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#performance tax
chernozemm · 4 months
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finally bent and drew sth for @blairamok 's On Thin Ice AU!
i have near to no knowledge on figure skating but i like a motif and i like drawing gorgeous poses, hence: Crowley showing off with a slutty slutty cantilever
it would have to be cut and rearranged to fit a program, but i was imagining I Want You (She's So Heavy) for the music; something slow, tempting and sensual
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pulsingvoid · 3 months
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"She's been possessed by the devil." Again? "Oh, for fuck's sake."
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maxsix · 6 months
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countess-of-edessa · 8 days
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maria khoreva: has been posting on Instagram about how she'll be performing at the YAGP New York gala for a while now, obviously not keeping it a secret at all and lots of ballet people have been discussing it
some stupid representative in albany: you kept this a SECRET from us so we couldn't protest because you were trying to sneak in the Russians under the radar how dare you they're representatives of Putin >:(
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oh besties i’m 100% LOSING it rn because i got to give jodie my crochet tessa doll i made her 😭😭😭
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burning--heart · 4 months
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The Grinning Man is Not a Horror Show
this post brought to you by: my own personal experience trying to show this musical to people (which i have already talked about briefly) and also this post by castledock:
the mainstream media’s perception of LHQR is almost always “well I haven’t watched or read it but this guy looks scary so it must be a very disturbing and scary book/movie” and every time I go outside of my little circle of LHQR Appreciators it’s like being slapped in the face by Ableism
i’m spinning this off into my own post because the essay got Long and also it’s definitely about tgm and not lhqr. strap in y’all.
like, ok. you see the pictures online. the protagonist has a bloody bandage on his face, the lighting is moody, and the puppets are creepy i guess (but they are so charming once you see them in motion)…
i’ll be focusing on flesh-and-blood adult grinpayne and his face. does it cause him a lot of grief? yes. is it central to the show? absolutely. but are you meant to be scared or disturbed by it? no. if you were, then yeah. this would be a horror show, and a bitingly ableist one at that. but it’s not.
there is one single moment where we are made to see grinpayne’s face as horrifying, and even then it's... well. it’s not about his smile being grotesque. not really.
it happens when his frustration at being kept as a spectacle because of his face reaches a tipping point. he bites back. "i'm the stuff of your nightmares," he says, "i am the freak show! watch me smile!" it's not an empowering moment. he is gutting himself for his audience.
He removes his bandages and reveals his jaw - a huge nightmarish bloody grin. Horribly unhealed. Red. Raw. Glistening. It's there, and then it's gone. “Laughter" riff crashes in and the world tilts.
Above is the stage direction from the script. Note that the “Laughter” motif is identified by name.
We can see how this was executed onstage in Bristol: The reveal is accompanied by sickly green strobe light, Louis Maskell as Grinpayne snaps his head to the side, there's a brief blackout, we are jumpscared by a giant grinpayne puppet head in the same green strobe, blackout again, then it’s on to the characters' reactions.
It sounds horror on paper. it looks very horror in Bristol. and yet the characters react as though they've just seen heaven. what's up with that?
here lies one of the biggest challenges the grinning man has: its empathetic theme gets easily muddied by the reactions the other characters have to grinpayne. generally, when experiencing a story, we look to the characters within it for cues on how we should feel about its topics, and they guide us through it. this is especially true of media aimed at children. the grinning man is... not like that. the royals and the people of the fair see his face and they are instantly enlightened! with sudden clarity, you're him, and he is you!
the audience doesn’t get it. 
but i don't think we're supposed to.
Song lyrics like ‘you realise that you are him and he is you’ explain to us Grinpayne’s effect on his audiences, but we are never shown that experience nor are we invited to feel that experience ourselves. (Brendan Macdonald, Exeunt)
this reviewer was close, very close, but has jumped to conclusions and ended up shutting the door on the idea that makes the musical make sense. its true that we are told how the other characters see grinpayne, and we don't get to experience that for ourselves. but the thing is, while we are told one thing, we are actually being shown something entirely different.
characters in his audience look at grinpayne and we are told they have an earth-shattering revelation. we hear them explain it multiple times. despite this, their reaction is not what we feel. this is the part that's unintuitive.
here’s where we circle back to the face reveal. the dramatic imagery clashes with what the fictional audience is seeing and feeling. this is because we, the non-fictional audience, are not supposed to be putting ourselves in their shoes at all. the character we’re anchored to is grinpayne. and to him, this is not a triumph of self-discovery. the horror isn’t in his appearance, it’s in how people treat him because of it.
and when it comes to the characters’ revelations, it’s not really about grinpayne anyway. it’s about themselves and what they project onto him, whatever that is. grinpayne is a symbol to almost everyone, whether they see him as a gruesome face, a lord, or a god. they don't understand him when they look at his face.
the audience of the grinning man, unlike the characters within it, are provided the opportunity to connect with grinpayne on a deeper level. we get to dive into his head like nobody else. this is why “Labyrinth” is a big deal (this is also why them changing over half the lyrics to this song at the transfer is a big deal). this is why dea’s love for him is a big deal: she sees him for who he is, and has from the start.
we also get to see the “real” grinpayne (and even love him for who he is), but unlike the characters’ sudden (and shallow) enlightenment, our understanding of grinpayne is gradual, but truer because of it. it builds slowly and perhaps unnoticed throughout the show until you’re fully immersed; it’s something that you feel, not think. though, if i had to pick a moment, personally, it would be “when they are gazing at my grin / what is it that they see within?” from “Labyrinth” because that line knocks me on my ass to this day.
and. surprise! this deeper understanding is also why i think this show is a musical and not a straight play. nothing has the emotional capacity that music does. we aren’t just told the way grinpayne feels; his songs allow us to feel with him in a way that spoken word never could. that’s how we connect.
at the end of the day, this guy still has a bloody face. and some people are going to see this and assume that tgm is horror. but hopefully if they watched it they’d change their minds, because the grinning man shows us the most (and only truly) disturbing thing about grinpayne’s injury is the cruelty and misunderstanding he faces at the hands of a miserable world where “laughter is the best medicine.” and “I Am the Freak Show” may contain the moment with the strongest “horror” visuals in the show, at least in the original production, but it’s actually a crucial example of why tgm itself is not a horror show itself.
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professionalowl · 3 months
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i am very fond of my professor as i am sure you all have picked up on at this point but if he keeps talking about my hypothetical doctorate i am going to hit him with my shoe
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bibleofficial · 7 months
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ok actually ? based
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sunnixsunshine · 1 year
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I took a three hour nap after work orientation and I’m still tired
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parsleymusic · 6 months
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the urge to respond to critique about portrayal of unpolitically correct attitudes or phrases or actions or whatever in regards to mental illness with "what if I told you that it's not my job to tell my readers that when my character says stuff like 'my binge eating disorder is not as bad as my brother's bipolar + PTSD combination; he has to win at something' that it's Bad and the Wrong Attitude to have when it's largely a tongue in cheek joke about living with mental illness and watching the people you love experience a different flavor that is also worse
#one of my characters tells another character that her grandmother committed suicide#and the critiquer said that I should have said died by suicide#because that is now the “correct” way to talk about suicide#and... I know that#I work in the psychology field#and i'm aware of how speech impacts perception#however#my character does not care about this distinction#and honestly neither do I#it doesn't matter to me whether or not you say “committed suicide” or “died by suicide”#and I have had someone close to me kill themselves#it fucking sucks but no amount of “died by suicide” takes away the reality of the action being performed by the person dying#imo it's a cheap trick that purports to discern the complexities of suicide in that people who do it aren't fully to blame for it#but it doesn't! that conversation needs to happen in full without shying away from the reality that the person did choose to die!#I just... I don't know#i want to portray life as it is not as we wish it to be and I'm not writing a message book about mental illness#also this critiquer comes from the YA space and this book is adult and I fear that the gearing towards YA generally meaning a more actively#condemning attitude towards “problematic” attitudes regarding characters that doesn't have to be present in adult fiction#dealing with someone else's mental illness for years and years is taxing and takes a toll on you and that's problematic sometimes#but you know what! everything is!#/this person had a lot of good things to say but there is something so blah about this in particular#“say die by suicide”#no#anyway
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rosalyn51 · 1 year
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On this Tax Day, I will be choosing you!
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rondocapri · 1 month
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Idc idc deniss won gold as far as I’m concerned
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rpglesbian · 1 month
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I wanna be at a shitty rock show SO bad rn
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justsmilingatnothing · 6 months
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chrissy is a sonny angel girl, keeps an emotional support sonny on her, carries them in her empty purse next to her lip gloss, crochets them clothes when the catholic guilt becomes too much to bear, has too many of them, impulse buys even more, rinse and repeat.
eddie is a does not get it bf but loves seeing how silly his gf gets over her weird little babies while worrying about them watching him sleep, ends up assigning them criminal backgrounds to tease her with but she's so happy he's partcipating
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aq2003 · 1 year
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i am not going to lie. The eeaao sweep at the oscars does feel just a little bitter to me because half of the entire emotional crux of the movie was not awarded anything
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balteus · 10 months
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i love krita as a concept but by god if it doesn't have several of the most brain dead stupid moronic idiotic fucking UI design decisions known to man
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