list of albums (left to right, top to bottom) for the babybats and fellow goths!! <3 (the image quality is absolute ass, so it's a little hard to make out):
(and yes, i am aware that not all of these bands are goth!)
1979-1983 vol.2, bauhaus
only theatre of pain, christian death
garlands, cocteau twins
disintegration, the cure
selected scenes from the end of the world, london after midnight
empire of the vampire, paralysed age
Этажи, Молчат Дома (etazhi, molchat doma)
treasure, cocteau twins
black celebration, depeche mode
visionary complex, fear cult
let them be alien, lebannon hannover
haunted people, ludovico technique
lesbian vampyres from outer space, scary bitches
vitrioli, selofan
the eternal deep, mephisto walz
seventeen seconds, the cure
living for nothing, horror vacui
unknown pleasures, joy division
self-titled, she wants revenge
tinderbox, siouxsie and the banshees
some girls wander by mistake, sisters of mercy
the gothic sounds of nightbreed vol.1+2, various artists
inked in red, vision video
koi no yokan, deftones
dead again, type o negative
issues, korn
greatest shits, utsu p
pendulum, twin tribes
ceremony, twin tribes
steel patch ep, tassel
self-titled, korn
tocsin, xmal deutschland
howdilly doodilly, okilly dokilly
life is killing me, type o negative
self-titled, system of a down
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just curious since when was screaming the end all be all metric of good singing. like just curious when we stopped caring about vocalists who sing w passion and heart and more impressive technicality than almost every other singer in the industry today. when did those actually important things start mattering less than being able to scream and. match the instrumental??? (not usually a requirement for music so it's a fucking weird complaint tehe!!). like just wondering when it became cool to randomly criticize talent just to raise your personal favorite artist up on a pedestal more than you already do without having to tear someone else down. just pondering since when it wasn't cool to just say i don't personally like that thing and move on and not need to write essays justifying why the thing is Actually bad and horrible so you're allowed to dislike it. like just fucking curious why some people can't just keep fall out boy and every single member of the bands names out of their mouths for once 🥰🥰🥰
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Gojo already being overpowered and then pulling out a super duper ultra powerful demon that's so strong, even the clan that uses it can't control it properly clinches it for me: Gege was That Insufferable Kid on the playground who constantly said "nuh-uh, I have THIS power too so your attack doesn't work on me"
Like I didn't think you could top BNHA currently having All Might in a mech suit containing all of Class A's Quirks coming out of nowhere to fight AfO who has a fucking EMP Quirk that he just doesn't use for some reason, but I legit don't know who to hand the "dumbest final arc in a current Shonen Jump series" award to yet. Hori at least gave us the Toga/Ochako yuri fight, and potentially Nobara might come back in JJK. Plus the final panels of Gojo are pretty.
In terms of reaction I'll still say that AoT has ths "worst recent shonen ending" crown but there's still plenty of time for Hori and Gege to catch up
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Untitled Still Life with Record Player - 2.5″x2.5″ paper negative, kodak brownie hawkeye with inverted lens, caffenol developer - robert matejcek - 2024
“It's only right that you should..
Play the way you feel it…
But listen carefully…
To the sound of your loneliness…"
- Fleetwood Mac - Dreams
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I think the terrible anxiety I've been having for a while is giving way to a depressive episode.
Which sucks, but I am better at handling depression. Ugh I feel like trash and I just want to sleep for a week.
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okay so in season 2 of good omens they bring up this book called the expert at the card table and i've posted about this book before because i am extremely not normal about it for a bunch of reasons i cannot hope to articulate here (if you wanna read it. for whatever reason. houdini donated a copy to the library of congress and so it's just freely available online for everyone). but like the person who wrote it was almost certainly a professional card cheater so obviously they didn't publish using their actual name. so there's this big mystery around it and there's a bunch of theories about who the author actually was including the possibility that it's e.s. andrews, aka s.w. erdnase backwards. and in the show, aziraphale says that his copy is signed by erdnase using his real name, and it's one of those things where like. i did lose my mind a little bit when this whole scene happened because it was literally written as a fun little reference for me, or at least people who have the exact same specific crossection of interests that i do so that's fun. HOWEVER i was a little pissed about the whole thing also because the mystery of who erdnase is sooooo central to the experience of the book itself. like the author's concealed identity is not a hidden fact, the author literally tells you he's lying to you, and it's so everything to me. and it has me thinking about the Real Book which is this collection of jazz sheet music that was compiled by a couple of students when they were in school and then illegally distributed for years among jazz musicians that it became a fundamental tool of jazz musicians all over the US. like to the point where if you were studying jazz in college or whatever you were instructed to go find some guy selling photocopies of the Real Book because you would need it for lessons. and the two students who compiled it remain anonymous to this day and it's very intentional. a reporter managed to get in touch with one of them a few years ago through encrypted emails and shit like that and the guy literally said that he would never reveal his identity because that's part of the Real Book's allure. like the mystery itself is part of the fun. and the expert at the card table is very much like that for me. the mystery is so much a part of the book that the idea of that mystery ever actually being solved is so unappealing. you gotta understand that when this book was first published, it fucking blew up the gambling world. nobody had ever published something so bold as instructions for literal actual card cheating techniques before. it's so iconic in the exact same way that the Real Book is, in their audacity and innovation. and in their mystery!! that's part of the fun
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