristine Scholz – Hans Otte - Das Buch der Klänge, II 08 – Mari Samuelsen – Peel: Reverie 09 – Heather Woods Broderick – Daylighting 10 – Jakob Heinemann – Places

#modern kompozisyon #modern composition #yeni #new

[nofatclips-home]

L'Atalante Infine by Triola, part of InFiné's Music Activists 2020 compilation

#music #triola #jörg burger #infiné #infiné music #video #music video #protopet

[electromirror]

Jörg Burger - Surprise Yourself! [KOMPAKT420] 

ELECTRONIC

2020-08-28

#Jörg Burger #Surprise Yourself! #kompakt #electronic #electronica #electro #Electronic Love Collective

[dustedmagazine]

Various Artists — Velvet Desert Music, Volume 2 (Kompakt)

Jörg Burger

Velvet Desert Music Vol. 2 by Various Artists

As our horizons shrink in these days of lock down we are forced by circumstance to travel in the imagination. Kompakt stalwart Jörg Burger proves a welcome tour guide on his latest curatorial project Velvet Desert Music, Volume Two, a collection of chilled out electro-psychedelia that brings a particularly European vision to bear on the myth and mystique of the wide-open American landscape. As per Burger’s request the featured artists explore the intersections of the Kompakt sound with more guitar-based music: spaghetti western soundtracks, surf rock, Tejano twang, lounge exotica. Think Friends of Dean Martinez or Giant Sand trip-hopping through the mesas.

Michael Mayer opens with a typically spacious swoon on “Not So Far Away” layering choral and vocal snippets over a shuffling clip-clop beat and panoramic synths. Vertigo’s “That Velvet Circle” builds on the template, adding guitar twang and upping the tempo. Charlotte Jestaedt provides an ethereal lead vocal over a Krautrock chug that rescues Mount Obsidian’s “Ride” from becoming mere Buddha Bar fodder. Golden Bug and The Limiñanas introduce French spoken word and wah-wah guitar into the mix. The real pleasure here is absorbing the skill of Burg’s sequencing, his immaculate control over tempo and atmosphere, his introduction of new elements and the way he foreshadows and circles back to particular motifs. Paulor centers “We” on a repeated strummed guitar riff with a muscular hi-hat and woozy sci-fi synth bass, Mount Obsidian’s second contribution reintroduces choral samples and what sounds like Linn drum runs, Lake turner/WEM/Hand’s “East County Lines” reimagines Can as Calexico.  

As with most compilations of this type there are a couple of relative lags; Sascha Funke’s “In Der Tat” , whilst quite good, disrupts the flow somewhat midway through and The Novotones’ harmonica inflected “Angel of Doomsday” may have been better placed earlier in the mix but these are minor quibbles with what is a carefully plotted road trip through the American desert as imagined by a sensibility nurtured by the stories of Karl May and reflected in the films of Wim Wenders and Percy Adlon. Velvet Desert Music, Volume 2 allows you to close your eyes, feel the hot wind on your face and transport your mind to the great outdoors.  

Andrew Forell

#velvet desert music #kompakt #Jörg Burger #andrew forell #albumreview #dusted magazine #electronica #tejano #psychedelia #michael mayer #liminanas

[nofatclips]

Daniel Avery‘s remix of Ghosts by Rone

#music #rone #daniel avery #erwan castex #sibegg #si begg #simon begg #jörg burger #kompakt studios #alexandre cazac #didier de raek #motoplastic #infiné #infiné records

[earinfluxion]

Michael Mayer: & (Kompakt)

Michael Mayer's reputation precedes him, having helped helm Kompakt from its earliest days across nearly two decades of high caliber dance music and forward-thinking electronica. When his debut album Touch came out in 2004, I was so excited: his 12" releases were consistently solid and an album would give him more room to roam. And yet somehow Touch is one of his less satisfying works start to finish, feeling like an assemblage of unrelated tracks instead of a bigger idea. 2012's Mantasy felt more focused, but in stronger contrast is &, his third full-length album. It’s structured around collaborations with an eclectic roster of artists and vocalists, which perhaps allows Mayer some of the same ease he seems to enjoy when remixing other tracks, an automatic structure to play around with and build upon. Every track has the cleanness that has so often characterized Mayer’s productions; even when his tracks have bite, they are usually crystal clear and well balanced. About half of Mayer’s collaborators are Kompakt regulars, including Kölsch, Jörg Burger (The Modernist), label co-owners Reinhard and Wolfgang Voigt, and Gui Boratto. Boratto's collaboration, “State of the Nation,” is a true burner, emphasizing the best strengths of each producer. Mayer’s collaboration with leftfield piano artist Hauschka is a real highlight as well, with its syncopated bassline and canned orchestra hits making a nod to 80s freestyle without sounding like pastiche. The only less obvious dancefloor track is “Comfort Me,” a collaboration with Prins Thomas and Irene Kalisvaart that gradually unfolds new layers but only properly throws down a steady kick with a minute or so left in the track. It’s a satisfying evolution of the sound that sidesteps expectations in its beatless front act. Similarly smooth is Andrew Thomas’s collaboration, “Cicadelia,” the last track of the album. Its delayed piano phrases and light hand drums give it an after hours feel, the comedown of a party as the sun is rising.

& by Michael Mayer

The opening cut with Alter Ego's Roman Flügel is characteristically Kompakt jaunty techno, with a rollicking nod to oompah, another standout for me. Of the vocal tracks, my favorite is definitely Mayer's collaboration with Ed McFarlane of Friendly Fires, hitting on that sweet spot of melancholic techno and dancepop that Kompakt does so well. Joe Goddard of Hot Chip appears on “For You,” a gently rousing number that is sweet without being cloying: “It's for you that I wake up / It's for you: try not to break up / It's for you I keep walking / It's for you… lift my voice and sing.” Miss Kittin's “Voyage Interieur” has a Moroder-esque arrangement with a broken beat under Kittin's spoken French vocal, feeling not so far off from some of her work with The Hacker. Other collaborators include Agoria and Barnt, two more solid entries. Only Burger and the Voigts’ collaboration is a miss for me, but I usually prefer Mayer's productions that are less exuberant and more sleek. It's definitely Mayer's best album of the three for me, always yielding a slightly different result and staying fresh by virtue of the rotating talent on these tracks, covering a lot of ground while still feeling focused around Mayer's distinct sensibilities as a DJ, producer, and label owner.

Buy it: Bandcamp

#michael mayer #kompakt #techno #tech house #ed mcfarlane #joe goddard #kölars #jörg burger #wolfgang voigt #reinhard voigt #miss kittin #gui boratto #electronic music #dance music #agoria #barnt

[missylektro]

Check out this playlist on @8tracks: Business Time by missylektro.

#8tracks #playlist #electro #minimal techno #Jörg Burger #Matias Aguayo #DJ Koze

[spy-in-the-house]

TEKNOBRAT aka THOMAS STEPIEN

[ COMMUNIQUE RECORDS | SOIREE RECORDS INT. | NUESTRO FUTURO | GEMINI WAX | PSYCHO THRILL REC. | MISSILE UK | HEMISPHERE | RESTRUCTURED | ASCEND REC. | VANGUARD PULSE Radio, Ottawa CAN ]

Brief bio of a DJ/Producer:  WTF IS TEKNOBRAT? Hailing from Montreal yet currently living in Ottawa, Thomas Stepien aka Teknobrat has been in the scene since 1987! His prior musical training includes having studied the trumpet and piano at the Musical Academy in Canterbury High School in Ottawa. And he has worked for 11 years at ABM Records in Ottawa, a dance music record shop selling all kinds of electronic discoteque music and with several European techno/house distributors such as INDISC, PIAS, PRIME, CYBER and KUBIK. At this time, Stepien had an ever-growing music library comprising of an astounding 5.000+ albums. The early Detroit Techno sounds are in his blood and soul as well as the early Chicago Acid House and Ghetto Trax sounds from the end of the 80's early 90's. A a DJ and recording Artis as well he can been seen weaving Techno, House, Electro, Minimal, Deep House, Detroit TechnoBass & UK/EU style Techno plus essential Underground Disco Classics at the leading and underground parties. Teknobrat recently also holds a DJ residency at Mercury Lounge one of the most mythic House Music venues of Canada's Nations Capital. In addition to playing these venues, he used to have his own Techno/House music radio show, LA TEKNOSPHERE RADIO SHOW on CHUO 89.1 FM, Ottawa, wich aired from Sept 1997 to February 2005. Also he was the main host of the legendary techno house music radio show, PLANET RAVE, aired on CKCU 93.1 FM Ottawa, from 1991 to 1997. Today he's still busy at Otztawa's VANGUARD PULSE radio. By the way, Stepien has been appearing worldwide as a serious producer of House, Acid and Techno tracks on labels such as Komatsu, Ascend, Hemisphere, Missile UK, Communique US, Soiree Rec.Int. and Psycho Thrill Recordings since 1997. And this journey is not over yet but continues tirelessly ...

without the past … there’s no phuture … these alltime top20 faves in no particular order

01 BLACK DEVIL [BERNARD FEVRE]: H Friend [ A1-track from "Disco Club" RCA PL-164 FRA LP | 1978 ] 02 RHYTHIM  IS RHYTHIM [DERRICK MAY]: It Is What It Is _ Juan's Majestic Mix [ A-side from "It Is What It Is" Transmat MS 6 US 12" | 1988 ] 03 JESSE SAUNDERS: On And On [ A-side from "On And On" Jes Say Records JS-9999 US 12" | 1984 ] 04 UNDERGROUND RESISTANCE: Jupiter Jazz [ A2-track from "World 2 World" Underground Resistance UR-020/ Submerge US 12" | 1992 ] 05 3 PHASE [SVEN RÖHRIG] feat. DR.MOTTE [MATTHIAS ROEINGH]: Der Klang Der Familie [ Transmat MS17/ Tresor US 12" | 1992 ] 06 LFO [GERRARD VARLEY, MARK BELL, MARTIN WILLIAMS]: LFO _ The Leeds Warehouse Mix [ A-side from "LFO" Warp Records WAP 5/ Outer Rhythm UK 12" | 1990 ] 07 PHUTURE [DJ PIERRE, EARL 'SPANKY' SMITH, HERBERT 'HERB J' JACKSON]: Acid Trax [ Trax Records TX-142 US 12" | 1987 ] 08 KEBEKELEKTRIK [PAT DESERIO & GINO SOCCIO]: Magic Fly [ A1-track from "Kebekelektrik" Les Disques Direction Records DLP-10005 CAN 12"/LP | 1977 ] 09 GIORGIO MORODER: The Chase [ Casablanca NBD-0146 US 12", single sided Pitman Pressing | 1978 ] 10 DREAMER G [J.GORDON]: I’ve Got That Feeling [ Madhouse Records, Inc. KCT-1001 UK 12" | 1992 ] 11 DONNA SUMMER: I Feel Love _ Patrick Cowley MegaMix & Edit [ Casablanca FEEL-12 US 12" | 1982 ] 12 [MARC] CERRONE: Supernature [ A-side from "Supernature/ Give Me Love" Atlantic K-11089 UK 12" | 1982 ] 13 PLASTIKMAN [RICHIE HAWTIN]: Sheet One [ Plus 8 Records PLUS8028/ Intellinet 2x12" | 1993 ] 14 M.F.A. [JÖRG BURGER, WOLFGANG VOIGT, CEM ORAL]: Music For Assholes on Blue [ Blue BLUE-001/ Blue German Electronic Foundation GER 2x12" | 1992 ] 15 X-102 [JEFF MILLS, MIKE BANKS, ROBERT HOOD]: Discovers The Rings Of Saturn on Tresor [ Tresor ‎4 GER 2x12" | 1992 ] 16 NEIL LANDSTRUMM: Brown By August [ Peacefrog Records PF-040 UK 2x12" | 1995 ] 17 CHOICE [LAURENT GARNIER & DIDIER DELESALLE]: Acid Eiffel [ A-side from "Paris EP" Fnac Music Dance Division 590155 FRA 12" | 1993 ] 18 DAPHNE ORAM: Oramics on Young Americans [ Young Americans YoungAm-001 RE UK 4x12"/ Album | 2013 ] 19 KRAFTWERK [FLORIAN SCHNEIDER, EMIL SCHULT, RALF HÜTTER, WOLFGANG FLÜR ]: Trans Europa Express [ Kling Klang 1C-064-82-306/ EMI GER LP/Album | 1977 ] 20 LIL'LOUIS & THE WORLD [MARVIN LOUIS BURNS]: Blackout [ FFRR LILLP-1 UK Promo-12" | 1989 ] #teknobrat #bookmarks: FACEBOOK | ARTIST | INSTAGRAM | DISCOGS | SOUNDCLOUD MIXCLOUD | VANGUARD PULSE | YOUTUBE | TWITTER BUBBLE WERKS EP | DEFCON ALERT EP

#teknobrat #technocanada #ottawa #montreal #soireerecordsinternational #psychothrillrecordings #communiquerecords #vanguardpulseradio

[duchessofostergotlands]

Hi! Given that yesterday your gave your predictions on which names Zara and Eugenie will give to the children they are expecting, can please you do the same for Carl Philip and Sofia's upcoming baby? 💛💙

Hey :) Even though they have two kids it’s still hard to pick because they’re not from the same country as me. There are cultural things that you often don’t know if you aren’t from a place. Like when Madde got pregnant with Nicolas I think I was pushing for Sibylla for a girl after CG’s mum as I thought it was beautiful. Turns out it’s now the name of a fast food chain in Sweden so for a lot of people would conjure up images of burgers! So perhaps not. The best I can do really is look at names that are popular in Sweden. When Gabriel and Alexander were born both of their names were popular but not top 10. They work internationally and have limited or no history in the royal family but aren’t totally out of left field. So thinking of names that fit two of those criteria at least: for boys, Lucas, Noah, Oliver, Theo/Theodor, Casper. For girls Olivia, Astrid, Ella, Isabelle, Emilia, Matilda

The middle names they chose for their kids so far were Erik (Sofia’s dad’s name), Hubertus (Carl Gustaf’s middle name), Bertil (the name of CG’s uncle who was close to CG), Carl (a family name obviously from Carl Philip and Carl Gustaf), and Walther (Silvia’s brother and father’s name). So we can assume they’ll choose family names for the middle names. For the boys if we look at CP and CG we have some names that haven’t been used: Philip, Folke, and Edmund. Then for Silvia’s family her dad’s middle name was August and her brothers names include Ralf, Hans, Jörg and Ludwig (Silvia’s brother Walther’s middle name; as he died only recently that could be a possibility). For girls we could see a repeat of Lillian (Bertil’s wife). Sofia’s mother’s name is Marie Britt (Britt is also her grandmother’s name). Sofia’s middle name is Kristina. Silvia’s middle name is Renate and her mother was called Alice (that’s already used for Adrienne but they repeated Carl so could happen). 

#baby slay #ask #anon #swedish royal family