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#narrative play
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Worlds Beyond Number is wild because Brennan Lee Mulligan uses every ounce of his philosophic and empathetic learnings to create the most heartrending situations and scenes
Then, like an emotional devastation katamari, this fucker picks up THREE whole ass other people like him. Lou Wilson, who will make you cry while you’re in the middle of laughing. Aabria Iyengar, who is a fucking genius and dives full ass into her character’s flaws because your heart will die of a thousand cuts when it all hits. And Erika Ishii. At first blush, a bit of a clown, albeit a sultry one when they want to be. More than happy to play the fool. Lets you underestimate them, so you let them get close, and when you realize how deep you’re in it’s too late
So these FOUR chucklefucks, these four geniuses of humor and tragedy, hire a fucking Maestro of Sound Design in Taylor Moore to produce their home game. And everything is tighter. And even more immersive. And heartwrenching and hilarious and cozy and creepy.
Anyway, this team of FIVE people decide that they’re going to make one of the best podcasts currently airing and it’s only nine episodes in.
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archipelego · 9 months
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VOIDTACK: Chapter 4!
Hey friends! Chapter 4 of my Science Fiction, TTRPG Narrative Play podcast just went live! In the off chance you are interested in the BEST EPISODE we've produced yet, action packed and stuffed with sound effects.
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swedebeast · 1 year
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ampleappleamble · 2 months
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haven't seen this on here yet so:
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in case you don't want to slog through the shitscape that is the bird/letter website, take a peek beneath the cut (shamelessly copied from the something awful forums dungeon meshi thread)
- Her first memory of video games was watching her father playing Wizardry on Famicom, also Dragon Quest, Ultima, and Fire Emblem among others.
- She was a difficult child so her parents didn't let her play. Wizardry is a boring game to watch, but the monster illustrations on the walkthrough evoked her imagination and made her keep watching.
- She only started becoming a serious gamer after the serialization of Dungeon Meshi was locked, for research purposes. Before that, she read fantasy novels such as The Neverending Story (Michael Ende) and The Lord of the Rings (JRR Tolkien).
- The international title for Dungeon Meshi: Delicious in Dungeons was decided by her editor.
- D&D popped up a lot when she researched the history of video games, so she read the rule books, replay novels, and games inspired by D&D.
- One of the first games she studied was the Legend of Grimrock (game's 80% off on Steam atm). Originally, she wanted Dungeon Master (FTL Games) which was famous for "RPG with meals" but hunting down the game and machine was too much.
- She didn't like games other than turn-based RPGs at first, but she decided to stop being picky and play anything that piqued her interest.
- She played Zelda: BotW and TotK on a borrowed Switch from her editor due to the console's scarcity at the time.
- She enjoyed Red Dead Redemption 2 and God of War for their stories. RDR2's incredible attention to detail had Kui engrossed so much that she asked her editor and other mangaka to play it so she could discuss it with them.
- Kui praised The Witcher 3 localization as something only possible with full support from the developer. Cyberpunk 2077 is one of her all-time favorites.
- Papers, Please was her first taste of indie games.
- Disco Elysium is the perfect game for her due to the lack of fighting, intriguing story, charming character interaction, and top-down perspective. She tried playing it in English at first due to an unlikely chance for JP loc, but it was out of her ability. Thus she is forever grateful to Spike Chunsoft for localizing it.
- Kui played Baldur's Gate 3 from the time it was in Early Access. Again, she's grateful for Spike Chunsoft's JP loc. She hoped BG3's success would bring the possibility of JP loc for other titles too, such as Pathfinder: wotr
- She likes games with top-down perspective because they have narration text for monologues and scenery description. Even if the graphic is lacking, the texts show the atmosphere and each character's behavior and psyche. Also, characters that react to your choices.
- She praised Unpacking and House Flipper for being able to tell what kind of person lives there only through their belongings, and that there's no right or wrong for the placements; she would make the best arrangement and then enjoy her hard work while sipping tea.
- The biggest inspiration for Dungeon Meshi was the Cosmic Forge pen from Wizardry VI. With improved graphics from its predecessor, now it could show broken farming tools in the background and many more details that made exploration so much fun.
- At the time of the interview (Dec '23) she still hadn't watched DunMeshi anime, but she attended the recording sessions. She's embarrassed that the dialog she wrote now acted passionately by professionals. Marcille's screaming was wonderful but also made her want to flee.
- Kui was anxious about the CP2077 anime adaptation, but she was relieved it was the Night City she knows and loves.
- Other than minor adjustments, she left it to TRIGGER as to how to adapt
- She's happy that Mitsuda Yasunori was chosen as the anime composer, as she used to play Chrono Cross and rewatched the opening many times.
- Her anticipated games in 2024 are Cloudpunk, Nivalis, and Avowed.
- DunMeshi would be hard to adapt into a game because in the first place, what Kui depicted in the manga are parts that are omitted in games for the sake of brevity.
- If DunMeshi game was Wizardry-like, it'd be told through Laios' perspective and eating was essential not to die
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finisnihil · 2 months
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“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.
Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."
If you can feel the hand of the author becoming too heavy that's bad.
For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.
The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.
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puppyeared · 9 months
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Wyrm on a string
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sweet child, you didn't even stand a chance
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magpie-trinkets · 13 days
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continuing that "maya tries to contact claire" post, i present you the post-Spirit of Justice follow-up
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myuminji · 1 year
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the bride walked down the aisle to where the groom stood, and there they exchanged their vows in front of the altar...
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hamartia-grander · 4 days
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Wyll calling his lover his 'star'. Astarion's spawn ending being him adventuring and performing heroics of his own choice. Wyll naming his adopted daughter Lily. The flower Astarion's lover puts on his grave being a lily. Monster hunter turned monster and monster turned hunter. Can nobody hear me
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carsonjonesfiance · 4 months
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Btw if you’re calling the Houthi Movement “Yemen” you are lying to suit your political agenda. That’s really not even the most relevant thing here but the Houthis are not the legitimate government of Yemen, they are a rebel militia. And that’s without getting into the morality of stanning the people that forced the last Jews out of Yemen and regularly force women into sex slavery.
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hamletthedane · 9 days
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Shakespeare: I will create two teenage characters who are explicitly proto-postmodern examinations of the nature of character and fate within fictional narrative. I am their creator and - like their parents within the narrative - I exercise complete control over their fates, no matter how much they struggle against it. They are born like Athena from my mind and doomed to die by my pen, by my complicity in the narrative negligence of them, by my own actions and wishes-
Actor: cool, what's their names?
Shakespeare, father of twins named Judith and Hamnet: uhh…. Juliet and Hamlet.
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nancywheeeler · 1 year
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hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.
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nobody-2116 · 5 months
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Trevor Hills from American Arcadia
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olliecoded · 11 months
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anyway the reason shauna could never have been antler queen is because she's too marked by blood at that point. she's the one who bleeds out the victims and prepares them for consumption; she is the slaughterer, seen as too violent. never mind that that's the role they actually gave her themselves. even before what happened with lottie, she was a reminder of everything they'd lost and what they'd DONE with everything they'd lost. but nat ... nat is a sacrificial lamb. nat is the martyr, the one who was SUPPOSED to die but whom the wilderness loved just so much that it killed someone else for her. she's pure. she's clean, and there's no blood on her hands like there is (literally) on shauna's. the thing about these girls is that they cannot acknowledge their own monstrousness. they cannot, cannot, cannot make the butcher their queen.
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noknowshame · 1 month
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I really don’t think we’ve sufficiently discussed the implications of how jesus christ superstar (1973) fucking ends
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