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little-pondhead · 1 year

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Thinking about if Dani ever gets added to the Villain Everlasting Trio au, like how would she fit in? Obviously the JL would have to figure out she's a clone and try and figure out why she exists ("maybe fenton is just that narcissistic?" flash asks, meanwhile batman is already texts agent a to get ready another room in addition to the three already prepared). Maybe she acts like the innocent kid in danger until heroes get close? batfamily trying to pspspsps her away from fenton? The trio collectively calling her their daughter?

I love this au so much, even if I still don't fully forgive you for making Tucker hot.

The way I SPRINTED to my computer.

Disclaimer: This particular AU has nothing to do with Fun Sized and Feral by @nutcase8691 or my Dani Fenton redesign from a while ago. This isn’t really important, but I thought the plot of this au might be straying the tiniest bit too close to the Feral AU (which I love btw) and I just didn’t want to cause confusion.

TLDR: Dani had to mature too quickly in their home world, so when she arrived in the DC universe, she finally got to slow down and be a kid. :)

Okay okay. Give me a moment. Since everyone is acting like the opposite of their usual self when they're playing villains, your question was, how would she fit in? To backtrack to this earlier post, I said that each of the trio's specific gimmicks somehow ties into their everyday lives. They looked at their immediate friends, family and acquaintances, picked out the traits they saw as 'villainous,' and then applied that to themselves.

Danny became a mad scientist because even though his parents love him through and through, they still hurt him the most. The threat of capture and dissection from the GIW didn't help, either. He wears a suit similar to his parents, pushes his hair up so he can see better, and his white lab coat looks a little like the GIW's suits. The suit is also red, which is the opposite of green, distancing himself further from his hero life as Phantom and connecting him more to his civilian self, where red is present on his shirt. He refuses to use his powers, as well.

Sam looks like an angel, which seems odd given her completely goth look and slightly pessimistic attitude. And if she uses her plant powers (shut up, she totally has them) as part of Team Phantom, then that rules out using them as a villain. They want to completely separate these alter-egos from each other. Well, one of the most significant sources of strife in Sam's personal life is her parents. In the show, they're seen constantly fighting with Sam, trying to mold her into their perfect daughter, when Sam is very obviously happy with how she is right now. So as a silent fuck you to her parents, Sam gets a hold of a Realm artifact, the halo, which gives her a pair of ghostly wings and the ability of flight. Now, she's the one in the air, and Sam is still doing what she does best, even as an angel. She tries to show the world that not all angels are perfect, and in fact, they can be downright monstrous. (This is where her more aggressive and destructive attitude comes in.)

As far as I'm aware, Tucker doesn't have any trauma related to his parents. (The lucky bastard.) He is the tech-nerd stereotype, however. And since he's from a cartoon from 2004, that means he gets bullied. A lot. The show focuses mainly on Danny, but you cannot tell me Tucker wasn't bullied like that, either. For the sake of the au, let's say Danny was taking all the beatings for Tucker. Maybe he was in canon; I can't remember. But not only is Tucker being physically bullied but so is his best friend. (Eventually lover!) And imagine his feelings when Team Phantom shows up to a ghost fight, and Tucker is absolutely useless the entire time. He just can't help at all. Danny and Sam are on the front lines, redirecting hits and doing damage control, and here he is, waiting for the Wi-Fi to catch up on his PDA. It eats him up. He wants to be helpful in more ways than one, and that's what the DC universe gives him. He takes another Realm artifact; this time, it's actually his by birthright, and the artifact drastically increases his physical power, just like he's always wanted. He learns Egyptian magic and dresses in a way that gives homage to his time in Egypt-which was traumatizing by itself, but hey, he has sweet beetle magic now.

Basically, Fenton, Manson, and Foley are all the results of the trio's frustrations and fears. They become the things they stress about the most to help cope with their everyday lives. The DC universe is their outlet.

So where does Dani fit in?

Well, Dani is a clone, as we know. Her creation and introduction to the world were rather sudden if you compare her to a typical baby. And that's what she is; a baby. Unless you jumped the timeline far into the future, Dani is barely a year old in canon (I think.) And after her team-up with Danny to defeat Vlad, she makes the decision to leave Amity and travels the world. She has to navigate an entire world independently, even if Danny wants to help her. So now, plop her in the DC verse. What's the opposite of an independent clone who's had to fend for herself from a very young age and has had almost no real familial bonds?

A kid. A scared, touched-starved child who's had no one to look after her for who knows how long. (Vlad doesn't count here.) Dani gets to the DC verse and cries because she and Danny can finally bond like she always wanted to. She doesn't have to put up a strong front because the trio is there to protect her. Dani is extremely young, and now she can finally be a kid. It's not mental age regression; instead, Dani no longer has to hold herself back from doing childish things or crying. Both are things that could be a danger when you're living on the streets. She spends almost all her time here now.

The Everlasting Trio had already missed her before, but they had just fully adopted her in this new world. Dani is their baby. Their little girl. She didn't ask to be born-she shouldn't have to suffer because it was unsafe at home. Well, they can make a new one, just for her, here in this universe. And look! There’s more clones for her to bond with! The GZ is more accessible than ever, and their commute between universes really isn’t that bad. They like it here! And the heroes and villains will never take her away, no matter how hard they try. Sure, Dani can have playdates with some of them, but she will wail and scream if anyone so much as suggests she stay the night without her parent's permission.

Oh, and she never stops being a little shit. If anyone doubts that Fenton and Dani are related, they are simply ushered online to see that one viral clip of Dani latching on to King Shark with her teeth and not letting go in the middle of a shopping plaza. The camera pans to the left a moment later, and the audience spots Fenton doing the exact same thing to John Constantine.

The first time the Justice League meets Dani, it's right after she got lost during a spacewalk with Danny and Sam. She enters the first place she sees, the Watchtower, and breaks down in front of Wonder Woman about how she can't find her parents and doesn't know how to get home. The heroes are baffled and try to comfort her until Danny comes barging in five minutes later, panicking over his baby girl missing. They reunite, the heroes are reeling, and Superman mentions he didn't think Fenton was old enough to have a kid.

Fenton looks up from his bear hug and goes: "Huh? Oh, no. I'm only seventeen. (work with me here) Dani is technically my clone, but we adopted her properly as soon as possible."

And now the League has two issues. Their most annoying enemy is only seventeen. And he has a clone.

What the f u c k.

Extra analysis: Dani's outfit is cleaner and a little fancier than what she wore in the show. She ties her hair up like Tucker and pins her bangs back like Sam. She already looks identical to Danny but likes to wear his sweaters, especially in cold weather. The oversized clothes remind her of her time with Danny in Amity Park, and helps hide her physique better, so it's hard to tell how old she is. She wears leggings to show that she no longer has to fight for her life every day on the streets. Now that the trio adopted her, she can relax and let someone else take the hits for a while. (We all know how fast leggings and tights can be ruined when doing literally anything.) Fright Knight gifts her a cursed doll that helps protect her in stressful situations and functions like an SOS beacon. JLD hates the bear. (She named it Strawbeary.)

She acts on her impulses more often, which the trio sees as a good thing. Even if that impulsive desire gets her in trouble, it gives everyone a chance to learn and grow as a family. Dani also refrains from going ghost at first, following her dad's wishes. Right now, she's just giving herself a break from her previous nomadic lifestyle. After a bit, she and Danny will bond over their halfa status, and she'll grow into her own unique core and powerset. The heroes dread the day the littlest Fenton decides to join her parents in their shenanigans.

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that-ineffable-devil · 5 months

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I know I already posted about this but it was on a reblog that I think got buried under the original and I need someone else to lose their mind with me.

So the wonderful human that commented on this post about Hell's understaffing problem made me rethink something that I think a lot of us are sleeping on: Hell is RATIONING something.

At the beginning of S2 in between other remarks, Shax mentions that Beelzebub has put some lower ranking demons "on half rations." But we know celestials and infernals generally don't eat, so surely it's not food, right?

So what could they be rationing?

And then I remembered how both Heaven and Hell keep close tabs on the miracles done by Crowley and Aziraphale on Earth--even the little things.

And how, in S1, Hastur is stuck in Hell waiting for "maintenance" to come fix a leak in the ceiling. It's played off as a joke and it's something that would be so mundane for a human in an office or apartment building, so we don't give it much thought... But they can do miracles. They could literally fix that with a snap. We've seen Crowley fix the Bentley, so surely a little leak is nothing.

And Aziraphale gets reprimanded for doing "too many frivolous miracles," which we initially ignore because it's exactly the kind of bureaucratic/corporate BS we'd expect from Heaven and Hell.

But what if it's not just BS?

What if the power sources used by angels and demons are not infinite? Worse, what if they're not replenishable?

What if Hell is rationing miracles, because there's not enough power to go around?

And if so, where's the power coming from?

#good omens #crowley #aziraphale #good omens meta #good omens s2 #good omens s1 #I have not stopped thinking about this fr #There's so many ways it can go #And I can't think of one other thing Hell could be rationing that makes sense #And this could have serious implications in the whole “We need Armageddon to happen” ordeal #don't send help #I'm just screaming into the Void #Sorry void

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chaiaurchaandni · 6 months

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</3

#i cant imagine what this must feel like #to just scream into the void as youre being killed #and this is the response u get #shout out to people who r organizing and marching and shutting down weapons factories #but i wanna curse everyone in power who can stop this but chooses not to for whatever reasons #palestinians have shown that they dont need us. they fixed their own internet and telecomm and they fought back when no one fought for them #and despite the siege and blockade of gaza they still made a home for themselves. and now israel is bombing even their refugee camps #and when palestine is free it will be the palestinians who will have liberated it. nobody else #free palestine #palestine #gaza #long live palestine #glory to the martyrs #from the river to the sea palestine will be free #long live the resistance #death to israel

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mew-less · 1 year

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okay just. Thinking about this scene in particular and Perrito’s name throughout the movie bc it reminds me so much of my own dog.

This scene is the first time Perrito is actually called Perrito iirc correctly. Before he was called Perro.

Perro means ‘dog’ and Perrito means ‘puppy’, so it’s just so special 2me that after such an emotional scene Puss starts calling him such an endearing name bc it just kinda shows how meaningful their relationship has become yk… idk how to word this correctly at all but. yeah. Perrito is Puss’s puppy. His puppy saved him.

and it just reminds me so much of my own dog bc no matter how old she gets she still acts like a silly puppy and she’s always there to make things okay again :)

#puss in boots #puss in boots the last wish spoilers #puss in boots the last wish #mew mews #brainrotting so hard abt these silly guys. was not expecting a Puss In Boots from the Shrek Cinematic Universe hyperfix but. here we are #sorry if this has been said before and i’m just screaming into the void but my thoughts needed to go somewhere raaauh!!!

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serpentarius · 4 months

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been trying to wrap my head around the cancellation of "Our Flag Means Death" and why it hurts so fucking much. lots of folks who are much more eloquent than I have summed it up perfectly, but I still think it’s important I add my voice to the matter.

It really, really sucks that the hurt is being compounded on us every time another queer/minority-led show gets prematurely cancelled. and for a long while, we also had to deal with the many shows that deliberately queerbaited us, which was a shitty and traumatic experience unto its own. And even though we’ve largely surpassed that early-‘00s-flavoured brand of queerbait now, mainstream queer media is still predominantly white-led. With the cancellation of OFMD, we've lost one of the very few intersectional queer shows in the mainstream. Shouldn’t we be beyond asking for crumbs at this point? Shouldn’t we get unabashedly intersectional shows helmed by and starring queer, BIPOC, and trans folks without them being axed for no rhyme or reason?

It’s exhausting at this point, honestly. OFMD has done so well in terms of viewership and engagement and fan response—almost entirely due to word of mouth and little thanks to the Max marketing team, mind you—and even still the show got cancelled? Can they make it make sense????

For me, the thing most akin to this OFMD situation was when Sense8 got cancelled. And yes, the fandom fought, and we eventually DID get a movie that wrapped things up years later! That gives me hope for OFMD, that maybe another network will pick it up, or maybe they’ll be able to make a movie someday. But what makes me sad about cases like Sense8 is knowing that the creators still had to force the narrative around the amount of time they were given. That the corporate overlords who only care about numbers and profit dictated how much time they had to wrap up their story.

And it fucking kills me that DJ only wanted one more season. One more season to complete the vision.

I'm just so mad that queer people are constantly being jerked around and used for profit and then left high and dry. And then we're given excuses like "oh there's no budget" or "oh there's not enough viewership, that's all it is". like, sure, maybe those are contributing factors, but then I look at all the useless garbage shows that have little viewership and high budgets that keep going forever and then I think "hmmmm, the math ain't mathing." It's fucking transparent; the corporations can spew all they want with their rainbow capitalism and talks about diversity, but the evidence is clear, and they can't convince me homophobia/racism/transphobia/etc. is not a factor in these decisions.

Anyways, back to OFMD. OFMD made me fall in love with fandom again. I drifted away from fandom for a while in my 20s, and while OFMD wasn't the first fandom that drew me back into the madness, it's certainly the largest. The sheer amount of creativity both within the show and outside of it has blown me away; I've read some of the best fics, seen some of the best art, and witnessed some of the most incredible creativity from people in this fandom.

And let's not forget the role of the show's creators and how they've interacted with us fans. They made us feel seen. And made us feel loved and valid, even when we were being weird and loud and horny. It's so fucking rare to see that. But they understood; understood that the show they made was for us, for any of us who've been marginalized or made to feel Othered or different or stuck in life or unsure of our identities. And they gave us so much love for it.

The story... man. The unique combination of quirky humour and bright visuals and dark, introspective moments, the gorgeous costumes and soft, lovely, unabashed queerness, and veteran actors and new actors all getting to shine, brilliant comedic actors getting to show off their dramatic chops and vice versa. For me, seeing Rhys Darby - an actor I've loved for a long time, but who I never thought I'd see in a leading role - getting to be the romantic lead in a queer role? And seeing acclaimed director/producer/screenwriter/actor Taika Waititi play opposite Rhys, as an indigenous Blackbeard? Fucking incredible. OFMD Edward Teach you will always be famous to me.

Anyways... despite my long ramblings here, I still don’t think I've been able to get to the root of WHY exactly this show has inched its way under my skin and stayed with me in the way it has. Maybe I'll spend years trying to understand it. But I DO know that it's in part to do with seeing both older queers AND a diverse range of queerness onscreen, in a way that I've never seen in media before. I DO know that OFMD has forced me to look inwardly, and allowed me to realize some important things about myself. About my own queerness, my own identity, things I'm still figuring out. I've cherished being able to see myself in Stede, in Ed, and each of the crew members. In Roach’s love for cooking, in Oluwande’s ability to mediate; in Jim’s quick temper, in the way Izzy builds walls to guard his heart. In Buttons’ quirkiness, in Wee John’s sass, in Frenchie’s ability to turn pain into humour; in The Swede’s silliness, in Lucius’ bluntness, in Pete’s soft heart beneath the skepticism. Lastly, OFMD has inspired me. To create, to write, to draw, to devour other peoples' works and worlds while I sit in sheer, overflowing joyousness at their talent.

so yeah. the news of this cancellation is upsetting and hurtful and disappointing. And it's making us cry, and it's making us grieve, and may make us hollow and numb at times because we've lost yet another thing we love so deeply before it was meant to go. It's so much more than "just a TV show". It means more to us than any passive mindless idiotic mind-numbing bullshit - because even though there's a time and a place and a purpose for that type of media, it's the thought-provoking work, the work that creators pour their entire hearts and souls into, that hit us deep in our own souls. The work that changes our lives. The work that has the ability to save lives, as I know OFMD has done for so many.

please know I'm sending immense amounts of love and strength to those of you who are also hurting. we'll get through this, one way or another, and I'll keep up with the hope that we'll get more someday; but in the meantime, I'm holding you tight. ❤️️🫂

#our flag means death #ofmd #my thoughts #ofmd thoughts #sorry for the long rambles I just needed to scream into the void #I feel helpless right now but I also wanna fight #sending love ❤️

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