love when men cry about body hair bc "it's hygiene" and yet 15% of cis men leave the bathroom without washing their hands at all and an additional 35% only just wet their hands without using soap. that is nearly half of all men. that means statistically you have probably shaken hands with or been in direct contact with one of these people.
love when men say that women "only want money" when it turns out that even in equal-earning homes, women are actually adding caregiver burdens and housework from previous years, whereas men have been expanding leisure time and hobbies. in equal-earning households, men spend an average of 3.5 hours extra in leisure time per week, which is 182 hours per year - a little over a week of paid vacation time that the other partner does not receive. kinda sounds like he wants her money.
love that men have decided women are frail and weak and annoying when we scream in surprise but it turns out it's actually women who are more reliable in an emergency because men need to be convinced to actually take action and respond to the threat. like, actually, for-real: men experience such a strong sense of pride about their pre-supposed abilities that it gets them and their families killed. they are so used to dismissing women that it literally kills them.
love it. told my father this and he said there's lies, damned lies, and statistics. a year ago i tried to get him to evacuate the house during a flash flood. he ignored me and got injured. he has told me, laughing, that he never washes his hands. he has said in the last week that women are just happier when we're cooking or cleaning.
maybe i'm overly nostalgic. but it didn't used to feel so fucking bleak. it used to feel like at least a little shameful to consider women to be sheep. it just feels like the earth is round and we are still having conversations about it being flat - except these conversations are about the most obvious forms of patriarchy. like, we know about this stuff. we've known since well before the 50's.
recently andrew tate tried to justify cheating on his partner as being the "male prerogative." i don't know what the prerogative for the rest of us would be. just sitting at home, watching the slow erosion of our humanity.
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Hello! I keep reading fiction with kimono hemmed to fit, and I keep thinking that can't be right. I can see it if their genes mean widening shoulders, but aren't kimono folded and tucked under the obi? Thank you for looking over this detail. (I'll stay anonymous because it's an honest mistake, and I don't want specific writers to feel cornered about it)
Hi! Np for this anon ask, I'll just stress here I most often reply via Tumblr messenger so don't hesitate to ask for private answer if you need it :)
On to your question: you are right, hemming (in the Western sense of the word) a kimono is not usually done in traditional Japanese tailoring.
One of the main reasons is that fabric bolts (tanmono) are a somehow standard unit, with patterning done with kimono tailoring in mind (so motifs match between panels etc).
Hemming a kimono means important parts of your kimono design will disappear! It is especially true for woman's kimono who often often display patterns on their lower skirt + sleeves.
When you wear a kimono with woman styling, the kimono is supposed to be more or less your total height to fit you size. The extra material is then tucked at the waist to form what is called the ohashori fold hold up by ties (himo). That fold gives you leeway as to which kimono you can wear as it is much more forgiving than Western clothes sizing. Being tall simply mean your ohashori will be small or non existent.
Men styling is a bit different as men don't do ohashori, which mean the kimono is tailored to their exact size (= give or take your height minus 30cm).
Kimono were usually passed to new wearers as time went, which means they are supposed to be worn by several body types. So, what about when a kimono is truly too big/small for the wearer?
Fabric was once (and still is) an expensive material so cutting it was a big no! Cutting also meant loosing the original tanmono panneling which was a terrible thing to do for any future alterations.
We so have two scenarios:
1) the wearer is a child: tucks are made at the shoulders (kata age) to reduce width, waist (koshi age) to reduce lenght, and sleeves (sode age). You can see in this past note a great example showing how a kid grew into a kimono:
2) The wearer is an adult: the kimono would have been totally unsewn, and then sewn back together, hiding the extra material into seams/letting the fabric needed for bigger wearer.
Taking a kimono apart is not especially unheard of, and it is actually the traditional way to clean it (tokiarai = unstitching a kimono and washing / araihari = stretching pieces of a kimono on boards to dry after they have been washed and starched). You can see it done here:
Becky from Silk and bones has many kimono specimen photographed if you want to actually see how they are made - and just how much fabric can be hidden away into seams + how disastrous and infuriating it is to have a kimono with butchered cut fabric :(
TL:DR : People don't "hem" their kimono to wear them, women for ex. tuck the extra fabric away and go in their merry way. If sewing is needed, "hemming" is not exactly what would be done in kimono tailoring.
A better way to describe it would probably be "adjusted" or "altered" to size :)
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The Folly of Men -
group designs
MASTERPOST
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Dani, the Shadow: While Danny was MIA, Dani took up the mantle of Phantom. Later, she transferred the title back to Danny but acts as a frequent stand-in for him since they look so much alike.
Tucker, the Shield: The man in the chair can do more than hack. Tucker was the one to lay the groundwork the destruction of Fentonworks and constantly works to protect those dear to him.
Sam, the Sword: She's killed once, and she's willing to do it again for her best friends. Sam is the tip of the spear in their efforts to defend the Realms and the loudest when it comes to violence.
Jazz, the Scepter: Jazz would do anything to ensure Danny's safety and happiness. And she did. Jazz is now Clockwork's apprentice, and while the others are focused on the now, Jazz must be focused on the then.
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I love how dreblr collectively decided to say "fuck it" and do whatever they want about shipping
me too I've been normal for too long
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what do you think dros was thinking when he first saw the phasmid? was he experiencing wonder; serenity? did he feel the world was still playing sick tricks on him: did he believe he was going insane from isolation and this was one of the symptoms? was it helplessness - that even though this miracle of nature stood before him, his beliefs prevented him from telling anyone about it? did the phasmid stand over iosef, watching him watch martinaise through his scope? did he feel her eyes on him for hours, until he forgot the eyes and the pheromones burnt a hole in his brain where she used to be? is he in a kind of grief over her absence in his head? is it a coincidence that the character who is most unable to move on from his past is on an island where the only other living being tells the player to turn from the ruin and move forward? that the most self-appraisingly noble and hopeless of causes has looked at the future for too long, and it is destroying him...
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