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fibula-rasa · 1 year

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Lost, but Not Forgotten: The World’s Applause (1923)

Direction: William C. de Mille

Scenario & Titles: Clara Beranger (more about Beranger at the Women Film Pioneers Project)

Camera: L. Guy Wilky

Sets & Costumes: Paul Iribe

Studio: Famous Players-Lasky (production) & Paramount (distribution)

Performers: Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa, James Neill

Status: presumed entirely lost

Synopsis (synthesized from magazine summaries of the plot):

Corinne D’Alys (Bebe Daniels), f.k.a. Cora Daly, is a theater star who has “taken the Rialto by storm.” Unfortunately, Corinne also has a desperate hunger for publicity. Her manager, John Elliott (Lewis Stone), who also happens to be in love with her, advises her to be more sensible about her career. A famous artist, Robert Townsend (Adolphe Menjou), has become enamored with Corinne, and wants to paint her portrait. Despite John’s warning that Robert wishes only to “see more of her,” Corinne sits for the portrait.

Robert plans on throwing a party to celebrate finishing the painting but declines to invite his wife, Elsa Townsend (Kathlyn Williams). Elsa comes to her husband’s studio anyway and finds the portrait and a pearl headdress that Robert is going to gift to Corinne. In a jealous rage, Elsa takes a knife to the painting and then to her husband—fatally stabbing him. Elsa also happens to be John’s sister and she calls him in a panic to help her. John arrives at the studio in secret and helps Elsa escape the scene. Meanwhile, Corinne and the guests begin to wonder where their host is, and Corinne then finds the body of the painter.

John convinces the police that Corinne is innocent. Corinne leaves town to avoid the storm. Unfortunately, John then becomes the primary suspect, as he had a notable fight with his brother-in-law months prior. When John is arrested, Corinne returns and confesses to Elsa that she feels morally responsible for Robert’s murder. Elsa then confesses to committing the murder herself. It’s implied that Elsa commits suicide via “the watery route.”

Now that both John and Corinne have been cleared of suspicion, they are free to marry and Corinne has lost her appetite for publicity.

Transcribed sources & annotations below:

Moving Picture World, November 11, 1922

News from the Producers

Conducted by T.S. da Ponte

Changes Titles of Two

Three new titles have been chosen for as many forthcoming Paramount pictures.

William de Mille’s recently completed production from an original story by Clara Beranger, in which Bebe Daniels, Lewis Stone, Kathlyn Williams and Harrison Ford have the important roles, has been permanently titled, “The World’s Applause.” “Notoriety” was the title originally chosen, but when it was found that another company had a prior claim, it was changed temporarily to “Paths of Glory,” which in turn has now given way to “The World’s Applause.”

Mary Miles Minter's latest picture, just completed under the direction of Charles Maigne and adapted from Stephen French Whitman's novel, "Sacrifice," is to be called "Drums of Destiny."

"Racing Hearts" is the title chosen for the new picture Agnes Ayres is just starting under the direction of Paul Powell. This is a story by Byron Morgan, author of the Wallace Reid automobile racing pictures, and Miss Ayres has the role of a race driver who goes in and wins a thrilling speed contest when the regular driver fails to show up.

Both "Drums of Destiny" (titled "Drums of Fate" on release in 1923) and "Racing Hearts" are also lost films.

Exhibitor’s Herald, January 20, 1923

REVIEWS

BEBE DANIELS IN

WORLD’S APPLAUSE

(PARAMOUNT)

A fascinating story of the life of an actress who unwittingly becomes involved in a murder mystery which almost brings about her downfall professionally. Lavishly presented, very well acted and directed in William deMille’s best style. Length, 6,528 feet.

An original story by Clara Beranger provides Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolph Menjou and others with a suitable vehicle in which to display their talents. There is good story interest for the most part, with good surprise value and considerable dramatic suspense in the contest of wits between the detectives and John Elliott and his sister.

Lewis Stone plays the role of Elliot and gives an unusually convincing and consistent characterization. The director, author and producer are to be congratulated upon securing Mr. Stone’s services for this part. Miss Daniels appears in the role of an actress who is a hound for publicity, and the moral of the story shows how ready the public is to condemn these children of the stage. Kathlyn Williams has the role of Elsa Townsend, wife of an artist in love with the little actress, who in a fit of jealousy kills her husband. A difficult role, but played with restraint and conviction. Adolphe Menjou is the artist. Bernice Frank was the maid; Mayme Kelso, secretary to the actress, and George Kuwa, valet to Townsend. James Neill was Elliot’s valet, while Brandon Hurst played James Crane, owner of a string of newspapers.

Corinne d’Alys, popular Broadway star, poses for Townsend while he paints her portrait. On the day he is to display the painting he gives a party at his studio. As the guests assemble, Mrs. Townsend comes to the studio, discovers a valuable pearl headdress which her husband is to give to Corinne, and the portrait of the actress. In a fit of jealousy she strikes him down and leaves the studio with her brother, John Elliot. The discovery of the dead artist throws suspicion upon the members of the party. Corinne telephones to her affianced husband Elliott and he succeeds in convincing the police that she is innocent. Crane takes a hand in the investigation, however, and dogs Elliott’s footsteps. A confession from Mrs. Townsend finally clears Elliott and the little actress, and she no longer seeks the world’s applause, but is content to settle down with John.

The Film Daily, February 2, 1923

A Typical DeMille Entertainment With the Usual Atmosphere

William DeMille Prod.

“THE WORLD’S APPLAUSE”

Paramount

DIRECTOR…William DeMille

AUTHOR…Clara Beranger

SCENARIO BY…Clara Beranger

CAMERAMAN…L. Guy Wilky

AS A WHOLE…Consists of situations and atmosphere intended to provide visual appeal but that is as far as it gets

STORY…Artificial and quite theatrical; flavored with sensational bits that will make it popular with a certain crowd

DIRECTION… Very good as far as production goes and usually handles story with good judgment but ending is too long arriving

PHOTOGRAPHY…Excellent

LIGHTINGS… Good

PLAYERS… Lewis Stone and Bebe Daniels featured with Stone doing his usual good work and Miss Daniels a suitable but not beautiful Corinne d’Alys; others Kathlyn Williams and Adolphe Menjou

EXTERIORS…Few

INTERIORS… Many elaborate settings

CHARACTER OF STORY…Star seeking publicity is cause of man’s death at the hands of his jealous wife

LENGTH OF PRODUCTION… 6,526 feet

Probably because there is a moral to it the unpleasant bits in “The World’s Applause” will have to be excused but it does seem unfortunate that they have to wade so deeply into scandal and sensation providing incidents in general, to get to it. Before you finally learn the lesson of this film—that success is not measured by the amount of prominence you attain—you are treated to some mighty intimate scenes in which a popular stage favorite is the sensuous, central figure. She is very deliberately sought by a famous portrait artist, a married man, who plans his seduction in elaborate style. Of course he has a studio establishment which figures prominently in his scheme and the very innocent young moth runs headlong into the flame heedless of the warning of her manager, who really loves her. The aggravating thing about these petty publicity seekers is that you are expected to accept their sugar-wouldn’t-melt-in-their-mouth attitude for the real thing.

But this Corinne d’Alys spoils it all, or the title writer does it for her, when she admits that her would-be lover will give her everything but “a narrow gold band.” The titles, incidentally, are very bad. There is one in which the true lover warns the girl that the artist wants her to pose for him so that “he can see more of her.” The titles are quite off color in many similar instances. This one particularly seemed to strike the Rivoli audience as a thoroughly fine humorous touch.

William DeMille is following closely in the footsteps of his brother, Cecil, when it comes to making pictures with plenty of pictorial appeal and colorful atmosphere. In this respect the picture is interesting and should satisfy. From a story angle, it is all a matter of taste. Where they like theatrical, sensational stuff, it is all very nice but where they want clean, wholesome stories, it may be different.

Bebe Daniels handles the role of Corinne adequately but she never gives the impression of being sufficiently beautiful to have “The World’s Applause.” Lewis Stone is always capable but deserves a more sensible role. The cast, on the whole, is suitable.

Story: John Elliot’s new star, Corinne d’Alys, is swept off her feet by sudden success. She accepts the attentions of Townsend, an artist, the husband of Elliot’s sister, who paints her portrait. Townsend is accidentally killed by his jealous wife and Elliot is arrested. His sister, realizing Elliot loves Corinne, commits suicide, leaving a confession which clears Elliot and cures Corinne of her craving for publicity.

One of those negative reviews that makes you want to watch a movie more, eh? Moralizing and misogyny on full display! Phew.

The Moving Picture World, February 1923

“World’s Applause” Released January 21

William de Mille, Paramount producer, departed temporarily from his custom of filming stage dramas when he made "The World's Applause," which was on the Paramount release schedule of January 21.

This is an original story by Clara Beranger, who has written the scenario of all of Mr. de

Mille's recent photoplays. Bebe Daniels and Lewis Stone are the featured players in a cast which Mr. de Mille considers one of the best he has had in his long career as a producer.

An ultra-modern note is struck by Miss Daniels in her costumes, it is reported. In each succeeding scene she wears something different from the preceding one, and although Mr. de Mille never allows his photodramas to descend to the level of mere fashion shows, this feature of "The World's Applause" is certain to intensify every woman's interest in the picture, Paramount says.

Variety, February 1923

WORLD'S APPLAUSE

Paramount picture presented by Adolph Zukor. William DeMille production, featuring Bebe Daniels, Lewis Stone and Kathlyn Williams in story by Clara Beranger.

At the Rivoli, New York, week of Jan. 28.

Corinne d'Alys..........Bebe Daniels

John Elliot........Lewis Stone

Elsa Townsend...Kathlyn Willams

Robert Townsend, her husband…Adolphe Menjou

James Crane...Brandon Hurst

Maid to Corinne...Bernice Frank

Secretary to Corinne.........Maym Kelso

Valet to Townsend..George Kuwa

Valet to Elliot......James Neill

“The World's Applause" is a screen treatise on theatrical publicity and exploitation with a twist that a certain theatrical personage's craving for newspaper "notices" and the desire to be the talk of the town boomerangs viciously when she is indirectly implicated in a murder mystery.

The theatrical personage is Corinne d'Alys (born Cora Daly), who has "taken the Rialto by storm," but who is counselled by her manager-lover (Lewis Stone) to cease her craving for the world's applause and deal seriously with her work. This is momentarily disparaged by her

with ensuing developments taking the audience rather interestingly through the usual five-reel span.

It starts with Robert Townsend, an artist who has "arrived" (Adolphe Menjou), becoming enamored with the favored and favorite footlights beauty and honoring her with painting her portrait for the annual Parisian exhibition. Townsend is married to the sister of John Elliot, the impresario, and a parallel situation develops of Townsend slighting his wife for Corinne, and

Townsend interposing himself between the actress and her suitor, Elliot.

At a studio party in Corinne's honor to which Townsend did not invite his wife, the latter enters

through the private studio door and, enraged at her husband's nonchalance, slashes the portrait and stabs the artist fatally. She telephones for her brother, who also enters unbeknown to the guests in the outer rooms. Both slip away, but not without being seen by a newspaper

publisher, whose testimony implicates Elliot, who shields his sister. Elliot is arrested on first degree murder charges, but is absolved when his sister confesses to Corinne. The sister runs away, and there is a suggestion she commits suicide via the watery route.

Not much to the story, but rather deftly handled by DeMille in his customary pretentious manner—never lavish but always in good taste. The captioning is pithy and bright, and such leaders as "the public always believes the worst about an actress" is good lay propaganda for the profession.

Miss Daniels sports a nobby collection of clothes to excellent advantage. Mr. Stone is a sincere opposite, who also has the ability of really acting when called upon. Miss Williams, too, accounted for herself handily.

The picture pleased at the Rivoli

Abel

Cine-Mundial, April 1923 p. 218 & 239

EL APLAUSO DEL MUNDO

(The World’s Applause)

“Paramount” — 150 metros

Intérpretes principales: Bebé Daniels y Lewis Stone. Colaboradores: Kathryn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa y James Neill.

Argumento de Clara Beranger. Dirección de William DeMille.

Argumento

Corina, actriz, tiene sed insaciable de publicidad y se muere por ver su nombre en letras de molde, bien grandes, aunque sea a costa de escándalo, sin escuchar los consejos de su empresario, Elliot, que la ama. Los periódicos mezclan a la joven en un lío en el que ver un famoso pintor que le está haciendo su retrato. La noche en que el artista va a celebrar con un banquete la terminación del cuadro, se presenta en escena su mujer, disputan, y en un acceso de rabia, la consorte se apodera de un cuchillo para destrozar la pintura y, accidentalmente, mata al artista. La homicida es hermana de Elliot y éste trata de salvarla a to-

(Continúa en la página 239)

NUESTRA OPINION

(Viene de la página 218)

da costa del presidio. Llega hasta a asumir la responsabilidad del delito, cuando las sospechas recaen en su contra, por causa de un disgusto tenido, meses antes, con su cuñado. Pero, justamente cuando la policía va a detenerlo, la hermana confiesa su crimen y Elliot y Corina, sus nombres limpios de mancha, se casan.

Tengo debilidad por Lewis Stone como actor. Quizá por eso me haya gustado tanto esta película, de impecable dirección. Por causa de la reducción de los escenarios, se concentra el interés en el tema y eso añade fuerza dramática a toda la obra, aunque el argumento no tenga, ni con mucho, excesiva novedad. Si se sujeta la película al análisis, se corre el riesgo de dejarla maltrecha. Prefiero, pues, dar sólo idea de lo que a mi me pareció. — Guaitsel.

Translation:

Lead actors: Bebe Daniels and Lewis Stone. Supporting actors: Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa and James Neill.

Scenario by Clara Beranger. Direction by WIlliam DeMille.

Scenario

Corina, an actress, has an insatiable thirst for publicity and would die to see her name in lights, even at the cost of scandal, without listening to the advice of her manager, Elliot, who loves her. The newspapers mix the young woman up in an imbroglio with a famous painter, who is painting her portrait. On the night that the artist is going to celebrate the completion of the painting with a banquet, his wife appears on the scene, they argue, and in a fit of rage, the wife seizes a knife to destroy the painting and, accidentally, kills the artist. The murderer is Elliot’s sister and he tries to save her from prison at all costs. He goes as far as assuming responsibility for the crime, when suspicion falls on him, due to a disagreement he had with his brother-in-law, months before. But, just as the police are going to arrest him, the sister confesses her crime and Elliot and Corina, their names clean, get married.

I have a soft spot for Lewis Stone as an actor. Maybe that’s why I liked this impeccably-directed film so much. Because of the limitation of settings, interest is concentrated on the theme and this adds dramatic force to the whole work, even though the scenario isn’t very excessively novel at all. If you subject the film to analysis, you run the risk of dealing damage to it. I prefer then to give only the outline of how it seemed to me. — Guaitsel.

Photoplay, April 1923

THE WORLD’S APPLAUSE—Paramount

CLARA BERANGER seems to have dramatized the recent newspaper headlines. An idol whose fame has been built upon publicity gets involved innocently in a murder and the aforementioned publicity turns out to be a boomerang, demolishing said idol. Tritely told by William de Mille, who isn’t living up to early expectations. Bebe Daniels is pleasant enough as the idol.

Presumably, this writer is alluding to the Mary Miles Minter / William Desmond Taylor scandal from February of 1922. Kind of an interesting assumption given that, at the time, Minter was still under contract with Famous Player-Lasky, the same company that produced The World’s Applause.

The Story World and Photodramatist, April 1923

The World's Applause

With the excellent theme of regeneration after a terrifying experience, William De Mille slices his emphasis a bit in the story of The World's Applause; though he presents a warning to all actresses or public servants who, in their greed for applause, get themselves talked about in the wrong way, he misses the hole by a few inches because Corinne D'Alys is not the one to pay the piper most heavily. Even though she claims she is morally guilty of the murder, I found it

difficult to believe her regeneration more than skin-deep, possibly because the suggestion of the suicide of the physically guilty but wholly justified wife fades so quickly into the scene of Corinne's future happiness.

In lieu of convincing plot to express his theme, Mr. De Mille has resorted for public appeal to the tinsel more often found in a C. B. de Mille production—to lavish sets and to gowns for Bebe Daniels as daring and gorgeous as any of Miss Swanson's. For admirers of this young actress, the picture will doubtless be more or less satisfying, but contrary to dramatic principles, to the opposition have been given the histrionic opportunities

It is many pictures since I have seen such an amusing lothario as the unfaithful husband; but pushed too far by his desperate wife, he rises to the breaking point very naturally. The development of the battle of their wills into one of physical violence and murder deserves high

praise as an example of loss of mental control at the moment of physical contact. The stellar role from the dramatic angle is that of the neglected wife—excellently portrayed by Kathlyn Williams. The story revolves around her problem of protecting her home and retaining her

husband's love. It is she who struggles and suffers through her hasty deed, and in the end sacrifices herself that her brother and the foolish enticer of her husband may be happy.

The weakness of the plot is early evident for the first big dramatic scene does not include the supposed lead. While Corinne is in another room with the guests, the artist's wife declares to her husband her intention of being present at the dinner to celebrate the completion of his portrait of the actress. When her husband urgently remonstrates, she seizes a knife and in the old sensational manner slashes the portrait. He seizes her hand, the exasperated animal rises in her, and she plunges the knife into his side. Horribly frightened, she phones to her brother; he assists her to escape and later denies all knowledge of the crime.

Meanwhile the supposed lead, growing tired of waiting, opens the door on the body of the artist. The guests, sensing a scandal, leave Corinne to enjoy the notoriety her desire for applause has brought upon her. The brother is suspected and his and Corinne's financial backers withdraw their support. Instead of remaining to fight it out, Corinne leaves town. The brother is arrested, and his sister is torn between her love for him and her fear of prison bars for herself. When Corinne returns, she goes to the wife and claims the moral guilt.

In a rather confused manner the story rushes through the confession of the wife and the suggestion of her suicide to the inferred regeneration and future happiness of the actress with the recently bereaved brother. Odd thing, poetic justice! Frankly this picture is not up to the De Mille standard; its appeal is to the more superficial emotions and through the eye rather than through the intellect or heart of the discriminating spectator. It is not the clean, wholesome picture I had anticipated.

Picture Play Magazine, May 1923

The Screen in Review

“The World’s Applause.”

If you are a young actress who will do most anything for publicity, this film will be a lesson to you. Otherwise it will be sheer entertainment, cooked up by William De Mille and charmingly acted with Bebe Daniels as the publicity-mad star and Lewis Stone as her manager. The story has really original twists in it and is directed with humor and restraint. Its only flaw is the incredibly silly subtitles. I don’t understand how Mr. De Mille let them get by in one of his productions which always bear a certain imprint of good taste and sophistication.

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thepavementsings · 1 year

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desperately craving a period piece summer piarles au tbh.

mostly because i think charles would kill a 1960s cabana set

#also so would lewis. and daniel tbh #but i am currently hating uh... everything about f1 (and all my hobbies?) a little bit #so we are inching back via my safest spaces (vague piarles aus)#pierre as some like young small town up north transplant uni student working as a pool boy/dock guy #at charles local marina #incapable of ever wearing a shirt in his life.#anywhere big tourist small locals population summer town #pierre/charles #p/c au

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2ndaryprotocol · 1 year

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#otd Martin Scorsese’s ‘Gangs Of New York’ hit theaters this day 20 years ago. 🗡👊🏼🔥

“𝚆𝚑𝚎𝚗 𝚢𝚘𝚞 𝚔𝚒𝚕𝚕 𝚊 𝚔𝚒𝚗𝚐, 𝚢𝚘𝚞 𝚍𝚘𝚗'𝚝 𝚜𝚝𝚊𝚋 𝚑𝚒𝚖 𝚒𝚗 𝚝𝚑𝚎 𝚍𝚊𝚛𝚔. 𝚈𝚘𝚞 𝚔𝚒𝚕𝚕 𝚑𝚒𝚖 𝚠𝚑𝚎𝚛𝚎 𝚝𝚑𝚎 𝚎𝚗𝚝𝚒𝚛𝚎 𝚌𝚘𝚞𝚛𝚝 𝚌𝚊𝚗 𝚠𝚊𝚝𝚌𝚑 𝚑𝚒𝚖 𝚍𝚒𝚎.”

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darkmovies · 10 months

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ruleof3bobby · 2 years

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youtube

IN THE NAME OF THE FATHER (1993) Grade: C+

Would had been an improved film if they had focus on the Emma Thompson char more. Would had aged better too.

#In The Name of The Father #1993 #C #Drama Films #Based on True Events #Prison #Jail #Jim Sheridan #Crime Films #Biography #I.R.A.#Daniel Day-Lewis #Pete Postlethwaite #Emma Thompson #Frankie McCafferty #Anthony Brophy #Lawyer #Stuart Wolfenden

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now-watching · 2 years

Link

Recommendations 46-50:

46. DO THE RIGHT THING (1989), dir. Spike Lee

“IT’S THE HOTTEST DAY OF THE SUMMER. YOU CAN DO NOTHING, YOU CAN DO SOMETHING, OR YOU CAN …

Salvatore “Sal” Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin’ Out, becomes upset when he sees that the pizzeria’s Wall of Fame exhibits only Italian actors. Buggin’ Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin’ Out and to other people in the neighborhood, and tensions rise.”

Availability: Available for rental on GooglePlay, AppleTV, VUDU, Amazon, and YouTube

47. GANGS OF NEW YORK (2002), dir. Martin Scorsese

“AMERICA WAS BORN IN THE STREETS.

It’s 1863. America was born in the streets. Amsterdam Vallon returns to the Five Points of America to seek vengeance against the psychotic gangland kingpin, Bill the Butcher, who murdered his father years earlier. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area.”

Availability: Available on Starz with a subscription and with add-on subscriptions on Amazon, Hulu, and The Roku Channel. Also available for rental via YouTube, GooglePlay, VUDU, and AppleTV

48. LINCOLN (2012), dir. Steven Spielberg

“WITH THE MORAL COURAGE AND FIERCE DETERMINATION TO SUCCEED, HIS CHOICES WILL CHANGE THE FATE OF GENERATIONS TO COME.

The revealing story of the 16th US President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.”

Availability: Available on Paramount+, Amazon, and Philo with subscriptions. Also available for rental via YouTube, GooglePlay, and AppleTV

49. DAYS OF HEAVEN (1978), dir. Terrence Malick

“YOUR EYES… YOUR EARS… YOUR SENSES… WILL BE OVERWHELMED.

In 1910, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer. A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating at once a timeless American idyll and a gritty evocation of turn-of-the-century labor.”

Availability: Free on PlutoTV and available for rental on YouTube, GooglePlay, VUDU, Amazon, and AppleTV

50. 13TH (2016), dir. Ava DuVernay

“FROM SLAVE TO CRIMINAL WITH ONE AMENDMENT

An in-depth look at the prison system in the United States and how it reveals the nation’s history of racial inequality.”

Availability: Available on Netflix with a subscription

[The American Experience Film Recs]

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ulrichgebert · 4 months

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"Ist ja kein so guter Film" sagt der Tobi, meinen Wir-wollen-diese-anstrengend-besessenen-Scorsese-Filme-mal-etwas-wohlwollender-beurteilen-Ansatz gleich unterwandernd, und er hat insofern natürlich recht, als das massive Bestreben um historische Akkuratesse und präzise Akzente offensichtlich ein bisschen auf Kosten der Dramaturgie ging. Die Leute wollen einem auch nicht recht ans Herz wachsen, und es geht überhaupt nie so friedlich zu wie auf dem Bild oben. Aber die Vorfälle an sich sind ziemlich interessant, dass in New York, das ja oft als Gegensatz dazu verwendet wird, auch mal Zustände wie im wilden Westen herrschen ist lustig, für neuere Epen fand ich die Musik ausnahmsweise clever und wohlüberlegt, und ich kann mich im Gegensatz zu Tobi, der nie irgendjemanden erkennt, nebenher noch ein bisschen mit Starspotting unterhalten. Insofern hat es mir eigentlich besser gefallen, als ich erwartet hatte, aber wenn man ehrlich ist, ist es kein so richtig guter Film.

#Gangs of New York #Daniel Day-Lewis #Leonardo DiCaprio #Cameron Diaz #Jim Broadbent #John C. Reilly #Brendan Gleeson #Stephen Graham #David Hemmings #Barbara Bouchet #Eddie Marsan #Alec McCowen #Film gesehen #Martin Scorsese #Howard Shore

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fangirl-dot-com · 5 months

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Incorrect Quotes

all of these were from Pinterest - cause I'm not this funny (I also couldn't wait for the next chapter to come out so here :D)

Like always comments, questions, concerns, reblogs, and likes are appreciated <3

TAG LIST IS OPEN! - 26 spots still open! (please send me a direct message to be added!)

Y/n: I’m cool Oscar Y/n: I’m THEE coolest Y/n: In fact, I was once arrested for being too cool *puts on sunglasses* Oscar: The charges were dropped because there was no supporting evidence. Also, your glasses are upside down.

Y/n: I have a very specific type Max: Oh yeah? Like what? Y/n: Y’know…polite, handsome, athletic…that sort of thing Arthur (on his fourth energy drink of the day) tripping over camera wires and holding his mic upside down: you little shit eating, damned pathetic piece of shit – now you listen here Y/n: *heart eyes* that one. I want that one. Max: *flabbergasted*

Lando: bet you’re standing in the corner because you’re scared that you’ll get turned down if you talk to anyone Y/n: please, I could fluster near everyone at this party if I chose to Oscar: oh yeah? Prove it. Go for someone borderline impossible and I’ll believe you Y/n, approaching Arthur: hey dumbass, hoodie looks kind of cute on you, wanna get out of here? Arthur: WH- I MEAN- UHHHH YEAH SURE Y/n: perfect Oscar and Lando:

Y/n: I brought a red bull Max: I don’t want a red bull Y/n: I didn’t bring this for you. This is my red bull. Max: then why are you telling me? Y/n: It’s a conversation starter. Max: That’s a lousy conversation starter Y/n: Oh, is it? We are conversing. Checkmate *sips red bull*

Y/n: *gently taps table* Logan: *taps back* Alex: what are they doing? George: morse code Y/n: *aggressively taps table* Logan: *slams hands down* YOU TAKE THAT BACK-

Lewis: Treat spiders the way you want to be treated Y/n: Killed without hesitation Lewis: nO!

Y/n: Is stabbing someone immoral? Mitch: Not if they consent to it. Max: Depends on who you’re stabbing. Christian: YES?!

Cop: You’re receiving a ticket for having three people on one motorcycle. Y/n: Shit Logan: Wait, three? Cop: yeah? Lando: OH MY GOSH OSCAR FELL OFF!!

Max: Time for plan G. Liam: Don’t you mean plan B? Daniel: No, we tried plan B a long time ago. I had to skip over plan C due to technical difficulties. Y/n: What about plan D? Daniel: Plan D was that desperate disguise attempt half an hour ago. Max: What about plan E? Liam: I’m hoping not to use it. I die in plan E Yuki: I like plan E.

Christian: Did none of you think this was a bad idea? *Y/n, Max, Charles, and Arthur covered in navy and red paint* Y/n: Oh no, we all did. We just decided to do it anyway.

George: (in sunglasses and newest Tommy Hilfiger jumpsuit) *in the most posh accent* I’m too good for revenge Logan: (covered in bug spray, cowboy hat and overalls on, pumped full of Bang energy drink and high on freedom) *cocks shotgun* Well, I’m not. Give me the name.

Arthur: So what’s your type? Y/n: Kinda long blond hair, green eyes, dumb, dimples, funny, really thin waist Arthur: Huh, that kind of sounds like me! Too bad its not me! Y/n: did I mention dumb? Arthur: yeah, why? Y/n: just making sure

*Over Text*

Y/n: Hey pretty boy, what’re you up to? :) Arthur: Eating cereal in bed Y/n: And what would you be doing if I was in bed with you? Arthur:…I would still be eating my cereal?

Waitress: And what would you like to eat? Y/n: I wish to devour the unborn Fernando: Eggs, she would like eggs

Y/n: Do you think that when sheep go to sleep they count themselves? Lando: Or do they count humans? Y/n: Ooo, that’s a good question Oscar: GO TO SLEEP

Y/n to Max: because I am a mature adult *turns to see Mitch, Christian, and Vito shake their heads* *turns back to Max* Y/n: I am an adult

*Dinner with Max, Y/n, Charles, and Arthur*

Y/n: The food is too cute, I can’t eat it! Max: Charles: Arthur: You’re cute, but I’d still eat y- Max: ONE DINNER Charles: *sighs* here we go again Max: ONE NORMAL DINNER IS ALL I ASK Y/n: Charles, this pasta is also crunchy, I truly can’t eat this

Ollie: Good night everyone Arthur: Good night Lando: Good night Oscar: Good night Y/n: good night. Sleep tight. Don’t let the bed bugs bite. Tonight, imma fight until we see the sunlight. Tik tok on the clock, but the party don’t stop Oscar: I’M DONE

George (t-posing in the doorway): Greetings, parental figures and sister figure *Y/n, Lewis, and Toto walking past* Toto (not looking up from his coffee): Good morning, problem child

Christian: You see, Fernando, Y/n is at the age where she only has one thing on her mind Fernando (noticeably excited): Oh! Oh! Oh! Boys? Max (looking over at the dead tired rookie with revenge in her eyes as she looks at Esteban): No. Murder.

Y/n: Hey Liam, want some of this food? Liam: Sure, thanks! Yuki (storming in with the anger of the gods): WHO TF ATE MY LEFTOVERS THAT CLEARLY HAD MY NAME ON IT Y/n: WE did Liam: You surprisingly smart little mf

Y/n: Never have I ever…Been grounded by my parents! Arthur (exasperated): Every time. She makes disownment jokes every time and she always wins Max: Good one Kid. I always go for the ‘never had a dad who supported me.’ Charles: *stands up and walks away*

Y/n: I’ve only said I love you to four people. Christian, Vito, Arthur, and Max when I thought he died after he wouldn’t respond after a DNF. I only regret one of those Lando: Which one? Y/n: Max. He was just pressing the wrong button and walked out a few minutes later. He made me look like an idiot. Max: I let you win next race Y/n: still

(Y/n, Logan, Lando, and George trying to sneak into RB for more energy drinks after being banned from drinking more)

Logan: So what do you think Y/n will do as a distraction? Lando: She’ll probably, like, make a noise George: Or throw a rock. That’s what I would do *The door flings open and smoke follows. Screams of mechanics fill the air as they try to extinguish a small fire* Logan:…Or she could do that.

Y/n: When I die, donate my entire body to science Y/n: Except my middle finger, give that to Esteban

(max and y/n in a horror movie)

Max: QUICK YOU’RE LOSING A LOT OF BLOOD. WHAT’S YOUR TYPE? Y/n (bleeding out): tall, male, brown hair, dimples, caring, supportive, Monegasque Max: BLOOD TYPE DUMBASS Y/n: oh Y/n: (looks down at wound) Y/n: red

Lando: I wish we could block people in real life. Oscar: Restraining order Y/n: Murder

Christian: Y/n, we need to talk about your professionalism for media days Y/n (and a lot of media personelle she rounded up, all standing on chairs): those are some mighty brave words for someone standing in lava

Y/n (to Max while hiding behind some tires – regretting everything): and then I called him dad Christian (to Geri – trying not to cry while cameras are everywhere): and then she called me dad

Max: Christian, look what Y/n got me for father’s day *holds up generic #1 dad mug* Christian (glaring silently while sipping from his own #1 dad mug) Max: that lying rookie Vito (holding a worn down #1 dad mug): you guys are late to the party suckers

Criminals: We have your daughter and son Toto: I don’t have a daughter and Jack is right here Criminals: then who just asked for warm milk and made us cut the crusts off their sandwiches? Christian: dear God, you have Y/n and George

Mitch: So Christian, you and Geri want to be a parents again someday? Christian: Someday? We’re parents right now. Mitch: Y/n is your employee Geri: She is our BLOOD

Christian: Max is late again Kelly: I woke him up at 8 and pretended it was 11 Y/n: I wrote a fake schedule saying we were starting at 9 instead of 12 Lando: I changed his clock from AM to PM Christian: I think you may have overdone it Max (bursting into the garage): WHAT YEAR IS IT?

Y/n: If I blended Red Bull, five hour energy, monster, coffee, and hot Cheetos into an energy smoothie...would it kill me? Logan: *shrugs* only if you die Y/n (getting out the blender): you're so smart Logan Max (running into the room): y/N STOP!

Lance: I got Netflix like you asked! Y/n: OH that's amazing! I've been mooching off Max's and Arthur's accounts for a while. This will be nice! Lance: Wait, what do you mean accounts? Y/n: Their Netflix accounts? Lance: Y/n: Like their profiles? I wanted one of my own, they're like $12 Lance: Lance:....Oh....You meant the account on the service... Y/n: Yeah, what did you think I meant? Wait...What did you buy? Lance: Lance:....Netflix...

TAG LIST: @fionaschicken @glitterquadricorn @laura-naruto-fan1998 @treehouse-mouse @sam-is-lost @kagatinkita @fangirl125reader @megatrilss1885 @myxticmoon @angsthology @cmleitora @agent-curt-mega @graciewrote @ashy-kit @slutofmultifandom @aexitizen @sugarvibez @vellicora @thatgirlthatreadswattpad @cashtons-wife @hoetel-manager @xcharlottemikaelsonx @jayda12

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brokehorrorfan · 10 months

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Out There Screaming: An Anthology of New Black Horror will be published on October 3 via Random House. It's curated by filmmaker Jordan Peele, who also provides an introduction and serves as editor with John Joseph Adams.

It features short stories by Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N.K. Jemisin, Justin C. Key, L.D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

The 400-page book will be available in hardcover, e-book, and audio book. The synopsis is below.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world... and redefine what it means to be afraid.

Pre-order Out There Screaming.

#jordan peele #horror books #horror anthology #get out #nope #us #black horror #monkeypaw productions #random house #book #gift #horror book #tananarive due #nalo hopkinson #tochi onyebuchi #rebecca roanhorse

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agendabymooner · 7 months

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SOMETHING SINFUL: a smut masterlist by AGENDABYMOONER (18+)

general f1 masterlists: a - n masterlist o - z masterlist

WARNING: SMUT/EXPLICIT CONTENT UNDER THE CUT. MINORS DNI!

LEGEND: ✦ = new pieces ☏ = voicemail blurb ♡ = rec read

note: you guys wanted a masterlist specifically for some smut content, so here is a masterlist ❤️ enjoy xx

taglists for this masterlist are attached below the cut. if you’d like to get on one of my taglists, check this post out!

alex albon (aa23)

something missed: their argument led them both to realize how much they sought to each other's touch. (angst, cockwarming)

fernando alonso (fa14)

something spoiled: she can have everything in the world. everything but that attitude. (brat taming, sd!fernando x reader)

jenson button (jb22)

something devoured: what is a man if not starving? (pussy drunk!jenson, oral sex) ♡

lewis hamilton (lh44)

something memorable: ten years of memories? how about memories of celebrating their ten years? (sex tape)

something sneaky: lewis' year-end party is just an excuse to get her away from the crowd.

something rewarding: pretty girl. patient girl. sweet reward. (soft dom!lewis, somnophilia-esque) ✦

charles leclerc (cl16)

something green: control was what he normally had until he decided that making her jealous wouldn't break her out of her shell. (sub!charles x reader)

something angelic: charles showed her everything that she deserved all while showing her ex that he didn’t deserve her. (corruption kink-esque)

lando norris (ln4)

something deserved: when she stripped him off the opportunity to win, all he seemed to do was retaliate and reward her (dom!lando x reader)

oscar piastri (op81)

something vocal: oscar is occasionally talkative. (praise kink, oral sex) ♡

late night talking: oscar left a voicemail for the reader to wake up to. (m masturbation) ☏

something different: she wasn't sure how he started acting like that- but it wasn't anything she'd complain about. (dom!oscar, orgasm denial)

george russell (gr63)

something unexpected: everything hits different when you're trying to move on with the help of your own best friend. (dom!george, best friends to lovers)

daniel ricciardo (dr3)

something watchful: he always wondered why she wanted to stay in that shithole of a flat so much. (exhibitionism/voyeurism/mirror sex)

something jealous: he’s got no reason to be one when he knew that she’s only desperate for him. (voyeurism ft. lando norris) ♡

something scandalous: they all knew he was into pda, but doing it in a club restroom was another story. (exhibitionism, semi-public sex)

something entertaining: daniel and his girl put on a show for a special guest. (voyeurism/exhibitionism, praise kink ft. lewis hamilton) ✦

carlos sainz (cs55)

something hazy: carlos was an attentive husband to his stressed out wife. (soft dom!carlos)

something conversational: who would’ve thought that he still had the upper hand no matter how far he was? (phone sex, dom!carlos)

something possessive: he had always been a secured man, all he needed to do was to remind her how secured he was. (mean dom!carlos, anal play, facefucking, impact play) ♡✦

mick schumacher (ms47)

something broody: dilf!mick loved nothing more than the glow of motherhood that washed over his wife’s body. (breeding kink, body worship)

max verstappen (mv1)

something mean: don't underestimate the man if you don't want to be at the other side of his mean tendencies. (orgasm denial, mean!dom!max x reader)

something overwhelming: he wanted to overwhelm her in the nicest way possible (overstimulation, multiple orgasms)

toto wolff (tw00)

something big: she was the only one who could handle his desire and he's the perfect fit for her. (size kink)

something intoxicating: it’s funny how she can get mouthy but lose all of her words when she starts craving for more. (cock drunk!reader)

something desired: who the fuck was christian horner to decide what they both wanted? (size kink)

something divine: toto wanted to cherish his wife as she bore the light of their life. (pregnancy sex, body worship, breeding kink)

multiple drivers x reader

something full, pg10 + reader + cl16: it was like she had her personal demon and angel. except from they’re filling her needs one way or another. (dp, threesome) ♡

something celebratory, cs55 + reader + ln4: how to celebrate their singapore gp victory, carlando style. (anal sex, dp, threesome) ♡

something wagered, jb22 + reader + sv5: she learned that making a bet would be more risky and efficient if they knew what the reward was going to be. (threesome, spitroast, mclaren!jb and rbr!sv)

something fulfilled, fa14 + reader + mw2: their kid wanted a baby sibling and who were they to deny her that? their wife might need some convincing, however. (threesome, dp, breeding kink)

something agreeable, pg10 + reader + eo31: they're always thought to be enemies. but there's something that they have in common. (threesome, dp) ✦

something reunited, sv5 + reader + mw2: it took them ten years to get her back and they were sure to ruin her plan to slip away the next time. (threesome, dp, face fucking size kink) ♡✦

something rotten, jb22 + reader + fa14: nothing is ever 'too much' for jenson and fernando. they made sure that she knew that. (threesome, dp, sd!jenson + sd!fernando) ✦

more pieces coming soon!

in the mean time, why don’t you shoot me a message? 💌

♡ moony’s reminder 🅶 (general): @hiraethrhapsody @avaleineandafryingpan @enhacolor @roseandtulips @woweewoowa @magnummagnussen @happy-nico @architect-2015 @hiireadstuff @biancathecool @scorpiomindfuck

♡ moony’s reminder 🅴 (explicit edition): @glitterf1 @savrose129 @maxillness

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