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#like i showed him those songs
ughmulder · 6 months
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I've gotta stop keeping tabs on my ex via Spotify playlists but his shift towards Midwest emo music is...interesting
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Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.
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autisticandroids · 7 months
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FAMINE: That's one deep, dark nothing you've got there, Dean.
[youtube with closed captions]
dean and his father. dean and his family. dean and how bad it is.
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(via @closetoyou1970)
#spn#vid#mind the warnings on this one for real#woe! fruit of my rewatch be upon ye.#pallas calls this my 'deangirl coming out vid' which honestly. true. but those who paid attention know i've always been a deangirl.#also. after this no more deanwinchester rilo kiley amvs I Pwomise#anyway. i'm not gonna give a full commentary here but a big reason why i chose this song is that the narrator#is essentially dismissing her own problems and instead watching the problems of someone else#and i kind of wanted to play with that theme. this is the parallels show so let's do some parallels. lots of things happen to characters#that are Like Dean somehow. either in personality or circumstance. that we know or can infer happen to him. but we don't see it bc it's#not sayable. not speakable. so like for an easy one. we see meg being tortured in caged heat. she also talks about apprenticing under#alastair just like dean. so i show her being tortured [in a way that is sexualized and demon-specific] and reacting how she does#because i invite the audience to imagine or interpret that this has also happened to dean at some point. we just don't see it#so there are many dean parallels in this video. some obvious. some subtle but textual. some products of my twisted mind. but that's the way#i am using them to make my argument.#oh also: dean voice sam's eyes going black is JUST like when he used to fight with dad and wouldn't listen to me when i told him not to.#i guess also the point is that because it's unsayable. dean can't say it. dean can't even acknowledge it. and so it bleeds through#into everything in his life#that's why it's important that the song narrator doesn't take her own problems seriously. dean doesn't either.
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bonefall · 7 months
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If Pinestar was the Mi of his kits, why didn’t he try to take any of them with him when he left? Like Brightsky keeping some of her litter. He knew how the clans were, he was specifically leaving to get away from it, why did he choose to leave his children behind?
It wasn't a choice. Brightsky gave birth in the home she bolted to; Pinestar wasn't going to be allowed to take his children unless he snuck out with them.
He wishes he did something, when he sees what became of his son. But he tried to be brave when he left, announcing that he would not be coming back, and where he would be going.
He thought that was the right thing to do. Unfortunately, no one else appreciated it the way he hoped they would.
If he DID though, ThunderClan would not have allowed that. They see it as kidnapping. Being Mi doesn't mean you're allowed to do literally anything you want, especially if you do have a Ba involved.
In cases of handoffs (surrogacy, secret halfclan kits being given to their other parent, etc) it's actually SUPER important you do it before 1 moon, so you can pass the disappearance off as a fading kit. There are no funerals thrown for fading kits besides the Mi and any Ba quietly burying the body, so this is the time where you smuggle the baby out.
So you need all the Ba on board with such a handoff, in addition. Cloudtail is an example of that actually! When Brightheart surrogates, he is fully aware of how many are ACTUALLY faders and who is receiving their child.
Tigerkit was like 3-ish moons when Pinestar hit da bricks, unfortunately there wasn't a way he could take him along... plus it wouldn't quite make sense with how he was having nightmares about murdering his son.
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rise-my-angel · 9 months
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I am here for your takes on Dani. I'm glad I'm not the only one who thought her x Jon smelled of hot garbage. Like at best she was meh, and then when the two of them met I was just like "oh no....you're an entitled bitch". And now that its been years since I last consumed GoT, my thoughts have fermented into "oh no, she really is a conqueror" "oh no, everyone loves her because 'pretty badass lady'" "oh no i'm the fandom minority again". Anyway, where was I. She and Jon had no chemistry. The end.
The *only* way putting them in a romance even makes sense in concept is when you realize Benioff and Weiss gave Jon the Young Griff arc. It's why they gave him a Targ name, beacuse if they call him "aegon" then they can fufill that part of the books without ever having to establish Young Griff as his own character. He is the supposed son of Rhaegar Targaryean and Elia Martell, he goes to Westeros with intentions of using his better claim to take the throne and intends initially on marrying Dany, and it's theorized heavily that Dany will see his claim as a threat and the Burning of Kings Landing will come down to Aegon against Dany.
Jon Snow has nothing to do with that. He is a moral opposite to Dany as a charecter, and we've seen him time and time again be at strong odds against people with her morals. But by giving him the Young Griff arc, it means putting him into the romance spot when it makes no sense for him.
Hey I put a read more beacuse I cannot shut the fuck up about how this relationship is just rape and abuse but beacuse Jon's a man we think he wants it.
All of season 7 Jon is so out of place because he doesn't belong anywhere near Dany's Iron Throne plot, and he's being forced to interact romantically with a charecter that clearly he does not like as a person and is uncomfortable with.
But, Dany is the sacred cow of the GoT/asoiaf fandom. You love her and if you critizize her for villanious actions or morals then you are using bad faith towards her. While I personally don't like her, I don't mind other people liking her but I despise that her stans all refuse to allow any conversation about her being a morally bad person. A person who enjoys cruelty and death, enjoys creating fear and is smug when she can control others. That is not a person Jon would love, let alone even respect.
Their entire relationship wreaks of abuse, of Jon being forced into this and knows he cannot leave it without risking his and his families lives. Remember when Tyrion gave a very small level critisism of her actions and she angrily accused him of treason and siding with his family instead of her? Well what do people think would she have done, if her attraction to Jon was refused? Someone who she took all the defenses away from, all the power from, and could have killed at any moment (dont make an ygritte comparison mimi dont make an yrgitte comparison this is a different anti jon x fandom female fave charecter post).
I don't care how the show frames it, or what the intent was. What we got on screen, was Jon Snow being held prisoner to an immoral, cruel, military conquerer. And when that woman was attracted to him, she essentially forced herself into his life and gave him all but no choice. The Jon bending the knee scene and..the uh...boat...scene...later...uhhh....anyways, those to me feel so out of charecter. You cannot convince me Jon did any of this willingly. He is clearly trapped in this situation and cannot leave and is only with her beacuse she is violent and bloodthrirsty. But beacause Jon is a strong, capable man, it's not talked about as if he's the victim and that is insane to me. (Oh my good god the ygritte comparisons are almost laughable send help).
I don't consider a lot past season 5 to be canon, but if I am forced too, then I refuse to accept Jon was a willing participant in that relationship.
Jon's parentage reveal will always be about the revelations of his mother, and the understanding and acceptance of WHY Ned raised him the way he did. And how it was both his parents, his mother and his adopted father who loved him and kept him safe. The very fact that Young Griff's entire story is based around whether or not he truly is Rhaegar's son as opposed to that being a twist reveal is beacuse HE is the charecter whose Targaryean links is the important one. Jon's story is about him as Stark, and is always shown to be the moral opposite of Dany.
Their relationship in the best senario is not canon, but if it has to be, then there is no world in which Jon is there of his own free will. He is being forced into this relationship against his will. But considering his other love interest was another charecter who essentially forced him into a relationship against his will, and we were supposed to root for that tells me all I need to know.
Dany is a sacred cow charecter, and her stans are unreasonable in defending her. When you can like a charecter and critize them for their actions. Ned Stark was an idiot for ever trusting Petyr Baelish, Catelyn Stark's spiteful attitude and neglect of Jon Snow is was abusive behavior, Theon Greyjoy was a moron who ruined his own life for a father who long since abandonded him. Bam all charecters I love and there are some major flaws that I refuse to defend them for but thats also what makes them good charecters. Their flaws arent writing flaws, they are personal flaws for them as people.
Dany is not allowed to have personal flaws she is always to be justified even with incredibly bad faith defenses, but when she is flawed it's the writings fault not hers. Dany is a cruel, sadistic, controlling, military tyrant who enjoys watching her subjects fear her and her dragons. And she forced Jon Snow into a relationship with her beacuse otherwise then he is against her and we already knew she has no use for people who dont support her to be alive.
Jon Snow deserved better then to have both his love interests be domineering, controlling, abusive women who forced him into a romantic and sexual relationship.
Also, I mean, incest being normal is only a learned trait from Targaryens supporting their own blood purity. Jon was not raised to think incest is normal. Dany thinks its normal beacuse she and Viserys both were raised to think that, and Young Griff thinks marrying Dany is normal beacuse he too was raised with the mentality that Rhaegar would've been raised with. Jon finding out Dany was his aunt would've had Jon looking right at Sam and just
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e-adlirez · 3 months
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Trolls Band Together musical reading
Hiiiiiiiii so guess who got ratgrabbed and yanked down into the abyss yesterday as of the time I'm very impulsively writing this--
I went in not expecting much but a couple minutes in they were able to win me over with the plot and the surprisingly strong moral core despite the very simple narrative
And I dunno why (prolly because uh spoilers that I'll get into in a bit) but I wound up reading the movie through a musical lens, which is what this post is about :D
So if you haven't seen Trolls Band Together and don't think you want to (either because you're not optimistic due to the past two films or because you're by some chance a Disney elitist who's somehow trying to trick us into thinking Wish is somehow better than this banger), MAJOR SPOILERS for Trolls Band Together, you have been warned :]
Aight so the main reason I wound up with the music-based reading on first watch is because of the mention of the Perfect Family Harmony, which is what the protagonist boyband BroZone is trying really hard to hit, and I just so happen to be into music (I play drums :]) and just so happened to have been practicing harmonizing in recent times so I guess it lined up just enough for me to look at the film in a musical light, which was a lot of fun :3
Now, the plot of TBT is a very simple one: it's a big "hey guys how about we work together" kind of narrative, which we've seen before in every group-related franchise ever. However, the one thing that I found extremely fascinating was the fact that this story wasn't just being told by narrative, but by music. Specifically BroZone's harmonies and how they develop throughout the film :]
(Fair warning I'm not gonna be able to go Howard Ho levels of detailed, I don't even know how to distinguish chords by ear :'D I'm just gonna be talking about what I hear)
During the intro sequence, we see that John Dory (who I might end up calling JD for simplicity in this essay) has this thing about the Perfect Family Harmony (the PFH) and is trying to get his band to hit it. Obviously, his tactic for this is perfection and pushing his brothers to be perfect for the sake of hitting the PFH on their tour debut, and insisting that he takes the lead, which none of his brothers agree to while knowing that JD is not gonna be hearing any of their protests. This part is very important, because I'm sure that all musicians would know from rehearsals, if the group can't agree on whose lead to follow and wind up not listening to each other, the result is absolute chaos. Not literally as chaotic as BroZone's stage malfunction, but it do sound like that when none of the parts are working together :D
However uh, there's one thing I also want to point out with both BroZone's tour debut and when BroZone has their first full rehearsal together. When they sing their songs, the harmonies are very subdued and very simple, which is particularly shown in Perfect. There are very little facets to the harmonies, to the point where at any given bar in the performance, the line between backing vocals and main vocalists is extremely clear. The backing vocals even sound distinctly softer than whoever's leading at any given point, minus when the boys are singing in unison. Speaking of which, I could be wrong, but I think the parts in the song are like two at most and on occasion it's just the boys singing in unison? More musically attuned readers are free to correct me on that front, but that's what it sounds like to me.
Anyway the main point is, the brothers are forced to maintain these very fixed and restricting harmonies that more or less sound the same, and of course they are-- JD (if he composed the songs) wrote them and he insists that his brothers follow them to the letter, meaning they can't improvise or go beyond what we hear in the film. Granted it's prolly because of their specific genre of music and the fact that the boys are supposed to be teens at eldest and literally a baby at youngest, but the harmonies don't ever diverge or serve to give the song more layers. They remain exactly the same, more or less perfectly in unison, and even during their first group rehearsal with the band back together in (almost) full (could be wrong can't really relisten to that part of the movie rn), their harmonies are perfectly in unison but lacking in dimension, just like how they were during their disastrous concert.
In these, it is very clear that JD hasn't changed a single bit since the last his brothers saw him. He's still obsessed with the idea that he's the leader (even though a BroZone superfan like Poppy remembers him better as "the old one" and it even took her a bit to remember his part in the band), even though in reality, he's kinda nothing without the other members of the band. Which kiiiinddddaaaaaa shows seeing in Perfect his voice sounds very similar to Clay (I bet if I listened to the soundtrack first I wouldn't have been able to pick out JD's voice), and even his part in the PFH is the same as Floyd's.
As I mentioned earlier, due to the circumstances behind this extremely impulsive rant, I can't really check BroZone's first rehearsal after reuniting rn, but I bet it would've been the same case, because what I DO remember about that scene is that JD was being the same old JD, and everyone was trying to tell him that they've changed since they last saw him (contrast to him not changing a bit because he's trying to maintain that illusion of perfection he's been chasing this whole time). From what I remember, anyway, their harmonies were basically in the same boat as Perfect: clear, subdued, restrained against the singers' will to follow a lead vocalist at all times.
Now, we're gonna shift our gaze from the brothers for a second and take a look at the twins Velvet and Veneer. Yes they are iconic and yes their songs are iconic, but one thing I wanna point out is that when I first listened to Mount Rageous on the soundtrack, I had a really hard time picking out Andrew Rannell's voice because it was backing vocals-ing so hard that it was near impossible to not hear Brianna Mazzola's extremely dominant vocals (no hate to either, Brianna Mazzola SLAYED as Velvet), and the comments section of the video I was listening to for the soundtrack seemed to share my sentiments about wanting to hear more of Andrew Rannell, but hear me out:
We know from the film that Veneer is the nicer sibling. He's a material gworl with a heart and he genuinely doesn't like hurting Floyd, especially when you listen to how they address each other and converse with each other in the film. Now, seeing just how much on speaking terms Floyd and Veneer are on, how conflicted Veneer feels about keeping Floyd hostage and torturing him, and how Veneer is always worried about Floyd's health... it would make sense for Veneer to use Floyd's music essence or talents very sparingly, wouldn't it? With that, compare him to his diva sister Velvet, who squanders Floyd's essence even for dress rehearsals, and always sings for the back row and flexes as many riffs and runs and belts any and all opportunities she gets (hence why she CARRIES Mount Rageous). Makes Andrew Rannell's more subdued and in-the-background performance as Veneer more deliberate, doesn't it? :3 (Still wanna hear his voice more tho, it'd be nice to hear what Veneer can do on his own)
Something something the Veneer siblings are direct foils of BroZone something something Velvet is a direct foil for JD and Veneer is a direct foil to Floyd something something Rageous Twins-Floyd angst anyway back to the thesis of this thing--
Now, you'd think that JD keeps up his perfection shtick all the time, but he very obviously doesn't and it is shown first in his jam session with SpBruce and Branch in Bruce's family restaurant-cafe-lazy Susan thing, through the harmonies. At first I thought it was just because their voices had clearly matured since their childhood (which it partially is), but the other reason is the fact that their harmonies are so much fuller than they were in Perfect. They even give Pentatonix vibes in their little vocalizing bit, that's how full and multifaceted their harmonies are in the song; and the main reason is because in that jam session, everyone's in it just for fun, therefore everyone is free to add their little bit of vocal flavor into the song.
If you listen to JD and Bruce's harmonies in the chorus, you'll find that they sound more full and multilayered than ever in such a way that they didn't need five entire band members to pull off. And most importantly, the line between the leading vocals and the backing vocals are a little blurrier in the sense that leading and backing vocals for the most part are on the same volume, and they opt to sing a multilayered unison for when Poppy joins in, who is also adding her own mezzosoprano piece to the song and is given the room to do so. Everyone is given the room to do so-- Bruce's bass and Branch's tenor in particular get to shine while JD provides support with his baritone-- and of course they're given room for every single one of them to shine, because this isn't a concert, it's just a fun little jam sesh that also serves as a bet to showcase BroZone to Bruce's kids. It's ironic how the one time JD doesn't feel the need to be perfect, is the time you can really see why BroZone is such a good boyband that everyone fell in love with during their time.
Now, I did mention BroZone's first rehearsal (and I don't have much else to say about the rehearsal besides the fact that JD's obstinance means that they're doing a repeat of the tour debut), so I'll talk instead about the next time they manage to work (or in this case, sing) in harmony: A Better Place and its iconic pre-chorus.
Now, first of all I will mention the moment prior where the group has that little heart-to-heart about the PFH and how they don't need to be perfect to hit it, they just need to be together. While this is a very cheesy line, it's actually very true if you think about it from a technical musical perspective: when you're singing, you technically don't need to be perfect to sound good, and the same goes for if you're singing in a group. The most important thing about singing in a group is that you're all together, you're all on the same page, and you're all in agreement on who's going to take the lead for everyone to base their singing off of; and they have all three of those things. All of BroZone is together and able to communicate with each other, and they're all on the same page because they're all agreeing to follow Branch's lead. Ignore for a second the poeticism of Bitty B now taking up The Leader position in the vocals, the fact that the group was able to agree on who'll lead and who the others will listen to is not only a good showcase of what having a good team and leader is like, but also what it takes for a group to be able to sing together and not sound like a house of people trying to sing Happy Birthday. (It's also an achievement with this bunch but I digress.)
In A Better Place, we get to hear everyone put their own bits of harmonies into the song: we get to hear Clay's beautiful vocalizations in the pre-chorus and the chorus, Anna Kendrick joining in with her soprano is always a treat for the eardrums, Camila Cabello's improvisations are very tasteful, the LAYERS that make the pre-chorus so addicting to listen to, we even get to hear Crimp adding a bit of ukulele and it's very cute and she looks so happy you guys <:], Floyd's little vocalization at the end sounds heavenly even though the poor man hardly had anything left in him Lord bless him-- and under all of this, Branch's voice still sounds prominent enough to act as a baseline that doesn't overpower but ties all the other voices together, like a concertmaster of an orchestra being the one to set the pitch and make sure that everyone is on the same page. Everyone is listening to each other, everyone is adding their own flavor to the song, and everyone is in harmony.
Thank you for coming to my TEDTalk :3 if you managed to stick it out to the end then uh holy crap I commend you soldier, your brainrot must be as severe as the Trolls tag on Tumblr made yourselves out to be :D /j
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hella1975 · 1 year
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lately ive been crying like a tall child. etc. if you even care
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glorious-blackout · 9 months
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Nice interview with Mike Kerr from Royal Blood about touring with the Muse boys 💖
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wiseatom · 1 year
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anyway you can literally pry mike and will sw*ftie agenda from my cold, lifeless hands
#no hate to anyone not agreeing#however when has WILL CANONICALLY ever EVER showed to be pretentious with music#when has will EVER displayed the same music snob personality as jonathan#like canonically. really. point out a SINGLE time.#he of course loves the music bonding w jonathan and he loves the songs jonathan shows him but like genuinely. really and truly#i am asking you to point out anything about will's character that would indicate in any way he would be pretentious about music.#will's CANON traits repeated over and over are that he is sensitive and emotional and not like other boys#and that is not in the 'i want to be different' way like it is for jonathan. will canonically does not feel Better for being Different.#he just Is.#so like i absolutely one thousand percent believe he'd identify w her music that is sensitive and romantic and whimsical and tells stories#bc those are all things will either is or values. hello lol#and mike lmfao. mike literally tries to be like everyone else. if taylor is popular he's gonna listen and then the absolute bops are gonna#make him stick around. he'd definitely be a closet sw*ftie during rep era to go along w the crowd but he'd come back#also hold on let me circle back to the will point. even if he were pretentious u can't sit here and tell me taylor is not an incredible#songwriter who consistently puts out sonically cohesive albums (for the most part) and is able to nail almost any genre#even if he was Super Pretentious about music -- which to be clear he Would Not Be -- he would admire her for the artist she is#even if it wasn't his vibe. ANYWAY. BACK TO MIKE AKA I WILL LISTEN TO ANYTHING ANYONE SAYS IS COOL#he definitely has Opinions (calling should i stay or should i go Weird) but like. come on. his entire s3/4 arc is abt Desperately trying to#Conform. he'd listen to taylor lol. i just think he'd actually still like her for some of the same reasons as will#bc he also values story telling and then also probably just wordplay.#i'm so sorry to rant about this like i simply know it is not that deep but ALSO. Y'ALL LMFAO. the way that i'm seeing this opinion shared#'this isn't hating!' *is a hater*#<- also exactly what i'm doing but like PLEASSEEE#WILL =/= JONATHAN#AND LIKE MIKE IS EMBARRASSING. THT'S WHY WE LOVE HIM. HE'D ABSOLUTELY BLAST N BOP TO TAYLOR LOL#IDC IDC!!!!!! (CARES SO MUCH) THIS IS THE HILL I WILL DIE ON!!!!!!!!
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katierosefun · 5 months
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yes, there are absolutely some kdrama tropes that i would like to leave in the past, but also. when some kdramas still have that genuine kdrama flair that remind me of kdramas from my childhood (but in a good way) . . . giggling and kicking my feet! i don't care if some tropes are corny and cheesy, i'm still relieved to find the sillier kdrama tropes alive and well
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sadbeautifutragic · 2 months
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it still irks me how his side claimed he was devastated by the end of the relationship when he couldn't even do the bare minimum in terms of effort 🕴🏿
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suga-kookiemonster · 3 months
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just watched the halftime show, and i really hope some of you realize just how massively stupid you sounded when you were talking crazy out the side of your neck about THEE usher raymond iv 🥴
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Sweeney Todd rehearsal out of context
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chirpsythismorning · 7 months
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📝 💐 🛼 💔⏪️💭🧊🌄❤️‍🩹
Landslide by Fleetwood Mac
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previous ⏪︎ now playing ⏩ next back to playlist
#stranger things#bizarre love triangle playlist#el hopper#el’s pov#el is so fleetwood mac coded 😭#this one was hard to find a gif for bc I feel like this song fits a lot with her inner turmoil during her time at nina#brenner’s whole speech here about not being able to let go#‘youre regressing eleven’#all of this progress she had outside of the lab#a lot of that progress was tied to mike (or at least el thinks she owes a lot of that progress to mike)#i feel like she sees him as someone who saved her and bc of that she’s scared of letting go of (the idea of) their relationship#if mike isn't telling her he loves her... let alone showing it#what does that mean for her and all the progress she’s made?#so she tries her best to cling onto the idea of their relationship#even if it means lying about everything#but then how can she actually progress and become her own person if she’s ashamed of the truth?#and so yeah no duh she’s regressing#the lyrics sort of fit with her going on this journey all while her feelings are in the background guiding her#'can the child within my heart rise above?'#being able to grow while also mourning not having the childhood she deserved... can those two things co-exist?#'well i've been afraid of changing cuz' i've built my life around you'#'but time makes you bolder. even children get older. i'm getting older too.'#el isn't the same girl the boys found in the woods#she has grown so much since then#and yet at the same time she hasn't#bc she can't progress if she keeps holding onto this idea of what she has to be to be enough for mike#bc it's not about being enough for him#it's about being true to herself#4x05#gif
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wantbytaemin · 6 months
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one thing i’ve been thinking about is how much taemin’s choreo style has changed (i don’t want to say dancing style bc i feel like that’s stayed pretty consistent) and how people who have kept an eye on him since after move will mostly see his more subtle choreos (which he’s kind of become known for now that i think about it) which is so funny because in my head he’s taemin-the-bone-breaker bc of the way he would literally look possessed from how hard he was doing old choreos. like imagine a pre-move taemin’s choreo for the rizzness. that little guy would dislocate his shoulders (danger choreo style) break his knees (drip drop and press your number) and fly off the stage (whichever quadruple fidget spinner style spin you want to choose. they’re plentiful)
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daeluin · 6 days
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not insane as in every song is about patrick truther but insane as in every song in mania is ultimately about patrick truther
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