hi hi !! loveee your blog so far, it’s v nice to see more hetalia writers popping up again. if you’re interested in tackling this request, i’d like to see your take on how a yandere romano would deal with feelings of jealousy in regards to his darling getting a little too close than what his insecure brain’s comfortable with to his brother veneziano? 🫶💕
tysm! these are still yandere hcs, but i actually ended up also doing a small character study. i’ve been wanting to do those more recently so if you’re interested send in a request! bonus points if it’s not a super popular character. + this came out a lot longer than intended, so enjoy.
This is something Lovino would not be able to handle.
He has spent centuries trying to navigate the minefield that is the relationship with his brother--with varying degrees of success. One thing that has remained constant, however, is the fact that people overwhelmingly prefer his younger brother.
Romano has seemingly tried everything. Careful imitation, acting the complete opposite, sabotaging from the shadows, acting as right-hand man, you name it. Nothing has seemed to stick.
Even now, he’s invisible. Reduced to the lesser half a whole. Forever shackled to his brother, effectively prevented from exercising his own agency.
It’s never fun to be stuck in someone's shadow, but for the person whose shadow you're stuck in to be so unflinchingly blasé about it? For one to be as stuck as long as Lovino has? Being forcefully denied your own personhood like that often breeds contempt. Hatred like that can simmer under the surface for decades, even centuries before bubbling over and being noticed by others. Holding hatred like that for so long as he has? It’s almost enough to drive someone mad.
But when he gets you and has something of his own for once he relaxes a bit. There’s no need to be on edge, to constantly put on airs, because he has someone in his corner. Someone who has taken the time to know him on a deep, personal level. Someone, who despite his faults, is willing to love him, and in turn trusts him enough to love them back. That alone is enough to satiate him, to quiet his restless mind, and dull the sharp blade of self-hatred that’s been lingering within him for so long.
So when he discovers you calmly conversing with the man who has unknowingly tormented him for so long, he almost does not know what to do with himself.
It’s almost as if he’s on autopilot, mindlessly drifting over to where the two of you stand, immediately trying to assess the situation.
In your eyes, the conversation with Veneziano was just much overdue. It was impolite to not introduce yourself to someone so close to your partner. Lovino would never say so, but sometimes the refusal to introduce you to his loved ones felt intentional. Whenever you would press the issue, he would hastily arrange a meeting to calm you down. It worked a few times; you got to meet a few of his friends, and even his pseudo-guardian/older brother/ mentor (you never were quite sure of the nature of their relationship), but you never got the chance to meet Veneziano. Occasions where you two were set to meet would mysteriously get canceled due to unforeseen circumstances. You also noticed that he would always get strangely cagey at the mention of his younger brother.
At first, he would try to covertly sow discord between the two of you, in hopes that you would have a falling-out. In his mind, if he could manufacture situations to make you see his brother’s shortcomings, you wouldn’t want to be around him.
When he discovers, to his horror, that you have grown closer to his brother despite the careful machinations, he would spiral.
To you and Veneziano, your friendship is as right as rain, completely unforced, and a natural progression. After knowing each other peripherally for so long, making friends with you just makes sense.
But to Romano, this is yet another event point, in a seemingly infinite pattern of behavior. Time and time again, Romano finds something of his own, takes a liking to it, starts to cherish it, but only until Veneziano comes along and tries to take it. He always manages, because he is always successful in everything that he does. Afterwards, Romano is then left with nothing but more hatred to swallow and another large bruise on his ego. He can’t let it happen again, not this time, not after cultivating a relationship so pure, not like this, not-
He devises to stop it. Whatever it is between the two of you. Immediately.
Lovino, who has always been romantic, will up the ante. You suddenly find yourself whisked away on trips abroad more often than you are sat at home. How could you find the time to catch up with his brother when you have a date that night, another trip to pack for? To you, it seems as though you have entered a second honeymoon phase in your relationship. Unbeknownst to you, he’s tirelessly working to separate you. He shall get Veneziano away before he tries to take what is rightfully his for the umpteenth time.
Before your increased contact with Veneziano, your relationship was, by all accounts, normal.
You met Lovino by happenstance, and your romance blossomed at a pace that felt comfortable and right. He was nothing but loving and attentive, if a bit temperamental at times. But after you meet his brother, you notice a palpable shift in his attitude. He snaps at people more and always seems to be in deep thought. But he’s kinder in some ways as well. He’s now always concerned about your safety and likes to know where you’re going beforehand, not after the fact like you used to do. He figured out that you love the gifts he gets you, so you now receive way more of them. He’s more appreciative of everything you do as well. So much so that one day, after a particularly elaborate meal, he suggests you quit your job to take care of the home. To his delight, you eventually agree, but any joy is quickly stamped out when he hears you happily explaining your new living arrangement to his brother.
He can’t stand it really, as his mind sails through countless scenarios, unearthing trauma he thought had been resolved (or safely buried) since the early Renaissance. He doesn't know why his mind takes him in this direction, but then again he doesn't know a lot of things. He doesn't know why efforts to separate the two of you don't work, or why nothing he does ever seems to work. Why is it that he is never enough? Why, after so many attempts and failures, did Grandfather never really seem to grow fond of him?
After yet another night of being forced to confront these long-dormant worries, he decides enough is enough. If you cannot take the hints he has so kindly given you, then he will separate the two of you by force.
Long gone are your days of exploring the city alone. No more impromptu cafe trips, walks around the park, or unsupervised trips to the post office. You are expected to stay at home, and at home you stay.
“Amore mio, it’s too dangerous out there,” he says. “There’s nothing nearby worth seeing, and you know how I feel about you driving.”
And you believe him because why wouldn’t you? He cares for you more than anyone! More than your coworkers, your friends who stopped visiting, or even your family who mysteriously don’t care enough to call anymore…
And just like that, you have been delegated to remain in the domicile. Showering him and only him with your seemingly infinite divine grace for as long as time permits it.
It’s so simple that he regrets not doing it sooner.
As for his ingrate brother, he will do anything to ensure he does not go sniffing anywhere he need not be.
It takes nothing to ruin Veneziano’s reputation. To oust him as an incompetent womanizer. Someone whose words of concern should never be taken seriously.
To Lovino, it is well worth it. He’ll put an end to the madness, he must. Even if it means making you unhappy, or betraying his own blood, or dirtying his hands with sin, or being at the receiving end of your icy gaze for the rest of eternity.
But you aren’t unhappy, are you now? You’re over the moon, and why wouldn’t you be? You are given everything you need and more. Besides, Lovino doesn't like it when you frown.
“Look happy now. You have no reason not to,” he always says.
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Shark Genitals & World Building
So, I've seen this Q&A a few times now and it really got me thinking about Fish-man biology.
Now, to be clear, I think it's pretty clear Oda isn't being entirely serious. When you look at how he designs his characters he goes for whatever is fun. He's not doing extensive research on whatever aquatic species he slaps on his fish-men or Merfolk characters. This is why for a lot of them, if you look up what they are mixed with they rarely share much if anything with the animal he's picked.
Saying a character has two dicks is funny, so Hody has two dicks--that's all.
But taking the answer more seriously the idea that at least some (because they do vary so widely from fish-person to fish-person) have changed genitals because of their added fish anatomy is interesting from a world-building perspective.
As someone who has a special interest in animal biology and has watched a lot of documentaries I can say that fish have really diverse breeding strategies. So, I guess, if Hody can have two dicks because he's a shark, I wonder if this could be true for any other fish-people and merfolk.
We see that at least some fish-people do have children the same way regular humans do, but to my knowledge we don't see any pregnant mermaids. Given how much larger Neptune is then his wife, and how massive Shirahoshi is, I think it makes sense that perhaps like many fish, Otohime laid eggs that were fertilized separately (this is actually how goldfish mate).
It could be possible that the way mermaids or even fish-women have children depends on the father. If they are not compatible in size they can reproduce Ovuliparity (the way I imagine Otohime did), or if they are of similar size they either go the more human route or, after copulation they lay fertilized eggs (like the skate cases often called mermaid purses you find washed up on the beach).
There's also something to be said for the variations fish have with gender. Some fish are capable of changing gender. It's more common that female fish become male (protandry), usually the largest of a group replacing the dominate male in the group. This happens mostly with coral reef fish like wrasses, groupers and parrot-fish.
Meanwhile, anemone fish, like clown fish change from male to female. When the one female dies the remaining male will become female, while an outside male will become that new female's mate.
Then there are Black Helmet fish which are both simultaneously and take turns releasing eggs and sperm when they spawn.
So, if fish-people and merfolk had similarly diverse genders and ways of reproducing I think that'd just be really neat. It could also lead to some fun misunderstandings between fish-people, merfolk and humans.
Of course, I don't think Oda ever put that much thought into it. He just does whatever he finds fun character design wise. I mean, it's not like Arlong has barrels like Sawsharks do, and Jinbe looks nothing like a whale shark. On top of that the story isn't really focused on that type of world building. Nor do I think he could really showcase something that deals so much with sex--even if it is fish sex.
Still, makes for some really great head-canons.
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genuinely really frustrating that people will like. choose to accept the age mistake made in assassin as canon for deathbringer when it actively contradicts older material. like. sorry idk if this is me being unfair here but genuinely like. why would you think it's intentional when deathbringer is described in main series as maybe a year or two older than glory at most, and can canonically not be any older than 9 due to stated timeline facts in the main series.
like. I get not liking glorybringer, i really do. no ship is for everyone. hell, even if assassin specifically makes you feel weird about it, so be it, to each their own. i can undertsnad that too. and yes, the glorybringer fans who think the age gap are canon are also in the wrong. they're being really gross, i don't think it's necessary to disclaim that, that feels given, but like... that only comes to my point still of like, i really don't understand taking a spin-off as canon over the main series. i don't really understand prioritizing later content as canon as opposed to the main work over spin-off as canon. why should a spin-off take jurisdiction just cuz it's newer? i feel like the older the canon is, the more likely it is the newer stuff will make mistakes. to me, in the case of a contradiction, the main series should be taken to? a spin-off is meant to supplement the main series, so shouldn't it only supplement canon that doesn't contradict?
like also, i get being frustrated it isn't fixed, but also. like. i obviously have not worked with a publisher before, but if I was writing for fucking scholastic books, no matter how well fucking beloved my series was, I don't know if I could risk being like "hey. can you pull my books from shelves and e-stores for me so that I can edit one line?" Like. I really don't think there's any reality in which I can make a corporation agree to that kind of thing, no matter what that one line may fuck up about my main story. like it's not even the only mistake she makes in the winglets. she calls deathbringer a rainwing in the flip book, but we're not hailing that as canon in retrospect, right? I don't know. I think it's unfair to presume that she's choosing not to fix it as opposed to it being an improbable to downright impossible thing to ask of a publisher. like yes tui is an incredibly successful author but i really don't know if we can presume she has that much actual sway on her publisher.
it's just really exhausting as a deathbringer enjoyer to feel like if I want to talk about and enjoy his character, and yes, that includes context given in the assassin winglet once you ignore the timeline error, i feel like I constantlyyy have to be saying "yes I think the timeline error is an error. no i don't think deathbringer is 13." like. every time i bring him up. i'm a riptide fan I'm used to it but also it's sooooo tiring to go into a character tag for a guy i like and be swamped with hatred for him and it's so much worse for deathbringer than riptide because in the deathbringer tag I have to deal with being actively accused of excusing gross shit for liking him instead of people just saying that my blorbo is boring.
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