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dragonseeds · 6 months
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what are your thoughts on rhaegar and lyanna?
oh i love them! there’s all this talk of them haunting the narrative and they do, but i’d take it further and say they are the black hole at the center of the story. the choices that they made, starting with lyanna’s decision to defend howland reed and what that meant to both him and rhaegar, who was very likely at his lowest point at harrenhal after the ruination of his careful plans, touched or changed the lives of every character and plot line in the series. the story itself is such a fun mashup of tristan and iseult, lancelot and guinevere, helen and paris, the fall of camelot and all of arthuriana really, the classic trope of the princess in the tower and the dragon and the knight: all of that in one couple and we don’t get to experience any of it with them. we can guess and speculate, but we can never truly know them. we experience their story only through the memories the people who survived the war they ostensibly kicked off, and those memories are all heavily colored by trauma, guilt, nostalgia—alternately faded and sharpened by time. it’s this incredibly fun and brilliant reconstruction of some of the most enduring tragedies in folklore and mythology and i adore it.
hate beyond articulation the way asoiaf.tumblr.edu approaches their relationship and the individual characterizations of both of them, though. just absolutely some of the most insufferably sanctimonious disingenuous decontextualized analysis i’ve ever experienced—much of that coming from people viewing this through a historical lense instead of a thematic one. like, imagine approaching the battle of the trident as “rhaegar is a bad person for fighting for his father who was evil! he lost the moral high ground with that one” as opposed to “rhaegar as a character exists to fail and die; he was the last dragon, carrying the unbearable weight of his family’s legacy and the burden of the prophecy for which they conquered westeros: the end of his life is the end of the targaryen dynasty. he must fail and he must die, so that dany and jon can grow up free of that weight and that power. daenerys gets to redefine what it means to be targaryen on her own terms. she and jon separately and unknowingly do the things that he thought he had to do—the things he was conceived and born to do—but never knew how: they do it because of their circumstances, because of the people that they have grown into, because they believe it is their duty, because they have the power to do it.” also, like, re: interpretations of battle of the trident, is there maybe another battle that occurs later in the series that is exactly the same thematically and contextually? where perhaps a character who was missing for a while shows up on the eve of battle, knowing that the opposition is right and their cause is just but that his family will die if he doesn’t fight with them? anything that adds an extra layer of meaning to what happens, aside from dany’s own connection—which is not as thematically similar but is still incredibly meaningful. like i certainly don’t think there’s any one interpretation of a character or story, but the worst ones are consistently applied to rhaegar.
and then with lyanna in particular, it’s like people cannot stomach her or find her sympathetic as a character unless they’re wallowing in her eternal victimhood. the constant dismissal of the importance of lyanna’s actions and what they meant to rhaegar is pure misogyny, by the way. her choices and her agency, the inherent meaningfulness of the struggle for both of those things in a system that seeks to reduce her to her body and the use men can make of it—all of that is important. the person she was and what that meant to people was important, but from the way i most often see her discussed, it’s like her gendered death is the only thing that matters. it’s okay to lament her because she got crushed by the wheel. if she hadn’t, if she wasn’t a victim to write flagellatory meta about, she would be a hypocrite, someone who needed to learn a lesson—as difficult for some of these people to relate to as dany or rhaenyra apparently are.
like, it’s just wild to me because her kindness to howland reed and her choice to defend him, to disguise herself as the knight of the laughing tree and risk her life and reputation to fight for him—is the answer to and the embodiment of one of the most thematically significant questions in the series. we see it most prominently in dany’s chapters because she asks it directly: why do the gods make kings and queens if not to protect the ones who can’t protect themselves? that’s what lyanna did, when no one else was doing it: she had more honor than any knight at that tourney or any man sitting on the small council, and it meant something to rhaegar. like what about this is hard to understand? i think he must have idealized her immediately: she must have seemed like something out of a song or a story to him, and rhaegar was a singer, a songwriter, a bard: he knows how stories are supposed to go—how to finish a song, or at least he thought he did.
bran, who also loves stories, says it himself: “and the mystery knight should win the tourney, defeating every challenger, and name the wolf maid the queen of love and beauty.” like obviously bran has some critiques i cut out, but he has the ending right—only the wolf maid was the knight, and she couldn’t have won. in the feudal gender prison, women are rewarded for being beautiful and their worth is derived from that and from what their bodies provide. she should’ve won the whole thing, but the system doesn’t allow that, so rhaegar—in a fit of single-minded capital r romantic hero idiocy—dedicates himself to winning the tourney to honor her in the only way he can: the only way the system allows him to recognize her. it was the worst possible move he could make at that time because of the romantic connotations, but i love him for doing it, as stupid as it was and even though there is no way it didn’t hurt and humiliate elia, or make him look terrible when he desperately needed to make a good impression on the lords of the realm—it’s just such a Moment. being reminded that there’s good in the world—feeling hope in the face of endless abject overwhelming despair—how do you express gratitude for that? the idea that he could only doing it by hurting someone who didn’t deserve it and making himself look like an ass is fucking awesome. i’m genuinely so sorry for people are incapable of enjoying that. could not be me!
but that’s just my interpretation of what happened at harrenhal. like i said, part of why i like them so much is that we truly don’t know. while i love darker relationships in general, the idea that he crowned her at harrenhal because he wanted to impregnate her then does not work for me. it’s a popular theory, but it renders some of the very few contextual clues we are given about what happened meaningless. for one, he didn’t know that elia wouldn’t be able to have more children at that time. this was discovered after she gave birth to aegon, and that is the point at which the question of the third child appears to have become a motivating factor for him. i personally think he left for the riverlands to consult with the ghost of high heart—the one whose prophecy is the reason he was born, the reason is parents were forced to marry, the reason his family burned alive the night he came into the world—and ran into lyanna somewhere near harrenhal. it’s possible he had been in contact with her prior to this (how? without her family knowing? what are the logistics of that?) but i think it’s just as likely it was pure chance. i really like the idea that his crowning her queen of love and beauty caused lyanna’s father to set a date for her wedding to robert or talk of moving it up, maybe even suggest a double wedding at riverrun, which would have almost certainly caused her to balk. either way, high heart is located between harrenhal and riverrun. arya also stops there while she’s kidnapped by the brotherhood without banners on the way to ransom her to her family at riverrun, and they trade songs to the ghost for her dreams and prophecies. i think it’s worth noting because arya’s journey in the riverlands mirrors lyanna’s right down to her “death” as arya stark when she leaves for braavos, paying the ferryman’s fee with the coin jaqen h’ghar gave her—just as jon’s journey at the wall mirrors rhaegar’s in many ways right up until his own death.
i also don’t think rhaegar and lyanna eloped because they were in love—this is implied by lyanna’s famous quote—but that they did come to love each other deeply, which is suggested by the way they died: her roses and him saying her name. notably, rhaegar did not leave the tower of his own volition—someone had to come and get him with news of war, which is hilarious because i think the tower of joy is right in the middle of like three major battles of the rebellion? like quite frankly, if he didn’t love her or care for anything beyond the prophecy and if she didn’t love him despite how badly things went wrong, then where in their story is the heart in conflict with itself?
i do want to clarify that i love the tower entrapment and the power imbalance aspects of their relationship as much as i love (what i interpret as) the genuine respect for each other that grew into love: it’s really the tension of those disparate elements that interests me. a dragon can love the maiden, but he’s only ever a dragon—still liable to hoard her like treasure or burn her up and rip her open trying to be gentle, to protect. that FUCKS, sorry! love is sweet and hopeful, but it’s also at exactly the same time horror, consumption, destruction.
idk it’s myopic to act like the beginning or the ending of their relationship—of their lives—is the summation of it. i think people want their story to be easy when it’s not: a clear case of a villain and his victims where everyone knows who to root for and no one has to think too much about things that are difficult or uncomfortable, questions where there probably isn’t an answer that doesn’t hurt someone. what a sad, tedious way to approach any text, but specifically this one. i’ve sometimes seen it suggested that if their story is romantic then it’s an endorsement or justification of all the “bad” things that happened because of it, and that’s also stupid. grrm as an author is never going to be someone who tells us how to feel about anything: he presents these characters and situations, often as a means of exploring certain facets of the human condition, and each of us has to come up with our own answers and find our own meaning. i don’t think he always knows what he means, or what those answers are, you know? but for me rhaegar and lyanna are one of the most fascinating parts of story, and whatever the truth is—if we ever find out—i can’t imagine a scenario where i don’t love them or find them really interesting and wonderfully sad.
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seaside-lovers · 1 month
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me online: i love my F/O soooo much!!! y'all don't even know, i'm so hopelessly in love with them aaa ❤️❤️❤️😍😍😍🥰🥰🥰 they're so cuteeeeee!
how i look typing that all out:
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shararan · 5 months
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Shen Qingqiu is like... he's kind of a damsel in distress, yes, but there's a distinct sultry and seductive quality to him as well, toeing on femme fatale but not quite enough seeing how oblivious he is to his own appeal (as well as social blunders).
He's his own thing. He's a damsel in distress, and you'll be dragged down in the pit too for it. Fatal damsel. That's what he is. He's a fatal damsel with a wife halo so world-endingly strong that his decaying corpse start wars between separate factions of besotted men.
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daisywords · 3 months
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"just focus on book 1 without mapping out the entire trilogy" I need you to understand how much I cannot do that
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alienaiver · 1 month
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Rugged
Aizawa Shouta x GN!reader
warnings: quirk-induced amnesia, canon minor character death (major in my heart tho), spoilers for... season 5 and forth? to be safe wordcount: 4.9k content: confessions, first kiss, fluff, sfw, no use of y/n, pro hero reader but quirk is unspecified, canon compliant, genderneutral reader, poc!friendly reader, body positive reader, hurt/comfort in like the mildest sense, soft love, amnesia situation, friends to lovers, childhood friends to lovers, started as a meme turned into something serious, something about cats, unbeta'd, flashbacks to high school days
notes: this is so embarassing to admit but i only came up with this story bcos of that tiktok/insta reel (link is a tiktok as thats where i could find the source material) about having a type that's 'rugged'. it was supposed to just turn into a little joke on that and... uh, ykno suddenly i was almost 5k deep into a childhood friends to lovers, ..ya my brain had a VISION alrighty!!!!! please enjoy a one-eyed kitty, one-eyed aizawa and interrupted confessions!
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Aizawa’s leaning forward on the desk, meticulously writing down an exact copy of your notes from English Literature that he missed yesterday due to being in the infirmary… again. He’s always known that becoming a Pro Hero with a non-physical quirk would be tough, but he didn’t imagine landing himself in a hospital bed as often as he does. He’s bulking up nicely, but he feels beaten black and blue every other day and it’s… exhausting.
Rewarding, but exhausting nonetheless. He’s momentarily disturbed as a chair is being dragged across the floor, screeching away before haphazardly thrown next to the desk, wrong side facing it, and Yamada throwing himself onto it, arms leaning on the backrest. He says your name in a sing-song voice – your given name, has he no shame? - and steals a peek of you from over the rim of his glasses. You rest your head in your palm and smile at him, “what’s up?” you ask, and he hums as if he’s thinking deeply about something. Aizawa’s got a bad feeling about whatever subject he’s about to bring up; ever since he appointed himself Aizawa’s wing man, the pestering’s both been non-stop and non-discreet.
Aizawa keeps his face buried in the notes, purposefully removing himself from the conversation.
“What’s your type?” Yamada asks and Aizawa has to hold back a facepalm. You simply giggle and play with the zipper from your pencil case before you answer, “hmm, I’m not sure. But with all due respect, I know it’s not you,” you tease him and he straightens his back in mock-surprise, the conversation’s one you’ve had before. He takes a hand to his chest, “what? Not me? Well you’re not my type either!” the shriek in which he yells is a little too loud, his quirk still a little too unmanageable when he gets excited – he winces as the rest of the class turn their heads. You simply laugh and bite your lower lip. Aizawa steals a look at you through his bangs, admiring the glimmer in your eyes.
“Yeah, I’m sorry ‘Zashi, I truly am, but… you’re just not… rugged enough.”
“What? I’m so rugged. I can be rugged!”
“Look at you, you’re not rugged,” you laugh as you gesture vaguely to… all of him. He takes offense as he puffs up his chest, “how am I not rugged? Because I’m not wearing a flannel in 80 degree weather?”
You hide your face in your hand as you try to contain your laughter, “yeah, sure, whatever… but look at you now. You fly off the handle like that, you’re too angry.”
“That’s a very rugged thing to do!”
“No, it’s really not.”
Aizawa has been saddled with the two of you for almost two semesters now, and he’s still not entirely used to the way you joke around. In the beginning he was always worried about you fighting and not getting along and he’d stare at you both with wide eyes like a startled cat and hope you’d settle down soon. You always did, laughing like the greatest joke was just told.
You lean forward on the table to bark out a laughter deep from your stomach, momentarily blocking the view of your notes that Aizawa’s copying. He lets out a soundless grunt at you being so close and pulls away in surprise when he accidentally smell your shampoo. He wants to lean forward again, to commit the scent to memory, but you’re already straightened back up, wiping an imaginary tear from your eye, “you don’t even want me, Hizashi, why is this always so important to you?”
This makes Aizawa freeze, terrified that Yamada will accidentally tell his secret to you. But Yamada simply crosses his arms, puffs up his cheeks and nods, “you’re right, I don’t. But I want you to want me. I’m the entire package.”
You laugh and shake your head, letting your arm fall onto the desk in defeat. “Sure then, ‘Zashi. I want you. Badly. More than anything. Please go out with me.” your face is as flat as Aizawa’s can be, and Yamada smiles proudly, “no thank you.”
Aizawa’s startled out of grading papers when his personal phone starts ringing next to him on the desk, the screen much too bright for the darkened room he’s situated in. It’s an unknown caller, which makes him hesitant at first but since it’s well past office hours, he knows it won’t be a salesman of any sort.
He bites his lower lip before he picks up.
“Aizawa speaking.”
“Ah, good evening. I apologize for contacting you at this hour, however, you are written down as the emergency contact for…” he apologetically butchers the pronunciation of your name, but gets your hero name correctly, “this is Aizawa Shouta, right?” the person on the other end confirms, and Aizawa nods before he verbally comes up with an answer.
“Well, it’s just that…” he explains your situation precariously, advising Aizawa to just come down to the station if he’s able, since someone will need to escort you home. He makes sure to remind Aizawa that you have two more emergency contacts on file in case he’s not available, but after getting the location, he’s already up from the chair before he’s hung up with the poor officer dealing with you.
From the call he knows you’re neither mortally wounded or in any kind of distress. You were on patrol when you encountered two villains. One of them turned out to have an amnesia quirk, and now you were stuck at the precinct, not entirely sure where your apartment is located. The officer informed Aizawa that you seemed calm and collected but that the last date you remember was well over 10 years ago even if you haven’t age-regressed in any way.
When he arrives, the officer leads him to one of the offices, profusely apologizing and thanking him at the same time. He’ll never really get used to the way newly appointed officers act around Pro Heroes.
Even if all facts and rationale tells Aizawa that you’re fine, he still grips the door handle way too tight, throwing open the door and evidently scaring the shit out of you, sprawled out on the couch with an ice bag on your knee. You spew out some profanities as you sit up. Aizawa immediately calms down as he sees you alive and well. He thanks the officer and agrees with the officer to sit down and talk with you before taking you home. He bows before he closes the door and looks back at you.
“I already gave a statement – was anything missing?” you ask, resting your hands neatly on your thighs. Aizawa shakes his head, “I came to pick you up – they informed you about which of the emergency contacts to call, right?”
Realization seems to travel across your features as Aizawa masks the sting he feels. Instinctively you reach out, but ultimately pull your hands back, “Aizawa?”
For a split second he lets his emotion show on his face – the way you say his last name instead of his given name, but he’s quick to hide it again. He nods and sits down on one of the chairs on the other side of the coffee table, “I was informed that your memory’s been wiped.”
You nod and look at the floor, “yeah. They took in the villains and interrogated them. It seems it’ll wear off in five to seven hours, but until then I’m stuck with my first work study as my most recent memory. I don’t feel like high school me, though, it’s just like there’s an empty gap in my timeline and not an age-related kind of thing. I can’t remember what has happened since then, but cognitively speaking, I’m still myself.”
Aizawa breathes in sharply, “well, that’s a relief. I have enough students to take care of,” he dryly jokes and the way your eyes widen make him self-conscious. He shouldn’t have made the joke he thinks as he shrinks in on himself.
“You’re a teacher?”
The way you ask betrays your emotions all too clearly and Aizawa holds back a snort. If the last of his personality you remember is high school, he gets why you struggle with the image of him taking care of the budding youth.
“A homeroom teacher, actually.”
Whatever preconceptions you had initially seems to dissipate and you smile proudly, “that’s amazing.”
You haven’t commented on his appearance; besides the moment where you didn’t recognize him, you don’t seem all too taken aback by his lack of eye and prosthetic leg. He’s relieved.
“You ready to go?” he asks, patting his lap with his palms before bracing himself to get up. You get up too and stretch your arms over your head, waiting for that satisfying pop, but it never comes. Annoyed, you let your arms falls and Aizawa smiles at you.
He leads you out of the room and as you put on the jacket he came with, he thanks the officers for their work with some polite back and forth and a bow.
The trip back is quiet as you seem to just take in your surroundings. You stop by your Agency to grab your personal items and civilian clothes that you left behind before your patrol. Luckily the offices are mostly cleared out, so you don’t have to ‘meet’ everyone and Aizawa gets out of explaining everything to everyone.
“Do you want me to escort you to your place? Or do you want to come to mine?”
The question is straight-forward and innocent; you sleep over so often that Aizawa’s spare futon has simply been dubbed your futon, but you seem taken aback, eyes wide and mouth agape. For a moment Aizawa’s blind to the confusion before he remembers.
“Sorry, you sleep over at my place a lot since it’s close to your work. I thought you might also like to see Benben.”
Your eyes that had seemed so tired ever since he arrived, lights up in recollection and excitement, “Benben’s alive and well?” you ask, absentmindedly leaning into Aizawa’s space in your joy. He struggles not to lean back reflectively.
“Yeah, she’s living with me now. She’s becoming old, though. But you’re still her favorite human, so she’d be happy to see you too.”
You giggle into your palm, clearly trying to picture Benben. She was a stray that you and Aizawa started to feed your leftover lunches to back during your first year at U.A. She was also one of the reasons you even started bonding with the stoic classmate. When you talk about the name Benben, a very bad nickname based off of bento, you always laugh and tease Aizawa about his cat-naming skills. While he defends himself in front of Yamada – the man with a habit of getting out his childish side – he never once argues against you on that subject.
Next to Aizawa, you clear your throat right as he’s about to unlock his front door. He’s been polite enough to not comment on the level of staring you’ve done ever since he picked you up, but it seems to be getting too much for yourself. He smiles at you gently, like he’s communicating with a lost child, and the smile makes you act before you can think too long about the action. Aizawa’s breath hitches and whole body freezes when your cold fingertips reach the skin of his cheeks. Your eyes look at him like they’re searching for something, and shortly after your palms make contact, your thumbs start traveling around his face, from his eyebrows to the slope of his nose and then a finger is being traced over the scar under his right eye. He can see all the questions fly through your head, the way you hold back from tracing the eye patch but stare at it like it’s not supposed to be there. He’s about to clear his throat when a thumb starts tracing his chapped lips before continuing down to his jawline, tickling his 5 o’clock shadow. As he tries to smile patiently at you, you mumble something under your breath that makes Aizawa’s heart stop for just a moment too long before racing at the same speeds as Yamada’s car when he’s late.
“It really is you… you’re just so…” you pause for a moment to swallow thickly and lick your lips, “…rugged.”
Not until you’ve had your (in Aizawa’s terms) grabby little fingers on every part of his face and given his heart an aneurysm with your words, does realization hit you. You seem to shrink and pull away to bow half-way a few times at him. Aizawa grumbles out a weak complaint about personal space and jingle the keys again to find the right one. No matter how advanced his work place is in terms of security and technology, he finds it unbelievable how many different types of keys he is expected carry for the school grounds alone. Logically, he’s aware that he’s fumbling due to your innocent advances but his brain’s not exactly acting calm and rational, so he furrows his brows and as he puts in the correct key, takes in a deep, calming breath.
When he motions for you to enter the apartment, he can’t help but observe you as you curiously peek around while you enter. You don’t toe off your shoes or step up from the genkan until the door behind him is locked and he gestures to the left pair of slippers in front of you. You let out a breath as you mumble, “sorry for intruding…” as if this isn’t your home away from home.
As Aizawa toes off his own shoes, he takes notice of your searching eyes. He jerks his head towards the living room, “she’s probably sleeping on the couch. She can’t hear very well anymore, so she doesn’t greet by the door.”
There’s a clear sort of heartbreak in your eyes that Aizawa recognizes, before you nod and walk in the direction of the living room. While your memory might be gone for the moment, it seems there’s muscle memory still intact as you purposefully step over the loose floorboard he always warns guests about. He smiles at that. Benben seems to spot you from her pillow on the couch because no sooner than you enter the room, he starts hearing the hoarse bleating of the senior kitty in there. She must’ve stayed up when Aizawa suddenly left, since it’s out of routine. She’s never been able to meow properly, which enchanted you since she first bleated at you for a bite of your convenience store-bought onigiri back when the two of you met her for the first time.
He hears you coo at her and can only imagine you both before he turns the other corner for his office to shut down the computer for the night. He quickly rejoins you and finds you with Benben on your lap, purring and headbutting your hands to her heart’s contents. When his eye travel higher to meet yours, he’s taken aback momentarily at the strained smile and wet eyes.
“She looks so loved.” you try to explain, and Aizawa can’t hold back the blush from the compliment. She does look loved now, a little on the fuller side (not by a lot, as her physical health is very important to Aizawa), her coat is shiny despite the coarseness that age brings, and she no longer has that stubborn eye infection it took Aizawa several years to treat out of her; she’s missing an eye now as a result, but she’s healthy.
You look around his living room, smiling and heaving in breaths at all the external proofs for her love; she has a pet staircase to both the windowsill, couch and the dining chair next to his; there are three different cat towers and several cat shelves for her to perch on although they’ve rarely been used for several years now. Aizawa can’t bear to take them down – what if she wants to go on one last adventure to the shelf highway he built for her close to the ceiling? It obviously wouldn’t be safe for her to do so, but robbing her of the options feels cruel to his heart.
When you pet her behind her ear and Aizawa situates himself on the floor pillow, you giggle, “you match.”
You’re referring to the missing eyes and while Aizawa takes no offense from the comment, he can’t help but snort at the straightforward observation. It’s very like you.
“How did you lose it?”
You don’t remove your eyes from Benben as you ask and from the shaky lilt to your voice, he knows you’re afraid of the answer. He’s afraid of telling you, too.
So much bad has happened during those years – you were there during his low points after, and asking that question is like removing the experiences you’ve shared. The grief you’ve suffered.
But he knows you want to know. Before he can answer, you continue, “can you tell me everything? About you… Oboro and Hizashi, too. I was informed it was only you, Hizashi and my mom on my emergency contact list. I know it’s not supposed to be miles long but… yeah…” you trail off and Aizawa’s grateful that you’re not looking at him. He’s not sure he’s able to control his face right now; and the emotion he’s showing wouldn’t be remotely close to soothing for you.
“Uh,” he jerks and clears his throat several times to stall, “when did you say your memory would be back?” he asks instead even if he’s aware of the answer.
You look up and hum thoughtfully, “they said five to seven hours around … two hours ago? So…” you count on your fingers and despite everything, Aizawa huffs out a soundless laugh, “three to five hours? Give or take.”
He inhales sharply. He can’t drive you off for that long, even if he used going to bed as an excuse. You’d just toss and turn in fear of what you’d come to remember.
So he tells you. He retells every painful memory with clear objectivity, pausing to let you process each one, seeing the light slowly dissipate in your eyes for every terrible incident. When he reaches present day, he inhales slowly and holds his breath for a moment to control his own emotions.
You’ve stopped petting Benben who’s sound asleep on your lap now, your hands hanging like lifeless limbs by your side. Aizawa then clears his throat, “you were scouted. In third year. ‘Zashi opened a radio station shortly after graduation. Oboro’s mom still invites us for hotpot for his birthday every year despite the mismatch in dish and weather,” you both laugh at that one – of course she insists on his favorite dish on such an important day. An image of the four of you huddled around, sweating over a pot of delicious food has you throwing your head back in sincere laughter, “you have a prodigy; you inspired me to take a pupil on as well, and he’s graduating this spring… I, uh… I use eye drops now.”
The last tidbit of information makes you turn your head so fast you almost get whiplash. Then, your expression turns stern, “didn’t I tell you! Didn’t I tell you to be careful!” you reprimand and he almost rolls his eye at you. Almost.
You shake your head at him and focus back on Benben, a little more color on you again as the mood has successfully shifted. He’s unsure if you’re pretending to be fine for his sake or if he actually succeeded in making you feel better, but he can’t stifle the yawn that comes out of him as soon as he feels relief.
You look up apologetically, “oh my God I’m so sorry, I’ve kept you up haven’t I? Please, you can just go to bed, I’ll be okay!”
Aizawa wants to argue but he also can’t fight the creaky ache he feels in his bones. He went straight from a night shift to school, napped in the teacher’s lounge and then home to grade papers. He’s dead-tired.
He gets up to carry his futon into the living room and set yours up in his bedroom. Usually, you sleep in the same, bare room as him and Benben, but he feels it might be too much for you without your memories, even if you sleep on separate futons with space in between. You make a joke about the futons but then, in a soft voice admit, “I think it’s nice you sleep on something accessible for Benben…” there’s a warm tone to your voice that makes him blush heavily before he pushes you out of his living room.
“I’ll sleep out here, you take the bedroom.”
You meekly argue about taking his bedroom, but he shuts you down in the same way he’s always done, and urges you to carry Benben in with you. You agree to have the door ajar in case Benben wants to walk around, and you bow your head when you bid him goodnight. Aizawa lets the light in the hallway stay on.
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You wake up with a hitched breath and sweat on your brow, unsure when you managed to fall asleep. Disoriented, you take in Aizawa’s bedroom; you were supposed to sleep home tonight after your shift though, not to mention that Aizawa’s futon isn’t laid out next to yours. It takes you a moment to gather your bearings until it all comes back to you. You’d lost your memory.
You’d lost yourself. You hug your arms around you as the feeling of being lost still sits heavy in your body and makes you shiver. Seeing Aizawa was terrifying; you’d no idea of the obvious horrors he’d had to endure. You didn’t remember your best friend’s death.
For a moment you control your breathing, making yourself calm down as best as you’re able. It makes sense why Aizawa decided to sleep in the living room, if the last memory of him was a pimple-y teenager and not the gruff man he is today. You close your eyes and think back to right before you entered the apartment.
You roll onto your stomach and hide your face in your hands, letting out a drawn-out flustered groan. Without thinking, you kick your legs on the bedding to alleviate the embarrassment that’s coursing through you at your own actions. You’d just went all up in his face! The sensation of his stubble underneath your fingertips, his warm breath and his chapped but so, so kissable lips.
No!
You groan again, drowning in your one-sided misery of a crush. Your honed Pro Hero senses are completely dulled by your pining, so when Aizawa suddenly throws open the door and asks if you are alright, you screech as you lift your head from the pillow, “Shouta!”
“Shit, sorry, I heard you moving around so I thought you might have a nightmare,” he hurries to explain, secretly relieved to hear you say his given name again. He frowns when he can’t see your face with your back turned to him. Still frozen, you barely breathe before he continues, “...you are alright, right?”
Making a grimace and with no interest in facing him right now, you choke out “mhmyepdefinitelyeverythingsperfect!” in one single breath before you’re forced to inhale deeply. You hear Aizawa’s metallic foot as he walks towards your futon and hear the rustling of his clothes as he bends down in a squat next to you, “you don’t sound perfectly fine to me, though. Do you have a fever? Is it an aftershock from getting your memories back?”
Being the perfectly rational man that he is, he oversteps any boundaries to quickly check your temperature with his palm. Embarrassment can come after he’s made sure you’re okay.
You push his hand away weakly, still looking pointedly at the wall in front of you, letting out a strained laugh, “heehee, I’m just… you’re right, it must be an aftershock, right? Nothing else!”
He lets you swat his hand away without much resistance but stays where he is, letting the silence hang over you both for a minute. Suddenly, he croaks out all hoarse and desperate, “Just tell me if there’s anything, please.”
Your shoulders fall at the voice. Aizawa’s the opposite of having a heart on a sleeve, but you’ve been with him through enough tragedies to know he must be scared shitless right now. Whenever you or Yamada is even remotely bruised, he fusses over you in his own, annoyed way, until he finds you sufficiently healed. You sigh before you let your head fall back onto your pillow, a short moment to gather your thoughts and feelings before having to face him.
It must’ve been a lot for him, when you asked him to recount the years you’d momentarily lost. It would’ve been better to let it be, but he knew you so well and knew you wouldn’t let it go. Curiosity kills the cat, right?
With heavy and slow movement, you turn around so that you’re facing him, hoping your expression won’t betray your real emotions. You sigh and reach out for his hand. It’s shaking but as soon as your warm fingers make contact, he flinches before he relaxes.
Then, he grunts like he’s annoyed and chastises you for worrying him. You giggle, “I’m sorry, you’re tired, right?” you ask, knowing his schedule this week is packed. He usually leaves little wiggle room for emergencies, however many he encounters.
Before he can reply, you pull at his hand and he topples over, half on the futon and half on the floor, on his knees. You laugh and pull him even closer to you, hoping your beating heart isn’t as loud as it feels.
You and Aizawa have cuddled before; loneliness and grief has made you carve out comfort in each other, but nothing else have ever been spoken aloud. No kissing, no romantic notions to trace back to. Having a one-sided crush since high school feels deafening right now, when all the years travel back to you after what only amounts to a moment without them.
You want to tell him how you feel; losing your memories made you realize how much you’d like for him to comfort you with kisses if anything should ever happen; how you’d like for him to hold you without holding back.
He grumbles where his head is rested in your neck after he’s settled, but he makes no effort to move. You nuzzle into the mane of hair and breathe in his scent; it’s a lavender-scented shampoo that Yamada insists on buying for him. He never accepts it without complaining, but he also never showers without using it. There’s a spare in your bathroom, at the Agency’s bathroom and at his teacher’s dorm at U.A.
“Y’know, I was really surprised for a moment that you became a teacher.”
He makes no movement, but you know he’s listening.
“But as soon as I thought about it, it made perfect sense. You care so much it sometimes hurts to watch…”
You feel his fist tighten around your bedding, but he stays otherwise quiet still.
“You hurt watching me, too, right? How we both have a habit of bending over backwards for what we perceive is right.”
You start dragging your hands through his hair, letting out a sigh.
“I like that we know each other so well. I like how after so many years, you’re still right here in my arms…”
You pause as his upper arm snakes around you, a sharp exhale against your neck.
“You’ve never dated anyone. At least, not anyone you’d tell me about, so I have no idea where this will lead me to but,”
You take a moment to gather your nerves. There’s really no backing down now. Even if you regret it, your words have already given your feelings away; there’s nothing you can take back.
There’s nothing you want to take back.
You’re about to continue your confession when Aizawa pushes against your neck, his warm lips, soft despite the dryness, presses against your pulse point. You can hear your heartbeat so loud in your ear that the rustling of the sheets from Benben is indistinguishable to you, the only sensation you’re able to take in being Aizawa’s lips as they briefly pull away from your neck, only to push back higher up, closer to your jaw.
You whine and pout, but it’s shaky and without much force. You want to protest, scold him for interrupting you but suddenly he lifts his head to face you, and you’re faced with wide eyes and blown pupils. He steals a glance at your lips before he licks his own, pink tongue peeking out. You feel like a cornered prey, one that’s about to be devoured by a beast. When he hovers mere millimeters above your lips he pauses as if to ask for permission and the sigh you let out makes him know that everything’s okay. That everything he’s ever wanted, wished for, dreamed of, is real.
That losing your memory for a second made you desperate to make more meaningful ones.
And you kiss.
While curiosity did kill the cat, satisfaction definitely brought it back.
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jahiera · 9 months
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Love your little meta analyses of Astarion and would LOVE to hear your thought on the optional "you don't have to do this just because you feel like you owe me something" line early in Act 1 when he first propositions Tav and his reaction to it?
Okay hi sorry, I lost a bunch of my saves and I thought I'd lost the save for this scene too but turns out NOPE I HAD IT & I'm so glad because I wanted to go back and play the different variations so I could probably scream and... scream I did! And I'm SO compelled by this, so thank you for the ask! & sorry for the late response.
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So you actually only get this version of the conversation if you don't express any sort of confirmation that yeah, you're into him. If you confirm you're into him, or the biting, that'll bypass the ability to say "you don't have to do this," altogether, which makes me want to eat drywall because the whole conversation prior is still fairly shady, but the "reward for your noble sacrifice" only comes through if you don't fully confirm you were into it. which is very interesting because in the other two versions you can still express doubt, but only in the format of the "a less trusting person" line seen above as well.
The first time he propositions you, if you get this branch of dialogue, what I think happens here is Astarion quickly shifts gears. He sees that Tav isn't, at least according to what they say, charmed or aroused by the vampire routine.
One other thing: they helped him because, as a result of giving him blood, he would be able to physically help them more. He would be stronger, a better fighter, and thus useful. (Whatever is intended by each individual tav who takes his line is up to the player, but that's what can most obviously be received by Astarion).
So, he switches up instantaneously to accommodate the motivation that Tav seems to have (through his own eyes). Instead of appealing to Tav's horny brain and physical attraction to him, he's appealing to their "sacrifice." Tit for tat. Pleasure in reward for blood. You aren't lustfully interested in him as is? That's fine. He can switch it up and instead offer sex as repayment for what you've done for him, and for his body as an object that functions better due to the blood you've given him. Either way, the end goal will be the same: sex to secure his position in the group.
At this point in the game, it isn't about Tav, not really, I don't think. You could take any version of this conversation to the conclusion and it would mean the same thing to him. (That is to say: seduction and sex for security, and sleeping with Tav is a quick way to get that.)
So when Tav says, "You shouldn't do this just because you feel like you owe me something," I don't even think it really... registers for him? Because he hasn't even begun to conceive of that possibility. He is fully still in the same mindset he had prior to escaping, and is running through the same patterns of behavior as before.
He brushes off that reassurance immediately, says it's "more of an excuse," than anything, doing the same thing as before. When he gets this reaction from Tav, he switches gears again: oh it's not the only reason I want to have sex with you, I'm mostly interested in you, I promise. He's navigating the very shallow social interaction that this seduction routine entails by adjusting at a moment's notice to the next thing Tav says. If they're interested or flirty back, he'll fully play up the whole thing. If they're reluctant, he offers new reasons for why they should want to sleep with him.
And then if you reject him entirely:
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"Deny your feelings all you like, it doesn't matter to me."
You don't get disapproval for rejecting him, but he still reinforces this idea to Tav that yes, you're interested in me. You just haven't realized it yet. Typically this kind of line in romance would be annoyingly obnoxiously all about "oh you want me you just haven't realized it yet" and the other party is supposed to find this hot, but with the context of the rest of his arc, it's fascinating. Because Astarion only knows how to secure safety and power through seduction and sex. He only knows how to get what he needs through emotional manipulation and cunning--and SHALLOW emotional manipulation at that. He's not playing an intricate game here. His manipulations become prettyyyyy overt by the second time he propositions you:
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Like, it would take some serious emotional blindness to miss the hints he's laying out here. He's delighting in dangling the fact that he's lying and manipulating Tav right out in front of them. Because now he feels more secure in his position in the group. In Tav's attraction to him. Because they've already slept together once, he has less to fear about losing his station of safety via Tav within the group.
So then I thought. Okay what does he say when you reject him in other places where he propositions you. In the actual sex scene itself, he simply says "Why are you here then? I thought we had an understanding? (...)" but if you reject him during the "little treat," scene, he says:
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In both instances, the "you don't have to" and "I don't think I really want this," Astarion gives Tav a glimpse at the, huh, trauma behind the scenes. In this later scene, when you've already slept with him once, he outright admits he's slept with tons of people and doesn't remember most of them, and in a very.... passive, "gotten on my back," phrasing that's so offhanded for all that it implies. Like can we go back. Can we unpack that. And he does not! I don't know what to make of that last line. "You, I'll remember." Maybe he's being saccharine one last time to keep up some manner of security within the group. Maybe he's confusingly genuine, growing to care about Tav in a way he has no idea how to unpack yet, if at all. Probably doesn't even realize it yet, if that's the case.
Either way, he gives you unintentional glimpses behind the scenes to the inner workings of his intentions. The inconsistencies in how he talks to Tav depending on their next reaction. The switching gears quick to accommodate different statements and personalities. The offhanded reveal of his total lack of care or feeling about the "lines" he spews to get people to be interested. IT HITS. It hits badly.
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edsbacktattoo · 8 months
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hey remember how this image was compared to a veil being lifted
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and remember how we now have this
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there’s a connection here and the connection is wedding. i’m walking into my local volcano anyone need anything?
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traumapissbb · 3 months
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Headcanon that Alastor and the rest of the Vees getting along 'cause it's funny. I feel like Al would totally do it just to piss off Vox (after seeing dad beats dad noone will convince me he's not THAT petty)
Vel and Val actually liking his company because he is charismatic and funny when he wants to be, plus he's not stuck in the past (cue the VERY modern slang he drops in stayed gone lmao) just enough that he can actually hold a conversation about what they do, but still confused enough that it's fun to introduce him to stuff and see his reaction.
Velvet and Alastor actually could get on the same page I think. They're both entertainers whose job is to be on top of trends, just from very different times. Velvet introducing Alastor to electro swing and he absolutely hates it.
Velvet jumpstarts a "vintage aesthetic" trend after hanging with Al. The actual aesthetic gets absolutely butchered but creates demand for cheap and bad quality clothes inspired by the trend. Vox is not very happy to advertise her next collection.
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pivsketch · 1 year
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multiple problems of the brain combining together to result in me leaving people on read over the most easy and straightforward questions
also:
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maranull · 3 months
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AC6 may only held my continued interest for about two months, but I think I can honestly say that it's one of my favourite games. And immediately the second action game I would recommend to anyone (first being ER).
It's honestly so good, and while I sometimes wish there were more things to do in it, I think the game being the length that it is actually enhances it. It said the story/stories it wanted to say, and ended it there (instead of stretching playtime needlessly).
And all the voice actors need to get like a dozen bonuses cause giving so much life to so many faceless and bodiless characters was a damn good job.
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layalu · 7 months
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Hiii interrupting your regularly unscheduled bg3 posting for an assortment of probably late night outer wilds thoughts that i found in my notes <3
Hatchling remembering the sensation of every death; burning and drowning and bones crushing and suffocating
Hatchling spending some loops in acceptance and anticipation. looking into the sun as it implodes. other loops, they shut their eyes tight and turn the other way
Hatchling seeing the skeletons and wondering who they were. who of them carried the names they have read
Hatchling seeing the skeletons in the settlements who died a sudden & painful death and thinking of the unsuspecting hearthians at home
Hatchling seeing the bodies in the interloper and knowing who they are. are there still faces under the suits?
Hatchling seeing the dead bodies in the interloper, knowing they realised the terror of the danger just before their deaths
Hatchling finding the sun station. finding out that there is no avoiding death, no secret fix
Hatchling catching up with gabbro, telling them about their discoveries; hatchling seeking them out for solving riddles, for quiet time, for company, for comfort
Hatchling slowly but surely figuring out what they have to do, with dread or hope.
Hatchling asking gabbro (for permission? for affirmation? for support?), before they do it. revising the entire plan with them.
Hatchling spending one last loop in timber hearth, and with the travellers; ends the loop sitting with gabbro
Hatchling sometimes pulling out the signalscope and joining in with the other travellers; they're a traveller too, now. (their instrument: humming)
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applepato · 3 months
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sam has a crush on celia? you and me both mate
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mogoce-nocoj · 7 months
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honestly huhhahhei is such a perfect song that markets itself due to the implications with like all the edits springing up already and stuff but I seriously hope that jere fully leans into it after it's released. give us more never stop talking about how this has maybe happened or not don't stop mentioning bojan and his smelly clothes get all the money while we're having the time of our lives
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sparring-spirals · 1 year
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RE the Orym/Fearne convo; do you think they’re actually planning on killing Imogen or just incapacitating her?
On the one hand these people are a threat to the Air Ashari and have attacked them before, and I can easily Orym being this ruthless.
On the other hand, I don’t see why Orym would delegate to Fearne unless they were talking about taking her out non-lethally? She seems much more suited to (and less conflicted about) being the distraction.
(I also think it would be kind of hilarious for Ashley and Liam’s plan to just be “knock her out, grab her, leg it” and for the two of them to have chosen just the most euphemistically loaded way possible to discuss this at the table)
Sorry for the delay on this, my brain is cooperating excellently and thats why it took multiple days to watch a two minute conversation. Now that I HAVE seen it, with the caveat of still not having watched the rest of the episode:
I think the plan is to do whatever is needed, in the moment- the conversation felt more like trying to prepare themselves for the possibility, not just for "taking Imogen out" but for acting against her at all. Acknowledging the amount of danger Imogen poses, locking eyes, asking each other: are you with me? always.
They both say, at different points through the conversation: this probably wont be necessary. I'm sure it will be fine. Itll be good! There are already so many things to worry about. But that silent "if", was finally spoken too. If its not fine? If the worst comes to pass? If Imogen becomes another concern, in the middle of hell?
Orym asking Fearne to do the deed was a little surprising, but rewatching that exchange, and thinking about the opposite, I think it makes sense. Fearne is well suited for a distraction, yeah, but- this is more than that. This is an intentional deception against someone Fearne likes very much, that Fearne really cares about. It would be a deception intended to end in harm to something she loves. I think that's very different from the lies Fearne likes to tell. I think it would be- difficult, at best.
On top of that- Imogen is dangerous. They love her, but they know- she is powerful, immensely so. And so against them- she is dangerous.
The person in the "distraction" role is the one most likely to be in danger. im not sure Orym could contend with giving that role to Fearne, even if it means the final moves are less lethal than is necessary.
(Maybe there is a part of him that hopes for that, too. Neither of them want to do this. Both of them hoping for the best. But Fearne is the one to raise the worry, and Orym is the one to voice the hard possibilities. he has to be. If it comes down to it- if- the roles are bad either way. Its all going to be a nightmare.
If it comes down to it- if. Orym asked Fearne: Are you with me? and Fearne said: Always. And that's what it boils down to, right? No matter what they plan out, if it all goes to hell, it'll come down to the trust, and whatever happens from there.)
(I agree. Fearne seems less suited for this kind of lethality, against someone she loves. Duty over emotion. But also. Fearne loves all these people, and maybe loves Orym a little extra. And if push comes to shove, Fearne trusts Orym, the most. His judgement, his love, his guidance. And so. Are you with me? Always.)
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paperlovesadness · 6 months
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ALSO JUSTICE FOR JET SKIS
Last chance Alex. Last chance
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kekaki-cupcakes · 2 months
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PJO RANT FOR THE ONE PERSON WHO ASKED :D
@seeking-further-illumination here you go, lol.
I think that the expectations of the show were for exactly what everyone wanted, because of Rick's involvement and the budget, but everyone imagined the books differently, so not everyone could ever be happy with it.
There's that, and it is marketed towards a younger audience and I'm not making any assumptions but most of the fans who aren't happy [from what I can see] are a bit older then the target audience [not that there's anything wrong with that, obviously, don't come at me], and if you re read the first book it's literally written for children.
There's literally backlash for everything ever made because for some reason people just can't chill [???] but I think the reason the Percy Jackson show had such a large amount of people unhappy with it is because we haven't had anything like it before. I don't know how to explain it but we've all created our own little versions of the show and made our own content for the fandom cause we were left to our devices for so long, so now that we have something, viewers already have these empires in their heads that they want to see on screen.
I'll just put it like this, if the show came out, like, a few years after the og book series, there would be less people unhappy with it.
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