I just wanna gush bc omg I love the 666 series so much. I think it made me realize I might be... furry-ish? adjacent? I just find it so satisfying how you go into detail about the unique body features of both of them, the way it feels to have deer ears or kiss a TV and just generally how much thought is put into the way their bodies work, and I've realized that my interest in that kind of idea is a pretty good reason to partake in more explicitly furry media lmao. Anyways
I'm also really in love with how you maintain the balance of each of their personality traits. Vox is simultaneously so pathetic and cringefail (also your dialogue for him is perfect, I can hear it crystal clear in my head) but also he has vastly more emotional intelligence than Alastor, no doubt at least in part because he has to deal with Val, and he's able to marginally calm down with his obsession to deal with sticky situations, but even then he still retains his personality and bumbles things sometimes because of the flaws in said personality! It's great. I also really appreciate the balance you've struck with Alastor, I feel like often Alastor is either written to either soften up so immediately that it feels disconnected from his character or is written overly mean and heartless for my liking and the way you've written him is such a delicious balance between softer aspects such as the prey instincts or moments of vulnerability and his untouchable and manipulative self, and also the way this side of him is neither written as wholly a front or wholly his real nature and the complex ways this makes him struggle with his increasing vulnerability. TL;DR arghgr your characterization is so good it makes me go a little feral
Also while I'm here, I'm curious whether you can give an answer to the degree to which Alastor is touch-averse. There's obviously a lot of ways in which he fundamentally dislikes touch but it also seems like there's at least some kinds of touch where he doesn't dislike the touch itself so much as he's afraid of the way it brings about feelings of caring and/or enjoyment being cared for. I'm curious how much, in general, you would say his touch aversion comes from either cause and possibly what kinds of touch do/don't provoke those flavors of aversion
Omg, what a lovely ask to receive. Honestly, everything you said that you enjoy about how I characterize these two is very much what I've been actively gunning for, so it's an absolute delight to see it outlined back to me. Success!!! Thank you so much!
And ahaha - I'm not a furry but I fucking love inhuman characters. Being raised in the pits of Homestuck fantroll RP made me enjoy the whole "they're bug/fish aliens" thing and it definitely rears its head again any time I encounter characters with inhuman qualities. I love writing Vox's TV/computer-ness and Alastor's deer and radio bits, and integrating them into who they now are as people.
As for Alastor's touch-aversion: It's funny that you ask about this, because the next chapter of 666 is going to dive into it a bit. Specifically into the fact that it's not, like, a set of boundaries that is consistently defined, and I write him that way on purpose. The very first time he and Vox sleep together, Alastor bottoms. He becomes significantly less amenable to touch after he goes through an uncomfortable rut cycle that gets sexual. By the time Vox convinces Alastor to fuck him, Alastor would never let Vox do that again and frankly only agrees to topping because Vox gave him an option that didn't involve getting his dick out. Then in the next episode, they're having clothes-off sexual contact. So, what gives?
Things that play into Alastor's willingness to touch and be touched as far as Vox is concerned:
How does he see Vox at that point in time? Disgustingly entitled (ew)? Hilariously beneath him (haha who cares)?
Does he care about what Vox thinks of him? Does Vox touching him draw his attention to positive or negative assumptions he has about Vox's perspective on doing so?
What value has he attached to this particular touch in the power balance of their relationship? Is he humoring Vox? Does he assume Vox thinks he's owed this? Does he perceive it as something Vox is genuinely doing for him?
Has he tried this particular kind of touch before? He's pretty willing to experiment, but that doesn't mean he'll do something twice without a compelling reason if he didn't like it the first time.
Is he getting off on this situation sexually? If so, is it fully willing (read: not a byproduct of uncomfortable hormones) on his part? That only really happens when he's in a submissive role and Vox is hitting a few very specific kinks, a major one of which is basically CNC tilted 30 degrees to the left.
Is he enjoying the touch in platonic ways? How does he feel about that? Is it a vulnerability to want something? Is it feeding his ego to be catered to? Is he worried that what he enjoys platonically is being read into in ways he doesn't like?
Is he fucking drunk? Things that bother you when sober often seem like a non-issue when you're not, both on a physical and emotional level.
How much touching has been happening recently? Has he hit his limit? Did he deliberately put himself into a situation earlier to have his limit be hit and surpassed, and now he's in the aftermath?
He does have a certain fundamental purely physical dislike of touch, but it's something that is really affected by how he perceives each individual situation as well as his relationship with Vox at that time, and his previous experiences!
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I’d heard that all three endings made it clear that aloy was in fact a gay disaster over seyka regardless of your choice, but I hadn’t seen them yet. so naturally when I finished burning shores on ultra hard tonight (go me!), I recorded all three of them.
“I’m not ready for this” (brain) starts at 1:55, “this is too much for me” (fist) starts at 4:12, and “yes, I do” (heart) starts at 6:15
my gay thoughts:
I was not prepared for the “I’m not ready for this” option to be even gayer than the heart/kiss option, but she managed it!!! even the “this is too much for me” scene was, in fact, very gay. I was Not misled.
very juicy character stuff too
not gay but: “for two years my life has been...” ty aloy for clarifying the timeline for me
just prior to the hug in the "I’m not ready for this” scene, when seyka says “I’ll miss you, aloy,” they’re standing pretty close and seyka seems to be thinking about getting that bittersweet smooch anyway:
but after the “I’ll miss you, aloy” prior to the hug in the “this is too much for me” scene, they’re further apart and seyka is *not* contemplating going for it:
but the hug itself is the same in both of those scenes:
and of course the hug at the end of the heart option is much closer (and not seen from aloy’s side)
in conclusion, I have feelings
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An important thing to remember as an artist that started out drawing characters crudely and then started learning the fundamentals, at first your art will not look nice.
At first, drawing faces and bodies in different positions will make your characters look weird, then poor perspective will make your characters look weird, and finally when all the kinda things I mentioned above will be dealt with, just the hype of finally knowing how to draw anatomy will bite you in the ass because you can do all these things, you can draw them correctly or close to that, but whether that's figure drawing knowledge gaps, or awkwards poses/composition, or just not a very harmonious combination of realism and stylization in facial features or in general, but your before and after pictures might get this look of "clear objective technical improvement but many would consider it a downgrade"
That's a very common thing. I used to be in this before/after art community, and it was so toxic it was a meme within the community that no matter how much you've improved there will be people that will say that the before is better. There's a seed of truth to these words though, what they fundamentally get wrong is this implication that you "ruined your art"
That's a big example of why you shouldn't listen to non-art people for art advice. Keep going. You're closer to your art dreams than you ever were, you just need to look into all these things like the remaining knowledge gaps or personality to your art you might've lost as you were on your anatomy grind.
Keep creating, keep looking at art that inspires you and try to think of how to make yourself like your art better. Don't get stuck on it, if it begins being unfun, please do take a breather. Also, none of that is objective, people will still prefer things different to what you find beautiful. It's alright, create what you like, that's what this post is about. If you don't wanna, don't focus on aesthetics, just the process of creating art is fun and will eventually get you in the right place, that's what I do, I just occasionally throw in things I like and sometimes they work. Take care.
These are my current thoughts on the topic. I wouldn't take them too close to heart, this is just a blogging site and I'm blogin 👍
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OPEN STARTER: Genevieve Hawkins
Genevieve had come to both love and hate whenever Edmund would hold any kind of gathering or party or ball or anything at their house. She would be excited to get to mingle with people, to be anywhere but upstairs and out of the way.
And she hated the fact that the gatherings were the only time she was allowed to mingle with anyone besides Edmund himself or the servants of the household. That she would be forced to put on a smile and only be allowed to say what her husband approved for her to say. Only be allowed to speak with who she was allowed to speak and would never be allowed to leave his side.
This was one of the nights where her husband was a foul mood but putting on a false smile. His men had lost a battle earlier that day due to some false intel he had received and the whole household had been on edge ever since. Edmund hadn't let go of her for the whole evening so far and Genevieve was struggling to keep the fake smile upon her lips. Even with how practiced she had become with it over the previous 5 years.
What she wouldn't give to be free from him. To be free from the prison she had been in since her father had married her off for his own gain.
Genevieve was stood dutifully at Edmund's side, smile close to faltering as she pretended to listen. Eyes slowly wandering around the room until they met those of someone on the opposite side of the room.
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