#parlaphone records

[delux2222]

The Beatles debut single, “Love Me Do,” was released in the UK on 5 Oct. 1962.

The song was primarily written by Paul McCartney. According to John Lennon, “‘Love Me Do’ is Paul’s song. He wrote it when he was a teenager. Let me think. I might have helped on the middle eight, but I couldn’t swear to it.”

It was first recorded on 6 June 1962, with Pete Best on drums. Then re-recorded on 4 Sept. 1962 with Ringo Starr on drums in his second recording session with the Beatles. George Martin was unhappy with the drum sound and recorded the song a third time a week later with Andy White on drums and Ringo on tambourine.

Initial copies of the released single had Ringo on drums (red Parlaphone label), but the Andy White version soon replaced it (black Parlaphone label), and the Andy White version appears on the Please, Please Me album.

“Love Me Do” would not be released in the US until 27 April 1964.

[ntmimodule]

NTMI (chapter 3)

What publishing companies do my peers work with?

. PRS

. Distro kid

. Sony

. Monomyth records

What publishing companies are the artists you admire working with?

. IDLES (Partisan records)

. Jerry Cantrell (Columbia Road runner BMG)

. Agnes Obel (Universal)

Who are the major players out there?

. Sony

. Warner

. Universal

. Kobalt

. Indie flow

. Strengholt Music Group

. Pen Music Group

. Bailer Music Publishing

. Wine Music

. Ditto Music Publishing

. Music Gateway

Are there any forward thinking, Independent companies coming into scope?

. Zappar

. Decent

. Indie Flow

. Your tunes, Inc

Where is Jerry Cantrell in the industry?

. Columbia Records

. Road Runner Records

. BMG rights management

Where is Damon Albarn in the industry?

. Parlaphone

. Food Records

. EMI

. XL recordings

. Warner Records

. Virgin Records

. Honest Johns

. Transgressive Records

. SBK Records

Jerry Cantrell is signed to Major labels, where as Damon Albarn is signed to both Independent and major labels due to his highly collaborative nature.

Research and present two examples of their compositions or original songs, as well as master side recordings of the same songs created by different recording artists. 

Black gives way to blue was written by Jerry Cantrell and Elton John.

On Melancholy Hill was written by Damon Albarn and Jamie Hewlett.

What is publishing? How is the pie divided?

What labels and publishers did/do my chosen case studies work with? How might these contracts, structures, splits, advances and models etc. differ over their two eras?

The main difference in the deals that my chosen artists got are the types of contacts they signed Jerry Cantrell signed long term, big advance contracts where as Damon Albarn signed multiple smaller collaborative contracts.

What should I look for in a Publisher / Record Label?

I should look for a contract that is both beneficial to me and the label/publisher, a contract that best suits my long and short term goals as an artist and is financially fair to all parties involved.

How can I get the most from both?

I can get the most from the publisher and the label by insuring the are evenly distributed and the correct is in place and by ensuring the time scale of the contracts is suitable for the projects wether finished or unfinished.

What are the pros and cons of/skills needed for Self Publishing / Release?

Zero interference and favours owed Ability to be entrepreneurial. Opportunity to build a team and brand,Fewest splits of revenue.

Myopic perspective, What are timelines? Some doors just won’t budge Extremely time-consuming.

#Youtube

[389]

Sad Night Dynamite

#sad night dynamite #elektra records #parlaphone records #cover art #u #i

[patzelenkaguitar]

#the beatles #paul mccartney #abbey road #classic rock #liverpudlian #liverpool #london #rubber soul #sgt peppers lonely hearts club band #emi records #revolver #paperback writer #parlaphone records #ludwig #let it be #rock and roll hall of fame #sgt pepper #eight days a week #band on the run #linda mccartney #coming up #drive my car #egypt station #love me do #ram #venus & mars

[planetmosh]

Iron Maiden announce 40th anniversary vinyl of debut album!

Parlophone Records will issue a very special limited edition 12" vinyl version of Iron Maiden's iconic self-titled debut album on October 9th.

THE LEGENDARY DEBUT ALBUM IRON MAIDEN TO BE ISSUED ON 40TH ANNIVERSARY LIMITED EDITION CRYSTAL CLEAR PICTURE VINYL ON OCTOBER 9TH CELEBRATING NATIONAL ALBUM DAY Parlophone Records will issue a very special limited edition 12″ vinyl version of Iron Maiden’s iconic self-titled debut album on October 9th. The release honours both the 40th Anniversary of the album, which came out on April 14th 1980 and…

View On WordPress

#debut album #Entertainment Retailers Association (ERA) #George Bodnar Archive #iron maiden #NATIONAL ALBUM DAY #Parlaphone Records #Self Titled #Wilful Publicity

[sneakydragon]

Sneaky Dragon Listening Party - Ep. 62

Hello, Party-goers! Welcome back to the Listening Party rumpus room where the beanbag chairs are always waiting!

This week – having finished off our final novelty mix – Mary and David return to the mixtapes of listener Nick Owen for a mix of 80’s indie, psychedelia, alt-rock, art rock, and squelching noises.

Join us in the rumpus room to hear:

Felt – “Sunlight Bathed the Golden Glow” – Cherry Red Records single b/w “Fortune” (the 12” single added “Sunlight Strings” – an instrumental remix of “Sunlight bathed the Golden Glow”), 1984 – 15:29

The Orange Bicycle – “Last Cloud Home” – Parlaphone Records single b-side to “Tonight I’ll Be Staying Here With You”, 1969 – 34:50

Beck – “Rental Car” – Guero, 2005 – 1:14:15

Emitt Rhodes – “Love Will Stone You” – Mirror, 1971 – 1:24:58

Eldridge Holmes – “Pop, Popcorn Children” – Atco Records single b/w “Cheating Woman”, 1969 – 1:35:55

Charlotte Hatherley – “Grey Will Fade” – Grey Will Fade, 2004 – 1:51:05

Jana Hunter – “Vultures” – There’s No Home, 2007 – 2:00:35

Field Music – “Precious Plans” – Field Music [Measure], 2010 – 2:09:20

Lyle Lovett – “Christmas Morning” – The Road to Ensenada, 1996 – 2:17:43

Super Furry Animals – “Run! Christian, Run! – Rings Around the World, 2001 – 2:30:02

Also spinning on the old Victrola:

Felt – “Sunlight Strings” – Cherry Red 12” single b-side to “Sunlight Bathed the Golden Glow”, 1984 – 28:39

The Robb Storme Group – “Here Today” – Columbia Records single b/w “But Cry”, 1966 – 41:25

The Orange Bicycle – “Hyacinth Threads” – Columbia Records b/w “Amy Peate”, 1967 – 48:47

Wilson Malone Voiceband – “Penny Lane” – Funnysad Music, 1968 – 54:44

Boback. Johns, Malone – “On a Meadow Lea” – Motherlight, 1969 – 59:11

Wil Malone – “I Could Write a Book” – Wil Malone, 1970 – 1:07:03

John Butler – “Yes, I Do” – The Loyal Serpent, 1997 – 2:52:25

The Wackers – “Day & Night” – Shredder, 1972 – 2:58:44

Gary Usher – “Sagittarius” – The Astrology Album, 1967 – 3:03:23

Thanks for listening.

Dept. of Corections: “Willesden Green” was not a b-side, but instead an album cut from the Kinks’ so-so Percy soundtrack album.

If you’re interested in hearing Sloan’s murderecords singles collection, you can follow this link!

We talked about it during the show so here Emitt Rhodes singing live against a backing track on that show about grey whistle collections:

https://media.blubrry.com/sneakydragon/p/content.blubrry.com/sneakydragon/Sneaky_Dragon_Listening_Party_62.mp3

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Sneaky Dragon Listening Party – Ep. 62 was originally published on Sneaky Dragon

#Beck #Boback Jones Malone #Charlotte Hatherley #Eldridge Holmes #Emitt Rhodes #felt #Field Music #Gary Usher #Jana Hunter #John Butler #Lyle Lovett #Super Furry Animals #The Orange Bicycle #The Robb Storme Group #The Wackers #Wil Malone #Wilson Malone Voiceband

[tornamesass]

#TheBeatles “Rubber Soul" / 🇬🇧 / Edición: Mono - 1966 / Label: Parlaphone / Condición: VG - VG+ / Precio de venta: $1700 MXN. Les recordamos nuestra promoción vigente: 20 % de descuento pagando con tarjeta (crédito y/o débito) 💳 O 25 % de descuento pagando en efectivo 💸. #LP #33rpm #Vinyl #Record #Records #RecordShop #Recordstore #TiendaDeDiscos #Rock #Pop #classicrock #classics (en La Tienda Del Disco De Vinyl) https://www.instagram.com/p/B7jrmODp6cm/?igshid=1orzil0fmrtsy

#thebeatles #lp #33rpm #vinyl #record #records #recordshop #recordstore #tiendadediscos #rock #pop #classicrock #classics

[100records100days]

Record #98

Supergrass - I Should Coco

Released: July, 1995

Label: Parlaphone

Pressing: 1995 U.K. Limited Edition

Happened to see today that Supergrass is reforming in 2020 for a series of shows to celebrate the 25th anniversary of their fantastic debut album, I Should Coco. Hopefully they’ll find their way to the states as I never got a chance to see them the first go round. Supergrass along with The Charlatans and Oasis make up my top 3 Britpop bands. I spent many an hour listening to these bands and their records. Supergrass’ sound is primarily influenced by The Buzzcocks and The Jam but The Beatles, The Kinks and Bowie are all thrown in there as well. Its this eclectic mix that makes I Should Coco such blast of fresh air. The record is fun, catchy and silly. The bands moves deftly from style to style. From the Jam-esque Caught by the Fuzz to jaunty Kink’s like stomp of Alright. The music video for the latter supposedly prompted Steven Spielberg to approach the band about making a Monkee’s like TV show. The band turned him down. But I digress. It’s always a pleasure to come back to this record. I’m glad they’re playing together again.

#100records100days #vinylcollection #vinylcollector #vinylcommunity #vinylgeek #supergrass #supergrass2020

[buzztvportugal-blog]

Todas as novidades sobre “Humanz”, o novo álbum dos Gorillaz. Os Gorillaz estão de regresso e este próximo trabalho discográfico da banda é um dos álbuns mais aguardados de 2017.

#Damon Albarn #Gorillaz #Parlaphone Records

[dustedmagazine]

Various Artists — Revolution: Underground Sounds of 1968 (Esoteric Recordings)

Among the most interesting tracks on Esoteric Recordings’ multi-disc compilation Revolution: Underground Sounds of 1968 is the Moles’ “We Are the Moles (Part 1)” (interested parties can click here to hear both parts of the song suite). The song is sort of psychedelic and sort of garage-y, a fretting, buzzing bit of pop  bizarrerie, in which the vocalist continuously intones, “We are the moles and we stay in our holes / Hiding our faces, revealing our souls.” The single appeared out of nowhere in November of 1968. Syd Barrett, late of Pink Floyd, tipped the English music press to the fact that the record had been cut by Simon Dupree and the Big Sound, who had enjoyed some success in 1967 with the psych-rock confection “The Kite.” The band’s label, EMI’s Parlaphone imprint, was happy, but Simon Dupree and the Big Sound wanted to play blue-eyed soul and hated being promoted as a psychedelic act. In the midst of that conflict, “We Are the Moles” got recorded and released under the gag name. Market forces, pop music trends and the issue of artistic integrity all converge in the song and the record’s story. Moles stuck in holes. Underground sounds, indeed.

When Revolution, curated by Mark Powell (who also wrote the useful notes in the companion booklet), sticks to the task of unearthing rarely heard British rock from 1968, the compilation is by turns diverting and revelatory. At three CDs and 52 total tracks, it’s sure a lot to listen to. But can a collection including songs by Jethro Tull, Deep Purple, Genesis and other highly recognizable “classic rock” bands really, credibly sell itself as a document of “underground sounds”? It’s true that the version of Traffic represented on Revolution was still very much a psychedelic band, recording Dave Mason’s trippy whimsies; and Fleetwood Mac, whose terrific “Black Magic Woman” is included on the compilation, was then Peter Green’s magisterial, metaphysical blues-rock project. But 1968 is a fraught year to conjure with, when terms like “underground” and “revolution” had a particular sort of resonance. We use them casually at some risk.  

The lazy shorthand for describing British rock in 1968 devolves on the ostensible contrasts between two 7” records: the Beatles’ “Revolution” and the Rolling Stones’ “Street Fighting Man.” John Lennon and Co. derided “destruction” and Maoism and insisted that “it’s gonna be / All right, all right, all right,” while the Glimmer Twins disingenuously identified as “poor boys,” fantasized about regicide and then split for a tour of the U.S.A. The Stones made the better single, but neither of those options is all that attractive, culturally speaking. Neither is included on Revolution, and the compilation is surely useful for demonstrating the falsity of that limited choice. British music was a lot of things in 1968, varying from the overheated weirdness of the Crazy World of Arthur Brown (represented on Revolution by the amazing “Child of My Kingdom”) to the rigorous folk project Pentangle (represented by the excellent “Sovay”) to more heady, experimental rock. One of the best songs on Revolution is “Reality,” the title track for the first LP by Second Hand. The tune emerges on tensile, dissonant lines of symphonic strings. After a few minutes, mellotron and guitar surge into the foreground, and Ken Elliot’s raw, mournful tenor propels the song into dizzying forms. Some hear the emergence of prog rock in the record (an unfortunate prescription). For sure, the complexity and struggle of 1968 resonate through its remarkable, pained tones.  

In any number of ways, 1968 was a year of grim realities. The tumult of the American war in Vietnam and the radicalization of the anti-war and civil rights movements dominate historical narratives of a year that also included the horror of Biafra, the Prague Spring and the May uprising in Paris. In Britain, 1968 saw passage of the Commonwealth Immigrants Act, which sharply curtailed immigration flows to the island — legislation especially motivated by British (that is, white) anxieties about hundreds of thousands of Commonwealth citizens, most of them South Asian, being displaced by Kenya’s Africanization policy. It’s an important feature of the cultural and global contexts into which this music was released, including John Mayall’s terrific “Fly Tomorrow,” with its tabla-driven intro, and Blonde on Blonde’s “All Day, All Night,” with its shimmering passages of sitar. They’re both great tunes, and they’re both included on Revolution, but their blithe distance from the politics of their moment haunts the pleasures they create.  

Mayall’s song constructs a rock’n’roll elsewhere of tours, fame and plenitude. The lyrics glide along “way up in the sky,” and the band’s performance reaches for significant heights. “Fly Tomorrow” features guitar work by Mick Taylor, who would soon leave Mayall’s Bluesbreakers to participate in a storied run with the Stones. Like the Commonwealth citizens abandoned in Kenya, the Stones did some time as exiles. Strikingly unlike those thousands of South Asian men, women and children, the Stones’ reasons for staying abroad were strictly cynical and financial. None of that is Mayall’s fault, or that of “Fly Tomorrow.” But it’s hard to discount the weight of history when listening to this collection, and we shouldn’t want to. Hearing Revolution’s songs alongside one another is compelling, and troubling. For that reason, it’s worth ignoring the compilation’s facile claims about representing an “underground.” Bring the music back to the surface, and listen to what it tells us about where pop culture has been. We can learn something from it. That’s a pretty good thing to say about a bunch of rock records.  

Jonathan Shaw

#Revolution: Underground Sounds of 1968 #esoteric #jonathan shaw #box set #dustedmagazine #albumreview #mark powell #classic rock #psychedelia #1968 #britain

[cameron1998]

#parlaphone #record sleeves

[thestillnessandthedancing]

February 27th 2019

Started things off with a tribute to the late Mark Hollis then dabbled with light, dark and spacious sounds. Thanks for listening.

-hour1- Talk Talk & Mark Hollis - the Rainbow (from.. Spirit of Eden - 1988 - Parlaphone) Nakayama Munetoshi - Blackout (from.. Split - 2019 - Muzan Editions) George Johnston - Monomyth (from.. In Perpetuity - 2019) H. Takahashi - Despair (from.. Elegy - 2018 - Muzan Editions) Lofield - A Brief Moment (from.. Slow Cycles - 2019 - Rusted Tone Recordings) ABNA BON - SPARK (from.. ST - 2015) Ólafur Arnalds - inconsist (from re:member - 2018 - Mercury KX) Richard Luke - Everything a Reason (from.. Glass Island - 2019 - Moderna Records) Ivan Kapec - The Gray Side of Dance (from.. Droneuary L - 2019 - Silber Records)

-hour2- Erik Kramer - Face of God on the Forest Floor (from.. A House, Floating In the Middle of A Lake - Anthropocene Recordings - 2017) Baanya - The House I Lived In (from.. Whatever Happened to the Electric Car? - 2017) Eerfje Harings - VI (from.. Back in the House Where I found Myself - 2018) The National Park Service - Smooth J (from.. Secret Wind - 2016 - Lily Tapes & Discs) Kaya North - Ancient Conifers Reign (from.. That Comes From the Tree And the Mist - 2019 - The Eagle Stone Collective) Saleeha - Ecstatic Crescent (from.. Come Wander Through the Pale Dark - 2018) Knivtid - Skimmer (from.. Spiritism - 2019) Mi Cosa de Resistance - Rue de Silence, 2 a.m. (from.. Midnight Miniatures - 2019) Alessio Ballerini - Sunrise (from.. Wiwanana OST - 2018 - Facture)

*Mark Hollis 1955-2019

#talk talk #mark hollis #drone #ambient #experimental

[livesets-dj-mixes-edm-podcasts]

Download Defected Radio Show hosted by Monki - 16.04.21 for free now!

Artist: Show: Defected Radio Show hosted by Monki – 16.04.21 Quality: 320 Kbps 48000 Khz Genre: House Source: RSS

Listen to more Defected Radio Show episodes

Defected Radio Show hosted by Monki – 16.04.21 Tracklist

The most upfront tracks around today, as featured on the world’s most listened to weekly house music radio show….

01. Elderbrook – Body [Parlaphone] 02. Nala – Sun Is Hot [DIRTYBIRD] 03. Horse Meat Disco Feat. Fi McCluskey – Love If You Need It (Mousse T.’s Classic Shizzle) [Glitterbox Recordings] 04. Jimpster & Rich Medina – This Thing (Vocal Mix) [Foliage Records] 05. Hyenah Feat. Mr. V – 3rd Eye (Raw Beat Edit) [RISE MUSIC] X Karizma – 4 The Love (Accapella) [Code Red Recordings] 06. Monki – Yurican Soul [Hot Creations] 07. Logic1000 – Like My Way [Therapy] 08. MOST RATED: Honey Dijon Feat. Annette Bowen & Nikki-O – Downtown [Classic Music Company] 09. Jansons Feat. Dope Earth Alien – Medicine [Circus Recordings] 10. Adelphi Music Factory – People Everywhere (Can You Feel It) (The AMF Acid Mix) [Beat Factory] 11. Mr G. – Its Like Dat Boo [Phoenix G] 12. Masters At Work – Mattel (Kenlou Dub) [MAW Records] 13. 4 To The Floor: Jonas Rathsman – Tobago [DFTD] 14. Audiojack X Jem Cook – Feels Good [Crosstown Rebels] 15. Jayda G – All I Need [DJ-Kicks]

The podcast Sam Divine – Defected In The House is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

Follow us on: Facebook, Twitter, Instagram, Reddit & VK

#Podcasts & Radio Shows

[edmlivesets4u-blog]

Listen or download Defected Radio Show hosted by Monki - 16.04.21 for free now!

Artist: Show: Defected Radio Show hosted by Monki – 16.04.21 Quality: 320 Kbps 48000 Khz Genre: House Source: RSS

Listen to more Defected Radio Show episodes

Defected Radio Show hosted by Monki – 16.04.21 Tracklist

The most upfront tracks around today, as featured on the world’s most listened to weekly house music radio show….

01. Elderbrook – Body [Parlaphone] 02. Nala – Sun Is Hot [DIRTYBIRD] 03. Horse Meat Disco Feat. Fi McCluskey – Love If You Need It (Mousse T.’s Classic Shizzle) [Glitterbox Recordings] 04. Jimpster & Rich Medina – This Thing (Vocal Mix) [Foliage Records] 05. Hyenah Feat. Mr. V – 3rd Eye (Raw Beat Edit) [RISE MUSIC] X Karizma – 4 The Love (Accapella) [Code Red Recordings] 06. Monki – Yurican Soul [Hot Creations] 07. Logic1000 – Like My Way [Therapy] 08. MOST RATED: Honey Dijon Feat. Annette Bowen & Nikki-O – Downtown [Classic Music Company] 09. Jansons Feat. Dope Earth Alien – Medicine [Circus Recordings] 10. Adelphi Music Factory – People Everywhere (Can You Feel It) (The AMF Acid Mix) [Beat Factory] 11. Mr G. – Its Like Dat Boo [Phoenix G] 12. Masters At Work – Mattel (Kenlou Dub) [MAW Records] 13. 4 To The Floor: Jonas Rathsman – Tobago [DFTD] 14. Audiojack X Jem Cook – Feels Good [Crosstown Rebels] 15. Jayda G – All I Need [DJ-Kicks]

The podcast Sam Divine – Defected In The House is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

Follow us on: Facebook, Twitter, Instagram, Reddit & VK

#Podcasts & Radio Shows

[newscoldplay]

Oh, we still have a couple more [laughs]; we’ll be with them a little while yet. We love working with them, they’re a great label.

Dave Holmes on Coldplay’s recording contract with Parlaphone/Warner

#coldplay #dave holmes #article #interview #mbw greatest managers #cp news

[mhart9df]

The Beatles - You Can't Buy Me Love - 7" / 45rpm / black paper lables - b side / you can't do that - label / parlaphone / r5114 - original '64 pressing - reached no.1 on us billboard charts #vinyl #lp #vinylalbum #vinylmusic #vinyloftheday #vinyloninstagram #instavinyl #instamusic #vinyllover #vinylheaven #vinylporn #vinylgeek #vinylfreak #vinylcommunity #vinylcollection #vinylcollector #vinylcollective #addictiontovinyl #colouredvinyl #vinylcommunitypost #vinylcollectionpost #oldmusic #ilovevinyl #records #vinyljunkie #thebeatles #beatles #60s #beatlesforever https://www.instagram.com/p/CKZKA4ZMGja/?igshid=nac3lwwmc9c3

#vinyl #lp #vinylalbum #vinylmusic #vinyloftheday #vinyloninstagram #instavinyl #instamusic #vinyllover #vinylheaven #vinylporn #vinylgeek #vinylfreak #vinylcommunity #vinylcollection #vinylcollector #vinylcollective #addictiontovinyl #colouredvinyl #vinylcommunitypost #vinylcollectionpost #oldmusic #ilovevinyl #records #vinyljunkie #thebeatles #beatles #60s #beatlesforever