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#the way this post just derailed
little-pondhead · 1 year
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Thinking about if Dani ever gets added to the Villain Everlasting Trio au, like how would she fit in? Obviously the JL would have to figure out she's a clone and try and figure out why she exists ("maybe fenton is just that narcissistic?" flash asks, meanwhile batman is already texts agent a to get ready another room in addition to the three already prepared). Maybe she acts like the innocent kid in danger until heroes get close? batfamily trying to pspspsps her away from fenton? The trio collectively calling her their daughter?
I love this au so much, even if I still don't fully forgive you for making Tucker hot.
The way I SPRINTED to my computer.
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Disclaimer: This particular AU has nothing to do with Fun Sized and Feral by @nutcase8691 or my Dani Fenton redesign from a while ago. This isn’t really important, but I thought the plot of this au might be straying the tiniest bit too close to the Feral AU (which I love btw) and I just didn’t want to cause confusion.
TLDR: Dani had to mature too quickly in their home world, so when she arrived in the DC universe, she finally got to slow down and be a kid. :)
Okay okay. Give me a moment. Since everyone is acting like the opposite of their usual self when they're playing villains, your question was, how would she fit in? To backtrack to this earlier post, I said that each of the trio's specific gimmicks somehow ties into their everyday lives. They looked at their immediate friends, family and acquaintances, picked out the traits they saw as 'villainous,' and then applied that to themselves.
Danny became a mad scientist because even though his parents love him through and through, they still hurt him the most. The threat of capture and dissection from the GIW didn't help, either. He wears a suit similar to his parents, pushes his hair up so he can see better, and his white lab coat looks a little like the GIW's suits. The suit is also red, which is the opposite of green, distancing himself further from his hero life as Phantom and connecting him more to his civilian self, where red is present on his shirt. He refuses to use his powers, as well.
Sam looks like an angel, which seems odd given her completely goth look and slightly pessimistic attitude. And if she uses her plant powers (shut up, she totally has them) as part of Team Phantom, then that rules out using them as a villain. They want to completely separate these alter-egos from each other. Well, one of the most significant sources of strife in Sam's personal life is her parents. In the show, they're seen constantly fighting with Sam, trying to mold her into their perfect daughter, when Sam is very obviously happy with how she is right now. So as a silent fuck you to her parents, Sam gets a hold of a Realm artifact, the halo, which gives her a pair of ghostly wings and the ability of flight. Now, she's the one in the air, and Sam is still doing what she does best, even as an angel. She tries to show the world that not all angels are perfect, and in fact, they can be downright monstrous. (This is where her more aggressive and destructive attitude comes in.)
As far as I'm aware, Tucker doesn't have any trauma related to his parents. (The lucky bastard.) He is the tech-nerd stereotype, however. And since he's from a cartoon from 2004, that means he gets bullied. A lot. The show focuses mainly on Danny, but you cannot tell me Tucker wasn't bullied like that, either. For the sake of the au, let's say Danny was taking all the beatings for Tucker. Maybe he was in canon; I can't remember. But not only is Tucker being physically bullied but so is his best friend. (Eventually lover!) And imagine his feelings when Team Phantom shows up to a ghost fight, and Tucker is absolutely useless the entire time. He just can't help at all. Danny and Sam are on the front lines, redirecting hits and doing damage control, and here he is, waiting for the Wi-Fi to catch up on his PDA. It eats him up. He wants to be helpful in more ways than one, and that's what the DC universe gives him. He takes another Realm artifact; this time, it's actually his by birthright, and the artifact drastically increases his physical power, just like he's always wanted. He learns Egyptian magic and dresses in a way that gives homage to his time in Egypt-which was traumatizing by itself, but hey, he has sweet beetle magic now.
Basically, Fenton, Manson, and Foley are all the results of the trio's frustrations and fears. They become the things they stress about the most to help cope with their everyday lives. The DC universe is their outlet.
So where does Dani fit in?
Well, Dani is a clone, as we know. Her creation and introduction to the world were rather sudden if you compare her to a typical baby. And that's what she is; a baby. Unless you jumped the timeline far into the future, Dani is barely a year old in canon (I think.) And after her team-up with Danny to defeat Vlad, she makes the decision to leave Amity and travels the world. She has to navigate an entire world independently, even if Danny wants to help her. So now, plop her in the DC verse. What's the opposite of an independent clone who's had to fend for herself from a very young age and has had almost no real familial bonds?
A kid. A scared, touched-starved child who's had no one to look after her for who knows how long. (Vlad doesn't count here.) Dani gets to the DC verse and cries because she and Danny can finally bond like she always wanted to. She doesn't have to put up a strong front because the trio is there to protect her. Dani is extremely young, and now she can finally be a kid. It's not mental age regression; instead, Dani no longer has to hold herself back from doing childish things or crying. Both are things that could be a danger when you're living on the streets. She spends almost all her time here now.
The Everlasting Trio had already missed her before, but they had just fully adopted her in this new world. Dani is their baby. Their little girl. She didn't ask to be born-she shouldn't have to suffer because it was unsafe at home. Well, they can make a new one, just for her, here in this universe. And look! There’s more clones for her to bond with! The GZ is more accessible than ever, and their commute between universes really isn’t that bad. They like it here! And the heroes and villains will never take her away, no matter how hard they try. Sure, Dani can have playdates with some of them, but she will wail and scream if anyone so much as suggests she stay the night without her parent's permission.
Oh, and she never stops being a little shit. If anyone doubts that Fenton and Dani are related, they are simply ushered online to see that one viral clip of Dani latching on to King Shark with her teeth and not letting go in the middle of a shopping plaza. The camera pans to the left a moment later, and the audience spots Fenton doing the exact same thing to John Constantine.
The first time the Justice League meets Dani, it's right after she got lost during a spacewalk with Danny and Sam. She enters the first place she sees, the Watchtower, and breaks down in front of Wonder Woman about how she can't find her parents and doesn't know how to get home. The heroes are baffled and try to comfort her until Danny comes barging in five minutes later, panicking over his baby girl missing. They reunite, the heroes are reeling, and Superman mentions he didn't think Fenton was old enough to have a kid.
Fenton looks up from his bear hug and goes: "Huh? Oh, no. I'm only seventeen. (work with me here) Dani is technically my clone, but we adopted her properly as soon as possible."
And now the League has two issues. Their most annoying enemy is only seventeen. And he has a clone.
What the f u c k.
Extra analysis: Dani's outfit is cleaner and a little fancier than what she wore in the show. She ties her hair up like Tucker and pins her bangs back like Sam. She already looks identical to Danny but likes to wear his sweaters, especially in cold weather. The oversized clothes remind her of her time with Danny in Amity Park, and helps hide her physique better, so it's hard to tell how old she is. She wears leggings to show that she no longer has to fight for her life every day on the streets. Now that the trio adopted her, she can relax and let someone else take the hits for a while. (We all know how fast leggings and tights can be ruined when doing literally anything.) Fright Knight gifts her a cursed doll that helps protect her in stressful situations and functions like an SOS beacon. JLD hates the bear. (She named it Strawbeary.)
She acts on her impulses more often, which the trio sees as a good thing. Even if that impulsive desire gets her in trouble, it gives everyone a chance to learn and grow as a family. Dani also refrains from going ghost at first, following her dad's wishes. Right now, she's just giving herself a break from her previous nomadic lifestyle. After a bit, she and Danny will bond over their halfa status, and she'll grow into her own unique core and powerset. The heroes dread the day the littlest Fenton decides to join her parents in their shenanigans.
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canisalbus · 4 months
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✦ 2023 summary of art ✦
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sparky-is-spiders · 3 months
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Jonsasha are soulmates because they would both forget to drink their tea and then reheat it later in the microwave. Send tweet.
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mokeonn · 3 months
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I saw a post going around talking about a problem the op has with the terms "cozy" and "wholesome" being turned into a game genre/market and though I agree with some of the points made, I think my personal issue with it is that it's a shit marketing term.
For every game you call "cozy" or "wholesome" I guarantee there's a bunch of better words to describe it. The terms "wholesome" and "cozy" tell me absolutely nothing about the game, and at this point has basically just become a less sexist marketing term for "girl games!" It's just a shitty marketing term being used to round up any games and genres considered 'feminine' instead of just acknowledging them as regular video games and using regular words to describe them.
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taffybuns · 1 year
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hey uh i didnt think id ever have to say this but maybe don't put your fanfic writing in comments of my comics....? or at least ask first.........thanks
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sorrinslays · 1 day
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Gepard's role in the story
(crack theory territory)
So, I'm sure I'm not the only one that noticed, but Gepard is extremely underused in the story, which is such a shame?
Like, I counted the times we see him in the main story and it's disappointing. We (Astrall Express Crew) see him at the start after Sampo ditches us, where he takes us to Cocolia and all, then we see him again at the end of the story when he's trying to stop us because he believes we are trying to harm the Supreme guardian and he fights us and his Sister and that's it. We don't see him again.
Then, when Topaz comes to Jarillo VI he is there for two scenes again. One where he tries to stop Topaz and gets ambushed and one at the end where he stops a woman from getting crushed to death.
Even in 'his' (Serval's) companion quest, he takes the backseat. Sure, the story was about Serval and her getting over Cocolia and Gepard's role was him just trying to show Serval that she is still needed in Belobog, but honestly they could've done more with him.
I think people forget that he doesn't know the truth of what really happened to Cocolia? (as far as I'm aware at least). Can you imagine if he learned the truth? The mental breakdown that he'll experience?
This man has been serving her for the better part of a decade. He was spoon-fed propaganda like that Underworlders are 'wild' (an item description mentions that he had to fight 'wild Underworlders' I'm pretty sure) and blindly following the Supreme Guardian's orders for years. How is he supposed to react when he learns that those 'necessary sacrifices' of his fellow guards was just an excuse to get rid of more Belobogians for the 'dream' the Stellaron promised Cocolia.
Don't forget, he knew those people. They were friends, comrades, people he saw everyday. And all of them were dying on the daily and he was powerless to do anything.
And when he learns the truth, how is he gonna react to Bronya's decision to cover it up? Were the deaths of his friends in vain? Do their families not deserve to know the truth as to why their loved ones died? How much blood does the late Supreme Guardian have on her hands? How much of it has transferred to Bronya? How much blood does Gepard have on his hands because he never questioned his orders?
Point is, he is so important to Belobog, he's the Goddamn Captain of the only military service they have there, obviously he is needed! So why underuse him so much?
Well, this is where we move more into theory territory. I think it ties in with a future Belobog quest that Black Swan's companion quest hinted at (at the end during Sampo's and Sparkle's conversation).
Since Gepard has been on the backburner, we have yet to see Sampo and Gepard interacting and the fact Sampo still doesn't have a companion quest even though he is an important lore character I think all of that will happen in the future.
I think it would work best as a quest without the Astral Express Crew, like the new POV mechanic or the cut aways used in the Loufu for Dan Heng. We could play as Gepard or Sampo as they are forced to work together for whatever reason.
We could play as Gepard as something big happens in the restricted zone (AKA the catastrophe Sparkle teased Sampo about). Maybe he gets informed about it (maybe we get a new 4* character that's a guard that informs Gepard) and when he makes it there, Sampo is already here, as if expecting it.
Maybe Bronya calls Gepard to her office after an anonymous tip was sent to her warning the Silvermane Guards of a catastrophe coming to Belobog. Maybe he is tasked with finding who sent the note as well as prepering for said catastrophe, which is how he runs into Sampo, having the two working together.
Maybe we play as Sampo, leaving clues for the Silvermane guards until we reveal ourselves, getting that 5* version. Maybe we are the one pushing the puzzle pieces so they fit on their own or maybe all through the quest we keep cutting back to a game of chess between Aha and Sampo, showing the unpredictable nature of the catastrophe as it was orchestrated by Aha just for shits and giggles.
Either way, this works great as a pathway to seeing:
a) the dynamic between Sampo (arguably the most mysterious character to come from Belobog) and Gepard (resident bbg)
b) 5* Sampo
c) (and this is mostly me playing around with concepts) Gepard becoming an emanator, becoming the first on screen character to be turned into an emanator
d) a great end to Sampo's character arc by becoming a part of Belobog (maybe he even becomes part of the Silvermanes as a detective)
e) more Geppie screen time and exploration of his character
(a few extra ramblings from my demented as a treat)
I think it's criminal that Gepard doesn't have his own companion quest and he's practically shoved in his sister's, and considering that Sampo doesn't have his own......................
I think it would be fair to have these two in a companion quest of their own.
I'm thinking of a quest where Sampo becomes a Silvermane guard (a detective to be more precise) and Gepard learns the truth about Cocolia.
I can imagine that during some investigation that Gepard is having a hard time with due to the Underworlders not trusting the Silvermane guards, he is forced to seek Sampo's help. So through Natasha, he gets ahold of Sampo and the two work together where Gepard, through investing a shady group learns what actually happened to Cocolia as well as all the lies he's been getting spooned-fed for years.
One mental breakdown and emotional conversation between the two later, they catch the criminals and Gepard takes it upon himself to make Sampo part of the Silvermane guards because of how helpful he's actually been recently (main story + new quest with the catastrophe + the companion quest + helping the Underworld in general).
The companion quest ends with Sampo becoming a detective (Heizou from Genshin Impact style) where he wants to prevent crimes from happening before they even committed. His reason being 'criminal to detective is pretty stereotypical and Aha might blow up the planet' so he challenges himself to stop crime before it's committed to keep Aha entertained enough that they don't blow up the planet but uninterested enough that they don't actively observe.
I think it would be a great end to both character arcs.
Gepard gets more screentime and learns to question orders (it'd be nice to see his friendship with Bronya damaged, cause technically he is her uncle (Cocolia adopted Bronya while she was still in a relationship with Serval, making him an uncle)). Maybe he also reaches the conclusion of still being a Silvermane Guard for the sake of protecting the people but not actively following the Supreme Guardian because he lost faith in her.
Sampo gains a home and (gasp) love (platonic, romantic, doesn't matter). He'll feel like he belongs somewhere, a permanent home. Not matter if he leaves the planet for a day or a year, he'll still be welcome. His reputation improves and his skill is used for the betterment of Belobog. His mask is allowed to slip, even just a little.
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dennisboobs · 8 months
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talking to macdennis shippers makes me realize how much more i enjoy charden lmfao
#i love early seasons macden a lot but i think they sort of. fucked mcdn beyond repair in a lot of ways#where they Need to derail the show and do some genuine repairs#if theyd stayed the way they were in s5 itd be like oh yeah nbd theyre fucking lol#but now its. complicated#which isn't inherently bad but i think theres so much to unpack that its just like. if its not done right its going to be a disaster#charden have remained actual friends#it doesn't feel like a huge jump for them to be on good terms#but everyone immediately assumes something must have happened offscreen if macden are getting along#like. its overcomplicated! idk! i think dennis' entire character is overcomplicated#and it makes it really hard because he is So established to just have a fun plot#also i think theyve slowly fucked mac's character and have no intention of fixing it like they have with charlie and dennis' characters#like charlie was made Too Dumb and theyve been remedying that by making him a little more grounded and serious#dennis was Too Angry and they're remedying it by having him develop a way of burning off pressure without exploding#but everything theyve developed for mac has just sort of been left behind#if there was a moment to show how he'd changed it wouldve been post mfhp but it almost seemed like it was a complete reversal#he devolved lol#he was definitely like. better. in s16. but he's lost so much complexity while the others have gained more#and it feels incredibly unbalanced#dee is just a nothing character now too which (while i disagree with a lot of the complaints abt her in s16) can be seen clearly now#but mac is just.#okay im done rambling bye#ada speaks#idk how to explain but macden as a dynamic feels like it holds both of their characters back#and it rarely brings anything new or interesting to the table#dennis shows a different side of himself around charlie#but he is. mostly just angry or exasperated around mac
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the-acid-pear · 21 hours
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Y'know I really feel like Harry and Dave's relationship goes highly unexplored which is a shame because there IS quite a bit to explore, ESPECIALLY if you care about shipping. But as the game stands I mean, they must be aware of each other. Harry in fact definitely knows about Dave. I don't think he'd tell the fucking weird rotten bunny his terrible boss brought in IS the number one threat against Freddy's since day 1 but even so. Dave I don't think would see Harry as much more than A Phoney™ though, which is always more of an obstacle and way less of a person. Which is usually opposite of how Jack sees his often sole employee. Like, you get what I mean? It's almost similar to 2 with the main opposing routes being Peter and Dave except the stakes are arguably way lower now.
#luly talks#dsaf#dsaf harry#dsaf dave#harry fitzgerald#dave miller#if you DO care about shipping however the meat to chew on becomes greater#i think dave bond w Phoneys in general goes fairly unexplored which is once again A Shame bc i do like the hypocrisy he holds#in more than one way they mirror each other#now im just getting emotional and derailed now im literally just thinking of steven that's NOT da point now 💥💥💥#point is i do think you'd take this to a weird domesticating route or simply a more. goofy love triangle one#i mean dave does say he'll win Jack back which is peak divorced line#so its like. a tug war. except Harry isn't like peter who was like employee for the love of god i need your help#harry is pretty passive like Sir. This is urgent but it is your choice ☹️#sorry my meds are kicking in what am i even saying anymore?#i feel like that NyQuil post im for sure gonna shit the bed tonight#i digress anyway point being i think you'd go many places with this concept#you'd just have them coexist in a way the game doesn't explore. you'd have it just plaguing Jack's mind.#you'd have a one sided rivalry. you'd have a STRAIGHT UP RIVALRY. you'd have tragedy and agony in planet earth#which i saw be touched up on once by that one artist who draws jack like he never left the 80s mullet and all. muppety too.#iykyk there's like 6 harrysport artists overall you'll figure what i mean#and yeah you'd even have a somewhat functional jack having two hands. which is something taps chest i truly think could happen#i believe un love and peace and chsnge and healing and#and copium first and foremost ☝️☝️☝️☝️☝️#my body feels so heavy its hard to leep my eyes open
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steakout-05 · 2 months
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hey just a reminder because i keep seeing this garbage pile up in the lgbtq+ community: people are not inherently bad for being a man and being masc. it is not a bad thing to identify as a guy and do masculine stuff and present yourself in a masc way. the view that being a man somehow makes you bad/abusive/creepy/bigoted hurts so many men in our community (gay men, trans men, literally everyone actually) and it's just a ridiculous statement in itself. gender does not equal morality, belief or action. people are not predisposed to badness because of their gender. that is a silly idea and i thought we as a community progressed past this but apparently not.
#lgbtq#lgbtqia#lgbtq community#masc#ok now for the big boy tags:#terfs fuck off#terfs eat shit#terfs dni#do not derail#exclus dni#terfs go explode#disc horse eueueugg#sorry for making this post not rebloggable i don't want terfs touching this#oh! and all bigots who reply to this post will be swiftly blocked :)#i got no time for dealing with bigots on my blog#you won't even get a response you'll just get yeeted into the void and made fun of#if i see a single ''um ackshually men are-'' you will be go n e#gender does not equal morality#i'll say it louder for the people in the back!! GENDER DOES NOT EQUAL MORALITY!!!!!!#this post is not ignoring that there are genuinely bad men out there either by the way!#i acknowledge that and that is a shitty thing that should be talked about. but.#anyone and everyone has the capacity and ability to be bad no matter what their identity is.#anyone can kick a dog no matter what their gender is#and trying to insinuate that certain genders are predisposed to doing bad things is backwards and sexist#the same goes for the belief that ONLY certain genders can be and will be bad. it's just not true.#men are not inherently evil for being men. people can be evil no matter who they are.#this belief hurts so many trans men in our community as well#like me for example. i'm a trans guy and i feel so comfortable being a masc man.#i don't appreciate people saying that people like me are evil when i'm literally over here just petting my animals and drawing silly guys#like cmon. anyway men are not inherently evil and i'm taking the word evil away until you understand what it means
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yeah im gonna need a minute. Yeah its gonna be all day
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sqlmn · 9 months
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Seeing as the person who drew this for me and listens to me yell about these two and Rudyard is currently Illegal For Tumblr, I have been given permission to post this!
So a huge thank you I'm crying @ gunhorse ;0; my kids look great and I wuv them... I'm sobbing.
(And for those wondering, the agent named Bravo encounters Katale a fair amount though completely intentional from her. He thinks that she's just a very nice woman who got mixed up in the wrong crowd and she doesn't seem to wish him hard and he doesn't wish her harm so in the end when he sees her he's putting his gun away into a shoulder holster because he's a Good Boy.)
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fluffypotatey · 2 years
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YO, speaking of Stronk Gwen, think she ever picked Arthur up, too? Not bridal carry or anything, but when they go for a hug, she gets him around the waist and picks him up for a second in Max Hug?
Arthur would fucking DIE.
(She has 110% carried Merlin before, esp. skinny S1 farmboy Merlin.)
oh no question
sure, merlin was taller than her but gwen totally held him up by the scruff of his neck when he wasn't taking care of himself.
arthur tho??? mister "raised with traditional/toxic masculinity values" getting carried by his wife who isn't breaking a sweat???? call a physician because he is dysfunctioning. man's already had a thing for people who stood their ground and showed themselves to be strong of heart. but you carry him??? you life him like he's a sack of potatoes???? gone. that man is gone for you
y'all saw how he looked at percy the first time
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like lancelot walks in, coming in hot, with this beefcake and arthur
well
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post by @scionofgwenpendragon
arthur is shook™️ (edit: see pic above ^ as proof) by this gentle giant who can crush him. so i am 100% a firm believer that after the first time picked up arthur, he was all for it. and yeah, it was just so she could keep him close, but when she places him back down he is floored.
gwen: you ok?
arthur: hm? yeah, yeah, yeah. i'm good, very good. in fact, could you do that again?
just...my boy would be weak in the knees the moment gwen lifts him off the floor (a good thing too since he wouldn't be able to stand, so good thinking on gwen's part).
anyway, in summary, arthur is weak for strong willed and physically people (those people being merlin, gwen, percival, lancelot--)
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infizero · 8 months
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every time i so much as think about that scene where light looks at porn magazines while scowling i go into hysterics its genuinely the funniest thing i've ever seen
#the funniest thing is is that i truly believe he thought he was being 100% convincing. that that's normal behavior for a completely straight#completely allosexual man#light is fucking awful and i hate him but also there's nuance to him. and sometimes i can get a little like. oh thinking about his life#before the series. specifically factoring in my headcanons about him being gay aroace and autistic and stuff. ppl have written some rlly#good fics surrounding those topics.... but yeah thats not even canon stuff but i dont care#anyways its not in a way of making excuses for how he is i just think it adds more to his character#hes total garbage but i think theres really interesting stuff with him when it comes to how he's.... VERY disconnected from others#just in general. he's like aware of how to act ''normal'' on like the most textbook surface level without being like. Aware enough to#be able to make it more convincing. and as ridiculous as it is i do see some of myself in him in that sense#also that person who said light and L is just autistic guy who's been masking his entire life vs autistic guy who's never masked in his#entire life. LITERALLY EXACTLY. genuinely perfect way to describe them they are both so similar when it comes to this#but the ways they go about it are very different. light has been playing the part of the perfect son his whole life. L doesnt try to change#himself for anyone and doesnt care when people think hes weird. both of them arent very socially aware and havent had any real friends#their whole lives. its such a fascinating parallel between them#i could go on a whole fucking thing about how light was pretending to be someone he's not around his family and at school and everything#long before he got the death note BUT. i wont. at least not right now#jesus christ how did i go from laughing about him with the magazine to this. my bad#derailed my own damn post. idk swagever#will say rq tho. watched a vid on youtube that pointed out how light expected his family to think nothing of the fact that he's gone to#such drastic measures to hide his diary when making the plan with hiding the death note which is like#that level of dedication would NOT be normal. so the fact that light expects his family to think nothing of it......#i mean you could read that as light just once again being socially unaware. but it could also imply that light's family kind of Knows#he's hiding something and just doesn't address it. (he's gay. im talking about him being gay)#the video also referenced this comic that i didnt rb cause the actual premise of it (lawlight wedding) is um.#not at all my kind of thing. BUT it was light describing himself as a house with a basement when his family sees him as a one story house#and i thought that was such a cool analogy#ANYWAYYYSSSS i need to go to bed. thanks if you read my ramblings#serena.txt#death note posting
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bongwateriero · 5 months
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so. sorry to the people that think the whole thing is just “annoying” but i think they’ll inevitably come back to tumblr like they always do. and continue to say all of this. and there’s nothing wrong with those of us that have a problem with it
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hallowissmol · 10 months
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so.
i have something to talk about.
i saw the girlbulge post fairly recently, and i totally agree with it. however, i have something to add, and i didnt want to add it on the post itself because i didnt want to derail the post or take away from the transfemme experience.
so. theres a similar experience trans men have with parts of their body being sexualized.
their boobs.
"but Hallow, boobs arent uncommon on cis guys!" yeah. but i have boobs that are not manboob sized. i have anime girl proportions. i cannot just pretend theyre manboobs.
id really like to be able to walk around shirt and braless without needing top surgery. id really like to not have to bind (which doesnt even completely work for me, mind you) to be taken seriously as a man in public. id like to wear more form-fitting mens clothing without having people stare at my chest like weirdos.
can we please desexualize boobs like we are pushing to desexualize bulges. please.
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carolinanadeau · 28 days
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In Praise of Sally Ann Howes
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As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!
This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!
This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.
Click on Keep Reading and I'll take you on a journey!
As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.
However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.
There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 
(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")
For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.
She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.
(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)
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While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!
Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.
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The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.
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Look at her! Literally glowing!
(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)
"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!
While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!
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In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.
And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.
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This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.
Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!
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The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.
Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!
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Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!
(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)
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While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)
Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.
Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 
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By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.
Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.
She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.
Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.
Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.
Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.
Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!
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If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.
Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖
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#*mic drop*#sally ann howes#chitty chitty bang bang#and that's why you should vote for... wait there's no poll involved? I may have gotten carried away ;)#ok so I doubt anyone will even pay attention to this post but if you are going to tag or comment on this BE KIND AND POSITIVE ABOUT HER#like this is obviously a labor of love on my part here... don't be weird or backhanded. I don't need to hear how you disagree or whatever#and no pitting women against each other on my posts I am so serious#this is a fan post! this is a stan post! this is a celebration! do not derail!#I feel like I need to sprinkle holy water on this post before I release it out into the world#oh Sally Ann we're really in it now#also parts of this are poorly written I know. it's literally just an infodump about my Special Interest English Lady what do you expect lol#the switches between formal tone and informal fangirling are intentional btw#this is what I'm using my degree for apparently#I know I mixed in a lot of character/story analysis here and maybe that's slightly off-topic from lauding her performance but hey#it's not like I'm getting graded on this. and I mean you can see these things in her character BECAUSE of her performance#take my hand. love her with me. life could be a dream#you know the lyric in Hamilton - 'I wrote my way out'? that's what this was for me. I wrote my way out of a mental health crisis with this#when I came up with this idea I was going to save it for her birthday but that is sooo far away. so I'll post now and reblog it then!#I'm shocked tumblr can even handle whatever I'm trying to do here#I wouldn't have put SO many photos except that I needed to use multiples so I could make them smaller!!#my original post#long post
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