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#musical adaptations
snekjoy · 10 months
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The good (matilda 2022) the bad (dear evan hansen 2021) and the ugly (cats 2019)
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keliharuza · 5 months
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Dragon Ball Musical Adaptation
https://docs.google.com/document/d/1qcextq-F0Rv6s-Mdo_B5lYT7D3kWq9MStBQFaRaL4oo/edit
WIP Dragon Ball Musical Adaptation Outline which I won't make into a full-on project because copyright and i started way too many projects already, but feel free to comment/suggest stuff
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hilli98215 · 10 months
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Sooo.... this is happening, and I um. I need to go see this ASAP based on this casting announcement alone.
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jackklinemybeloved · 5 months
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Percy’s warning to fellow half-bloods in the audience, across different mediums.
The Lightning Thief by Rick Riordan (2005) The Lighting Thief: The Percy Jackson Musical (2017) Percy Jackson and the Olympians Series Teaser (2023)
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perplexingly · 4 months
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“Frankenstein, or the Modern Prometheus” by Mary Wollstonecraft Shelley (1818) // Frankenstein from the Royal Ballet (2016) // National Theatre Live: Frankenstein (2011) // Frankenstein: The Metal Opera (2014) // Frankenstein (TV Miniseries 2004) // Creature (TV Miniseries 2023)
Grief of the Creature across various adaptations
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lunatic-fandom-space · 7 months
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guess what i realized when i tried talking to someone about my most recent interest
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Thinking about how Starkid’s raised nearly half a million dollars for Cinderella’s Castle simply by being transparent about where their money goes, being nice to their fan base, hiring unproblematic, talented people, and creating good, original art
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youareinlove · 4 months
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one of the many things i love about mean girls (2004) is that aaron samuels, who's meant to be the main love interest or whatever, could be replaced by a man-shaped vase and nothing would change. he is treated the same way that women are treated in male-led films with male audiences. his role in the story is entirely passive. he's not meant to do anything but stand there, and he's not even supposed to be the pinnacle of attractiveness or anything. he is the most Just A Guy to ever exist. he ken-ed before ken could ken. this movie doesn't pass the reverse bechdel test or the reverse sexy lamp test and it was iconic for that!
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deconstructthesoup · 4 months
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I think there's something beautifully poetic about this new trend of Greek-myth themed musicals.
The Lightning Thief musical, Hadestown, Stray Gods, Epic---all of these stories are being told at least in part through song, echoing the fact that every single myth that we know was originally told through song. We're essentially reprising the tradition thousands of years down the line, and that's honestly beautiful.
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professorhayforbreath · 4 months
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really though why would they cut doa records and make the waterbed store the entrance to the underworld? it should've been the other way around imo. like i remember rick admitting the movie making the hollywood sign the entrance to the underworld was a cool idea, and that worked bc it functioned similarly to the book—a record studio, hollywood, either way it's the same wink wink commentary on fame and glamour actually being a gateway to hell ('selling your soul to the devil'). sure it's cliche but at least there's a thought pattern you can follow there. that was a big part of the fun of the books, seeing the ways the real world and the mythological world blended, and in the show we're losing that. the entrance to the underworld is a goddamn waterbed store because...? no good reason.
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rayssion · 4 months
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"what belongs to the sea, can always return to the sea".....
..... It's a sea shell–
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curlytsunamiart · 7 months
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north no.2
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pillowdrawz · 4 months
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Ive been neglecting my followers here so dumps all of my
EPIC! Musical x percy jackson (series) silly crack crossover.
Percy JACKSON FANS LISTEN TO THE EPIC THE MUSICAL ITS AMAZING POSEIDON IS THERE HE IS CHILLIN!! YOU CAN LISTEN TO SPOTIFY OR YOUTUBE ITS ALL AMAZING!!
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one has to laugh
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nowandforalways · 8 months
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Today I'm thinking about how playing Frodo Baggins is a thankless job in much the same way Frodo actually carrying the Ring was.
Like, when people talk about performances in LOTR adaptations, they talk about Sam, they talk about Gollum, they talk about Gandalf and Galadriel. All these characters that have iconic lines and big flashy moments of greatness or bravery or twistedness that let the actor show off. Frodo doesn't have any of those. What Frodo does have is the arguably harder job of making something external that is almost entirely internal, and, in most adaptations, having the most to do, just from a time-on-stage/screen/microphone perspective. But this never seems to get acknowledged and that's always kinda weird/interesting to me. I suppose people just respond to the big heroic/heartwarming/menacing moments, and not so much to littler moments of the same kinds. In the musical, in one of the dialogue breaks in "Now And For Always", Frodo says to Sam "It's not me they'll remember, you know". And that's funny because even if Sam tries to fight that in-universe with the finishing of The Red Book, it consistently ends up being true in a meta sense.
Anyway I suppose what I'm saying is appreciate Christopher Guard, Sir Ian Holm, Elijah Wood, James Loye, James Byng, and Louis Maskell or die by my blade.
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numbuh424 · 4 months
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I just love it when death note adaptations get meta. When they point out that this story has already been told before. Deep down, L and Light know they're bound to their roles, that they've done this all before, and that this story can only and will only ever go one way for them.
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