#only real spidey fans will understand that this interaction is based on that one scene between peter and otto octavius-

[demigod-of-the-agni]

A DEVIL REBORN

Happy Halloween!!! A detailed ID will be placed under the cut (it's close to being 1K i could literally post this to Ao3)

p1. ड्याम्म (dyamma) - Nepali for "(feeling) full", "hitting something"

p3. Chutiya - Hindi for "idiot", "moron" and other related insults

p5. க்ரீச் (kreech) - Tamil onomatopoeia describing scraping/screeching sounds

[Extended Image ID: DYAMMA! Slamming his hands on a table, Achanba Okram finds himself in the darkness of his laboratory. He is wearing black clothes and a white lab coat on top, and has a bowl cut with rectangular glasses.

His thoughts whirl within boxes that are coloured gold and are outlined with red; they put a voice to the uneasy feelings Okram knows are stirring inside of him. The thought boxes read:

With Pavitr gone, I finally have time to string my thoughts together. Half-drowned answers bleed out of my pores. Coalescing like some great, abysmal creature of unknown origin.

Bracing his hands against the table, Okram is acutely aware of his body, of the gaping holes in his back that bubble with demonic energy. His thoughts narrate, My body quakes when I begin to question, wracked with paranoia. With dread, as if the idea of what I had to face was unbearable.

The holes in back — four of them, spaced evenly from each other — begin to ooze golden liquid, hot like fire and viscous like tar.

And yet, Okram thinks, I felt it all the same: that crawling, scintillating horror of my reality. Of my tainted flesh and blood. My being here is the work of demonic forces.

Golden arms, fluid yet bony, powered by some otherworldly thing, unravel from the void in his back. They flounder and expand around him, filling the lab with a cold glow. The fingers are tipped with talons, and, if he looked hard enough, Okram swears they are edged with blood.

I died years ago, Okram thinks. I lost my humanity to the fire of the devil's madness. Thus, the question remains: what is the future of Achanba Okram, a DEVIL REBORN?

The lights of the lab suddenly brighten, and Okram hears him before he sees him. His arms register the presence of the other person, immediately unraveling and slipping out of reality. Just outside, Pavitr Prabhakar's voice calls, "HEY, DOCTOR OKRAM! Sorry I'm late! Traffic was abysmal today."

Pavitr's entrance catches Okram by surprise, and he stutters out, "PAVITR?! You- ah- you have one of your shifts today?"

His thoughts reprimand him, You CHUTIYA! Pavitr always has his shifts on Tuesdays!

Pavitr is unaware of Okram's turmoil, sauntering into the laboratory while hefting up a white plastic bag. He's wearing a black and white flannel shirt, and he has circular earrings. Pavitr's eyes are trained on the bag in his hand. He answers Okram's question with, "Yeah, I do. I, uh, got a little hungry along the way (I'm always so hungry)." Pavitr whispers the last part as he lifts the bag up. He continues, "so I went and bought some vada pav, and—"

He suddenly pauses, his eyes locking onto Okram. He can't tell what is going beyond Pavitr's eyes, but the other man's analysing gaze unnerves Okram to a degree beyond description.

(In Pavitr's POV: his Spider-Sense was just triggered. Red and gold squiggly lines emanate from and surround his head in a halo.)

Pavitr lowers the bag slightly in concern. "Uhm," Pavitr says "are you okay, Doctor?"

Dread and fear floods Okram's system. Suddenly he is hyperaware of everything in the room, including the golden arm that has sprouted from his back and was lying on the workbench behind him, right in Pavitr's line of sight.

Play dumb! Okram's mind screams at him. Accordingly, Okram replies, a tad too tightly, "Of course I am, Pavitr! Why wouldn't I be?"

KREECH. The golden arm scrapes its taloned fingers across the table, no doubt giving away its location.

Okram chuckles nervously, sweating almost immediately, at which his mind howls, Not that dumb!

Pavitr narrows his eyes at Okram and at the golden arm on the workbench. "Are those...demonic arms?" he asks Okram, a shadow crossing his face.

(In Pavitr's POV: In the back of his mind, Pavitr sees a vague and faded image forming in response to seeing the arms. He remembers Doctor Octopus, the man with two extra sets of arms who had attacked him many years ago; he was one of the first villains Pavitr fought as Spider-Man. But... Doctor Octopus died a long time ago. Perhaps...?)

"Oh, Doctor..."

Pavitr's gaze softens as he asks, "Are you being haunted by demons? Have you been attacked by them? Why didn't you tell me? I'm so sorry this has been happening to you. I can't imagine how stressful this is for you." A moment, and then, "Do you want to talk about?"

Okram hides his face in his hands, quickly responding, "No, I'm alright, Pavitr."

Pavitr walks forward, placing his bag down and reaching down to place a reassuring hand on Okram's shoulder. "But, Doctor, men of your generation have ignored their mental health for too long."

"Yes, I know," Okram sighs.

"It'll be okay, Doctor," Pavitr promises, "we can figure something out!"

"And what?" Okram asks somewhat sarcastically. "You will be here with me 'every step of the way'?"

"One hundred percent!" Pavitr says.

Behind them, one of Okram's demonic arms reaches out to peer at Pavitr and Okram; if an arm could be happy, it certainly was. The arm is seemingly pleased with Pavitr's helpful and understanding nature. /.End ID]

#i finished this comic the night before an exam. pray for me #anyway THE COMIC IS HEREEEEEEEEE #this thing has been rolling around in my mind for SOOO LONG lmao #only real spidey fans will understand that this interaction is based on that one scene between peter and otto octavius- #-in the first ps4 spidey game #friendly reminder that pavitr prabhakar (at least in the comics) does not know the identity of his version of doctor octopus #so my brain knew it would be super fucking funny to have this scene happen in the mmau except the roles are swapped. how fucking funny #(please tell me it's funny i worked so hard on this hyperspecific joke) #also yes that picture of pavitr with the bag? that i've been reblogging where he picks up sad peter parker or gets jumped by miguel? #yes that came from here. I AM A COMEDIAN #but narratively-speaking. considering this is now canon for the mythic mumbattan au.... #thinking about how i far i can push the insomniac spidey agenda into this universe. thinking. just THINKING. wait I JUST THOUGHT OF SOMETHI #and it is FANTASTIC oh you guys are gonna love it #cackling. you'll have to wait for it tho <3 #spider man #spider man india #pavitr prabhakar #achanba okram #(also in case you didn't know. achanba okram ISN'T REAL. HE'S MY LITTLE GUY. I MADE HIM) #(he's like. half oc half established character) #artoftheagni #mythic mumbattan au #atsv #across the spider verse #atsv pavitr #doctor octopus

[fandumbstuff]

The Marvel Cinematic Universe, Ranked Best to Worst.

Why watch a movie when you can experience it? And that’s what the MCU demands you do. These films are less about settling in to watch a movie. It’s about getting together your family, your friends and making an entire event of them. Marvel Studios has forever changed cinema going, and boy am I eager to get back to them. So with that, let me break down the franchise and my take on the best and worst it has to offer.

1. Iron Man 3 Directed by Shane Black

Iron Man 3 still holds up as one of the MCU’s strongest screenplays. It’s their first (and one of their only) real character study of a superhero, and the psychology behind being one. Tony Stark suffers from PTSD and struggles to understand his relationship with Iron Man. He is forced to contend with human issues and find what it is that truly makes him a hero. It’s also a movie chock full of incredible action set pieces- the Air Force One scene still holding up as one of my favourites- and wickedly funny dialogue. It continues to be my most satisfying re-watch out of the MCU.

2. Black Panther Directed by Ryan Coogler

Marvel’s best villain, best score, best production design, and best picture candidate. It’s the movie that forced Hollywood to take them seriously. Ryan Coogler showed the world that he can perform even within a studio system that had largely been criticised for being too overbearing. The world may have always known that Black Panther existed, but Coogler showed us why he matters so much. The story is the MCU’s most inspiring yet. Killmonger forces not just T'Challa, but every audience member to consider his motivations seriously. It shows humanity that heroism doesn’t come from superficial acts, but from overcoming our own flaws and learning hard lessons from our history.

3. Thor: Ragnarok Directed by Taika Waititi

In letting Taika Waititi have free reign over Ragnarok, Marvel is given their most unique film yet. The movie feels very much like Waititi’s own vision, chock full of his signature wit and charm. And its within this vision that we finally see Chris Hemsworth come into his own as Thor. Finally at ease, he’s allowed to be funny, and absurd, and play the emotional scenes without any melodrama. Waititi really makes the character dynamics in this film memorable, introducing us to the Grandmaster and Valkyrie, and fleshing out Banner and Loki. It’s a cast that charms us enough to consider staying with the MCU and seeing where they go.

4. Captain America: The Winter Soldier Directed by Anthony and Joe Russo

Chris Evans finally comes into his own as Captain America, as Winter Soldier gives him a captivating character arc to work through. Steve Rogers is placed in a conflict that makes him question his own motivations. The morality that he stands for is in direct opposition to the authority he serves, leaving him to question what it means to be Captain America. We also see him learn from his relationships with the supporting cast- with a franchise best portrayal of Nick Fury and Black Widow and a particularly strong introduction of Falcon. The Russos create something truly remarkable by taking a character that has been criticized for being too traditional and show him learn and change significantly. But in addition to all this they direct what is easily the MCU’s best pure action movie yet, showcasing the franchise’s best car chase (Fury vs Cops) and its best fight scene (THAT knife scene).

5. Avengers: Endgame Directed by Anthony and Joe Russo

Stunning, momentous and joyous, Endgame is the theatrical experience that Marvel has spent over 10 years honing to perfection. Just one year after Infinity War, the MCU brings together their iconic, colossal cast for their grandest, most ambitious adventure yet. And while Endgame is chock-full of some stunning action sequences and gleeful references, it carries a genuine heart to it. These heroes struggle with PTSD from the events of Infinity War. We see them at their very lowest, and watch their desperation mount and grow to determination. This epic struggle is what has made superheroes so compelling for so many years. By breaking these characters down, the Russos show us just what makes them great. We’ve witnessed writers, directors and certainly the actors take these characters on journeys that have seemed at times thrilling, at time out of touch, but in Endgame, they’re at their very best. The moments of reprieve in the action where we simply sit with them to listen in on their banter are the best. Building to it’s inevitably emotional ending, Endgame winds up being one of the most wholly cathartic experience I have had with a film.

6. Guardians of the Galaxy Directed by James Gunn

At the time of it’s release, Guardians was the franchise’s best-looking movie yet, and it still holds up. The slick space opera designs set to the now iconic soundtrack made the first Guardians an aesthetic marvel. It’s the substance that comes with this that makes the movie one of the MCU’s best. The ragtag group are misfits who find their purpose by banding together, and while the sequel may have drawn this out to nauseating lengths, the first movie made it succinctly effective. It found the right balance of humour and sentiment, endearing us to a cast of characters that seemed too obscure to be popular- and guaran-damn-teeing that Marvel can do whatever the hell it pleases moving forward.

7. Avengers: Infinity War Directed by Anthony and Joe Russo

To handle ten years of storytelling and world building and bring it to such a satisfying crescendo is commendable. The Russo brothers handle each character well- each new introduction is a pleasing moment of familiarity and excitement to the fans that have stuck with this franchise. It’s a perfect match to the comic book format. And ultimately Infinity War is as good as any major comic book event. A chance to see our favourite characters interact with each other with conceivable motivations, and face a threat that is alarmingly critical. Its in this respect that Infinity War outshines its predecessors. For the first time, the Avengers face real emotional consequences if they fail. The Russo’s pull no punches to make this clear and despite a fair amount of signature MCU levity, Infinity War winds up being their darkest film yet.

8. The Avengers Directed by Joss Whedon

There’s no questioning the milestone achievement that The Avengers accomplished. As a superhero ensemble, it never once feels congested or jarring-something that most blockbusters consistently suffer from. Instead the protagonists are given clear goals, and their obstacles make real sense. Their hostility towards each other stems from their innate character flaws that they need to address to face the true antagonist in Loki. It highlights what Marvel does so well- offer us adventures that don’t tie up all their loose ends but rather leave them dangling to set up more ambitious stories.

9. Spiderman: Homecoming Directed by Jon Watts

I’ve long considered Spider-Man an uninteresting superhero, so it is highly commendable that Homecoming manages to change that. We skip the origin story and meet a Peter Parker that is inexperienced and has a lot of growing up to do. He contends with Michael Keaton’s Vulture- a villain that is simultaneously charismatic, intimidating, and relatable. Supported by what is probably the best supporting cast in any MCU film. Martin Starr, Hannibal Burress, Zendaya, Jacob Batalon, Jon Favreau and Marisa Tomei flesh out Spidey’s own universe of Queens- wholly believable and charming.

10. Captain America: Civil War Directed by Anthony and Joe Russo

In all respects, this should have been the second Avengers film. The Russo brothers do what Joss Whedon couldn’t. They show these characters change and clarify their motivations based on the 8 years that we’ve been watching them. They introduce new characters like Spider-Man and Black Panther in seamless fashion. They provide exciting action set pieces and compelling moments of drama. The payoff at the end truly shows us how much of a battering these heroes take- emotionally and physically. We see their vulnerability more clearly than any other MCU film, forcing us to address the question that they can’t keep doing this forever.

11. Captain Marvel Directed by Anna Boden and Ryan Fleck

The biggest issue that this movie suffers from is that it seems very episodic to a larger MCU. Its hard to get around this though, with it’s release date being less than 2 months away from Endgame. It feels like there are some key world building details that had to be gotten across. Had this not been the case, perhaps they could have explored Carol’s character a bit more. She does seem interesting, and Brie Larson does an expectedly great job, but it seems like we’re only getting a taste of a much larger character study. From what we see though, it is refreshing to see a female character who simply goes out and kicks ass without ever being sexualised, even in terms of costume design. The highlight of the film though, is undoubtedly Samuel L. Jackson’s incredible portrayal of a young Nick Fury, through the most magical of magic tricks in VFX.

12. Iron Man Directed by Jon Favreau

While I do feel like the movie has lost some of it’s lustre since it’s release, there’s no denying that Jon Favreau achieved something remarkable with Iron Man. Forever considered one of Marvel’s B-characters, Favreau brings Tony Stark into a modern era and instantly relevant setting. This is obviously due in large part to his gamble of casting the debilitated Robert Downey Jr. in the lead. Downey Jr. pays off in spades, revitalising his career and sadly typecasting himself forever with a roguishly charming performance.

13. Doctor Strange Directed Scott Derrickson

Doctor Strange is proof of the amazing world-building prowess the MCU has. They introduce key elements to the universe that seem incredibly important, without ever overwhelming the story. Benedict Cumberbatch puts on his best American accent yet and capably sells Stephen Strange as one of the MCU’s more level-headed heroes. The rich mythos of Doctor Strange fits immediately into the greater MCU framework while telling it’s own compelling narrative culminating in my favourite climax to any MCU film- “Dormammu, I’ve come to bargain.”

14. Spider-Man: Far From Home Directed by Jon Watts

The real standout from this film is Jake Gyllenhaal with his pitch-perfect performance as Quentin Beck/Mysterio. He threads that line of MCU humour extremely well, but also manages to come off as wholly and realistically threatening when he needs to. Far From Home had the tough task of following the monumental Endgame,  but it fulfills its purpose of truly setting the tone for the future. A lot rests on Peter Parker’s shoulders and Far From Home shows him having to deal with it responsibly, maturing and growing to fill a greater role in the MCU. 

15. Ant-Man Directed by Peyton Reed

If you ignore the fact that this movie was almost directed by Edgar Wright and how amazing that could have been, Ant-Man still delivers as a very entertaining movie and one of the franchises strongest origin stories. Scott Lang is instantly the MCU’s most relatable character- not a god, not a spy, just a thief with no powers and no resources (initially). And there is no one who could have played this character better than Paul Rudd. Bringing his signature charm and impeccable comedic timing to the franchise is a breath of fresh air and a brand-new dynamic. 

16. Captain America: The First Avenger Directed by Joe Johnston

Ultimately my biggest problem with Captain America has always been his origin story, so I have some natural issues with this film. It is also bogged down with some cliched romantic drama between Steve and Peggy which takes away from its otherwise engrossing plot. Hugo Weaving proves to be an effective Red Skull, showing us a deeply disturbing quest for power. The movie excels in its WW2 setting, laying down real consequences and motives behind Captain America’s heroism. It takes a few movies for Chris Evans to settle into the role, but this is a strong start.

17. Iron Man 2. Directed by Jon Favreau

Iron Man 2 consistently threads the line of poignant storytelling. Ivan Vanko’s vengeful motives, Tony Stark’s descent into alcoholism and the nature of war profiteering. It’s especially unfortunate then that the movie gets bogged down with a persistent need for levity. More than any other film in MCU, the humour in Iron Man 2 seems particularly cumbersome- taking away from what would surely be strong performances from Mickey Rourke and Sam Rockwell. As a result, we’re left with villains who don’t seem to be a threat at all- mere caricatures for Iron Man to dispatch without ever really pondering their motivations.

18. Ant-Man and the Wasp Directed by Peyton Reed

My initial reaction to this movie was pretty positive, but given time I realise it’s totally forgettable. While it does feature some integral world building to the larger MCU, there’s very little done to explore some of their characters, particularly the Pym/van Dynes. There are still a lot of great aspects, including some clever action set pieces that explore Ant-Man’s powers more. Scott’s relationship with Cassie is expanded on and Paul Rudd and Abby Ryder Fortson do a great job selling this, making it seem truly endearing without ever being corny. Also Randall Park is in it and he might be the greatest actor of his generation.

19. Guardians of the Galaxy Vol. 2 Directed by James Gunn

More of the same, but not nearly as fresh is what Guardians 2 serves up. It rehashes a lot of its predecessors joke formulas, action montages and even the basic emotional tone. It’s hard for any of this to seem anything other than repetitive and I’m left wanting these characters to go on real adventures rather than wallow in their own angst. Without offering any new developments to these characters and a rather uninteresting plot, the movie is another totally dismissible filler episode in the MCU.

20. Thor Directed by Kenneth Branagh

It’s really baffling that with as big of a name as Kenneth Branagh attached to it, Thor winds up being one of the MCU’s most poorly directed films. Poorly constructed shots framed on a dutch tilt and coloured with a gaudy high contrast palette make this movie a downright eyesore. It’s especially unfortunate because it’s got some great moments of storytelling in it. While the first three quarters of the movie seem tedious, it pays off in the last 30 minutes- exposing a complex family drama that drives most of the film. While Chris Hemsworth took a few films to polish his acting chops, Tom Hiddleston and Anthony Hopkins provide strong performances to really sell their characters and make us care.

21. The Incredible Hulk Directed by Louis Leterrier

This movie has easily become the sore thumb in Marvel’s formula. It seems entirely different from the rest of the movies. This is due in large part I believe to make it similar to the original TV series. None of this is a good thing. The movie has a largely meandering plotline, with no sensible character development. Bruce Banner goes back and forth between being tortured by the Hulk and accepting him. In a world populated by poor villains, Tim Roth’s Abomination might be the worst one. At no point do his motivations make sense or seem clear at all.

22. Avengers: Age of Ultron Directed by Joss Whedon

It seems like Joss Whedon decided to make a sequel to The Avengers without taking into consideration the four other movies that came out after it. Ignoring most of the character development and brushing aside key plot points, Whedon instead tries to explore their team dynamic by sewing seeds of hostility and testing them against a new villain. However, as good as James Spader is, Ultron never feels like a real threat. The real antagonist for the Avengers winds up being themselves, constantly bickering over right and wrong- and while this isn’t necessarily bad, Civil War would do a much better job of this just a year later. This makes Age of Ultron a dispensable entry in the MCU, and Whedon’s extremely poor handling of Natasha and Bruce’s relationship make it an arduous rewatch.

23. Thor: The Dark World Directed by Alan Taylor

The Dark World suffers from some bizarre shifts in tone and horribly forced humour. They reduce Jane Foster and Thor’s relationship to a cliched romantic comedy and then use it to add unnecessary comedy to the family dynamic established in the first Thor. Even the performances seem poor here- as if the actors never truly felt comfortable in their role. They posture and exaggerate to sell a script that offers them very little to work with. With a caricature of an evil villain and a generic McGuffin to chase, The Dark World is everything you could criticize the MCU of, rolled into one movie.

#MCU #marvel #marvel studios #marvel cinematic universe #marvel comics #stan lee #excelsior #film #film review #film list #yyc #yyc blogger #yyc film #iron man #captain america #thor #hulk #captain marvel #black panther #spider man #ant man #doctor strange #black widow #guardians of the galaxy #the winter soldier #avengers

[detectivehole]

Go comic feral, i followed this blog for a rEASOn and it's bc i like to hear your random vents and rants and also you reblog cool stuff. But i digress, go comic feral i am hERE for it

fine

PETER PARKER BEING RICH IS STUPID  he didnt even ern what he has himself it was nt even himn he wasnt in his body maybe if i had got to see him start fron nothing to being a cool ceo or whatever id be able to stand it but nooooooo he just GOT is for nothing so it feels stupid like “ha ha what if like tony stark haha” its DUMB and i haven’t read a spider man comic for a long time

deadpool/spiderman crossover comic bad. feels out of character a lot. funny concept and full of funny jokes but as far as characterization its bad in my opinion- was made to capitalize off the hype of the ship and we all know it

don cates should be banned from writing comics bc he fucking sucks and ill never forgive him for what he did/tried to do to venom

deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good deadpool good dea

the venom movie was a lot of fun but it was very ooc a lot HOWEVER seeing some of the cut scenes and scripts you can see that it used to be actually fairly in character for the comics but a lot of scenes with eddie establishing himself as not actually the most nicest of guys (not that eddie isnt a nice guy deep down but he is a good amount fucked up with a big ol hero complex and a problem with ‘i can do no wrong” mentality sometimes) were cut and considering how the fandom for the movie treats him i can see why the cut those bits out bc i dont think movie goers would have liked him as much wich is a shame bc he is a good guy at the end of the day just fucked up

straight white male comic fans are the worst people in the world and breaking their fingers is a daydream i indulge in 

matt murdock is a himbo

foggy nelson is a good man who deserves better friends

i can tell what deadpool comics someone has read based on how they characterize wade in their fan works and i have a 80% success rate with it. the most common was the daniel way run but now its the spider-man/deadpool crossover series

soulda used miles for the mcu spidey instead of cannibalizing his story for parts like they did. dick move, Disney

mcu bad

i think just the idea of dc’s Red Tool is fucking hilarious but i dont like his character at all

batman and superman should fuck but they wont :/

matt and foggy should to but the comic industry is afraid of making long running characters lgbt bc theyre WEAK

deadpool need a canon bf they cant keep telling us hes pan and not showing us for reals- hell he could just go on one date or be shown having a one night stand or something- something beyond a damn joke

cable gay. no i will not listen to any other opinions.

im excited to read moon knight i have a book waiting i just have to finish my current one

SCUD the disposable assassin is the most underrated comic EVER and i LOVE IT however i think it ended stupid and bad however it went on fucking hiatus for like a decade and then was rapped up really fast so any ending is a godsend

i desperately want a long-form stand alone series abt wanda wilson bc shes the perfect foil for a good Feral Dumbass Woman comic. think abt it; shell sell immediately bc of recognizable brand, and then she can just go on violent stupid adventures without any of the other dp corps. it doenst have to line up with any canon i just want insane lady dp adventure comic. this is an unreasonable dream but mine none the less

i though that agent venom was stupid

tank girl is fucking amazing and i love it i never understand whats going on and i enjoy the confusion

reading early hulk comics feels like watching a weird, poorly produced old black and white sci-fi soap

there needs to be better, more easily accessed, official reading-order guides published and posted on the walls of comic shops everywhere

the 80s and 90s were the best time for marvel comics and no one can tell me otherwise. that was peak comic time

the worst time for comics was the 2000s and early 2010s

sometimes i am shocked by the art that gets the editors pass in comics. some of it is so bad and im not even talking about the disproportionate ladies

the lego marvel and dc movies are way better than the live action movies and im not even being sarcastic

seriously the 2000s made some horrible comics

i feel like committing acts of mass violence every time someone says comics arnt real reading/stories/implies theyre worth less of any value than a novel

i read the first deadpool comic i got so much that the art itself is so ingrained in my mind that people have shown my just the corners of panels and ive identified them correctly

i distinctly remember the first time the woman at the book store stopped asking me for parental permission to buy the comics i was getting (12yos) because i went there so often that she just remembered who i was and that the adult would say its fine

i refuse to talk about comics with people at cons because i am gatekept or flirted with every single time no matter what and there is no in between. and yea its because i have tits. youd think that eventually theyd learn but gross comic men never do and all the others have adopted the same policy as me so the closest i come to positive comic interaction at cons is standing in the same vicinity as another chick, looking at the same section, and the kinda smiling at each other

i think the avengers are boring. really really boring. the x-men are way better

i related to gwenpool too much when she first started and it scared/offended me so i stopped reading for a while until her character developed more and we stooped being so similar

i have spider-man bedding. i picked it out only a few months ago. its good it makes me feel cool in a very uncool way

watching spider-man as a kid made me wanna be a scientist. watching batman as a kid made me want to do martial arts. i ended up failing chemistry and falling on my face a lot instead.

i had a huge venom toy and a huge spiderman toy as a kid and while i did make them fight a lot i also made them hug just as much. i wanted them to be friends

on that note PETER IS MEAN TO THE SYMBIOTE NOW AND HE DONT EVEN HAVE A REASON NO MORE hes just such a dick about criminal reform eddie and the symbiote aint special with this- he says he believes people can be better but he really doesnt show it. he tends to think people are set in their ways and while this makes sense forthe most part considering how much hewas bullied as a kid/adult (that also contributes to his mild “i protect my own” mentality  tho at least he consciously fights that one) it stil pisses me off

i can think way more but i need to sleep i think

#wrything