Haterant- Callout post - Hello:
So apparently there are SandRay fans on twitter (haven't seen the take here, thank the gods) who hate the RayMew kiss. Not because Mew was manipulating and using Ray to hurt Top and without having feelings for him while both were on drugs and drunk, which Ray had started, BUT because they perceive both as bottoms and they think two bottoms kissing each other is BAD and YIKES and it would have been better if Top and Sand kissed WHICH WOULDN'T EVEN MAKE ANY SENSE PLOTWISE YOU DIPSHITS!
Fans of the ship really out there vomiting up the worst of takes although we fought for years to move on from the Top/Bottom take (and Jojo himself has bludgeoned the damn take in his shows).
Ngl but those fans are more toxic than any of the characters on the show and have proven with this that they don't care for the plot or the characters but only their faves and ships (oh, also apparently they say SandRay are not popular? What?????)! It's truly sad how little reading comprehension is in the last braincell of some of them and how much disrespect for an intriguing story and the characters' background stories and development.
Please, just stop watching the show, nuances are wasted on you, thank you.
(plus this might just NOT be your kind of show - and that's okay)
(this also includes the ones who demand more sweet SandRay scenes and are outraged that they fuck up and that they're such a mess and no soulmates - we were never promised a sweet rom com but exactly the toxic, complicated mess we're getting now - live with it and stop watching! it's okay if it's not your kind of show - there's no need to watch just because your faves are in it)
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Platonic sebezra, circus au?
Oh-ho-ho I did NOT expect this prompt to take root the way it did. Ahem. But here's a little ficlet that doesn't even begin to touch the depths of brain rot you've given me
“You’re the new tightrope walker, right?”
Sabine didn’t look up from lacing up her shoes as she replied, “Looks like it.”
This wasn’t where she’d expected to be— a circus in the middle of nowhere, barely breaking even. Clearly, it wasn’t as popular as it used to be. Everything made that clear, from the worn out waistcoat that the ringmaster had been wearing when he hired her and the threadbare costumes hanging on a rack near her, to the fact that the tent was still nearly empty, and it was fifteen minutes until show time.
But she’d gotten stuck, and she needed the money. And luckily, she was good at more than one thing. Tightrope walking would be easy.
Rising, she turned towards the arena— and froze, coming face to face with a lion.
Her instinct was to scream, her second to run or fight. But instead, Sabine deliberately tensed her muscles, feeling the panic race through her, silently counting to five. When she reached five, she let out a long exhale, then lifted an eyebrow at the orange clad boy standing behind the lion.
“Let me guess,” she said. “Lion tamer?”
He grinned. “How’d you guess?” With a quick whistle, he called the lion back, and it settled next to him, looking like nothing so much as an over large cat. “I’m Ezra, and this is Jasmine.”
“Sabine. This how you greet all your new coworkers?”
Shrugging, Ezra said, “Only the ones who can handle it. And it looked like you could. Besides, it’s a good test of who’s going to stick around.”
Sabine had no intention of sticking around. This job would, hopefully, get her enough money to make it to her next destination, and then she would move on.
But for now, she just nodded. “Looks like I passed.”
“Looks like it,” Ezra said with a grin. “Welcome to Circus Spectres.”
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This might sound like it’s straying into RPF territory, but thoughts on each of the players’ (including Matt’s dm style) playing style (ie: how they play their characters.)
Hmmm. Tbh, I don't think I'm knowledgable enough about actual game mechanics/playstyles to provide super meaningful analysis on that front, but I do like characters and how they're created and played and grown. So. I'll cheat a little and talk a little about that?
(To avoid straying into weird territory I'll be trying to keep this as speculation-free as possible and focus on some particular character elements I've noticed and appreciate, but it'll include cast appreciation too.)
this got SO FUCKING LONG because I was having a good time. sorry. enjoy?
Ive spoken about this before, but Marisha's characters often have arcs that are deeply self contained and circle around personal growth and triumph and healing in ways I really enjoy. Her characters do tend to be very powerful, which- nice- but more often than not the biggest factor for growth- and her characters always have phenomenal growth arcs- is about overcoming internal stumbling blocks and demons, improving as a person and settling into it. Which. Spells exciting things for Laudna. 👀 I also love how much she physically embodies each of her characters. Delightful to see. Post-nap Beau, mildly delirious Beau, Laudna drunk-and-woozy-from-blood-loss, Laudna hiding behind her hair.... fantastic.
Liam's characters are so fucking full of love, and passion, in ways that wrap around and shape them, both good and bad. And like yes, fantastic and distinct explorations of grief, yes, thoughtful and nuanced portrayals of loss and trauma and upheaval. But- honestly, looking at Caleb, looking at Vax, looking at Orym. They're all just Lads With Feels, yknow? Good lads who love people so damn much, and feel things so strongly and fully, for better or for worse. He also embodies his characters so fully that you feel that fullness to your core. Method acting.
Taliesin's characters are firstly, aesthetic as hell. He also does something really neat with characters and pride and inflexible or presumptous worldviews. And alongside that, each of his characters can beautifully demonstrate points about people who speak well and charismatically and reassuringly and how that really correlates so little about how much they should be trusted. (Cad, this includes you.) There's pages and pages of analysis that can be done about each of his characters and themes about authority, and pride, and self assurance, and judgements and assumptions that feels very intentional, but his characters also feel very human with it all. There are layers there. And the characters manage to not feel overburdened with it! Masterful. And Taliesin is consistent as hell with it, even if he's not always In character like Liam might be.
Sam. Fucking Sam Riegel. Bard at heart. His characters always, always, have layers, without fail, and Sam is enough of a jokester that you can't take everything done in character as hard evidence of analysis- but you can definitely take more of it than you think. And if there's a specific detail that is slightly funny but seems almost too specific, you can rest assured it will probably rip your heart out later. (Veth hates water! haha! -ah shit-) There's a nice level of thoughtfulness there with just enough actual jokes thrown in to keep you off balance, which makes some of the analysis hell but damn if they aren't good characters.
Ashley is- first of all, extremely funny, okay, there's an element of Chaos™ that I think was present in both Yasha and Pike to an extent that is truly blossoming in Fearne, it is delightful. Her characters tend to be funny in the way of deeply absurd, unexpected statements said in completely genuine tones. And it's hilarious. It also lends itself very well to the other aspect of her characters I enjoy, which has to do with them feeling deeply genuine. It is not precisely about honesty- especially with Fearne- it is about characters who say things with a sort of earnestness, who present themselves with a levek of honesty they can't quite help, even when they're lying. Its good for a comedic streak- ("Your cat is? Vibrating?" "I lied :)") and then just as easily be completely heartwrenching. (Yasha, wrecked and angry and guilty. Fearne, quietly telling Dorian, "I'll never forget you."). She plays both sides of it so well.
I'll admit I'm less familiar with Grog, but Fjord was, admittedly, one of my favorite characters from C2 and has one of my favorite charscter arcs and growth of all time. Travis is so fucking good at blending humor and heart in his characters. Like, comedic timing and sense off the charts, instinctive slapstick, which I think can distract from how consistently thoughtful his characters can be? I dunno. But also, I'm aware some people thought Fjord was boring at the start of C2 and then I think about how fucking hilarious he was through the latter half of it- falling on his face, making a fool of himself, using healing spells for 1-2 hitpoints. And go absolutely feral thinking about how that was a reflection of his growth as a character, about how his confidence in himself and being comfortable being him and not an imitation of someone else meant he felt more confident in making a fool about himself, and how he balanced that humor so well with Fjord growing into leadership and comfort with his role as a voice of reason and- oops this became Fjord meta.
Travis has really good comedic timing but also can spin that on a dime for the most heartfelt, gentle, thoughtful conversations and it is unfair how good he is at it. We're even seeing it with Chetney already. Incredible.
and. Look. I'm sure anyone following me is unsurprised to know that I have. An extreme love for Laura Bailey characters and how they're constructed. And part of this is definitely verging on like, personal preference- I have a specific weakness for characters who are trying so fucking hard to keep it together and be Good and Kind and charming, and who might be doing it VERY convincingly but are also, in one form or another, white knuckling it and On The Edge. Characters that Smile With Teeth (but are also genuinely Trying Their Best). I DUNNO.
But I think it's a testament to Laura truly thinking things through with her characters and how they would feel and react and also fuck things up, and then 100% committing to them. Strong traits as both strengths and flaws. Vex's charm distilled to an arrow point. Jester's happiness being intentional and powerful and terrifying. Imogen being anxious and empathetic and also ruthless under pressure. Her characters are always impressive and flawed in ways that make so much sense, that line up with each other and fall into place and she commits to them fully. They'll say something or do something bad and you'll be like: OOF but also OF COURSE and like. LIKE. isn't that great.
And as a bonus, we don't get to see Matt as a player often and I think NPC building has a level of worldbuilding integrated that can't be ignired. But whenever I see him as a PC he is often-
1- having such a good time, love that for him.
2- Clearly someone so well associated with the rules and uses all of that knowledge and mastery for tomfoolery or specific purposes.
3- making such Lads™. Good bois.
im mostly thinking about Dariax, actually. Dariax was so good, and so complex while also having no more than 3 thoughts at a time. i miss u dariax. ilu.
Matt's characters are a delight, is what I'm saying.
.....
okay this got unreasonably long i think it can probably be boiled down to I Love Complex Characters Who Act Consistently With Some Level Of Characterization and everyone in the cast works so hard to ensure their characters feel fully realized and act consistently and in ways that make sense. And I love characters who act consistently. my bread and butter. and they're all good at different aspects of it but. 👌
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