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#like don't get me wrong different interpretations is not a bad thing

shut-up-danny-kun · 6 hours

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I've read hundreds of Star Trek TOS fics by now and it never ceases to amuse me how many different ways there are to fuck up Spock's characterization...now hold on just a minute - this post has a more interesting point than “fanfic writers stupid”, I promise you.

Every time, it's a spin on the massacre wheel. It's kind of amazing. Will he be overly emotional to the point where he's not himself anymore? Will he be so cold it's unpleasant and kind of hard to understand how he's lived to this point? Will he be extremely horny for no good reason? Will he speak in a way that sounds complety wrong?

I chuckle and shake my head. Of course, I KNOW what Spock is like, and MY interpretation of him is the most perfect and correct one. Obviously. He's just a very nuanced character, formed by many people in an unconventional way, with traits that seem to contradict each other at first but ultimately form a rich and unique character that so many people fell in love with specifically because he's so complicated...

Or...is he?

Let's entertain the idea that there isn't one correct interpretation of Spock, that all of these messy bits of characterization are not part of a bigger picture, but...just what they are: a product of many people with starkly different visions, working on a show that refuses to properly develop its characters. What then? Well, then Spock is a Rorschach test. Each viewer connects the random dots in their own way, and ignores the ones they don't like.

Let's use an example: me! In my interpretation of Spock (the most correct one, of course) he is, first of all, gay and on the asexual spectrum, reserved, largely uninterested in casual flirting or sex. When he is interested in the aforementioned things, he tends to be quite ashamed of it.

Makes sense, right? I can show you plenty of evidence for why that could be true. However, in the beginning of the first bloody season, Uhura sings a song about how Spock is actually kind of a heartthrob who likes to drive women insane with how hot he is, and Spock smiles. He smiles at her, as if agreeing and being very amused by all this! This interaction goes against pretty much everything I think about Spock. So what do I do? I explain it away in the most bizzare fucking way possible. See, Uhura and Spock are friends (there is no evidence for this), and Uhura knows everything I've just told you about him (through telepathy I guess? Not like he'd ever tell her!) and she's just trolling him (why would she do that? That is NOTHING like Uhura!). I need to do some Olympics-level mental gymnastics here, the opposite of Occam's razor.

“But Danny,” I hear you say, “it's just the start of the show! They hadn't figured out his character yet!”

To which I say: you can say that about anything! You can blame it all on a bad writer for that episode, and ignore virtually any scene that doesn't jive with your headcanons. It's there, and I can't ignore it.

So...how am I different from the people that want Spock to be thar heartthrob Uhura is singing about? That evidence is as much a part of canon as my favorite lines. Well, I'm not any different, that's the thing. And all those writers I complained about also have a point.

It's kind of a nihilistic take, I know, but maybe the reason Spock is such a cultural icon is because he is...whatever you want him to be: just concrete enough to spur on your imagination, yet vague and contradictory enough to let your brain fill in the gaps.

Don't get me wrong: I absolutely do not believe in this. In my mind, it just so happens that I'm one of the, like, 5 people ever who truly understood Spock (and one of them is Jim Kirk himself). But I still think it's something worth thinking about next time you're mad at a fic.

#star trek tos #spirk #s'chn t'gai spock #spock #tos spock #character analysis #dannytypes #takes

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katyspersonal · 1 year

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Upset impossibly at having a kind of a brain that is so different that people are bound to misunderstand my intentions and words all the time. Like, in most of the times you cannot understand me correctly through the prism of 'well why would a normal person without autism and with a perfect grasp on social cues do that?' because I am just really different and end up concluding/saying/doing a thing with different intention and reason that most of the people would. Doesn't help that because of many factors even minimal normal social adaptation got ruined, so even for other autists I am TOO clueless and different.

Sometimes I think maybe I just give up easily. Maybe I could like, memorize 1000000 social cues and habits and why people normally do/say a thing so I could communicate myself right and be perceived right. So I would have to spend absurd amount of energy and focus on running non_autistic_person.exe every day. Until with just enough stress and pain it shuts down and I revert in my default self. But even if I could mask all the time - would this life and friendships even worth it? Would any of this worth it if to hold it all together I have to just pilot a 'normal' persona? Far better to just entrust everything on people who either just believe in me in a good way, or ASK me if something I do or say seems outright bad. They are not frequent, though, I am thankful when I find such people.

#/vent #neurodivergent #i've been told variations of 'amongst all autistic people I've met nobody is THIS bad at understanding human behavior' hahaha #it is very hard to explain that having brain BUILT differently is not the same as mental illness #you cannot really 'treat' how you see the world and how you just perceive things differently. you are just like this.#but it is very hard to find compatibility with the world you just... don't seem to belong to. unless you run ABSURD amount of mimicry #like... nothing is compatible. i either just hurt other people or being yelled at for reasons i see as stupid and that don't get explained #also yes i remember i posted similar rant a few months earlier so feel free to ignore it #this pain just doesn't go away forever unfortunately #it just feels like a bad joke to be born so INCOMPATIBLE with how people work and act and feel that like #i either mimic as normie to the point none of this shit is real me or i remain myself but cause havoc and get yelled at and excluded #it is still better to be closer to understanding what is wrong with me and why people are so hard #just several years ago i did not know how to communicate it or what was the reason #the worst part is that autism effects every other person differently so even other autists are not guaranteed to understand you #especially if they have their own set of 'how to interpret other people' rules they interpret YOU through #and it does not work on you because you are different too but not THEIR type of different #the strangest part is that it is not even static. with every passing year i become more and more 'strange'.#though that's probably not autism but the A-cluster developing and complicating. i will be like bloodborne character soon lol

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ineffableigh · 5 months

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Wait what the hell is Aziraphale mouthing here. Lip-readers sound off!!

This is RIGHT before "The Metatron! I don't think he's as bad a fellow - well I think I might have misjudged him."

His line was: "I, um... [mouthing something]" THEN the above line.

This can't be nothing. Can it? "We need to get out"??? Not sure. EDIT: I agree with @maximumpenguinpuppy here, I think he's saying

"WE NEED HELP."

Further deep dive on the most painful conversation I've ever seen:

Azi makes the most INTENSE EYE CONTACT I'VE EVER SEEN during "I think I might have misjudged him."

"PLEASE HEAR WHAT I AM SAYING TO YOU RIGHT NOW."

After a few intercuts with the flashbacks we get to the really painful bit.

"He said that I could appoint you... to be an angel." His voice is so strained and high pitched even for him, here.

"Like the old times, only even NICER!"

The super nice old times where you couldn't be together at all, eh?

Crowley starts his confession and we get the "What the blazes is he doing?" face as he starts to realize Crowley is NOT picking up on any of this. Azi's breathing heavily here, revealing how very stressed the fuck out he is.

After this point is when things get really hard to interpret. Aziraphale sounds so genuine about "Come with me!" and "We can make a difference, I'll run it and you'll be my second in command." It feels like Crowley starting his very real confession broke through the charade of 'The Metatron knows something and we're in fucking danger'.

He blathers about Angels and Doing Good before breaking again, letting the "I need you!" slip. We get this HALF A SECOND look of the most profound sadness right before the "I don't think you understand what I'm offering you."

"You idiot. We could have been us."

Azi looks like he can't believe just how badly this went. This is right before he looks away.

OH NO NOW I'VE SEEN CROWLEY'S FACE RIGHT WHEN HE STARTS TO GO OVER FOR THE KISS AH MY FEELS

Azi is not hiding his emotions well, right before the grab:

Then of course we get the I Forgive You, which sounds like his most bitter one yet. A flash of anger and resentment, frustration, immediately followed by remorse and grief.

Having seen all that, my best guess now is:

Metatron made the (barely) veiled De Facto Partnership threats, implying he knows about the body swap and, implicitly, threatening Crowley with Holy Water, at least to some extent.

Aziraphale tries his damnedest to communicate to Crowley that Something is Fucking Wrong and they Have to Go to Heaven to Fix It.

Crowley, having been primed by the various chats with Nina and then the 2v1 chat with Nina and Maggie RIGHT before this, clearly timed by the Metatron, fully misses all of this and takes it all at face value.

Crowley starts to give his confession and Aziraphale realizes what he's trying to say, tries to adjust his Heaven Pitch to hinge on staying together as a team to fix things."

"You cannot leave this bookshop." "Nothing lasts forever." Azi has chosen the worst way to make another attempt at saying he has no choice but to leave the bookshop. I don't think this is about the Second Coming, given his reaction to the info later.

Everything deteriorates from there as Aziraphale tries again to imply something is Fucking Wrong by going back to the "Angels! Doing good!" shtick, but it's too late. It's always too late.

"I don't think you understand what I'm offering you." He doesn't but Azi is also communicating it very badly, likely because the Metatron is indeed watching.

Crowley thinks this is all real so he gives his No Nightingales line, etc etc. Aziraphale can tell there's no fixing this, gives up.

Crowley swoops in with The Kiss as a last ditch effort to get Azi to listen. Azi WAS listening, but cannot respond other than in anger and frustration that Crowley, in his view, refuses to listen to him again, has called him an idiot again. This happens multiple times throughout the show so there's history to fuel that assumption.

This is the precise outcome the Metatron was vying for, to split them up and emotionally/psychologically weaken them, to ensure there was no chance of a united front as there was for Armageddidn't.

My heart hurts, ow.

#aziraphale #crowley #the metatron #ineffable divorce #ineffable husbands #good omens meta

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nohaijiachi · 6 months

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Why I Think The Fandom Has Been Doing Aziraphale Dirty Ever Since Season 1 And It's Only Gotten Worse With Season 2 And It's Killing Me Inside

Before we get into the subject matter of the title let me preface a couple of things:

1- All that will follow is, big surprise, my opinion and my interpretation of this character. Do I think I am The One And Only Who Gets The Blorbo Right and that my ideas are 100% the way the author(s) intended to convey the character? No.

More likely than not the way I see Aziraphale could be intensely different from the way Authorman sees him, or Actorman sees him, and I don't think that my interpretation is necessarily any more correct than anybody's else.

That said, if I also did not think that I am, in fact, correct on a certain level, I wouldn't have bothered forming such a thought out opinion of Aziraphale in the first place, nor would be sitting here, writing this post that I can already tell is going to be entirely too long and might probably ruffle some feathers.

So I'll be writing the rest of this post with the caveat that I while I do think my interpretation correct, I'm also not trying to change anybody's mind nor to discredit anybody's else interpretation of Aziraphale. We can sit here in the sandpit and hold different opinions and still be able to build sandcastles together, it really isn't that deep at the end of the day; I can assure you, I'm not here to fight nor cause fights with this one.

2- With the above point, comes also the fact that I won't bother continuously saying "In my opinion" for the rest of this post. You already know that. So, if something will come across as a bit caustic, do know that it is very much tongue in cheek and I am poking a bit of fun at general fannish habits that I am also very much quote-unquoute 'guilty' of having partaken into, and will partake into again plenty of times in the future, I'm sure.

So, with that: Here's Why I Think The Fandom Has Been Doing Aziraphale Dirty Ever Since Season 1 And It's Only Gotten Worse With Season 2 And It's Killing Me Inside

A large part of the people comprising this fandom prefers Crowley. There, I said it.

This fandom's preference blatantly skews toward Crowley. Can we admit that openly? Let's admit that openly.

To be clear, this isn't meant to be an accusation or recrimination or any other -ation you can think of, I am merely stating matter-of-factly a phenomena I've observed in the last four years.

It is also not a wrong nor bad thing in any way, shape or form. I adore Crowley myself. I love them both so much it's unreal.

But I started with that because I think it is very much a symptom of the fact that a lot of people don't get Aziraphale.

I remember back with S1 there had been plenty of times when I found myself reading discussions and opinion exchanges about Aziraphale and Crowley, their dynamics, all the things that went unsaid behind the things that were said, and found myself genuinely surprised by seeing how some people interpreted certain moments wildly different from how I personally saw them.

I look back at that and I think "Oh, sweet summer child". Nothing could have prepared me from the onslaught of takes about Aziraphale that make me go "Good lord, what???" in the wake of S2, and the infamous Last Fifteen.

Now because I don't want to be pointing fingers at specific things and risk upsetting somebody more than I already am by being open in admitting that, guys, yes, some of the takes y'all have been sharing make me go "Yikes(tm)", I'll move on the interesting part and what I would actually love to discuss, aka cracking Aziraphale's head open and see what that actual fuck is going on in there.

Another preface: Because this duo is intrinsically linked and woven together it is downright impossible to only focus on Aziraphale without also mentioning Crowley, so... Let me circle back to our fav demon bae for a sec, here.

I think the reason why it seems that a larger part of the fandom favors Crowley is because I feel like Crowley is a much easier character to grasp. He is very open in his thoughts and feelings, at any given moment us, the audience, have a much easier time watching a scene and sort of ruminating in the back of our heads about Crowley's motivations for saying the things he says and doing the things he does.

That isn't to say Crowley is a less complex character than Aziraphale. They are very much equally complex and multifaceted individuals with their strengths and weaknesses, their issues and the way they each cope with them, how differently they approach their existence and so on and so forth.

But whereas Crowley as a character presents itself with a certain dynamism and a far more outward openness about his complexity, Aziraphale does the exact opposite; we can say Aziraphale is downright hermetic about it.

For us, the audience, he presents a challenge that requires a good deal of thought being put into him to see over the facade he presents at a more superficial level; he requires time and effort to fully dismantle him in our minds to try and see what makes him thick (other than his thighs), and thus I think it is entirely natural that more people latch on the far easier to identify-with, and relate-to, Crowley.

And that is the inevitable consequence of everything that makes Aziraphale... Well, Aziraphale.

So, where to start? Let's try and jot down what Aziraphale truly is at his core.

He is a contradiction.

This man-shaped being is a walking contradiction, constantly existing in a state of being coated in three thousand layers of misdirection and obfuscation and double thinking.

Why is that? Well. He's an angel.

Aziraphale loves being an angel. It is a tenet of his entire existence and something he cherishes. He wants, so very much, to be his ideal of what a good angel is: An entity who is kind and loving and understanding and forgiving.

Of course us, the audience, know that is utter bullshit, because we know angels can be individuals just as complex as the humans Aziraphale loves so much, with all their inherent flaws and capability for cruelty. And, on a certain level, Aziraphale knows that too.

So there we have it, one element of contradiction: Aziraphale wants to think that angels are always Good and Righteous and Never Wrong; Aziraphale knows that angels aren't, in fact, always Good and Righteous and, by god, can they make plenty of mistakes, too.

What else? How about Aziraphale sitting there, being in love with a demon, fully knowing that at the end of the day demons really ain't that different from angels, and also desperately hanging onto the concept of Good vs Bad.

And he sits there, existing with these two contrasting idea equally taking space in his mind, neither side ever capable of taking over the other.

What else do we have? Aziraphale loves God and wants so hard to believe in Her love for humanity and Her ineffable plan, and Aziraphale also time and again does things that very blatantly go against Her will, lies to Her face, and Doubts. He Doubts, a lot, and that requires the capital letter because those Doubts are what spur him in going against everything he's ever told to believe in order to do the right thing.

Aziraphale's very existence is a constant push-and-pull of things he wants to believe and things he knows are real; things he's told to do and things he wants to do. That's how we get "My side" and "there's a bit of good in you" and "you are the bad guys".

And nothing he's lived through has managed to break him out of this unhealthy way of existing quite yet; that's why he acts the way we see him act in the Edinburgh flashback in S2, or at the start of S1 when Crowley has to ease Aziraphale into the idea of trying to stop Armageddon with the usual song and dance of "temptation" and "plausible deniability" and "you'd be thwarting me", even though from the start we can tell there's a little part of Aziraphale who is clearly not at ease with the idea of the end of the world, and once he's been given 'permission' by Crowley nudging him, he is all the way in with the whole saving the world business, not take-backsies.

Both the moments I mentioned here are very important for different reasons, but of the two is very much the Edinburgh flashback that gets a lot more flack by the fandom and is blatantly misunderstood, which I think is the inevitable consequence of that minisode immediately following the glorious, beautiful, heartbreaking piece of art that is the "A companion to owls" minisode.

I've seen a lot of people lamenting that Aziraphale acts obnoxiously in the Edinburgh flashback and, yeah. He does. But I feel like the fact that we are seeing this after watching Aziraphale struggle his way through saving Job's children, even being willing to go to Hell for it, is a though act to follow and probably soured Edinburgh-Aziraphale for a lot of people, made them think that the character had regressed instead of progressing.

But, see, the way he acts is wholly congruous with who Aziraphale is and has always been and keeps being up to the very end of S2. Yes, even after what he does for Job's children.

If you get down to it, Aziraphale had been ready to give up and let the children die, in episode 2. For a brief moment, after Crowley told him he 'longed to destroy the blameless children', Aziraphale was walking away, having tried all he thought he could try to do to stop this senseless act. That was until Crowley tested him by making the crows bleat, cuing Aziraphale to the fact that his impression of Crowley wasn't wrong, and the he could count on him to do the right thing.

To be clear, I don't want to undermine Aziraphale's action by only giving the credit to Crowley but... It is, also, only thanks to Crowley cajoling him and giving him the right excuses, that Aziraphale feels safe in doing what he's always wanted to do all along.

He'd wanted to save Job's children, and thought he couldn't until Crowley threw him that hell of a lifesaver. He wanted to save the world and thought he couldn't until Crowley nudged him on the path of plausible deniability.

He wanted to save Elspeth's eternal soul, blinding himself to the hardships she'd have to endure in her not-eternal life, and was smacked right in the face by the reality of human suffering multiple times.

The way Aziraphale acts in that flashback can't be a regression, because there never was a progression in the first place: He'd always walked the line between Heaven's and God's will and his own, personal morality and sense of justice.

By all means, if we look at Uz-Aziraphale and modern-day-Aziraphale at the start of S1, his reticence about the whole saving the world business should, by all means, appear as a regression as well. You mean to tell me that he'd been ready to become a demon for the sake of three mortal children, and then suddenly a handful of thousands years later when faced with the prospect of the whole world going up in flames he'd just be all like "Heaven will triumph over Hell and it will be all rather lovely"? Like, fuck off, Aziraphale, you lying double-thinker, you (/pos)

Aziraphale constantly exist while being at war with himself. Circumstances have allowed him to rebel the will of Heaven and God more or less safely time and again, but he never quite managed to break free entirely. He'd always ended up being reeled back in, being fed the party lines, being made to feel shame for his independent thinking, until it all becomes too much and he is forced to step back from that freedom he'd been inches away from grasping.

Back and forth, back and forth, never stopping.

And all of this, all of what he is, makes it so hard for us, the audience, to truly see him. To truly grasp him. To truly watch any given scene with him and figure out what he might be thinking or feeling.

To understand Aziraphale is to understand what he is not saying when he says something, which is a good deal harder to do than it is to understand and relate to a character like Crowley, who very much revel in saying exactly whatever the heck he thinks whenever he damn well pleases.

All those layers of obfuscation and misdirection and double thinking that Aziraphale coats himself in are as much an armor that makes it harder for the audience to understand him as they are his very own downfall because, good lord, if you exist like that, if you exist forced to keep things hidden from yourself, well... It's inevitable that at some point you are going to stumble into pitfalls of your own making.

And I love him for it.

So, there? I hope I managed to explain something with this post, and that it wasn't just the rambling of someone who spends way too much time thinking about her blorbos. To be clear, I don't think people who haven't spent as much time as me trying to dissect and better understand Aziraphale's character are like, dumber than me or anything. It's just that this pair of angelic-demonic blorbos take too much real estate in my mind, lol.

Feel free to let me know your opinion and if you think I am wildly off mark and my Take Is Bad. I might answer, I might not, it all depends on time and my mood ◝(ᵔᵕᵔ)◜

#good omens #good omens 2 #meta #aziraphale #I love one(1) hypocritical angel #flaws and all #I want to create an Aziraphale protection squad sometimes

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charmandabear · 2 months

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Office Hours - Chapter Six

Summary:

Astarion surprises you with a night at the theatre that doesn't go quite according to your plan.

Pairing: Astarion/F!Reader Rating: Explicit Word Count: 4.7k Tags/Warnings: rough/angry sex, hair pulling, emotional manipulation, dubcon, bad BDSM practices, angst, daddy kink, reminiscent of Ascended!Astarion, discussions of domestic abuse (in Taming of the Shrew)

Hi. Hello. My sweets. My darlings. This is it. The chapter where you absolutely must mind the tags. Just know that I won't take you anywhere that we won't be able to come back from. Know that I, too, am an absolute baby when it comes to intense subject matter in fics. But I want you to take care of yourselves and your hearts. As always, shoot me a message if you'd like more specifics.

Photo credits: Zaria for Green Pussy Suit Astarion and Nephi Garcia for the incredible dress.

Read on AO3 ~ Masterlist

“In the library? Babes, are you insane?” Shadowheart's voice reaches a pitch you’re fairly sure only dogs can hear. You curl your knees into your chest and cover your face in your hands, feeling the exact appropriate amount of shame.

“I know, I know. All logic goes out the fucking window around him. All I can think is ‘mm, good dick makes brain go brr.’” You let out a frustrated sigh into your hands.

“Do you want to get fired?” She pulls your hand from your face so you can't hide from her pointed stare.

“Oh trust me, I ran about forty different scenarios of that happening through my head on the drive home.”

“Did you, now? And in how many of these did he also get fired?” Shadowheart presses, knowing how your anxiety can get out of hand.

“Like, two,” you groan and drop your head back onto the couch cushions. “I don't know what comes over me. I feel like I can't tell him no.”

“Wait, wait.” Shadowheart grips your knee, suddenly worried. “You can't tell him no as in it feels too good to stop? Or as in it doesn't feel safe to say no?”

“Nine hells, no, the first one!” you respond, horrified. She squints at you and you squirm under her gaze until you’re finally more truthful, both with her and yourself. “Well, I mean, mostly. Like it's not like that. But like also not not like that, you know?”

“I can assure you I do not,” she says in a flat voice, not interested in joking around. You sigh dramatically, trying to find the right words to describe how you feel.

“Like. Okay. Am I fully consenting to everything we do? Yes. 100%. Oh gods, yes.” Your cheeks tinge pink even thinking about it. “But like… am I going against my best judgment? Do I feel like I should say no? Does part of me kinda wish I would say no? Like… maybe?”

“Tav, that's not okay. You need to talk to him about this.” Shadowheart’s voice is soft with genuine worry. Which is ridiculous, because she’s focusing on the wrong thing.

“No, see, that's the thing. It's not actually a him issue, it's a me issue. Like there's something wrong with me, I see his most toxic traits and suddenly I'm like a horny teenager!” Your voice increases in pitch as you grow more hysterical. “How am I supposed to call him out on it when the only words that will come out of my mouth are ‘yes daddy, more please’?”

“Is there anything redeemable about him at all? Besides being good in bed?” She leans back, taking a sip of her wine and fixing you with an incredulous look.

“I mean… yeah. He’s witty, and bantering back and forth with him is fun. He’s incredibly smart, as loath as I am to admit it, and I like hearing his ideas on things, especially his interpretation of Shakespeare’s text.” You don't even notice the smile growing on your face, but Shadowheart does. “And he’s got this unexpectedly soft side. Like he seems cold and aloof on the outside, but he cares, deeply. About his students, about his cat, about-”

“About you?” she interjects, and your smile falters.

“I don't know, Shade,” you say quietly, almost ashamed to look her in the eye. “I think so. I hope so. But it's not like we've been seeing each other for that long, he’s under no obligation to feel anything.” You practically swallow the last sentence, a truth you're reticent to voice.

“And you?” she asks softly.

“Man, I don't fucking know. I just want to keep getting laid and not catch feelings, is that so much to ask?” you whine. She laughs, but you can tell that she's only humoring you.

“For you? Probably.”

***

It's been several days and your busy schedules have kept you and Astarion apart for most of it. Save the occasional tension-filled passing in the hall, you've barely interacted at all. You're almost beginning to believe that your whirlwind affair has come to an end when you find a mystery package at your apartment door.

It's made out to you with no discernable return address. You bring the box into your apartment while examining it, trying to ascertain its origin. It doesn't even really look like it was sent through the mail, it looks like it was dropped off.

You take out your phone and call down to the front desk. It rings a few times, then a somber voice answers.

“What dost thou require?” His voice is deep and crackled, like some ancient eternal being.

“Hi Withers, it's Tav in 3C. Do you know anything about this package that was left at my door?”

“I have inspected it, and determined it safe for you to open. It was brought by someone claiming to be a friend.”

“Can you tell me anything about this someone?”

“No.”

And the line goes dead. You laugh and shake your head. If Withers says it's safe, then it probably is. You’d trust that wrinkly old man with your life, honestly. You cut open the tape sealing the box shut and lift off the top.

Inside is something wrapped in tissue paper with a note stuck to it in Astarion's immaculate handwriting.

Tomorrow evening The Rosewood Seven o’clock Wear nothing underneath

You let out a small involuntary moan when you read the last three words. You carefully unwrap the tissue paper to find a fabric that looks like it's made of starlight. You pull out the midnight black dress and go slightly breathless when you get a good look at it.

It’s a backless dress with a sweetheart neckline and intricate gold embellishments that almost make it look like armor. It has a lavish gold neck piece attached by several gold chains that drip over the skin. The skirt is made of a weightless black fabric that shimmers with gold as you move it in the light. It almost appears to be cut into two panels with dual hip-high slits.

With a dress cut like this, you wouldn't be able to wear undergarments even if you wanted to.

Your heart hammers in your chest as you think about what he might have in store for you. You're not even sure what's running at the Rosewood right now, but it could be complete trash and you wouldn't even care. You probably won't even be able to pay attention, too distracted by Astarion sitting next to you for two hours.

You feel a pulsing between your legs at the thought. You think of his hand sliding up your knee while you struggle to keep a straight face. Or him reaching an arm around you, gently sliding his fingers into your hair before giving it a sharp tug.

Another moan works its way out of your throat and you follow it up with an annoyed groan. You can really get swept up at the most inconvenient times. It’s not like you don’t have any work you need to do or anything. You roll your eyes as you stalk off to draw a bath.

***

Waiting in the lobby of the theater, you’re feeling surprisingly nervous. The dress, though beautiful, is not particularly comfortable. With all of its various chains and pieces, you needed Shadowheart’s help just to put it on. It helps that she’s also incredibly talented when it comes to hair and makeup, so in truth you feel positively glamorous.

When you see Astarion, however, everything goes silent. You’re certain that he’s posing for you the way he’s stopped to adjust his cuff. The cut of the suit he’s wearing is exceptionally flattering and you imagine running your hands all over the emerald velvet. His crisp white button down is almost sheer and you desperately want to pull him into you by that forest green silk tie.

But you can’t tear your eyes away from his face. This is the first time you've seen him wear makeup, and the simple smokey eyeliner look makes his red irises pop. He’s decided to forgo his glasses, presumably opting for contacts instead to show off the makeup. He’s also swapped out his standard silver hoops for little daggers with a red rhinestone glimmering at the hilt.

He looks up at you the moment you lay eyes on him, or more specifically, the moment your heart starts to beat out of your chest. He flashes you a devastating smile before striding up to you and pulling you into a deep kiss. You can’t even be bothered to care that the other patrons are probably staring as he slides his hand onto your bare lower back, his cool touch sending a shiver up your spine.

He pulls away from you just enough to breathlessly ask, “Are you ready to sit down?”

“Huh?” You’re distracted, too busy plotting a mental path to the bathrooms to fuck him. He lets out a winded chuckle.

“The play. House is open, would you care to find our seats?” His palm is still pressed against your back and you can barely form coherent thoughts. You still don’t even know what play you’re here to see. You just want—no, need—to be near him.

“Um, yeah,” you respond, still trying to get your bearings and remind yourself how to be a person. You let him lead you into the theater, and only once you're in your seats do you realize that neither of you grabbed a program. You pull out your phone to see if you can look it up, but service in the Rosewood is notoriously bad. Instead you just need to sit still next to Astarion, who looks like a dream and smells even better.

He glances at you as your heart quickens again and his lips curl into a smile. He slips his hand behind your neck and lightly runs his finger along the seam between the golden collar of the dress and your flesh, sending goosebumps down your arms. He leans toward you until his lips are almost brushing your ear.

“You look absolutely ravishing, my dear,” he whispers, his breath tickling your earlobe. You turn your face toward him on instinct, your chest heaving as you try to steady your breathing. Your lips hover inches apart, anticipating the kiss, when suddenly a throng of noisy actors come barreling down the aisles. You snap away from Astarion as the cacophony of their shrieks of laughter, calls across the audience to one another, and drunken banter fill the house.

One of them clambors onto the stage and shouts, “For God’s sake, a pot of small ale!” He’s dressed in rags and appears by far to be the drunkest of them all. Three servingmen swarm him with various shouts of, “Will’t please your honor?” He shoves them all away and proudly takes up space center stage.

“I am Christophero Sly! Call not me ‘Honor’ nor ‘Lordship,’” he bellows as the rest of the players make their way onto the stage.

Christopher Sly… you’re wracking your brain to remember which play he serves as a framing device for. Most productions cut this scene because it’s long and completely irrelevant. You just can’t for the life of you remember which play he appears in.

The scene continues with their drunken antics and slapstick comedy as the players address Sly as “my noble lord,” making him believe he’s a king that they’re about to perform for. Eventually they carry Sly out on a makeshift palanquin as the “play within the play” begins. Two handsome young men in preppy clothes enter, holding a book and wearing glasses that aren’t too dissimilar from Astarion’s round metal ones. The one without the glasses speaks first.

“Tranio, since for the great desire I had to see fair Padua…”

Tranio? Isn’t he one of the characters in Taming of the Shrew?

He knows you don’t like this play.

Well, if it’s all that’s playing at the Rosewood right now…

But if that’s the case why not just, like, see a movie?

You shift uncomfortably in your dress and cast your gaze towards Astarion. He smiles, taking your fingers and placing a gentle kiss on your knuckles before turning back to the stage. He keeps your hand in his, absentmindedly stroking the back of your hand with his thumb.

You can feel your heart pounding in your ears and you find yourself wondering what’s running through his head. Just when you think you have him figured out, he does something to surprise you. And honestly, not always in a good way.

Maybe it won’t be so bad. You know the creative team at the Rosewood wouldn’t pick this show if they weren’t going to try to do something with it.

But even still… is this text even redeemable?

You sit through the entirety of the show cringing as the audience around you laughs at flagrant displays of domestic abuse. The actors, several of whom you’ve worked with before, are trying their hardest to make the lines playful, but some things just can’t be recovered. Between the forced starvation, physical intimidation, and gaslighting, you wonder why companies even bother performing this play anymore. No matter how witty the writing is, it’s just too out of date to be a good season choice.

When the time comes for Kate’s final monologue, you watch in pain as the actress tries to wink-wink-nudge-nudge her way through lines like “place your hands below your husband’s foot.” She’s young, and you wonder if this is one of her first professional gigs. You get a little sad knowing that she’s probably just desperate to do anything, even if it’s trash.

Maybe you’re being a little harsh. All of the individual elements of the show—the acting, set, costumes, direction, lighting—were quite good. You just can’t get over how irredeemable this text is. Worth teaching, yes, and maybe even taking Act II out of context just for the fun banter and clever wordplay. But professional theatre companies should really just retire this one.

In the Lyft back to your apartment, you decide to get Astarion’s take on the matter.

“Do you think it’s possible to redeem a text like Taming in a modern age?”

He pauses for a moment, continuing to look away from you and out the window.

“I do, yes,” he finally answers. “I think it takes a skilled hand, but it can be successful when done well.”

You sit on his response, chewing it over. You decide to take a different route.

“I guess a better question is do you think it’s worth trying to? Like, what are we getting out of it anymore?”

“Is entertainment not enough?” he says with a laugh. You wrinkle your nose at him.

“Sure, if you’re a basic ass bitch. But I want my art to mean something. And I can’t think of what this play can possibly mean if it’s not ‘shrill women are annoying and should learn their place.’” You cross and uncross your legs, trying to keep yourself decent.

“Last I checked, you enjoy being put in your place,” he says in a low hum and your pussy betrays you with a clench.

“Shut up,” you grumble, and you’re grateful that the dark car hides your reddening cheeks. “It’s different.”

“Is it, though? Ultimately it is a text about two dysfunctional people finding comfort in one another.” His sincerity catches you off guard, and almost makes you angry that he’s been taken in by the propaganda.

“That’s only a valid interpretation if you ignore half of what happens in the play. They’re not equally dysfunctional, Kate literally gets beaten into submission and pretends to be happy about it. Petruchio is exactly the same from the start to the finish, he has no fucking character arc.” Your hands start to shake as you try to keep your cool. You’ve had this conversation far too many times with men who think they can interpret out the sexism by simply glossing over Kate’s abuse.

The Lyft stops in front of your building and you thank the driver as you get out. Astarion follows you, and you’re not even sure if you want him to accompany you upstairs. But you remain silent as you walk past Withers and into the elevator.

“You’re overreacting,” Astarion says once the elevator doors close. “People are drawn to this play for a reason. The text is excellent, and no one truly thinks of Petruchio as an abuser.”

“Are you joking?” Your voice gets shrill and the similarity to Kate isn’t lost on you. “The whole thing normalizes his abuse. The fact that people don’t think of him as an abuser is the problem.”

“It’s a slapstick comedy,” he snaps, his voice growing stern. “Are you going to tell me that we need to cancel the Three Stooges because it promotes violence?”

“Don’t be fucking condescending,” you spit. “It’s not the same and you know it.”

“How is it not the same? Suddenly because it’s a woman in the role it no longer counts? Are you implying that women should be barred from certain types of performance because of their gender?” He walks past you into your apartment and you throw your keys and bag on the counter, not even bothering to see where they land.

“No, that’s not what I’m saying, now you’re just twisting my words,” you grumble, more frustrated than ever by your inability to match his eloquence.

“So use your own words,” he sneers, whirling around to face you. “How is it not the same?”

“It’s because- well, I- It’s different, just- argh!” Your head is clouded by your attraction to him, which has annoyingly only grown over the past few minutes of shouting. You’re suddenly reminded of the smug arrogant bastard that you first met. He lets out a jeering laugh.

“See? You can’t even defend your own point.”

His sardonic cruelty sets something off in you and you angrily grab the lapel of his green suit. Your intentions are a complete mystery even to you, because as soon as you’re within inches of one another, instincts take over. You crush his lips into yours and pull him backwards until you thump against the door behind you. He paws hungrily at the dress, sliding his hand under the slit and around to grab your bare ass. You gasp into his touch, feeling equally frustrated and aroused that he even controlled what you wore tonight.

Your fingers make their way into his hair and you pull hard, breaking the kiss and leaving his mouth open, panting. His eyes are sparkling with a fire that you haven’t seen yet and a low growl manifests in your throat. He smirks and buries his teeth into your shoulder, something he usually asks bespoke permission for. You cry out in response, twisting your hands tighter into his silvery locks.

He unlatches from your shoulder and pushes his knee past the front of your skirt and up onto your bare cunt. You grind wantonly against the velvet as he kisses you with bloody lips. He grabs hold of the delicate chains of the dress and yanks, detaching them from the collar and making the entire bodice crumple and pool around your waist. Your nipples immediately harden at the sudden exposure to cold air and he pinches one sharply between his fingers. Your hips roll into his leg as you groan, fully ruining his pants. He continues to bite around your neck and shoulders, placing little puncture wounds in his path, marking you as his.

You grab onto his tie and push him away so you can shimmy out of the rest of the dress. You’re now down to just the gold collar of the dress and your heels, a look you wish you could hate but don’t. You pull him across your living area and toward your bedroom, shoving him down onto the edge of the bed.

“Thou hast hit it, come, sit on me,” he says, quoting Petruchio with a sinister grin. Kate’s retort falls out of your mouth reflexively.

“Asses are made to bear, and so are you,” you hiss as you straddle his hips, wrapping his tie around your hand until you’ve gripped it up to the knot. Your other hand violently unbuckles his belt, yanking it through the loops with a snap.

“Women are made to bear, and so are you,” he says with a caustic laugh, digging his nails into your ass cheeks. You tug sharply on his tie, bringing his lips close to yours.

“No such jade as you, if me you mean,” you snarl and silence him with an angry kiss. You don’t want to encourage his idiotic behavior, but you’d be lying to yourself if you said this wasn’t a fantasy you’ve had before. You fumble with the buttons of his suit jacket, trying to get him undressed as quickly as possible. You’re not sure if you feel more vulnerable or more powerful being undressed while he’s still fully clothed, but either way you want him naked, now. You get about three buttons into his shirt before you grow impatient, ripping it the rest of the way open and sending buttons flying.

Good. Let him need to repair his clothes for once.

You push him flat onto his back and descend onto his chest, alternating kisses, licks, and bites. Your dull human teeth don’t have nearly the same effect as his fangs, but it just means you get to bite twice as hard in order to leave a mark. He writhes beneath your touch, and you feel a twisted satisfaction at the quiet little grunts and gasps you’re finally pulling from him. He’s rarely this vocal during sex, and it’s only serving to spur you on more.

His groans build until you capture his nipple in your teeth and bite down, causing him to shout and buck his hips up into you. In a flash he flips you around onto your back and he bears down on you, eyes dangerous.

“Little love, do you think you’re in control?” he asks in a low growl, his hand gripped around your jaw. You sneer and slide your leg against the strained bulge in his pants. He hisses and your smile widens.

“Right now? Yes,” you coo, continuing to press your calf against his velvet-covered cock. You grab the tie still hanging around his neck and pull him close.

“If you want it back, fucking take it.”

If I put my hands around your wrists, would you fight them?

He kisses you roughly, catching your bottom lip in his teeth biting hard enough to puncture the skin. He pulls back slightly, a drop of your blood running down his chin and a snide grin. He makes like he’s about to kiss you again but shoves your face away before your lips make contact.

This is the worst you’ve ever seen him—the most arrogant, the most condescending, borderline cruel even. And you have never been more turned on.

If I put my fingers in your mouth, would you bite them?

“Is that all you’ve got?” you taunt, licking the blood from your lips. “Go ahead, choke me, daddy.”

The feminist in you is horrified, but the little gremlin controlling your libido is having the time of its life. It squeals with delight when his hand closes around your throat, just barely constricting your breathing.

“You insolent little brat,” he breathes into your ear, pulling up on your jaw. “I will absolutely ruin you.”

And there will be no tenderness, no tenderness.

“Do it, coward,” you spit, and he lets go just long enough to finish undressing from the waist down. He grabs your still heeled ankle and presses your leg up by your shoulder, stretching you wide enough to take him without any prep. You gasp as he fills you, the stinging pain outweighed by the gratification of finally feeling him inside you.

The only thing that I ask, love me mercilessly.

He sets a punishing rhythm, one knee on the bed and the other foot still firmly planted on the floor. He bottoms out with each long thrust and you grab hold of his hair to brace yourself. He winces with the pain but doesn’t slow down, and your moans grow high and loud as he continues to furiously pound into you.

“Gods, fuck, Astarion,” you keen, your desire coiling in your belly and threatening to explode. “Keep going, daddy, fuck me please.” He grunts with the effort and your dirty talk seems to be having an effect as his pace falters. You jerk your hips up into him, chasing your orgasm, until finally it barrels through you like a runaway train. You pull on his hair as you come and that sets off his, his pulsing cock pressing against the clenching walls of your cunt.

He stays deep inside you as the aftershocks reverberate through both of you, until the only sound remaining is your heavy panting. He drops his forehead to touch yours, a pleasantly tender moment after some of the roughest sex you can recall having. He starts to giggle and you follow suit, suddenly giddy. He pulls out of you with a squelch and walks to the bathroom to get a towel to clean up the mess you’ve left behind. He wipes you down gently, a surprising bit of aftercare you’re not accustomed to with him. He plants a tender kiss on your lips and you feel dizzy with affection for him.

You settle up against the headboard of your bed, his arm around you and both of you looking at your phones in a companionable silence. After a moment, he lets out a small chuckle.

“What?” you ask, turning your head towards him quizzically.

“I’m just shocked that worked, is all,” he laughs, shaking his head. Your confusion grows and you furrow your brow.

“What worked?” you laugh with him, but something doesn’t feel right.

“The whole night, taking you to see Taming, getting into just enough of a fight to result in,” he vaguely waves his hand, gesturing to the edge of the bed, “all of that.”

“Wait, what? What do you mean?” You pull away from him and your stomach drops. Surely he can’t be suggesting what you think he’s suggesting.

“You get riled up so easily, I thought this might be fun.” He still doesn’t seem to have picked up on your heart pounding in your ears, which is frankly unusual for him.

“Are you saying… Wait, are you saying that you planned that fight? So, what, we’d have angry sex?”

“Of course, you don’t think I actually believe anything that I said, do you? Taming of the Shrew might be well-written, but it’s a rubbish play to produce.” He finally turns to you and sees that you’ve gone white as a sheet. “Oh, darling, don’t take it like that, you’re positively adorable when you’re angry, I couldn’t resist.” He tries putting his hand to your cheek but you flinch away like he’s burned you.

“Get out,” you say in a low voice, unable to even look at him.

“What?” He’s still laughing. He doesn’t get it. “My sweet, didn’t you-”

“GET. OUT.” Your voice has a venom in it that even shocks you. He stares at you in horror until you shoot him an icy glare. “Now.”

Without a word he stands and quickly puts his clothes back on. You stay in your bed, naked and curled under a sheet, until you hear the front door of your apartment slam. With shaking hands, you call Shadowheart.

“Moonmaiden’s delight, did you enjoy yourself? It certainly sounded like you did.” The sound of Shadowheart’s bubbly laugh usually makes you smile, but right now it seeps into your skin like poison.

“Shade, please come over,” you whimper, and the second the words leave your mouth, the tears begin to fall. You don’t hear her hang up, but you do hear a muffled, “I’m going to fucking kill him!” through the wall. You pull your knees further into your chest and sob.

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ask-whitepearl-and-steven · 17 days

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I admire your patience with those readers who need you to spoon feed them the story. Everything is in the comics but they still manage to go pass it. I can't help but feel a bit sad for them? Do they not understand what they read? Are they not attentive when reading it? I'm legitimately concerned because I function so differently I can't fathom this. If you like a story, isn't it normal to make your best to grasp it's essence and reflect on it? I know I project a lot about this, everyone works and registers things differentely of course but sometimes it's very frustrating to see people consume any media and just completely miss all the important messages in it, or even just fail to get the scenario sometimes, and it feels like it's very common now... Idk I just wanted maybe to have your perspective on this? Sorry for the long post (Been here for a few years now and your a true inspiration to me. All my luv to you! ❤️)

You know, I'm gonna be honest. I used to stress out about this... a LOT.

As a story-brained person, this is definitely something that comes naturally to me, and perhaps to you, and to many other people who are wired similarly. To us, following the path of a story in an analytic, highly detail-motivated manner and unwrapping the themes can be as exciting as lifting up a rock to see the bugs underneath. It's an exciting mental activity that's stimulating and feels effortless.

And yes, as an author who spends literally 60% of my day thinking about this comic and how to draw it, panel it, script it, make it better (I script and panel in my head constantly)........ I have trouble realizing/dealing with the fact that some people are just here to CASUALLY enjoy the story that I am lowkey obsessed with.

But I've come to realize that... that's NORMAL! And healthy.

People have different attention spans for different things.

People have varied ways to read a story and engage with it.

People have unique interests.

People don't have the same amounts of energy to devote to reading!

Maybe someone missed a detail I lovingly and painstakingly put into the dialogue because they're reading the update late at night after a long shift at work. And maybe someone scrolled past the dialogue completely and just got the gist from looking at the art, because they're in a hurry to get to practice at their favorite sportsball.

And maybe someone just had a really bad day with a really bad encounter, and they're reading the update in a terrible mood and instead of seeing MY grey-morality narrative, they're focusing on all the negative points and misread the vibes because of their own biases that stem from places of hurt.

The thing is, I have to be okay with that as an author, because I will NEVER be able to get into my audience's heads and read this comic 'correctly' for my own sake.

They will always have a slightly different interpretation of things, and they will always misunderstand details and miss clues. And sometimes, they will be wrong about the way they read a character's motivations... and sometimes maybe they won't be! That's just a part of communication. That's a part of telling a story.

An imperfect delivery, and an imperfect reception should, in my opinion, be a natural and accepted part of storytelling. We're human, and we all have a different lived experience, and we will ALL have different takes on a comic, even if it's so close that we THINK we are both getting the exact same thing. That small human interpretation variation is a home-made touch that makes it feel more organic.

In short.... Not all light particles make it here from the sun, but damn the result is stunning anyway.

#chekhov answers

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rubberduckyrye · 3 days

Text

Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

#Gonta Gokuhara #Miu Iruma #Kokichi Ouma #Danganronpa V3 #DRV3 #As an AuADHD individual who thinks Gonta is Autistic coded #do you understand how frustrating it is to see this shit #Do you understand how it feels to be infantized? To be told through the lens of a character “You're too stupid to be an adult”?#Worse yet is that I'm also constantly told that me being short and baby faced makes me “child coded.”#Do you understand how ableist this all is. Do you Understand?#Anyway that's one post down. Gonna go read a thing for Star #This does genuinely upset me though as an AuADHDer #Please stop. I am speaking on behalf of people like me--/Please fucking stop./#Tag Edit: Yes this is safe to RB and spread around #Please do RB this in fact

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iamadequate1717 · 6 months

Text

Stede's Strange Day

I want to talk about Stede Bonnet's very strange day. Let's look at the progression of just what Stede sees.

He spends the night with his boyfriend for the first time, and his boyfriend brings him breakfast in bed like Doug did for Mary. They talk about their reunion. Stede is very happy right now!

His boyfriend tells him that he envisioned him as a beautiful merperson and that he thinks he saved his life.

They get dressed, and they go out on a breakfast date on the town. Stede tells Ed about the letters he wrote, and Ed loved that!

Stede then discovers he has a fanclub! Ed laughs and is happy for him! They're going to go down to Jackie's so Stede can enjoy this some more!

Ed throws in some light banter/teasing about this turn of events, and Stede literally squeals before they run off giggling together.

They get to Jackie's, and Ed continues to encourage Stede!

Ed leaves him to it! "Enjoy the night" are his parting words.

So Stede enjoys the night!

He's being accepted! And he still talks about his boyfriend while being fawned over!

Everyone tells him he's awesome! He offs an assassin while saying something cool! No one is making fun of him!

After a bit, he goes to find Ed to share in his fun! He's had a great day.

Only, he's immediately met with this with no context: Ed regrets being with him! Ed is leaving immediately!

Remember: Ed's last words to him were "Enjoy the night!" This is complete emotional whiplash. Stede knows right away what the problem is, but Ed shuts it down.

Ed wants to be a fisherman! A proclamation completely out of the blue! Stede tries to talk him down. That fish wasn't so awesome that it should completely change Ed's life trajectory, casting Stede out of the way.

Ed disagrees and abandons Stede with no real explanation or listening to what Stede was trying to say, which isn't a great move for a healthy relationship.

Basically, Stede spent a few hours (only a few hours!) enjoying himself (in a manner that Ed encouraged him to!). He did nothing awful (because murder is cool in this show), and was a lot tamer than what Ed and company were doing in 1x8 (turtle vs crab is mean!).

I'm going to go more into Stede defense in another post. "Last night was a mistake" is an egregious phrasing to use with the man you love who has self esteem and trauma issues (we know what he means but it can be interpreted much worse), but Stede took it in stride. But for some reason people act like Stede committed war crimes with the fish comment? Ed sharing his day and Ed excising himself from Stede's life are different contexts and the fish is viewed differently in each lens. It was an OK fish, and Stede did nothing wrong. Stede is right that Ed is a coward, and I don't think Stede saying a few slightly harsh things in the heat of the moment when being blindsided like this is a character flaw.

Ed behaved appallingly in shutting down the conversation and refusing to even give context to what was going on. With 1x9&10 and Stede deciding Ed was better off without him, I saw plenty of comments about how Stede couldn't make a major life decision for Ed like that. With this, Ed has made a major life decision for Stede (I'm going to dump him and remove myself before he can choose piracy over me!), but I have yet to see the same comments, and I know exactly why that is.

...

More Stede defense!:

#ofmd s2 spoilers #ofmd s2e7 #blackbonnet #gentlebeard #stede bonnet #miscommunication #stede did nothing wrong #ofmd #our flag means death #stede defense #ofmd 2x07

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nervocat · 7 months

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I already saw someone writing this but I wanted to try to see your take on it.

What about Neuvillette x Melusine reader? (Of course platonic relatioship) Where Neuvillette meets male Melusine who is visibly taller with, maybe, darker colors than other female Melusines? I just find this idea very interesting (⁠^⁠^⁠) (Get well soon 💙)

★ 📝 — notes: I wanted to actually do something like this a while ago with a Melusine reader but just never got to it with my other ideas l liked more, and I'm almost 100% sure which other writing you're referring to. I like how you interpret how a male Melusine would look like too, and ty ^^

I also may have gotten a little too carried away with this so that's my bad, I hope it's still good though

— word count: 534 , fandom: genshin impact , cw: none , translations: salut - hi/goodbye (somewhat informal) — ✦

" A Male Melusine and Neuvillette "

Neuvillette loved the Melusines, all of Fontaine knew that, and he knew pretty much all of the Melusines by name, so when he came across you, he was slightly confused. You were.. a male Melusine?

When he saw you, you were communing with another Melusine and you looked visibly taller with darker skin colors than the females. When you were done with your conversation, he walked up to you and you turn around, smiling at him.

"Hello, Monsieur Neuvillette!" Neuvillette smiles at this, moving his hand to rest on your head, giving you little pats.

"Hello, and what would your name be?" He asked, moving his hand away.

"I'm [name]," you reply, turning your body to him. Neuvillette nods.

"Well then, [name], why don't you tell me about yourself?"

You happily obliged, smiling while doing so. You and Neuvillette eventually start to walk around Fontaine, you explaining how you seem to be the first and only male Melusine, confirming Neuvillettes guess. After you two met and separated to go your respective ways, you guys meet more after that. You mainly talked with him while out on the streets, but you sometimes helped him with other things like sorting papers or delivering stuff to him, and it seems he took a liking to you.

He didn't like the other Melusines less, don't get him wrong, but just the fact that you were a male Melusine interested him and it seemed like you two almost had something like a 'father-son' relationship. The other Melusines were quick to notice with all the miniscule details they can see, but weren't mad at all. They just smiled and moved on, no envy present.

Whenever you greeted him or said goodbye, saying something like "Salut, Monsieur Neuvillette!" He would reciprocate it with little head ruffles or headpats while smiling and saying the hi/goodbye back. He would also give you headpets when you did something for him or whenever he felt like it. You also followed him around when you could, sometimes rambling to him about things while he listened. Onlookers, Melusines and Humans alike, would always have their day brightened at the sight.

One time he even picked you up and held you while you were sad, and it became a habit whenever you were sad and he'd sit down somewhere with you in his arms. Whenever he was sad, you'd hug his torso while looking up at him with a frown.

"Neuvillette..?" You murmur, your mitten-shaped hands holding onto said man. He looked over and sighed, the rain outside easing slightly.

"Yes, [name]?"

"Are you alright?" You ask as he sets you on his lap, since he was in his chair.

"I am simply not at my highest right now-" he was cut off by you hugging him and burying your face into his chest. He smiled and hugged you back, resting his face on the top of your head and the rain stopped soon after as Neuvillette forgot his worries for a short while.

Long story short, you and Neuvillette have a close bond, and with you two being different from the society you're from bringing you closer together. ✧

#— ★ nervos published books #genshin impact #genshin #genshin impact x male reader #x male reader #neuvillette x male reader #neuvillette x reader #platonic genshin x male reader #platonic genshin x reader #strictly platonic

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boykissr · 2 years

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WHAT IT'S LIKE BEING IN A RELATIONSHIP W/ HIM : HCS !

tighnari x gn!reader

cw : ooc , fluff , pure brainrot , i love him so much i can't think clearly

an : remastered remixed part 2 idc. he is not a want but a need. sickfic linked here

you help out around gandharva ville a lot in your spare time

tighnari hardly ever lets you assist him in his duties in the forest, and when he does, it's typically when he's sure there won't be any danger

which isn't often

everyone at the village is very thankful that you help out so much

going on patrol with collei!!! you're practically attached at the hip most of the time

you do occasionally give tighnari shit for always being busy. all in good fun, of course - you understand that he has a very important role in helping the forest, and that it isn't always possible for him to spend time with you

whenever you get sick he makes the nastiest medicine imaginable <33 it's not his fault that the best treatment tastes awful!!!!!!

when you refuse to drink the medicine on your own, he spoonfeeds you!! while teasingly chiding you, of course

and if you still dont drink the medicine...... well, he has to resort to.. other methods

i'll leave that up to interpretation

please req a sickfic i have so much to say actually

you.... have so much knowledge of plants

you can't help but pay acute attention whenever tighnari goes off on another excited ramble about this species of flower that reminds him of you!!! he's just so adorable in moments like those

the look on his face when you recite some knowledge he told you in passing a few weeks ago

shitting on the akademiya together

him helping you open up and share your opinion more, and you helping him learn that he doesn't always have to be in charge, that it's ok to take longer rests and that he shouldn't feel guilty when something that's out of his control goes wrong

you constantly taking in animals that are either hurt or babies, and him rarely having the heart to turn them away

the amount of ongoing inside jokes. plant jokes. most of the time they're so subtle that if you weren't in on it, you would even realize a joke was being told

helping him write the occasional botany paper because, shocker, you've developed a love for the subject as well

dragging him to bed with you, even if it's just to cuddle and talk about your days and theorize if this specific plant could thrive under these specific conditions

you asking him one time to bring you something back from his patrol, him doing it every time he goes on one without you

every time you drop something and hurt yourself, he's immediately (lovingly) on your ass. damn those big soft ears

petting his ears. ranting and raving about them with collei

you being the only person to pet his ears??? like even if other people ask he typically declines them...

him constantly flustering you with subtle flirts, even after you've been together for years

still being in the honeymoon phase despite dating for so long already

him somehow finding ways to flirt / compliment you so that you don't process it until way later,,,, staying up way too late thinking about what he said

you tearing up the first time he gave you a handmade lunch; admitting that it was the most thoughtful thing someone's done for you in a long time

still crying when he gives you homemade lunches, being painfully aware of his busy schedule and seemingly-never ending duties

having tons of connections by association,,, becoming quite well-known yourself

pausing to look at certain flowers when on a walk, remembering him mention them to you the other day

when you argue him having the nerve to get all close to you and say some shit like "ooh, you wanna kiss me so bad" and so you do. you kiss him. hard.

him promising to get you a different flower that reminds him of you every year; him keeping tru to that promise

falling asleep to the sounds of the forest, tucked in his arms, smile on your face as you snuggle closer into his neck

laughing whenever he accidentally bonks his ears on a doorframe

#tighnari #tighnari genshin #genshin tighnari #tighnari gi #tighnari fanfic #tighnari x reader #tighnari x gn reader #tighnari fluff #genshin #genshin impact #genshin fanfic #sumeru #sumeru genshin #genshin sumeru #genshin x reader #genshin impact x reader #genshin x gn reader #gn reader #i hate him so much. i want to kiss him in the lips

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homunculus-argument · 8 months

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Unless you're doing math or baking, or something where there's an exact way to reach an exact goal, it's generally good to bear in mind that most things can't be done wrong, just in different ways, and if the same goal can be acheved multiple ways but you're not achieving the goal, the issue isn't about the wrong method but the wrong approach.

Most difficulties people have with social interactions isn't that someone is bad at talking with people, just that people are used to different ways of talking with people. There's good social skill in learning to observe how people talk, and learning to adjust your approach to match someone else, but if things like pleasant conversation just aren't happening, it's good to just be able to shrug and accept "maybe this is just how things are done where this person is from." Conversations are like tossing a ball back and forth, but the rules of the game are different from person to person, and from place to place.

Like talking pace. There's both cultural and personal variation in how quickly the turn to talk is switched, and people who are fast-paced will often find themselves stalling and struggling to come up with something more to say when the person they're trying to talk with seems to be dead silent, and on the other end, the slower-paced talker is struggling to get a word in, because the pause that they see as the natural pause between turns to talk is interpreted as an awkward silence by the faster talker, who struggles to fill the gap, usually unintentionally interrupting the slower talker just when they were about to start their own turn. Both parties are frustrated.

The way of talking I was raised with is talking about yourself. Like if we're talking about work, I'll talk about my own work, and then when the ball is thrown back to you, you talk about your own work, back and forth, so while we're both just talking about our own thing, we're still both talking about the subject of work. It would be rude for me to talk about your thing as if I knew anything about it as well as I know my own personal thing, so if you describe something in your own job, I'll go "oh, so is it similar to - " and describe something that I see parallels for in my own work thing.

And for people who don't do this, talking only about yourself comes off rude, like you're not listening to what they're talking about and are constantly trying to change the subject back to yourself. The rules they are playing by are different - you're not supposed to take the ball, you wait for it to be handed to you, and someone dominating the conversation is hogging the ball, and being inconsiderate. I've had to learn to pay attention to this more, and see if the person I'm talking with is trying to politely let the conversation be All About Me, and is simply politely waiting for the ball to be handed to them.

If you have no idea why something isn't working the way you think it should be working, it's sometimes good to pause and remind yourself that you're probably not doing it wrong, but that it's probably time to check that you're not trying to play two completely different games with different rules.

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iwritenarrativesandstuff · 2 years

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Genuinely don't think I've seen anyone talk about chapter 25 as a pivotal moment for Dazai so I'm gonna put this out here because I think his reactions here kind of negate that whole omnipotent Dazai interpretation which I hate with every fibre of my being.

Firstly, he's like, clearly caught off guard here. And don't try to tell me he wasn't, because this is just one instance of his genuinely horrified reaction to Q's release and when he realized what was actually going on with Atsushi, Naomi and Haruno.

Him being caught off guard carries significance here because you'd never catch him screwing up this bad later in the series - which is exactly my point.

I wrote a post earlier about how I don't think Dazai really is very much like Mori or Fyodor at all, and I stand by that, because their motives are different. Tldr for that post: Mori and Fyodor are ambitious and proactive, while Dazai is empty/numb and reactive.

What this leads me to believe is that Dazai is less a chess master like those two and more of a contingency planner - he's so good at "predicting" because he is uncannily good at thinking like his opponent and then planning for literally any possibility under the sun he can come up with. He's no gambler. Everything and everyone is practically (and unknowingly) micromanaged. It's almost paranoid in a sense, and I definitely think it's a trauma response to something he went through that we don't know about yet - after all, he was more than capable of this before he even met Mori.

...which brings to me to Mori's influence here. It's straight up like Dazai forgot how willing Mori is to gamble huge risks for a good outcome. It's like he forgot the mafia could be a real threat to his best-laid plans.

Going to throw out a wild claim here that I don't think is actually all that baseless - I think it's widely assumed that Dazai molds himself to what he needs to be (true!) but I think this misses the idea that he is also easily influenced by the mindsets of the people around him (see: the difference between Entrance Exam Dazai and early manga Dazai, the whole "the longer he was in the mafia the darker and more incomprehensible he became" thing from Stormbringer, how dark his eyes get in the prison sections with Fyodor, etc.). I could go on, but for the sake of not making this post too much longer, let's assume this is true because it suddenly makes sense as to why he failed to predict Q but predicted other events much later that were inherently more difficult to predict:

He was in the wrong mindset. He was thinking like an Agency member, and dare I say, he even got a little complacent. He started to get used to not having to manipulate every last variable - he was removed from a toxic environment - only for Mori to pretty much instantly fuck that up in one scene.

Let's also not forget what happened the last time he miscalculated Mori's intentions.

The consequences of this blunder could've been a lot worse and he knows it.

In his mind, thinking like an ADA member wasn't good enough to stop a potentially awful outcome - awful outcomes that could bring him pain. So, he goes back to what he knows - think like the demon prodigy. Think like Mori. Later on, think like Dostoyevsky. Because it seems to me that he believes as long as he is still working for the light that it doesn't matter if he uses these horrifically manipulative and inhumane methods of getting there. But he is wrong. Darkness within the context of good intentions is still very much darkness, and it hurts people all the same.

In the very next chapter, Dazai arranges Ango's car accident. And he only gets worse and worse throughout the series as he regresses back into his paranoid darkness that manifests as this omnipotent facade - his safety net that ultimately prevents him from developing in a positive, more human direction.

#bsd #bsd meta #bsd analysis #dazai meta #bsd dazai #genuinely wish when people talked about dazai's human qualities #that we talked more about his pain aversion #i really think it's central to every action he takes #he's guarded #manipulative #and always has a plan #how could this combination of behaviours not be related to his avoidance of pain?#storyrambles #god i hope this made sense

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